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thanksjro · 2 days

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More Than Meets the Eye #50 — The Midlife Crisis Cruise Comes to an End

Our issue begins on Earth— not Swearth, but honest-to-god Earth— where Optimus Prime and Jetfire are watching a broadcast. It’s not syndicated television like I Love Lucy or The Transformers (1984), however. No, this broadcast is coming from some of our favorite Lost Lighters, detailing their last will and testament.

Nautica wants to be buried on her home planet, and doesn’t give a hot gay fuck what they engrave on her sparkcase. Also she’s missing a good chunk of her face, but don’t worry about that too much.

Chromedome’s just happy that he’s dying WITH his husband this go around. I’m sure Brainstorm’s also thrilled to not have the “please please please stop stabbing yourself in the brain to avoid the pain of being a widower Jesus Christ we can’t keep doing this”.

Rewind takes the opportunity to poke Chromedome in the inferiority complex one last time, making his message out to Dominus Ambus. Our resident lovebirds want to “enter the after spark simultaneously”, though that seems more like something to address with whoever’s killing them.

Over on Cybertron, in Metroplex’s titties, it would seem this broadcast is VERY wideband, as Starscream and Scoop (we’ll go over whatever the fuck’s going on there in another post) witness Nightbeat’s will and testament, though considering Nightbeat’s technically undead, I’m not sure how much legal weight it holds. Having done the whole “dying” thing before, I’m sure he’s spent many a long, sleepless night thinking about how it would happen next time. Ikea Johnson wants a “Neoprimalist” funeral, where they preserve only the head. Interesting that Nightbeat's religious sect is the same as Flywheels, the Scavenger who only existed to be a stand-in for the word "fuck".

Over on Luna 1, Red Alert is convinced that Megatron is using his gun mode to threaten Nightbeat. Fort Max isn’t so sure.

Minimus shows off the most recent trick he’s learned, saying the word “fun” with only stuttering twice. He wants to be buried on the moon, next to all of Rodimus’s failed pregnancies, and wearing the skin of a man who’s been dead for thousands of years.

Whirl doesn’t want a funeral, though you’d think he’d at least want his corpse thrown in the general direction of the Wreckers’ base, where every member gets a slot in the Zone of Remembrance as part of the onboarding. I know he got kicked out, but being shot out of a rail gun at Debris sounds roughly his speed.

Rung only requests that, should he die in his vape pen form, that he be dismantled. He’s so committed to preventing underage smoking, and for that I commend him.

Rung’s request greatly disturbs the Scavengers, who seem to have forgone fixing the Krok-shaped hole in the wall and buying a couch more than two of them can sit on at a time, in order to afford a replacement TV, after Krok fastball-specialed a golden disc through the last one.

On another part of Cybertron, Windblade and Wheeljack watch Velocity state that she doesn’t regret a single thing that’s happened while she’s been a part of the Lost Light. To recap, in the few months Velocity’s been aboard: Thunderclash almost died of being too perfect, Velocity’s first boss ran off to go bang a billionaire with a sword collection, Swerve almost died from too much television, her second boss ran off to get roped into the Polycule Wars, Tailgate exploded, Rung was revealed to be practicing without a license by way of a weird gibbon with a ball gag and his serial killer boyfriend, and she became the only practicing medical professional aboard a ship of over 200, after failing to pass her medical exams ten times. Oh, and she wants to be recycled.

Optimus wants to go save them, thinking that there’s still time. However, the Lost Light isn’t responding, and it doesn’t actually matter anyhow— these recording were sent out weeks ago.

Looks like that’s a series wrap on Nautica, Chromedome, Rewind, Nightbeat, Minimus, Whirl, Rung, and Velocity! Let’s give ‘em a hand, folks!

Three weeks prior, on the planet of Miliarium, action is happening:

Being on your headset in the middle of a battle seems rather rude, but I suppose sacrifices to politeness have to be made, when one of your co-captains is effectively forbidden from stepping foot on any planet that’s aware of Cybertron’s existence, given that he, y’know, is the face of a cause that slaughtered billions over the course of millions of years.

(No, don’t ask Optimus how relations with Earth are going.)

Megatron, continuing to command from orbit, tells Whirl to go help Cyclonus and Crossblades with the Rust Giants’ longship, asking for no casualties. Which is sort of like asking a horse on cocaine to not freak out and kick someone in the head, if that horse also had guns tied to 30% of its body.

Rodimus asks Megatron if he’s enjoying himself, playing a pacifist run of a wartime strategy game with their lives, and Megatron says that he’s “rumbled”; which I’m not sure if I’m search-engining wrong, but I don’t know that even the British are saying that to mean they’re right chuffed or tallywackered about a situation, or whatever. Rodimus is suddenly faced with a Rust Giant that he doesn’t even come up to the knee of, but luckily we have a new superhero to save the day, by way of incredible violence.

Looks like we’re still workshopping the battle-cries.

Tailgate punched this guy so hard it cause a jump-cut to the post-battle celebration, where Rodimus shows off his multi-typefacial abilities, Megatron perpetrates his bigotry towards organics, the Cybertronians make galactic news for a not-awful reason for once, and Swerve is also here! For some reason! It looks like it’s gonna be all peaches and cream from here on, so long as we ignore the first three pages of this issue!

Hey, Cyclonus, you have to wait for him to call you, you're not an Autobot. Just because the little white guy you're Sufjan Stevens-level attached to is going, doesn't mean— Cyclonus, hey. Hey, Cyclonus. Cyclonus. Cycl—

Later, back on the Lost Light, class is in session. We finally get a look at those course Megatron’s been teaching, only briefly mentioned by Riptide in issue #29. The current course track is on the Knights of Cybertron, Megatron having assigned those in attendance to write essays tackling “pre-Functionist folklore and contested heritage”.

Today’s class consists of:

Minimus (old as balls, former high society)

Skids (the best at everything)

Brainstorm (literal genius)

Perceptor (slightly-less-literal genius)

Nautica (jack-of-all-trades brainiac and bibliophile)

Crosscut (former senator, current playwright, therefore probably has at least some sort of degree)

Nightbeat (nosy as fuck, loves to figure shit out)

Hound (former Primal Vanguard)

Thunderclash (perfect student, researcher, friend, confidante, and maybe even lover)

Grapple (not much to say here, other than he’s fucking jacked in IDW)

Xaaron (chief legal advisor for the Autobots)

And Riptide (created during the war and therefore has the least connection to Cybertron's folklore, canonically not a good test-taker)

Poor Riptide's grades don’t stand a snowball's chance in hell against his peers', but good on him for sticking with the classes regardless.

This essay was assigned to help students establish context for the Knights within a world where they have not existed for millions of years, having disappeared since they embarked on their quest to Cyberutopia; a world where information creep, the slow degradation of memory as time passes, has made them into mythological figures. Megatron posits that the only thing we really know about the Knights is that they failed to do what they set out to do, as the universe is not a peaceful place, himself arguably being exhibit A of that failure. Still, he intends to use this course to help the Lost Light’s crew understand the Knights to the best of their current, modernity-biased ability, prior to potentially meeting them. Considering that the Knights will be deciding Megatron’s fate, perhaps this is also for him to grapple with understanding his own end.

Anyway, let’s look at a plot device.

The last time we saw this symbol was during issue #46, both drawn by Grimlock on his walls, paired with the words “prepare confront repel”, and then on some mysterious fellows who were working with Krok’s nasty little friend Demus and someone called "The Grand Architect". However, the first time we saw it was with Skids in #21, after he went through Tyrest’s space bridge and talked to a giant technicolor ball of light.

Seeing this image kickstarts Skids’s memory, enough so that he interrupts class over it. Nautica has also seen this symbol, at an exhibit on Troja Major (a planet that Roberts will use as a dumping ground for many plot points in the sequel series to MTMTE) where it was claimed to be some sort of coat of arms. Thunderclash also knows this symbol, having seen it with his beautiful mind and kind heart in his visions, the same visions that were leading him to the Knights and allowing him to create a map to Cyberutopia. Nautica asks Skids to write out the symbol that he “heard” phonetically into her space phone, in a move that will prove HIGHLY useful later on. Perceptor adds in his two cents, showing off that he’s wearing the “feminine” nose-type today, stating that he had talked to one of the Circle of Light members back in Season 1, who had theorized that the Knights of Cybertron was either originally made up of OR broke down into clans, and that the symbol/map Rodimus and Thunderclash were drawing is merely connected to part of the Knights, and that there could be others floating around.

Nightbeat thinks that all this brainstorming (which hasn’t involved Brainstorm, oddly enough) is super cool and great, showing off his anime thumb in approval. When Minimus tries to give Megatron props for bringing everyone together to figure this out, he finds that Megatron is having some troubles, hunched over his podium as far as his fucked up old man toy articulation will allow. When Minimus approaches to see what’s wrong, he gets punched clear across the room for his troubles. Then this happens:

Look, I don’t care if 99.9% of the Cybertronian population can reclaim, you shouldn’t just limp your wrist at your first officer in the middle of class.

No, what Megatron is actually doing is pointing the fusion cannon he doesn’t have anymore, but had attached to his arm for roughly 4 million years, directly at Minimus’s tiny little skull. Quickly coming back to himself, Megatron is both horrified and mortified by what he’s done, offering nothing more but a quick apology before he dismisses the class and bolts, not even helping Minimus off of the floor.

The following day, Velocity’s paying a visit to Megatron’s room, which is STILL as barren as the most dire of single male living spaces. Velocity’s here because Megatron missed his appointment yesterday, after whatever happened in the classroom. Megatron reminds her that the weekly appointment is for him receiving his ration of “fool’s energon” which is meant to keep him in a weakened state, which arguably shouldn’t make it medicine in the traditional sense. Velocity reminds him that he nearly knocked Minimus Ambus’s (yeah, she uses his full name, guess she’s not been around long enough to get “just Minimus” privileges) block off, and that if Megatron had been at full strength, we might be dealing with a murder situation instead.

Though Minimus IS a load bearer, who regularly slings around a body three times his size, on top of weapons, so maybe not. Also, there’s an even smaller guy inside the first mustached guy, so honestly it’d probably be fine.

Does Velocity even know about the irreducible Minimus? Is that in his medical history? Does she even know that Ultra Magnus and Minimus Ambus are the same person? Because Megatron didn’t even know until they found that corpse on the quantum duplicate Lost Light, and Magnus was his lawyer for the trial as well as being his SIC. Really, what are the legal ramifications of Minimus having assumed the identity of a dead man, now that Tyrest isn’t there to keep up the charade and the secret is a bit more open? Does Minimus have legal claim to Magnus’s identity, or at least ownership of the armor? Can Minimus lay claim to any property he purchased as Magnus, or that the previous Magnuses had purchased prior to their deaths? Was Minimus legally declared dead prior to undertaking the role of Enforcer of the Tyrest Accord, if only to make things easier in terms of paperwork? Can Minimus sign off on things, and if so, does he use his own signature, or Magnus’s? If he signed something as Magnus, would any contract bearing it be rendered temporarily void whenever he’s not wearing his work pants? How much of Minimus’s existence makes him cry late into the night with how legally dubious it is? Does Delta Magnus know about Ultra Magnus being a skin suit? I feel like we don’t focus on how fucked up this whole situation is nearly enough.

Anyway, Velocity asks after Megatron’s medicine, probably because First Aid’s medical note-taking skills often get usurped by his need to write SpringerxReader fanfiction. She mentions that what they’ve been feeding Megatron over the last year have some side effects, which Megatron seems surprised by. Considering he’s felt sickly and crampy this whole time, the side effects are likely meant to be the intent of the medication.

Velocity then takes a gander at the dents Megatron put into his head when he had his little freakout, stating that “chemo-sedatives” can change one’s whole personality in extreme cases, as well as increased stress levels, as Megatron admits that the reason he crushed his head with his hands is that he heard voices screaming. However, Megatron doesn’t think stress caused such a thing.

To recap how the last year has gone for Megatron: he was forced to renounce the cause he had led for the last 4 million years, became co-captain of a fucking Carnival cruise ship, had 95% of his crew disappear from reality, found a bunch of corpses, got slapped in the face by Soundwave’s dad, had to lie to Rewind’s face to make him okay with killing himself so that everyone else might live, got shot as an infant, gaining anywhere from three-to-five fathers as a result, visited the most passive-aggressive garden in the galaxy, got stabbed in the chest and brained with a flat-screen television and then had to apologize for it, and was non-consensually hugged by a swarm of flesh-eating insects parading around in his SIC’s skin suit.

