Tumgik
#he is still my fave tho
barbwalken · 9 months
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Those 7 years changed something in their eyes
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nocreativityfornames · 3 months
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I can't believe there is yet another one
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hischiersdraisaitl · 9 months
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RED, WHITE & ROYAL BLUE | Favourite Alex Claremont-Diaz Moments/Looks ( 7 / 7 )
Alex at Kensington Palace + Soaked from the Rain
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i love you, i love you (kill me in the morning) ; suguru geto
synopsis; everyone has a weakness. some are harder to get rid of. (or, alternatively; suguru geto befriends a non-sorcerer as a child.)
word count; 10.0k
contents; suguru geto/reader (not explicitly romantic but the subtext is there), gn!reader, geto-typical angst, childhood friends to [redacted], mild gore, suguru geto’s defection but with added angst, twisted depictions of love, depictions of stalking, depictions of death/murder, general bloodlust (geto wants to kill u soo bad but also not really), unresolved yearning, hurt/no comfort, curse user geto is his own warning tbh
a/n; ok so. this is kind of a mess. just my own take on geto’s childhood and defection + how i think he’d deal with a non-sorcerer reader after defecting……. so it turned out kinda. Dark. it’s entirely sfw to be clear!!! just sorta twisted. in conclusion i love my cult leader wife who wants me dead <3 (pls listen to ’kill me’ by indigo de souza it is SO geto)
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suguru geto meets you in the afterglow of sunset, by a dusty summer creek.
it’s his special place, hidden in the outskirts of your tiny town; a place where the water glimmers with silver-hued fish, and all the biggest cicadas reside, singing softly and waiting to be caught.
a place where he can be himself. alone, with no one to curse him.
— except, this time, he isn’t alone.
your crying face is the first thing he sees. big, wet tears, cascading down your scrunched-up face, accompanied by little sniffles as you sit there. curled up into a ball, knees against your heaving chest.
the next thing he sees is the bruise on your leg. a scrape on your knee, gritty and a little bloody, but it’s not so awful. he can tell that it hurts, though — you bite your lip to stop yourself from trembling, like you’re trying to be brave. but you look pained. 
and it sends a tremor running through his very soul.
suguru was born with a bleeding heart, an empathy unusually developed for his age. always pushing him forward, coaxing him into taking action; this nagging desire to protect, to nurture. born with an inability to avert his gaze from the suffering of others.
so when the two of you lock eyes, he manages a smile. warm and soothing, even though deep down he’s alarmed. but he masks it, slathers over it with something kind, something comforting — and he can tell that it works, from the way your teary eyes seem to soften in the buttery hue of the afternoon glow.
you’re crying. and suguru finds himself wanting to wipe those tears away, more than anything. you look small, and you’re in pain.
(protect the weak, urges some voice in the back of his mind. insatiable. protect those who can’t protect themselves.)
he asks for your name, all while cleaning your wound. the wince that slips from your lips when the cold water of the creek licks at your knee makes his heart clench.
but you tell him. you tell him your name, as the sun sets in the horizon, and he tells you his. 
suguru. a sweet kid who sees you fall and patches you up. a cool kid who teases you a little for being so clumsy. who holds your hand tightly in his own, to make sure you won’t fall again.
the sun melts away beyond the cluster of trees that surround you, its burning glow breaking through the gaps between the branches and dyeing the summer creek a deep red. illuminating your blurry silhouettes, as you walk back home. hand in hand.
and that’s how it begins.
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the two of you grow closer, in the same way flowers who share a stem learn to lean on each other, grow in the same direction, a mess of mingled roots. a natural connection, blooming out of nothing more than a sweet coincidence — that kind of blissful, innocent childhood friendship. the kind you never have to question.
you learn very quickly that suguru isn’t like the rest. that when compared to all the other kids you know, he’s mature, almost mystical, like he knows something they don’t.
you learn that there’s a gentleness to him, one he could never fully hide. one that shines through when he looks at you, when you play and laugh to fill the silence of the hills overlooking the small town you both live in.
you also learn that he can see ghosts.
curses, you’ll both come to learn, but that’s later. for a child in a remote town, isolated and alone, the familiarity of the ghost stories that adults tell you is the only kind of comfort suguru has to cling to. something lighthearted, to explain the predicament that haunts him — the flickers of black in his vision, that lingering taste of charcoal on his tongue.
suguru is different, you realize, different from the rest. and you eventually learn, from him, that you are far from alone in that belief.
in the town you both had the misfortune of being born into, suguru is the black sheep. his parents think there’s something wrong with him. the other kids think there’s something wrong with him. he isn’t right in the head, they whisper, he sees things that aren’t there.
(it’s a debilitating isolation that never truly leaves him.)
so suguru learns to stay silent, learns to keep his pretty little mouth shut, learns to lie. it’s easier that way. easier to survive, in the remoteness of your tiny town, with all the adults who scorn him and look at him like he doesn’t belong anywhere at all.
and suguru learns to be content, in that solitude. that heaven-granted isolation. a lone white chrysanthemum, in a sea of red and lavender; blossoming alone.
but then suguru meets you.
and, contrary to everyone else, you don’t think there’s anything wrong with him. when you tell him that he’s different from the rest, you mean it in the best possible way. you say it with starlight in your eyes, gleeful, giddy. like he’s special, not broken. like you’re also tired of those other kids, those sneering adults, the silence of a town so isolated it could crush a child’s heart.
like you have something in common. like you’re the same.
and you stay by his side. throughout the most difficult years of his early life, when he’s still growing accustomed to the duty he’ll have to bear for the rest of his life, you���re there. every single day. to smile at him, to speak to him like you’re both just normal kids — even though suguru is well aware that he’s anything but normal.
(when he’s with you, he feels like it, though. feels like he’s just a normal boy, like there isn’t something glued down wrong inside his brain. something twisted, something that needs to be plucked out.)
suguru finds comfort in you. in your presence, in the notes you pass him when classes get boring, in the way you cling to his sleeve while exploring the woods during recess. in the way you grin so brightly after managing to catch a firefly in the darkness of the summer night, all proud and toothy, a childlike innocence he wishes he still had.
you’re sweet, and understanding, and suguru thinks you might be the coolest person he knows. you’re his friend, his very best friend, his one and only.
and when he tells you what’s wrong with him — when he tells you what he can see — you ask him something that will forever rest in his subconscious. a flicker of precious, fleeting, genuine acceptance, one he won’t ever feel again. not until he meets a certain boy with blue eyes, but that comes later.
(a memory he’ll return to, over and over again. even after all the evil in the world has already descended upon him like a crackling hurricane.)
what do they look like?
there is no judgement in your voice, in the way the question slips from your lips. no mocking laughter, no silent rejection or whisper of crazy, evil, wrong. there’s only you, the way you’ve always been, curious and understanding and wise beyond your years.
suguru decides, right then and there, that he’ll protect you forever. no matter what.
you can’t see curses. you aren’t like him, in that regard, and he learns that quickly. and as suguru grows up, grows a little taller, a little wiser, he is glad that it’s true. he’s glad, because he already knows what kind of road lies ahead of him.
he already knows what kind of world you both live in, how unforgiving it can be. how many people die every day, every second, because of monsters only a select few can even see. he already knows that curses aren’t the eccentric, silly ghosts you were hoping for when you were kids — but pure, unadulterated evil.
