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#feel so evil for that
xerith-42 · 2 months
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Redesign the Nine
[This post is very long. Just a heads up.]
I'm a member of the Jury of Redesign, proud member of fleshing out previously left to rot or forgotten content. It's a hobby. A passion. I have and will continue to go into entire novellas to describe the inter personal relationships of characters we know next to nothing about, but what about characters we know literally nothing about?
We know only 6 members of the total 9 that belong to the Jury. Technically seven if you include Garroth, but that last for like twelve seconds, that doesn't count. And one of them is only made known as a member in Rebirth (which I really like and I like Rebirth). That means there's three entire characters just waiting to happen! How have I never thought of this before?!
This idea really struck me when I was looking at the Jo9 wiki page and saw this comment
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The rest of the comment goes on to their whole theory about Ein killing Blaze, but I am mostly against the idea of killing Blaze because nobody ever gives it enough story significance, weight, and meaning. Only I get to kill Blaze, you all lost your privileges.
That's not what's important though. What's important is that I actually love Teony and Ein. I think they're some of the most wasted Aphverse characters, and that's saying something considering how I literally never shut up about Blaze. So let's flesh them out in a... different setting.
Teony
I imagine Teony being in a very similar situation to Katelyn and Jeffory. She has someone she deeply cares about that Zane knows about and is threatening to put in danger. For Jeffory and Katelyn, it was family. For Teony, it's similar, but just a slight flavor different. A gay flavor different.
Teony belongs to a high ranking noble family in O'Khasis, like one step below the Ro'meave family. Originally the plan was for her to be married off to one of the Ro'meave heirs (probably Zane), but then she did something weird. She uhh... She started training to be a guard. And got strong enough fast enough that nobody could really stop her because Teony would just challenge them to a round of armed combat about it despite being literally 12.
So she was allowed to go to guard academy and go through full training. She was never going to be a lord, and she could still easily join the Jury and serve the same purpose with less arranged marriage. Also if they tried to arrange Teony into a marriage she might just pull a sword on them about it. She learned very quickly that her parents wouldn't be allowed to abuse or control her if they feared her. Caused a different kind of trauma compared to the other children of nobles.
And then she found out she was gay. While she was at the academy the person who was writing the Jury recruitment list was the newest member of the Jury herself; Ivy the Venom Scythe. Teony fell in unending sapphic love from first sight. Even if she had become wise to her parents controlling nature in search of power, she still respected and revered the Ro'meave family, and the Jury of Nine. She was set up for it, and she wanted that. And now that she was finally experiencing love for a member of the Jury of Nine.
As always, things in Teony's life were set up for perfection. And she was such an overachiever, are you kidding me? Top ranks in all her classes even though she didn't need to. She would half ass it sometimes and still get the highest scores on every test. When she put her all into something, there wasn't any competition. She was just showing off for Ivy, and she did not hide that in the slightest. Ivy was fully aware that Teony was not only showing off, she knew that Teony was in love, or at least lust with her. Teony is not subtle at all, it's just not a concept to her yet.
On the last day of her training at the academy, Zane Ro'meave himself shows up. I imagine Zane and Teony were almost sort of childhood friends. Zane didn't really like having friends, but he and Teony were personable and able to get along when they were forced to spend time together by their parents. He has a sort of fondness for Teony in a "I'll see where you're going with this" sense. He's heard how passionate she is about fighting and being a guard. And he knows it's not for a violent sake, but because of that nobility that is her bloodline and the baseline of her identity as a person.
She may be overzealous, she may be a know-it-all, she may be a show-off, but Teony always fights with honor. She always showers her classmates a great amount of dignity and respect when they fight her. To her combat is an art form, one that she takes very seriously. She won't attack unless provoked, and more often than not will just skip the talking it out phase and just jump to the dueling stage because that's the part she understands best.
She's autistic. That's what I'm saying. Teony is an autistic lesbian. Look at her go! However, Zane is terrible and evil and so is Ivy. When telling him the candidates, he brings up that Teony is a no brainier. Which is when Ivy tells him that Teony is in love with her and was fighting to earn her attention. She willingly threw away some of her nobility in the name of love. Which means she can do it again if provoked to.
What better way to provoke her than to give it to her and then threaten to take it away? Zane and Ivy literally manipulate Teony, putting her on the Jury, assigning her to work with Ivy, and Ivy starts actively feeding into it in a rather coy way just to drag her along. And right when Teony is ready to fess up, her parents show up at the Ro'meave manner. Teony remembers what they expect of her. That they don't know the truth about her.
