#fear street part three: 1666 (2021)

[vvalliu]

Fear Street Part Three: 1666 - 2021

#Fear Street Part Three: 1666 #Fear Street: 1666 #fear street #netflix #horror movie #2021 movie #movie #sadie sink #my gifs #gifs made by me

[moviehealthcommunity]

Fear Street Part Three: 1666 (2021)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Fear Street Part Three: 1666 has several scenes lit by flickering fire. Spinning-style police car lights are used in one scene. A screen shows strobing electrical arcs for just a couple of seconds.

The camera is frequently handheld, but shaking is not frequent.

Flashing Lights: 4/10. Motion Sickness: 5/10.

TRIGGER WARNING: There is bloody and gory violence in this film. One person vomits on-screen immediately after witnessing an act of violence against an animal.

Image ID: A promotional poster for Fear Street Part Three: 1666

#Movie Health Community #Health Warning #Actually Epileptic #Photosensitive Epilepsy #Seizures #Migraines #Motion Sickness #Netflix #Fear Street Part Three: 1666 #July #2021 #Kiana Madeira #Ashley Zukerman #Gillian Jacobs #Olivia Scott Welch #Benjamin Flores Jr. #Darrell Britt-Gibson #Leigh Janiak #Rated R

[trulyinspiringmovies]

Fear Street Part Three: 1666

“Fear Street Part Three: 1666″ actually managed to turn me around on this series, but not completely.

Sarah Fier was a closeted lesbian in 1666. One night, she steals fermented blueberries from the local witch and has a party with her friends. She takes her lover, Hannah Miller, to the woods and they start making out. In the middle of it, they notice someone has seen what they’ve done. They’re worried that if word gets out, they’ll be hanged. The next day, food begins to rot, the water supply gets poisoned, and the pastor commits an unspeakable horror. Sarah starts to believe that maybe her immoral deeds invited Satan to her town.

I was surprised at how effective this movie was at revealing key information. The twists and reveals of this movie has retroactively made me like the other two movies a little better. I still stand by my ratings for them, but I can appreciate them a bit more. I initially thought I would like this movie the least since I was skeptical they could pull off the time period right. While the accents were really bad and they made no effort to make most of the characters look like they were from the time period, I can’t expect Robert Egger’s level of detail in a movie like this. Still, this movie does a lot of things right surprisingly. For starters, the romance in this movie was a whole lot better. Seeing Sarah and Hannah actually be in love was refreshing because it made me actually root for them, unlike Deena and Sam in 1994. While the first film had the main characters be lesbian for a reveal, this movie recontextualizes their sexuality as something tragic. They’re two girls who love each other, but can pay dearly for it if caught. Having these characters be cute together and having me root for them highlighted the oppression they must’ve felt during the time period. I’m always for movies that have inclusion that ties in with the rest of the story or is just casually mentioned to normalize it. I hate it when inclusion is weaponized for virtue signaling or advertisement. 1994 and 1978 had a bunch of licensed songs that drove me crazy, but 1666 had the luxury of having an original score. And let me tell you, this score was really good. It makes me wish that the whole series had an original score because the music choices up until this movie were nostalgia-bait at best. Another thing I’m glad took center stage was McCabe Syle’s Mad Thomas. I said he was born to play a villain in my last review and he proves me right in this movie. He’s outshining the rest of the cast with his performance. I have a lot of praise for this movie, but I still had issues with it. It sucks too since I wanted to really like this movie and give it a higher rating, but I can’t because the problems are just too glaring. When the movie cuts back to 1994, they immediately hit us with a licensed song. It’s almost as if they were holding it in until they couldn’t anymore. There’s also a complete disregard for the rules whenever the writers need something to happen. There are these two cops that get killed, but they don’t have Deena’s blood on them. The same thing happened with two hospital staff members in the first movie. The sequel-baiting also forfeits the possibility of this movie having decent closure. The person whom Josh was chatting with was revealed, but it was done in a way that felt like finishing a checklist. The post-credit scene also felt dumb because the book would’ve been taken in as evidence by the police. Finally, the dialogue goes from decent to bad as soon as we jump back to 1994. I couldn’t help but roll my eyes when they revealed who the evil person was. Other than that, this movie was better than I expected. It’s made me feel open to the idea of more entries into this world. I’m not outright excited for them, but I would watch them if they were to be made. Still, I’m glad it stuck the landing since this use of the medium has never been done before and I’d love to see more movies of this kind be made.

