#how they managed to fit all that in 3 eps and actuality pulled it off quite perfectly is a wonder

[evilkaeya]

just finished watching toh finale it's going to take me some time to recover

#how they managed to fit all that in 3 eps and actuality pulled it off quite perfectly is a wonder #i love love LOVE how they showed every character after time skip #I'm gonna miss this show #actually*

[y0noirs]

youve heard of “i have a new favorite buddy daddies episode” now get ready for “i have a new LEAST favorite buddy daddies episode” // buddy daddies ep 11 spoilers

as i was watching ep 11 the things i kept repeating as i watched were “WHAT?”, “????????”, “this is not fucking happening”, and “oh my fucking god”

needless to say i’m REALLY unsatisfied with the choice to kill misaki off ): i’m 100% not impressed at all whatsoever. i don’t think it was a good or sensible choice, even for the tragedy points. it left a bad taste in my mouth and it really sort of bothered me for the rest of the episode. there was nothing other than annoyance and dissatsifcation with the way she dropped dead.

is that the point? maybe. to which i say: that’s not cool, dude! i don’t think i will be satisfied with this result no matter what!

buddy daddies has had REALLY GOOD story beats so far. much of the writing, i was cool with! i really liked buddy daddies for the refreshing writing it had with this sort of concept. however, killing misaki off right after she had shown just how much she tried to change for miri, just how desperately she wanted to give miri everything, just how much she wanted to do for miri is so wasteful. not to mention, killing off a single mother who tried her best to change and did leaves a really bad taste in my mouth.

was she the most righteous character? no. you could even say that her attempt to change even after all the neglect she put miri through is a little tasteless. not a lot of people like her, and it makes sense because she didn’t treat her daughter all that well, only to come back for her. but she’s a much deeper character than the surface hypocrisy that she displays. she was dealt a terrible hand. she was unlucky and, while she may have perpetuated her unfortunate situation, there’s no changing that she is a victim. and not every victim plays out to be someone who can be admirable or likable. the point is, though, that despite everything, misaki proved that she wanted to be miri’s mother. and that she really did try her best to be a good mother towards the end.

(fuck i hate saying that! “towards the end” is so stupid!)

i, for one, actually really like misaki’s character. i don’t like what she’s done, but she’s a very well-written and complex character. she’s supposed to be this parallel to kazuki, which was clear from their confrontation in ep 3. that’s really neat IMO! the two of them contrasted each other well, especially with how they learned to be the best parent for the same child.

but killing her off? it just seemed like a waste. i don’t feel like there’s a way to justify that choice that will satisfy me. revenge will not make it any better for me, nor will some other choice. i have no idea what they’ll do for the last episode, but i don’t feel like the conclusion will be satisfying for misaki at all. i hope they prove me wrong, but i’m not particularly that hopeful.

would it have been hard to fit her into miri's life if kazuki and rei managed to fix everything? sure. it would've been hard, but it would've been worth it. miri's happiness includes her mother, too. especially her mother who tried her best despite the bad hand she was given. just 'cause it's hard doesn't mean it's wrong.

anyway, what else? that confrontation between kazuki and rei! if there’s anything to be satisfied with in this episode, it’s probably definitely that. the contrast between kazuki wanting to pull away from miri’s life to keep her safe vs rei wanting to continue their family was really great! it flipped their dynamic on its head!

i’m always here for rei growth, ok? the way the last few episodes were about rei’s growth (ep 8 + 9) was really good for what ep 11 did to cement that character growth! and seeing that resolve become what it is now - the determination to give miri the happiness she deserves for bringing warmth into his life - is really so good to me.

and kazuki’s complexity is shown further in here. he just watched misaki die (FML!), possibly even blaming himself for it. at this point he brought BOTH of miri’s biological parents to their deaths. that’s not something that someone as soft-hearted and family oriented as kazuki can take. from this point onward, he has to cut ties with miri so that he doesn’t take any other part of her - or worse, have her taken away from him. in his eyes, nothing has changed at all. he can’t do anything but bring misery to everyone around him, exactly as misaki had once told him. wow! ouch man!

but thankfully rei can convince him. rei, who is now determined to follow through with his resolve. rei who desperately wants to keep the warmth and happiness he’s been shown by this little family of theirs. he can’t achieve that warmth and happiness alone. kazuki was part of that happiness, so he’ll do his goddamned best to to convince him that they can change - for the child who brought that happiness into their lives.

there’s a thousand things i could say about their confrontation, but there’s so many other people who are also talking about it and i don’t want to rehash everything since i agree LOL but i just ... i really liked that flashback sequence, too. “we can change” and kazuki thinks about meeting yuzuko and losing her. he thinks about meeting miri. “this time, we’ll make miri happy” and he thinks about karin’s faith in him to make miri happy. yes you can, kazuki!!! yes you can!!!!!! because when has rei wanted something this badly before? if he’s by your side, if your efforts are combined, can’t you achieve that impossible dream??

it’s not bad for both of them to need each other. it’s not bad for all three of them to need each other. altogether, their little family makes all of them happy.

but mark my words, PAworks. i care more about miri’s happiness than you do GRAHH misaki’s alive in my canon ok

#text #bd #bd spoilers #long post #christ this is so long #this anime makes me think so much it's ridonkulous #and ok maybe thats an exaggeration i dont HATE this episode #but it's definitely far from my favorite #jesus this was 1k words i couldve written for something else LMAO #shut up chou

[gunterfan1992]

Episode Review: ‘Together Again’ (Distant Lands, Ep. 3)

Airdate: May 20, 2021

Story by: Jack Pendarvis, Kate Tsang, Hanna K. Nyström, Christina Catucci, Jesse Moynihan, Adam Muto

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Iggy Craig, Maya Petersen, Serena Wu

Directed by: Miki Brewster (supervising), Sandra Lee (art)

Across Adventure Time’s ten season run, the show explored a bevy of “mature” themes and story ideas—topics, like love, sexuality, depression, and grieving. The show also touched upon death, but the emphasis was usually placed on the emotional toll of a loved one dying, not really what happens when you die. We knew there were Dead Worlds and Death. We knew that there was reincarnation. But how does it all fit together? What does it mean? How does it work?

With “Together Again,” we finally have many of the answers.

This special opens with a marvelous fake-out episode simply called “Finn & Jake,” that sees the two steal a magical cartoon of 50-flavor ice cream before rescuing Turtle Princess and LSP from the clutches of the villainous Ice King. This is all deliberately anachronistic and over the top. Ice King is back to his season one ways, Finn has both arms, and he is still wielding his golden sword that he lost in season two’s “The Real You.” There’s lolrandom dialogue and silly monsters; it’s like a parody of seasons 1-2. But then, this adventure starts to get all wonky, and in time Finn realizes that he is in a some sort of trance or illusion: one that ends with Jake being buried in the ground. Suddenly, Finn awakens from his reverie. He’s an old man. And he’s dead. We’re then presented with a new title card that lets us know the episode is actually called “Finn & Jake Are Dead.”

Holy Glob! They actually went there.

Turns out Jake died years before Finn, so naturally Finn is super excited to see his best bud. But something’s wrong—he cannot find Jake!! They planned to spend eternity together. But all that Finn can find is his very own psychopomp, Mr. Fox (voiced by Tom Herpich, whose purposefully stilted line readings are the epitome of delightful). Finn rightfully assumes that Jake is in a different Dead World, and so, being the ball of spunk and energy that he is, he demands to meet with Death, only to discover that there’s a New Death in town (voiced by Chris Fleming). The episode eventually explains that New Death was the son of Death and Life, and after New Death killed his father, he became the sovereign of the afterlife. New Death hates his job and decides to just blow up all the Dead Worlds so he doesn’t have to deal with it all. (I won’t get too much into the details here, because there would be a lot of story to parse out.)

Finn soon learns that Jake has reached nirvana in the 50th Dead World, where there is nothing but peace and serenity. Finn nevertheless tracks down Jake, pulls him from paradise, but in doing so, accidentally lets New Death in, who promptly obliterates Elysium, sending all the enlightened souls—including those from different levels of the afterlife—to the 1st Dead World. This gronks up the afterlife, temporarily halting the reincarnation process.

Well, Finn and Jake are rightfully ticked, and so they haunt the material plane looking for Princess Bubblegum. She’s not home (more on that later), but Peppermint Butler is! After Ghost Finn and Ghost Jake explain the situation, Peppermint Butler tells them what to do: They need to find Life and explain the situation. The duo manage just that, and Life is rightfully angry that her kid has stopped the transmigration of souls. After Life gives Finn a McGuffin sword that can hurt Death, Finn and Jake return to his abode. A brawl ensues wherein we learn that New Death has been possessed… by none other than that spirit of the Lich.

That’s right, it’s the Lich! He’s back, and boy is he evil.

The Lich explains that by possessing Death, he can destroy the afterlife, thereby destroying a key aspect of reality. Naturally, Finn and Jake are not cool with this, and they engage in combat. After Mr. Fox grabs the McGuffin sword and uses it to annihilate the Lich and New Death, he is proclaimed the New New Death and sets everything right. Finn is slated to be reincarnated, and Jake is slated to return to the 50th Dead World where he and Finn will one day be reunited. As Finn is pulled into the wheel of souls, Jake suddenly decides to go back with Finn, too, “Just for fun.” The episode ends with a card letting us know that the episode is neither called “Finn & Jake” nor “Finn & Jake Are Dead.” Instead, it is “Finn and Jake Are Together Again.”

As they say, “And there wasn’t a dry eye in the place.”

If you were to tell me several years ago that the last episode to star Finn and Jake would revolve around them dying, I think I would’ve been upset. Not simply sad, but rather frustrated because “they all died” can feel like a cheap ending. But with “Together Again,” it all works. And a large reason that it works is because the show goes all in with their ideas. Finn and Jake don’t magically leap back into their old life (no, no, they very much do bite the dust). Instead, the special emphasizes the cyclical nature of life through the transmigration of souls. The episode ends with a beautiful scene of Finn and Jake, bound together as soul-brothers, being reborn into a new, mysterious (possibly Ooo 1000+?) world. It’s both aesthetically and emotionally pleasing; it doesn’t feel off the way over finales might. This is right. This is the way life works. “Round and round as nature goes,” and all that jazz.

I loved the series explanation of how death works. It seems that souls land in a specific Dead World, where they ‘marinate’ for a bit, presumably being rewarded or punished based on their life in our meat reality. After a time, they are then reborn. This process repeats, with each soul reaching higher and higher levels of enlightenment until they hit nirvana, which is the 50th Dead World. So in a sense, Adventure Time has a roughly Buddhist cosmology with a dash of Greco-Roman mythos thrown in for flavor. (As to what happens after a soul stays in the 50th Dead World for a long period is anyone’s guess, but I’d speculate that when all the souls in the multiverse have been purified and land in the 50th Dead World, they will all collapse into one another and form one perfect Monad. Perhaps this is the sphere of perfection that the beings who merged into Matthew thought they were connecting to? Who knows! It’s anyone’s guess!) I was a little disappointed that we didn’t get to see who Death, Prismo, Life, etc.’s boss was, but perhaps that’s a mystery better left up to the imagination!

One minor thing that I loved about this special was the number of characters who made cameos as well as all the callbacks that were made to previous episodes. Regarding the former: Finn and Jake’s canine family show up (including the oft-forgotten Jermaine!), as do Tree Trunks and her myriad husbands. Tiffany plays a major role in all these shenanigans as a “death cop” of all things. There is a delightful rogues gallery stuck in the 1st Dead World (including, among others, Maja, Sharon from “The Gut Grinder,” and Wyatt). In the 50th we find Ghost Princess and Clarence happily at peace next to Booshy, the weird spirit mentioned in the Pen Ward classic “High Strangeness.” As far as callbacks go, perhaps my favorite is the clap (from “James Baxter the Horse”) that Jake taught to Finn in case they ever do get separated in the afterlife. And of course, there are myriad references made to “Death in Bloom,” the episode that planted the seed for what this would grow into.

Going into the special suspecting that it would involve Death, I was curious how they were going to handle Miguel Ferrer’s character. (In case a reader is not aware, Ferrer played Death in episodes like “Death in Bloom” and “Betty,” but he sadly passed away a few years ago). The producers’ choice to feature him in a non-speaking cameo—despite playing a relatively significant role in the story—was wise; I’m not sure if I can articulate the exact reasons, but something about his role felt appropriate and not gross, as some post-mortem memorials can be. Speaking of which, the wonderful, lovely Polly Lou Livingston was featured for the last time in this episode as Tree Trunks, happily in heaven with her literal harem of husbands. It was funny, it really was, and I’m sure that Polly Lou would’ve gotten a kick out of seeing it on screen. (Also, this is a pro-Tree Trunks safe space. Any Tree Trunks haters will be chucked into the 1st Dead World with Wyatt.)

The biggest mystery in this whole thing, for me at least, is the question of Princess Bubblegum and Marceline. Several years ago, I wrote an essay about what could’ve happened to them in the Ooo 1000+ universe. I speculated that they peaced out and left Ooo behind. In this special, neither Bubblegum nor Marceline are to be found in the Candy Kingdom—Peppermint Butler seems to be the one in charge, given that he is now wearing Bubblegum’s crown. Likewise, the duo aren’t anywhere in the Dead Worlds either. Maybe the two of them skipped town and got a duplex in the Nightosphere? Who knows… I just want my favorite gals to be OK!

All things considered, “Together Again” was a marvel: An episode that managed to feel like a series finale even more than “Come Along with Me” already did without taking away from the series itself. An episode that managed to make the idea of dying funny. An episode that brought back the Lich in a way that wasn’t forced. An episode that made Mr. Fox the New New Death. An episode that gave us a beautiful ending to Finn and Jake’s story… as well as the beautiful beginning to a new one. I said it on Twitter, and I’ll say it again here: “Together Again” was the end of a sentence in a book with infinite pages. Truly, the fun will never end.

Mushroom War evidence: Everything takes place in the Dead Worlds, so not really. Perhaps a more eagle-eyed viewer can inform us...

Final Grade: That’s right, I’m gonna do it...

Post-script, I actually messaged Jesse Moynihan to ask about his writing credit. He told me that it was for an unused story idea that he had developed. I’m not certain, but I’ll bet it was a part of the cancelled TV movie they were trying to make during season 5, since that would’ve seen Finn and Orgalorg journey to the various Dead Worlds.

#adventure time #adventuretime #atimers #at #atdl #distant lands #adventure time distant lands #finn the human #jake the dog #together again #togetheragain #dead worlds #hanna k. nyström #Hanna K #adam muto #jack pendarvis

[multimetaverse]

HSMTMTS 2x06 Review

Yes, And was a messy ep that brings us to the halfway point of the season. Let’s dig in!

Tonight took some big steps towards the Rini breakup. The conflict isn’t quite earned as they did too much too quickly in making Ricky overbearing; to go from Ricky supporting Nini going to YAC and them singing love songs to each other just 3 eps ago to Ricky now accusing Nini of changing because she didn’t get pineapple on her pizza just doesn’t work. Largely that’s because it’s clear that the writers are working backwards from an outline that requires Rini to be broken up before the finale.

The Rose song is great and Olivia’s vocals are wonderful as always but again it’s not quite earned. The lyrics make it seem like Nini thinks Ricky is holding her on a pedestal and holding her back when that’s not what we’ve seen on screen. Ricky and Nini went through a lot as they were finding their way back to each other and they learned not to see each other through rose coloured glasses and while Ricky was sad that Nini went to YAC he was supportive and respected her wishes, notably the only time he admitted how much he wanted Nini to come back to Salt Lake was after Nini had already made up her mind to return.

Rini was always going to break up both because writers struggle with writing happy or stable couples and because Tim became enamoured of Rina after writing 1x05 and will want to explore them at some point. Tim’s claimed that he has future seasons all planned out but I’m skeptical that he’s really thought out how to keep Ricky and Nini and Gina on goodish terms with each other for the remaining 2 seasons of the show while also not completely closing the door on the Rini endgame the show’s been aiming towards since the pilot.

It’s clear that Ricky has unresolved issues from his mom effectively abandoning him which are impairing all his relationships. And while it’s true he could try calling Lynne it’s the parents job to reach out and she is obviously fine living her life without Ricky. Not sure how much closure we can get with Lynne when she comes back in 2x09 but I hope we at least get an apology on her part.

Yet another ep of Gina going through it. That flashback to Gina tearfully telling Ricky that she wouldn’t have ‘’given up on us’’ if she hadn’t moved certainly paints Ricky’s behaviour this season in a worse light. I do hope the show doesn’t take the cowards way out and have Ricky being too stupid to realize that Gina had romantic feelings for him. Though again we run into the problem that these emotions aren’t fitting the story. There really wasn’t an ‘us’ for Gina to fight for, she and Ricky had only been hanging from 1x05-1x08 and never actually dated or went on dates. Also by this point Gina should be questioning her feelings for Ricky and whether he’s worth it; it’s not like he’s done anything nice for her this season like getting her chocolates for Valentine’s Day. 

Still Gina did make some strides tonight. She finally opened up to Ashlyn which seems to have lifted a weight off of her shoulders and makes the decision to stay in Salt Lake. She also brushes off Ricky wanting to be improv partners which leads to her accepting EJ’s offer which led to a sweet callback to them being wonderstudies. I’m glad she’s not going to Louisiana but it does mean we were robbed of a HSMTMTS/Secrets of Sulphur Springs crossover. 

Kourtney and Howie are finally together. I’m glad they didn’t waste time dragging this out. Kourtney’s confession was very in character and I liked the earlier hufflepuff dragging. As an aside I wonder if say 10 years in the future, shows will still be making light hearted unqualified references to Harry Potter or will J.K. Terfling have completely destroyed the goodwill the series has by then.

Lily continues to act as if she’s in Glee working for Sue Sylvester to take down the One Directions and honestly I’m here for it. I especially liked that she stole some of the condiments on her way out of Salt Lake Slices. Antoine seems alright, the espionage bit was funny. Seems like Salt Lake City would be a pretty shitty place for a French student to study.

EJ remains underused especially since this is his last semester as a student. His Gaston answer was surprisingly thoughtful and hinted at him getting over Nini with Gina as he sat down next to her. His may I have this exercise was just the right amount of smooth and goofy. 

Ashlyn had a good ep, she killed Home, Julia has a great voice. And she stood her ground with Gina but was also there for her and managed to help her decide to stay. Loved her line that she was still part Caswell.

Mike Bowen is sweet, thoughtful, and rocking that beard? Must have been hard for Miss. Jenn to let him go but ultimately she made the right decision as it would just be too messy to date the parent of one of your students.

Lots of funny little moments this ep; the camera panning to the exit sign during Gina’s confessional, the group chat with Miss. Jenn and the real group chat without her, Seb hula-hooping with wild abandon. 

Looking Ahead:

Well we’re now at the official halfway mark of the season. It’s been an uneven first half, lots of pacing issues, and clear signs of the covid pandemic impacting production. Disney + has announced that future seasons of Disney + originals will be released on Wednesdays from now on so we have that to look forward to for S3 and S4.