Velocity gets a call on her smart watch, Swerve on the other end demanding her presence at the medibay, seeing as she’s the only doctor on the ship now, and there are multiple people having a crisis.

Smash cut to Swerve, Cyclonus, Tailgate, Chromedome, Rewind, Rung, and Megatron standing on the bridge, their colors looking super fucked up and light bloomed out, because this is a 40-page issue with a shit-ton of detail and characters, so we’ve got three colorists, two artists, and an extra inker on for this one. They’re meeting with Rodimus, whose fingers have shrunk down to the size of shoestring potato fries, because Swerve, Tailgate, Rewind, Rung, and Megatron heard some sort of awful noise in their brains at the exact same time. Chromedome is here to support his husband, because he loves him so, so much, kissy-noise kissy-noise. Cyclonus is here mainly to clarify that he’s a badass who no one has ever heard cry, because emotional vulnerability and expressing pain are for pussies, unless you’re doing it by way of self-harming directly onto your face meat.

Only Tailgate and Rewind actually admit to what they heard, Tailgate hearing Cyclonus berate him for falling for Getaway’s tricks and Rewind hearing Dominus berate him for not doing enough to find him. I’d imagine both Rung and Swerve were hearing things relating to their professionalism, given that Rung fucking sucks at his job, and Swerve’s gonna fry the moment Ten gets a union sorted out. Megatron, is well, Megatron, so there’s a litany of awful things that he could have heard.

Rodimus has Blaster reveal that the ship received a signal at the exact same time that these people had their little brain event. Brainstorm hypothesizes that what happened was some sort of psychological assault, perhaps of Galactic Council origin, as a means of testing a new brain weapon. Magnus, who has been up on an upper level with a clipboard up to this point, notes that they could trace the signal. Mainframe informs him that they have, but the origin doesn’t seem to correspond to any known location in the navigation, and they’d have to physically go there to see what’s up. Which isn’t sketchy in the slightest.

Rodimus wants to load up on his big, beautiful Rodpod with everyone, so they can find who did this and make them stop. When Magnus questions if this is a wise course of action, Rodimus uses American grammar to trip up Magnus’s British-based spellcheck, so he gets to do whatever he wants. This is a trick he’s picked up since Drift left, as the old game of “pitting my people-pleaser hippy dippy boytoy and my no-nonsense stick-up-the-ass sentient rulebook against one another, so whatever I wanted to do from the start can seem like a pleasantly centralized option” doesn’t work very well when you replace the boytoy with a grumpy old man who tried to murder everything with a heartbeat.

Velocity wants to join the trip alongside Team Rodimus, but Mainframe has his reservations. I don’t blame him, considering she is, again, the only medical doctor currently on board this ship. He suggests she take along some personal protection, just in case.

…I mean, he’ll definitely make sure any bad guys who come her way will die horribly, if nothing else. Also, apparently the Rodpod's artificial gravity goes all the way around.

Nautica’s spent the last few weeks tricking out the Rodpod with a fancy schmancy new teleport drive, because Rodimus was annoying her to the point where if she didn’t give him what he was moaning about she might have had to kill him. Megatron is hesitant to use the drive, but after being informed that there are safety perimeters in place that’ll keep the ol’ Rodimus Podimus from teleporting inside a asteroid or whatever, he pulls the level and they end up in the dark.

No, not space dark, don’t be funny. That’s my job, and they don’t pay me for it, which should tell you how dire the situation is. This is a special sort of dark. The sort of dark that leads to panic and lethal levels of quipping. Rodimus cuts the lights on, but it does very little to offset the absolutely suffocating darkness outside. Rewind notes that there aren’t any stars, and Tailgate admits that he doesn’t know how space works. That’s alright Tailgate, neither do any of the people who draw or color this comic. You’re amongst (created by?) friends here.

The scanners reveal that there’s something 3000 miles in front of them. And behind them. And to the left, to the right, 12 o'clock, three o'clock, six o'clock, nine o'clock, rock around the clock tonight— that is to say, they’re surrounded by something the size of a planet. After disabling the safety protocols on the Rodimus Podimus, the gang find themselves on the surface of Necroworld, where the Necrobot Censere lives and operates his many plinths to the living and dead. Megatron isn’t exactly thrilled to be back here. Nightbeat on the other hand, is overdose on mystery, and he couldn’t be happier. Nobody’s sure what the fuck is going on. There’s no time to theorize, however, as half the gang just got blown sky high.

Everyone books it back to the Rodpod to escape the dozen attack craft coming after them, but there’s more trouble here— the teleport drive is dead. Which is weird, because they should have had enough juice to get to and from their little trip. When Rodimus tries to contact the Lost Light, there’s no response. They’re not responding. Megatron tells him that those are two different things, mirroring the same thing Optimus said about trying to contact the Lost Light after he and Jetfire viewed the will tapes. Everyone else is busy trying to figure out who the hell could be firing on them, all of them roughly coming to the same conclusion that Cybertronians as a whole aren’t terribly well liked, and the Lost Lighters have made a bit of a name (derogatory) for themselves, since they insulted the Galactic Council, caused the end of the 16-million year Stentarian war, and have ruined at least one bar with physical violence over home movies.

Rodimus tells Megatron to park the Rodpod at the Necrobot’s citadel, just in time for a missile to hit the ass-end of the shuttle, blowing off Magnus’s arm, shredding off roughly half of Nautica’s face, and giving Cyclonus an excuse to hold Tailgate in his arms. Everyone bolts to get inside, Nautica being carried by Skids so we can further solidify the straightest pairing in the series. Once they’re all inside, their attackers retreat, and we see where Censere’s gotten to in all this.

Let’s give him a hand, folks!

While Velocity looks over the body, Nightbeat deals with his personal Santa Claus being dead by way of trying to figure out what happened. Megatron, meanwhile, noticed that the craft that attacked them were of Decepticon design, and he tells Ravage to go check it out. Honestly, I doubt he was the only one to notice, given that all but three of the people on this trip were dealing with the Decepticons in some form or fashion all throughout the war, and could therefore identify the make of the crafts, if not the model, so I’m not sure what the deal is with this secrecy.

Brainstorm is brought over to Nightbeat to help solve this mystery, and he promptly identifies that some of Censere’s equipment is very similar to the stuff Tyrest used for the Aequitas trials, likely used to figure out what sparkflowers to plant where. Rewind, having popped on his sparkliest nipple pasties on, because he hates Censere and wants to get glitter all over his house, asks the boys to scootch on over so he can try to call the Lost Light. Nightbeat thinks that Censere tried to sabotage a signal someone else had sent in an attempt to lure Team Rodimus (and friends) to the planet, and that resulted in the brain attack that had happened earlier in the day. Unfortunately, Censere didn’t spend any time with Rodimus the last time the Lost Light visited, so he didn’t get a taste of the ridiculous way Rodimus likes to live his life, and why the psychic attack wouldn’t work.

Rewind gets the phone working, calling Rodimus over to get on the horn. Magnus stands in the background, showing off his grievous amputation. After a bit of fiddling with the settings on their end, the Lost Light makes official contact with Team Rodimus.

Getaway, last we saw him, was very much in prison, but Rodimus isn’t going to focus on that niggling little detail right now, as he asks for the Lost Light to swing by to pick up the team so they don’t all die. Getaway sort of DOES want to focus on that detail, however, as he very much didn’t appreciate being fetish fuel throughout the holiday season, and, despite his name, didn’t actually escape that setup. No, Getaway had help.

Man, guess Megatron should’ve reconsidered failing Riptide on his essay.

Speaking of Megatron, he walks up about now to see what all the hubbub’s about. Rodimus, looking like he’s about to cry, realizes that Mainframe lied to them about not being able to track the signal. Getaway gives him points for getting that right, but really, he wants to drive home the point that the entirety of the crew wanted Megatron’s little pals off the ship. And that’s what it’s really about, at the end of the day. Getaway hates that high command gave Megatron a party cruise to live out his last days on, last days that might not even happen, with the track record of this goddamned quest. He’s sick of Rodimus and pals acting like this whole arrangement isn’t an affront to every single life that’s been snuffed out because of Megatron’s actions.

Everyone other than Whirl seems pretty bummed out by these accusations. Swerve pipes up, enraged that he’s been doomed to die alongside everyone else— he doesn’t even LIKE Megatron. Getaway reveals that at some point or another, he and Atomizer (the interior designer turned bowman, you’ll recall) approached every single crew member and asked if they thought Megatron deserved to have a second chance and also, completely unrelated, but what would you do in the event of a coup? Anyone who didn’t provide a desirable answer got visited by the nudge gun fairy— that gun that can fire thought into your brain, or just erase memories if fired dry. The collection of headaches main cast have been experiencing over the last several issues? The side effect of being shot. Skids especially does not like this reveal.

Of course, Getaway isn’t just upset with Megatron’s leadership— he’s also mad as hell what’s supposed to be a trip to find their ancestors, who will guide them back onto the straight and narrow, has, in actuality, been Rodimus’s midlife crisis road trip. Getaway wasn’t even here for Rodimus and Drift’s ass-slapping contests and insulting galactic officials who want the Cybertronians dead, but he didn’t need to be. He took one look at the Rodpod and decided he needed to kill Rodimus right then and there.

Rodimus, at this point, remembers the list Atomizer had offered him back during the trial. Magnus, biting his lip at the idea of a list existing, asks what that’s all about, and Rodimus explains. Getaway really was hoping that Rodimus would take the bait, so he could’ve blackmailed Rodimus into stepping down and letting literally anyone else take over. Probably Magnus, at that point in the timeline, given that he hadn’t gotten buddy-buddy with Megatron yet at that point. Unless Getaway considers acting as someone’s lawyer under order of the space pope as being too close to an individual.

Getaway decides that this conversation has reached its natural conclusion, as he’s got questing to get done, and it should be moving at a pretty even clip now, since he’s excised all the distractions. Rodimus swears to come after him, but Getaway doubts it’ll happen, given what’s happening next.

While this debacle has been happening, Ravage has been busy searching a crash site, trying to uncover the identity of who the hell’s decided to attack them. Tarn commits a microagression at him, before firing his twin fusion cannons.

The call ends, Getaway cutting off the comm to all contact.

Ravage shows back up at this point, to give everyone the bad news.

Nightbeat, honey, the tragedy is in the opposite direction.

Now, that’s technically the finale of the main story, but there’s a little bonus comic attached to the end, acting as a sort of sideways epilogue to hint at what Getaway and his merry band of mutineers will be getting up to, since we aren’t seeing them again for a bit.

Our little backup strip begins right before the original launch of the Lost Light, where we see some guys we haven’t seen the 2012 Annual issue. Shock and Ore wander around what will one day become Swerve’s, Shock convinced that this ship is actually the ship they lost 5 million years prior, the Unitrex-1. Ore isn’t so sure, but as the readers, we saw the exact moment that Unitrex-1 disappeared in issue #38, after Rodimus forgot to wash his hands while putting the quantum engine together. Shock, wanting to prove that he’s right, fumbles around in the dark, looking for the graffiti he carved into the underside of a table. Ore gets a call on his space Blackberry while he’s doing this, and we finally get the other half of that call Prowl made in issue #1, after he failed to get Chromedome to stay on Cybertron. The Duobots have 20 minutes to get Overlord’s massive, lippy ass on the ship. Knowing that that isn’t a ton of time, the two quickly book it out of the bar, leaving the spectral form of Skids to look really bummed out.

Later, at Swerve’s grand (secret) opening, we see some more old faces.

Whoa now, Drift, you’re not supposed to be back until next issue!

Pipes thinks he’s been cursed to not have friends, since Hubcap is still at his dead-end job with the Wreckers, and Riptide was too busy being in a coma to come say goodbye. How rude!