(he already knows what they taste like.)
and suguru takes careful measures, day by day, to keep you away from it. as much as he can without lying outright. you’re curious, by nature, almost fascinated by curses and sorcery and everything you do not understand. an endearing trait, though it exasperates him to no end.
someone like you has no business sticking their nose into that kind of cruelty, he thinks, that kind of bloodshed.
and you’ve always been clumsy, a little scatterbrained. enough to make him worry instinctively when you’re out of his sight. like when you tripped and scraped your knee, by that tiny summer creek, all because you wanted to catch a dragonfly.
so he tries his best to keep you away from it, all of it, away from a darkness he knows would swallow you whole. away from the small, weak curses that sometimes litter the woods or the schoolyard; away from his cursed technique, the disgust of a power he never once asked for. 
(he never lets you see him swallow those things, never lets you witness the way he throws them right back up again before it happens so many times that he grows used to the disgust. you’re sharp, though, and he can’t hide the grimace that always lingers on his features.
you don’t ask — you only give him a packet of gum, to chew away the taste with, and suguru thinks to himself that he’ll love you forever.)
time passes by, slowly but surely, and the two of you stick together.
and as he grows into his teenage years, so much weight already resting on his tiny shoulders, suguru has already developed some sense of it all. of his ability, of the world of sorcerers. he’s already spoken to people like him, has already been made well aware of his potential. 
he’s already been given a choice, a choice that was never really a choice at all, but he decides that it doesn’t matter.
suguru decides to become a sorcerer. to train his abilities, to hone his skills. to eventually move away, from the stifling silence of that town, the silence that was only ever filled by you.
and suguru thinks to himself that he’s doing this for you. that in doing this, in being this, he’ll fulfill his promise to protect you.
(forever. no matter what. he echoes the words in his mind like a prayer.)
suguru wants to protect those who cannot protect themselves. those who are weak, those who are alone, people he has the power to help.
but more than anything, above all else, suguru wants to protect you. 
you are the most precious thing in his life. and if he can turn the world a little brighter for you, just a little bit kinder, then isn’t that enough? isn’t there enough meaning in that to give him the strength he needs?
there is. suguru decides that there is.
so when he tells you about his plans, under a pleasant, ephemeral starry sky, he does so with conviction. he knows that you will understand, because he knows you. you’re his best friend.
and he’s right. you do understand. you’re proud of him, and he’s your best friend, too.
i’ll support you, no matter what. 
the instantaneous answer makes suguru smile. not the kind of smile he plasters on to appease the adults around him, nor the smile he wears when he needs to lie convincingly. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the moon; a warm, gentle smile, one you’ll always, always associate with him. 
(forever and ever. no matter what.)
and when suguru eventually has to leave, for a high school he’ll spend the next few years of his life living at, he carries that conviction with him. his choice is steadfast, unyielding, inevitable. the only one that matters.
the whistling of the wind breaches his ears, as you both stand on the platform and wait for his train to arrive. a spring breeze caresses your skin, and suguru’s bangs flutter in the wind. sunlight scatters across the train tracks and seagulls cry out in the distance, and the acute sensation of a parting lies heavy in the air.
it’s embarrassing. it’s childish. suguru wants to claim that he isn’t a child, anymore; that he wouldn’t give in to hesitation, at the sight of your meek expression. that he wouldn’t cry, at the thought of moving away from his best friend.
but the slight puffiness under his eyes is evidence enough. evidence of the tears he shed last night, when the reality of the situation finally dawned on him. 
suguru doesn’t want to part from you. he’s nervous, too — leaving you alone in that town, all by yourself, with no one around to protect you properly.
it's stupid. because deep down, he knows that you’ll escape too. that you’ll come after him, no matter how long it takes, that'll you'll both end up in tokyo. that you'll end up together, despite his duty as a sorcerer — eating soft serve ice cream cones, playing shooting games at the arcade, strolling around the big city aimlessly. doing all those things you always talked about doing.
because the two of you will always, always find your way back to each other. just like how he found you with that bruise on your leg, all those years ago, a fated encounter as natural as the glow of sunset. two lone dragonflies, who always meet somewhere in the middle of a dusty summer creek.
still, suguru can’t help but feel sad. a little lost. he can only hope you don’t notice the soft frown on his face, the faint redness of his eyes. 
(then again, when have you ever not noticed something he was trying to hide?)
there's no need to worry about it, suguru knows. he’s never had to worry about you judging him, looking down on him. never you.
and when his gaze falls on your face, after the train he’s supposed to board screeches to a halt behind him, your own tears are enough to make him realize how silly he’s being.
he laughs, from the bottom of his stomach, when you tackle him into a hug and tell him with teary eyes that you’ll come visit. he squeezes you especially tight, in a boyish fashion he can never quite hide from you, and murmurs into your ear that he’ll be waiting.
he asks you not to forget him. you laugh through your tears, and tell him that you never could.
before he has to let go and step into the train, you tell him that you love him, and his grin blooms with honeyed affection. he ruffles your hair, always gentle, always teasing, always the same suguru.
he tells you that he loves you, too.
— then he’s gone.
(you’ll forever regret not convincing him to stay.)
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the two of you stay in contact, all throughout his first year. texting, calling — making sure neither of you get the chance to forget the other. suguru tells you about his life, his missions, his classmates, leaving out all the gritty details. and you listen; attentive, curious.
at one point, you even visit him. his friends tease him relentlessly, but all he does is roll his eyes and flick their foreheads, biting back a smile. that makes you laugh, and he’s relieved that the sound hasn’t changed in the slightest.
and suguru stays the same, throughout that one first year. he is steadfast, unyielding, decisive. he has a conviction he’ll never let go of, and people he's vowed to protect. people he needs to protect. 
(non-sorcerers, is what he tells satoru, and he means it. but suguru chooses to omit the fact that he specifically wants to protect one single non-sorcerer, above all else.)
and suguru is happy, with his choice. thoroughly and wholly. the road ahead of him will be long, full of obstacles and thorns, but he always knew that would be the case. and he knows that it’ll hurt, that it’ll be tough, but he also knows that this is what he sincerely wants to do. what he was meant to do. the only choice worth making.
suguru is content. suguru will not falter.
— then, his second year descends upon him.
riko amanai dies. toji fushiguro dies.
satoru gojo becomes the strongest sorcerer of the modern era.
(and suguru geto is left behind.)
it is a slow, sinking realization. one whole year to lose sight of his goal, lose sight of the conviction he held onto so tightly. one whole year to feel it slip through the gaps between his fingers, helpless to stop its course. everything grows muddled, molding, rotting before he has a chance to root it out — and all he can do is wait, as it festers like bile in the bottom of his gut.
suguru geto falters.
(he doesn’t quite know who he is, anymore.)
words he’s swallowed down like curses all his life keep flooding his subconscious, building up inside the back of his throat, spinning and spinning and spinning inside his brain until he feels sick enough to throw up. evil. crazy. protection. responsibility.
duty, duty, duty —
(what does that word even mean?)
suguru doesn’t remember. he can’t recall what made him step onto that train with such conviction, how he was able to smile so assuredly. how he was able to laugh, from the very bottom of his gut, as if it was the easiest thing in the world. he just can't remember.
who is he doing this for? what meaning lies in all this pain? 
suguru keeps watching, hoping for an answer that’ll save him just enough. waiting and watching. he’s always just watching, isn’t he? never changing anything. always too late, too weak, too fucking useless to stop even a single person from dying. 
he watches helplessly as a little girl gets shot in the head, for the crime of having been born different, for the sake of simple currency. watches helplessly as satoru carries her lifeless body in his arms, across a room full of people so vile that some deep, rotten, intrinsic part of suguru just wants to —
but there would be no meaning to it.