Carlos uploading the Rose song will inevitably lead to disaster. Nini is very right to tell Kourtney not to let Ricky know, the lyrics paint him in a very bad light. The song gives us more context for why Lily said to Ricky that his gf needed some space in the trailer. I suspect Lily will end up being the party crasher that Ricky re-evaluates in 2x12, I don’t think Tim is going to keep Lily as a one dimensional antagonist this entire season. 

Ricky said in 2x01 that he’s never breaking up with Nini again and I think that’s true because Nini will break up with him. I think it comes before 2x12, maybe them exploring an old haunt in 2x08 is where it happens though the description for 2x11 also sounds like it could be hinting at a Rini breakup.

Well we now know what one of the secrets rising between Gina and Nini will be in 2x10, Nini was already jealous of Gina and Ricky in S1 and I doubt she’ll enjoy hearing that Gina confessed to Ricky in 1x10. Since Gina has already confessed to Ricky it makes it less likely that her speaking her truth in 2x12 is related to her and Ricky. 

EJ and Gina doing the morning announcements starts next ep, that should be fun. Especially since Mazzara is aware of EJ’s feelings for Gina. There’s a pretty clear path to end the season with Portwell or at least set it up for S3. EJ already likes Gina, the announcements help bring them closer, Gina starts getting over Ricky and realizes that EJ puts her first,  maybe Mazzara helps one or both of them at the cast party, and Gina shares her truth and confesses to EJ. So far the show hasn’t done anything it can’t pull back from but sooner or later the writing will have to commit one way or the other. One thing I’ll say is that it’s already clear that making EJ a senior was a big mistake and I expect it to cause a lot more problems for the show in the remaining two seasons.

There’s also a path for Ricky and Gina to get together but that seems less likely given the clear mess Ricky is right now. Seeing his mom in 2x09 probably helps a bit but it’s hard to see how any relationship Ricky gets into won’t swiftly crash and burn. There’s also the matter of when exactly Rini break up, if it’s too late in the season then there wouldn’t be time to jump right into Rina. There’s also the matter of the unexpected facetime call he gets in 2x10 and the party crasher he re-evaluates in 2x12. Even if they’re not linked it does suggest there will be some curveballs in Ricky’s story and at least the party crasher info suggests there’s some non Rini or Rina related twist being planned for Ricky in 2x12. 

Until next week Wildcats

#HSMTMTS #Rini #Rina #Portwell #Ricky Bowen #Gina Porter #Nini Salazar-Roberts #EJ Caswell #HSMTMTS Reviews

[itsclydebitches]

Hey Clyde, did you check out Wonder Egg Priority at all? The first ep is super promising, but the series as a whole is one of those real fascinating disasters from a story and a production standpoint that might be up your alley as a thing to pick apart haha.

I’d warn that it’s also reeeeal offensive and this generally gets worse as it goes though.

Hi, Phoenix! How are you and Cube doing?

Okay, I hadn't watched Wonder Egg Priority when I received your ask this morning. Now I have. In a fit of intense curiosity I settled down for a rare binge session and tore through all twelve episodes + OVA in a single sitting. It is now nearly 3:00am as I write this because I, oh so clearly, make fantastic life choices.

A question for you: what did I just watch?

The rest is going under a read more partly for spoilers, but more-so because WEP—and the summary I'm about to give, because I feel like I need to try and explain this to tumblr's faceless void for my own, dwindling sanity—comes with about every trigger warning under the sun. Seriously, if you are triggered by anything that we might think of as a "standard" trigger (meaning, not unique to you and your own experiences), best to proceed with caution.

Right! What the ever loving fuck happened in this show? Well, let's work through this chronologically. Two genius, frat boy brothers (I get their names mixed up so I'm not even gonna bother) are locked in their apartment and closely monitored because of Super Secret Science Research. Even though, I think, they're the ones who created this company. Not important! What is important is that they're bored enough to create an AI for funsies, thinking of her as their daughter and letting her name herself Frill. Frill is the perfect, cutesy, also genius child who has a habit of popping her lips — which the camera focuses on in an incredibly creepy fashion. One day Brother #1 (the hot one) falls in love with a random woman we know nothing about and Frill gets jealous.

"Jealous in a general sense?" you ask, thinking this show is in any way normal. "Like, just of her Dad giving attention to someone else?"

"No," I respond, patting your hand. "Jealous because she's in love with him." Which, beyond the subject matter itself, comes completely out of nowhere. Frill has a line about what you'd do if some woman stole your husband away. I, fool that I was, briefly considered that these two guys were lovers, not brothers. Oh no. They're brothers. Frill just considers Dad #1 to be her "husband."

So, in true evil AI fashion, she murders the wife, leaving only her newly born child behind. Who is a daughter.

Uh oh.

Dad #1 locks Frill in a coffin-esque hole in the basement and goes on with his life. Things are great! Until years later when the daughter reveals that she has fallen in love with her uncle (Dad #2 to Frill). She knows (somehow??) that both her dad and her uncle loved her mom, so if the loser uncle will just wait a few years he can marry her instead! He brushes her off, but the next day she’s found dead of an apparent suicide.

Realizing that this was somehow Frill’s doing, he marches down to the basement and confronts the murderous child they’ve had locked up for years. She’s now surrounded by screens in, again, true creep AI fashion. How did she get all this while she was locked up? Oh, just the three bug girls she created as friends prior to killing the wife. They’re devoted slaves, I guess. So the uncle says enough of this insanity and seemingly sets Frill on fire.

OH and Frill’s subtitled dialogue also puts “uncle” in quotation marks, implying that the daughter was always Dad #2’s??

Anyway, both brothers are now super obsessed with death and claim that they think Frill has had a hand in lots of girls’ suicides, even now after her own death. This is brought into question later when it’s revealed that they might have just concocted this scheme to try and bring back their daughter. I’m really not sure. Regardless, they use hand-wavey science to create eggs that I guess contain the souls of young girls who have committed suicide, then they sucker in other young girls who have lost people to suicide to try and rescue their loved ones in a dream world, saving others along the way. A tomboyish girl, Momoe, lost a classmate who admitted to loving her, but who Momoe rejected. Rika, a former junior idol, used and rejected an overweight fan only to learn later that she’d starved herself to death. Neiru, the 14yo president of some science company (yup) was attacked by her sister before she jumped off a bridge. Finally Ai, our protagonist, is a victim of bullying who managed to make friends with a single girl, Koito, who then jumped from their school building for unknown reasons. They’re all given the chance to bring these individuals back to life, provided they protect other victims of suicide by defeating the monstrous traumas that drove them to that act in the first place.

And you know what? That concept was great. However, the execution ranges from “Okay, that was pretty good for an anime. Kudos there” to “That’s the most offensive thing I’ve seen in my life.” Needless to say, unpacking all the battles they fight would take a lot more than this already absurd summary. Basically, if you can think of something horrible to happen to young girls (and one trans guy whose existence in that egg undermines the whole message of the episode), there’s an attempt to tackle it here.

During all this the four girls become friends and Ai works through her suspicions about Mr. Sawaki, a teacher at her school. What’s going on with Mr. Sawaki? Uh… everything! He’s somehow connected to Koito’s death, he’s dating Ai’s mom, and Ai apparently loves him too because her friends say so, even though this is never actually addressed and she barely interacts with him. It’s all quite the complication.

In time though the girls complete their “mission” of bringing their loved ones back to life. Rika and Momoe manage it first, only to find that Frill’s bug-girl lackeys have arrived to kill them. Why? Because that’s what Frill does, I guess. Momoe’s crocodile familiar (cute animals the girls were gifted to help them fight) takes a killing blow for her and the bug-lady then proceeds to carve up his corpse and force feed it to Momoe. Fantastic!! Building off of that, the next bug-lady who Rika encounters kills her turtle too, following in the footsteps of her bug-sister by, presumably, forcing her to eat parts of its head. Ai refuses to sacrifice her familiar to stay alive, but luckily the suicide she was protecting turns out to be herself from a parallel universe (that's a thing now!) and she takes the killing blow herself, which is done by pulling out the eye she’s sensitive about (she has heterochromia.) So parallel Ai passes on (again?) and the three girls don’t work through this trauma at all, instead becoming more traumatized through the realization that the loved ones they brought back no longer remember them. They’re alive, but the relationship they all had with them is dead.

It’s about this point that the main storyline wraps up and I’m relieved that there’s an OVA to finish things off. Surely they can somehow bring this all together in 45 minutes.

…25 minutes of that OVA is recap.

So with only about 20 minutes left, we learn that Neiru, the only one to not complete her mission yet, has mysteriously gone missing. It turns out she was an AI/clone/something all along, made to replace her sister and, presumably, that’s what caused the whole stabbing-suicide incident. She successfully brings her sister back, but stays behind in the dream world because Frill promises her she can become human. How is Frill here when she’s dead? How will Neiru become human? Isn’t Frill the “temptation of death” or whatever? There are no answers. A flashback finally reveals that Koito was having a relationship with a teacher at another school, he committed suicide, she transferred, she tried the same thing with Mr. Sawaki, he kept refusing her advances, and finally while threatening suicide to get his attention, she accidentally fell.

(So why was she in the suicide egg if it was an accident??)

Except, all this information comes through Mr. Sawaki himself, there’s a whole subplot about whether he’s really a villain, or if Ai is just making him into one, and this show might as well be titled How Much Pedophilia Can We Put into One Anime? So make of that what you will.

A dead character randomly shows up, but it's fine because she's actually just a version from a parallel world. How did she get here? Why is she here? Lol, it's cute that you think these are answered.

Rika, the character who cuts and almost committed suicide halfway through the show, breaks down saying how much she misses her dead loved ones, right after her friends refused to let her go on another mission that would surely end in her death and… that’s it. That’s all we get about her.

Momoe too, though she’s hopefully just vibing somewhere with that longed-for boyfriend.

Ai transfers schools and then one day randomly remembers that she loves Neiru and rushes back to start cracking eggs again because that will? Somehow?? Let her see Neiru???

When I say there are too many unanswered questions to possibly list here I really, really mean it.

Finally, in a personal attack on me, the protagonist with a name that is literally AI is not in any way an artificial intelligence.

And that’s it! Congratulations, you now “understand” WEP. And see, the funny thing is that the off-the-rails, bat-shit crazy aspects kind of catch you off guard? Yeah, the first episode is fantastic. In fact, I think I got through about six episodes thinking that this was a solid, if at times really messed up anime, but I was willing to shrug off a lot of stuff due solely to the amount of sensitive material they were attempting to cover (which is always quite difficult to do). Probably the only reason I was able to binge so fast was because the first half of the series was so engaging. The characters are charming. The animation is GORGEOUS. There's actually a ton of good here that is also worth yelling about. But then the plot comes in like a freight train and I was left staring dumbfounded at my screen as more and more insanity kept happening. Having watched the "explanations" I am now more confused about the show I just saw.

Phoenix, if you’ve bothered to read this rambling, 3:00am rant: thank you. I think? Idk if I should actually be thanking you or cursing you for tuning me into this, but it was definitely an experience, that’s for sure lol.

I'm off to bed now RIP the chance of having normal dreams ✌️

#mymetas

[leftonraed]

The Night We Met - Episode 5

pairing : Taehyung x OC   genre : bodyguard!au, singleparent!au, idol!au   word count :  2.9k summary — You and Taehyung get closer which isn’t to his manager’s liking. Prologue | ep.1 | ep.2 | ep.3 | ep.4 | ep.5 | ep.6 | ep.7 

You walk along the corridor, looking after Taehyung and Hina. You find them in the room assigned to her the duration of the small vacation.

You stop at the doorstep, bringing your arms to your chest as you cross them. They’re both seated around a small coffee table along three of her soft toys gathered to have tea.

“He’e, biscuits. Hey!” Hina chirps handing a plate with plastic cookies to him.

“Sorry, I was busy listening to miss Maggie’s hot tea.”

He offers a happy smile and effortlessly takes all of them in a handful which has her staring at him in a judgemental way. “Not all, siwy!”

You can’t help the smile etching on your face.

“Tuffy wants some too. He’re you go.” She continues putting one biscuits in front of her pale blue elephant.

“My bad Tuffy,” Taehyung is prompt to apologize looking at the soft toy while his niece proceeds to fill their cups for the second time. “I didn’t eat well earlier.”

She seats down and stretches her hand to hand him another cookie.

He shakes his hand, “don’t worry about me. You should eat yours as well Princess Hina.”

“No, mine’s he’e. It’s Snowball’s.”

“Are you sure he won’t mind?” He inquires, looking embarrassed at the tilted turtle next to her, seconds away from falling down his chair.

“Yes,” she assures, sipping from her cup. “He told me.”

He repositions the toy. “That’s very kind of you Snowball. I’ll make sure to remember it next time we have tea together.”

You surely took him for the type to play along children’s games but never would’ve imagined him doing his bit this seriously. When Hina complained about not having her doll’s tea set brought along and he promised to get her a new one, you figured he didn’t do it because he could afford it, getting her one meant opportunities to share even more moments together because he cherished her that much.

The sound of plastic dishes toppling snaps you out of your head. Hina has tripped over dress in her attempt to stand up, bringing half of the table content with her in her fall.

“Do you need help Princess?” Taehyung inquires, stifling a laugh, still clinging to his cup and cookie. He cocks his head to the side when he hears her let out a tiny whimper. “Hina?”

Worryness frowns his face a little and he nimbly gets her back on her feet, holding her to him massaging her leg she complains about.

You feel warmth spreading in your chest the longer you stare them, at him around her. They belong together.

You’re not aware of it but you must have made a sound because they’re both looking at you. It’s your face that is now heating.

You straighten your back. “I’m sorry to interrupt. I’ve come to inform you the car is ready my lady.”

You make eye contact with Taehyung and feel your body giving up on you and you’re positive he’s noticing your blush. He smiles.

**********************************************

“You should buy it if you like it.” You hear Taehyung say to you a few feet away from where you.

“Huh?” You jerk your body in surprise, not expecting him to see you browsing clothes. You watch him walk closer and take the dress you’re holding from you to give it a closer look.

“So this is how you’d dress...” He observes to himself.

You find yourself staring longer than needed at his mouth when he slowly drags his bottom lip between his teeth and you feel yourself rising in temperature. “I- I- I don’t-, I’m not-”

He looks down at you, smiling softly at your sudden stuttering. Why is she suddenly acting cute, he thinks. “Take it. Let me buy it as a gift.”

You breath, getting a grip on yourself and refusing to meet his eyes. “No.”

“It’s okay.”

“This is... not appropriate…” You trail in a small voice.

“Pff, what are you mumbling? Come on, I really want to. You’d look pretty in it.”

You gaze up at the compliment but he doesn’t seem embarrassed. Taehyung can’t help to find amusing the quick change in roles. He knows you’d look more than pretty but you seem flustered enough.

“I really don’t want it.”

“You’re lying…” He smiles. “I’ll take it off your pay if that’s what you want.”

“Hmm,” you pout, eyes drawn back to the dress as he takes it off the rod. “I’ll make sure you do.”

“Yeah, yeah,” he sings walking away.

“Where is Hina anyway? I thought you were looking after her.” You scold, following and face still flaming.

***************************************

Taehyung has just finished cleaning up Hina’s mess from her eating dinner and turned on the stove to cook the one he’s made for you two when his phone is heard ringing. He takes it to identify the caller.

“I’ll shower her.” You quickly say before he gets to say anything, allowing him to get some respite.

“You sure?” He looks back and sees you already walking away with Hina in your arms smiling and waving at him.

He smiles to himself and sits down on the couch, only now realizing how much he’s needing it. He lets out a sigh and answers the call.

“Hey, mom.” —

“No, not this one,” Hina slurs, knuckling one eye as you pick out several pajamas.

You fold back the cloth after her rejection. “What about this one?”

You look down at her. She’s barely holding herself up as she squeezes her eyes and eventually nods her head. You chuckle to yourself and quickly dress her up before she catches a cold.

Hina lifts her arms out of habit and you straighten yourself up, gently swaying her as you softly hum your favorite lullaby to her.

You walk in the living-room at the same time Taehyung’s getting the fuming dish out. Plates, glasses and cutlery are already ready so you directly go take a seat in front of his while he places the meal between you.

You look up at him and immediately grasp something bothering him. You take in a big breath.

“This looks actually really good. I kinda expected not to eat anything tonight.” You trail in a sarcastic tone.

You manage to pull a half-hearted lopsided smile.

“Did everything go well with Hina?”

You hum an approval taking a first bite of the home-cooked meal. “Think I broke my record. Three minutes and I could've sworn hearing snore.” You’re sure it’s not entirely coming from your empty stomach and can’t help the short pleasant moan you let out as you start chewing.

You catch Taehyung giving you a relieved and thankful look.

“Not eating?”

He nods and moves his hand to hold his fork but you feel he may have lost his appetite.

You try not to stare too much and every time he’s not looking back. You’ve never seen him looking this down as far as you can recollect. He’s had his collected and isolated moments but you know this right now is not one of them. He’s changed mood so abruptly.

You’re so lost in your thoughts, his sudden speaking has you almost jumping in your seat. “I might actually believe you. This isn’t too bad.”

Taehyung finds it curious the way you're gazing back silently. He smiles shyly and looks back down at his plate. He hates it how he’s not able to enjoy this quiet and intimate moment with you.

You put down your fork to reach for your glass of water. “You’re not giving yourself enough credit.”

He lets out a breathy chuckle. “You seem to be the only one thinking that.”

“Not true.” You peak his interest. “I know a little snoring cutiekins that can vouch for it.”

His fork makes a sudden noise when it slips his grasp. He frowns a little.

“What happened Tae? Who called you?”

“My parents.” He pauses. “They’re still thinking I’m not fit to raise her.”

“Why?” You’re frowning too. “They didn’t seem convinced enough last time we visited. Your father was really supportive. I don’t understand.”

“I think the thing they’re reassessing is… not me but my job.”

You sit up and look away, “so I’m the one who didn’t convince them?”

He gazes up at you with confused eyes. “No, I don’t think you’re the problem. No, it’s- It’s just… I mean, you’re planning to look after us your whole life. I mean work for me.”

“Of course not.” You trail softly looking back. “But you’re going to better yourself. You’ve barely got acquainted with each other.”

“They say Hina starting preschool this year is bad timing.”

“I… I don’t mean to be rude but how would they know?”

“Well, they’ve already had an idea about how hectic my schedule can get.”

You cross your arms on your chest. “But you’re planning to adapt it, right?”

“Of course, I just... “

“Need to adopt her officially and make it public.” You continue for him. “How do you feel about you looking after her?”

“I feel good about it. I mean it feels right and I don’t want it another way.”

“So get yourself heard.” Taehyung looks down in surprise at your hand grabbing his. “You’re not a child taking care of one. You know what you want. Stop letting others think and speak for you. If you don’t fight for Hina you’ll come to regret it.”