Drift doesn’t seem to particularly want Pipes around more than necessary, pushing him to be friends with Rewind, who he describes as having kind eyes. Whether Drift is doing this to keep Pipes safe from overhearing any Overlord-related secrets, keeping his ass-slapping and sexually-tense sword training time with Rodimus safe, or just because he finds Pipes to be mildly annoying isn’t clear. Pipes, however, is looking for more than friendship— he’s looking to bone down.

Pipes’s ideal partner is wide as they are tall, with tits to match and at least one alt-mode that he can use as a yacht. Drift tells him he can introduce him to Tailgate, though something tells me Pipes isn’t really Tailgate’s type, given that he can actually say what he means and doesn’t have some fucked-up facial situation.

It’s really too bad that Pipes died, because I bet he would have loved Nautica, and he would have REALLY loved Nickel.

Later still, we see all of our doctors together— even Ambulon is there! In one piece, even! Ambulon wants to tell First Aid something, and First Aid automatically tries to make it a cosmetic thing, because of COURSE Ambulon would be insecure about his bad skin, and what he really needs is a better cleanser. What Ambulon actually wants to talk about, though, is his alt mode, and the fact that the puns involved with being part of a Combiner make him want to die. First Aid understands, but Swerve, known menace to society, might not be so compassionate, as he throws a grenade into the back of Ambulon’s head, triggering his transformation. Ambulon is mortified, and Swerve does the thing that Ambulon literally just said he hates. First Aid continues to rip flakes of paint off of Ambulon, as the specter of Velocity watches, looking pretty bummed about the fact that she never got to be part of banter like this.

Later on than that, Rewind and a wheelchair-bound Rung are in the currently-empty Swerve’s, as Rewind calls Chromedome to gather up one of the groups for those storytelling circles Rewind organized to try to fix Rung’s brain. He hangs up, then tells Rung that once his brain works again, they’re going to have a goddamned chat about Dominus Ambus, which is only mildly hampered in its threat by the fact that Rewind standing is barely the same height as Rung sitting down.

Rewind then gets to work writing out the story map for when the “Shadowplay” group gets there, as the specter of Chromedome reaches out longingly for the dead version of his husband. He laments that this Rewind died without closure, but the ghostly specter of Rung reminds him that there are rules to this, and they have to leave now. Not sure why Rung’s here to watch himself be threatened by Pipsqueak McGee. Is he actually doing his job for once, helping guide someone through their grief? I doubt it, since Chromedome isn’t a hottie bo-body like Skids, and his problems haven’t (directly, at least) caused the sort of trouble that make entire star systems hate you like Megatron.

Later, during the Overlord disaster, Perceptor sprints into Swerve’s, shouting for a medic, as the rest of the battered and beaten watch. Hoist, himself hooked up to the wall by some sort of cable, while wearing his extra-special Rodimus Star, offers to help, though he’s technically an engineer, and whatever he’s gonna do probably won’t have any consideration for the soul or ability to feel pain. Perceptor was using Tripodeca— sweet, beloved, friend to all, who was the star of the post-Overlord mass funeral Tripodeca— as a, uh, tripod for his rifle, when Overlord probably noticed that the ol’ science sniper looked sort of familiar and did a lil’ grabbing with his big nasty hands. Hoist asks if Perceptor is going to stop Overlord, and considering how things went the last time Overlord was the star of the show, I doubt Perceptor thought he was gonna get lucky twice in terms of survival, especially when Overlord is riGHT BEHIND HIM OH GOD LORDY JESUS MARY AND JOSEPH

How Perceptor survived this isn't clear, but we know he did, as he continued to show up in the story past issue #15 in a decidedly alive, non-paste form. His specter watches this scene unfold, expression unreadable.

Post-Luna 1, Swerve stands in his ruined bar dejectedly, when he realizes that quite a few people have shown up to help him clean up the mess, as long as he promises to reward their hard work with reopening once it’s done. As everyone works to get things back in order, Swerve tells them to keep an eye out for a non-trashed Legislator that he could use as a bouncer, once he fucks around with its head enough to make it do what he wants. Ten’s specter watches as his shitty boss and arguable father is gifted the body that would become him, making a note to get his union going with a bit more urgency.

Later, on the day of the “Fuck Off Megatron 2-for-1 Drink Deal”, Crosscut lead Riptide, Mirage, and Nautica on a tour of the ship. Mirage notes that Swerve’s is a bit of a dive, not suited to his refined tastes in the slightest. In a booth, Getaway and Atomizer have boxed Mainframe in on either side to have a little chat. Swerve and Bluestreak talk television, Bluestreak making a little jab at MTMTE’s second season not being quite as well-received by fans as the first. Over at the bar, Highbrow and Perceptor talk about Quark, while Brainstorm watches while having his briefcase, which he is NOT supposed to have in here.

Crosscut goes on about this bar being where all things happen and where bittersweet is the most often-felt emotion, then calls Trailcutter/blazer an alcoholic as he dances on the ceiling. The specters of just about everyone on the ship watch their fallen friend, enjoying the moment and missing him terribly, as Perceptor brings them back to the here and now of the story, which turns out to be just after the holiday special, judging by the Christmas lights.

Minimus asks if this is safe, and Perceptor says that it is, as nobody can actually interact with the past, because Brainstorm is the only one who’s ever actually perfected that tech, not that this isn’t his fault either. It turns out that when you try to fly against the stream of time as it naturally occurs, you tear a few thousand itty bitty holes on the way to perfecting the process. Perceptor’s found a way to let others view the past, at least for a little while. Minimus is fine with it, as long as everyone continues to behave, and it seems like they are, as everyone mingles in Swerve’s.

The two of them sit down, Megatron handing Minimus what I’m sure is a mocktail, and Perceptor explains that while the window into the past is closing for now, it may open back up in the future. When Rodimus asks when that might be, he then immediately decides that he doesn’t want to know, instead wanting to have a fun little surprise for later. They don’t get very many of those, fun surprises.

As everyone toasts to the dead and to future adventures, the specter of Getaway watches on, smug as hell.

That’s the end of “No Guns, No Swords, No Briefcases” but that is STILL not the end of the issue! It never ends, this thing! Because the number 50 is very big and impressive, obviously this is a double-sized spectacular, and has to cap off with a note from the man himself— James Roberts.

And then after that we get a new notes from fans, but this is already obscenely long and I think I can show you the crux of what they’re all saying right here: MTMTE (2012) is fucking good. It’s a good series. Make your goddamn family, friends, coworkers, librarians, and goldfish read it. Share it with people you’ve never met. Get a long-term personal project out of it. Get long-term friends out of it. Get a long-term romantic partner out of it. If I can do it, so can you!

#transformers #MTMTE #issue 50 #maccadam #hannzreads #text post #long post #comic script writing #overthinking about robots #incoming analysis

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dirt-str1der · 1 year

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just wanna say im obsessed with your mind and i read your posts about kiryu like the morning paper. thank you for your service

(Sweats) e-even the ones about him laying eggs ?

#Thanks for the ask !#HIIIIII thank you for reading my posts im really a serial rambler so that is no easy feat. i just had a lowkey nightmare that was insect #based so its nice to think about different kinds of eggs once in a while. sorry for the eggs i just learned the word gravid and i cant stop #saying it !!! i literally opened tumblr to make another post about kiryu i was gonna say he was probably antisocial in his childhood which #is really a miracle any girls managed to notice him at all. and i believe that he was very dismissive of his clothing and appearance because #you know when youre young and trans and havent realised it but you just randomly hate everything about your appearance and dont even knowwhy #i think his hair was always too long and too shaggy and he would let nishiki comb it sometimes because he really could not stand his mane #and sometimes when it gets wayy too long and shitty the sunflower caretaker would drag him outside and just cut a chunk of it off with a #knife and kiryu would have shoulder length hair for a little while... anyway i need to give him a little girlfriend like how rikiya had one #when he was in school because all trans guys need a little girlfriend or an all girl group of friends to be his girlfriends when hes a kid #so he can carry their shopping bags and wait for them outside the changing room etc and kiryu cant resist a girl so he gets a letter from #nishiki and he tells him yeah this is probably a prank to have you wait there for hours or there might be guys waiting to ambush you and #beat the crap out of you. and kiryus like Nobody beats the crap out of me except our dad. and goes to meet this girl and he actually agrees #to go out with her and this is the thing that keeps him in school because otherwise he would literally not go. like hed walk with yumi and #nishiki and the rest of the kids at sunflower that he doesnt care about to remember the names of. and he would just wave them off at the #gate and wander the town in his school uniform and then after school he’ll meet nishiki and possibly yumi at the gate (yumi probably makes #other friends but its a Must to walk nishiki home because he’ll get lonely) and when kiryu starts going out with this girl hes obligated to #walk her home so he already broke rule one but nishikis like happy for him But he has to walk home with some other random guys now and #eventually theyll broach the topic of ‘his psycho sister’ and nishiki literally has to beat a few guys up to defend kiryus honour and when #he comes back with news of how unpopular kiryu is with the rest of the guys because he looks better with short hair than they do and has a #girlfriend whos super cute. kiryu is just like damn did you commit social suicide to protect my honour? youre my best friend. but whatever #kids get over it fast. but parents dont!! and kiryu walks his girlfriend right to her front door and soon enough her parents are going to #find out that the boyfriend she keeps gushing about is a girl and straight up take her out of school to make her stop being gay and kiryus #like but ... im a boy ... punches the ground and screams to the sky. anyway enough about dysphoria simulator im here to talk about this guy #when hes a bit older because im salivating and shaking over the thought of his bootyass rip kiryu you woulda loved thongs. i think hed hate #ripped jeans but only because he thinks theyre a waste of manufacturing. its literally better for the world that kiryu decided 2 transition #because can you imagine if she was a girl and needed to wear a bra? like she would literally have an itchy back all the time which would #give her a hair trigger temper which means kamurocho a&e room will be very healthily plush indeed. god my battery is dying i need to take a #shower noww anyway really thank you for the nice message you are so sweet ... hi ...

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castoracklys · 3 months

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i just stumbled across your blog and i'm in love with it! if you're okay with it, can you talk about the concept/story?

Of Course!

There are three timeline's to follow which is 1943, then 1983, then 2003. But the main focus is 1983!

Saviour's Secret (aka "album 1") follows Castor Acklys in his hidden romance with Charles Mercy, his older siblings best friend. This album explores themes of saviour complexes, secrets, social pressures, and coming to terms with things not going in a perfect fairytale way.

Brother of the Sky (Extended) (aka "album 2") is where we explore of Castor's life and family. We learn about the Acklys family and meet Winifred, his mother, Calamity, his maternal cousin, and most prominently, The Star, his older sibling. We see their family dynamic and explore Castor feeling abandoned when The Star can no longer live the way they were raised and chooses to leave, which opens the world to Castor in new ways as he views everything around him without the layer of protection his sibling gave him. This explores abandonment, doing the right thing and still getting hurt, legacies, and disillusionment with circumstances you may have been raised with. It also establishes The Star and Castor's dynamic as not particularly healthy, fed by codepedence, jealousy, insecurity and belonging. The extended version of this album includes 5 tracks "post mortem", meaning that the original album ends with Castor being murdered after he too tries to escape his family home and run away, and the final 5 tracks are his reflection upon his death and the way things are unfolding for him. (This album also includes my favourite song; The Beginning and End of Everything I Know. Castor's dying song/his final goodbyes.)

Husband (aka "album 3") is a timeline diversion, what if this didn't happen. What if Castor got a happy life. And the answer is, he wouldn't (yet). In this album, Castor doesn't run away, instead he marries his friend Abram. A major issue in this relationship is desire, Castor is not romantically invested in Abram, he needed family and belonging and an escape from where he was, Abram offered that. He's trying to find family in someone who currently views him as a sexual/romantic partner. This explores how his life should have gone, yet every song feels uninspired and unfulfilled. Castor feels empty in life and thinks about how things could have been better if he simply didn't marry Abram (even though we, the audience, know it would be far worse). Feeling unfulfilled leads Castor to have an affair with Nova, a local shop keeper. This album ends with Castor talking to a divorce lawyer.

