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#fandom oriented
batshaped · 3 months
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wane, little crescent, and i'll be the moon
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teethflavoured · 14 days
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cat annie dog spyke haha lol
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rawliverandgoronspice · 6 months
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Actually I think we should all collectively work harder at misunderstanding TLoZ canon and simping for Ganondorf and I'm not even kidding.
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oplishin · 5 months
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I really love the way RF Kuang wrote Rin's relationship to her culture because it's fucking terrible and cruel.
Rin is the last Speerly, and that puts a soul-crushing, unbelievably unfair amount of responsibility on her. She has to be the one to preserve her culture because there is literally no one else. After her, her people will be dead, and they'll be unable to represent or speak for themselves. All that will exist of Speer is other people's interpretations of it, of what they want Speer to be, how they want it to serve their own cultural narrative.
But, god, how could she possibly represent her people? She has no relationship to her culture, any representation she gives it is inherently from an outside, colonized view. Her culture was robbed from her, but she's still burdened with the responsibility of preserving it. She's woefully inadequate for the job, and she knows it. She's literally, physically unable to continue her people because of a choice she made before she knew she was the last of anything. But, even if she had known, it should've NEVER been her responsibility to continue anything, to boil herself down to a reproductive device for a people she owes nothing and everything to.
Rin doesn't dwell on this very often because, oh my god, there's a war happening, and all her friends are dying, and she'll die too if she doesn't keep going, and these lofty ideas of culture and colonialism are for people who don't have to live in a messy, war-torn reality, people have time to think about anything. R F Kuang does a great job of using Rin as an unreliable narrator here. It's clear that she's fucked up about this, but that she will not allow herself to think about it. She's One person, situated and trapped in her One life. She can't be expected to speak for a whole people. So, she pushes her culture aside. She has to live with the fact that this is it, she's the end.
Then, she dies, and Speer dies, and nothing is fair.
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relicofkorax · 2 months
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scoliosisgoblin · 2 months
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Beth and Jerry doodles
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koko2unite · 9 months
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Best size difference trope is when the smaller guy is the big spoon
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ihavedonenothingright · 6 months
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I haven't really been a fan in a while, but hearing Zeltik say that for the film, Ganondorf should be "a deranged, monstrous warlord who wants power, and nothing else" genuinely enraged me. I need to know what the fuck would make someone think that is the best thing to do with him. I know it's what they will do—I have zero hope of nuance, or even a motivation for him—but just. God, even the Zelda manga understood what to do with him! Why do you hate depth? What is wrong with you?
I am going to be very straightforward here: making him do what he does just because he's "mad" not only makes for an uninteresting villain, it also falls neatly in to a myriad of disgusting orientalist tropes that you can't avoid responsibility for just by giving him green skin. He is the only male representative of the Gerudo we ever see, and while the games will sometimes allow them to be the "good guys" (so long as they're assimilating into Hylian culture, or working in its interest), what Nintendo created in Ganondorf and his backstory was the equivalent of one of those slave market or sexy harem paintings of the late 19th century. He's the evil-for-evil's-sake depraved and decadent man in possession of unlimited numbers of scantily clad women, and that is, beyond a doubt, an orientalist notion. But he doesn't fucking have to be.
Frankly, up until Tears of the Kingdom, Nintendo was getting better about him. I still think Akira Himekawa did him best, but Wind Waker Ganondorf is beloved because of his contradictions. He's undertaking actions we would consider evil for an ultimately fruitless cause, but he's not "deranged," he's consumed by the (literal) sunk cost fallacy, unwilling to give up on a dream he's already lost. Even in Ocarina of Time, he's the product of Hyrule's own making. The King of Hyrule is the one who launched a civil war, Hyrule is the nation with hidden torture chambers and guillotines. The Gerudo weren't even thieves before the war; Nabooru is anti-Hyrule, she disagrees with him on method.
Anyway, yeah. I keep forgetting what a cesspool the fandom is out in the wild. But for the love of God, I need people to start handling this man with some care.
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thearoaceshark · 2 months
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thepoisonroom · 14 days
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frankly we need more acknowledgement that sometimes you have an first/early/formative gay kiss or sexual experience and you're like wow that sucked ass maybe i got it wrong but actually sometimes gay dating and kissing and sex just aren't very good. as is true for all dating and kissing and sex. many such cases
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pain-is-too-tired · 1 month
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One thing I like to hc with the Apollo Head Counselors is that they all represent a time of which the sun is out.
Lee - Dawn/Dusk
Mainly dusk, but pretty much imagine him in browns, oranges , dusky yellows and reds and the like.