(does there really need to be one?)
suguru honestly doesn’t know, anymore.
riko dies.
(curses spring up like flies. he devours and devours.)
then haibara dies, too. 
(in the distance, he thinks he hears the sound of clapping.)
sorcerers. non-sorcerers. curses.
the words begin to rot inside his mouth, like wilted flowers, syrupy sweet and nauseating. crumbling on his tongue, numbing his senses until it’s all he can taste. a mouthful of honey, sticking to the walls of his throat, too sweet to stomach.
this is wrong, he thinks. everything is all wrong.
everything is wrong and i don’t know how to fix it.
— and then there’s you.
during your third year, both of you are busier than usual, but still find the time to talk when you can. the normalcy of your little stories is a comfort, to suguru — but also makes him burn with something he fears may be close to envy.
you tell him about your new school, your new town, your new beginning; bright and dazzling. one that suits you just fine.
the two of you are different, he realizes, all at once. some part of him always knew. you were born to be happy, kept away from the bloodshed, hands unsullied by the deep red that always dries beneath his fingernails. there was never a place for you in the world of curses. and he’s glad, that it’s true, he always has been, but —
(resentment festers in his gut. he can’t tell how long it’s been there, and he’s afraid to know the answer.)
these days, suguru takes a little longer to answer your texts. his voice comes out sounding a little more fatigued when he’s speaking to you through the phone, and he doesn’t talk as much as he used to. your voice soothes him, though, he thinks. just a tiny bit. but it’s enough.
(he’s doing this for you, too. he can’t forget that.)
and when you come to visit him, during his third year, suguru is surprised. surprised to see you, standing outside of his dorm, bags full of his favorite snacks in hand. smiling.
you look the same as always.
(he’s the only one who’s changed.)
it’s a pleasant surprise, though, despite everything. he really did miss you. in his life, your presence alone has been nothing but a comfort, for as long as he can remember. even now, when everything feels so blurry and uncertain, you appear to him as a flicker of starlight; shining through the darkness that’s been plaguing him for the past year.
so he tries to smile, tries to sound the same as always, but he knows you don’t buy it. you know because you know him, despite everything.
suguru wonders what you would think of him, if you could hear the thoughts he’s been having these past few weeks. he wonders what he looks like, reflected in your eyes. he wonders how much he’s changed since you last saw him.
(he hasn’t felt like himself in months.)
your presence is like a balm, to his soul, but it also seeks to hurt him further. because you’re still the same. still so understanding and wise and patient. you can tell that he’s fading, and he can tell that you can tell. but he doesn’t want to tell you why. he refuses to open up to you, because what would that accomplish? how could you possibly understand?
how could you understand his hatred, his resentment, towards the very people he’s supposed to protect? he told you that, himself. he decided to protect them, on his own accord. that’s his duty — steadfast, unyielding, inevitable. that’s all it was ever meant to be.
protect the weak. protect the ugly. protect everyone except his comrades, until all of them lie dead in a pile of maggots and tangly limbs and buzzing flies.
a bitter, heavy kind of vomit settles inside his chest, his throat. and somewhere deep inside suguru’s mind, in the very bottom of a drawer he vowed never to open, the image of non-sorcerers shifts, distorts, flickers on and off under the light.
protect those monkeys until his very last breath.
(what a fucking joke.)
you couldn’t understand. he doesn’t want you to. he promised himself that he would keep you away from that kind of darkness, no matter what, and —
and you’re the only good thing he has left.
not only that — you’re a non-sorcerer, too. and suguru knows what that means. if what his brain is telling him is true, if that’s really how it is, then you are no exception. then you’re just like the rest, something lesser, nothing but a —
(he thinks he might throw up.)
suguru does not tell you anything. despite everything, despite your pleading expression, despite the heavy bile at the bottom of his gut. he does not tell you what is truly wrong. he does not open up to you. 
and that is suguru’s first act of betrayal, to you. before he even betrays the jujutsu world.
(it is perhaps the only betrayal he’ll ever feel any kind of remorse over.)
you try, though. persistent in your affection. he loathes how little you’ve changed, how brightly you still shine when reflected in his eyes. you sit right next to him, under a pleasant, ephemeral starry sky, stars blurred by the light pollution, and tell him what you always have.
i’ll support you, no matter what. 
suddenly, all he can hear is the whooshing of the sea. as if he's been pulled underwater, a heavy weight tugging at his limbs, lungs gasping for air that doesn't exist. pure static, in his ears, a sharp crack of something. like a rib, or a train of thought. all he can taste is saltwater.
the dam begins to break. it cracks at the edges, like two giddy children poking a stick into a puddle layered with ice, giggling at their scattered reflections. memories resurfacing, images flashing in his subconscious. suguru looks at you like he’s lost. something inside of him breaks, disintegrates into a pile of despair. 
because you don’t understand what you’re telling him. you don’t understand what he thinks about doing, sometimes, when the nights are especially long and the school is especially empty and the taste of curses lies especially thick on his tongue.
you don’t understand. you never will. 
but you’re smiling at him, so very gentle. so accepting, so all-encompassing of everything that’s good, everything worth cherishing. just like always. 
suguru recalls your teary face; when you scraped your knee, when he left that town behind. he recalls all the ways you’ve soothed him, saved him, in all the years you’ve known him.
i’ll definitely come visit. i love you.
i’ll support you, no matter what.
what do they look like?
— suguru falters. these days, that’s all he ever seems to do.
how could he hate non-sorcerers, when you’re among them? how could he hate a world that has you in it?
(he can’t, he can’t, he can’t. he can’t hate you. not you.)
the words that spill so very easily from your lips break him. he can’t tell if you’ve mended the damage, or only worsened it. he can’t tell where the jagged hole inside his chest ends and begins. he can only tell that it’s extending, extending, extending.
suguru wants to fall apart. he wants to fall apart, for only you to see, because you’ve always been the only one who could ever understand. the only one who wouldn’t turn your eyes away from him, even back then. the only, only one. the only other white chrysanthemum.
he wants so desperately to be honest with you, to let every dark thought he’s ever had flow out from his lips. for you to hear, for you to scorn or to accept at your leisure, doom him or bless him, a bleeding dog at your feet. to get rid of the tangled mess of thoughts inside his muddled mind — to just let go of everything, even if it’s only for a minute or two. just a second would be fine.
suguru wants to drag you down with him. drag you down into the depths, into the abyss, to share the weight of his suffering. so that you can be together, just like you always have; through thick and thin. always and forever.
but he doesn’t.
(and what a betrayal that is.)
suguru keeps his pretty little mouth shut, and he gives you a smile. a smile that doesn’t reach his eyes, the kind he always wears when he needs to lie convincingly.
he could tell you so many things. could ruin you completely, take you down with him. hand in hand, staining your unsullied skin with the blood on his own. into the gaping maw.
but at the end of the day, he chooses not to.
suguru chooses your peace of mind over his, just like he always has, and feeds you a vague half-truth. not quite a lie, but something that ignores the underlying question of your statement, a silent plea for sincerity. something deep and true, but almost sorrowful.
i know, he says.
i know you will.
the moment does not save him. but suguru does feel just a little more hopeful, a little less like he’s slowly rotting from the inside out. a little less like he’s completely and utterly alone, isolated in his agony.
you are the same as always. and what a relief that is. 