Keeper's Lover (aka "album 4") is the happy album, but it doesn't ever feel like it. Continuing on from Husband, we see Castor's life develop even more and that he does finally find belonging and happiness with Nova. But that also comes with the full range of acceptance that everything that came before wasn't good. This is a very cathartic album where Castor has to accept that everything he has been taught his whole life about love is wrong, but not really. The things Castor has been taught about love are right, it's all consuming and wonderful and everything he ever expected, except there isn't a catch. Every concept Castor has been taught about love was also used to justify a lifetimes worth of suffering he's experienced. This explores themes of grief over lose opportunities, acceptance, autonomy, and if then rounded off in the final song with the other shoe dropping, a reminder that this is not the life Castor lives, he doesn't get married, he doesn't meet Nova. Castor's is still dead in the woods, Castor still left the night he did, still met the wrong man at the bus stop, still didn't stand a chance to ever really get this life.

Gravesite (aka "album 5") returns to Castor's original timeline with a new perspective. Castor's life unfolding after The Star leaves, Castor deciding to leave too, all now watched from the perspective of a ghost. Dalilah Fare, a girl who died in 1943, was murdered and buried in a near identical way to Castor in the same location 40 years earlier. She is buried so close to Castor when he dies they could have reached out and held hands. While Dalilah's circumstances are not the same, her death was. This album follows Dalilah trying to understand the story unfolding in front of her and protect Castor, she kicks and screams and bites and pleads but she's already gone and can't save him. This also covers Castor's acceptance into the afterlife and learning about Dalilah's life, her family, her sister Angie, her love Simon.

The final album, Something Like God (aka "album 6") says what if Castor didn't stay, but did leave differently. Castor goes to a different location on a different day when he runs away. He meets a different man than the one who murders him. He meets Victor Casement instead. He is brought to a community entire different from his own, he meets Victor's wife, Donna Casement, who becomes his friend. He finds acceptance in a different way. He finds religion in a very different way, Victor is a cult leader. This album unfolds more as an investigative piece, Castor slowly peeling back layers of this cult to begin to understand it and the people around him.

That's it for the albums ! But it doesn't round off the story completely.

We still have Kory, in 2003. A theme for this whole piece of work is cycles. The cycles of abuse that drove The Star away, the cycles of violence that lead Dalilah and Castor to the same circumstances of death. For Kory, the cycle continues. Kory also dies in a new identical way to them, in the same location, 20 years in the future. Sacrafice and suffering were never enough to save people. Dalilah and Castor were not enough to reach through the veil of death and save Kory from their fate. Some cycles continue no matter how much we wish they never existed in the first place.

#i am obsessed with castorposting i actually made this blog bc i castorposted so much on main i started losing followers !#but hello hi i love him so badly he is everything to me ik u asked for the story and this is literally barebones of what happens but :-)#i didnt wanna ramble for too long. said by someone rambling in the tags #lore.#i MAY do character/album moodboards but idk yet #btw i only mentioned one track but yes they all have tracknames !#theres sooooo much lore i could talk abt with their names or the album titles #there would be a whole other post on the DYNAMICS or the music videos #theres actually a notable lil chunk of lore abt the killers too !!#<- guy who said he didnt wanna ramble but keeps rambling #ok last one but kory my BELOVED i can never find a way to talk abt her bc shes post canon and mentioned literally like twice but kory !!!!!

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yeonban · 1 year

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Are you the soldier, poet, or king?

The Soldier

"There will come a soldier / Who carries a mighty sword / He will tear your city down". Righteousness. Strength. Violence. You see a door and break through it. You wonder, sometimes, if anger is the only thing you can feel. Remember : love is passion too. You made your own rules and will follow them to death. You try and forget that there is only one rule, and that it is "FIGHT". You are tired of fighting. You try to forget that, too, and keep going. You dream of quiet. Your love is where you heal. God knows you deserve to. (Really. You deserve to.)

Tagged by: @deathfavor Tysm!!Tagging: @shinanai, @withgutsandglory, @sewn-with-gold, @cauterisen, @destinywoven, @youngesper, @kllva & whoever else wants to do this!

#muse: shalnark kurta.#* shalnark kurta. / development.#Definitely the most accurate of the 3! And pretty accurate overall too if you just squint at some parts?#A few of them are moreso talking about the troupe rather than Shal on his own (like ''violence'' & the starting quote)#99% of the time he won't go out of his way to cause destruction or be violent on his own; it's mainly smth he does For and With the troupe #but in that sense it's still v fitting bc we all Saw how a chunk of Yorknew City went down in flames & Shal was part of the reason why #Then the rest are about himself; some post-revival (the anger bit) & some in general (righteousness; self-imposed rules & love healing)#For rules; we know the spider made up their own & each of them sticks to those rules no matter what - Shal being no exception #As for love; in this context it encompasses p much anyone he cares about? like yeah Feitan for Sure but I see it as the ENTIRE troupe too #Shal would've been far worse off emotionally than he is rn if he didn't have his friends by his side for most of his life #And lastly the parts where he dreams of quiet / is tired of fighting... he doesn't pay it much mind bc it's how they grew up #there's no different road for them to take & tbh there hasn't been one for decades - and he's perfectly fine w that now #but at the same time he's far more of the nerdy type than the fighting type so he Would prefer to read or smth over some crimes they commit #All in all Shal's very content w the life he leads so any complaints he may have are incredibly minor/don't matter to him in the long run

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dan-crimes · 1 year

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I gotta complain abt being a picky eater here for a sec cuz I'm lookin @ all this stuff on the breakfast menu and there's always the SAME ingredients in all these SAME food items and it would be SO much easier if I could just order food without having to think of all the stuff I DON'T want on my food cuz I always gotta put in so much effort to look into every single ingredient in every since food item that I order bcuz I DON'T LIKE MOST FOODS !!! SMHH !!

#mostly making a post abt this cuz there are ppl out there who think picky eaters are just childish and need to grow up #as if I'm CHOOSING to be a picky eater #and they call it childish cuz they think ppl just don't wanna be healthy and eat veggies and it's not THAT bad or whatever #THE THING IS! I FUCKING LOVE VEGETABLES!! THAT LITERALLY PROVES IT'S NOT PEOPLE JUST THROWING HISSY FITS !!!!#I literally LOVE fruits and veggies and I'm honestly not a big fan of candy like I enjoy it but I have a pretty low limit for em #like I could just eat tons of fruits and veggies no problem but candy makes me sick if I eat more than a few of em #snacks on the other hand like chips and nuts and granola and stuff are a different story #which btw my family does NOT have the same taste buds as me they are all SUPER unhealthy and I like the most healthy foods #not including my outer family members I mean immediate ones that I actually care abt and effect my food palete #ANYWAYS I will say I don't like tomatos that's one of the few I'm not a fan of I don't even really like ketchup that much #tho I have gotten better about spaghetti sauce which I'm sure people would CRY from how plain my pasta is lmao #the sauce is literally called tomato sauce it is LITERALLY tomato sauce it has nothing else in it and it has absolutely no chunks #probably the reason I never had sauce on my spaghetti for so long is cuz it always has CHUNKS in it or little leaf things that would crunch #which I like crunchy but only when it's MEANT to be crunchy #anyway all I'm sayin is it would be nice to get a breakfast burrito but I feel bad changing the order SO MUCH just for me to enjoy it #and most the time other ingredients will get in it regardless and I can't eat it anymore cuz that entire area is infected with the taste #even my Mom thinks I'm crazy for that 🙄 LISTEN IF YOU PUT PEPPERONI ON PIZZA THE FLAVOUR STICKS TO THE PIZZA #DOESN'T MATTER IF YOU TAKE IT OFF THE JUICES THE FLAVOUR IT GOT ON IT I CAN LITERALLY TASTE IT BRO !!!!!#or even a half and half situation if any pepperoni touched MY side of the pizza I am TASTING it and I cannot eat it #trust me it's not a mind thing it has been tested on me before and no one has tricked me into eating it bcuz I simply DO NOT LIKE IT !!#there is no trick to be had I can simply TASTE IT !! smh smh #anyway that is my rant abt being a picky eater quota met for the first half of the year #I have one more I have to make before the end of the year (just saying it'll likely happen is all lmao)

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earthtooz · 4 months

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x : MY DILUC, MY EVERYTHING :*+ﾟ

in which: you tell diluc that klee finds him 'too boring' to be your boyfriend. he can't help but feel like she's right.

warnings: 1.3k words, insecure diluc who needs a little reassurance, mostly dialogue, klee being cute but also a menace, so much fluff with a dash of angst.

a/n: i have not posted anything in so long, but i wanted this to be my first fic of 2024 because i love diluc <3 i hope you all enjoy this little fic!

“What do you mean Mr Diluc is your boyfriend?” Klee asks, tilting her head to the side with an inquisitive look in her eyes as you bend down to her height.

“I mean that Mr Diluc is my boyfriend. My partner. We’ve been together for years now.”

“You mean that Mr Diluc, right?” She raises a tiny hand in the direction where the red-haired in question stands. He’s immersed in conversation with Kaeya and Jean, but from one glance you can tell the estranged brothers are up to no good. Or rather, that Kaeya is having the time of his life provoking your partner.

“That’s the one. I think he’s the only one, Klee.”

Her pointer finger then comes up to her chin in contemplation, and her breath of contemplation materialises as a small cloud, condensating in the winter chill. “Why?”

“What do you mean, why?”

“Why is he your boyfriend?”

“Well, why wouldn’t he be?”

“No offence to Mr Diluc, but he’s so cold and boring!” She cries, clenching her fists to her chest, as if being ‘boring’ was a crime to humanity. “And he never smiles. He should smile more but I would find him scarier like that… so maybe he should stay the way he is: a total gloomy bum bum!”

You can’t help but laugh at her honest statement, muffling the noise with your hand. She blinks at you and wonders what she said that made you laugh, but you simply tell her that it’s nothing.

“Maybe, but I love that ‘gloomy bum bum’ just the way he is.”

“But… why? Y/n is so kind and knows how to smile! Mr Diluc is too sad and boring for you.”

Over the course of your relationship with the wine monopolist, you were met with resistance from various people who believed they wanted ‘the best’ for him. These were including, butand not limited to, businessmen, his admirers, and old aristocrats with wealth on the brink of collapsing. You never let their passive aggressiveness get to you, their comments burned to ashes by the way Diluc lights the way for you with his undying flames.

Yet hearing a child, who has no real grip of the world beyond explosions and how not to blow up Monstadt, explain that Diluc shouldn’t be with you because he doesn’t know how to smile is… unbelievable. Her intentions are nothing but pure for her knowledge of the world has not yet been tainted by the nuance of human behaviour. As refreshing as it feels to have her support, any insults you hear about Diluc are unpleasant to hear. Though she may not hold any malice, perhaps her judge of character needs to be deepened.

“Sometimes, the coldest people are really the warmest,” you begin, gently wrapping her scarf around her neck. “Mr Diluc is one of those people.”

“Really?”

“Warmer than a fireplace, or a Pyro Crystalfly, or Jumpty Dumpty.”

Her eyes widen. “Really?”

“Yes, but please don’t go blowing one up just to see how warm it can be. Jean already told you about the animals hibernating during winter, you shouldn’t go disturbing them.”

She tucks her hands behind her back, eyes downcast and ears flopped.

“Do you remember when Albedo took you to Dragonspine and when you melted a chunk of ice, crystalflies flew out of it?”

“They were so pretty and became super warm! I wish I caught one of them, but they flew away too quickly.”

“Mr Diluc is just like that ice with the fireflies. You just need to warm up to him and when you do, he can be one of the best people you’ll ever meet.”

“Will he fly away too?”

“You could keep an eye on him and find out.”

She nods, determination alighting in her eyes with the new task you assign her. Although you’re pretty positive she won’t ever succeed with it, you’re just happy you’ve found a way to show Klee that your lover isn’t as terrible as she deems. A flash of familiar red hair appears in your periphery.

“Dear?” He calls, capturing your attention. “Shall we head into the tavern now? It’s too cold to stay out here.”

Sparing one last glance at Klee who regards your partner with fire in her eyes, you can’t help but smile at the pure innocence in her heart. With a ruffle of her hair as goodbye, you take Diluc’s hand and stand, waving goodbye to the rest of the group before heading in the direction of Angel’s Share. Shuddering, you sink deeper into the wool of your coat and the warmth of his Pyro Vision, a perfect combat to the winter frost that’s covered Monstadt.