You go silent and become aware of your gesture when he doesn’t say anything back. You slowly remove your hand and freeze when he suddenly grabs it hurriedly. You only then notice the tears in his thankful eyes.

*******************************************

It’s been a couple of months since Hina started her first preschool year and you and Taehyung have fondly been watching her blooming weeks after weeks in her new environment. There hasn’t been a day, she hasn’t had plenty of anecdotes to tell.

As much as you’re taking pleasure in witnessing her go through her learning, you feel as much contentment from seeing Taehyung discover that new side of rearing.

“Hello!” Hina bursts her way inside the penthouse as usual, excited to find Taehyung after a long day spent apart.

“Hey sugarplum,” he grins just as delighted.

You close the door behind you bringing Hina’s tiny backpack along with the couple of errands you ran for him. You don’t have to look at Taehyung to notice just how exhausted he must be. It’s been a week since his latest comeback and getting back to a busy schedule, which still has had some changes to it, isn’t as easy as he’d expected it.

You haven’t talked about the issue his parents raised ever since that night and didn’t want to seem intrusive but you just hoped he’d grin and bear it the time needed.

“_______ will also be there.”

You perk at the sound of your name looking at them from the kitchen where you’re storing things away.

You see Hina’s eyes brighten at the news you’re unaware of. “Weally?”

She joggs towards you and looks up with hopeful eyes as her tiny fists clutch your pants.

“Pwomise?”

“Promise what?” You frown confused as you look between Taehyung and her.

“Come see her end of year show,” he explains stretching an arm on the couch. “She’ll be singing songs.”

“Say yes.” She hops still clinging around your knees.

You feel your chest get overwhelmed with a familiar surge of warmth, binding you tightly from within and it makes your face all tingly. “If you invite, I’ll c-”

“Yes, yes, yes. I invite you.” She bounces happily.

You reach to pat her head, smiling at her shyly. “Yes, I’ll come.”

Taehyung grins effortlessly at the two of you and thinks that moments like this are worth all the effort in the world.

Hina joins him again and you hear them making sure she doesn’t reveal to you the song she’ll be performing and how she has to train seriously because he might assess her singing. You’re convinced he doesn’t need you or your words, he’ll be doing just fine.

********************************************

Taehyung involuntarily puts an end to your happy mood when he reveals he’s had you do the groceries because Hwiin is expected later tonight to share dinner. You don’t ask him but he tells you to stay in case you’d be thinking of leaving. The thought makes you smile but it doesn’t last when you think about the time you’ll have to go through in her company.

The doorbell rings unpleasantly and you let Taehyung welcome her while you remain in the kitchen finishing preparing everything you’ll be needing.

You shortly greet her when she comes in, waving at her with a knife in your hand and noticing the surprise on her face she sees you.

“We’re just getting started with dinner so you can wait here with Hina,” Taehyung explains as he helps her with her coat and bag.

“Alright.” She speaks in a high-pitched tone as she gets closer to Hina sitting on the carpet and playing with her toys. “Hello Hina.”

The little girl replies quietly.

Hwiin still struggles to find the right words or gestures when it comes to her but she comforts herself as she can acknowledging the fact she’s not making her cry anymore.

She tries not to be too invasive and settles for switching between her phone and watching T.V.

She’s surprised by Taehyung’s sudden appearance when he brings Hina some grapes.

“You want some too?” He smiles politely.

“No I’m good, thank you.” If you looked at her, you'd find her racking her brain to quickly find a way to start a conversation with him but he’s back giving you instruction on the use of ingredients.

She resigns herself a moment until something worth saying eventually comes to her mind but when she looks his way, she finds him bent down, your arms framing his neck and your faces close, very close.

Are they- Right in front of me? She tenses.

She freezes at the sight and doesn’t immediately see that you’re actually tying the front part of his hair to keep from falling in his eyes.

She promptly looks away as if it physically hurt her and stared in space. She hears his laugh and it tugs at his heart. She can’t overlook the bonds you’ve forged, they exist and helped make his house home-like.

Her eyes are dragged yet again where you are and she watches quietly as you manoeuvre Hina on your hip to give her a peek at what you’re cooking. She feels in the way and it hurts.

You’re in charge of feeding Hina while Taehyung focuses on finding conversation topics, sparing you the small talk. Although the little has all your attention, you notice Hwiin strange silence.

She’d usually take the opportunity to be all over him, monopolizing him to herself claiming her behavior was justified by professional reasons.

“Let me take care of it,” he interjects when she stands up to help clear up the table.

“Thank you,” she smiles half-heartedly. “I have to make a quick phone call, I’ll be right back.”

She grabs her phone from the couch where she’s left it and looks back as she heads for the bathroom down the corridor. She sees Hina grabbing onto you to lead you to the ice cream she’s struggling to open on her own.

She finally opts for Hina’s bedroom and leaves the door barely ajar after checking one more time the coast is clear.

She thumbs a number and waits for an answer.

“Hello? Mrs Hiroshi? I’m Hwiin, do you remember me?” She asks in a hushed voice. “I’m doing good thank you. Listen, I don’t have plenty of time.”

She turns away from the door and walks away a little.

“I called to tell you I’ve been thinking about the suggestion we’ve come up with a couple of weeks ago. Yes, the social worker one.” She nods to herself. “I think it could work out.”

Hwiin looks over her shoulder when she thinks she’s heard a noise. “Let me take care of it. I’ll contact them myself. Yes, don’t worry. I’ll keep you in touch.”

She can see a shadow right on the other side of the door and hurries to finish her call. “I have to hang up. We’ll talk again later.”

She walks to the door warily, directing a frowning gaze where the shadow remains still and stretches her arm. She yanks the door open violently and sees nothing behind it.

She holds back a scream when Hina runs in at full speed.

“Hina, you scared me.” She laughs uneasily watching her plop on her bed.

She looks up at her, her big eyes hidden behind her long fringe. “What you doing in my woom?”

“Me? Nothing,” Hwiin dismisses with her hands on her knees. This doesn’t feel natural at all, she thinks. “I just wanted to see it. You have such a beautiful room.”

Hina stares up at the smile Hwiin gives her. She decides to walk out first, followed closely by. Her heart is still thumping hard and loudly in her ears as she joins you and Taehyung in the living-room where you’re sitting nearby each other.

She grins at him, sitting on his other side just as closely and makes sure to avoid your eyes.

/////////////////!\\\\\\\\\\\\\\\

Feedback is much appreciated Reblog if you wish to read more

#taehyung scenarios #bts scenarios #taehyung smut #bts smut #bts angst #taehyung angst #bts fluff #taehyung fluff #bts imagines #taehyung x reader #taehyung x oc #bts reactions

[chidoroki]

..You already know what I’m gonna ramble on about, right? What’s got us manga readers feeling a little bit like this? Yeah.. I have words.

Yes, I’ll be chatting about possible future spoilers, so scroll past now if you wish, but if you frequently check the usual tpn tags anywhere today (or over the next few days), I’m sure you’ve become quite familiar with this guy already, so.. here we go.

Let me start off by saying that I was beyond excited when we first found out we were getting a second season to this series. Having read the manga, I had high hopes that the anime would do so well, given the first couple arcs that follow the escape from Grace Field. From the very beginning, most of us figured it would touch upon the demon forest, the B06-32 shelter, Goldy Pond and quite possibly Cuvitidala. Of course, that was before we learned that this season had an episode count of 11 and would include some anime-only scenes, so we started to have some doubts. The new opening threw us through a loop as well, as a bunch of us speculated exactly how much this season was going to cover in terms of story and what chapter it would end off on. I was still a bit skeptical, but I put some belief in thinking we might be able to at least reach Goldy Pond. The more I thought about how many chapters this season could adapt, I remembered that Fire Force (another shonen series that has its fair share between action scenes alongside some calm, lighthearted ones) managed to fit 90 chapters into it’s first season, which was a total 24eps. I then thought it was possible for TPN’s second season to reach ch96, or maybe even ch101, since the total ep count for both s1&s2 would be 23. The upcoming arcs (GP especially) are undoubtedly more fast paced than the entire first season, which was very dialogue heavy, so naturally these action scenes would take up less time and require fewer episodes to show off. I won’t bash the second season for leaving certain scenes out and/or changing them (as the first season did this as well, albeit less noticeable), but the obvious ones come to mind. The full snakes of alvapinera scene? It was good to see the escapees overcome their first outside world obstacle on their own, sure, but overall it isn’t too important. Isabella’s scene at the gate with Grandma Sarah? Disappointing yes, but I figured they could always include that sometime later in a future episode.. at least, that’s what I’m hoping for. I can forgive the anime for those changes at the moment.. but after what episode 3 decided to pull? Oh no.. now they’ve done it!

I’m sorry.. but who exactly thought this change was a good idea? The anime-onlys must think we’re going crazy right now but c’mon, CLOVERWORKS! Are y’all for real right now?? Yeah they never even announced his voice actor beforehand like they did with Sonju & Mujika before their debut, but damn it! Also, don’t take my word for this, as I only just heard and not completely sure about the credibility, but apparently after ep4, the rest of the season will be like.. original? And I’m not sure how to feel about that if it’s true? I’ll take whatever content we get because yes, I love this series to pieces and want it to last as long as possible, but after waiting almost a full two years to see these wonderful kids animated again.. I just wanna continue on with the story we all know and love, darn it. I know Shirai is overlooking this season and giving his approval or whatever too, so that’s comforting at least.. but still, I just wish we knew this a little sooner, rather than have us find out this way by cutting out one of the most anticipated characters of this entire series! (for the time being anyways.)

Yeah we didn’t see him this episode, but he’s around.. somewhere. No one else is around to write on the walls like that, let alone get into the shelter without a pen. (i also noticed it doesn’t say “poachers” anywhere, so that’s a bit odd too..)

I just hope that whenever our man does show up, whether it be this season or not, that it follows the manga because his introduction is fantastic and his interactions with the kids are so amusing. Honestly, he’s too important to cut out entirely. The same goes for the Goldy Pond arc, which I saw some others worried about too. It’s at Goldy Pond (ch73) where Emma and another man, who we’re also anxious to meet, both find out about how to cross over to the human world via the four premium farms, the supporters, and project lambda7214.

I also saw some people concerned about Mujika’s goodbye to Emma this episode and how upon giving her the necklace, our demon friend didn’t hint at The Seven Walls at all, which is why Goldy Pond suddenly becomes that more important for us to see because it’s also there where the place is mentioned, not only by the many secret files from the pen’s cap, but from Minvera himself (ch72).

Come on now, Goldy Pond arc also does wonder for Emma’s character and appearance. It’s here where we see just how serious she is about changing the world and saving everyone she possibly can. Even if she has to fight crazy, killing poachers, she’ll do it. (also one of those poachers becomes very helpful much later in the story, so there, yet another reason we can’t skip this arc.) Though this all gets me wondering if GP will still get blown up on Jan 29th.. oh season two, you raise so many questions.

Now, could this season completely change some of those scenes even further? Of course, they’ve already done so with other bits of information. Ray figuring out the demon’s weakness in ch62 during the trip to Goldy Pond? Sonju already explained it.

The letter from Minvera that we learn about in ch56 which was originally hidden in one of the manuscripts from the shelter’s archive room? Conveniently pinned to the wall in plain sight!

I didn’t notice this when I first watched the episode but remembered just now while skimming through the manga yet again, but the episode didn’t have Gilda list off the coordinates to Goldy Pond that Minerva noted in his letter.

So how will the duo find their way there? Well, you already know.. and since GP is such an important arc, that’s another reason I believe our beloved man will show up.... eventually.

Going back to the changes now, but it’s Dominic who reveals the secret room behind the piano instead of our favorite father figure.

Although this room, which is supposed to be a full stocked armory, is completely bare..

Like.. hello? Where are all the weapons?? Are they gonna make these kids go out and raid a bunch of the other fake/dummy shelters for weapons or something? which.. actually sounds interesting and fun now that I think about it.

I also noticed that the conversation about the mass-production farms Sonju mentioned back in ch50 was also cut, but I can see the anime easily adapting it into a future episode somewhere, since said farms are mentioned again in ch56, courtesy of the shelter’s many books.

For now it just seems.. I don’t know, a bit easier? like I recently spoke about how Ray had to figure out how the pen worked in terms of coordinates and yet the anime just had the pen show a simple map, then Sonju flat out told them how to efficiently kill a demon, and the phone that allows them to contact the supporters? Oh, they found that instantly, whereas geezer had no idea such a room even existed in those 13 years he lived at the shelter..

Have I spoke too much by now? Probably. None of the changes bother me too much, aside from the geezer’s obvious absence, but I’m still looking forward to the rest of this season, as I’m sure it’ll give more spotlight to some of the other kids aside from Emma and Ray. Season one just did so well with sticking to the manga that I guess we all got caught way off guard, huh?

#the promised neverland #tpn anime #tpn manga #chidoroki used chatter

[angelz-dust]

masters of none (jason todd x reader)

summary: welcome to my jason x celebrity fic, based on this headcanon. pls enjoy. 

word count: 5.2k

warnings: gun mention. food mention. 

part 2

626 bedford avenue

baby let's have a conversation and god forbid we have a connection

...

"are you sure? i don't wanna leave your here alone," dex had said to you as he put his jacket on. the two of you were in the studio when he got a sudden invite to a party.

"i'll be fine. i just wanna finish this track tonight. or attempt to, i guess," you explained, spinning in your chair to face him. you watched as he used his wooden military brush to fix his waves. "everyone else is going so you should go."

"you should also go," he chuckled, shaking his head before sighing and pocketing the brush. "at least let me take you home now."

"i have to finish this, dex. seriously. just go," you told him, turning back around to face the monitor.

"fine, but i'm coming back when it's over and i'm taking you home. i don't care if you're not done or passed out on the couch," he told you firmly, grabbing his keys off the coffee table. "are you hungry? i can get you something to eat."

"i already ate."

you did not, but you weren't hungry. you were too invested in working to be hungry. you'd eat later when he picked you up.

"alright. make sure the doors are locked when i leave. you know where the gun is, right?" he asked and you lifted your arm up, giving him a thumbs up. you had your headphones back on and were about to focus on that again. he rolled his eyes before leaving, making sure the doors were locked himself.

your work in progress played loudly in your ears as you stared at the meticulously placed loops on the monitor. you didn't like hearing your own voice but you loved the rush of putting together the puzzle that was a song, so you let it go. you worked for hours, unmoving from your spot until you felt a familiar tingle make place in your temples. a hunger headache was coming on and staring at the monitor, probably without blinking, wasn't helping.

it was midnight and dex probably wouldn't get back until 2 or 3. you weren't sure if you'd last that long. there were snacks in the mini fridge that could tide you over but it wouldn't be satisfying. you stood up, your legs feeling like jelly from not being used for so long. your ass had gone numb, too.

you wobbled your way to the fridge of wonders, resting on it to balance yourself as you opened it. you were looking for the yogurt you had stashed in there but...

"fucking jordy," you breathed out, recalling how he had eaten it that morning before you both left for your video with gotham insider.

...

"hey, i'm jordy rivas."

"and i'm y/n l/n."

"we're here with gotham insider and we'll be answering your burning questions."

you had a bucket filled with slips of paper in your lap as you waited for the cue to start picking. you took in your surroundings, not being able to see much with the bright lights illuminating you from above and keep everyone else in the dark. sometimes you couldn't tell if you were on set or on an operating table. jordy, your group mate, noticed that you two had plenty of questions to answer as he peered into the bucket.

how you got here was still a blur. your rise to stardom alongside your friends felt so sudden, it was hard to believe. you didn't expect to have such a large following at this point, or ever. and you never thought you'd have a band of brothers and sisters who loved music as much as you did. it was like a dream come true. not only did you have them but you were able to expand your horizons musically. you were just a below average producer before but now you produced music of all genres at such a high caliber. hell, you even sang a little now.

being a celebrity was overwhelming at times, but you loved interacting with fans or the family, as you affectionately called them. you'd take a simple q&a or fan meet over an award show or social event any day.

"alright, go ahead and start," a staff member said from behind the camera and you stuck your hand in at the same time as jordy, both pulling out a slip.

"how did you guys come up with the name cloud 9?" jordy read from his slip.

"stockholm syndrome," you said simply, getting a little laugh from jordy and some staff before he spoke up to explain.

"we were unofficially going by seven heavens before y/n and dex came along. we had just dropped music under our own names before but we couldn't really do that if we were going to do a group album so we needed a name."

"we were just producing a song each for the album," you spoke up to clarify. "i decided to call our studio session 'on cloud nine' since it fit with the theme of the group and there were nine of us working together."

"then we realized y/n and dex were geniuses and we asked them to produce the whole album," jordy chimed in with a smile. "they had already put so much work into it, so we asked them to join the label and we dropped the album as cloud 9."

best decision i ever made, you thought to yourself, a smile playing on your lips. on cloud nine took ages to produce but the results were worth it. for you, it was more than the money and the charts. creating music was a labor of love and an extension of yourself. you helped create a piece of art that you loved and allowed others to love too. it was the greatest feeling in the world.

"next question is... how do you guys decide who collaborates on what and when you do it?" you read, shrugging your shoulders softly. "we just do it on a whim. covers, singles, eps, full albums, it doesn't matter. we still operate as a group but sometimes we wanna do our own separate projects. we're in charge of ourselves so we do what we want."

the rest of the questions were pretty tame, mostly asking about your music and your label mates. occasionally they got more personal, asking about your interests and families. you both answered with enthusiasm, joking around a little and keeping certain things private when you felt necessary or when you were contractually obligated to. can't go around spilling secrets about upcoming music and other projects.

you and jordy were actually working on an album but it hadn't been announced yet. that was why you two came together, as a way of hinting at it and getting ready for promotions to come. the album was nothing like what you both normally did in a lot of different ways. the sound, the aesthetic, all of it. it was an ambitious project and you were looking forward to seeing how it would be perceived.

you were just about done with the q&a, pulling out the last question from the bucket that jordy had then ceremoniously punted out of frame.

"who is your favorite vigilante? i don't know actually. i've never thought about it," you softly clicked your tongue with a pensive look.

"i like signal," jordy answered as you thought it over. "i saw him kick ass up close one time and he has a cool costume."

"i like nightwing's costume! uniform? whatever," you said with a confused shake of the head, not really sure what to call it. "the blue bird is cool. i personally enjoy the color blue, so he gets points for that. it's a sexy shade of blue."

that last part elicited some laughter from jordy. "is that some roundabout way of you saying nightwing turns you on?"

"it's a direct way of me saying i like the color blue," you corrected him. "but yeah, he looks like he'd be hot. it has no bearing on how i feel about the blue, though. two separate feelings."

"who else is there? you got batman and robin. red robin. uh..." jordy trailed off, trying to think.

"batgirl," you supplied, getting a nod from him. "orphan? right? and uh..."

