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#i love prompts like these!
nerdpoe · 7 months
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There's an up-and-coming Tech Giant, called Fenton Works, and Batman is determined to prove that the company is a front for a villain.
Danny, after his parents turned from Ghost hunting to being the first official Ghost Anthropologists, decided to repurpose some of their weapons.
And, well, there was a contest being run by Wayne Enterprises; whoever can design a robot that will help the environment got prize money and a grant.
Danny, in all his mechanical engineering prowess, was bored. So he designed a thing. Repurposed the Fenton Guns into a cute robotic tortoise that would clean the beach.
It spiraled from there, and now Fenton Works is the leading name in green technology that's cleaning up the Earth bit by bit. Sea Dragon robots that clean oil and trash from the ocean; beach tortoises that clean the sand and beach and deposit their hoard of trash into designated receptacles that Danny uses as material to make more robots; Cryptid "stalker" robots with long legs that delicately patrol forests to perform "fuel management" and clear out the underbrush to help manage wildfires; moving gargoyle robots that sit on top of skyscrapers to help clean the air with huge sail-like wings, etc.
Basically, Danny pulls a Doctor Elisabet Sobeck, but with less world ending and more actually helping. (Not that the world ending was Elisabet's fault, of course, but different franchise)
And due to the number of times aliens try to attack and rogues send their own robots to attack people, naturally Danny installed self-defense protocols, along with one single golden rule written into the very OS of every single robot; Save Humans Whatever the Cost.
Problem is, Batman has never seen robots like this not be used for evil purposes, and he knows that their power source (a closely guarded Fenton Works secret) is some sort of liquid that glows green.
He really only knows of one liquid that glows green.
So he's determined to find everything he can about Fenton Works, because there's no way that Daniel Fenton isn't actually a villain in the making.
Danny's just thrilled for the chance to work with Wayne Enterprises.
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aterfish · 4 months
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Good thing it was a short spin
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beybuniki · 4 months
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best friend with social anxiety
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that-one-weird-cloud0 · 7 months
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De-aged Danny wandering the street of Gotham as a five year old:
Batfam: hello child are you alright?
Danny: Yup! :D
Batfam: where are your parents buddy?
Danny: don’t need em. Tried to kill me
Batfam: *concerned* how about you come with us for a little while?
Danny: no thank you mister Batman, I don’t trust adults
Batfam: oh no
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noxcheshire · 3 months
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I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
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rendevok · 11 months
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“Take my hand” a comic for NaruMitsu Week 2023
day 1 - lies & secrets - 2 - 3 - 4
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confessedlyfannish · 2 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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puppetmaster13u · 2 months
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Prompt 261
“So is no one going to talk about the eldritch space child or��” 
“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 
“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 
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turrondeluxe · 9 months
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Could you draw Mikey using his brothers as a jungle gym? They are all surfaces for his perching and climbing
-🥤
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the Mikey Perching On Leo Chronicles
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nerdpoe · 10 months
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Danny has an Ice Core.
He isn't aware of it, but this does, in fact, greatly influence how his ghost form looks as he grows up.
His appearance starts getting more rugged, eyes a paler, more piercing green, hair a bit more uncontrollable and wild.
He packs muscle easily, even in human form.
When in ghost form, he has an aura of something patient and dangerous, and that sense only grows the older he gets.
Basically, our boy starts to look like a viking.
No matter how goofy and bumbling he really is, his first impression is always a horrifying moment for whoever is meeting him.
And as his ghost form grows with his human form, he outgrows his hazmat outfit. Frostbite and the Far Frozen fashion him some new clothes-which only compliment and play off of the viking aesthetic he's got going on.
And with the height he inherited from his father?
Our man is a very, very intimidating figure to look at. More so than Dan; because while Dan was dangerous and scary, he was all energy and lightning and rage.
Adult Danny comes across as lethal and terrifying, all ice and persistence and that final, terrible silence before you realize you've already died.
Dan felt like the warrior in front of you. Danny feels like the wilderness in winter, vast and unforgiving.
Anyways, when a summoning for Klarion goes horribly wrong and Danny gets called instead, the Justice League has a moment where they're convinced they've summoned something much, much worse than Klarion.
And Danny, standing there completely confused, is not helping by remaining silent and still while staring John Constantine in the eye.
Good news, the bad guys are also very concerned about the weird ghost viking and are actually moving to stand side by side with the Justice League on this.
Bad news, who the fuck is this guy?
"...Fuck," is all Constantine whispers, backing away slowly.
@simplestoryteller
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forecast0ctopus · 6 months
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danbert sketches
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Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.
Naturally, this doesn't always result in the most stable of partners.
His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.
He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.
In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.
His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.
And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.
Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.
He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).
Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.
Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.
Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.
Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)
No wonder Tim was so okay with his parents being rouges.
Tim was a villain!
At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.
Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.
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ramen-writes · 18 days
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Concerned love interest?!?? Yes please with extra angst in top!
"It's 2 am! where are you?"
"I'm your best friend, of course I care!"
"Where. Is. My. Wife/Husband?!" (In marriage of convenience trope)
"You need to stop, I'm serious. I don't want to lose you"
"I'm right here. You're safe. I'm not leaving. Stay with me"
"You said you were okay! You promised!"
"You idiot!" (With extra concern)
"You stupid stupid idiot! I'm so glad you're okay"
"you're safe now"
"you told me not to worry. You told me you were fine"
"It'll be over before you know it. Just push through"
"Please don't cry"
"Let it out. Cry all you want. I'm right here"
"stay" "always"
"Holding everything doesn't help, you know?"
