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#for damn sure
s0fars0perfect · 4 months
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not me knowing Damn Well i am starting something that is going to be way too big and i am biting off so much more than i can chew
anyway, was anyone looking for a royalty au, or...?
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Expertise can't help you here.
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scarlettohairdye · 7 months
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What's up, I made a meme that I'm sure is extremely broad-audience and relatable
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9474s0ul · 4 months
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He was fake?
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OF COURSE HE WAS FAKE‼️
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The Scooby gang are friends. The Scooby gang are BEST FRIENDS. THEY ARE BEST FRIENDS AND THEY LOVE EACH OTHER SO MUCH. THEY TRAVEL AROUND SOLVING MYSTERIES FOR AS LONG AS THEY CAN BECAUSE THEY HAVE A PASSION FOR IT AND BECAUSE IT MEANS THEY GET TO SPEND TIME TOGETHER WITH EACH OTHER. THEY ARE BEST FRIENDS.
They don’t hate each other. Maybe they get annoyed and cause they’re together all the time it might get a bit much sometimes but at the end of the day, they really deeply care about each other. They live out of a van most of the time and are on the road constantly out of CHOICE. TOGETHER. for crying out loud.
They are four teenagers and a Great Dane. They’re a family.
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from-the-stone-art · 7 months
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There’s something like the anticipation of a kiss, then the pleasure of being cloaked in peace~
Bonus
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infinititia · 3 months
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Lucifer = muppet
he is so silly but look at that face
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He just reminds me of a Muppet, like come on. You gotta see it like:
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look at that Muppety man
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I can not be convinced otherwise, plus I'm pretty sure this is already something the creators knew/intended, he looks like a puppet!
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They made him a puppet!
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devouringbodies · 9 months
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After finishing the show nbc hannibal leaves you with the distinct feeling and impression that will and hannibal fucked absolutely raw and nasty on screen despite there being no such scene. The power it holds.
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ash-and-starlight · 1 year
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season 2 romancing (+ extremely low quality kissy)
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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s0fter-sin · 8 months
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everyone makes fun of soap when they find out how many hair and skin products he keeps on hand. the cabinet in his bathroom is filled to bursting and he always keeps travel sized bottles on him on missions
when soldiers outside the 141 find out, they call him precious and self-obsessed, a vain pretty boy too preoccupied with his reflection to focus on the enemy. no wonder how he got his callsign. price has given up telling him to leave them on base and just teaches him to individually wrap them so they don’t rattle against each other and give himself away
what they don’t know is that each product contains an ingredient that when mixed with any number of the others, creates potent chemical bombs. he was caught unarmed once, he won’t let it happen again
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redsray · 1 month
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big fan of the trope that is separate hero teams working with their respective bats but not knowing that they're Bats- and once they find out they go "Batman has KIDS?!?" but once it's known it becomes SO BLARINGLY OBVIOUS. the "how did we not notice before" kind of obvious.
Dick's glare (once you've done something to deserve it) definitely rivals Batman's. Jason's confident and sly smirks whenever he solves something can be seen on the Bat every time he's working. Tim's 'displeased and thinking' face is all Batman. Not to mention all of them lurk in the shadows and appear out of nowhere 90% of the time and are all crazy smart. Of course, if you told any of them that they were acting like Batman they'd throw up on the spot.
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sadbeautifulttragic · 5 months
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write this down... | shop prints
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adhd-merlin · 10 months
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I firmly believe at least one druid, at some point, looked at Merlin and thought "are we sure we have the right guy"
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house's little laugh as wilson openly flirts with him through an MRI microphone is Doing Things to me
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ovaruling · 3 months
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women rly aren’t allowed to hate, to feel true undiluted hatred, without consequences and it’s so fucking annoying christ alive. even other women remind us of this constantly, that we shouldn’t hate, that it doesn’t serve us to hate anything or anyone. WHAT IF I DO HATE. what if there’s blinding hatred in my heart for certain people and things in my world. what if i’m a normal female of the species who hates. what then. do we all die? god
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