(for you, he can wade through the hell for just a little longer.)
when it’s time to say your goodbyes, suguru can tell you aren’t satisfied. that you wish you could do more. but he also knows that you won’t push it, because you’ve always respected him in a way no one else ever cares enough to do. 
before you leave, you tell him that you love him. in a quiet voice, a whisper, as if trying to squeeze some sincerity from his chest — a last-ditch attempt at reaching him. he squeezes your hand, instead, and doesn’t say it back.
suguru just smiles, flimsy, a smile that doesn’t reach his eyes.
you look like you want to say something, but you don’t.
and he watches you go, with forlorn eyes, until the dot that is you gets too small to distinguish from the darkness of the night. until he can almost delude himself into thinking that you’ve turned into a star. he watches you go as if trying to burn the sight into his memory, as if this is the last time he’ll ever see you.
(the curse of i love you rots in his mouth, unspoken, unvoiced.)
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two weeks later, suguru stands in front of a cage, covered in blood.
the girls in front of him, skinny, frail, crying — beaten and exhausted — look at him like he’s a god. him, pale, smiling, with blood staining his white uniform, bathed in moonlight —
like some kind of angel of death.
suguru soaks up the metallic scent of the room, basks in that sickeningly sweet feeling of release. he soothes the girls, as best he can. he leads them away, careful not to let them see the bodies. 
(there isn’t much left of them, anyhow.)
suguru geto makes his choice. the only choice that matters. 
he will twist himself into a curse. he will devour his ideal, until it’s all that’s left of him. he will embody it, become it, through and through. it’s fine if he dies in the process, it’s fine if everyone dies — just as long as it means something.
that is the conviction he will carry with him. the decision to only ever see the line between ends and means, the bright light at the end of a never-ending tunnel.
the blood of an entire village is on his hands.
(a part of him wants to throw up. another grins with ecstasy. every part agrees that it was inevitable.)
their screams weren’t beautiful. they were aggravating, revolting, the wretched buzzing of bugs ringing like static in his ears. but it felt good. it felt just. something in his bones settling into its rightful place, a spark of affirmation.
and suguru doesn’t stop there. as if desperate for the cup to finally run over, to make sure that there truly is no going back, his feet take him to a place he always hoped he’d never have to see again.
when suguru returns to that stiflingly silent town, to kill his parents, you are no longer there.
it’s not a surprise. he knows you escaped, long ago, just like him — just like you always said you would. not quite to tokyo, to your grave disappointment, but you managed to find some other town to live in. bigger, better. the new beginning he always hoped you’d get.
suguru does not want to think of you. he doesn't want to remember your face, the sound of your laughter, the way your eyes shone in the light. he wants to erase every single trace of your existence from his memory, if only to protect you from the person he will soon become. or perhaps only to spare himself the heartache of it all.
but when he passes by that one summer creek, forgetting you becomes an impossibility. 
his eyes gaze at the silver-hued fish, sparkling beneath the moonlight, the big cicadas singing sadly under the shadows of the trees. he closes his eyes, and breathes in the solitude, and recalls a child with teary eyes.
suguru knows what school you go to. he knows what your town is called, what your street looks like.
and it is far, far away from the town he’s in. far from tokyo, too. 
— and suguru is relieved.
(it gives him an excuse not to hunt you down just yet.)
the sight of his childhood home stirs no fondness in his heart. it is empty, it is silent, it is the same as always. and now it doesn’t even have you in it, anymore.
so it doesn’t matter.
suguru moves on with conviction, with bloodstains scattered across his clothes, seeping into the fabric. the screams of his parents don’t mean anything — they blur together with old echoes of evil, crazy, wrong. 
(there is something wrong with that child.)
their blood sticks to the soles of his shoes and he is repulsed by their fragility. their blood stains his shirt and he is elated by the irony of it all. all he sees is a blur of red. 
the road before him becomes clear.
finally, there truly is no turning back. that one sliver of good still left in him, crushed beneath the heel of his boot. at last. homicide, patricide — the more he adds, the easier it’ll be. easier to distance himself, easier to convince himself that his choice matters. that the blood of mere animals is a small price to pay for the future he envisions.
that he is right. that he is just.
(self-affirmation. what a holy thing it is.)
there is still much left for him to do. so suguru leaves the town behind.
he leaves that tiny summer creek behind.
it is a premature death; a resignation of identity. he isn’t an adult, not yet, but he has long since stopped being a child. he stopped being a child the moment he saw a bullet go through the skull of an innocent girl, the moment he saw haibara’s ghostly pale skin. no sorcerers stay children for very long.
none of it matters, anymore.
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time passes with a speed that’s almost frightening. 
suguru disappears, almost entirely faded, leaving only geto in his wake. a new person, an entirely different human being — ten years of living in an echo chamber, ten years of forming his personality in the shape of something twisted.
(something almost divine.)
and geto is right. just. geto has conviction, and that’s all he needs. everything goes according to plan; geto has a goal, and a family to pursue that goal with, to pursue that goal for. everything finally feels just right. breathing feels a lot easier. living feels a lot easier. 
but everyone has a weakness.
and there is one thing, only one thing, that still acts as a thorn in his side. something that holds him back, a stain yet to be wiped away, a piece of gum stuck to the sole of his shoe. a tattered memory, clinging to his subconscious as if haunting him.
(i’ll support you, no matter what.)
if only you could see him now.
when geto left his old life behind, he did not contact you. he did not say goodbye. he threw away his phone, deleted every single thing that someone could use to locate him with, and left. he hasn’t heard from you in years, hasn’t spoken to you. 
but he has seen you.
geto knows where your town is. what your apartment looks like. he knows what university you go to, where your go-to café is located. 
so resisting the temptation eventually becomes impossible. 
he tries not to think of you, he really does. he tries to act like you are nothing, to him, because you aren’t. you are proof of weakness and a fragility that geto loathes, proof of his own foolishness, his young naivety. you are everything he hates and everything rotten and everything he’s vowed to cleanse from the earth.
but, despite that undeniable truth, geto cannot help but seek you out.
he tells himself that it means nothing. that he’s only doing it to make sure he knows where he’s got you, like a predator watching over their prey, preparing to lunge out of hiding when the moment is right. because geto knows that your death, at his hands, is inevitable. what you are is a weakness, a connection that lingers on his skin like a mold, one he still has to the creatures that disgust him so.
so it’s inevitable.
in reality, he should have killed you first. before his parents, before the village — he should have killed you, because that would have solidified his devotion in a way nothing else ever could. but he didn’t. 
geto likes to think of it as a symbol, of sorts. that he’ll save you for last. the same way children eat every last part of the cake, greedily, before gulping down the strawberry. every single non-sorcerer will be dead by the time he gets to you. you’ll be the one remaining obstacle, the one final stain to rinse away before his dream becomes reality, the one thing still standing between him and the divinity he seeks. 
it is an honour, geto thinks, an honour he would not bestow to anyone but you.
but until that time comes, all he can do is watch over you. silently, so you don’t notice. always from afar, sometimes through the eyes of the curses he’s bound to. just to make sure that you’re still alive. that you haven’t tripped over your shoelaces and gotten yourself into a car accident, or gulped down a mouthful of food too fast and choked to death, or anything similarly pathetic. he wouldn’t put it past you. really, he has no idea how you’ve survived this long without him.
weak, fragile, clumsy. soft enough to sink his teeth into. you are everything that geto hates. you are nothing, nothing at all.