"red hood!" jordy said with a smile. "that dude is cool as hell. i like his jacket."

"doesn't he shoot people?" the staff laughed again at your delivery of the question. clearly you were on a roll today.

"he doesn't have a hood, though," you realized, looking perplexed. "why is he red hood if he doesn't have a hood? why doesn't he just call himself... red helmet?"

"because that's fucking stupid," jordy said through his laugher, shoulder bouncing. that would have to be censored in post.

"he's fucking stupid."

that too.

the staff watched as the two of you managed to go off on this tangent that had nothing to do with the original question. one of the interns looked to the camera man, who looked equally intrigued and confused at where the conversation had gone. "do we... stop them? we're going over on time."

the camera man shrugged and the manager shook her head. "god, no. do not stop them. this is gold."

"he doesn't need a hood, y/n. it's just a name. nightwing doesn't have wings," he reminded you and you rolled your eyes, a subtle pout on your lips.

"yeah but the bird does. it's still on brand. just like batman. and robin. and red robin. and signal. and batgirl," you listed matter of factly.

"what about orphan? is she an orphan?" jordy asked you with attitude.

"probably, bitch. why else would she call herself that?" you said, the both of you riled up now, hence all the sudden cursing. you two kept it (mostly) clean up until this point. "red hood is the only one off brand."

"why are you being a hater right now?" jordy asked with lopsided grimace and you rolled your eyes. "you completely derailed the conversation."

"oh, i'm sorry. i didn't realize you were on his payroll."

"red hood doesn't need payola. he's cool by himself."

"why are you dick sucking red hood?"

"don't ever say that shit again," jordy said immediately, almost cutting you off at the end of your question.

he crossed his arms, looking annoyed as you looked into the camera with a blank expression. you were trying to fight it, but a tight lipped smile appeared on your face, making you look down and scratch the tip your nose lightly with your nail. then your ear. then back down to the side of your neck. your body shook with silent laughter when you glanced at him.

"i'm sorry," you said convincingly after having collected yourself in record time, just barely getting cut off by jordy again.

"no you're not."

"no i'm not," you shook your head, your facade dropping as quickly as it was put on. "you still haven't answered the-"

"i hope red hood shoots you," he told you seriously, giving you a blank look. your jaw dropped, a surprised noise that almost sounded like laughter came out of your mouth as you looked back at the camera. you knew that he was just playing around but it didn't change the fact that it outrageously juvenile.

it was silent. you and jordy knew this was just friendly bickering but the staff weren't too sure. you rubbed the inside of your cheek with your tongue, slowly dragging it over your teeth as you contemplated his words.

red hood wouldn't actually shoot you. right? he's a bit more morally gray from what you've heard about him but he wouldn't just shoot somebody for making a joke, would he? that seemed kind of ridiculous. overkill, if you will.

your eyes darted between jordy and the camera. back at him. then the camera. jordy again. your head jerked a little in his direction before fully turning to look at him.

"do you think he'd actually shoot me?" you asked quietly, looking at him with a smile on your face as your expressions quickly mirrored each other.

"i would," he told you and you laughed, looking at the camera again.

"mr. red hood, if you're watching his, m-my bad bro," you stuttered through yours and jordy's laughter. "i was just talking shit. please don't shoot me. i-if you don't i'll uh... i'll be your bard!"

"what the fuck?" jordy cried out, hiding his face in his hands as he laughed harder.

"i will write and sing about your adventures and conquests," you pleaded with the man who definitely wasn't going to see. you made a heart by lifting your arms up and having your fingers meet at the top of your head. it was really a waste of time in hindsight but you had to cover your bases just in case he did see it. getting shot was not on your bucket list. "please don't shoot me. seriously. i didn't meant it."

"that's all the questions we had," jordy's voice was pitchy from all the laughing. "i'm jordy."

"and i'm y/n," you smiled, doing a little dance as you stayed in your heart position before waving with jordy. "byeeee!"

...

you weren't entirely sure how long you had been standing there with the door open, letting all the cold air out of the fridge. you assumed it was too long since your nipples felt hard as rocks now, which only added a layer to how uncomfortable you felt. your stomach was touching your back at this point and that headache wasn't going anywhere. and now your nipples felt like they were going to fall off. you were pretty sure exhaustion was going to start claiming on you, too.

killing yourself seemed to be the only option and what you were thinking of doing was practically suicide. you wanted to go walk to the corner store that had the yogurt. your craving was too strong. you needed it and waiting for dex was not an option. there was nothing of substance in the fridge anyway. just drinks and snacks that weren't yours to eat.

a normal person could probably do it and not die. but you were in gotham and you were convinced that the moment you opened the door killer croc or one of the penguin's goons would be waiting for you.

taking the gun would be the smart thing to do but you didn't feel comfortable walking around with it. the feeling of cold steel against your skin was unsettling and the chance of it going off on you was even scarier. yes, you would have the safety on, but that wasn't enough to ease your mind. it felt like walking around with a bomb strapped to your chest. you didn't even wanna think about it dropping it or something while you were in the store. you were sure the ock wouldn't like that.

you grabbed your keys, slipping the wristband on. you had a little card holder and pepper spray hanging off the key ring. you also had a small switchblade for all your stabbing needs. you hadn't used it for murderous intent yet and you wanted to keep it that way.

i'll have red hood put me out of my misery, you thought morbidly to yourself. maybe jordy wishing death on you this morning was a blessing in disguise because you were progressively feeling more like shit with each passing moment.

you braced yourself for the crisp nighttime air and the dangers lurking around every corner before opening the door. it was dark, as expected. you had your hands stuffed in the pockets of your sweatpants. your right hand rested right on top of your phone carefully stashed away in the black polyester pocket.

your sense of direction was, to put it lightly, dog shit, and the pitch blackness of night wasn't helping. you had your airpods in with the gps telling you where to go. if it had a mind of its own, it would probably be judging you for needing to locate a building that was 5 minutes away. nevertheless, hearing the robo voice in your ears was oddly comforting.

the walk there wasn't that bad once you got to the area with all the traffic, illuminated with fluorescent lighting from the surrounding stores. it was the first time you felt comfortable under blinding white light.

you walked into the store quietly, beelining for the cold food section. you grabbed hot fries and sour skittles on your way over for dex, wanting to soften the blow for when you told him you left the studio by yourself. you spotted the salted caramel flavor through the condensation on the glass and you could already taste the creamy treat on your tongue. you smiled to yourself, grabbing the handle to the door when you heard the automatic door to the store open, accompanied by a chime.

"hey, man, what's going on?" you heard the voice of the cashier from behind you. you grabbed your yogurt and turned around, freezing in place when you saw who had entered.

red hood!

you could hear jordy's enthusiastic voice from this morning bounce around in your head like a pinball. the man you had been talking shit about earlier was right in front of you. jesus christ, was he there for you? how did he even find you? the video hadn't even dropped yet!

he must have felt your intense gaze burning a hole in the side of his head because he turned to face you. thankfully, you slid to the side, hiding behind the chips. he knew you were there and that you had been staring at him, even though he didn't catch you in the act. you attempting to hide yourself behind the buy two, get one free mini chip bags was slightly suspicious, but to be fair, he did just walk into a public place as red hood, so he let it go. turning back to salim, the cashier, he grabbed the bag of m&m's he had slid him.

he always paid for the things he picked out when he came to the store, but salim always gave him m&m's for free. red hood kept his store and community safe, so in salim's eyes, giving him candy that only cost a dollar anyway was nothing.

you started grabbing some other snacks, slowly weaving through the aisles as to not cause alarm to the huge man standing not to far from you. you knew he was big but fuck. he was built like a freight train. probably hit like one, too.

"anyone give you trouble tonight?" you heard a voice, his voice. it was distorted behind that mask... helmet... thing. it sounded robotic. was he actually a robot? like cyborg or something?

"nah, it's been quiet tonight," salim shook his head as the vigilante grabbed a little bag of cookies from the shelf behind him, setting it on the counter before asking for a carton of cigarettes. "i heard that jewelry store on bedford ave got hit though."

bedford avenue? your studio was on bedford avenue, tucked away from the main street. the store wasn't too far from it, either. you must have been so wrapped up in working that you didn't hear the commotion because it was definitely close enough for you to hear it.

"just came from there," the vigilante informed him, his robotic voice being both intriguing and off putting to you. he walked back over with the warm cup of liquid in his gloved hand, setting it on the counter next to the cookies.

must have just missed it then, you thought to yourself, if he just came from over there. lucky me.

"you alright, honey?" salim called out to you with familiar affection. he always treated everyone who came to his store with respect and like family. he was always very sweet to you and he felt a sense of pride knowing that he had both celebrities and vigilantes frequenting his store.

"don't tell me you're trying to rob me," he added on at the end, getting the attention of red hood. he wasn't sure if salim was being serious or not. it would confirm his suspicions about your weird behavior from earlier. it would be kind of ballsy to try something while he was standing there, though.

"uh... yeah. this is a stick up. give me everything you got," you said lamely, standing on your toes to peek at him over the shelf.

salim's rich laughter filled the store and he shook his head. "just checking," he said before redirecting his attention to red hood, who loosened up when he realized it was just banter between friends.

you realized the longer you spent in the store, the later it would get. you waddled your way over to the counter with your snacks in your arms a comfortable distance away from red hood, who set cash on the counter. he looked over at you again, making you shrink under his gaze. he was essentially faceless, which was a little unsettling, to say the least. he turned away, grabbing his things and moving out of your way.

you put all of your snacks on the counter, trying to ignore the man's presence. he wasn't doing anything but being intimidating.

"you here by yourself, honey?" concern laced salim's words as he rung up your snacks. "it's a little late, isn't it?"

"oh, uh, yeah," you nodded, pulling your card out to pay. "everyone else is at a party in maywood."

as red hood was walking out, his brow furrowed when he heard what you were talking about. maywood was where all the big social events took place. he had been out there a few times with bruce. not anyone could go to a party out there so...

"ah, one of those celebrity parties you all go to, huh?" salim grinned, giving you your bag of goodies. he still felt unsure about you being by yourself, though. "hey, red! you should walk her back home."

he was almost out the door when he heard salim call out to him. he turned, looking at the both of you. you felt awkward looking at him and you quickly shook your head.

"no, no, it's fine. the studio isn't far," you told him and salim firmly shook his head in protest.

"it's late. you shouldn't have even walked here to begin with," he scolded you a little. it was just out of concern, of course. "she's a big time celebrity, you know."

you frowned at salim's description of you. not being able to read red hood's expressions to gauge how he felt about this whole thing was frustrating, too. he was probably glaring daggers at you.

"i can take you," the robotic voice said. normally he wouldn't be escorting civilians around but he was done for the night and if you really weren't that far, it wouldn't kill him to walk you back to wherever you were headed. he was in a good mood, even if it didn't appear that way.

"see? let the man take you back," salim pushed and you complied, giving him a little nod. "you two stay safe out there! i don't need my favorite customers getting hurt."

you waved goodbye to salim, turning to see that red hood had already started walking off. you quickly shuffled your way out to follow behind him.

"where are we going?" he asked, not even giving you a glance as you both stood on the sidewalk.

"bedford," you said quietly and he turned to face you, his look of disbelief hidden under the mask. why the hell would you leave? you had to have left while the heist was still going on. no wonder salim asked him to take you home. clearly you had a death wish.

"lead the way," he said to you, trailing behind you as you listened to the gps tell you where to go. you hoped he didn't have supersonic hearing or something, because needing to use the gps was still kind of embarrassing.

you two walked in silence, the sound of your plastic bags and the ambient city noises being the only sounds ringing in your ears. you felt a little safer having red hood as your temporary bodyguard but you'd rather risk dying to avoid the awkward silence.

"so big time celebrity," red hood spoke up, startling you a little. you almost thought it was the gps talking to you. "what do you do?"

he knew you were feeling awkward and probably afraid walking with him. he wasn't trying to scare you, though. he figured talking to you would ease the tension a little.

"oh, uh... music," you said simply.

what a dry response. were you expecting him to carry the whole conversation? because he wasn't.

"why are you out here and not in maywood?" he asked, carrying the conversation anyway.

"the studio is here so i'm here."

"so you're working?"

"yeah."

you were not fun to talk to. he wasn't going to hold it against you though. he himself probably didn't come off as a guy who wanted to talk.

"do you shoot just anyone?" you asked suddenly.

well that was one hell of an icebreaker. did he just shoot anyone? where the hell did that come from? were you that afraid of him?

"no," he said, hoping you couldn't hear his smile in his words. it was such an odd question to ask. "why? you think i'm gonna shoot you or something?"

"are you?" you asked panicked, whipping around to face him.

he put his hands up in mock surrender, letting out a laugh this time. "relax. you haven't given me a reason to want to shoot you. or have you?"

"i hope not," you said honestly, turning back around to continue walking.

"i'm not going to shoot some innocent girl, let alone a famous one. it's a bad look," he explained to you, hoping the humor behind his voice would make you relax a little.

"why don't you wear a hood?" your line of questioning continued. "you're red hood but you don't wear a hood."

"why do you keep asking ridiculous questions?" he asked rhetorically before answering your question anyway. "a hood doesn't protect the face."

well, that made sense, actually. it looked like that helmet thing he wore was made of metal or something. much better protection than cotton. it was still off brand but you could respect it.

"what the hell are you wearing?" the man had exclaimed suddenly, making you furrow your brows and look back at him. his gaze was down at your feet. "how did i not notice those before?"

"clearly that stupid helmet obstructs your vision," you pouted, looking down at the cute bunnies that sat on the strip of your pink slides. "they're my slides."

"they're hideous," he told you seriously and you scoffed.

what an asshole. how dare he insult your babies like that? they were minding their fucking business, chilling on your feet. they didn't asked to be attacked like this.

"you're hideous," you retorted childishly. "my bunnies are cute, thank you very much."

"how am i hideous? you can't even see me," he reminded you, tapping on his helmet.

"your outfit is hideous. you look like... i don't know. ugly. your face is probably ugly, too," you huffed, crossing your arms.

you wished you could go back in time and not apologize for insulting him earlier. he deserved it.

"you wound me," he said sarcastically, placing a hand over his heart. "how will i recover?"

"give me your gun and let's find out," you said, holding out your hand jokingly before getting it swatted away by his.

okay, fine. he wasn't that bad. you were actually kind of enjoying the conversation and so was he.

"arrived," you heard in your ears, looking up and seeing the studio right before your eyes.

you had been so wrapped up in bantering with him that you forgot what you were doing in the first place: going back to the studio. you almost felt disappointed that you were about to go your separate ways. you had just gotten comfortable.

"this is the place," you said, gesturing up to the building. "thank you for walking me here."

"try to keep your late night excursions to a minimum."

and with that, he used his grappling hook and disappeared into the shadows of the night. creepy. kinda cool but mostly creepy.

you walked around back to the side door, letting yourself back into the studio and locking up immediately afterwards. another successful snack run. now all you had to do was wait for dex to get back.

...

it had been about two weeks since your encounter with the vigilante. jason had long forgotten about it. he had been at the manor, lingering around after a meeting in the cave with bruce and his brothers. he didn't like sticking around once business was taken care of but alfred offered to make him chili dogs. it was a calculated move to get him to stick around and it worked.

tim was lounging on the arm chair while dick and damian were both seated on the couch. jason stood off to the side, directing his attention to the television that sat above the fireplace. tim had been watching youtube videos all day and stumbled across a gotham insider q&a that had a clickbait-y title about vigilantes. naturally, he was intrigued and wanted to watch it with the rest of them.

"what am i looking at?" he asked, taking a bite of his chili dog.

"something hilarious. i've been waiting to show you guys all day," tim explained, grabbing the remote.

"i hope this isn't something juvenile, drake," damian chimed, resting his body against the arm of the couch.

"or gross," dick co-signed with a grimace. "we just ate."

"just shut up and watch," he sighed, unpausing the video.

jason felt a little tingle in the back of his mind at your face was on the screen. you looked familiar. he silently watched as you and jordy discussed your feelings about vigilantes. dick snorted when he heard your comment about nightwing. tim began to snicker in anticipating for the main event: the red hood argument.

as jason watched, everything made sense. you were that weird girl he walked home. that was why you asked him those stupid questions. he was a little annoyed at you calling him stupid and off brand but he had to admit the segment was funny. especially the part at the end where you were begging him not to shoot you. you seemed so much more relaxed and naturally funny than you did when he was with you that night. it almost gave him whiplash.

"you should shoot her. for good measure," damian told jason once the clip ended, making the older boy roll his eyes.

"nah. i can't shoot my bard," he smiled, making dick smile too. he had expected jason to be all grumpy about getting talked about but he seemed to be taking it fairly well. tim was kinda disappointed that jason didn't seem more bothered by it. he wanted to tease him a little.

"i think red hood payola is probably the funniest thing i've heard in awhile," dick said, laughing along with tim. even damian cracked a little smile.

jason walked back to the kitchen, recalling that night he ran into you now that he had seen the video, finally understanding why you were acting so strange.

his bard, huh? cute...

#jason todd x reader #red hood x reader #dc x reader #jason todd #dick grayson #tim drake #damian wayne #batfam

[manjuhitorie]

tat - Shinoda’s Hitori-Atelier blog posts - REAMP Digest volume 4

Shinoda’s blog post via Hitori-Atelier! Please consider joining Hitori-Atelier and supporting Hitorie’s ventures today. How-to here: https://boatmanju.wixsite.com/hitorietranslations/hitorie-atelier 

It’s already been 3 months since REAMP was released, time really flies.

In that short bit of time we’ve already planned a tour ahead of us, and were given the opportunity to do the opening for the anime ‘86′. Let’s fucking go~~~~~ Is everyone faring well? I've recently rekindled my passion for sampling, I haven't felt like this in years. I'm taking free samples I find strewn across the internet and turning them into techno. I kinda remember mentioning my appreciation for techno in vol. 1 of this blog series, and yeah. I'm finally trying it out for myself. I've managed to make a pretty sick song if I do say so myself. You'll find it on Hitori-Atelier soon enough. (＊This is most likely the song titled 'mad candy', found in 'Shinoda's Contents') It's fun 'cause compared to vocal stuff, I use a whole different part of my brain to make techno. I say "This part of this sample has a good beat to it, I bet if I rearranged it like this it would make music~" and do it. Relatively speaking, this kinda music making matches my personality type really well. I feel like I've found a fucking good hobby for myself here. With that said, even though it’s a hobby, work is still work so the collateral damage of music-making is still vividly affecting my body. Like music is still music, and with the way I tunnel vision I'll end up at my desk for an obscene amount of hours. By the time I'm done with it physically and mentally I'm a wreck. Like the fuck do I mean by hobby, is this some kinda shitty joke Shinoda? Anyway let's talk about 'tat'. The question as to what the title means comes first. Initially I wanted to name this song "刺青(meaning tattoo)". Because the song ‘Perfume’ by ‘Eito’ (https://www.youtube.com/watch?v=9MjAJSoaoSo) was a huge hit at that time so yeah.. But that idea failed ygarshy's inspection so I had no choice but to look around for a word similar to tattoo.

