listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
Please elaborate on your twst Pokémon headcannons I’m very interested
I had planned on drawing everyone for this (I made a LIST!) but it. hasn't been going well. 💀 soooo here's what I have so far!
Riddle - Roserade (I was going with 'no legendaries', otherwise I would've given him a Shaymin) (and I don't think Togedemaru is actually a hedgehog or I would've given him one of those too) (...they kind of do fit though. hmm.)
Ace - Impidimp (I feel like there's probably a better one for him, but I can't think of it)
Deuce - Scraggy (meanwhile I KNOW deep in my heart that this is true)
Leona - Pyroar (but like. a nasty Pyroar. just a grizzly old Pyroar with the shittiest attitude imaginable. they pretend to hate each other but secretly they are a bonded pair, do not separate)
Gojo is lonely. Not just in the big, existential sense.
He doesn’t have anyone to tell about his day. He doesn’t have anyone to go try out that new restaurant with. He has so many movies because he has no one to talk to.
Where’s that text post that’s like “Wilson is kind, gentle death and House is rough, painful life” because first of all, GO OFF; second of all, I have more to add:
House is justice; Wilson is clemency.
House is harsh truth; Wilson is comforting lies.
House is abrasive idealism; Wilson is resigned realism.
House is spiky vulnerability; Wilson is velvet guardedness.
House is constructive cruelty; Wilson is destructive kindness.
House is focused passion; Wilson is diffuse romance.
House is a gleeful perpetrator; Wilson is a willing victim.
special operatives
(silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
When you find out years later that you accidentally named one of your henchmen
Image ID: A multi-panel comic featuring au sanses.
Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?"
Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans."
Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others."
Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?"
Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short,"
Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text.
Panel 7: Killer is grasping Nightmare's hand, having accepted his offer.
Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again.
Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again.
Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this.
Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask"
Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up"
End ID.
Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
[ID: 13 gifs from season 3, episode 1 “the search, part 1” from the tv series “star trek: deep space nine”, the gifs show benjamin sisko and jadzia dax in the wardroom. jadzia is seated while sisko is standing in front of a monitor.
1st gif: “you know, after jennifer died, i never thought i would see you this passionate about something again.” jadzia tells sisko.
2nd, 3rd, 4th, 5th, 6th gif: the camera shifts to sisko, who has his arms are crossed in front of him and takes a couple of steps forward, the camera moves with him, “two months ago, i would have agreed with you.” he takes a seat, and the camera focuses on him. “then i went back to earth and i spent all those weeks debriefing at starfleet headquarters. and i… i used to get a thrill just walking into that building. i'd look around at the admirals and think, "one day, that's going to be me." "one day, i'm the one that's going to be making the big decisions."” sisko is slightly smiling at the end.
7th gif: jadzia laughs as she recalls, “curzon always thought that was very funny.”
8th, 9th gif: the camera cuts to sisko, “did he?” then back to jadzia as she explains, “what i mean is he could never see a set of admiral stars on your collar. he thought that just making the decisions would never satisfy you. you had to implement them – “
10th gif: a shift to show sisko listening to jadzia, “see the results, face the consequences.”
11th gif: “curzon always thought you were the kind of man who had to be in the thick of things -- not behind some desk at headquarters.”
12th gif: “he was a smart old man, wasn't he?” sisko gets up and returns to the monitor.
13th gif: “he'd like to think so.” jadzia confirms. /end ID]
i’m obsessed with the idea of cult leader!geto pining for a reader who just fucking hates him i don’t know why just. maybe it’s someone from his past that he left behind when he defected, maybe they’re bitter and spiteful and all they do is hiss and bite but he’s so smitten. you can do no wrong in his eyes. he deserves the curses and anger, and he receives them with a smile and eyes full of hearts. he gets giddy when you scowl at him. he just thinks you’re love personified. he’s so gentle and patient that it’s infuriating because nothing you do or say will get him to bite back. it’s like you’re a kitten gnawing at his fist but he does nothing but coo at you even when you draw blood.
Did Brambleclaw actually disown the Three when the secret is revealed? I don't remember this happening (then again, it's been a while) but it does bug me how all three go "Poor brambleclaw :(( He was such a good dad to us and he has to learn we're not even his biokits :(((( poor guy" while simultaneously shitting on Leafpool and Squirrelflight despite them showing them more care and affection before AND after the reveal. If he does disown them, then.... WOW is the double standard real here.
In-canon? It's something you have to approximate. They don't seem to have a concept of ""disowning"" because blood relation is taken as such an insurmountable, FUNDAMENTAL fact of life. He doesn't write them out of his little kitty will and testament, but his actions ARE disowning.
It's as if the fact he is not their biological father is an automatic disowning. From the reveal onwards, he is immediately cold, distant, and the "betrayal" is mentioned often. The Three also explicitly don't blame him for his behavior, like it's just to be expected that he's Not Their Dad anymore.
Lionblaze in particular stares longingly at him several times, really missing him. And like... that's kinda what gets my goat so much
I do believe Brambleclaw is entitled to his feelings of betrayal. I believe Squilf was ultimately in the right to lie, actually, but he's still allowed to be upset and angry that she didn't trust him enough to tell him something so important. THAT SAID, YOU ARE NEVER ENTITLED TO TREAT OTHERS POORLY.
And that's what GETS me. He isn't upset that it was all revealed in such a painful and embarassing way when this could have been avoided, or that his lover struggled with this lie for so long without him, or that he feels he's lost his children. Squilf points it out in The Last Hope-- He's so ANGRY at Squilf that he will THROW HIS FAMILY AWAY
Lionblaze seems desperate to be his son again. Hollyleaf is gone for months, and Brambleclaw is still huffing about the secret when she comes back from the dead. Squilf is fawning in the hopes it makes him talk to her again. Doesn't matter. Brambleclaw Is Upsetti Spaghetti so the narrative will never examine his role in hurting this family he apparently loved so much.
(Narrative seems to understand full well that when Squilf lies for a good reason, that doesn't invalidate the hurt Brambleclaw felt... but when Brambleclaw is upset for a good reason, it actually DOES validate what he put her and his kids through)
In BB it is explicitly a disowning. He cuts them off as his children, and they reciprocate. BB!Lionblaze does so in a ball of fury, vowing that he has ONLY a mother.