(and you are the same as always, despite everything. what an aggravation that’s become.)
he watches you, anyway; like a god finding amusement in his creations, an omniscient overseer watching you stumble day to day. he watches as you live your life, as you talk to other people with that familiar smile on your face. it hasn’t changed in the slightest.
he watches you laugh, watches you grab a crêpe from a street vendor, watches you cry when you think nobody is there to see.
(the sight sends a tremor running through his soul, one he desperately wants to pretend not to feel.)
on melancholic summer days, when the sun paints the sky pink and golden, he watches you clutch onto his old sweater. one you always said you were going to return, but never did — never got the chance to. you used to tell him it was too comfortable not to steal. that it smelled like him, that it made you feel less lonely. geto so tenderly wishes he could have forgotten those words, by now.
but he watches you, in the solitude of your apartment, as you bury your face in the wool and inhale the fading tinge of his old cologne. then you cry and cry, like a child, until the moon rises in the sky; until you’re breathing softly, lulled to sleep by his scent.
(geto thinks to himself that you are a fool, to still miss him after all these years.)
it’s not an everyday occasion. most days, he does not think of you. there are many other monkeys to kill, many things to discuss. there’s money to be made, plans to be forged, wars to be brewed. geto is a busy man. a family man, no less.
but when boredom is all he can feel, he still finds himself seeking you out. just to make sure no one has gotten to you before him. just a god enjoying the struggles of a lesser being.
that’s all it is, geto tells himself. that’s all it’ll ever be, from now on.
no one needs to know if he spends the occasional morning checking up on you, curious if you did well on that exam you were studying for. no one needs to know if he absorbs the curses that sometimes cling to your fragile skin, gulping them down before they cause too much damage. no one needs to know if anyone who gives you a little too much trouble suddenly disappears off the face of the earth. 
no one needs to know if he reminisces, every once in a while, when the summer nostalgia is too much to bear. about your childhood, about that question you asked him — a million years ago, back when the center of his universe was a single summer creek. 
(no one needs to know if he finds comfort in your presence, even now.)
on days when the moon hangs low in the sky, and geto can’t choke back the longing in his chest, he sits by your bed and watches you sleep. a forlorn expression on his face, lips stuck in a tight line. it’s risky, careless, but he’s helpless to the temptation. 
most nights, you lie perfectly still. so still he can almost delude himself into thinking that it’s over, that you’ve passed on, that he won’t have to kill you after all. sometimes you twist and turn, mumble something unintelligible under your breath that he doesn’t catch.
he wonders what you dream about. he wonders if you ever have nightmares, if they’re ever about him. he wonders why he even cares at all.
geto resents you. resents you for existing, for smiling every day, for being a bridge between him and lesser creatures. he resents you, resents you, resents you.
(self-affirmation. what a holy thing, indeed.)
— he could kill you so easily. 
he wouldn’t even need a curse to do it. a flick of his pinkie would be more than enough. that’s how fragile you are; asleep, right in front of him, breathing softly while he watches you like how the fox watches the lamb.
(he could end all of this, right now, in the silence of the night. in your most vulnerable state.)
and yet, geto allows the opportunity to pass him by.
he can’t get too greedy. that’s what he tells himself, as he slips out of your window in the dead of night, leaving your sleeping figure behind him. it’s not the right time. he can let you sleep, for just a little while longer. the bags under your eyes have looked especially heavy, recently.
(he tries not to remember the sleepover you had as kids, when he stayed perfectly still as you dozed off on his shoulder. doing his best not to wake you, watching you fondly until the sun began to rise. back when all he wanted was to protect you.)
geto knows that you know he’s not dead. he knows because he’s almost certain that satoru spoke to you, back then, even if he probably didn’t let you in on any details. because he knows that you’re sharp, sharp enough to know that he’s alive.
and even if that were not the case, geto knows because he’s sent you gifts. letters. absentminded, almost taunting, cruel in their joviality — always anonymous, always mysterious and vague and impossible to trace back to him. but he knows that you know who they’re from.
a little dance, if you will. geto haunts you like a ghost. he never lets you see him, but he lets you know that he’s there, sometimes. just out of frame.
he can only hope it’ll eventually haunt you to death.
(if it ends up as a comfort to you, instead, then, well — it is what it is.)
all of it is a safety measure in disguise. a way to satisfy the yearning inside his chest, without coming too close. that doesn’t mean he never falters, though.
every once in a while, he feels strangely compelled to talk to you. to waltz into your home, in a lighthearted fashion, to soak up your shocked expression. to ask how you’ve been, casually, and watch you stammer, stumble over your words — he can imagine the face you’d make, the way the lilt of your voice would tremble. would you cry? he can’t help but wonder, sometimes.
yet he always resists the temptation. careful, cautious, with every move he makes. like a shadow. he deliberately leaves no traces of himself behind, no breadcrumbs for you to follow like the curious creature you are. geto lets you know that he’s there, but he doesn’t let you see him, because if he talks to you he knows that he’ll kill you. and he can’t have that, not just yet. 
eventually, he’ll do it. he’ll do it, and he’ll watch as your blood stains the silk of his robes like the inevitability it is. but not yet.
you’ll be the last one, the last one he’ll kill. the final proof of his devotion.
until then, he can have this. this sickeningly sweet scrutiny of your life, your life without him. the sound of your laughter, the reflection of untainted light in your iris.
(you are the same as always, and you are a weakness that geto is learning to live with.)
he can’t rest, won’t rest until it finally ends. until the curtain calls on your bloodied body, until he feels the cold skin of your palm against his lips.
only then will he finally know if it was all worth it. only then will he be free of this yearning. only then will he be able to say that the last remnants of suguru have been well and truly cleansed from his soul, that there is nothing left of the person he was.
only then will geto be able to call himself wholly divine. 
but until that time comes, he can do nothing but watch you. when the temptation begins to crawl under his skin again, when he needs to remind himself of what he’s fighting for. that one thing, at least, never once changed; suguru geto has always fought for you. for your protection, for your survival, for your demise.
for your happiness, in life or in death.
(geto hates you, loathes you, resents you for being what you are; but suguru will always, always love you. forever and ever. no matter what. 
and that will be their undoing.)
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suguru geto dies without saying goodbye to you. 
if there are any regrets to speak of, any at all, then maybe that’d be it. he never got to see that shock on your face, never got to hear you stammer in the way you always used to when you were nervous.
in the golden hue of sunset, the last of his resentment finally fades away. the curse known as geto disappears, and what remains is no more than a ghost — the ghost of suguru, the person he was, the person he never quite stopped being.
and when geto disappears, when the last of his resentment fades away, suguru finally allows himself to think of you. fully, without interruption, without unspilled blood festering beneath his tongue. just one single touch of sincerity, one last indulgence before it all ends. he thinks of you, you as a person, not you as a non-sorcerer. he gives your memory the respect it deserves. something worth cherishing.
he wonders what you’re doing, right now. he wonders if you studied enough for that exam next week, if you found a good gift for your friend’s birthday party. he wonders if you still miss him, even though he'll never be deserving of it.
satoru stands in front of him, genuine, sincere. and suguru thinks that he is a fool, just like you; to still have any kind of affection left for someone like him. after he left you both behind, that summer.
satoru doesn’t curse him. suguru wishes he would.
a soft bout of laughter falls from his lips, as the sun sets behind him, and he knows you would have found the sight breathtaking. you always did love sunsets, didn't you? the sun was setting when he found you with that bruise on your leg, he recalls — such a miniscule detail. he wonders why he remembers only now.
suguru chokes back his tears, still smiling. it’s a smile of love. a smile of regret. he thinks of satoru. 
at least curse me a little at the very end.
those should be his final words. he should avert his gaze, follow the script, tear his eyes away from the only other person besides you who ever truly knew him —
but he doesn’t. he can’t. suguru looks straight at him, at satoru, into his eyes, so blue they seem to gleam in the orange hue of the melting sun. sparkling like little galaxies, like the crinkling of soda pops, like crystallized summer skies. he looks beautiful, as beautiful as he always was.