She knows beyond a shadow of a doubt they'd disown her. Jury members aren't supposed to have family anyway. For a minute she thinks about outing herself to sever her ties. But then she learns that her mother is pregnant again. She... She has a little sister on the way. And if she cuts ties with her family now, she'll never get to meet her. She doesn't know Zane invited them at first, but when he talks to her later, she pieces it all together.
Zane says he'll let her family live, even let them be known as her family if she wants, but she isn't allowed to be with Ivy in any non-professional manner. Otherwise she'll give herself away, and while he doesn't exactly threaten it, Zane makes it very clear he will out Teony to her parents if she doesn't do as he orders from now until the end of time. It's then that Teony realizes she's trapped. She went from one gilded cage to another.
Until it got to be too much for her. Remember how Jeffory was apparently on the Demon Warlock Island in Gal'ruk? And it was literally never explained. What if he was there to find her? What if it became too much for Teony after meeting her sister, and she ran away? Zane doesn't know what happened when Teony met with her younger sister, but it was enough to shake her that she barely responded to Zane's taunting when she returned. And then she left that night.
Jeffory was sent to follow her trail. And he actually found her before she managed to break the Demon Warlocks curse. On a completely different continent, no guard escorts, and no way that Zane can hear them, they talk openly. They confide in one another. And they work together, as friends, to break the curse and get themselves back home. Teony moves to a different island in Gal'ruk, and tells Jeffory to give Ivy a letter the next time he sees her.
And he's not allowed to let it leave his hands unless it's Ivy taking it. No messengers. No leaving it somewhere she'll find it. Jeffory never learned the contents of that letter, but he did manage to deliver it to Ivy. Only she and Teony knows what's contained in those pages.
(Final note, idk what her funny anime villain name or her weapons would be. I would love council/jury/anyone to give input here. Same for the next member)
Ein
Ein being a big heroic softie is the best thing ever to me you don't understand.
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Much like the doll anon, this anon changed my life. I love this idea so much. Listen, I like unrelentingly evil characters, just look at Zane. But that's the thing. Zane's already there. And so is Janus. And Ivy. And probably Lilian. And another character I've yet to get to. And even more characters when we get out of the Jury. We need more innocence that becomes corrupted in the Jury, everyone likes being evil too much.
So I want to make Ein a big ol' softie. He grew up in the Brightport Wolf Tribe with his best friend eventually turned lover Blaze. They mostly stayed within the confines of their tribe, which was small, but spacious enough for two wolf children prone to rough housing to get their energy sufficiently out. It was only when they were older that they started waking up to the... less than ideal circumstances of their relationship.
After being friends and being incredibly close and physically affectionate, when the two started thinking about mating and all that dumb romantic nonsense, it just made sense that they would be with each other in that way too. It's how they got through everything else in life. It was at the ruiner and creator of gay romances, that Irene forsaken Guard Academy that things got... worse.
Because Ein is definitely a very well rounded fighter. He's decently studious, wanting to keep up on speaking both the werewolf language and the more common language, and making sure that Blaze does the same. But Blaze finds these things to be dreadfully boring and doesn't put in more effort than Ein makes him. This is fine when they were kids and their plans weren't more ambitious than protecting their tribe. But their Alpha wanted to see if humans and werewolves could truly get along.
If anyone could prove that werewolves are just as human as they are, it would be these two dorks. But uhh, people are racist. And homophobic. So it doesn't go great. Couple that with the fact that the academy prioritizes individual excellence over collective greatness and suddenly things are just doomed to go wrong for these two. Ein naturally excels, and Blaze who's used to having someone to rely on starts falling behind without the consistent support system.
That was his emotional support nerdy jack of all trades boyfriend! How could you take that away from him? And Ein is stripped of his absolutely pure of heart dumb of ass boyfriend. They don't even get to stay in the same bunks as each other, and barely have any classes together. It's just awful. But Ein finds... something else. After doing particualrly well on a certain test, one of the teachers pulls him aside and tells Ein he might be able to qualify for the Jury of Nine position. Or at least be their bench warmer.
Ein's ambitions in life never went too far beyond the borders of their childhood home. He was the one who always pressured Blaze into going further than they were allowed, but Blaze was easily convinced anyways. But Ein was always an ambitious person. He just didn't know enough about the world to realize them. The highest he'd ever gone was thinking "Wow, it'd be cool to be the Alpha." And like that's it.
Suddenly he's told that if he somehow gets better than he already is he could hold one of the highest positions in the entire fucking continent. It's a no brainier. He has to go for it. He doesn't realize it means he's only being further isolated, pulled away from his few meet ups with Blaze to study, to practice, to do something that only a top student does and a near drop out student doesn't.