Michael - Twilight
Starts after the fall of Dusk,short lived. Haralds the start of darkness and but also first light when it falls. The darkess time in which the sun is out. I see him muted/ dark blues,dull browns and blacks. Maybe a touch of greyish pale yellows.
Will - Daylight
Longest lived, bright, it's what most people think about when they think of the sun. With his golden sun kissed hair and sky blue eyes its pretty on the nose. I see him in bright/light yellows and blues.
Idk why I thought of posting this, I just love them and wanted to share my thoughts.
Think it is pretty obvious how I tend to draw them, but it's fun to write it out ^^
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jotun-design-party · 11 months
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on fandom orientalism, ft. a quick visual example:
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the example on the right is something i drew solely using references of the top results i saw on pinterest upon searching "jotun loki." please don’t roast my inconsistent handwriting
south asian cultures are often jumbled together for white artists of all kinds (authors, artists, movie directors) to create a sense of mystery and make things look "more foreign."
note: this doesn't touch on the antiblack racism in canon jötun designs; this post is primarily about fandom-sourced fetishization. i heavily encourage people to reblog and add onto this post anything i may have missed or added nuance
cut: links on orientalism, in-media examples, how this manifests in fandom-made content
i'd like to start off by saying that this post is a white person telling other white people how to spot orientalism in relation to fiction. i am by no means an expert on any of this, but my goal here is to start creating a less ignorant space that doesn't push people out of fandom.
i'm just trying to stir up more conversations about this and get other white people to think more critically about how they engage with the content they consume. nerd shit should never come with a sacrifice and it's extremely upsetting to see people of color consistently forced out of fandom communities, especially when modern superhero comics began as a way for jewish people to have a voice.
if this post upsets you, i don't want to hear it. don't tell me, "it's not that deep," or, "keep politics out of comics." it is that deep, and superhero comics have always been political. if you have the urge to leave a comment or send an anon about how you don't think it's a big deal, feel free to block me instead, because i don't care and you'll just get blocked anyway 👍
with that out of the way,
Q:
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A:
there are countless ways to design a character in a way that makes it clear that they are an alien, or to make them sexy, and there is no excuse to perpetuate stereotype that put real-life people in danger to do so.
"Orientalist paintings and other forms of material culture... depict an 'exotic' and therefore racialized, feminized, and often sexualized culture from a distant land." [¹]
there are so many examples of this in loki fic and art. it's extremely common to see loki depicted as a feminine object of desire. they may have longer hair. clothing that serves more as an accessory than an outfit, that isn't suited to protect them from either the harsh cold of jötunheim or the sunburns one might get when surrounded by reflections of the sun off the snow. draped in jewelry, and in a compromising position.
i'm sure you can imagine how this can get especially out of hand in relation to thorki. i would speak more on thor's presence as both the white aesir prince or the strong barbaric jötun, but as i'm not comfortable consuming thorki content, i don't have enough context to speak on the stereotypes used outside of the art pieces i've seen while searching for jötun loki fanart.
i am, however, confident in saying that orientalism often serves as a device for fan creators to show a contrast between Asgard's white-viking-british-accent-magic-science-elegance. jötunheim, in the comics, is often portrayed as a less intelligent, cutthroat, barbaric, and bloodthirsty culture.
"There was always something unknown and uniquely different about Orients which reinforced the distinction between the European 'us' and Asian 'them.'" [²]
the green link in particular comes with a helpful tool for anyone who might be inexperienced in spotting racist themes in media. if you have trouble being confident that the media in question is orientalism, this link comes with a checklist scale to score how likely it is to be an offensive depiction.
an example that most of you will be familiar with is Disney's Aladdin (1992). the green link goes much more in-depth about the intricacies of Aladdin's orientalism, and i heavily HEAVILY encourage you to read it, as it will help fully grasp the way fetishization and demonization go hand in hand in orientalism.
here, i'd also like to use it as a comparison to show why this loki stuff is honestly... egregious.
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by now, even the visuals here should seem very familiar.
the source goes on to use arranged marriage as an example of a common "trope" in orientalist fiction. as previously stated, i don't consume thorki fiction. however, i am EXTREMELY confident in making the guess that it tends to be a common theme when jötun loki is paired with an aesir thor.
i'd also heavily recommended this article and this wikipedia page, both on the negative and stereotypical portrayals of romani people; loki is a magic user, and i suspect that one of the reasons there is such heavy use of these appropriated, exaggerated, and fetishized themes and visuals is because of the demonization of romani people as tricksters, thieves, and witches.