“You know,” you begin when both of you have arrived at the empty tavern and the red-haired has a fire started in the corner. He urges you to continue with a soft ‘hum’. “The conversation I had with Klee just won’t leave my head.”

“Oh? What’d she say?”

Sitting down on a cold stool, you keep your gaze on him as he walks behind the counter. It seems like he’s preparing drinks and snacks for you: some cheese, crackers, and grapes.

“First of all, she only found out today that I was dating you.”

“Oh? Jean or Albedo haven’t told her before?”

“I guess neither of us appear that much in conversation together. But she refused to believe it at first, being like ‘you mean that Mr Diluc?’, ‘why is he your boyfriend?’,” you laugh. “She thought that you were too gloomy to be with me and that I should be with someone who knows how to smile.”

His cheese knife halts, the sound of metal meeting wood slicing through the atmosphere. However, you’re too engrossed in retelling the story to notice the way he freezes.

“How silly. Kids really have the wildest presumptions and thoughts to match.”

Diluc continues preparing the food, stiff hands moving along the counter. You don’t say more than that, saving further conversation for when he’s done. As he sets the arrangement of crackers, cheese, and grapes down, it’s accompanied by a heavy sigh.

“What if… she’s right?” Asks the winery owner, voice no louder than a whisper.

“What?”

“You heard me.”

“I did, but I don’t understand why you think that way too.”

“Well, smiling isn’t my strong suit anymore and I’ve been told by the knights that the children find my expression too scary.”

“You know anyone can smile, right?” You ask jovially. “It’s not like a statistical impossibility-“

“It’s not just that,” he interjects sharply. Your smile fades, acknowledging Diluc’s sombre expression that clarified he wasn’t joking around like you thought. However, seeing the change in your attitude sobered him and that sharp glance fades, turning into something remorseful and softer. “I’m sorry, I didn’t mean to snap like that.”

“No no, it’s my fault for not taking you seriously. Please, go on.”

“I’m quite boring, you know.” He fiddles with the ends of his leather gloves. “Did you never think that maybe what Klee said could be correct?”

“Never because she’s not correct. Honestly, Diluc, after all these years of being together and hearing what some people have to say about us, I never thought you’d think like this.”

He casts his gaze downwards. “Because those people don’t know me like you do.”

Two hands come up to cup his cheeks, gently directing him to look up at you and meet your kind expression. All inhibitions he had melt away at the sight of your smile.

“I can only hope they never do,” you reply simply, confidence lacing your words.

Being with him is not easy. He is a busy man, one who manages the entirety of Monstadt’s wine business during the day and takes to the shadows to look after your beloved city at night. Yet, despite working with the sun and moon, he still gives all of him to you. For as long as Diluc will allow it, you hope to be the only person he’ll pick baskets of grapes with, play slow games of chess with, and freely lay out his convictions to.

You’ll be damned to give up your spot beside him without a fight.

Diluc doesn’t believe he deserves the same. “You’re too patient with me. I’ve let you down too much for you to be this forgiving,” he grabs your wrists and gently knocks his forehead against yours. “I can’t give you everything you want.”

“You’re my Diluc, you already are everything.”

#earthtooz: genshin impact #diluc x reader #diluc ragnvindr x reader #diluc x y/n #genshin diluc #genshin fic #diluc x reader fluff #diluc fluff #genshin x reader

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aroarachnid · 3 months

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"but if it were me, I'd really wanna be, a giant woman"

stevens relationship with gender is so fascinating to me. his entire diamond days arc is a clear trans allegory, but more specifically reads as a transmasc allegory, what with everyone reffering to him as "rose" or "pink" and feminine terms despite his repeated insistence that he is *steven*. and yet he never actually corrects anyone when they use she/her. he only corrects his name. this was pointed out in the tags of that one post youve probably seen:

this post doesnt show it, but steven is delighted when blue said this. obviously you can read this as steven being glad that shes making an effort, even if incorrect, and is just choosing to let the wrong pronouns slide. but its never explicitly stated. and like i said, he never corrects she/her, he only corrects his name. although it is interesting that, by the time the movie rolls around, the diamonds have switched to he/him.

its also interesting to mention how excited he was to put on pink diamonds outfit, and also how quickly he took it off once he got the chance.

of course stevens relationship with his mother and his identity issues are going to play a big part in how he percieves his gender, given that for a large chunk of the show he actually belived they were the same person, at least to some extent. ("im my mom and my sister?! what kind of magical destiny is this?!). how would you define your "agab" when half your family is telling you that you are a centuries old alien called rose/pink who has no sex and used she/her? not to mention all of the various gender identities and pronouns his fusions have.

thats not even getting started on how the gems percieve gender, which is to say, they generally don't. gems are sexless beings and their society has no concept of gender, although after spending a long time on earth im sure the crystal gems have a better understanding (i actually could talk about the gems relation to human gender a lot more but ill save that for another time). for steven, a child raised by gems for a good chunk of his childhood- who use feminine terms as a default-i can see how that would lead to some interesting perceptions on gender presentation.

thats not even getting into stevens gender noncomformity. and while gender presentation doesnt necessarily have anything to do with your gender identity, its interesting to note and i just think its really cool that a male protagonist is so unapologetically feminine

also i could talk for days about connie and stevens knight/princess dynamic, and how it parallels pearl and roses, but in a healthier way that nips the whole "obssesive self sacrifice" thing in the (rose) bud as soon as steven notices it. but then id have to talk about pearl and then wed be here all day lol

so yeah, stevens relationship with gender fascinates me. I mean, does the concept of "cisgender" even apply in the way we usually mean it to, given stevens unique experiences?

#ash rambles #thinkibgggg #su #steven universe #steven quartz universe #steven universe meta #connie maheswaran

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colleendoran · 3 months

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Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

Go me!

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because right away I got COVID which knocked me on my butt.

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back.

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news.

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work.

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing.

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work.

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way.

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry.

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings, enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year.

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks.

#good omens graphic novel #good omens #terry pratchett #neil gaiman #dunmanifestin

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chuwenjie · 11 months

Text

Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!

Text version of this post under the cut:

Spiderman: Across the Spiderverse comes out tonight. It feels really weird to be typing that out right now. I worked on the movie as a visdev artist for the last 2.5 years, from 2020 to 2023. Long post incoming.

There are a lot of reasons why I'd consider this film to be one of the most ambitious animated films to ever be made. As artists, we were asked to push ourselves far beyond our comfort zones and do things that had never been done before in animation.

Every time we reached a point where most people would say "this must possibly be as creative and weird as it gets," our entire team of artists and animators would smash right through the ceiling. The driving direction for the visuals of the film was to push the limits of every single frame; to challenge audience expectations and make something truly original.

The best thing about this film was that there wasn't a single boring day working on this movie. The hardest thing about this film was also that there wasn't a single boring day working on this movie.

There were times while working on this where the imposter syndrome hit me hard. This was my first big movie, and what a hell of a first movie to get thrust into.

I came in only a few years out of school with absolutely no idea what the hell I was doing. I constantly feared that someone had made a mistake in bringing me onto this film, and I was going to let everyone down. There was a solid chunk of those 2.5 years where I wasn't sure if animation was the right path for me.

If there's anything I could tell my past self it would be this: there are so many people who love you and believe in you. There will be a time when you get to stand on the other side of it, look back on everything and see how far you came.

I'm still working on self-acceptance every day (it will be a lifelong struggle, I'm sure), but I'm glad I didn't give up on myself. I'm proud of myself and my contributions to this film, and I'm certain that this movie will continue to change and shape the animation landscape just as the first one did. That's truly a special feeling to have been a part of. I am so incredibly grateful to every single person who helped me along this journey.

Here come the thanks:

To the ENTIRE visdev & art crew- it's been an honor getting to work alongside each and every one of you. My jaw is literally still on the floor from seeing your incredible talent day after day.

I want to thank Tiffany and Felicia especially for being there for me through tough times- I admire and respect you both so much as artists, and even better than that, my life is greatly enriched for being able to call you my friends.

Thank you Patrick and Dean for taking chances on me, teaching me so much about art and what I'm capable of, and encouraging me along the way. To Aymeric, your art is one of the reasons I initially became interested in animation and you have been one of the kindest & most empathetic mentors I could ever have asked for.

I want to thank my wonderful parents for believing in me always and raising me into the person I am today: everything I do in life is to make you proud. To my brother Andrew who is perpetually awake at 3 AM when I need someone to talk to- thank you for always picking up the phone and making me laugh.

And finally to my partner Luke for making me grilled cheeses on all of the difficult days, for never getting sick of me even when all I would ever talk about was work, and for patiently and steadfastly loving me throughout this entire thing. I don't think I could've done it without you.

Starting tomorrow I will begin posting and sharing some of the art I made for this movie; I'm looking forward to sharing some of my personal favorites with you. I hope each and every one of you enjoys Spiderman: Across the Spiderverse when it hits theaters later today!

#visual development #visdev #spiderman: across the spiderverse #spiderman atsv #gwen stacy

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twice-inamillion · 3 months

Text

The Company

Peeping Tom

Smut and Story Building (Blackmail, Deep Penetration, Defloration, Creampie, Rough Sex, First Time, Choking, Light BDSM, objectification)

Chapter 6

3,585 Words

(You encounter a peeping Tom as you have fun with one of your assistants. She tries to use her newfound information against you, but instead, you end up using her. By the end, you found yourself a new toy to play with.)

You return to your office with IU after a business meeting outside the company. The two of you talk about what just occurred during the last few days and how busy it’s going to get moving forward.

“How does it feel receiving your first private jet, sir?”

“I’m excited; I remember riding on my father’s jet when I was younger and always wanted one of my own. Now I just need to get it customized, and I’ll be able to use it.”

“Before that, we need to hire a flight attendant.”

“That’s true.”

“What about asking your father for one of his?”

“No, I'd rather get someone that has nothing to do with my father. I don’t want them to tell him anything about my business.”

“I’ll try to put a post online to hire an assistant.”

“Sounds good.”

“Any requirements?”

“Someone not too old, eye candy. You know my tastes.”

“Okay, I’ll try my best.”

“Also, any news on Big Hit and JYP?”

“I’ve heard that they are suffering a bit money-wise, so I think they are going to accept your offer.”

“Let’s see what they say. I don’t want to buy them outright, but I do want to hold a good chunk of shares, especially Big Hit. Bang Si-Hyuk seems like a pretty cool guy. He gave me a tour of his small building and even introduced me to his debuting group a while back. I really want to help the guy.”

“I’m sure he’ll be happy with anything you give him, sir.”

“Let’s see how it goes.”

IU then hands you some documents and says, “This is some information I found out about JYP Entertainment. If you look at the third page, you can see that JYP was going to debut a new girl group under the name “6MIX,” but it fell through.”

“Oh, it seems like they had a hard time debuting due to one of their members leaving.”

“Yes, they added another member, Sana. It seemed like they were going to debut, but another of their leader also left the company, so they ended up scrapping the whole thing.”

“Poor girls, so much hard work and training to debut only to have it scrapped.”

“Yes, one in particular has been in their company for a long time. I heard she’s a very good singer.”

“Oh really? If JYP accepts the help, maybe I can ask him to release them from their contracts and send them my way.”

“I’ll keep you posted if there is any news, sir.”

“Thank you.”

“Would that be all, sir?”

“Yes.”

“I have a meeting with one of the girls, so I’ll head to my office.”

“Actually, I’m going to grab a bite at the cafeteria, so I’ll walk with you.”

The two of you walk towards the hallway, slap IU's ass, and walk the opposite from each other. Little did you know that you were seen by someone, the person IU was going to have a meeting with.

————

You get a message from IU that she has received some inflation about the deal with Big Hit and JYP as you are coming from the gym. It’s been a few days since you got any information, so you’re excited to see what’s going on. Without changing, you walk into her office, sit on the couch, and listen to some good news.

You might not have noticed that Jennie has been curious about the relationship you and IU have since she’s a higher-up than you. She doesn’t know about your real position in the company and only thinks of you as one of the staff members. She was shocked when she saw you slapped IU on her ass and decided to follow you after that.