In fact the last time they see each other is, like with Teony, the day before the Jury posting for their class. Ein is sure he's on that list. Maybe not the top spot, but defiantly in the top five. Just as he's about to go introduce himself to Zane Ro'meave, try and make a good impression to sweeten his chances, he gets intercepted by Blaze.
Who just hands him a letter. And he whispers a single word under his breath as he's leaving; "Goodbye."
Ein reads the letter immediately, heartbroken to read that Blaze flunked out and is going back home without him. Blaze says he's proud of Ein for being able to go so far, and hopes he gets on the Jury. Ein knows he's lying. He tries to chase after Blaze, to try and make it up to him, but then suddenly Zane's there. He's caught Ein in a dangerously vulnerable moment, and while Ein manages to recover, he never gets the chance to wipe the tears from his eyes.
He never learns what rank he got on the Jury list. Just that he was one of the two who were filling vacant seats from this class. It's painfully bitter sweet. It's everything Ein wanted, but he realized that he never made room for Blaze in these dreams of grandeur. He tried to help Blaze at first, but Blaze eventually rejected his offers. And Ein couldn't even blame him. He'd been ignoring and neglecting the most important relationship in his life. And if Ein keeps going down this path, he realizes he'll destroy it even more.
In spite of that, he accepts the invitation and starts working as a Jury member for Zane. One month into his stay at the Ro'meave Manor as Zane's personal body guard, Zane asks him an odd question. A name he's apparently heard Ein muttering to himself and in his sleep. "Blaze."
Ein tries to say it's nothing, just an old friend he was thinking of reaching out to. That's when Zane makes it clear that Ein has absolutely no control here. Because he saw what happened between them. He asks if this old friend happened to be the one that gave him "that love letter". Ein tries to find it where he keeps it tucked into his armor, but Zane is holding it. He knows everything. And he's known the entire time he's had Ein in the Jury. It was all a test of loyalty.
If he reaches out to Blaze, he will fail. And again, Zane doesn't directly state what the penalty is, but he makes it abundantly clear that it's death for both Ein and Blaze. Ein was always easiest controlled when he was isolated. After this he was only paired up with two members of the Jury Zane trusted enough. Lilian, and the last member of the Jury. We'll get to him in a second.
As a result, Ein desired but never sought freedom. He knew Blaze was capable of a great life, he had a future, and was probably going on incredible adventures without him. He never forgot where he came from, and who he accidentally left behind. When Zane and Lilian disappeared... Ein was set free. His leash was just dropped for the first time. Mr. Mysterious wasn't even there to pick it up.
And he ran straight home.
There's only one threat that's unknowingly standing in the way of Ein's happiness. And his name is
Zachary the Plague
Nobody knows where the title came from. They don't want to. Zachary is one of the oldest members, sometimes referred to as the "shadow member" of the Jury. He's rarely seen, and scarily little is known about him.
And that's because he doesn't directly work for Zane. Unlike the others, who were all put under Zane's command after the other Ro'meave heirs died, Zachary stayed under the command of Garte. He did work for Zane here and there, Garte didn't get out much and was content to leave it all to Zane. And Zachary took a liking to Ein when they met, and when he requested that Ein train under him for some time, Zane wasn't in a position to object.
The only people who would be able to give more insight into Zachary are Garte, Janus, and Ein. Garte won't talk. Ever. Zachary is his most trusted guard, and that is all anyone needs to know. Janus just says they respect Zachary. It says enough given what it's known that Janus values. Ein freezes when he hears the name. Even when he says it.
He's only told Blaze what he knows, and neither one will willingly give up this information. He's a quiet fear in the back of Ein's mind, but Zachary stayed with Garte. Even when Zane disappeared, he stayed with Garte. He was never relieved of his duties officially or unofficially. The reason he abandoned Ein is because Garte told him to. He always followed orders.
It's unknown where he or Garte are now.
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dirtytransmasc · 6 months
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the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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crabussy · 1 month
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IM GOING TO PUNCH A HOLE IN SOMEONES CAR
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stil-lindigo · 3 months
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Ahmed Saad, a Palestinian man who had to jump through an insane amount of loops to get the funds necessary for escaping Gaza, is asking us all to donate to his friend’s family fund.
Mohamed is a hemophilia patient who needs access to medicine and to do surgery on his knees, his 11-year-old daughter also needs thigh surgery (she was supposed to do it outside Gaza in November but couldn't travel due to the border issues). Mohammed’s condition is worsening rapidly and, with Israel destroying the last functional hospital in Gaza, things are looking dire.
Please donate generously!
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mmm-asbestos · 2 years
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thinking about hospital and university underground tunnels....
there is something about them....
