Okay! Obviously, I love Wolf 359. The available scripts for Wolf 359 are recording scripts, meaning they're inaccurate in a ton of places when it comes to finalized or improvised dialogue, and don't function well as transcripts (especially since the scripts for the live show and some of the mini episodes were never made available.) That said, I think everyone should read the scripts; the sheer amount of physical description that you can feel in the show, even if you can't see it... I guarantee it will enhance your listening experience. Most visual show to ever be an audio drama. So, in pursuit of both of these goals at once, I went over every word in the scripts, and wrote up new scripts for the unavailable ones. Some of the sound effects described - especially in early episodes - might not line up exactly, because I didn't want to mess with the non-dialogue portion of the show, but I hope this strikes a good balance and can be a useful resource.
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Links: slippdipp | demilypyro | splatbit | beanybread
Image ID under the cut.
[ image ID: A series of five tweets.
The first tweet is by COMMISSIONS ARE OPEN @ slippdipp and reads,
GENDER IS NO MOOOOOOOOOOOOOOOOREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
Attached is a zoomed-in image from the Splatoon 3 trailer showing serveral hairstyles.
The second tweet is by Demily Pyro 🍓 ENVtuber @ DemilyPyro and reads,
Wait did Splatoon 3 just completely remove gender?
Attached is a screenshot of the character customization screen from the Splatoon 3 trailer. It says, "Hair time" and all six hairstyles are shown as options rather than being gender-locked.
The third and fourth tweets are by bit @ splatbit and read,
WAIT THERES NO GENDER OPTION IN SPLATOON 3 ALL SQUID KIDS ARE NON-BINARY CONFIRMED
just for clarification:
• select a “style”
• no gender locked hair
• cry about it
Attached are two screenshots of the character customization screen from the Splatoon 3 trailer. The first says, "Select a style" with four options, two squid and two octopus, and the second says "Hair time" with all hairstyles given as options irregardless of previously associated gender.
The fifth tweet is by 🌸•♡bread♡•🌸 ⚢ @ beanybread and reads,
SPLATOON 3 SAID NONBINARY RIGHTS
Attached are two images, the first of the Splatoon 3 logo and the second of the non-binary flag; both the logo and the flag are colored black, white, purple, and yellow.
/end ID. ]
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I know I'm a week late (oops) but the thought of spending a smutty New Year's Eve with Bucky 👀
The thought of his plump, soft lips peppering kisses up your sensitive inner thighs while the quiet groan that slips from you hangs in the air.
Your fingers weave through his hair, encouraging him to focus his attention on the task at hand.
You hear him moan quietly, trailing his lips higher to meet the soft, soaking wet folds of your sex and he doesn't waste any more time. He kisses over your body gently at first, losing himself in the feeling of your copious slick arousal coating his lips.
Very soon after he's begun, he can't seem to get enough. He's hungry for this. His tongue licks broad strokes from your throbbing clit to your fluttering entrance and back again, lapping at your body like the taste is everything he's ever needed.
He's gripping your hips and thighs, hoping to be able to press you tighter against his mouth since nothing feels like it's enough for either of you.
Not until his tongue dips into your entrance, lapping your arousal right from the source. This is what he needs. He's spent far too long craving your taste; whole evenings spent pleasuring himself, doing his best to remind himself of how it feels to be exactly where he is right now.
He's achingly hard, no doubt about it but he's not ready to think about that yet. Not even close.
In the distance you hear the soft pop and fizzing of fireworks, marking the turn of the New Year. You can't see them but you don't need to. You'd far rather focus on the New Year's kiss you're receiving.
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So I went searching for special dialogue for a romanced Alistair, who stayed with the wardens, about a HoF who made the ultimate sacrifice. Specifically for what he says in DAI. For reasons.
I know what he says about her when she's alive in DAI, so I was curious if he'd saying anything about her if she's dead, like Leliana and Morrigan do. After reading through all sorts of forms and reddit posts where most of the answers were "huh I dunno what he says in DAI, I've never done that route," I eventually found out what he says.
Nothing.
Romanced Alistair says nothing about a dead HoF in DAI. At first I thought this was odd? Surely there's something referencing the fact that he and the warden were in love? even if just for fanservice like in DA2? Some of the comments on these posts blame it on Bioware doing bad writing again but it's hard to tell if they actually mean that, or if they're conflating "I don't like this" with bad writing because honestly? I disagree.
Intentionally or not, Alistair not saying anything about his dead lover is completely in character for him. He doesn't know the Inquisitor. Why should he tell them anything about the love of his life that he lost ten years ago? He's not as open about that stuff like Leliana or Morrigan.
You know what's actually out of character? Alistair giving a random stranger he met for two seconds an item that belonged to his dead lover because "she doesn't need it anymore."
Wasn't it enough to ruin his face, DA2? Did you really need to throw in some botched fanservice as well?
Wait a minute, Varric's telling this story...
Alright, new headcanon: Varric is, as per usual, full of shit. Alistair did give Hawke an item because he felt bad that he couldn't help them with the qunari except it wasn't anything special. But that's not interesting enough, so Varric lied and said Alistair gave Hawke an item that belongs to THE Hero of Fereldan for the sake of showing how super special Hawke is.
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RESIDENT EVIL → THE WESKER FAMILY
To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?
For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.
Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.
The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.
In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.
Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.
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