★★★

Watched on October 26th, 2022

#Fear Street Part Three: 1666 #July #2021 #Horror #Mystery #R #Leigh Janiak #October 2022 #3 stars

[marthaskane]

We're still here because of [Sarah Fier].

FEAR STREET PART THREE: 1666 (2021) dir. leigh janiak

#fearstreetedit #fear street #sam fraser #deena johnson #sameena #deena x sam #romancegifs #filmtvcentral #cinemapix #dailyflicks #mine #mine: gifs #mine: misc #fear street part three: 1666 #movies

[rogerdeakinsdp]

HORROR FILMS + LANTERNS/KEROSENE LAMPS

THE AWAKENING (2011) dir. Nick Murphy THE EVIL DEAD (1981) dir. Sam Raimi TAKE SHELTER (2011) dir. Jeff Nichols THE WITCH (2015) dir. Robert Eggers THE EVIL (1978) dir. Gus Trikonis INSIDIOUS (2010) dir. James Wan ANNABELLE: CREATION (2017) dir. David F. Sandberg THE BROTHERS GRIMM (2005) dir. Terry Gilliam THE NUN (2018) dir. Corin Hardy DEAD SILENCE (2007) dir. James Wan THE REAPING (2007) dir. Stephen Hopkins THE FINAL GIRLS (2015) dir. Todd Strauss-Schulson FEAR STREET PART THREE: 1666 (2021) dir. Leigh Janiak SILENT HOUSE (2011) dir. Laura Lau & Chris Kentis BRAM STOKER’S DRACULA (1992) dir. Francis Ford Coppola THE OTHERS (2001) dir. Alejandro Amenábar WINCHESTER (2018) dir. The Spierig Brothers

#filmedit #horroredit #userleo #userbrittany #userangela #underbetelgeuse #userrobin #chewieblog #moviegifs #userstream #dailyflicks #junkfooddaily #cinema #horror #gif #gif: parallels #* #maybe i'd like to hold a lantern..... #this started off as a simple set...... i just can't stop

[averyqueerhalloween]

Queer Horror/Thriller Movies! 🎃🏳️‍🌈

The Rocky Horror Picture Show - (1975)

The Hunger - (1983)

Interview With The Vampire - (1994)

Bound - (1996)

Wishing Stars - (2002)

Hellbent - (2004)

Jennifer's Body - (2009)

Paranorman - (2012)

Stranger By The Lake - (2013)

Lyle - (2014)

Mania - (2015)

The Untamed - (2016)

Raw - (2016)

The Neon Demon - (2016)

The Wild Boys - (2017)

Thelma - (2017)

B&B - (2017)

Rift - (2017)

What Keeps You Alive - (2018)

Knife + Heart - (2018)

The Perfection - (2018)

Braid - (2018)

Spiral - (2019)

The Craft: Legacy - (2020)

The Retreat - (2021)

The Last Thing Mary Saw - (2021)

Fear Street: Part One 1994 - (2021)

Fear Street: Part Two 1978 - (2021)

Fear Street: Part Three 1666 - (2021)

Queer For Fear - (2022)

Bodies Bodies Bodies - (2022)

They/Them - (2022)

Hypochondriac - (2022)

Wendall & Wild - (2022)

Knock At The Cabin - (2023)

Summoning Sylvia - (2023)

Jagged Mind - (2023)

#lgbt #lgbtq #lgbtqa #lgbtqia #queer #lesbian #gay #bisexual #transgender #halloween #queer horror #fall #autumn #october #happy halloween #queer horror movies #lists

[theslasherbabe]

Fear Street Part Three: 1666 (2021)

#fear street

[in-love-with-movies]

Fear Street Part Three: 1666 (2021)

#Fear Street #filmedit #horroredit #Kiana Madeira #Olivia Scott Welch #Leigh Janiak #my gifs #movie gifs #🌈

[elletao]

31 DAYS OF HORROR

Day 16: Fear Street Part Three: 1666 (2021) dir. Leigh Janiak They want a witch, I will give them a witch.