Today, she had another meeting with IU and planned on having a light snack at the cafeteria before meeting up with her. Since she finished early, she decided to head up to the administration floor and relax on the outdoor patio before the meeting. She exits the elevator and makes it to the top floor. Jennie walks down the hallway and notices how quiet it is. She wandered around and found Irene’s and the CEO's office before hearing a faint noise coming from the hall. She quietly makes her way to the noises and gets to IU’s office from where the noise is coming from.

Jennie tries to listen and places her ear by the door. She hears moaning coming from the other side. She tries to make up what the people instead are saying and can only decipher the male voices yelling that he’s going to cum.

After some silence, she notices that the voices are getting nearer and runs towards the opposite side of the hallway to where the patio is. She peeks her head out and sees you coming out the door and IU fixing her skirt.

“What the fuck, were they fucking in her office?”

“Omg, he’s getting it on with a higher-up in the company. Maybe I can use this.”

————

Later that night, you get a message from Jennie from your staff phone. You read the message, and it is asking you for help moving some items around the house. You’re not in the mood to message her that you can do it tomorrow, but she is persistent.

Somewhat annoyed, you put on a shirt and head down the elevator to the floor where their apartment is. You ring the doorbell, and Jennie opens the door within a few seconds. She wears a loose crop top and small shorts that show off her petite body.

“You said you needed to move some stuff, right?”

“Yeah, it’s in the living room.”

You walk to the living room and see the items she was referring to. You spend about ten minutes moving the things, and Jennie is watching you up close the whole time.

“Is that all you needed?”

“Yeah, that’s it.”

“Alright, I’m going. I’m tired.”

“Okay, but I’ll call you if I need anything.”

“Please, don’t. The stuff wasn’t that heavy. Maybe try moving it between the five of you before calling me.”

You can tell that Jennie got upset by this based on her facial expression. “I don’t know why you’re complaining; it's part of your job.”

“It’s not. I was just doing this as a favor since you all just moved into the apartment, but that was a few months ago. You girls can figure stuff out,” as you grab your phone and head for the door.

Upset, Jennie yells, “If you’re going to be a douchebag about it all like the CEO, you’re messing around with his assistant.”

You turn around and see a grin on her face, blackmailing you. “I don’t know what you are talking about.”

“I know that the two of you were fucking in her office the other day.”

“Lies.”

“I saw smack her ass a while back, and this time, you were leaving her office, and she was skirted and had a smile on her face.”

“If that’s true, how would you know?”

“I heard the two of you doing it.”

“No one is going to believe you.”

“Hmph, I wouldn’t be so sure. I have the CEO’s number.”

“You’re bluffing. You don’t have his number.”

“Yes, I do,” she said, holding her phone out.

“Alright, do it.”

“Okay, I will” and is about to press the call button but then says, “actually, he might be busy with important stuff. I don’t want to bother him.”

You know she doesn’t have your actual work number, so you tease her, “I don’t think he’s busy. Why don’t we go visit him and tell him the situation? I think he would be more than happy to hear about it.”

You can see her expression change, and she says, “No, I think we can just leave it like that.”

You grab her waist, “Let’s clear things up. I don’t want rumors that I’m messing with the CEO’s assistant.” You pull her hand, exit her apartment, walk towards the elevator, and press the button for the top floor.

Jennie looks nervous but tries to hide her expression. “He’s going to be upset that we’re bothering him.”

“I don’t think so, plus you’re blackmailing me.”

When you arrive at the top floor, the elevator rings, and you both exit and walk towards the hallway. You ring the doorbell, but there is no answer.

With a faint smile of relief, Jennie says, “See, he’s not here, so let me waist go.”

“Hmm… let me try something.” You press the numbers on the keypad and hear a ring, unlocking the door.

“How did you do that?”

You pull Jennie and lock the door. “Seems like no one is home. CEO-nim! Jennie and I are looking for you!”

“Stop, he’s going to be made that we’re inside his home. Let’s go.”

“No, I don’t want to; let’s have a bit of fun.” You walk towards the kitchen, open the fridge, and grab a beer. “He has some good taste, nice.”

“Leave it; he’s going to get mad!”

“No, he won’t.”

“Yes, he is. I heard that he’s mean.”

“Really? They said that?”

“Irene said that he makes them work to the bone.”

“No, I don’t. Wait until I see her tomorrow.”

Jennie’s reaction changes, and she says, “What did you say?”

“Nothing, forget about it.”

“You said something.” She stops, looks around, and walks to the living room. She sees pictures of you and freezes.

Frozen for also a minute, she turns around and says, “Are you CEO-nim?”

You want to play it off, but know that the gig is over. Instead, you smile and say, “Dang, you caught me. Surprise!”

Many things go through her mind, like how she ordered you around the apartment, teased you, and even tried to blackmail you.

“So what’s this about having my phone number and blackmailing me about fucking IU.”

Jennie gets on her knees, rubs her hands together, and begs, “I’m sorry. I was just joking around. I didn't mean it.”

“It wasn’t funny. Why did you do it?”

She bites her lip and tries to come up with a reason, saying, “I don’t know. I just wanted to tease you a bit and got jealous.”

“Jealous? What for?”

“You’re my type, and when I saw you and IU, I wanted to blackmail you so you can do whatever I say.”

“You know, that could have really gone bad and gotten someone hurt.”

“I’m sorry.”

“If you’re sorry, how will you take responsibility?”

“Ehh?”

“You said I’m your type, and you’re pretty cute yourself. How about we have some fun?”

Jennie can’t believe what your words. She knows she said that you’re her type, but that was as a staff/trainer. Now that she learned you’re the one in charge of the company, she doesn’t want to do anything that might endanger her chance at debuting but, at the same time, finds it kind of hot.

“What did you have in mind?”

“What do you think?” giving her a smirk.

Jennie knows what you’re thinking; it’s not like she hasn’t thought about it herself. You come close to her and grab her small behind, causing her to yelp.

She’s being this close to her. You know that she’s small and petite, “too, like a doll.”

“What?”

Instead of replying, you pick her up, carry her to the guestroom, and toss her onto the bed.

“Wait… what are you doing?”

“I’m going to fuck you.”

“I’m not ready yet.”

“I didn’t ask you if you were. I’m telling you what I’m going to do to you.”

Jennie is stunned by your words. The image of you has been turned 360 from ordering you around to the other way around. Deep down, she can’t help but feel small and submissive by someone so huge and powerful enough to change her life.

“Okay, I understand.”

“Since you do, then strip. I want to see what I’m going to be working with.”

Jennie gets off the bed and stands in front of you. She slowly begins to undress herself, taking off her crop top and her small shots.

Now in underwear, she shyly takes off her bra, revealing her small, cute breasts. She tries to cover them, “Don’t forget the bottom.”

You smile as she hesitates to pull down her panties and whines, “Do I really have to pull them down?”

“Do you want me to do them for you? Just letting you know that I won’t be gentle.”

“I…I’ll do it then,” as she slowly pulls them down until it drops on the floor and quickly cover her cunt.

“Take your hands off.”

“But…”

“Don’t make me repeat myself.”

Jennie removes her hands, revealing her semi-bare cunt.

“Fuck, you have a pretty-looking pussy and a nice pair of tits. Lay down on the bed and spread that pussy for me.”

Jennie feels embarrassed but does what you told her. She lays on the bed and puts her legs up. She tries to spread her legs, but the idea of spreading them open and showing her pussy to someone for the first time is nerve-wracking.

“Spread them more!”

She widens her legs until you see her whole cunt in view. With both her index and middle fingers, she slowly spreads her pussy lips, giving you a view of her unused cunt. “How’s this?”

“Hot. You’re making me hard.”

“Really? I’m making you hard?”

“Yeah. Want to see?”

Jennie has never seen a cock before in real life, only on the internet when she would masturbate while in the dorms. Seeing one in real life is making her both nervous and excited, “yeah. I want to see it.”

You undo the bottom and drop your buttons, leaving only your boxers and a large bulge in sight.

Jennie can feel her heart beating faster as you pull down your boxers, which makes your cock springs out. “Wow, it’s so big. Can I touch it?”

“Of course,” you say with a grin.

Jennie, with her index finger, touches the tip of your cock and throbs, “Haha, it’s likes me.”

“How about grabbing it with your two hands?”

“Okay, but I don’t think I’ll be able to wrap my hands around it.” With her small hands, she tries to wrap her hand, almost touching her fingertips.

Turned on, you ask, “Can I take a picture?”

Jennie looks up at you and smiles, “Sure, you’re the boss, right? I have no say.”

“Glad to see you know your place.”

You grab your phone and take a shoot of Jennie handling your cock. “Try putting it in your mouth.”

“Like this?” as she uses the tip of her tongue to lick the head of your cock. “Yes, just like that.”

You record her slowly licking your length, your shaft, pulling the head in her mouth, and even her trying to take a bit of your cock in her mouth as she plays with her cunt.

“Fuck… I knew you were a slut” you say as she has your cock in her mouth. “Hmmm… I’ll be your slut, Daddy,” giving you a devilish smile. You grab her chin in between your hands and say, “We’re going to get along very well.”

She stands and lays on the bed once more and willingly spreads her legs for you, spreading her pussy, and says, “Make sure you get a picture of this.”

“You know how to turn on a guy, huh.”

“I just want to please you, Daddy. Plus, I want everyone to know that you’re going to be my first.”

You can’t wait any longer; you need to fuck her now. You set the phone down, walked back, and spread her legs. She grabs your cock and presses it against her belly, and asks, “Is all of that going inside of me?”

“It’s going to go right in here and reach all the way up here,” as you trace your finger and her wet cunt all the way up to her belly button.

“Fuck me already, Daddy. Make me a real woman,” begs Jennie.

You grab your cock and rub your shaft against her wet lower lips, spreading them and covering them in her sticky nectar. “I’m going to put it in; just relax.” She balls up her waist against her chest, “Okay.”

Jennie nervously watches as you align your massive cock against her small entrance, waiting for you to be her first and only cock she’s ever going to taste.

You press the tip on your cock and slowly insert yourself until you reach her thin barrier, which separates her from womanhood. You look directly into her eyes, signaling that you’re going to go all the way into it. She nods back and tries to prepare herself for what’s to come.

You grab her small waist and, without mercy, put your weight onto her petite body and slam yourself into her fresh womb. “Fuck!!! I’m cumming; you’re too big; you’re making me cum!”

Jennie’s body spasms, and she tilts her head back as she feels her orgasm overwhelming her.

“Haha, you just came from me putting it in? Let’s see how many times you cum.”

You don’t let her rest and put her into a mating press. She groans from not being able to ride off her orgasm, “Daddy, wait. You’re going to make me cum again. Let me rest.”

“A girl like you doesn’t deserve to rest; you’re my sex toy. I get to use you however I want,” slamming yourself inside her once again.

Jennie cries as she feels her insides being rearranged by your cock, “Ahh, you’re messing me up inside! I won’t be able to with anyone beside you! Fuck…you’re stretching my small pussy out!”

Watching her becoming a mess is getting you more turned on. Even if it’s her first time, she’s a natural. You place your hand on her neck and firmly tighten your grip. Jennie panics when she feels your hand choking her, puts her hands around your arms, and looks at you in terror. “Shh… baby girl, calm down; I’m not going to hurt you, just something the both of us to enjoy. Trust me.”

Directly looking at you, she lets go of her hands and instead focuses on you, thrusting inside of her. “You feel so tight, Jennie; I feel like cumming already,” as you tighten the grip of your hand around her neck.

You see Jennie trying to speak, so you loosen your grip, “Ahhh… cum… cum inside me, Daddy. I… I want to feel your cum in my tummy.”

You tighten your grip on her neck again as you fuck her roughly, only hearing the sound of both your flesh against each other. Little by little, you feel your peak approaching, a cold sensation in your back.

“Fuck… I’m going to dump all my cum in your tight little pussy!”

You feel all your cum shoot deep inside Jennie’s womb with your thick cum. Her eyes roll back from how tight you’re choking her as you pump a large load. Her body starts to go limp from the lack of air, so you let go of her neck and see the imprint of your hand around it.

Immediately, Jennie gasps for air and comes back to her senses. “You’re such a good girl, Jennie. I think you’re going to be my favorite toy from now on.”

She gives you a weak smile, grabs your hand, and places it back around her neck, “Keep fucking me, Daddy. I’m your dirty like toy.”