(i wish i had told you, suguru thinks. i wish i had told you everything.)
in a voice so small he barely hears it, so tender that geto would’ve felt disgusted to his very core, suguru asks his best friend for one last favour. he’s not sure why, not sure why it matters —
but maybe, just this once, it’s fine if it’s meaningless.
satoru listens, intently. he looks at his best friend with eyes so soft it makes suguru want to laugh and cry and go back to a time when they were all happy. but they can’t, that choice was lost ten years ago — he threw it away. smothered it beneath his boot heel. there was never any going back, from the very beginning. 
satoru answers his plea. one final favour, one best friend to another. 
of course.
a shaky breath. he can’t tell who it came from.
of course i will.
suguru smiles. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the sun. it’s the last time anyone will see it.
satoru clenches his jaw. he crouches down, and presses his fingers against his best friend’s battered body, right over his bleeding heart. he will never, ever forgive himself for what he's about to do.
(suguru already has.)
and the moment before the last flicker of light leaves his eyes, suguru chooses to think of you.
he thinks of your smile, the way your lips curled up at even the smallest things. he thinks of your curiosity, how it always lead him back to you. he thinks of what could have been.
he thinks of that question you asked him, all those years ago — how accepted it made him feel. that sensation of being understood. suguru thinks you saved his life, that day.
(he never got to thank you for it.)
you were his childhood friend. his nearest, dearest, oldest one. 
suguru doesn't believe the world he lives in is kind enough to allow him a second chance. and he doesn't think he really deserves one, either way.
but if there is a next life, if he’s lucky enough to be reborn —
then suguru hopes he’ll be born as a dragonfly, so he can find his way back to you.
he’ll meet you, again; in the afterglow of sunset, by that dusty, forgotten, tiny summer creek. framed by silver-hued fish and cicadas, and the silence of a town that glimmered while you were both in it.
he won’t be able to wipe your tears away, won’t be able to clean the bruise on your knee — but he can be with you. and maybe, in your next lives, that’ll be enough.
(what a lovely thought.)
suguru smiles, and lets a final breath of air course through his burning lungs.
— it tastes like summer.
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there is a silent understanding, between the two of you.
it’s been ten years since you last spoke to satoru gojo. it wasn’t a very pleasant conversation, and somehow, you doubt this will be an exception. an acute awareness lies heavy in the air — and deep down, some part of you knows what he’s about to tell you.
(as if it was an inevitability.)
gojo doesn’t smile. his voice has no masked amusement to it, no sense of joviality. if you strain your ears, you think it may even be wavering, slightly, so faint it’s hard to tell for sure. just that one low shiver of his lips, saying more than words ever could.
he doesn’t beat around the bush. and you see that for the kindness that it is, despite the ice cold chill that creeps into your veins when his words spill out into the air, a full body shiver traveling down your spine.
he tells you that suguru is dead, and you don’t flinch. you don’t even cry. that comes later.
in the moment, all you can do is nod, a little pitiful, teeth digging into the flesh of your bottom lip to stop it from wobbling. like you’re trying to be brave. 
truthfully, you had a feeling that was the case.
sometimes, it was as if you could feel him. just barely out of reach, a certain cologne lingering on your windowsill, a box of cookies you’ve liked since you were little delivered to your doorstep. a sudden feeling of being watched. a note wishing you luck on whatever exam or driver’s test or job interview you had the next day, accompanied by a silly smiley face so distinctly suguru it made you want to cry.
— how cruel of him.
but you couldn’t help but feel comforted by it, all the same. it made you feel like he was still with you, somehow, like he still cared. even though he disappeared from your life without saying anything. even though gojo told you explicitly all those years ago to stay away, if you ever saw him, as if he was suddenly dangerous —
but you could never be afraid of him. you don’t think you have it in you. 
to you, suguru will always just be the boy who helped you up when you scraped your knee, all those years ago. a sweet, cool kid, who held your hand firmly and gently wiped the blood off your skin.
(he’ll always be your nearest, dearest, oldest friend. even if you aren’t his.)
but lately, there’s been nothing. you haven't felt any traces of him at all, no lingering gazes boring into your back. so you knew. deep down, maybe you always kind of knew.
gojo looks at you with compassion, understanding. and without him having to say it, you know he loved suguru too. you know because his breathing is shaky, because his eyes look puffy from hours of crying; you know because grief is like a stench, thick and heavy, overwhelming, one that clings to your skin and haunts your very being. just like love.
and you can smell it on the both of you.
(you both loved the boy who died for his ideals, the man who was so moral it killed him.)
the news will sink in, later. you are sure that you will crumble, and you are sure that you will cry. you’re sure that the road ahead will be a long one, full of obstacles and thorns. but that’s fine. you’ll deal with it when the time comes. suguru was always a little mystical, a little too good to be true.
maybe you always sort of assumed things would end like this; that he’d walk ahead without you, with all his whispered secrets and gentle lies. 
(asshole.
he could have given you a call, at least. even just once.)
for now, all you can do is try to keep your trembling skin intact. and you assume that gojo will leave, now that you know, that this was all he came here for. just a messenger of death, coated in a grief so strong you doubt he’ll ever be rid of it.
but gojo doesn’t leave. 
he hands you something, instead.
a polaroid, you quickly realize. a photograph, of three kids — one with white hair, one with brown hair, and one with black hair. the black haired boy is trying hard not to smile, you can tell. the other two have got their arms around him, squeezing his body tightly with matching grins, throwing up peace signs. he looks at them with exasperation in his eyes, but you can tell that there’s a love there. you can tell, you know, because despite everything, you still know him.
a lump forms in your throat.
it’s not the original copy, is what gojo tells you, apologetic. you’re almost certain that he kept it for himself, and you don’t blame him. i’m sorry. but i wanted to… you know.
(he wanted to give you something to hold onto.)
the gesture is a little bit awkward, just a tad clumsy. but it’s a genuine concern, a sincere kindness. you aren’t really surprised that suguru spent his last moments with this man instead of you.
gojo continues to speak, and you continue to listen, attentive — hungry for anything to mend the hole in your heart. but your eyes never once stray from the photograph.
(suguru looks so, so happy.)
he tells you that suguru talked about you a lot, back then. and without him having to say it, you know what he really means is he loved you a lot. the words of consolation ring like static, in your ears. it hurts. the hole in your heart just keeps extending, extending, extending.
gojo notices. so he gets to the point, the final point, the only one that matters. this is his duty, too — granting suguru’s last request. the only one he ever asked of him in words.