#fear street #fearstreetedit #fear street part 3: 1666 #filmedit #lgbtsource #wlwsource #dailywlw #userbbelcher #dailyhorrorfilms #moviegifs #dailytvfilmgifs #creations* #31daysofhorror #*film #*fear street

[mylifeincinema]

My Week(s) in Reviews: October 21, 2023

It's been a while... Here's what I've been watching.

The Wonderful Story of Henry Sugar (Wes Anderson, 2023) The Swan (Wes Anderson, 2023) The Rat Catcher (Wes Anderson, 2023) Poison (Wes Anderson, 2023)

I dropped the ball and didn't get around to reading Roald Dahl's stories before watching these, but it was hard enough waiting for all four to release on Netflix, so I definitely wouldn't be able to wait to get my hands on the stories. From my understanding of the source material, though, these are all perfectly peculiar adaptations, staying true to Dahl's voice and heart. All four short films shine unique light on Wes Anderson's strengths as a filmmaker and storyteller, and it was a pleasure to witness. The Rat Catcher is very likely my favorite of the bunch, with a bizarre story and characters, including an award-worthy turn by the always fantastic Ralph Fiennes. Second best would easily be The Wonderful Story of Henry Sugar, which highlights Anderson's knack for idiosyncratic storytelling, grabbing hold of the viewer and honoring the source material by keeping it intact. Poison was an experiment in suspense, and both Anderson and the cast delivered completely. I definitely wouldn't mind seeing him venture into more tense material in the future. And, despite the jaw-dropping performance from Rupert Friend, The Swan was probably my least favorite, over-utilizing its narrator storytelling to the point where I felt detached from the story. There's just so much to love throughout the four of these shorts, though. Unsurprisingly, the production design in all four is brilliant, and I especially loved how interactive Anderson & Co. got with it all, here. The stagehands and creative handling of props stoked the imagination. Robert D. Yeoman's (and even Roman Coppola's) cinematography was singularly stunning. And the cast was pure perfection. The aforementioned stand-outs are only the beginning; everyone here was working at the top of their game. I know they're shorts, but don't be surprised if you see Fiennes and Friend - as well as Dev Patel and Ben Kingsley - popping up in My Best of 2023 lists. I really wish I could've experienced these in a cinema, but when it comes to Wes Anderson, I'll take whatever I can get, whenever and however I can get it. The Wonderful Story of Henry Sugar: 9/10 The Swan: 7.5/10 The Rat Catcher: 8.5/10 Poison: 8/10

Totally Killer (Nahnatchka Khan, 2023)

The overreactions to the way the teens in the '80s behaved got annoying real fast and shone a horribly unflattering light on just how disinterested people of her character's generation are with taking context into consideration when spouting their attention-hungry pontifications. Then again, that's probably the point? So, good job? The cast was okay. The kills were dull. The horror wasn't scary. The comedy wasn't all that funny. The writing in general is lazily paper-thin, and the stakes damn-near nonexistent. - 3/10

The Creator (Gareth Edwards, 2023)

I gets some extra points for being an 'original' sci-fi film in a landscape of sequels, reboots and additions to the MCU, but sadly those wind up being pretty much the only points it ends up with. Despite being 'original', every single aspect of this film feels like a tired rendition of a significantly better film. And worst of all, it's all just completely forgettable... I literally forgot Allison Janney until checking IMDb, just now. Sturgill Simpson was a standout, though. I look forward to seeing him again in Killers of the Flower Moon, this week. - 4/10

Fear Street: Part One - 1994 (Leigh Janiak, 2021) Fear Street: Part Two - 1978 (Leigh Janiak, 2021) Fear Street: Part Three - 1666 (Leigh Janiak, 2021)

They function a little too much as more a limited series than even a trilogy, so they lose some points for that. However, all three are quite good. The best is the first, of course, working the most as a standalone. It also has the best kills and characters, and a tone that most successfully mines the scares out of the material. The second has a good setting, but the extremes of the characters detract from the tone. And while the third works best in its back half, when it completes the storyline set up in the first film, the 1666 section is enjoyable enough in its depiction of just how absurd the 1600s puritan belief system was. 1994: 8.5/10 1978: 7/10 1666: 7.5/10

Enjoy!