The two of you keep fucking all night long, every time you pump your cum in and on her body. At the end, you take a series of photos and videos of your work, Jennie’s body covered in cum and her cunt oozing out a mixture of both your juices.

—————

You wake up the next day and see Jennie under your arms. You try to get up, but she’s holding on to you. Rubbing her eyes, she turned around and said, “Good morning, Daddy.”

“Good morning, Jennie. How are you feeling?”

“Sore. I can still feel some of your cummies in my tummy. I feel my pussy gaped. I don’t think I'll be able to get married anymore, haha.”

“Good. You’re mine, anyways.”

“Jealous?”

“No. I just got like sharing my toys.” You grab her by the neck with a firm grip and say, “Don’t forget that, okay? You’re mine.”

“Yes, Daddy,” as she feels your strong hand choking her.

You let her go and walk to the bathroom to freshen up. Jennie looks at her phone and sees text messages from her group mates asking if she visited her mom since she didn’t sleep at the apartment.

Jennie replies to them and immediately gets an idea that makes her smile excitedly, “Daddy.”

“Yes.”

“Since I’m your sex toy, how about making the rest of us your toys?”

“You mean your groupmates?”

“Yeah, how bout it? Sounds like fun, right?”

“Doesn’t sound like a bad idea; I’ll think about it.”

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susiephone · 1 year

Text

wtf is dracula daily?

i’ve seen a couple people ask this question on my posts about it, so i thought i’d go ahead and clear it up here!

ok so, the classic horror novel “dracula” is an epistolary novel - that means it’s told via letters, diary entries, ship logs, and news articles. (technically the term “epistolary novel” refers to works told solely through letters or emails, but many have expanded it to mean any work that is told via in-universe documents, hence why diaries and logs often get included as well. “frankenstein” is another classic example; the whole framing device is robert walton is recounting the story he heard from victor to his sister via letter. a modern example would be “several people are typing,” which is told via slack messages, or “the perks of being a wallflower,” which is told via letters from charlie to his anonymous pen pal, which is functionally more like you’re reading his diary.)

because of the nature of the narrative, we actually know the exact day nearly everything in dracula happens - the letters, news articles, diary entries, etc. are all dated.

“dracula daily” is a substack project where the novel is broken up into parts, with people who are subscribed to the project getting emails every day something in dracula happens - for example, the novel opens with jonathan harker’s journal entry on may 3, so on may 3, subscribers are emailed that entry. the action of dracula takes place from may 3 - november 6, plus an epilogue set some years later. the project started in 2021 (i think), but fucking BLEW UP in 2022, and they’re doing it again this year! lots of us are very excited - especially people like me who fell behind last time.

why not just read the book?

valid! due to some parts of dracula being told out of chronological order, dracula daily does reorder some things. for example, the first section of dracula is told entirely from jonathan harker’s pov, then the second section switches the pov to mina murray. their sections have some overlap in the timeline, so dracula daily jumps back and forth between their perspectives.

if you want to read the book as bram stoker intended, dracula daily may not be for you. but for a lot of people (myself included!), it breaks up a very long text into easily digestible chunks (....mostly. there is one entry that is 10k words), and the fact that it’s a big project means there are a lot of people reading along with you.

i think there’s also something valuable about experience the slow revelation of wtf is going on along with the characters. the book which you might otherwise get through in a few days is stretched out into months of suspense and agony as you wait for the other shoe to drop, and it’s great.

plus, the whiplash between “jonathan harker’s neverending horror” vs “lucy is basically on the bachelorette” that you get in dracula daily is very very funny.

how do i sign up?

right here! and if you sign up and fall behind in the emails, no worries - the dracula daily website posts past entries so you can catch up.

what if i prefer audiobooks?

have i got great news for you!

like i mentioned before, i couldn’t keep up with the emails last year. part of it is that it is much easier for me to focus on an audiobook or keep up with a podcast than it is for me to sit down and read, especially with longer entries.

this year, there is going to be a podcast titled “re: dracula” that was inspired by dracula daily. every episode will be a dracula daily entry, with a full voice cast! (seriously, if you listen to british podcasts, you will recognize some of these names. the magnus archives and wooden overcoats girlies are WINNING.) you can find that here.

there is also a podcast called “cryptic canticles” that has an already-completed audiodrama of dracula that i’m told is also extremely good, and was also broken up by date. you can find that here.

why do i keep hearing about paprika/the boyfriend squad/lizard fashion/cowboys?

you’ll see.

oh god am i gonna hear about this nerd shit for the rest of the year

yes. sorry.

#dracula #dracula daily #re: dracula #cryptic canticles

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little-miss-dilf-lover · 28 days

Note

also i remember asking for reader teasing bucky soo.. bucky teasing reader?

my angel !! ofc!! sorry it took me a little longer to post than planned, my tagging issue has put me off uploading😭 thanks for requesting, hope you like it💌

TEASE.

bucky barnes x fem!reader — smut

word count. ~ 600

warnings. 18+ only!!

Sometimes, and only sometimes, did Bucky feel like being mean to you. Not mean as cruel and hateful, but instead teasing - controlling. The need to dominate and have his way with you would strike him from nowhere.

Well, not always nowhere.

It may have been because of the way you bumped up against him during last night’s slumber - perhaps it was the tempting outline of your tits in the thin fabric of your robe during breakfast. Maybe it was how you'd ask him for help reaching things in the kitchen, soft whines with extended arms - or even as simple as the way you'd look at him.

Of course, to you, this was all mindless. You weren't even doing anything to grab the attention of your lover. But not to Bucky. These little things you did only added fuel to the already burning fire.

So now, the need to get his own back was the only thing keeping him going - the only thing to push him through the morning of your accidental and albeit brutal teasing.

You were in the kitchen, cutting some fruit when you hear Bucky’s footsteps entering the room.

"Mango?" you ask over your shoulder, holding up a cube between thumb and index.

Making his way closer, he eats the fruit from your fingers, kissing your thumb as if to savour the juice.

"Good, right?"

He hums approvingly, chewing the last little bit.

"We have the whole day. What do you want to do?" you ask, keeping your eyes ahead as you continue slicing fruits. "We have that dinner with your friends at six, though."

He situates himself behind you, his stomach pressing up against your mid back, arms reaching around to hug you from behind. "Have some ideas," he teases, craning his neck to press a kiss into the side of your neck.

You hum, amused and intrigued, silently asking him to share.

The hands wrapped around your middle trail downwards, one fleshed palm grazing over the bow of your robe - slight force sliding through the gap underneath. With his skin flat on your skin, you feel the warm contact of his touch.

Though, that only lasts so long before the placement of that warmth shifts, moving swiftly to hover over the front of your underwear. Bucky's middle finger itches down, the pad brushing over your clit through the fabric.

"I have to meet Sam out front in five," he whispers into the skin at the base of your throat, the words warm and soft against your skin.

"Wait, what?" you mumble, tone whiney from the toying between your thighs.

He hums, the sound silky.

"That's not long at all," you mutter, reaching for his hand on your cunt - wrapping your own around his wrist needily.

"I know, honey," teeth grazing up the delicate parts of your neck. "Which is why we have to finish this up later."

"No, what?" your head drops back against his shoulder, eyes looking up at him eagerly. "That's not fair. No, come on, please."

"I know," he coos, frowning with faux sympathy - a faint smile creeping through. "So mean of me."

He slips his hand from between your thighs, moving back up to retie your robe before standing aside. He reaches for a piece of mango on the chopping block and pops a chunk into his mouth, eyes lazily taking you in.

"I'll be back in an hour," he presses a kiss into your cheek and moves to the front door - slipping on his gym shoes.

"Don't wanna hear it. You're not my friend anymore."

apologies this is kinda ass

#request #yonlyssguts #bucky barnes #bucky barnes smut #bucky barnes x reader #bucky barnes x fem!reader #bucky barnes x female reader #bucky barnes x you #bucky fanfic #bucky x reader smut #bucky x reader #bucky x female reader

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hotluncheddie · 2 months

Text

‘I just don’t get it.’ Steve says, slamming the apartment door, pouting.

He throws his keys down on the counter in a huff. Untucking his polo from his skin tight ‘date jeans’ and rubbing his fingers soothingly over the little indents they’re leaving on his belly.

Eddie and Robin are splayed out on the couch, air hazy with smoke and a half eaten pizza on the coffee table. ‘What babe?’ Robin asks, lifting her arms up and making grabby hands at Steve.

He slumps over and falls into her side, snuggling into her shoulder and taking a puff form the joint she holds to his lips. ‘I though coming out as bi would mean I’d go on nice dates, like I used to take girls on. But people would take me on them instead, guys or girls.’ He explains, taking another hit.

‘Ah. Brian wasn’t the one?’ Robin asks. Putting the joint back in her mouth and tucking Steve closer under her arm.

‘No.’ Steve pouts. ‘He was lame and he got all weird when I ordered pie. Which, like, we met at the bar, he knows what I look like, it’s not surprising that I ordered pie. Then he started yapping about his jogging routine.’ Steve rolls his eyes, undoing the fly of his jeans so he can kick them off and get comfy on the couch, like he always does, ‘date jeans’ are way too constricting for high pizza time. ‘Like one, bold of him to assume I don’t jog when I do, like, when I feel like it. And two, the pie was really good! I even offered him a bite and he didn’t even accept it! Rude!’

‘So rude.’ Robin pets at Steve’s head.

Eddie unsticks himself from the sofa to get another slice of pizza and pass one over to Steve in consolidation. Nodding along to what Steve is saying as it passes through the soup of his brain.

‘Like I know people like to sleep around and that’s fun and all but why are they so bad at dating?’ He pulls another deep drag of the joint Robin holds for him, chewing a bite of pizza as smoke billows out between his lips. ‘Why does no one want a cute fat boyfriend with great hair? Why do they just see me as a piece of ass?’ He whines, the weed hitting him now.

‘Because your ass is great babe.’ Robin says, stealing a chunk of his crust. ‘Top tier ass.’

He looks up at her with big eyes ‘Yeah?’

‘Yeah.’ She smiles at him, pinching his cheek

‘I want a cute fat boyfriend.’ Eddie sighs, from the other end of the couch. eyes glazed over staring at the muted tv screen, his slice of pizza held untouched in his hand. ‘I’d take him out on nice dates, brush his hair and help him try on pretty clothes. I could kiss his chubby cheeks and cuddle him and call him sweet names..’ He sighs again, finally taking a bite.

‘You know Eddie, Stevie here on the couch is single.’ Robin says, getting up to go to the kitchen. Leaving the joint in Steve’s mouth.

Eddie looks at her go. Blinks hard a couple times and looks at Steve. Sprawled out on the couch cushions, belly peaking out of his shirt. His lovely roommate Steve. Cute and fat and silly hot. ‘Maybe I even want to hold his hand as we take a little walk. Maybe I want to take care of him and spoil him and make him feel like the world spins around him. He could get fatter, if he wanted, because i lo-like him so much.' Eddie continues. Confesses. Eyes wide and heart racing.

Steve’s cheeks are pink, eyes glassy and pretty. ‘Me?’ Steve points at himself, joint between his long fingers, looking at Eddie, looking all over his face.

‘Yeah.’ he breaths. Matching the dopey smile that spreads over Steve’s face, besotted and beaming.

me and @scoops-aboy86 were talking about this post. so now you all have to read the silliness too xoxo

Tag list (open): @pearynice @xxfiction-is-my-realityxx @chickensinrainboots @cheesedoctor

#hotlunch #drabble #chubby steve harrington #idiot4idiot #my new fave #steddie #hope ur day brightens partner *tips cowboy hat*#steddie wg #stobin soulmates

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softlyspector · 3 months

Text

The second crow

Summary: There's not much in your tiny town, and Joel doesn't expect to stay long.

Pairing: coal miner!Joel Miller x f!Reader

Word count: ~13.5k

Warnings: once again writing about grief, mentions of suicidal ideation, small town setting and drama, past death of a parent (reader), past death of a child (joel), avoidant reader, mentions of natural disaster, anxiety, brief smut, smoking, alcohol mention

A/N: She wrote another long ass fic! This took months to write and then collected dust in the drafts because I'm scared. This is the kind of thing I post and run away from because there is so much of myself in it. This is probably the most me you will ever get. Please allow me this little moment to be sappy about it in the author's note. I don't know if anyone even reads these but I'm going to shove my love in here anyway. This fic is very special to me for a lot of reasons. It deals with a lot of personal issues I've been grappling with, and it is very much a love letter to where I'm from. I hope you enjoy this fic, can find something in it to relate to, and can appreciate the little slice of idealized love for home I've indulged in here. Thank you for reading! And as always, I would love to hear any thoughts you have.

