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#have people tell me they like it
rafeandonlyrafe · 4 months
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perfect wife
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words: 1.9k
warnings: 18+ only, smut, p in v sex, unprotected sex, breeding, mating press, established relationship, marriage, housewife stuff? cooking and cleaning
taglist: @drewstarkeyslut @thelomlisrafecameron @f4ll-for-you @dilvcv @drudyslut @drewsbabygirll @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog
it’s not that you enjoy cleaning all the time, but you get in certain moods, when your energy level is high and you got enough sleep the night before, that you absolutely love to clean, especially satisfying deep cleans.
today happens to be one of those days, and ever since you woke up, smiling at the note that rafe left you on his pillow, wishing you a good morning and saying he regretted not being there with you upon waking up, but also couldn’t bear rousing you from your sleep when he had to leave for work. it makes your heart flutter to see it signed not by his name but rather ‘from, your husband.’
you’ve been married to rafe for two whole months now, and it feels like a fairytale, somehow even better than being his girlfriend. you feel like a truly good wife as you already scrubbed all the bathrooms spotless before 10 am, and are now working on the common areas before hopefully cleaning the bedroom before rafe gets home from work.
you hum along to the music you have playing throughout the house wide sound system as you wipe down dusty surfaces, taking care to clean all the little crevices that normally get missed. 
time flies and before you realize, your stomach starts to grumble as noon rolls by. you take a pause from your work, having just finished the living room, and move into the kitchen, deciding to make yourself some food before getting to cleaning.
you love to bake, but cooking is not your favorite thing, so you make yourself something simple before you get a spark of creativity, making a stew to simmer so it would be ready by the time rafe got home around dinner. you finish your meal, having disregarded it halfway through to make the stew. 
you clean the kitchen while stirring occasionally before it gets to the point that you can lower the temperature and walk away, now off to clean the bedroom. you grab rafes hamper, filled with clean clothes that he didn’t have time to put away last night, too busy kissing and cuddling with you in bed.
you dump them onto the freshly washed bedsheets, taking the time and care to crisply fold everything or hang up what went on hangers. you even spend some time organizing rafes closet. he kept it pretty clean already, but you wanted to make everything perfect.
you run downstairs to check your stew before continuing onto your closet, it being a much bigger mess than rafes. you have a terrible habit of trying on clothes, deciding its not want you want to wear for the day, and tossing it onto the floor instead of putting it properly away.
“baby!” you hear rafe shout just as you finish up. you quickly flatten your hands over the comforter on the bed, smoothing out any creases to make the room truly flawless before you rush down the stairs, greeting your husband with a kiss as your arms loop around his shoulders.
“something smells good.” rafe says, taking a sniff of the entryway, the smell of the stew having radiated throughout the whole house.
“i made you food.” you tell him, smoothing your hands over his shoulders, keeping your body close to his having missed him all day. “it should be ready in about 30 minutes, just enough time for you to shower.” you know rafes routine well enough, he liked to shower right when he got home from work, to wash the day away.
“you’re the most perfect wife ever.” rafe bends his head to press kisses to your neck, making you giggle when he focuses on your ticklish spot.
“go shower!” you shoo him away, wanting him to have the soup when it is nice and hot.
“love you, honey.” rafe kisses your cheek before heading up the stairs. you echo the words back to him before heading towards the kitchen to check on the stew, but pause when you hear rafe calling your name from your bedroom.
you rush up the stairs, worried that you maybe accidentally threw something out that was important or moved something and he didn’t know where it was.
“what is it rafey?” you question, eyes wide as you see him looking around the room.
“you cleaned all this while i was at work? and put away my laundry?” rafe questions, seeing that even the baseboards have been cleaned of the bit of dust that always collects on them.
you give a shrug. “i like cleaning for you.” “you know you don’t have to do all this baby.” rafe moves to wrap his arms around your waist. “i mean i appreciate it, but don’t feel like you’re required to now that we are married.” “i know.” you smile, cupping his jaw in your hands. “i seriously just wanted to.” “okay.” rafe nods, satisfied with your answer. he knows you get little bursts of cleaning, but doesn’t want you to get the wrong impression about your role, even if you do stay home while he is at work.
“go shower.” you press a kiss to rafes lips before leaving him in the bedroom, smirking to yourself knowing that he’s about to see that you cleaned the bathroom as well.
you return to the stovetop, stirring everything together before preparing the final touches, even setting out the perfect silverware for the occasion, choosing the dining room for such a meal rather than the island where you and rafe usually eat.
you jump when rafe enters the kitchen. he always moves so quietly through the house that it catches you off guard.