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jheselbraum · 19 days
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Much like how the majority of people who wanted totk Zelda to stay a dragon at the end actually wanted Zelda to be a big tiddy dragon girl, I feel like what a lot of people who say they wanted a more complex Ganondorf for totk actually just want a Ganondorf that's a tumblr sexyman, and are too racist to realize that he already is one
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hollytanaka · 4 months
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More recently, the teams behind Call of Duty have attempted to give more shade and nuance to their depictions of the Middle East. The Modern Warfare reboot centers on an Arab woman named Farah Karim, one of several playable protagonists. “It’s rare to find a memorable brown protagonist,” Hussain said when discussing the history of video games. But Farah is certainly memorable—she survives a chemical attack in the opening act and leads her home country’s freedom fighters [...]. But there’s one problem: Farah is from an entirely made-up Middle Eastern country called Urzisktan. All the other main characters have their roots in real places (Price is from the United Kingdom, Alex is an American), yet she is from a fictitious Middle Eastern place ravaged by war, divided into people who engage in terrorist acts and those who don’t. The entire region is flattened into homogeneity as a result, and it’s all too common in these types of games. “We jokingly call it ‘Arabistan,’” game developer and consultant Rami Ismail said via video call. “A game designer once came up with that term…I think a lot of us use [it]. Some people say it’s a nice thing, but I don’t really see it that way. It just means that we’re literally interchangeable, our cultures are interchangeable.” Ismail continued, “From where I’m sitting it’s like, ‘yes, there’s a country in the Middle East, it needs to be bombed.’ That’s not an improvement to me, at least have the decency of picking a place and then doing it. But by homogenizing it, they can effectively go, ‘no, no, we don’t mean any of the real people. We mean the fictional Arabs that by default are terrorists.’” [...] “It’s perpetuating the idea that there is a singular, Middle Eastern country,” Shammas said during our chat. ”It actually ties in very strongly [to current events] because we’re seeing people say, ‘Oh, well, just take the Palestinians into Egypt, take the Palestinians into Jordan.’ These are different people with different Arabic languages…Call of Duty reflects the fact that we treat these cultures as totally swappable and why people don’t care about the displacement of Palestinian indigenous people specifically.” Shammas returned to that concept later, when I brought up the image circulating social media of an alleged Israeli soldier wearing a face covering similar to Ghost from Call of Duty. “Stateless people, unnamed country—Palestine might as well be anywhere else,” she explained. “It helps with the subtle colonialist narrative that the space is empty, barren, and owned by babbling savages that you can now enter and make something of.” [...] But for many, reckoning with the legacy of military games seems nigh impossible. “There is no value in any military game, and honestly, people should find better games to play,” journalist Saniya Ahmed said in an email. “No cultural representation can come from Call of Duty, nor should it.” Shammas brought up God of War 2018 as an example of a franchise taking its core concept and turning it on its head, questioning protagonist Kratos’ legacy and relationship to violence. Can Call of Duty do something like that? “No. I don’t think it can,” she said. Ismail agreed. “The problem isn’t necessarily that we shouldn’t have Call of Duty games or that Call of Duty should be different from what it is,” he said. “Changing that would require a level of courage and a level of insight at the corporate level that just isn’t possible within our system of making games…Call of Duty is a roller-coaster built on the American consciousness of war.”
– Alyssa Mercante, "We Have To Talk (Again) About How War Games Depict The Middle East," KOTAKU (December 7, 2023).
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ravenkinnie · 2 months
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yall can say im a hater for this but when people post like wow fanfic writers do it all for free like no they don't. nobody makes money off this shit legally but I promise you they do it for clout, for interaction, attention is its own currency. why do you think fanfic writers always have insane intercommunity drama - because this shit can make you insane. you will have people fighting to detah over a window seat in a clown car, like yes it's a labour of love but also DO NOT underestimate the appeal of having a minor to major online following. the pay off for writing OG work is so miniscule because the chance of hitting it big is tiny amd it can take so many years just to debut with one 100k novel that will likely generate minimal attention that fanfiction is actually way better if you're more oriented towards community/following
that being said, there is a lot of people who write fic for a ton of reasons and genuine passion is one of them and I do love the creativity that is born from that and I love the little community that can build around canon with all different interpretations, styles, genres etc etc but if you ever see big name fan drama just remember that they do that for the same reason people have random influencer beef on tiktok, attention is perhaps even more powerful than money
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peonycats · 1 year
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did i just see someone hc South Korea to be the child of North Korea and America post-WWII
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