That was when I found photos of tattoos on Instagram with the hashtag #tat. This is it, I said. As a slang tat can mean many other things as well but I forget what they were. I'm sure you can find out if you look it up but, take note that none of it has much to do with the song itself. I considered '#tat' for the title as well, but it was too lame so I pulled back. This song was written when the album was almost finished and most songs ready: I reviewed the album as whole and felt that something was missing. I had wanted something with now tat’s tempo and mood to it to tie the album together. It turned out really well, if I may say so myself. Isn't it a great song though? I feel like all my efforts were worthwhile... It's fun to let the creative juices flow and write with whatever comes to mind. I tried to make the amount of guitar notes concise and solid. The tone was supposed to be graceful too but... ygarshy swooped in with a kick and his bass so heavy it sounds like he's blasting music from a little motorcycle. The melody too has the same makings as the hits these days. It’s about someone of the opposite sex with a bold tattoo who’s stuck in days of ennui, and me who’s gazing from afar wondering what these feelings inside me are. It’s about that sorta thing (?) - I think I managed to express it (????) The beat isn’t made to be far off from modern tuning either. I’m sure I could’ve harmonized it even better but, at the time I found good reason to make it more rock band-y, so I have no regrets. I only wish I made the song name something easier to find via search. It’s so hard to find the people talking about it... Starting with a verse and closing a song with that same verse is great, ain’t it. I’ve always liked songs with a bit of a whacky structure to them, Like November in HOWLS, it goes from verse 2 back to verse 1 then into the instrumental break. If you think it’s just any old number then prepare to be sorely mistaken - Or, that kind of fetishy stuff is important for music if you ask me. I received a fair lot of praise from people in the song-writing industry about tat, I’m happy. Though I’m not sure about the lyrics. Someone from our workplace told me that “Mushy gushy heart-wrenching lyrics would fit well”, so I sought out to do exactly that. The only problem is that my expression of mushy gushy made that person from work go “????” so making people’s heart clench is hard shit. This doesn’t leave here okay.. My dismay over the discontinuation of Chikyuu Monogatari is vented in here a bit as well. Though I don’t think Chikyuu Monogatari is boring. Not really. I saw a few people say that ‘tat’ is like the evolution of cakebox. And it makes sense to me now that y’all say it. cakebox was my solo project I did back in my mid-20’s. I made 3 mini pieces with 7 tracks and 1 EP with 4 tracks before stopping. I’m sure only like 10 people in the whole world ever listened to it. If you look it up you can still get it to listen too. Like an offering of random ass songs to my dead school life, I had a phase between my late teens and my early 20’s wherein I was obsessed with making songs using just my voice and guitar. The question of direction was beyond my consideration, I just sorta let the creative juices flow back then too and promptly set pen to paper. That was my creative process cycle. It was kinda like a diary. There’s barely any proper complete songs. The reason being that I completely lacked the skill necessary to make them proper. My guitar was alright but my singing wasn’t up to par, no one ever praised my voice at all. So I resolved that I just wasn’t cut out for it and strove to be a lead guitarist. Instead of my own songs I chose to go do band stuff, thus devoted myself to guitar.   Yet still my desire to make something proper stuck with me, and so soon after that I started a band in which I did guitar and vocals. we mashed stuff together and made song proper. Alas. Between creative differences and my own lack of ability, we were barely able to make something that I was proud of. After shit happened I ended up at home immersed in making my own songs. “Surely I could put all my experiences in bands and my own growth to good use, to turn my backlog of WIPs into something proper as well?” I thought to myself, and thus was the beginning of cakebox. I think that was the first time I ever got involved in making my own music through my own power. But my way of intense creation was too innocent for listeners or something, or like I wasn’t conscious enough of my headfirst personality... So I didn’t even have the sense to match the tuning up with modernity, and ultimately my work wasn’t clicking with society’s needs. That reality was crushing me more and more with every piece I made. I didn’t have absolute confidence in myself or conviction to push through either. After 3 albums the feeling of “Why am I even doing this” grew, and I found more purpose in Hitorie instead. From then on I devoted myself to Hitorie. These past few years in Hitorie have been nothing but learning experiences for me. After years of the four of us together stressing over what makes good music, I think my own work has leveled up as well. One thing I learned that has especially stuck with me, even now, is leader’s unwavering stance on “Believing that I’m just no matter what”.   For someone with my relative dispositions it’s a nigh impossible stance, and at often times I felt it was egoistic of him but... It’s what led him to create such powerful music, and it’s something we depended on greatly. The other day I gave Unhappy Refrain a full listen for the first time in a while. It’s perfect in every way, what the hell. Vocaloid as a genre was still establishing itself back then, and without a doubt this album served as a monument for the cause. The same way ‘my bloody valentine’’s ‘loveless’ was the cherry on top for the shoegazer genre. It’s made an immovable unsurpassable mark on music history. I really was in a band with a crazy person. To think that when I was in a band with him I more saw myself as the crazy amazing one. What the fuck was up my ass. I understand why felt the need for a band after making this album - why he brought us together - even more now. The obscene amount of notes in that album with a tone reeking of rock band stuff... It’s really flooded with his innocent yearning for rock music. I think the troubles he faced following Unhappy Refrain were the repercussions of him making such a huge monumental piece. But his stout core belief in himself - that he’s just - has stood equally as tall as that monument all the way. Now, after so many twists of fate.. I never thought I’d be writing AND singing my own songs for Hitorie like this. Except, one difference between the me of now VS. the me of old is that I don’t feel even a smidgen of unconfidence. I’m not worrying that I “don’t stand out” or “don’t suit societies needs” anymore. I feel like ‘tat’ might be the best song in the album (sorry ygarshy and Yumao). To the point that when people praise it I merely agree with them, “No lies detected” I say.

It’s all thanks to my time spent with Hitorie, the musical knowledge we sharpened, and the fact that my bandmates’ amazing performances have my back. If I don’t have something as big as this supporting me then I’ll just be a fucking chicken with no confidence in my music, after all. With that said, Music made by you yourself is an irreplaceable treasure, “If you made something good, then be proud”: this lesson of mindset was taught to me by Leader. It’s a really life-changing way to be so... If I mimic Leader at least this lil’ bit no one would make a bad face at me, right? What do y’all think? With that that said, the actual most pure thing that’s naturally come out of my head in years, with my actttual emotions stuffed in, is... The actttttual best song is “Utsutsu” if you ask me so. Look forward to the next entry of this blog series, y’hear me. Shinoda

#REAMP #SND REAMP Blog #Hitorie #REAMP Digest

[its-bound-to-get-loud]

Why I believe 5SOS didn’t work as a pop-punk band (+ my opinion on THAT Rolling Stone article)

This title of this post may be an unpopular opinion for a lot of you. But I don’t believe 5SOS worked as a pop-punk band. In this post I will explain exactly why. I hope that even if you don’t agree, you will at least understand my POV. This post is probably gonna have a lot of text. Not a lot of links, videos or pictures involved. I hope it will still be interesting for you. All of this is just my personal opinion, I have no way of proving that this is 100% true. It’s just a careful deduction of things I’ve seen and thought about over the last few months, mixed with some personal opinions. With this post I’m trying to tackle some topics that are being talked about often and showing them in a different light. I’ve put quite a lot of time into writing this, so I’m hoping you will appreciate it. Finally a huge, massive thank you to my friend R for proofreading this, it means a lot to me.

To start things off, I’ve had quite a lot of thoughts about this topic: I don’t think 5SOS truly worked as a pop-punk band. The image didn’t fit them and it wasn’t right for their era. It was a fun sound, I enjoy listening to it, they probably even enjoyed making it. Obviously fans enjoyed it as well. I fully believe that when they first started, pop-punk is what the guys wanted to sound like. It’s the music they listened to, those were the bands they looked up to. When they got signed they had not been a band for a super long time, they were young and barely had any experience in both life and music. I’m not someone with an extensive knowledge of pop-punk groups, but from what I know a lot of these bands were misfits, outcasts. People who didn’t feel like they had a place in society. In some cases from broken homes, with bad childhoods, etc. That’s who they were and it’s what their music was about.

I’d say 5SOS as whole do fit those characteristics. They were from a small town where music wasn’t really a career for most people. So they felt the need to get out of their town and pursue music. Michael dropped out of school for music, Ashton obviously had a very difficult home situation. Calum has mentioned that his family didn’t have a lot of money when he was younger. I’m not sure how the situation was for the others. But besides this, everyone but Ashton came from a stable home, Calum’s parents separated later on. So I can see why the guys related to these pop punk bands put out songs about this. Especially when you’re a teenager you often feel misunderstood by everyone else.

But when 5SOS started they looked more like a boyband than a pop punk band. Their earliest songs were mostly love songs. While the boys might have felt like being a pop punk band, and maybe even considered themselves to be one, I would say they were more of a pop/pop rock band.

In some cases a label can mold an artist or band into a certain image upon signing. But 5SOS had already gathered a following before they were even signed, so molding them into a rougher pop-punk image right upon signing would not have worked, it would not have been organic. They probably didn’t want to alienate the fans they already had, because they were valuable in getting the word out about 5SOS.

Their first manager, Adam Wilkinson, didn’t seem to think 5SOS would work as a pop-punk band as well. Just look at these quotes taken from That infamous 2015 Rolling Stone article (I will not link it, because I despise it, just google if you feel the need to read it).

“While they cannot cross into the realm of pop punk, they can stand on the sidelines and capture the end of that market.”

“They always wanted to be Blink 182 or Good Charlotte, but I’ll be the first to admit I thought that was shooting too far,” says Wilkinson. “We tried to make them a little more pop.”

That last quote is basically what happened. 5SOS ended up connected to One Direction, a huge pop act at the time. A connection that wasn’t as much of a “coincidence” as they wanted to make it look like. Louis was never the one to truly discover 5SOS, this was simply a smart PR decision to connect 5SOS to the 1D fanbase and grow their audience. I highly suggest reading this post that lays out exactly how 5SOS came to get signed and how their connection to 1D began. You will see that there is clear evidence that it didn’t happen like they wanted us to believe.

And let’s be real. Take a look at this early 5SOS picture. Does this look like the next Green Day or All Time Low? They all look like the boy next door, with maybe the exception of Michael. Basically they had the looks of a boyband, and while they never have been a traditional boyband (and certainly aren’t now), they certainly were marketed as one early on. This is a label that still sticks to them to this day.

I fully believe that their team (management/record label) tried to slowly evolve them into a more pop-punk image as they got bigger. They couldn’t ride the 1D train forever and had to stand on their own 2 feet. That’s where we arrive at the Sounds Good Feels Good era. This is a fascinating era for me, because there is a shift. Their looks start changing, suddenly they slowly become rockstars, piercings start happening. The boys are growing up. They are old enough to drink, girls are in the picture, etc. Musically it’s also clear that their sound is changing. The self-titled album is still fairly pop-rock, 1D but a little edgier perhaps. Sounds Good Feels Good is the more pop-punk album. But is it really? Because as most fans will know, the album knows 2 sounds. It has the clear pop-punk bops, such as Money or Safety Pin (to name a few), but there’s also some songs that already predict the sound for Youngblood such as, for example, Waste The Night and Vapor. It’s clear to me that while they probably still enjoyed their pop-punk sound the guys were growing up and were slowly discovering what music their sound as a band should be.

If we’re being honest for a moment. What songs from SGFG really feel the most personal? Sure, She’s Kinda Hot is a bop, but what about Vapor? Vapor is by far my favorite song on the album, it tells me a story, it makes me feel emotion. Now I’m very biased towards SKH, because (unpopular opinion) I don’t like the song much because of the lyrics. But that’s a different story (we may get to that someday). There is nothing wrong with a song that’s a bop, you need those. I could enjoy SKH if it wasn’t for the lyrics. But bops can have meaning too. SKH doesn’t in my opinion. Besides the fact that the guys were growing up and maturing their sound, the music scene just wasn’t very pop-punk or even rock based anymore. It wasn’t a sound that was popular anymore.

I took a look at the billboard charts and pulled some statistics. Friday October 23 was the release date for SGFG. The Top 3 Billboard hot 100 songs that week were

The Weeknd – The Hills

Drake – Hotline Bling

Justin Bieber – What Do You Mean?

The songs/artists closest to 5SOS in sound in the WHOLE Billboard Hot 100 that week were One Direction – Drag Me Down, Fall Out Boy – Uma Thurman and Twenty One Pilots – Stressed Out. That’s 3 songs in a list of 100 songs and you can debate how close the sound of those actually was to the sound of 5SOS at the time.

Taking a look at the Billboard 200 Year-End chart, the #1 is Taylor Swift – 1989. SGFG ended up at #136 (keep in mind that the album was released in October, so close to the end of the year). 5SOS self-titled ended up at #73. The LIVESOS album ranked #176. There’s a few other records that can be considered rock in the list, but barely any pop-punk in the whole chart. The only one to be considered for that title would be Fall Out Boy’s – American Beauty/American Psycho album, which was #15.

Pop-punk or rock in general, wasn’t a popular sound that topped the charts around the time 5SOS got started as a mainstream act. Number 1 on the Billboard Hot 100 the week 5SOS released their first ep (Unplugged) was Call Me Maybe by Carly Rae Jepsen. The real mainstream success of pop-punk was mostly in the late 90’s running all the way through the early 2000’s. This is why I wonder why the label tried to make them into a pop-punk band in the first place. My best guess is that their team relied on the fans to push the success of the band forward after they came off of 1D’s Where We Are tour. They might have tried to create an edgier version of 1D with similar success. Where you create a fan base that is big enough to support the band without the need of casual listeners or fans from different demographics (male, female, old, young, etc.).

I think they relied too much on 1D fans to gravitate towards 5SOS as well, which may have been a mistake. Not all 1D fans actually liked 5SOS, some even actively stayed away from them the more they were pushed under their noses. When I entered the 1D fandom in 2014 most things I saw about 5SOS were negative. 1D fans considered them problematic and didn’t like them. This is partially why I steered away from 5SOS at the time. Besides that, I had enough going on with 1D to keep me occupied. Of course 5SOS’s fan base still grew quite a bit from the 1D exposure, but they never got to the same heights as 1D did. In several interviews the guys have said that they were being called “the biggest band that nobody has ever heard of”.

On a more personal note. As a recent fan, the whole pop-punk image never felt very genuine to me. Which might be because I came into the fandom backwards, starting with CALM and going back to their older material after that (side note: I did listen to the Youngblood album once or twice before). Don’t get me wrong, I love SGFG, I play it regularly. Money is a banger, Hey Everybody!, a bop, Permanent Vacation, love it! But as a fan I like to identify with songs and recognize that the artist is telling something that is personal to them. I don’t get that feeling from some of these songs. 

An example of a song that is emotional, yet (mostly) not personal to the band is Broken Home. It’s a beautiful song, but I generally skip it. 1, because it’s a very sad song and it’s not always something I’m in the mood for. 2, because it’s not a song I relate to on a personal level. And most importantly 3, I don’t see the song relating to 5SOS as people, other than maybe Ashton. An interesting quote about the song, made by their producer John Feldman, is on the genius page for this song.

“Other than Ashton, the three guys have parents who are still together. Ashton has never met his father. Ashton really connected into the theme. “We’re saying something with this song, it’s going to connect with the audience, at least 50% of our audience comes from broken homes. We’re actually taking a stand.” The other guys are loyal and family-driven and sweet, so they were like, “What are our parents going to think about us singing about a broken home when we don’t come from broken homes? How authentic is it?” It was a two-month debate.”

So the guys themselves were already questioning the authenticity of the topic when they were recording it. Ashton connected to the theme of the song, but the others didn’t. It wasn’t something they had experienced. It doesn’t say why the song made it on the album anyway. As stated in the quote, a lot fans can relate to it. I’m sure many fans found comfort in the song, which is a nice thing. The song doesn’t make you relate to the band though. If any of them had written this song from a personal experience it would have connected a lot differently. I’m not saying it’s a bad thing that the song is not personal, it just doesn’t feel very genuine when you know the artist has no relation to the story they are telling.

Moving on to the 2015 Rolling Stone article I have mentioned before. This seems to cause some division among fans. Was it all true or was it made up? My opinion is that it’s a mixture of truth and BS. But a whole lot of it feels taken out context or exaggerated. I have been a fan since March, so I wasn’t around at the time this came out. But since becoming a fan I have watched tons of interviews and clips and have extensively discussed this band with my friend, so I’d like to say I have done my homework and have a good picture of this band. On top of that I’d like to think being a 1D fan sharpened my critical thinking skills and might have helped me see through certain bullshit. I don’t claim to be the person with all the answers, but maybe my thoughts make sense to some people. There might be some context that I’m missing or facts that I haven’t come across, if you feel like there’s a piece of information I’m missing, feel free to let me know.

The way the article starts, it reads like fanfiction. Literally. The extensive description of the surroundings, the time of day, everything. The first time I read it, it made me cringe so hard I had trouble getting through the whole thing. First things first. This interview takes place the day after the AMA’s. Who the fuck scheduled this? Either someone should have prevented them from getting drunk and partying, or they should have scheduled this on another day when these guys were in a better state of mind. That is, assuming things went the way they went as described in the article. Which is something I highly doubt.

The only direct source saying that this article is not genuine is this tweet from Luke. Besides that I have only read secondhand that the band and people surrounding them have spoken up about the inaccuracy of the article.

Some people believe 5SOS could have sued Rolling Stone for slander if this article was really as false as they claim. Now I’m no lawyer, but this is not how things work in the entertainment industry. An article like this has been agreed upon before. The interviewer didn’t just decide to drop by one day. During celebrity interviews there’s always someone from their management or PR team around to make sure they don’t say any stupid shit. Celebrities are a brand, they have an image to protect, albums to sell. If they say things that make them look bad it can cause damage to their good name. Record companies have invested money in artists and they want to see a profit in return. They don’t want to risk losing money, that’s why celebrities have PR teams. RS may have had a reputation for being a very honorable publication, but these days that’s not the case. They are not that far removed from cheap gossip rags such as the Sun or The Daily Mail nowadays. They still get read by a lot of people, which puts them in a position of power. Often when an interview takes place there are certain topics that have been agreed upon before, there are also topics that can be blacklisted if the artist or their team doesn’t want them talked about. For example relationships or family matters. These will also be agreed upon beforehand.

Here is a story about a former journalist for the British tabloid The Daily Star, who has admitted to making up stories and explains how they get away with it.

For arguments sake, let’s say the guys slipped up and showed their “true colors”. With a big publication like this it’s common that their team would have to approve the article before it comes out. If there’s anything in there that was not agreed upon that they don’t like, the article can be edited.

This leaves us a few possibilities.

The article is completely true and their team is shit at their job. They failed to prevent the boys from slipping up about stuff they shouldn’t and did nothing to stop Rolling Stone from publishing.

