#gif: robert reed | Explore Tumblr Posts and Blogs

xalonelydreamerx · 9 months

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BREAKING DAWN P1 + letterboxd reviews [1, 2, 3, 4, 5]

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linggluu · 8 months

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that scarf part 2

#twilight #the twilight saga #carlisle cullen #edward cullen #rosalie hale #robert pattinson #peter facinelli #nikki reed #filmedit #twilight edit #my gif

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livelovecaliforniadreams · 2 years

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giac222 · 6 days

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chaptertwo-thepacnw · 1 year

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a fistful of reasons |1970|

#gif #the brady bunch #a fistful of reasons #alice nelson #mike brady #1970 #classic television #buddy hinton #ann b. davis #robert reed

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gokoreanships · 2 years

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The Curse Of the Werewolf (1961)

Dir. Terence Fisher

#terence fisher #the curse of the werewolf #Robert reed #vintage horror #horror gifs #vintage horror gifs #1960s #1960s horror #supernatural horror #the curse of the werewolf gifs

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randomestcrackships · 1 year

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Current Projects

Gifs:

Abigail Cowen & Brenton Thwaites

Ariel Winter & Tom Holland

Camilla Morrone & Aaron Tveit

Claudia Jessie & Patrick Gibson

Chase Sui Wonders & Joseph Quinn

Crystal Reed & Danielle Rose Russell & Phoebe Tonkin

Crystal Reed & Matt Czurchy

Danielle Campbell & Dominic Sherwood

Danielle Campbell & Joseph Quinn

Danielle Galligan & Robert Pattinson

Dove Cameron & Brenton Thwaites

Eiza Gonzales & Gavin Leatherwood

Emeraude Toubia & Henry Cavill

Emily Alyn Lind & Gavin Leatherwood*

Ester Exposito & Katherine McNamara

Florence Pugh & Sebastian Stan

Holland Roden & Dominic Sherwood

Kat McNamara & Cody Christian

Kaya Scodelario & Chord Overstreet

Kristine Froseth & Milo Ventimiglia*

Lili Reinhart & Jacob Elordi

Lili Reinhart & Tom Holland

Lily James & Aaron Tveit*

Lily James & Dacre Montgomery

Lily James & Sam Claflin

Madelaine Petsch & Alex Fitzalan

Madelaine Petsch & Ben Barnes

Madison Davenport & Jared Padalecki

Maia Mitchell & Tom Holland

Marina Moschen & Richard Madden*

Melanie Laurent & Michael Cudlitz*

Melissa Benoist & Chris Evans

Natalie Dormer & Alexander Dreymon

Natalie Dormer & Tom Hiddleston

Naomi Scott & Tom Holland

Nina Dobrev & Tyler Hoechlin

Rachel McAdams & Brendon Routh*

Sabrina Carpenter & Charles Gillespie

Samara Weaving & Alex Fitzalan

Samara Weaving & Jensen Ackles

Sarah Jeffery & Dylan O’Brien

Sophie Turner & Matteo Martari

Stella Maeve & Brenton Thwaites

Sydney Sweeney & Chris Evans

Sydney Sweeney & Joe Keery

Thomasin McKenzie & Timothee Chalamet

Troian Bellisario & Benjamin Wadsworth

Zion Moreno & Taylor Zakhar Perez

Zoey Deutch & Rudy Pankow

Manips:

Crystal Reed & Danielle Rose Russell & Phoebe Tonkin*

Crystal Reed & Matt Czurchy

Lily James & Aaron Tveit

( those marked with a * are ones that I want to make but are dependent on being able to find the necessary scene packs on youtube! )

#to do #current projects #updated #2023-05-24

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byneddiedingo · 2 years

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The Tarnished Angels (Douglas Sirk, 1958) Cast: Rock Hudson, Dorothy Malone, Robert Stack, Jack Carson, Christopher Olsen, Robert Middleton, Alan Reed, Alexander Lockwood. Screenplay: George Zuckerman, based on a novel by William Faulkner. Cinematography: Irving Glassberg. Art direction: Alexander Golitzen, Alfred Sweeney. Music: Frank Skinner.