"Why do you keep lying to me?"
"Why are you awake right now?"
"You said no secrets! You promised! I was terrified"
"Please look at me"
"[out of breath] I know I shouldn't be here, and I might have gotten the wrong idea from the call but-" [gets cut of by sudden hug] "[relaxes and hugs back] I'm right here, I always will be"
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popponn · 4 months
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xavier falls asleep easily enough as he is, but whenever he has his head on your lap, your fingers combing through his hair—all he can do is just sigh and give in. closing his eyes, he knows better than to fight the temptation, especially within the comfort of your touch and pleasant weather. though admittedly, he will find any weather pleasant as long there is you, safe and close to his side. as he slowly drifts to sleep, he dully notes with a hum when you praise his hair. he will do his best to make sure he will also praise your features after he is awake. he could think of so many to say—your smile, your voice, your whole being. and maybe, he will also give a kiss on your forehead and lips too—he thinks before finally falling asleep.
zayne loves many parts of you, from the one that often surprises him most to the one that offers him a comforting mundanity. so, when you press your forehead to his and call his eyes beautiful, he knows himself enough to just accept your words in silence with a smile. a burst of adoration and more blossomed warmly, weighing his chest and dizzying his head instantly. he is tongue-tied, certainly, however, he too can't exactly find the words to tell you how much more beautiful yours are to him. or perhaps, he doubts there are any words to describe what he truly feels. though, for now, he will settle with a gentle squeeze from his hands to tell you as he presses back his forehead gently against yours.
rafayel gets flustered pretty easily sometimes. it is both adorable and funny, seeing the way his ears turn red as his usually chatty mouth closes with a pout-like expression. but, even this state he could never take his hands off you. you could keep kissing his face, neck, and chest—right over his beauty mark—while hugging him without a clear rhyme and reason, and like a true lovesick man he will let you. hands resting on your arm, stilled in his brand of rare shyness all while still clinging unto you out of his obvious fondness. of course, even if he does enjoy this, he will come back with a vengeance the moment he gathers himself.
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ghostbsuter · 6 months
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Danny got comfortable on the roof, leaning froward with anticipation.
A silent thump and a person slid next to him, Danny barely gave the red head a glance.
"Any reasons to be on the roof at night?"
He shushes the vigilante, eyes not leaving the spot. It has Roy crouching next to him, watching as well.
Out of nowhere, a vampire looking fella flew around wildly, not far behind a ginger woman on a hoverboard, flying after him.
The Lady is shooting lasers with deathly accuracy, the man (?) dodging barely. It had Arsenal hum at the show.
"That's my mom." Danny points at the lady. "The guy she's hunting keeps harassing me so she took matters into her own hands."
Cheshire Cat lands not far away from the two, head tilted with a silent question that had Roy nodding and she is leaping away to the next roof once more.
"Why not call the authorities?" He asks, appearing less tense and more friendly to the teen.
The kid whistles sharp with a grin before answering.
"Tried, unfortunately, he's super rich with influence and connection. So here we are." He shrugs.
While they watch the chaos a bit longer, Roy ignores the insisting buzzing from his comm, Cheshire Cat probably alarmed Oliver by now.
He looks up when Danny stands, stretching.
"What was your name again?" He quirks his brow with a smile.
"I don't remember telling you."
Roy rolls his eyes, joining the teen to his feet. "So?"
"Danny."
He steps off the roof before Roy can react, a shout building up, until he sees the kid sitting on the hoverboard of his mother, her hand ruffling his hair.
"See ya, Arsenal."
They're long gone when Arsenal huffs, laughing.
"Until next time, Danny."
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bluerosefox · 7 months
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Joker Messed Around and Found Freaking Out.
Okay hear me out..
Class trip to Gotham, class gets held up by Joker who actually can scare the class cause they are still teens and they know Joker has a high kill rate, like yes they're used to ghosts and junk but none of them wanna die yet or at least die outside of Amity, if they die they wanna have a chance of coming back as a ghost at the very least.
Anyways, Danny feels pure dread when Joker takes Jazz hostage, who was elected to be a chaperone for Danny's class since her volunteering would look good on college recommendations, and finds her little mutters about his mental health reminding him of Harley before she left him. He even jokes about needing a new partner and wonders how long it'll take to break her like he did to Harley.
Danny is frozen in his spot but something snaps when he hears Jazz cry out after Joker backhands her. Before anyone, even the Bats, realize it Danny is on top of the Joker beating his face in, he only gets up once, takes Joker's discarded crowbar and slams it over his head, barely grazing the dazed man but it does destroy the flooring behind him, while screaming to never ever touch his sister. That he will destroy Joker if he even thinks about coming after her. That even in the afterlife he'll never be safe from him.
All this happens so fast that by the time the Jocks from Danny's school, Red Hood and Nightwing get Danny off, Joker is beaten badly. He's still feral screaming at Joker though, calling him everything under the sun, spouting off about how the dead are ready to rip him apart when Joker (or you can have Danny call him by his actual name if you wanna strike some "the fuck? How'd he know that?") Finally passes away, that even death will not save him from Danny's wrath. Danny is squirming hard in their holds, nearly breaks free a few times when he hears Joker groaning, but only stops when Jazz, after getting looked over by Red Robin comes running over and just..
Hugs Danny.
And like a kitten getting scuffed by the neck he goes limp. Just breathes heavily, eyes burning from anger, fear, tears, and relief, before he returns the hug. He starts crying and mutters low that he can't lose her, that he almost lost her again and "is this even a fraction how Dan felt when he lost you?"
And Jazz just shushes him and does what she can to comfort him...
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