The article is true and their team just allowed the article to be published for whatever reason.

The article isn’t true, but their team let it happen anyway, possibly because they wanted to move the band away from their boyband image into a more punk-rock image that went with their sound.

My vote goes out to the last one. I think their team wanted to make the boys look more edgy/punk-rock and get rid of their boyband image and this is how they tried to do it. I think parts of the article may be true, but a lot of it is greatly exaggerated and in some cases made up. If my theory is true, it also means 5SOS or their team had no reason to sue Rolling Stone if they wanted to. Because it would mean you have a major publication on your bad side, which means no more future promotional opportunities for the band and/or the label. While Rolling Stone may be trash, it’s a publication that a lot of people read. Therefore it’s a very important connection that you don’t want on your bad side.

If you still think they could have sued Rolling Stone then take a look at some examples from 1D. 1D has been targeted by the British tabloid The Sun for YEARS. They wrote the most awful shit, a lot of it not true. Yet they still had exclusive scoops whenever something important happened. Exclusive meaning, these topics were given to them exclusively for publishing. It was proven that their PR manager is friends with the journalist from The Sun responsible for most of the stuff written. 1D never sued The Sun for those articles, because they most likely were agreed upon by their team beforehand. 1D has never tried suing the Sun over anything, despite what they wrote. This was not 1 article, these were many articles. Especially towards the end of 1D, when it was clear their label was losing 1D, there was a smear campaign in the media to discredit 1D and its members. There was a chance some members were going to sign with a competing label, and that’s something their label didn’t like. Here is a good collection of headlines from that smear campaign. Nobody ever got sued over these articles.

Do you still think 5SOS could have just stood up and sued Rolling Stone? The entertainment business is full of politics. If you don’t play the game you’re out. Also, question yourself. Why does Luke still say the article was twisted and inaccurate 4,5 years later? He has owned up and apologized for past mistakes, yet he keeps insisting the article didn’t tell the truth. He even goes to say that the article “broke and hurt him”. If you believe Luke is still covering his ass for what he said in that article, that essentially would he mean he is emotionally manipulating people by saying the article hurt him. Is that the person you think Luke is?

1 more thing I want to point out. Yes, I am aware of the fact that Calum has a large version of the magazine cover hanging around in his house. I can’t say exactly why. This is my best guess. That cover was still a big thing in their career, despite the article, it is still a Rolling Stone cover. That’s a milestone that not every artist gets to do in their career. Just because he has the cover hanging around doesn’t mean he enjoyed the article that came with it.

This whole post has gotten super long, it may not be the easiest thing to get through. So thank you if you made it till the end. As stated before, this whole thing is mostly just my opinion. But the parts about how PR teams work are a fact. I do not work in the music or entertainment industry, I’m not a lawyer, so I may have gotten some things wrong. If I did, please let me know and I will try to fix it. Feedback is always appreciated.

#5 Seconds Of Summer #Ashton Irwin #Calum Hood #Luke Hemmings #Michael Clifford #5SOS #musical direction #pop-punk #Sounds Good Feels Good #Rolling Stone #original

[fieldsofplay]

Favorite Albums of 2020

25. Dehd – Flower of Devotion

Rather than look back on the shit year that was 2020, lets keep our eye on the hope of the horizon.  Speaking of which, Dehd herald much of what’s to come on this here list.  While as previously mentioned a shit year for most everything besides presidential politics, 2020 proved to be a great year for good old fashioned guitar music.  Could I be accused of curling up with my version of musical comfort food? Perhaps.  But starting off with Dehd, we have a type of band that used to be everywhere and now seems to be almost nowhere.  Jangly lo-fi guitars, perky drums, and straightforward unadorned singing.  About five years ago you couldn’t throw a rock in Brooklyn without hitting a band like this, but now that that fad is long gone.  I’m glad that Chicago’s Dehd are still carrying the torch.  

24. Perfume Genius – Set My Heart on Fire Immediately

I’ve always liked Perfume Genius, but for whatever reason Set My Heart on Fire Immediately is the album that took him out of the realm of casual background musical encounter to something I sought out.  Chamber pop has never really been my thing (except for those couple summers where Grizzly Bear was totally my jam), but here the torch songs catch fire by the compressed force of Michael Hadreas’ longing.  This record also pulls off the impressive feat of each song gradually morphing just a bit from what proceeds it, so that the whole record sounds similar and yet each song carves out its own little generic niche, the whole thing united by the quivering power of that pleading voice.  

23. 2nd Grade – Hit to Hit

If you ever found yourself wondering what Guided by Voices would sound like if they wanted to be Big Star instead of punk rock Kinks, we now have the answer, and it’s Phily’s 2nd Grade.  In the noble tradition of Bee Thousand and Alien Lanes, Hit to Hit’s 24 tracks breeze by in a mere 41 minutes and 8 seconds.  An earworm sunny melody, a quick guitar hook, a second verse (maybe), and poof, each song is gone before you could ever miss it.  You would think variation would be difficult working within such tight musical corners, but while each song clearly shares common DNA, there is actually a lot of variance here, from weepy country ditties (“Bye Bye Texas”) to overdriven stompers (“Baby’s First Word”) though they all tend to orbit the same (big) star.  

22. Tame Impala – The Slow Rush

I’ll be the first to admit that The Slow Rush isn’t my favorite Tame Impala record, not by a long shot.  Having said that, this album still feels like it got short shrift this year (not that anyone can really complain about that in these here times).  If we never knew that Lonerism or Innerspeaker or Currents existed, I wonder how much people would be head over heels for this album.  “One More Year” “Is It True” and “Posthumous Forgiveness” are all top notch Impala jams.  Seems like this album is the soundtrack for the chilled out summer hangs that we never got to have, and thus it’s fitting that it seems condemned for the ash-heap of history rather than the late-night come downs we never got up to.

21. Against All Logic – 2017 – 2019

Ah, speaking of complicated musical relationships, I can never seem to chart a clear course with Nicolas Jaar.  The music he puts out under his own name never seems to do much for me, but I dug his collaboration with Dave Harrington as Darkside, and I really love most everything he’s put out as Against All Logic.  While admittedly not a great year for house music—normally a liberating genre of communal interconnectivity, now a cruel reminder that we all live in Footloose—a banger remains a banger, and 2017-2019 is full to the brim with them.  While I honestly can’t remember the last time I went dancing, I’ll still crank up “Fantasy” and bop around my living room, literally dancing by myself (lets be honest, something I would have done pandemic or no).  

20. Fiona Apple – Fetch the Bolt Cutters

Fetch the Bolt Cutters has had a lot of great things said about it this year, so I don’t really have to add that much.  What I will say is this is perhaps the most interesting percussion I’ve ever heard on a record.  There is percussion all over the place, but almost none of it in the form of full-kit drumming.  Fiona always used the left hand on the piano as the rhythmic center of her songs, but here there is drilling, tapping, rapping, patting.  The phrase DIY gets tossed around all the time (and almost never applied to big money, big label Fiona) but to me the most impressive thing about this record is how it always sounds like she is sitting at a rickety upright piano in the corner of a living room, while everyone congregating around keeps the beat by tapping on pots and pans, the walls, whatever is at hand.  I’ve truly never heard anything like it.  

19. Advertisement – American Advertisement

Godbless Seattle’s Advertisement. So long as there is cheap beer, old shitty cars driving with the windows down, and the U-SofA, there’ll be bands like Advertisement.  Straight out of the vein of Cheap Trick and the more recent White Reaper, Advertisement play power pop with the emphasis on the power.  Sometimes this type of music gets called sleazy, but honestly I don’t get it.  I think its probably because you can imagine it playing while Wooderson drives around Austin looking for redheads. While we rightfully cancelled the song of summer this year, “Upstream Boogie” would have gotten my vote, perfect for backyard bbqs and cannonballing into creeks.  

18. Nation of Language – Introduction, Presence

I didn’t set it up this way, but if Advertisement has a diametric opposite, its probably Nation of Language.  Where Advertisement is all frayed edges and foam, Nation of Language is as buttoned up as those terrible sports jackets people wore in the early ‘90s.  While its not as good as my beloved Black Marble, those bands share enough DNA to make me a big fan of this synth pop gem.  It’s not as dark as the cold-wave Black Marble, but it does share that bands fondness for stark baselines and crisp arpeggios.  If you’ve ever envisioned your life as a scene from a John Hughes movie, Nation of Language could easily be playing in the background.

17. The Soft Pink Truth – Shall we Go on Sinning so that Grace May Increase?

Indulge me in a moment of naval gazing.  Every year as I put these things together I reach a point where I’m lack “damn, this album is this low on the list?” And the point at which that thought enters my head is usually indicative of how good a year for music it was.  Now 2020 wasn’t a good year for anything, and I probably spent the least time of any year listening to music, new, old, whatever.  For the most part I just listened to the Grateful Dead and ambient albums.  However, for my idiosyncratic tastes, 2020 was actually a pretty fucking incredible year for new music, as evinced by the fact that this album is all the way down at 17.  

Earlier on in 2020 as I was bombarding my poor local music text thread with yet more of my inane musings, I think I declared this a top 3 album of the year.  And I wasn’t lying!  “Pretty” is often a dirty word in aesthetic appreciation, but this is certainly the “prettiest” album of the year in the best sense of the word.  From the Drew Daniel half of Matmos comes Shall we Go on Sinning so that Grace May Increase?  A record that is somehow simultaneously deep house and feather light, so much so that it needs its own dumb internet music writing moniker—shallow house? wide house? vacation house? (actually kinda like that last one).  With vocals from Jana Hunter, Angel Deradoorian, and Colin Self (with whom I wasn’t previously familiar) this thing will simultaneously make you want to tap your foot and drift off into the clouds.  This is album is like the prayer Madonna sang about all those years ago.  

16. Kurt Vile – Speed, Sound, Lonely KV

It’s not at all surprising that if Kurt Vile decided he wanted to go country western he’d be really fucking good at it.  First of all, he’s an exceptional acoustic guitar picker.  Secondly, his voice, while always befitting his hazed out urban rockers, has just enough twang to it that in retrospect it always sounded a little bit country.  This record also gives me room to offer up an homage to the late great John Prine, for whom the EP is essentially a tribute.  Vile covers two Prine songs, dueting with the man himself on “How Lucky.” Saying goodbye is never easy, but on Speed, Sound, Lonely (both the album, and the song more or less by that name) Vile manages a fitting tribute to a lost legend.  

15. Lomelda – Hannah

The reviews of Hannah really did Lomelda a disservice.  Sure, they were glowing, but they made it sound like this was some weepy milquetoast singer songwriter affair, when it’s actually a knotty album full off elliptical piano and fuzzed out electric guitar.  Its 14 tracks hurtle by, largely due to the fact that almost all of them are under 3 and a ½ minutes.  Things really get going with the second track, “Hannah Sun” with is squiggly synth effects and driving acoustic strums carrying on Hannah Read’s musings.  It’s an album of relentless forward musical movement even if the vibe feels like it’s always looking back over its shoulder.  Basically this album is what emo would sound like if it wasn’t made by the worst people in the universe.  

14. Shabaka and the Ancestors – We are Sent here by History

Jazz! Another great year for jazz (Asher Gamedze’s Dialectic Soul and Keefe Jackson, Jim Baker, & Julian Kirshner’s So Glossy and So Thin are with a strong group that just missed the cut).  In the midst of an excellent jazz renaissance (you gotta use super annoying words like “renaissance” when talking about jazz) Shebaka Hutchins remains my absolute fave of the bunch, and We are Sent here by History is probably my favorite thing he has put out so far.

13. Waxahatchee – Saint Cloud

While I really liked Waxahatchee’s low-fi emoish debut—American Weekend—I’ll readily admit I wasn’t much about the popier albums that followed, frequently jesting, honestly, that Allison was my preferred musical Crutchfield sister.  All that changed for me with Saint Cloud.  I’ve certainly drifted far off into country and Americana as I’ve aged, and it appears the same came be said for Katie Crutchfield.  These songs have a giddyup to them but they never break out into a gallop, allowing the strength of the melodies to carry them along across the plains, with just the right hint of twilight.  Saint Cloud is the sound of Patsy Cline if she played to roadside inns rather than the Grand Ol’ Opry.  

12. Neil Young – Homegrown

This was the hardest album to place on the list this year.  For starters, should it even count? Clearly I say yes.  While some of these songs have been available for over 30 years, as an album, Homegrown was a “new” release here in 2020, even though it was originally slated to come out in ’75 between On the Beach (my personal fave Neil record) and Zuma.  As a pure piece of music, is it better than most, if not all, of the records that follow? Of course yes.  But what does a new Neil Young record mean in 2020? As a thought experiment its fascinating.  Do we value this album within the musical context of 2020 or 1975? Fortunately, it’s an even more enjoyable listen than it is a thought experiment.  From the first strums of “Separate Ways” you’re like “oh shit, this is the vintage stuff.” Gentle amber acoustic numbers (“Try”) share space with electric stompers (“Vacancy”).  The best thing you can say about Homegrown is that if Neil had originally decided to release this instead of Tonight’s The Night, it would have fit right in amongst his unimpeachable run from Everybody Knows This is Nowhere up through Zuma.  A classic is still a classic, no matter what year it finally sees the light of day.  

11. Destroyer – Have we Met

Ah Dan Bejar, boy was I wrong about you.  I kinda got into Destroyer’s Rubies, I loved his contributions to Swan Lake and The New Pornographers, but yet when Chinatown started really making waves, I just couldn’t do it.  It was soft rock! I hate soft rock! I hate everything about it!  This preconceived notion wasn’t helped by the fact that I saw him open for the War on Drugs in Pontiac once and he was so drunk he could barely stand up and had to read his own lyrics from a sheet.  And yet, for some reason I never really gave up on it. I can’t tell you why exactly, but two summers ago Chinatown just slowly became my go-to for early morning / late afternoon strolls. I found comfort in giving myself over to its pillowy soft embrace / cheating on my own aesthetic judgments.  Now that I’m card-carrying Bejarhead, I greeted Have we Met with open arms, and I was not disappointed.  The synths glimmer, the guitars add just enough punch, and his lyrics remain sharp as ever.  Its fitting that this was the last concert I saw before the iron curtain fell.  The one thing I had always turned my back on ended up being the last memory of dionysian group enthrallment I had to carry with me out into the desert of social isolation.  Come back soon Destroyer, come back soon, everyone.

10. Deeper – Auto-Pain

Ladies and gentlemen, get ready, because post punk is back! I always say my favorite genre is ‘sad songs you can dance to’ but post punk is a close second.  When I was in college post punk underwent a bit of a renaissance in the form of Interpol (back when they were still good), Bloc Party (ditto), Franz Ferdinand, and a whole slew of British one hit wonders (Maximo Park, Futureheads, Art Brut, the Bravery).  Fortunately, as is always the case, what’s old is new again, and stark melodic bass lines, angular guitars, and moody introspective speak-singing are back in full force.  Of the three post punk bands gracing this here top ten (Deeper, Fontaines DC, and Crack Cloud) each has its own little slice of the generic pie.  Fontaines have the deep gloom of Interpol/Joy Division, Crack Cloud ripple with the staccato energy of Gang of Four, and Deeper have the wiry dancieness of, well, Wire. So long as leather jackets and black and white photography remain cool, there’ll always be bands like this, and thank god for that.  In a true sign o’ the times, I learned about this band from some random girl’s Tik Tok in my for-you feed.  She repped five bands, two of which are in my top three, so I was like, sure I’ll give this band Deeper a go.  God bless the internet.  Finally, Deeper get bonus points for naming a song “This Heat,” who I’ve been spending a lot of time revisiting this year, and whose spikey guitars are all over this record.  

9. The Flaming Lips – American Head

There are few things as satisfying in art as being genuinely surprised by a beloved artist you had given up as culturally dead.  Since putting out their last masterpiece (2009’s Embryonic) the Lips have put out a string of good, if inconsequential, albums that befitting the ethos of the band could best be described as half baked (The Terror, Oczy Moldy, and a series of collaborative experiments).  Basically, they had reached that dreaded nadir where I was no longer interested in listening to their new output (cough The National, cough cough Arcade Fire).  So what made me give American Head a chance? That reader, is the point of art criticism! I can’t remember how the blurb on pitchfork read exactly, but I knew it referenced Tom Petty and a return to a preoccupation with more Earthly concerns—namely ‘70s heartland rock.  Well, this sounded intriguing, and boy was I not disappointed.  Sure, the Flaming Lips have already reached their sell-by date twice over (first in 1992, immediately followed by their MTV reinvention on 1993’s Transmissions from the Satellite Heart; and then again in the late ‘90s with the departure of guitarist Ronald Jones, followed by their creative pinnacle, ‘99’s symphonic masterpiece The Soft Bulletin), so it shouldn’t be all that surprising that this band could rise from the dead a third time.  Only, for the most part, they didn’t.  I guess I’m not surprised that American Head failed to reach a broader audience. Most people probably aren’t even aware that they are still a going concern, and after the failures of the last decade it makes sense that most weren’t interested in more tunes from the Oklahoma freaknicks.  But for those willing to give the band another chance, American Head easily delivers their best album since Embryonic, if not all the way back to Yoshimi.  Mixing ‘70s Americana with the star gazing of Soft Bulletin’s “Sleeping on the Roof,” the Lips deliver their best album in decades by foregoing the parlor tricks and returning to what they do best, taking trips to distant galaxies while keeping their feet firmly planted in the soil and songcraft of Oklahoma.

8. Cut Worms – Nobody Lives Here Anymore

This one is pretty easy.  Do you like George Harrison’s All Things Must Pass? If yes, listen to Nobody Lives Here Anymore and revel in this double album’s upbeat acoustic rock mediations.  If no, well there’s plenty of other good stuff out there.  Not quite as metaphysical or orchestral as All Things Must Pass, Nobody Lives Here Anymore still manages to hit that rockabiliy-pop sweet spot that Harrison used to mine.  I’m not quite sure what the definition of “troubadour” is, but it feels safe to call Cut Worms a troubadour, which is certainly better than his terrible stage name.  

7. Cigarettes for Breakfast – Aphantasia

Similar to Cut Worms, Cigarettes for Breakfast also involves a simple influence equation.  Do you pray at the altar of Loveless? If so, Aphantasia is just the record for you.  Sure, it’s a bit of My Bloody Valentine paint by numbers (“Breathe” even features the same squally guitar noise [it’s really hard to try and describe My Bloody Valentine effects ha] as “Soft as Snow (But Warm Inside)”) but when you’re as into shoegaze as I am, that’s never really a bad thing.  Plus, I’m being a bit unfair.  Everyone with textured tremolo heavy wall-of-sound guitars and cooed vocals is going to inevitably be compared to MBV, and Cigarettes for Breakfast do enough to chart their own course.  Perhaps most interesting is the musical journey this record charts.  Its loudest moment is its opening, where pummeling guitars more reminiscent of Sonic Youth with a touch of Dinosaur Jr. rip across hardcore style drumming. From there each song becomes a little more ambient, until closer “If Someone Could Help Me, Please” more or less floats away on its shimmering sheets of beautiful noise clouds.  In this sense, it bears a resemblance in structure, if not in sound, to Deerhunter’s Cryptograms, another album I spent a lot of time revisiting this year.  A shutout here is owed to the fine folks at Radio K, who had me diving for my shazam as this thing ripped across their airwaves.  So long as there is college radio, there’ll be a new crop of kids discovering via Kevin Shields that the electric guitar contains endless sonic possibilities.  

