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#getting off topic
specialisthyena · 1 year
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poorly-drawn-mdzs · 1 month
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I started reading Dungeon Meshi last week, became instantly charmed and captivated, and blitzed through the entire manga in 4 days (and changed my profile picture about it). With that in mind, I would just like to say...
I love your dungeon meshi art so so much
CHILCHUCK!!!!!!!!
Thank you kindly! I love Dungeon Meshi a lot, so I'm happy to see so many people get into it for the first time.
CHILCHUCK!!!
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scourge-sympathiser · 6 months
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SCOURGE SUNDAY 010/???
classic
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inoreuct · 6 months
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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?
YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS
the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.
he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.
but he does.
and it gets worse.
zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.
and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.
still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.
…until zoro corners him in the galley and demands to know what the fuck’s going on.
sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.
his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.
his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”
sanji’s heart throbs. “what?”
he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”
the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.
he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”
sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.
his lungs hitch as a callused hand cups his elbow.
zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.
“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”
sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.
"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.
this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.
"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"
"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"
zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."
sanji looks down at his feet. "...i can't."
"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."
"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."
"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"
sanji grits his teeth.
"i will drag luffy in here, i don't care—"
"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"
"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."
sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."
"what did you mean, then?"
he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."
the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."
it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."
it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.
"hey."
he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.
"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.
he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—
"look at me."
"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.
"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."
he can't.
he does.
zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"
sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—
"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."
the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."
just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.
he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."
"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"
"yes or no."
"i'm not what you want," he gasps, his face wet.
"yes or no."
sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."
he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.
"you are everything i want."
the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—
"yes or no."
zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.
"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.
sanji breaks.
"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.
a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.
he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.
the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."
you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.
"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.
"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."
the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.
the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.
he's not a fool. he's not optimistic when it comes to this. when it comes to love.
but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.
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moondal514 · 10 months
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Those Andreil au fics from Neil’s pov that are like Neil pining for Andrew in the most repressed way possible (because for whatever reason it never occurs to him that Andrew could ever be into him) while Andrew has it down bad for Neil so obviously that literally everyone except Neil knows it (without Andrew having even said anything to anyone about it of course) fill my soul so much for real
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cycle-hit · 25 days
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to see a milgram character as a "good person" or "bad person" is a failure of media literacy for milgram. the entire lesson of the milgram project is that thinking in such black and whites, to deem someone as "good - innocent/forgiven" and "bad - guilty/guilty" only causes damage. the prisoners voted forgiven are not helped. the prisoners voted guilty aren't either. the lesson is that such a mindset will never help you- that it will harm whatever youre touching with it.
we cannot stop this, either- we have to keep choosing one or the other, because an abstained vote is impossible. we just have to keep choosing to shock them, over and over, no matter how much they beg us to stop because there is no other choice. you as an individual can refuse to vote, but someone else will always choose to. it is better to put in a vote, in that scenario, than to have it be uncounted entirely.
stop shoving characters in such black and white boxes. this is a story about nuance. they are not only "good", they are not only "bad". acknowledge that they are both. acknowledge that these characters are deeper than that. this is, quite literally, the "look deeper" media, you're supposed to be analysing. you're supposed to be theorising and looking at evidence under a microscope.
you're supposed to be acknowledging nuance, because anything could be true and anything could be incorrect. even a theory you prize could be completely wrong, or a theory you hate could be completely right. theorising about a character is not to "excuse" their actions or make them more "sympathetic", but rather to explain their actions. to flesh them out.
plus, as a bit of rant, you've all gotta stop dismissing people's theories completely just because you believe your own is oh-so above it. acknowledge a theory's evidence, acknowledge a theory's points, acknowledge why it could and could not be true. don't become obsessed with the black and white "I Choose To Only See The Worst Of This Character And Nothing Else Because That's My Preference!!! I'm Just Critical!!!" or "I Choose To Only See The Good Of This Character And Nothing Else Because That's My Preference!!! I'm A Moral Paragon!!!". jesus fucking christ.
i sincerely hope this doesnt make you believe that i think im above this same mindset either- i'm very much not. i can be guilty of it as well. but the important thing about analysing media is the ability to acknowledge every possibility, every point of view, anything that's possible. to discard any bias you may have in order to figure out what's going on in a clear and succinct manner that is closest to the truth. please remember this!
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sergle · 6 months
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(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild
omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?
I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!