(it’s the least he could do, for the man he loved so dearly, the one who left him behind in the shadow of summer.)
he tells you that there’s one more thing. that suguru asked him to tell you something, that it was the last thing he ever said. words that he wanted you to hear, more than anything.
gojo’s voice does not waver. it is not his place.
you listen. you listen as if it will bring him back. you listen as if it is the last thing you will ever do.
and gojo speaks.
the words mean everything, and also nothing at all. how very like him. they bounce off the walls of your apartment, spilling into the suffocating air, echoing inside your mind. cutting into your bloodstream, rooting themselves in a particularly soft spot deep within your ribcage, chrysanthemums blooming from your flesh. petals filling up your stomach until you can scarcely breathe.
the final words of your childhood friend. your nearest, dearest, oldest one; suguru geto, who you will always love, in the same way the sun loves the moon, as naturally as breathing.
the dam breaks. the sky shatters. the sob you choke on tastes salty, and gojo looks remorseful, his figure blurred by your tears. everything comes crashing down around you — an inevitability you were hoping to put off, in the same way suguru put off talking to you all those years.
and now, finally, he tells you his honest feelings. when it’s already far too late. how very, very like him.
(tell them i’m sorry. and that i hope their exam goes well.)
— honestly. what a fucking asshole.
not once did you ask for an apology. you never wanted one, never thought to even wish for it. you didn’t need one.
all you wanted was for him to come back to you. to find you, again, the way he always did.
tears cascade down your scrunched-up face, big and childlike, but no one’s there to wipe them away anymore. you cradle the photograph in your hands, savouring every single memory you have of him. all the love your heart can muster.
the tears never seem to end. they continue to run down your cheeks, until all you can smell is sea salt, until the sun has set in the horizon, until the moon has hanged itself in the sky. a silent comfort, but it’s not enough. it never will be.
a sniffle pushes past your lips, and you hear yourself laugh — bitter, raspy, gentle all the same. what a moron, you whisper, a soft lull of your tongue. didn’t he know?
(you forgave him long ago.)
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bonus 👀
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shima-draws · 2 months
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I’ve mentioned it before but I’m a fucking sucker for unhealthy dependent relationships. There’s just something about them that is so. Chef’s kiss 👌
Anyway I’m still thinking about how Law was so attached to Cora and was so traumatized by his death that he literally devoted thirteen YEARS of his life to revenge killing Doflamingo. Even though all Cora ever wanted was for Law to just be free and live his life happily. And Law spending all his time in a hateful revenge spiral is literally the exact OPPOSITE of what Cora wanted for him. BUT WAIT THERE’S MORE. If the thirteen years of endless devotion to avenging his savior wasn’t enough Law 1. Named his pirate crew the Heart Pirates in honor of Cora, 2. Covered himself in permanent heart-themed tattoos in honor of Cora, and 3. Fashioned his Jolly Roger to be a mockery of Doflamingo’s and ALSO to honor Cora. Homie is a walking memorial for a man he only really knew for six months and again crafted the most intricate plan known to mankind to murder Cora’s killer. Because losing Cora fucked him up THAT much. Because even though Cora set him free, the moment Doflamingo shot him Law was chained to the memory of a man who no longer existed. Law literally fashioned his entire life down to his own appearance after Cora and it makes me so insane. I cannot even imagine what went through his head after Dressrosa I mean how do you move on after a thirteen year grudge is put to rest. What is he supposed to do now. Avenging Cora was literally his entire existence, his entire reason for living for half of his life. He needs therapy probably. If Cora somehow ever did come back to life Law would lose his fucking mind. The dependency is SO unhealthy and I am SO here for it
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madootles · 1 year
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there’s just something about a good superior-subordinate professional relationship built upon mutual hate...
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midnightanxietytm · 3 months
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Color Match - Rafayel / Reader
A/N: My first Love and Deepspace drabble! I'll post a Zayne one tomorrow even tough it's mostly done already, I'm very sick so I'll review it tomorrow.
Summary: "You sit in a stool, leaning slightly forward, and he sits in front of you, pouting in a frustrated way, every few seconds he raises a paintbrush or his palette next to your face and ends up humming, dissatisfied."
⇒ Gender neutral reader, fluffy, maybe a little ooc? Idk. Request open!
⇒ Word count: 263
🐠
You've become mostly accustomed to his eccentricities by now, to a point where Thomas calls you often to deal with him. This one, though, might become more of a challenge.
You sit in a stool, leaning slightly forward, and he sits in front of you, pouting in a frustrated way, every few seconds he raises a paintbrush or his palette next to your face and ends up humming, dissatisfied. He’s been trying to match the colour of your eyes for a good twenty minutes now, and he insists that it’s very unique, or that it might not look right on the canvas.
“My back is hurting…” You say after a few seconds.
“I know, but hold on just a little more for me, okay? The lighting is perfect here, and I’m almost there…” He says, eyes never wavering between his palette and your eyes.
“Alright, but after that please go work on your other painting, Tomas said-” He whined loudly, suddenly dropping his hands and looking at you with a big pout.
“Would you please not mention business when we’re bonding?” He pouted at you.
“Oh so we’re bonding now?” You smirked at him, reaching out a hand and poking his cheek.
“Of course!” He exclaimed. “Matching the colour of your eyes  gives me the perfect opportunity to just gaze at you and it gives me a beautiful new colour to use too!”
“Oh…” you mutter, feeling a slight heat rise to your cheeks.
Rafayel hums with a grin. “I’ll match the colour of your blushed cheeks next, I think it’s my favourite.”
🐠
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wikiangela · 2 months
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fuck it friday
tagged by @steadfastsaturnsrings @tizniz @daffi-990 💖
more fluff from my new wip that for now is called 'buddie secret relationship' bc that's the title of the doc from may last year that i decided to open last week lol 😂
prev snippet
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“Hi.” Eddie breathes out, smiling so wide his cheeks start to hurt.
“Hey.” Buck responds, taking a step inside, and as Eddie closes the door behind him, Buck sniffs and frowns, an alarmed look on his face. “Something’s burning?”
“Uh, it was.” Eddie says with a small chuckle, waving off Buck’s concern. “Just food, no casualties or property damage. I tried to make breakfast.”
“Eddie.” Buck laughs, kicking off his shoes. “Why?”
“Because.” he shrugs, then feels his cheeks burn as he looks at the ground. He’s being so silly. “You said you’d come over, and I wanted- I just wanted to make breakfast.” he says lamely, not sure how to put into words how much he wants to do anything and everything to make Buck happy, and how giddy last night made him, how kissing Buck was the most amazing thing that he wants to do over and over and over again, and how he wants Buck at his side forever and ever and ever. And he wanted to start off by doing this one simple thing for him. Plus, he was too antsy to just sit and wait for him to come over, and trying to cook was a good distraction. Until it wasn't.
“Eddie.” Buck repeats, this time softer, taking one step towards him, and Eddie looks up at him. “That’s really nice. But just so you know, it’d be even nicer if you didn’t try to burn your house down for me.” he adds through laughter.
“Oh, shut up.” Eddie huffs, playfully punching Buck’s shoulder, and as he’s taking his hand away, Buck grabs it. It goes limp, letting Buck easily unfold his loose fist and intertwine their fingers. It feels right, holding his hand, they fit together so well, as if made for each other. Eddie watches Buck’s face as Buck’s eyes are on their hands, watching in awe and wonder. As if he couldn’t believe he can do that now. As if he still doubts he can.