6. Fontaines D.C. – A Hero’s Death

The second entry in our top-ten post punk trio is A Hero’s Death by Fontaines D.C.  I’ll admit, on first blush it’s kind of a dumb band name (I just assumed they were some hardcore band from Washington DC chasing those Dischord Records glory days), but when you learn that the “DC” stands for Dublin City, it all clicks, as this band is sorta inescapably Irish in the way that James Joyce is.  Now this fact at first was also off-putting—if I went the rest of my life without ever hearing the Dropkick Murphy’s again I’d be quite content—but eventually it becomes integral to their sound, and not just because of the brogue in Garin Chatten’s vocals.  “Love is the Main Thing” is an incredible song in many ways, most notably because of the hypnotic quality of the drumming with its counterpoint between riding cymbal and staccato toms, but perhaps in the main (*wink*) for the way it manages to connote the weariness of a grey urban environment without ever being explicitly about it.  Just as Turn on the Bright Lights managed to perfectly capture New York in 2001, A Hero’s Death to me is the aural equivalent of a dense urban center like Dublin, especially after nightfall.  

5. Imaginary Softwoods – Annual Flowers in Color

It should come as no surprise that I listened to A LOT of ambient this year, and to me there was no better electronic record to chill the fuck out to during this insane year than Annual Flowers in Color.  I absolutely loved Emeralds’ Does it Look Like I’m Here? and was devastated they never followed that gem (*wink*) up.  In the immediate aftermath of the demise of Emeralds Mark McGuire’s solo albums got a lot of attention, but apparently the person I really loved in Emeralds was Imaginary Softwoods’ John Elliot.  Annual Flowers in Color is like if Dead City’s, Red Seas, Lost Ghosts were waiting in the departure’s lounge of Eno’s airport.  At the heart of the album lies the 10 plus minutes of “Another First/Sea Machine.” I could listen to this song forever, and on some particularly WTF 2020 lakewalks I more or less have.  Chunky synths, arpeggios that drift off to infinity, ‘80s soundtrack nostalgia.  I could live in these Softwoods for the rest of my sonic days.  

4. Pottery �� Welcome to Bobby’s Motel

In another moment of nostalgia for my college years, Pottery are a welcome return to weird ass experimental Canadian bands.  They don’t sound anything like the Unicorns, but in spirit Pottery kind of remind me of them.  I’ve spilled a lot of digital ink here and elsewhere bemoaning the fact that Pitchfork (or perhaps, me) isn’t cool anymore, and to me no band embodies this more than Pottery.  They take a bunch of fun disparate elements—Talking Heads dance art rock, periodic weird pitch shifted vocal effects, hazy deep purple style guitars, and Queen style machismo disco—throw them into a witch’s cauldron, and come up with something off the wall that sounds like nothing else but is also instantly familiar.  This is the type of thing Pitchfork would have been all over in 2007, but instead now they’re too busy chasing conde nast clout clicks.  Oh well, nothing gold can last. But enough negativity, this here is a celebration of the joy of new music, and no new band embodies that unbridled joy like Pottery.  Along with Fontaines DC, this is the band I wish I most could have bopped around to with a bunch of sweaty strangers in the 7th St. Entry or Turf Club.  You can just imagine the call and response vocals and funky grooves getting the people moving.  Oh well, hopefully we’ll soon all be rocking the vaccine, they can breeze through town, and I’ll be the first person on the dance floor embarrassingly pumping my fist a half beat behind the rhythm.  

3. Pure X – Pure X

To paraphrase Same Elliott in the Big Lebowski, sometimes there’s a band, and well, sometimes there’s a band.  For me this year, that band was Pure X.  I absolutely loved their debut Pleasure way back in 2011, when lo-fi reverb heavy slow guitar music (ie, Galaxie 500) was all the rage. Their follow up Crawling up the Stairs was so bad I didn’t even bother listening to Angel, though perhaps that also owed a decent amount to just how terrible the art on that record is.  (I’ve since remedied this mistake; turns out that record rules).  Being that as it may, I can’t particularly tell you what drew me in to this year’s self-titled album, a full nine years after Pleasure first graced the stage.  In one sense it’s probably because Pleasure is one those albums that just never went out of my rotation.  Whenever the fahrenheit tips past 90 and the walk to the bodega is a few blocks longer than you’d like, that record always hits the spot.  Maybe I just knew this was the record I needed this year.  Either way, from the first bars of “Middle America” I was hooked.  The guitars crash over you, but never in a threatening way. Rather, they envelop you like a weighted blanket, comforting you in their sonic embrace.  Nowhere is this more true than on “Fantasy,” easily my favorite song of 2020 (especially since this was a year entirely devoid of dance floor bangers).  If this album came out in 1999 rather than 2020 I would have hit the repeat button on my discman and listened to this song forever.  

2. Crack Cloud – Pain Olympics

Pain Olympics is the answer to the question that no one asked: what if Arcade Fire’s (back when they were good) communal uplift was paired with Gang of Four’s stark anthem’s of industrialism’s collapse?  While on first blush this might sound like your standard album of punkish fist pumping angst, from when the female vocals (sorry there are too many people in this band for me to be able to figure out whose who) come in on opener “Post Truth (Birth of a Nation)” Pain Olympics reveals itself to be a very strange animal (likely a unicorn of some sort), especially as little orchestral swirls creep into the mix, giving it an almost Judy Garland (in hell) quality.  This subtle genre pastiche is given its best effect on stunner “The Next Fix.” That song starts out as an elastic spoken-word call and response addiction rumination, at the minute mark it starts to segue into a vocoded chill raver, then some horns crop up out of nowhere, then a spoken word passage, then at the two minute mark a chorus of voices come in, doing their best Broken Social Scene in the truest sense of the phrase.  This is perhaps one of the strangest records I’ve ever heard, but what is strangest of all is just how beautiful it is.  Crack Cloud are not for everyone, but if you really give it a chance, the returns are limitless.  

1. SAULT – Untitled (Rise) / Untitled (Black Is)

You cannot tell the story of 2020 without SAULT, which is why this pair of records is here at the top, even if under the influence of sodium pentothal (lets be honest, veritaserum) I might lean more towards Pain Olympics.  In June, the “anonymous” London project put out Untitled (Black Is), and then quickly followed that gem up with September’s Untitled (Rise).  Perhaps more amazing still is that these two albums, released so close together, have unique personalities.  Black Is is more pop/R&B whereas Rise has a dancy, electr(on)ic feel.  I lean more towards the latter, but honestly, both albums are so overstuffed with amazing moments that it’s borderline unbelievable that one outfit could put out so much amazing music in such a short span.  While these records would chart high even if sung in Hopelandic, there’s no escaping the social import of the lyrics.  One need look no further than Black Is’s “Don’t Shoot Guns Down” for the 2020 dance party at the end of the world.  As if that weren’t more than enough, it finds its analogue on Rise’s “Street Fighter,” and that’s SAULT in a nutshell: two albums in constant communication with one another, and more importantly, with the state of the world.  Guns down.  Don’t Shoot.  Let’s dance.  

#Top Albums #favorite records #favorite records of 2020 #best albums of 2020 #dehd #perfume genius #Tame Impala #fiona apple #destroyer #AAL #neil young #2nd grade #advertising #nation of language #soft pink truth #Kurt vile #lomelda #pottery #shebaka hutchins #pure x #flaming lips #deeper #cut worms #cigarettes for breakfast #waxahatchee #imaginary softwoods #fontaines dc #crack cloud #sault

[dangermousie]

Mars ep 1 thoughts

So yeah, Mars rewatch, with its star-crossed lovers, fast motorcycles, dysfunctional families and more angst than you can shake a stick at. Glad to say that it really holds up and knowing the twists doesn't ruin it (though that makes sense, as I've read the manga already by the time I saw this for the first time). Also, on a very shallow note, Chen Ling=HOT. I don't know if it's the looks or the bad boy/wounded child combo he is totally working, but yum. Especially when he pulls his hair back. (He manages this hotness despite being a victim of feathered hair of which I do not approve on principle but which seemed to rule the drama roost in the early 00s.) And I just want to hug Qi Luo, but then what else is new.

I am such a sucker for 'boy saves girl and girl saves boy right back' scenarios and Mars hits that kink dead center. Because at first it starts out as this popular outgoing guy gets interested in this really shy and messed up girl but of course it turns out he is even more messed up than she is. I am a total sucker for those story lines. And you know what I've forgotten? Ling is fun. I can see why people want to hang around with him. And whatever his issues (and there is a multitude), he might be thoughtless but never malicious. And he has a strong protective streak. And is pretty perceptive. And can be quite gentle. Favorite moments: Fave Moment No 1: Ling poking Qi Luo on the side of the face, going 'ding dong' as if he is ringing a bell. Fave Moment No 2: His borrowing money from her. And then pulling her scrunchy off and saying he'll borrow it too. Fave Moment No 3: It's my fave this ep. Saving her from the sexual molesting teacher (if the teacher is a sexual predator of some sort, it would make sense he is drawn to QL as he can sense her vulnerability, someone he can exploit). QL freezing because she is flashing back to her rape and then Ling being scary and getting rid of the guy and then gently telling her she shouldn't be helpless because that would make people take more advantage of her and he is rather sad. I just feel so bad for Qi Luo. She is petrified of the world and she walks with her head hunched in and flinches from any bodily contact. The first moment in this ep, halfway through, when she raises her eyes to look at Ling, is actually startling. Of course, he has his own PTSD if he flips in front of mirrors. Their med bills are going to be huge. A few more general things really caught my attention this time: Probably because it's based on a manga, and the manga was really good about it in general, I love the fact that the story really doesn't expect us to think Ling and Qi Luo are an OTP because they are the leads but shows them as really compatible. Of course, this gets developed much more through the episodes (this is only a first ep for goodness' sake) but I want to mention how much I love that fact. I can see why they are attracted to each other despite dissimilarities. For the shell-shocked Qi Luo, shy and scared of the world to the point of dysfunction, Ling's very reckless confidence and thoughtless good nature is a magnet. It's something she lacks but also something she is drawn to (as to his violence problem - she wants to lash out at people who hurt her the way he does.).More importantly, only someone as confident and even pushy can drag her out from behind the mile thick walls she's built to protect herself from the world. And as to Ling, as the show develops it really seems Qi Luo is his Good Angel, but even early on, I think he is drawn to her because he responds to beauty and emotion (I don't necessarily mean her looks, I mean in her art. Especially since the first drawing of hers he notices is a Mother and Child which resonates massively with his massive issues). In a way, he is just as locked up emotionally behind barriers as she is, only his barriers take the shape of outward aggression, and I think her fragility and her talent wake something up in him that's been put away for years. In a way, Ling needs someone to protect. It's not a macho thing really, but it gives his life some meaning outside of self and some structure. The boy lives by himself, isolated and rootless. Caring for someone else, even on a rudimentary level, is a step on a way to rejoining society. And I think also both of them recognize each other's messed-uppedness, in an instinctive way. They are both misfits, fitting into the world at wrong angles, but together they just might work. The other thing I like is what a turn around these characters are from their characters in Meteor Garden. Most people have seen MG first but I came to MG from Mars and I remember thinking no way could they play their MG characters. They are polar opposites. Where Lei in MG was a passive pensive dreamer, Ling is a a 180 degree turn, all loud and outgoing and aggressive. And I loved Shan Cai because she was so strong and fearless but Barbie Hsu is completely different as Qi Luo who is so withdrawn and shy she can't function.

#twdrama #mars

[sometimesrosy]

Tell me something to be positive about please? I've been so positive going into S7 but now we know Bellamy won't have much screentime and Clarke will be the key to the plot so how can they make Bellarke happen in 11 episodes? They haven't even reunited yet and I don't think they will in 7A. I honestly don't see how they make pull it off in a believable way. I don't think Bellarke is even at the center of this season. It's honestly so embarassing to see this show turned into this.

I’m so tired. I’m really so tired.

Why are you making me do all the work here? I have the same canon information as you do. You can pay attention and give yourself hope instead of only looking at the negative.

Why do you take every bit of information and use it as proof that Bellarke is dead when you could look at the damn story and see otherwise?

First off. Almost every season has Bellarke separated for SIGNIFICANT amounts of time. 

S1 has them in the same story but ENEMIES for half the season. S2 has them separated until ep5, then they separate again when he goes into the mountain and don’t meet again until the finale s3 has them apart mostly until past midseason, what is it? 3.10? s4 has them apart for what? 3 or 4 episodes in the middle? Then a betrayal that has them as enemies for 3 or 4 eps. s5 has them apart for the first 4 episodes? Then again for the last 4 episodes except for the last half of the finale? s6 has Clarke DEAD for 3 eps or so, then locked in her mindspace for the next 6 or so.

Like, my numbers are for sure off but EVERY SINGLE SEASON has had Bellarke separations and did that keep them from telling a Bellarke story and getting them closer every year???

All of this is CANON and as available to you as it is to me. You just refuse to look at the patterns of the show and how it is told.

How can they make bellarke happen in 11 episodes. What a question. 

It’s really ignoring the show’s entire 7 season narrative.

First of all, be aware, that bellarke is NOT happening in 11 episodes. It’s happenign in ONE HUNDRED EPISODES of which this season is the last 16. They have been working on it for 88 episodes! Yes, it’s slow. It’s 100 episodes slow. But it has all that development behind it.

Secondly, please be aware that a tv season that is 16 episodes long is longer than an actual novel, in which it is certainly possibly to get a couple together. Most novels that are faithfully turned into film end up being a long movie, or a miniseries. Maybe six episodes to do it justice? GOT only ever had seasons that were six or so, right? This is more than twice the length of a miniseries. Each season has the complexity of a novel or two. Why would there not be room for bellarke to be resolved? They’re already in love, mutually, and they’re half way to getting their relationship/s resolved. 

There ARE reasons for Bellarke not getting together. JR could do a hollywood twist end to shock everyone (but he doesn’t really do those, he preps all the shocks,) or he could really be as vindictive as people say and avoid bellarke out of spite, but I actually think he’s too self centered to do that, because he cares more for his vision and his story than he does for the fans. Or he could not be able to manage pulling all the narrative threads together, but I think that more likely for minor stories or secondary characters’ love interests than Bellarke which he has stated is the main ship and the center of the story. Or he could decide to make the show a total tragedy and have Bellarke sacrifice themselves for their people. That’s the most likely way Bellarke could NOT happen, but it’s still not that likely. More likely that they DO become canon and admit their love and THEN die for their people because that would be more painful and more tragic and fit in with their characters. That’s one of the reasons I don’t commit to a happy ending for them, even a marper one.

But the concept that they don’t have the time to make Bellarke happen because 11 episodes isn’t enough doesn’t fit with the story or the length of long form storytelling. 16 episodes is an EPIC story. There’s room. Even with the canonical Bellarke separations.

#the 100 #bellarke #bellarke endgame #believe in bellarke #pay attention to the show please #stick to the text

[adangerousbond]

If lighthouses could speak

Quick oneshot sometime post 7x10, and pre finale, it is a little darker than normal, not quite as full blown angst as I had first planned, but that would have been probably triple the word count and didn't have the time for that.

Definitely not what will happen in the show, not with only 3 ep's left! But was just annoying my brain until I wrote it out.

Read below, at ff.net or AO3

The fight to get Jemma back had been tough and gruelling, but ultimately successful, if success was measured simply on the fact that her, Deke, and the Zephyr all returned alive and in one piece. But Nathaniel still managed to get away, weaker and with minimal supporters, but alive, they were still stuck in the 80's and everyone was quite worse for wear.

The parting words of Enoch were starting to appear more and more likely, with the team barely hanging on, barely a team, and Coulson was fairly certain that they would all need a long break at the end of this; if they survived the end that was. The team, still a family when it counted, had gone off to their separate corners of the light house, had gone off on their separate ways to cope and prepare in their own ways for the end of the mission; however it panned out.

Simmons hadn't spoken much about what they had done to her while they kept her hostage, just that they had been after Fitz and had not been able to remove the memory device before the rescue, but even without remembering, what Daisy had told her about when she did remember had thrown her. Daisy and Coulson were the only two that remembered those screams, and they were just another something that kept them up at night, the unknown, the fear and the worry for their teammate haunting them.

Even if she didn't know anything further regarding Fitz or her missing time, Simmons was shaken from her ordeal, the longer she went without Fitz, answers, and now Enoch, the more her optimism was fading. Deke was keeping close to his Nana, watching out for her, trying to help, and trying to give her hope, where hope was desperately needed.

The two of them spent most of the time going over anything and everything on the base and on the Zephyr, in an attempt to get or send a message to Fitz, to find something that might help or just keep themselves busy enough to not have the chance to think about what the truth could be. Running off caffeine and energy bars, they would work for days straight until finally crashing, or until one of the others stepped in to force them to rest, more oftenly being May.

With Deke not leaving Jemma's side, Yo-Yo had taken over the supply runs, her powers allowing her to get in and out of the nearby town easier than anyone else and she was glad for the breath of fresh air, the chance to have a moment away from the doom and gloom type feeling that was settling across the underground base. She knew the team needed a moment, needed a bit of time to get back up and finish the fight, and made an effort on every trip to find something new or exciting to take back to them to share a little bit of happiness amongst them.

Mack and Coulson were spending any spare moment pouring over any documents, history texts and shared knowledge, trying to come up with a plan, a way to save the timeline, and finish the mission. They had turned one of the walls into what looked more like an elaborate conspiracy theory, not a S.H.I.E.L.D. assignment, and the two were also working as the central command for any information Deke and Simmons came up with in their lab, or anything Daisy had hacked for them. Yo-Yo constantly stopped in with food, making sure they took some level of care for themselves, as she helped collect them whatever files or books they didn't have.

Between training with anyone that wanted to, and going over every last bit of the Zephyr, May was bouncing back the quickest, something that surprised no one, but with her new found gift, she was struggling with the first row seat to how the team was handling it. Initially, this had her hiding in the plane under the guise of making sure it was as it had been before Nathaniel took it, but as time went on, she used it to her advantage for the teams well being; taking the extra time to make sure Daisy got some fresh air, Mack had someone to vent about how Coulson annoyed him that day, and to just check in with Simmons.

After everything that had happened, and only just coming away from Simmons' rescue mission in one piece, Daisy had gone quieter and more determined than ever, but she was still drained. She had gone from tougher mission, to tougher and now to the toughest she had had to face, and that was saying something. The others noticed but were all on similar wavelengths and for the most part, left her to herself as she readied herself for the fight.