-Timothy Patrick Boyer.

#film #the creator #the wonderful story of henry sugar #fear street 1666 #fear street 1978 #fear street 1994 #fear street trilogy #movies #my week in reviews #movie #cinema #film review #movie reviews #wes anderson #horror movies #etc.

[crankygrrl]

2023 Movies

Fire of Love (2022, documentary)

14 Peaks (2022, documentary)

The Northman (2022, self-serious tripe)

The Menu (2022, satirical drama)

*Point Break (1994, Keanu flick)

*The Seven Samurai (1954, historical drama)

The Summit (2008, docudrama)

*Everest (2015, docudrama)

The Clouds of Sils Maria (2014, drama)

Personal Shopper (2016, dramatic thriller)

Jurassic World Domination (2022, bad dino movie)

*Creed (2015, sports drama)

*Creed II (2018, sports drama)

*Meru (2015, documentary)

*Free Solo (2018, documentary)

*Touching the Void (2003, documentary)

Dungeons & Dragons: Honour Among Thieves (2023, fantasy/adventure) x2

Spider-Man: Across the Spider-Verse (2023, animated) x2

Indiana Jones and the Dial of Destiny (2023, who asked for this?)

*Raiders of the Lost Ark (1981, action/adventure)

*Indiana Jones and the Temple of Doom (1984, racist action/adventure)

Guardians of the Galaxy, vol. 3 (2023, superheroes)

Nimona (2023, animated)

*Mission Impossible (1996, action/adventure)

*Mission Impossible 2 (2000, action/adventure)

*Mission Impossible - Rogue Nation (2015, action/adventure)

Mission Impossible - Dead Reckoning, Part One (2023, action/adventure)

*Senna (2010, documentary)

DC League of Super Pets (2022, animated)

Dog (2022, Channing Tatum and a dog)

Professor Marston & the Wonder Women (2017, docudrama)

*Red Dawn (1984, action/adventure)

*Taps (1981, drama)

*Drive (2011, crime drama)

*The Duelists (1977, historical drama)

*Kingdom of Heaven (2005, historical drama)

*Mystery, Alaska (1999, not actually very good in retrospect)

*L.A. Confidential (1997, period crime drama)

Bottoms (2023, fucking awesome) x4

*The Fast and the Furious (2001, car movie)

2 Fast, 2 Furious (2003, John Singleton, you've done better work)

*Fast & Furious (2009, car movie)

*Fast Five (2011, car movie)

*Fast & Furious 6 (2013, cartoon)

The Three Musketeers (1973, fucking awful)

Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, animated) x2

*Charlie's Angels (2019, action comedy)

Fear Street Part Three: 1666 (2021, horror)

Friday the 13th (1980, horror)

Friday the 13th, Part 2 (1981, horror)

Friday the 13th: Part 3 (1982, horror)

Annabelle (2014, horror)

Annabelle: Creation (2017, weird Catholic cosplay)

Annabelle Comes Home (2019, how not to care for evil objects 101)

The Conjuring 2 (2016, horror)

*8 Seconds (1994, biopic)

*Grosse Pointe Blank (1997, action comedy)

Shiva Baby (2020, cinematic anxiety attack) x2

*D.E.B.S. (2004, not as good as I remembered)

The Marvels (2023, superheroes) x2

Barbie (2023, comedy)

Uncharted (2022, video game adaptation)

*Bridge on the River Kwai (1954, essential piece of film history)

Godzilla Minus One (2023, KAIJU!!!) *indicate films I have seen before

As of 9/12/23: 64 films 33 new movies - 31 films I have seen before

#2023 in review #2023 in film #things I like #2023 movies

[banamaak]

and if not, then I want to remind you and the good things we have enjoyed: for at my side, many the crowns of violets and roses you have put on yourself.