“god, if we weren’t already married i would propose to you all over again right now.” rafe wraps his arms around your waist as you work on ladling the stew into individual bowls, deciding to keep the rest in the pot on the stove for easy splitting up into tupperware later.
“i like making food for you.” you hum. “don’t expect it all the time though, i also love getting take out.”
rafe laughs and nods his head in agreement, you have a habit of ordering food at least two times a week, making it a tradition on fridays to watch an episode of tv while you eat in the living room.
“let me carry them in.” rafe stops you before you can carry the bowls yourself, picking them up and following you into the dining room.
you blow on your spoon to cool the stew as rafe begins to eat, commentating over and over how delicious it is, even going so far as to moan and roll his eyes back into his head, but when you take a bite you can’t help but admit that it’s very good.
“when we finish eating-” rafe says after a few minutes of silence, too engrossed in your meal. “i’m going to take you upstairs and fuck you.” “rafe!” you giggle at the sudden lewdness.
“i’m serious, baby. i need to after you did all this cleaning, put away my laundry and made me food? i need to put a baby in you immediately.” 
“well… hurry up and get back to eating.” you gesture to rafe. you talked about having kids after marriage, but this was the first time since your wedding that rafe brought up actually bringing them into the world.
you both rush through the rest of your meals, leaving the dishes on the table to be taken care of tomorrow as rafe sweeps you into his arms, carrying you up the stairs with ease. he sets you down on the bed, his lips connecting with yours as he works on taking off his pants, throwing them in the general direction of his hamper before pulling away to pull your shirt off over your head.
“i can’t fucking wait to see you all filled up with my kid.” rafe says, massaging your breasts through your bra, unable to keep his hands off of them, even to take off the fabric covering them.
“need that so bad, rafey.” you whimper. you’ve always wanted to be a mom, and it feels like the perfect time to make that dream a reality.
“gotta fuck you now, princess.” rafe says, quickly taking his shirt off, his cock already completely hard as he pulls his underwear down, clearly excited to put a baby into you.
you reach behind your back to take your bra off before sliding your leggings and underwear down in one go, needing rafe just as desperately as he needs you. you move up the bed, resting your head on the pillow as rafe moves to hover over you. 
“i would eat you out or finger you but i need this right now.” rafe says, reaching down to rub at your clit as his tip presses against your entrance.
“i need you right now too.” you tell him, letting out a moan as he pushes in, moving slowly to let you adjust. you wrap your arms around his shoulders, rafes chest heaving with deep breaths, trying to control himself.
“you can move.” you tell rafe after a minute. he doesn’t give even a second for your comment to sit before he is thrusting in and out, making your joint moans echo throughout the room.
rafe presses sloppy kisses against yours, lips vibrating together when you’re both unable to hold back your noises of pleasure. “feels so good.” you whimper, his thumb still rubbing against your clit, never stopping making you feel good.
“i know it does, princess.” rafe says. “you’re doing so good for me. gonna fill you up real good.” “you’re gonna be the best daddy.” you tell rafe, and its true, you know just from the way he treats you, how he straightened out and takes care of you, that he’s going to be an amazing dad.
“fuck-” rafe curses, somehow able to move faster, slamming in and out of you, annihilating your cunt with the ferocity he is thrusting into you at. rafe is grunting with the effort he is giving as you grip his shoulders tightly, sure to leave red marks from your nails come morning.
“gonna go fucking crazy, your pussy is so good.” rafe says, as if he hasn’t already gone crazy with the way he’s fucking into you.
“keep rubbing rafe, i’m close.” you moan, back arching off the bed as his thumb rubs over your clit easily due to your slick.
“cum for me princess.” rafe begs you, needing to feel your cunt squeeze around him. you’d never deny your husband as he rubs you to orgasm, entire body shaking as your high hits you, moaning wildly as rafes cock maintains its blistering pace.
as soon as your clit pulses underneath his finger and your back settles back against the bed, rafe moves, pulling out briefly to reposition you, slotting his hands underneath your knees and pushing your legs up and open, spreading your cunt wide for him before his cock reenters you.
he begins to thrust immediately, keeping up the aggressive, feral pace. you’re so sensitive from your orgasm but you can’t complain when you know he’s working to get his cum inside of you, to fill you up, to grow your family.
“gonna cum.” rafe warns briefly, his words slurred out, his eyes half lidded from the ecstasy of your cunt as he pushes in for a final time, shooting his cum as deep as he can, leaning forward and pressing you into the mattress, not even caring as your thighs burn from the stretch.
rafe grinds himself into you until there is nothing more to release, moving your legs back to a more comfortable position but keeping his dick buried deep inside of you.
rafe looks at you with a smile, his sweaty hair sticking to his forehead. “gotta make sure it takes.”