She had taken to sparring with either May or Yo-Yo any chance she got, leaving the lighthouse with May for their daily runs whenever they got the all-clear, or just trying to stick to the other agents insane treadmill settings, and it almost felt as if she was getting simultaneously fitter and tireder as the days drew on. But she knew that for them to have any shot at succeeding at this mission, one that they had no choice but to win, then she would have to be stronger and more ready than ever.

Making sure to stay clear of anywhere near the room they were holding her sister in, while they were still undecided of her loyalties and what exactly to do with her. Daisy tried to keep herself from dwelling on the topic right now, and keep herself from the discussions involving her, she just wasn't ready to reach out to yet another member of her family who could very well let her down once more, and she wasn't ready to face the half sister who had gotten the relationship with her mother that she done anything for; but instead, Kora had thrown away so quickly to side with the same person who had tortured Daisy and killed their mother.

A part of her routine involved slipping into Sousa's bunk every night, the first time he had hesitated, as she thought he would, not wanting to take advantage of her – ever the gentleman, but he, along with the rest of the team, quickly got used to that being her bunk too, not that anyone ever questioned it. That was something she was glad of, she wasn't sure she had any answers and if she thought to much on the subject right now, she wasn't sure she could handle that.

There were times that she felt that she was the one taking advantage of him, of his kindness to her and his desire to look after her, and sometimes in the middle of the night, instead of sleep, she would be kept awake with concern that she might just push him too far away before she has a chance to decide if she could risk going all in, and she wasn't sure which scared her more. Likewise, she knew she would either be surprised or not surprised if at the end of all this, he was still there by her side; both options, although opposites, seemed like they could be the outcome.

But, for the moment, he was letting it slide and she was grateful, knowing that if he pushed to talk about what they were, or to take some space to decide, that she wouldn't be able to either, and probably just end up ruining something that could see was potentially good for her. So, instead she tried to let him be there for her, like he had told her he wanted to be in the loop, accepting his help, accepting his comfort, and trying to show him that she was thankful, that she just wasn't able to focus on much more than the mission until it was over; until they had won.

If there was one thing Sousa was sure of, it was that this team he had found himself in, had not had a second to breath in a long time. He had complained about being pulled from his time, but the rest of the team had been too, and by the sounds of it, they had been pulled right at the end of a hard mission; that was right after another hard mission and it just seemed to repeat back like that, and yet, they still seemed to be regrouping; slower, but steadily.

Early on, he had felt himself pulled more toward the one team member in particular, and as time moved forward, that pull strengthened. Sure, the team was a good one to be a part of, and he was always ready to help them, but he only felt that he fitted in, that he wanted to actually keep jumping through time, because he felt like he had found his place alongside Daisy, and the more time he spent with them all, the more he realised just how much that was something she needed.

He knew that she was struggling with it all, and a part of him was worried that she would burn out, or that it would all get too much, and she would push him away completely, because she didn't see herself, her own well being as higher than the mission. So he did what he could to show her she was worth it, to show her that he wouldn't leave her, and for the most part it seemed to be working, she seemed to be letting him be there and really that was all that he could ask of her right now.

He always made sure to find her throughout the day with an energy bar or a piece of fruit, just something simple and easy that she might actually eat and would leave a selection of snacks on her bedside table in their bunk. He made extra sure to not spook her, or judge her when she would show up every night, not pushing the subject and definitely not turning her away, letting her have her unimportant small talk or listening when she did broach something more serious, or just giving her days of silence.

Choosing instead to focus on the wins, the positive, like the way she accepted the food with a small smile, or the nights that she would curl up next to him, without initiating anything further, or the times in more public spaces, where she would lean into his brief touches, or the biggest win of all; that she continued to come back to him, to seek him out. Because as snappy as she could get, as cold as she could seem to him occasionally, she was still there, still by his side, still trying to know him, she was just also trying to mend and win a war at the same time.

The rest of the team never questioned him on it either, they all seemed to know about them and either were too caught up in their own things to say anything or didn't want to risk ruining it, but they knew. Yo-Yo always left anything she had gotten in town for Daisy in his bunk, May would tell him any changes to pass on to her training schedule with her, and Mack would sometimes give him tech stuff to give her, Simmons did once touch on the subject, in her own distracted way, but only to tell him she was glad he was there for her.

Coulson raised the topic with him once, and he thought he was about to cop an earful about taking advantage and that it wasn't proper, but instead the man that was like a father to her, thanked him for being her person, for not shying away from her. That it was something she needed, whether she would admit it or not, and that it made him happy someone was in her corner more than the missions, and that she was sometimes sidelined on that front in the team because of the strong front she puts on and the others having their own issues.

She had offhandedly made a comment once, a throwback to something that had happened in one of her loops that he didn't remember, about knowing that it all fazed him too, and that she might not be ready to talk, but she could listen, should he need it. And it in that moment, that he knew that the girl he had been following through time, he would follow anywhere she let him.

#daisy johnson #daniel sousa #daisy x daniel #daisy x sousa #dousy #sousy #daisysous #aos #aos fic #agents of shield #agents of s.h.i.e.l.d. #no clue what this is #these two just make me want to write #this fic is kinda just a 2k ramble #two fics in two days #am i going to survive it ending? #possibly not #myfic #mywriting

[bathroombreaks]

gg 1x01 rewatch

the questions are from @pynkhues, you can find them here.

1. What was your favourite scene of the episode? Tell us why!

oooh it’s def the scene where the girls are getting ready to rob fine & frugal. i just find it hilarious that they’re about to rob a store and they’re talking about how their kids are doing in school?? like, what absolute lunatics!! and i think it sets up their dynamic very well right from the beginning, idk. everyone’s always saying that the three girls have a very lived-in chemistry and i agree and i think you can feel it right from this first scene of them together

2. Was there any scene that missed the mark for you? And if so, how?

idk?? i’m very bad at reading and watching things critically, i’m very easy to please, i think?? and this ep just makes me pleased as punch!! but i guess that the scene with beth and amber, while funny, doesn’t really hit the mark for me?? idk, the way she’s framed as a “beautiful dummy” and not as much at fault as dean kind of irks me. i totally get that dean is the married one, but amber clearly knew he was married and somewhat regularly saw his wife, i don’t think she should really be absolved of that. and, idk, i don’t like that she basically got a prize for cheating - like, “here, you helped my husband cheat on me, so take some money to go live your dreams” is such a weird response?? beth was very scathing in the delivery and i get the point was for amber to be out of their lives but, like, still?? why not just tell dean he has to fire her?? this just further proves that beth is an idiot and an absolute lunatic, which we already knew

3. Let’s talk about the Big 6 Character Intros – Beth, Ruby, Annie, Dean, Stan, Rio. What did you think? What did you like? What did you dislike?

oooh i really liked all of them!!!

i absolutely love annie’s, it’s so fun with the car speeding and then with her banter with ben. i love the way they set up their dynamic right from the get go!!

and then ruby and stan’s intro was also amazing!! you get right away that they love each other so much and are so supportive of each other!! the way they both gesture when sara is talking about the women standing next to the men is so cute!!! i love it!!

rio’s is also amazing, he’s a snarky little bitch right from the get go and they really did a great job of also surprising us, thanks to the camera angle, and really driving home that he’s the boss.

i think the one i liked the least is actually beth and dean’s?? i mean, they do a good job of immediately letting you know that beth is the overworked mother and dean is the lazy, good-for-nothing husband - i mean, she’s running around, taking care of everything, and then he just strolls in and asks the kids to go to the car, without even having his tie done. but i think it’s a little misleading and i think it’s one of the reasons why the fandom (including myself) maybe has a harder time accepting beth staying with dean (aside from the fact that dean is a fucking asshole and he deserves nothing less than a horrible death, i mean)?? it really sticks in your mind this contempt she seems to have for him?? and, of course, then you get the flashback to beth getting waxed for him, and so you understand that they were maybe going through a bit of a rough patch but she wanted to work through it, but what sticks in your mind is that first scene, where she’s full of contempt, not even able of saying a perfunctory i love you back. and since they seem to want to drag out the boland marriage as much as possible, i think they kind of failed there.

4.   Ruby tells Stan to fix the damn door! Is Stan an amazing handyman? A terrible one??? 

i think stan is anywhere from ok to amazing, they’re just so overworked that he hasn’t had time?? idk, paired with the fact that he says he’s pulling a double at the beginning of the ep and that it doesn’t seem to be a new or uncommon thing, it just reads to me like a thing he really does want to take care of at some point but hasn’t found the time to do yet

5. Do you think Beth, Ruby or Annie had a way out of their individual financial situations that didn’t involve crime?

in short: nope. in long:

ruby and stan are desperate. they mention stan’s parents at some point, but i assume they just don’t have the money to help them?? and, i mean, they’re both working double shifts and they mention that they’ve had their gofundme page up for years. i think if they had any other way they absolutely would’ve already taken it, for sara’s sake.

we can assume from the flashbacks we get in 2x08 that annie and beth didn’t have as stable a home life as all that. i assume that either their parents are both now dead or they just have no communication with them. either way, they don’t have them as a safety net.

when it comes to annie, she’s working a minimum wage job, driving a very shitty car and her kid’s laptop has been broken for a month without her being notified, because said kid knows they don’t have the money to get a knew one. she does ask for help from the richest person the girls know later (that’s how i think they phrased?? i’m pretty sure), her ex, who promptly says no. so, yeah, it’s safe to say she doesn’t have a way out of her financial situation either.

and, in regards to beth, i think she would absolutely help ruby (and annie) if she could. so the fact that she doesn’t, paired with the fact that we get mentions later that this is not the first time dean has managed to basically bankrupt the car dealership, makes me assume that either the bolands were living close to paycheck to paycheck, but stable enough that she didn’t worry, or that she did think they had some spare money and did give that to them when she could?? because i don’t see how she would not give ruby the money for sara, if she thought she had it, especially when she does it later in the season.

so, no, i don’t really think any of the girls had safety nets or ways to get out of their financial situation. except for beth. she could’ve gotten a job. i know it would’ve been hard because of her lack of work experience, but she could’ve at least tried instead of immediately jumping to robbery!!

6. Is Beth’s backsplash dope? Or was Rio just being a dick??

both!! i mean, i personally like the backsplash, but rio was absolutely just being an asshole, whether or not he did believe it was dope had nothing to do with it.

7. Five major story locations were set up this episode – Ruby’s house, Beth’s house, Annie’s apartment, as well as Fine & Frugal and Boland Motors. Was there anything that jumped out for you about these locations in this episode? Do you think that they were well established given what happens in each across the course of the series?

ok so i don’t know enough about like tv shows and storylines and all that stuff to answer this, i’m sorry. but, like, i think it’s very cool that fine & frugal is robbed in the first and last episodes of season 1, it’s a fun full-circle type of thing, and i love that we’re introduced to boland motors via dean’s affair and beth’s destruction of it because it’s something that permeates the place throughout the whole time?? i mean, beth later “borrows“ one of the cars, rio smashes the corvette because of beth, it gets raided by the fbi because of beth’s illegal activities - beth is always destroying it, even when she’s not literally destroying something like in that first episode. and in season 2 we have beth fully realising just how deep dean’s betrayal was in the middle of the boland motors showroom. both of those things are always there!! it’s cool. and saying that, i mean, they kind of went the same route with boland bubbles, if you think about it?? we get dean cheating on her there, her fully realising how deep his betrayal is via gayle’s comments and then her clearly robbing the place?? boland bubbles really is just a continuation of boland motors

8. We met lots of supporting characters this episode too – in particular Boomer, Baby Tyler, Amber and Greg. Based off of what we saw of them in this episode, pick one, and tell us what you think!

i love baby tyler and amber!! i love that we’re introduced to baby tyler being all smiley and y’know a little bit ridiculous eating ice cream while on the job and maybe obviously inept because of it. and maybe you expect him to not do anything during the robbery because of that but then he really tries?? he thinks he’s facing off with 3 armed criminals and he really goes for it, he doesn’t cower like boomer!! he’s adorable!! and amber i already talked about and i know i was a bit harsh but i really do love her!! her oblivious comments are gold.

9. Screenshot and/or tell us about your favourite character look~ this episode.

frankly, this ep doesn’t really have any stand out looks for me?? the one exception is annie’s outfit when she picks up ben in the porsche. you can really tell how happy she is that she could one up nancy, that she’s proud of herself because she’s gonna get to give ben the laptop he needs.

10. This episode gives us some sharp character notes on Beth, Ruby and Annie – from Beth’s capacity for violence to Ruby’s visceral anger around being ignored, particularly when it comes to her daughter’s wellbeing, to Annie’s tendency to run a mile when given an inch. Is there a moment that stood out to you, particularly in light of future seasons?

ohhh i mean, there’s something to be said about beth’s capacity for violence uh? she keeps refusing to acknowledge it, because that doesn’t fit her stepford wife without a pulse image as annie calls it, but it’s always there - she’s always ready to blow up and throw some keys at your face. and ruby’s response to being ignored kind of screws her over?? she was very lucky jt only wanted her address for his nephew and didn’t become a second mary pat. idk, i’m sorry. like i said, not very good at critical thinking.

#stfu #txt #ggrewatch2020 #gg #nbc good girls #good girls nbc #omg this took me so long to write!! #also i didn't really understand the speed round which is why i ignored it. #when i see how other people do it i'll start doing it too

[the-resurrection-3d]

so heathers eps 2-3

it's a few days late but I just woke up from a dream about my TomTord Roommate and I don't want to be actually productive. I had to go back and copy-paste this from Word because Tumblr’s new text post editor has a woefully small character limit. Gotta love how Wordpress of all fucking places is going out of their way to make their new pet project hostile to writers. 

Anyway.

Good things:

the pacing feels like an actual show now

it took them three whole episodes but they finally managed to make JD/Veronica interesting and actually dark. Think the ending of Gone Girl if both characters viewed it as a happy ending.

I love Heather Duke's peacock motif. It's very fitting with her personality and is incorporated tastefully.

Changing “Teenage Suicide (Don’t Do It)” by Big Fun into a musical produced in-universe is a fun idea... I think? It gives me a lot of similar vibes to Riverdale having to justify performing Heathers the Musical in-universe , though that only lasted an episode, whereas this looks like it’s going to be an overarching plot. I honestly think they should just pull a Riverdale and have a full-on musical episode -- at least that would give musical fans something to enjoy. I guess this isn’t a good thing so much as a thing that didn’t annoy me. It’s not conceptually poisoned like a lot of other things here. 

Anything else? No...? Well then, moving on. 

Several new problems have emerged:

Veronica's bug motif is absolutely heinous and I don't have any clue what it's supposed to represent, especially when they keep changing what exact bug she's wearing.

Also you don’t have to vomit blue all over every Veronica scene. It’s very weird because they don’t usually throw red or green or yellow lighting all over everyone’s else scenes. Sure, it’ll feature prominently, such as the shot of Heather M sitting on her bed surrounded by yellow stuffed animals, but that’s at least a characterization detail. I’m talking solely about lightning choices here.

Removing the death of Heather Chandler has destroyed any sense of direction the show could have had. I asked TTR what the characters wanted and what goals they were working towards and she just said, "I have no idea." They had Heather Chandler blackmailing JDonica and Heather M. getting gaslit and victim-blamed by everyone around her, but both of these things were done by the end of the episode.

This is a problem a lot of teen dramas have, but I think it’s worth noting that the pop music choices rang from “okay” to “.... but why though.” Like in the scene where Heather C. reveals she’s still alive, it plays “Halo” by Beyoncé, get it, because they thought she was dead! Except it doesn’t fit the tone of the scene nor Heather C’s intentionality, and there’s nothing funny about the contrast, either. What? 

 Heathers looked at the controversy around 13 Reasons Why's suicide scene and said "bet." Except it's not even done well because the entire point of 13RW s1 was getting to know Hannah and understand why she kermited. We always know she's killed herself, sure, but the series utilizes the tapes and frequent flashbacks to characterize Hannah, especially by the time we actually see the suicide. This episode just dumps trauma on Heather M. and has her kill herself at the end. Of episode 2.

After the funeral scene, the rest of ep3 is just pointless generic teen drama, only half of which was made interesting by that Gone Girl twist at the end (where JD kills Ram because Veronica is going out with him and Veronica finds this thrilling and romantic).

The other plot, about Heathers D and C fighting for power, culminates in Heather C forcing D to break-up with Kurt and then bouncing D off the stage during play auditions. Problem one: this is all drama I could get in any teen show. Problem two: you could have easily set up Duke/Kurt in episode one by having a scene where Kurt asks why Duke just she let Chandler humiliate him in front of everyone, allowing us to see that Duke's subservience to Chandler has actual personal costs to her (since the eating disorder angle is out). Problem three: having Duke constantly just back down whenever Chandler challenges her is boring and lame. Why not have a sing-off between the two Heathers? Why not have Heather D. gain the self-confidence her movie self did after C's "death" and then not be fully willing to play nice anymore, especially after Chandler forced Duke to publicly break up with and denounce Kurt for no real reason?

But we can't have the sing-off, because it's getting pretty clear that this show has the same problem RWBY does, where the writers/directors care more about the characters they made than the actual main characters. Characters like the teachers, Betty Finn, and whoever tf this new black girl is get to be major players because their personalities were not as previously well-defined as JD's, Veronica's, or any of the Heathers'. This is also pretty apparent in how Kurt and Ram have both been rewritten to not be douchebros at all (racism aside, because remember, the show doesn't think racism is that bad), despite the episode's title, “Date Rape and AIDS Jokes,” referencing their movie characterization. The show is so obviously uninterested in its supposed main characters that JD and Veronica have only had two real romantic moments together in over two hours of content. Heather M. has gotten the most development... only because the show realized it hadn't given any reason for anyone to care about her before she killed herself off.

JD’s dialogue is fucking horrendous. Imagine if every single word out of Jughead’s mouth was the “I’m a weirdo” speech but five times as long. And you know what, in defense of Jughead, at least Lean Jesus has things going on in his life outside of plowing Betty and wallowing in his own melodrama. He has hobbies, goals, and complicated relationships with other characters. The only things JD has are Veronica and bitching at his dad/his dad’s new girlfriend about how love is a wound and all this other nihilistic shit he got off r/im14andthisisdeep. I’m honestly surprised he didn’t counter Veronica talking about how she wanted to be normal with “Normal is just a setting on the washing machine.” Another missed characterization moment: JD bringing a sword from his katana collection (that’s only seen once in episode three) to school and threatening Kurt and Ram with that instead of the gun. I think that would have been fun.

The show also hates black women. And Native Americans. In such a way that it actively contradicts itself (the pilot established that Heather C. actually isn't just a keyboard warrior and goes to irl protests, so why would Heather C. not say a word about Westerburg's school statue being a Confederate soldier holding an Indigenous person's decapitated head?)