CinemaScope and black-and-white are an odd combination. The former was developed and premiered in 1953 as a way for exhibitors to give audiences something they couldn't find at home on their television sets, which were black-and-white. It was meant for color and spectacle, and hastened the making of films in color toward its now default status. But although Douglas Sirk was noted for his use of color, and although The Tarnished Angels has scenes that would have benefited from both color and the CinemaScope extra-wide screen, such as the Mardi Gras sequences and the airplane races, he chose to make the film in black-and-white. And it works: It imposes a kind of film noir chiaroscuro on the story, which could easily have devolved into yet another routine action melodrama. The Tarnished Angels was not well received by contemporary critics: Bosley Crowther in the New York Times called it "badly, cheaply written" and "abominably played." (It might be noted that Crowther wasn't paying too close attention to those abominable players: In his review he misidentifies Jack Carson as Jack Oakie.) Today, however, the film has benefited from the wholesale reevaluation of Sirk's oeuvre, and it feels like the work of a master, if one not always fully in control of his art. Sirk creates a shadowy milieu for the story of barnstorming pilots in the Depression, including the shabby interior of the apartment to which Devlin invites them. And there's a wonderfully creepy use of Mardi Gras masks as motifs. On the other hand, is there any way to excuse the ridiculously fake and exploitative scene in which Dorothy Malone is forced to dangle from a parachute against a process screen while an unseen wind machine blows up her skirts? None, except to blame it on the insistence of producer Albert Zugsmith, who followed up this film with a series of exploitation flicks starring Mamie Van Doren, like High School Confidential (Jack Arnold, 1958) and Sex Kittens Go to College (Zugsmith, 1960). But Sirk mostly managed to steer clear of Zugsmith's bad taste. It's true that Rock Hudson is miscast as the alcoholic, chain-smoking Times-Picayne reporter Burke Devlin, a part that demands someone who can look less healthy and strapping than Hudson does. But he gives one of his best performances, emphasizing Devlin's vulnerability. Sirk chose to use long takes in the scene in which Devlin delivers an impromptu eulogy to Roger Shumann in the newsroom, beginning drunkenly but gradually sobering as he warms to the topic. Hudson rises to the acting challenge beautifully. Malone doesn't allow the studio's determination to show off her legs to prevent her from also showing the weary, hard-bitten side of Laverne Shumann. Of the leads, I find Stack's performance the least satisfying: There's not enough ambiguity and conflict in Roger's decision to prostitute Laverne to Matt Ord so he can fly Ord's plane; as Stack plays him, Shumann just comes off as an irredeemably obsessive shit. The Tarnished Angels is based on Pylon, one of the lesser-known William Faulkner novels, but Faulkner reportedly said it was his favorite among all the films that have been made from his works. That's not saying a lot, I fear: Faulkner has been sadly mishandled by filmmakers. But judging it purely as a study of characters enduring what life throws at them, a favorite Faulknerian theme, the film stands on its own.

gifs from vietlad

#The Tarnished Angels #Douglas Sirk #Rock Hudson #Dorothy Malone

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tinseltownstarter · 2 years

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OCTOBER STARTER MASTERLIST

10.30 - 11.05

HALLOWEEN EVENT

10.23 - 10.29

HALLOWEEN EVENT

10.16 - 10.22

VANESSA MORGAN - 10.20

EMMA ROBERTS - 10.18

CHARLIE HUNNAM - 10.18

SKEET ULRICH - 10.17

10.09 - 10.15

BEN PLATT - 10.11

SHELLEY HENNIG - 10.10

CHRIS GUITIERREZ - 10.09

HENRY CAVILL - 10.09

10.02 - 10.08

HALSEY - 10.08

ASHLEY BENSON - 10.06

JOE JONAS - 10.06

LIAM HEMSWORTH - 10.06

LIGHTS POXLEITNER-BOKAN - 10.04

LIN-MANUEL MIRANDA - 10.04

CHRIS GUITIERREZ - 10.03

KAT DENNINGS - 10.02

09.25 - 10.01

NIKKI REED - 09.30

VANESSA HUDGENS - 09.29

OLIVIA DEJONGE - 09.27

AUSTIN BUTLER - 09.25

CARLOS PENA - 09.25

STARTER GUIDELINES

All gif chat conversation starters must be tagged ttownstarter.

You must also @ tinseltownstarter, this blog, in your post.

Answer three (3) starters before posting your own, unless it is an introduction starter.

You must post one (1) starter, on any of your celebrities, once per month.

Open text messages are NOT considered starters.

All tweets must be tagged ttowntweet. Tweets are also NOT considered starters.

#ttownstarter #ttownstarterml

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alltoowsll · 3 years

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TWILIGHT (2008) dir. Catherine Hardwicke

#twilight #twilightedit #filmedit #bbelcher #chewieblog #popularcultures #cinemapix #filmtv #userstream #dailyfilmsource #dailyfilmtvgifs #kristen stewart #robert pattinson #nikki reed #zanisummers #mine #gif*#hfjdks i loved this scene

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zazieebeetz · 3 years

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Twilight — Chapter 17: The Game “I could see the others all there; Esme, Emmett, and Rosalie, sitting on a bare outcropping of rock, were the closest to us, maybe a hundred yards away. Much farther out I could see Jasper and Alice, at least a quarter of a mile apart, appearing to throw something back and forth, but I never saw any ball. It looked like Carlisle was marking bases, but could they really be that far apart?” [insp]