— azadeh heidari & hellen kōnstantina láskari̱s @xbasilrp

i. about elly (2009) // ii. the wave, forugh farrokhzad // iii. fatima and manoubia, alexandre roubtzoff // iv. the rival, sylvia plath // v. euphoria (2019) 1x10 // vi. i’ll be around, empire of the sun //  vii. a modern artist's recreation of prehistoric hand stencils found in caves // viii. letter to caitlin macnamara, dylan thomas // ix. fear street part three: 1666 (2021) // x. would you lay with me (in a field of stone), tanya tucker // xi. fragment 94, sappho 

#my favorite grandmas ...... #i love them sm #also love that i got to pull out the sappho 4 this one lol #yes i know have replies i owe but i wanted to churn this out first #tfw ya'll were sworn enemies but now u can kinda relate on a lot of things #the girlies are in the same boat now <3 #the boat is being in love #(quietly) #(because their egos will not allow them to be loud and proud about it alas) #romance aside they also have a very sweet platonic dynamic that i adore!!! #they just make me dhjhdfjshskfhfhf #✷ I WILL GREET THE SUN AGAIN; GREET THE STREAM THAT ONCE FLOWED IN ME — STUDY. #next order of business is making actual relationship tags

[anewfolktale]

Fear Street Part Three- 1666 (Leigh Janiak, 2021)

#horror films #fear street part three #fear street 1666 #fear street #leigh janiak

[fictionz]

New Fiction 2022 - July

The Bible, Douay-Rheims, Complete - "1 Paralipomenon" ed. Richard Challoner (1752)

More begetting children and all their names before coming back around to more of David's reign. So many chapters are just appendices to previous events.

The Bible, Douay-Rheims, Complete - "2 Paralipomenon" ed. Richard Challoner (1752)

Two Paralipomenon, say that five times fast. So now it's on to Solomon and his riches (again), Roboam talking about how his little finger is bigger than his dad's dick, and Jeroboam getting whipped with scorpions all the way to the fall of Jerusalem. It's basically another look at what we saw in Kings.

Dracula Daily - "July" by Bram Stoker & ed. Matt Kirkland (1897, 2021)

Dracula’s finally outta that musty old castle, though leaving Jonathan in the lurch is quite the cliffhanger. And that poor, poor captain.

Bad Hare Day by R.L. Stine (1996)

A mish-mash of various ideas from earlier books. It has the vibe of Haunted Mask and stealing secrets from weird adults, the experimenting with illicit stuff from Monster Blood, animal transformations from various books, bratty younger sister who bullies the protagonist, a Slappy-like snarky villainous character. It’s too much of a remix and more slapstick than horror.

Egg Monsters from Mars by R.L. Stine (1996)

A decent creature story, but the latter half kind of sags with the protagonist spending a lot of time just trapped in a freezer and struggling to stay warm. The villain is genuinely frightening but also one-dimensional and doesn't really explain his motivation well. And there's not enough of the egg monsters. It's close to a top tier book but just sputters too much along the way.

"Bathtub Mermaid" by Edith Zimmerman (2022)

Someone has to hear about the doll thief.

"its time for… the dark cabinet" by itstimeforcomics-blog (2015)

When you least suspect it.

Lost Highway dir. David Lynch (1997)

One can see the continuation of a theme in Lynch’s work since Blue Velvet. Does he want us see the darkness or the light?

Mad God dir. Phil Tippett (2022)

If the journey ends for you, it doesn’t mean it’s the end.

Mr. Malcolm's List dir. Emma Holly Jones (2022)

British accents always class up the cruelty.

Thor: Love and Thunder dir. Taika Waititi (2022)

Whoof, what a drop from Ragnarok.

Chip 'n Dale: Rescue Rangers dir. Akiva Schaffer (2022)

A reflection of a reflection that is unaware of what it sees.

Where the Crawdads Sing dir. Olivia Newman (2022)

Pump up the volume on the mystery, tone down the romance.

Nope dir. Jordan Peele (2022)

The most fun take on Jaws since the original. A real hoot and also really fucked up at times. An understanding of horror by someone who continues to bring cool ideas to movies.

Vengeance dir. B. J. Novak (2022)

You get awful close but you shouldn’t have been the face of it. Now we ask, what did we learn?