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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stuckinapril · 4 months
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friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
#It’s just so different#even though it’s public it still feels secret and safe. i feel comfy sharing a lot more on here than I do in my actual day to day life lol#in my head I’m also just speaking to myself 90% of the time which helps#if a friend off tumblr saw my thoughts I’d feel so weird ab it#esp bc they might get the vagueposting about certain situations and tell mutual friends#no thank u. this is for me. I’m not about to start censoring my thoughts bc someone I know knows my tumblr#u guys literally saw me have LIVE BREAKDOWNS#meanwhile I’ll have the worst fucking day in history and tell no one about it. I’m already cripplingly private but way more so in real life#this is basically a low stress journaling outlet for me. it’s so important for me to maintain the separation#like this is actually my diary & has been so handy for letting out emotions / articulating thoughts / staying on track !!#& I’ve met so many kind people on here who actually get me. which is so hard to find irl bc I’m surrounded by pre-med gunners/overachievers#who are by standard not very good w emotion & can be competitive/judgmental. or at least it’s hard for me to be vulnerable in front of them#and I’m part of that crowd so I reserve my emotions only to a handful of very close friends#it’s nice to hop on here and express negative emotions!! or positive emotions!! just whatever I want and it’s low stress and people get me#I don’t have to worry about judgment or competitiveness etc etc#like everyone on here is so kind & nice & understanding. & just a breath of fresh air from the types I run w. it’s just nice to have this#so idk that’s why I think I’ll always be strict about keeping the worlds separate. it just works#p
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originalartblog · 3 months
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Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.
If you are an art reposter, you are a thief and I have no respect for you.
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uncanny-tranny · 5 months
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It's honestly frustrating that I've seen non-Russian queer people almost bragging about how they would be illegal in Russia, labeled an extremist or terrorist. Russian queers are in danger, their government has made it clear where it stands, and it's made this effort for the better part of a decade (even longer, perhaps). This will kill people, don't mistake this for a quirky little proclamation from a government, akin to somebody saying the sky is pink. Russian queer people were already expressing their fear, and the least we can do now is express our love for them, and advocate with them.
Russian queer people, I love you. I love you all so much. I am so sorry, I cannot begin to express the grief that I feel, and I hope that you are safe. Words cannot encapsulate how I feel as a non-Russian, and I cannot hope to comprehend how it feels to actually be in this situation.
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I truly, TRULY do not know how to say this, because the fact that I have to say it makes me feel like I am losing my grip on reality. But no, in the post-capitalistic anarchist utopia, I will not be relying on “autistic minecraft girlies” to be building inspectors because - and this may shock you - one of those occupations takes years of education in how to read and interpret hundreds of thousands of lines of regulations based on complicated math and physics that were the result of decades of tragedy and death, and the other one involves playing a children’s video game.
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sems-diarie · 8 months
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death is insane. wdym i’ll never see my grandmother again
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somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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buggachat · 10 months
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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inkskinned · 7 months
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hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.
if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.
additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.
i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."
"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.
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flickering-nightfall · 5 months
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Experiments with pupils and mouths that devolved into shenanigans :)
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marisatomay · 2 years
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i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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schreibfederlaerm · 2 days
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it's just really funny to me to imagine Fabian actually being a great big brother honorable nemesis.
like, putting a nemesis ward on the nursery with aelwyn's help since "it won't do if they die before their eighteenth birthday, will it?" (aelwyn, deeply sarcastic: "well of course, that is exactly why I put the ward on adaine's room." fabian, too deep in denial for sarcasm: "see? you get it")
gifting them a battle sheet baby blanket since they should start preparing for their battle early on (and yes it's extra fluffy, it's for a baby stop laughing everybody)
generally trying to teach them everything he knows "so their battle to the death will be a fair one"
giving their adventuring party the same lecture on tactics that the bad kids got from his papa
hunting down chungledown bim and any other nemesis so his sibling is the only one who could get a piece of his fund (he just wants it to stay in the family, shut up)
just. fabian being an amazing big brother but also if you call him that to his face he will cut you
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mayasaura · 6 months
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Ianthe is for sure going around picking up gal pals to fill the empty places where she used to have companionship, but you know what? Pretty sure Kiriona is not replacing Harrow in the Coronabeth-shaped hole in her life. Kiriona is the new Babs.
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crunchycrystals · 5 days
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credit to u/ioncelostashoe on reddit for this comment i need to post it on here to share
(also would explain why they knew it should stop at 5 rounds)
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