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Hot take but… “Gale was a teen soldier who got brainwashed, by a manipulative dictator, into the idea that sacrificing a small number of troops was worth it to definitively stop the government that had spent years ruining the lives of him and his people” and “Gale’s gross disregard for human life directly led to the death of Prim and thousands of other civilians including children, and Katniss is justified in her anger and has no obligation to ever forgive him” are two statements that can and should coexist together.
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superbellsubways · 10 months
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bonus points if they start caring for people either platonically or romantically
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poorly-drawn-mdzs · 5 months
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The musical episode.
[First] Prev <–-> Next
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egophiliac · 6 months
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so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!
god I hope this reads properly
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greenglowinspooks · 6 months
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The way that I’m brainrotting over a DCxDP crossover with a Danny who’s a vengeful villain rn
Like, let’s just say that the GiW finally get into contact with the JL. They need help neutralizing a threat, you see, and they’re on their last limb trying to keep civilians safe.
They have video evidence! They have studies to back their claims! The JL have to help them!
Unfortunately, the JL believe them. They join a fight against Danny, and defeat him due to being far more experienced than he is. Danny is locked away and experimented on by the GiW.
That would CHANGE a person. Your heroes turning against you and seeing you as a monster, being experimented on for who knows how long, not knowing if your friends and family are safe.
Danny gets out due to a simple mistake on the GiW’s part; having Blüdhaven as part of their transport route.
Of course the trucks were attacked, they’re government property!
So now, whoever decided to raid the government transport trucks (the Penguin or something) has a ton of experimental weapons with no idea how they work, and a heavily traumatized teenager.
Danny knows how they work. Danny can be useful! They won’t throw him out if he’s useful! And so, now Danny is working for the Penguin, altering the ectoplasm weapons to make them work on humans.
It’s a good deal for both parties. Danny gets to neurotically imprint on the Penguin like a small baby animal, and the Penguin gets a brilliant mind who will stop at nothing to achieve his goals.
But eventually, Danny finds out what happened to his family in his absence.
Jazz is in Arkham. Not as a psychologist, but as a “patient.” Apparently, she snapped and completely destroyed the house, leveled a few blocks of Amity Park, and conducted organized attacks on government bases (mostly GiW) for months.
Sam and Tucker helped her, eventually splitting once Jazz was captured. Sam travels to areas of extreme pollution, completely overgrowing them with her plant powers. Currently she’s in the Amazon rainforest, engaging in an ongoing feud with logging companies. Sam is winning.
Tucker faked his death, and Danny has no idea where he is. He only knows that the death wasn’t real because of a code that the three of them made together, just in case.
Ellie’s trapped in the Infinite Realms. Danny had a failsafe in place so that if she was ever cornered by the GiW, she would be sent to her haunt in the GZ. However, with the portal destroyed, she can’t come back. Danny just hopes she’s okay.
His parents are now top GiW scientists. They’re traveling the country giving speeches. They’re working on a battery powered by ectoplasm, but apparently started “having difficulties” around the same time that Danny escaped.
None of it is fair. None of it is right.
The Justice League destroyed his life, the lives of his friends, and they’re doing as good as ever. The GiW is respected, and his parents are happily working away for them.
Danny takes up some of his more experimental weapons and breaks Jazz out of Arkham. She’s a little different now, colder and more quiet, but she still loves him all the same. It’s an unimaginable comfort to him to see his sister again.
He can’t use his powers anymore. He’s so used to associating them with pain that even transforming into his ghost form is enough to take him down for hours.
However, he understands ectoplasm more than anyone else in the world. He knows how to use it in virtually everything; how it can become a weapon, how it can be used as a supplemental ingredient in poisons and nerve agents, how it can twist and distort the mind if applied correctly.
He doesn’t care what happens to him. He’s going to take down the GiW, and destroy the lives of the JL members who helped lock him away, just as they did to him.
No matter the cost.
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k-0re · 28 days
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miranda after a meeting
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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qweenofurheart · 3 months
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drawing them is fun
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incandescent-mushroom · 2 months
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remember when 12 finally let Bill into the vault and she thought she was going to meet a cool new sci-fi monster and instead Missy and the Doctor flirt back and forth over a grand piano until Missy is like ‘btw she has to die :)’
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howaboutcaptainwesker · 9 months
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mods are asleep, post S.T.A.R.S. playing minecraft
bonus:
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torosdottir · 3 months
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the fact that ur childhood affects ur brain for the rest of ur life is sooooo fucking embarassing. yeah i have all these things wrong with me and i feel kind of bad and weird all the time. why? oh umm well my mummy and daddy were mean to me when i was 5. no yeah i know. yeah and im still living like this. yeah. cringe 😬
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