___
no pressure tags: @elvensorceress @gaydiaz @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @911onabc @housewifebuck @watchyourbuck @underwater-ninja-13 @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @buckaroosheart @spagheddiediaz @rainbow-nerdss @sunshinediaz @giddyupbuck @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @hoodie-buck @nmcggg @jesuisici33 @exhuastedpigeon @rogerzsteven @hippolotamus @disasterbuckdiaz @honestlydarkprincess @theotherbuckley @diazsdimples @fortheloveofbuddie
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frnkiebby · 3 months
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fingernailpolishfrankie~🎃
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larkoneironaut · 8 months
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My wood elf bard Nyctea who likes to donate blood from time to time 🖤
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james-winston · 9 months
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omfg I am so behind on this (and yes I’ve only become aware of it because Nicholas Galitzine offof rwarb is in it) but they’re making a fucking Duke of Buckingham series!!!
And you’re all sitting there like “who??” well let me tell you about this absolute fuck.
George Villiers, Duke of Buckingham was the favourite of King James VI&I and by favourite I do mean it in the gayest of ways. (He started life as Sir George, the shittest of titles, and fucked his way to a Dukedom.)
Long story short, here’s a list of things I need to see in this series or I will SUE:
George slut dropping his way into James’s bed. (I mean, he danced for him, but whatever the 17th century equivalent to slut dropping was you can bet George was doing it.)
The exasperation of James’s advisors when he picks yet another beautiful young man to fuck and give totally unreasonable amounts of money and power to.
Even funnier if they show them actively helping George overthrow James’s old favourite before realising “oh shit this one’s worse.”
George failing consistently at every job he was given. (Yes I know he didn’t actually but where’s the comedy in competency? Give me himbo George or give me death.)
Parliament calling James to task on George being a fucking useless nuisance and James standing up in front of parliament and literally saying, “You may be sure that I love the Earl of Buckingham more than anyone else, and more than you who are here assembled. I wish to speak in my own behalf, and not to have it thought to be a defect, for Jesus Christ did the same, and therefore I cannot be blamed. Christ had his John, and I have my George.” (Huge points for throwing Jesus under the gay bus too.)
James practically arranging George’s marriage for him and then riding his horse around the park crying because George, shock, got married.
What better be the dirtiest sex scenes ever broadcast on British television that lead to the “master and dog” letter.
The consistent drama queenery from James, e.g:
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I refuse to tag this as a spoiler because it happened 400 years ago: George smothering James and then playing the heartbroken widow to his son. (Historically debated, if anyone wants details shoot me an ask.)
George getting stabbed to death in what was probably the justified climax of him being the most irritating man alive.
George’s assassin getting the warmest send off ever given by any crowd at a public execution cause the people hated George so fucking much.
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cheruib · 2 years
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my cats my reason to be happy
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lewdo · 8 days
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the way daniel ricciardo used to be one of my favourite drivers and now he’s one of the drivers i hate the most, oh how the tables turn
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rweiser · 1 year
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Sukuna thinks megumi is pretty CONFIRMED
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in the dream i don’t tell anyone, you put your head in my lap ; shoko ieiri
synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 
word count; 4.5k
contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)
a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!
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shoko hasn’t been herself for a while.
the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.
it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.
you can’t remember the last time you heard her laugh.
the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 
apathy, maybe.
or bloodlust.
the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.
(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)
she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.
shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 
so why hasn’t anyone said anything?
you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.
no one has the time to. it’s as simple as that. 
no one’s doing well, anymore. not since shinjuku.
not since gojo died.
shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.
(like something she doesn’t want to be rid of.)
shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.
but now, it’s more like a haunting than a simple ghost.
(geto. nanami. yaga. and now gojo, too.
how many people does she have to lose before whatever’s watching is satisfied?)
shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.
and yet no one says a thing.
everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 
this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.
still, though. isn’t this just too unfair?
”i brought you coffee!”
making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.
(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)
and she looks exhausted.
try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.
shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.
when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.
(cold like a ghost. cold like death.)
shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.
hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.
(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)
shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.
you look away before your eyes can read another line.
leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.
(what could you possibly tell her that she doesn’t already know?)
”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”
shoko hums, unaffected. ”that’s good.”
she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.
that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.
(in that sense, the two of them were alike.)
but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.
looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.
”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”
”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”
short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.
and it makes you uncomfortable. this silence. 
a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.
the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.
you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.
but now it only stings your skin. you fear that you might drown in it.
there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.
you want to ask her if she can still keep going, like this. but you already know.
she doesn’t have a choice.
(something crumbles, deep inside your chest, like ashes cast into the sea.)
”hey. shoko?”
she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.
you take a deep breath.
”i think i’m going to quit being a sorcerer.”
silence.
for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 
like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.
frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.
to remind yourself of why you’re doing this. to give you a reason to keep moving forward.
(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)
shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.
but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.
”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”
not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.
(if this ever ends. if i don’t die tomorrow, or the day after that.)
you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.
trying to reach her.
”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 
staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”
you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.
a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.
but the choice was never hers.
a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.
isn’t that just too cruel?
they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 
shoko, someone needs healing, come quick! 
shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.
shoko, i think i got a paper cut, would you mind taking a look?
none of them deserve her.
you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.
something ugly claws its way up your throat.
none of them deserve her. especially not him.
what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.
why would you die with a smile on your face? do you have any idea how cruel that is to her?
you idiot. don’t you know how much she missed you?
— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 
what shoko deserves is to live a normal life. 
and she never will.
it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.
you wish you could bring her with you. 
you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.
maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 
maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.
there’s nothing you want more. absolutely nothing. there never will be.
— but you can’t ask her.
you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.
she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 
a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.
”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”
shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 
shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.
tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 
(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)
then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.
”i’ll give you free pastries.”
a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.
her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.
”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.
”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”
she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?
then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”
”nope,” you deadpan. ”but i’ll learn. you’ll see.”
this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.
(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)
a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”
”haha…”
shoko laughs. shoko laughs and it’s beautiful.
shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.
and then you realize your mistake.
a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.
(”you know, shoko. you really should drop those death sticks of yours.”
”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”
”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”
”whatever. just worry about yourself, gojo.”)
by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.
they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.
but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.
(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)
you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.
you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.
she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.
you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.
she did all that she could.
but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.
(what a wonderful way to die. what an awful thing for an old friend to find.)
before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.
the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.
it’s not enough, it never will be. but at least it’s something.
it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.
(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)
all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.
you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.
eventually, she musters up the will to speak — and it’s awful, raspy, broken syllables she has to force out of her throat. 
she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.
“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”
you know what she means. she doesn’t have to say it, because you know.
don’t end up in my morgue. don’t end up on my autopsy table. 
shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 
“you’re — you’re the only one i…”
she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 
you’re the only one i have left. i can’t lose you, too.
please don’t die. please don’t leave me behind.
a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 
you blink away the tears in your eyes, grasping for control over your wavering voice.
“i won’t.”
and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.
“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”
three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 
and for a second, you think you might say it. 
you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.
but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.
and you swallow the words, once more. 
right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.
she doesn’t need your love. she just needs you to stay alive.
so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.
shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.
you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.
for now, the soft patter of your heartbeat is enough.
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ijichi stands just outside the morgue, unmoving. not saying a thing.
it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.
in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…
— he clutches them tightly, and then walks away.
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beachboysnatural · 29 days
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I am also LOVING the class commentary in Queen of Tears especially with Soo-Cheol like it is so well done and I really love it that shot of the bike at the end was just PERFECT
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