#sergle answers#long post#LONGEST POST ON EARTH I'M SO SORRY#saying all this out loud only takes a few minutes but typing it... girl this is a BOOK#clearly I have thoughts on this Online Drama but also this isn't online!#these are people who exist in real life. and compromising a person's safety bc he criticized you for stealing tiktoks#is a real life thing. this isn't confined to online spaces! you can turn off your computer to get away from An Argument#but someone going to your house?? that's absolutely terrifying#and all of this is just because he's been telling her to credit the creators. it could have been resolved so simply.#I hope he takes legal action against her bc he genuinely has grounds to do so.#and I can't imagine how terrified and upset I would be if someone was outside my door. filming my house for their audience.#also the 'what if the roles were reversed' argument is rarely made in good faith... but she's already brought up the topic.#this would be getting even more coverage and the optics would be Even Creepier if a strange man with millions of followers showed up#at the home of a woman- just bc she criticized his videos- filming her home address for all to see and trying to get her to come outside.#It's just as creepy that sssniperwolf did this as it would be coming from ANYONE else#it's been downplayed bc her being a little skinny woman means that A Man shouldn't be threatened by her#which. even if she wasn't going to Do anything. any one of her rabidly loyal online followers MIGHT. she's not the only one who could go to#his house now! anyone could show up.#sergle.txt#Jacksfilms#Sssniperwolf
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skullsemi · 2 months
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What’s your opinion on how to portray mickeys family, with characters like morty and ferdie
It really depends on how you want to portray it, most of the time they're just, smaller versions of Mickey with alternative colors and it's fine if you want to continue it, it's on character after all (who's the Morty who's the Ferdie)
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Yet it wasn't always going to be like this, since it is said that Floyd Gottfredson himself knew that and had plans for them
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Based on this, I'd say to give them a bit of personality. I personally find them more interesting when they're not Mickey clones and this goes to all Mickey's relatives
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linusbenjamin · 7 months
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Hi, there. What do you want me to tell this bitch?
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lazycranberrydoodles · 10 months
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its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3
all the gifs i made (poses traced off franziska):
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hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also
his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.
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the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)
a whole lot of AU stuff
the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.
cases include:
Turnabout Revenge (Mo Manor, quick introductory first case)
Turnabout Goddess (Dafan mountain, the good times flashback)
Turnabout Saber (the man-eating castle (omg hiii nhs))
The Blind Turnabout (Yi City arc)
Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)
The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)
Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)
Turnabout Confession (Guanyin temple)
the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao
there's not as much of a problem with the cql timeline but i have not finished it. so.
the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.
for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.
it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.
tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me
Jin Ling's sprites & Nie Huaisang's sprites / masterpost
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stargirl230 · 9 months
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Nimona!!!
I need to go reread the book and then rewatch the movie and then-
(no reposts; reblogs appreciated)
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Something I'm sad didn't make it into the Nimona film was more about Ballister's arm like, the comic had a whole thing about the Institute not having use for a one-armed hero, and that being part of why they began framing him as the villain
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purpleshadow-star · 8 months
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Imagine if Nico could learn to control when he turns into shadows.
Like, in The Blood of Olympus Nico would start fading after shadow traveling too much, and sometimes Reyna and Coach Hedge wouldn't be able to touch him, and one time he even accidentally walked through a tree. Imagine if he learned to control that intangibility.
Imagine if he could just turn parts of his body into shadows. Imagine if, in a fight, someone swings at him, and he knows he can't dodge in time, so he turns into shadows for a second so the weapon goes right through him, and while his enemy is confused he uses the distraction to land the final blow.
Imagine if he could just walk/reach through walls and doors and stuff.
I just think that, for someone with the title of ghost king (and as a child of the Underworld), he deserves more ghost-like powers.
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cheriboms · 6 months
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need i say more 🕴
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rubysparx · 3 months
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Um actually I have something more to say about Kabru and Mithrun’s similarities and relationship.
I think a lot abt how it’s shown a few times how elven culture relies heavily on non-natural ways of doing things, and it’s interesting especially how like our main cast repeats multiple times the three steps to living a long and healthy life. Meanwhile the canaries, the elves, don’t necessarily recognize that stuff as important as it is. I think specifically of the example of Mithrun explaining to Kabru that he has to have medication or a spell otherwise he can’t sleep, to which Kabru tucks him in and gives him a massage which knocks him out cold. His dependency on other methods to fight off insomnia were kinda just in his head, he hadn’t tried anything else. I mean prior to joining the canaries he was fully restrained 90% of the time so ofc a servant would just come in and place a spell for him to sleep every night. And he was like that for years. And then Cithis just replaced all his caretaker servants, then it became her job to make sure he took a pill or listened to her bells every night. I think there’s something there about how there’s a list of stuff Mithrun wasn’t allowed to be around and when he gets separated from the canaries he encounters all of that since Kabru doesn’t know to “protect” Mithrun or restrain him so severely. And it’s interesting because Mithrun doesn’t even seem to have issues with the things, like ofc top on the list was he wasn’t supposed to see goats or sheep. One of the first things he and Kabru eat is barometz. Its something to me that Kabru, who has also suffered so much, takes Mithrun into this dungeon and he has to face head on what’s been bothering him, he has to look his trauma in the eyes. And eat it. He cannot move on until he sees it, understands it, and finally starts talking about himself (“the last desire I had left wasn’t revenge, I wanted the demon to finish me off” “I was scraps left on the plate […] I guess vegetable scraps have their uses too”)
It just seems to me like a more vague and overarching way we see the elven cultural mindset hold him back from properly healing, I don’t think Kabru knew what he was doing at all but the fact of the matter is no one was filtering Mithrun’s view of the world anymore. And while Mithrun believed that didn’t matter to him, nothing mattered, it still made a difference. He was still on the path to moving on, and properly healing, even though he didn’t quite recognize that.
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