Fear Street Part One: 1994 dir. Leigh Janiak (2021)

Really going for it right out of the gate. I’m in. Now I need to know if I should go back and read Fear Street after reading this bunch of Goosebumps books.

Fear Street Part Two: 1978 dir. Leigh Janiak (2021)

Even the devil craves a kind word.

Fear Street Part Three: 1666 dir. Leigh Janiak (2021)

Legacy is mankind’s ruin.

Goosebumps - "Bad Hare Day" (1996)

Erf, the book was rough, and the episode doesn’t do itself any favors by leaning into the snarky villain.

Chip 'n Dale: Rescue Rangers (1988-1990)

A nostalgia bomb like every one of these 90s cartoons tends to be, though the tropes eventually wear thin when watching it all in one go. Monterey Jack may be what crystallized my appreciation of cheese.

Better Call Saul - Season 5 (2020)

This show... it doesn’t build the way Breaking Bad builds. It’s more of a roller coaster with the sense of hitting the same drop a few too many times. This season is a bookmark in place while you wait for the extra season that should have been season five.

The Book of Boba Fett (2021-2022)

I feel bad for the actors and crew of this ostensibly standalone TV show. Your makers should have had the fortitude to stick the vision.

Obi-Wan Kenobi (2022)

Better, but only because it is exactly what I remember. It’s comfortable, like an old pair of socks.

#the bible #dracula daily #bad hare day #egg monsters from mars #r.l. stine #edith zimmerman #the dark cabinet #lost highway #david lynch #mad god #phil tippett #mr. malcom's list #emma holly jones #thor love and thunder #chip n dale rescue rangers #where the crawdads sing #olivia newman #nope #jordan peele #vengeance #b.j. novak #goosebumps #better call saul #bcs #the book of boba fett #obi-wan kenobi #fear street #new fiction #2022

[marthaskane]

FEAR STREET PART THREE: 1666 (2021) dir. leigh janiak

#fearstreetedit #fear street #sarah fier #hannah miller #sarah x hannah #romancegifs #filmtvcentral #cinemapix #dailyflicks #moviegifs #fyeahmovies #mine #mine: gifs #mine: misc #fear street part three: 1666 #movies

[mediamixs]

Netflix is ​​producing the fourth film of The Fear Street franchise

Netflix is working on a new standalone Fear Street movie, which will be the fourth entry in the franchise based on R.L. Stine's long-running book series. The first trilogy, consisting of Fear Street Part One: 1994, Fear Street Part Two: 1978, and Fear Street Part Three: 1666, premiered on Netflix in 2021 and was directed by Leigh Janiak. The movies follow separate but connected stories concerning groups of teenagers who try to break a centuries-old curse looming over their town, with each part set during a different year. The cast includes Sadie Sink, Maya Hawke, Gillian Jacobs, Matthew Zuk, David W. Thompson, Fred Hechinger, and Jordan Spiro.It has has been reported that the movie is in active development and is being written. It is unclear what direction Netflix is taking with the fourth movie, but it has been rumored that Chloe Okuno will direct it, indicating a potential shift in tone and the introduction of new characters. Leigh Janiak, who directed the trilogy, has also expressed interest in expanding the Fear Street universe, and R.L. Stine himself has confirmed that more movies are coming in the near future. Netflix's head of film, Scott Stuber, has also expressed interest in further expanding the company's catalog of original horror franchises.

While there is no official information about the plot of Fear Street 4, it is known that the movie will be inspired by R.L. Stine's book series of the same name. The first trilogy, consisting of Fear Street Part One: 1994, Fear Street Part Two: 1978, and Fear Street Part Three: 1666, follows separate but connected stories concerning groups of teenagers who try to break a centuries-old curse looming over their town, with each part set during a different year. The movies are a more unnerving and gruesome version of Stine's famous Goosebumps books, which were targeted towards younger readers. The director of the trilogy, Leigh Janiak, has cited several movies as inspirations for the series, including Scream, Invasion of the Body Snatchers, and I Know What You Did Last Summer. It has been rumored that Chloe Okuno will direct Fear Street 4, indicating a potential shift in tone and the introduction of new characters. However, it is unclear what direction Netflix is taking with the fourth movie.

#horror #netflix #movies