And, he will never, ever know it, but this fic is very much dedicated to my best friend, who was the first person to hang on and say I won't let you go this time.

The door clatters back in the wind; the glass rattles in the frame. Snow swirls into the front foyer before it slams shut again.

A man you don’t recognize steps through the archway, and into the front room. A layer of coal dust lays fine and thin over his coveralls, settled into the creases in his face. He carries a battered miner’s helmet, a duffle bag, a rifle, and nothing else.

“Hi,” you say, surprised from your place behind the kitchen counter, plucking down holiday decorations that had long overstayed their welcome. “Somethin’ I can help you with?”

“Sure,” he nods and approaches, eyes flicking around the small front room, overcrowded with furniture that was in style thirty years ago, peeling patterned forest green wallpaper that you’d love to be able to replace one day, or at least fix up.

You can’t be bothered to feel anything but curiosity.

Strangers are a rare thing.

Rarer are strangers that come from so far away that they do not know not to come inside covered in coal dust and snow, before they have cleaned off. It sloughs off him in minute, shimmering waves, fine lines of black that sparkle in the white, winter light.

Rivulets of sweat cut through the dust on his face and neck, and pools at the base of his throat. Snow melts in his hair and along the shoulders of his coat from the blizzard outside.

A chunk of ice falls off his boot with his final step toward you. You watch it slide across the floor and under the edge of a battered bookshelf. “I’m lookin’ for a room. Guy at the bar pointed me here.”

His accent is a drawl and not a twang, the syllables of his words hang long in the air. Not quite southern. It takes you a long second to pin-point its origin. “Tell me, do they have coal mines in Texas?”

He blinks at you, fingers tightening on the rim of the hardhat in his hands. “Yes ma’am.”

“And did you mine coal there?”

“Can’t say I did.”

“And you didn’t get much snow either, I take it?”

He huffs out a surprised, exasperated chuckle. “Not like this.”

“I figured so,” you smile. “With that way you’re trackin’ dust and ice across my floor. You’d know better than to come in the front door like that. Or at least to stomp off the snow a little.”

The stranger looks back at the mess he tracked across the room and then turns back to you, looking sheepish, maybe a little horrified. “I apologize, I shoulda realized—”

“Don’t worry about it,” you shake your head. “It’s all right. But most folks along this street will feel the same, except the bar, so keep that in mind.”

“Yes ma’am.”

“A room you said?”

He nods, then shakes his head. “Well, if I didn’t offend you too bad, that is.”

“You didn’t. But you should know we got a miner’s shower in the basement.”

He just nods again, glancing around the room. You didn’t think someone could get culture shock from your little town, but you think you see all the fixings of it on this stranger’s face. The coal dust and the slushy streets aside, the miner’s shower and kicking snow off his boots seems to have done it.

He looks lost, in more ways than one. Down on his luck, melancholy but different to the kind of sadness you usually see. Tired. Like there's something missing about him.

You go through the motions of asking how long he’ll be staying with you, figuring which room to put him in — end of the hall, you decide, the least drafty of the two. Not like you ever had many guests.

You can’t help feel a little sympathy for him, standing uncomfortable in the middle of the room because you’d pointed out his mistake.

“So, Texas, what brought you to our little town?” You ask and pull on your coat, motioning for him to follow you back outside.

The front steps are slick with ice, in need of another layer of salt. You step carefully over it, the stranger offering you an arm to hang onto as you descend, and lead him around the side of the house, the path already dug out from the snowfall of the previous night.

Dark is falling quick, the sun sinking below the mountains, layering the valley in its usual early darkness, the crests of the hills in the distance cast in an eerie golden orange even through the snowfall.

Texas doesn’t answer you, the tread of his footsteps quiet behind you. When you reach the back of the house, snow up to your ankles padded in from the yard, you turn to face him, snow battering at both of you. “Just work.”

“Why here?”

You like knowing strangers. They’re easy to know, because there’s no chance of them turning and knowing too much, of looking behind your questions and smiles and seeing anything important. You are anonymous to them as they are to you, and that's how you like it. Nothing you might reveal means anything.

He doesn’t answer you and so you leave it. “Well, whatever brought you here, we’re glad to have you. We don’t get many folks from other places.” You turn to the door you’ve led him to, “Now, when you get in from the mines, you come in this way.” You hold up the proper key and let both of you in. “Just to rinse off, y’know? Won’t make you clean up down here, too cold. But otherwise, you can come on through the front door as long as you kick the ice off your boots. All right?”

“Yes ma’am.”

He sounds so serious and polite, brow lowered over his eyes.

“Well, okay,” you smile. “I’ll leave you to it.”

Yours is the first place Joel lands in a long time that he feels comfortable.

Everything has a worn, lived in feel to it, like generations of families and visitors and travelers have passed there before him, like the warmth of their ghosts still linger in the walls and beneath the floorboards.

The front room is cluttered with books and all kinds of knicknacks, postcards that look like they were sent by people who passed through or visited before the town stopped getting so many visitors. The wallpaper is peeling and the floors groan no matter where he sets his feet.

It reminds him of somewhere he’s been before, or something he used to know, and can’t say exactly what.

Maybe it just reminds him of all the comfortable places he’s ever been, that very particular small town intimacy that he’s tried to remain anonymous and separate from for the last year or so.

He means to stay just until the snow storm passes.

And then it does and he keeps on staying.

It’s funny, how quick he takes to you, feels the ache of something settled just at the bottom of his chest, echoed back at him in your eyes. A kind of loneliness and seeking that he tramps down any time it dares raise its head.

“You know,” you had said the second evening he was there. He had been thinking about getting something to eat, and instead found himself letting you pour him a cup of coffee. “You can stay for dinner. We used to feed everybody who stayed here. But that was before the passenger trains quit running. Before my time, nearly. Now it’s just those guys that pass through and wanna go over to the bar anyway.”

“I don’t want ya to go outta your way—”

“Please,” you’d scoffed. “I’d be glad for the company.”

“All right,” he’d found himself agreeing to that smile, the invitation of company he hadn’t wanted or needed in a long time. “Anything I can help you with?”

You’d shaken your head and he sat when you’d gestured at the table. “Very kind of you to offer, though, Joel.”

He hadn't been sure what to say either, that second night, because he’d been alone for so long, and talk had come at a minimum since he left Texas.

The house sighed and Joel sipped his coffee, watching the points of your elbows, the jut of your hip, as you cooked. It didn’t matter that he hadn’t been sure what to say, because you had; well versed in quiet strangers it seemed, which would come to bother him.

He would come to hate how easily you get on with strangers and push everyone else away.

But he hadn’t known that the second night.

Maybe he just hadn’t realized how starved for company he’d really been. But he liked you right away and the way you just talk, every thought you ever had floating up and right out of your mouth without a filter.

It takes his mind off the things he tries to forget anyway.

So, he had eaten with you that second night and every night that he can afterwards.

A week passes and you expect Joel to move on, like everyone does. But he doesn’t, he asks for the room for another week, and then another, and another.

Joel clips steadily into your life, until he’s part of your everyday routine.

He gives you extra money for the dinner appointment he keeps with you each night, though you tell him he doesn’t have to.

He makes himself helpful in the evenings even though you suspect he’s always exhausted but never able to get any shut eye. He drinks coffee by the pot full, and though you wonder what it is that keeps him up at night, you don’t ask. You don’t ask anything of him, because it isn’t your place, though your curiosity burns hot.

The stranger is becoming not a stranger and you don’t know how to feel about that. Maybe this time you would manage to let someone in without feeling like the world might cave in on you.

The stranger, Joel, is kind and sometimes funny. He’s handsome and it’s hard not to like his company. He doesn't talk much but you don't mind.

The dark shadow that hangs behind his eyes has nothing to do with you. But it gets hard to remember that when you end up spending so much time with him.

It isn’t long before your neighbor, and friend, starts in on teasing you about him. Each time Janie comes to the back door with fresh bread from the bakery she makes eyes at you and asks after your handsome boarder.

You claim to know nothing of him, despite knowing so much and so little all in one.

You start to worry every Sunday that he goes out on his own into the woods that he’ll never come back, and that all you’ll have left are the footprints he left in the snow, and even those will be long gone when the year eventually and inevitably warms up.

It scares you that it worries you at all. It shouldn’t matter at all if he suddenly disappeared into the snow.

But he always comes back, never with any game even though you told him nobody cares about the no hunting on Sundays rule, and with a look in his eye that says he did kill something, just not something you could see.

When you figure out he’s carrying nothing to work with him to eat, you insist he go next door and get some pepperoni rolls from Janie. “What is it?”

“What’s it sound like?” You ask and roll your eyes. “They’re good to take into the mines with you. You can’t work thousand hour shifts and not eat. Don’t you have a lunch bucket or somethin’?”

“Thousand hour,” he scoffs. Then, “No, I don’t.”

“Jesus, Joel.”

He laughs and it’s the first time you’ve heard it. It’s nice, and sounds surprised in the air, punched out of him in a short burst. “All right,” he agrees. “All right. I’ll figure somethin’ out.”

But he leaves before the sun comes up and comes back long after it’s set and so you can’t just let it go. His whole days are set in perpetual darkness, and the very least he needs to do is eat proper.

You know you shouldn’t, but you worry about him.

“Just do it,” you grouse at him, shooing him away from the coffee pot. “She makes ‘em fresh everyday and it would make me feel better. It’s common, anyway. It’s what a lot of guys take down there. And you wouldn’t want me dying of worry over you, would you?”

Joel grumbles about it, but he does as you ask, and when he comes in in the evenings, he doesn’t look so pale anymore. The bruises under his eyes never go away, the puffy bags of sleeplessness that he supplements with coffee at all hours of the day, morning and night, but he doesn’t look so wan and so it’s better.

Even quiet as he seems to be, he looks at you when you talk and always says thank you when you put a plate down in front of him, and makes it out to be a great ordeal when he asks if he could trouble you for a cup of coffee.

One evening, a couple weeks on, he slumps down at the table with an unusual amount of heaviness. His shoulders are damp with a thousand snowflakes, coal dust rubbed haphazardly off his face, the weight of a heavy sky on his shoulders.

Joel asks for a cup of coffee but he looks like he’s been sleeping even less than usual.

He looks exhausted, purple bags beneath his eyes, and even though it’s none of your business, you ask, “Sure? Might be you won’t sleep.”

“I’ll be all right.” His voice doesn’t leave room for argument, a tad dismissive.

“You’ll eat with it,” you snap. “Or you can go find it somewhere else.”

He blinks up at you, surprised at your tone. “I can be mean, too, Joel Miller.”

It takes a second but he nods. “I’m sorry. I was raised with better manners than that.”

“I know it. It’s all right.”

Almost like an apology, he tells you about Texas that night, about his brother, about what he’s found he actually misses from home, how he used to be a carpenter before he did this, how he can play the guitar.

“What is it you’re lookin’ for?” You ask softly when he stands at your sink with bowed shoulders, washing the dishes, meticulous about it.

He shrugs. “That’s just it,” he says without looking at you, hands reddened with the heat of the water. “There's nothin’ to look for.”

“You’re that Mr. Miller, aren’t ya? Lives over at the inn, right? Have all winter long?”

Joel is in the tiny general store. It’s mid-March and you asked him to get milk. There’s about five shelves total, a freezer, and a refrigerator. He’s been in and out plenty of times without any kind of trouble.

He glances at the man leaning against the cooler door next to the one he has propped open and gives a vague nod. “Sure.”

“Well, we was just wantin’ to know what’s got you hangin’ around over there for so long.”

It ain’t phrased like a question.

Joel glances over his shoulder, finds two women and the owner of the store looking over at them from the front counter.

“Mister?”

He turns back to the man attempting to intimidate him. “That so?”

“Sure do.”

“Well, she don’t seem to have a problem with my stayin’ there,” he grabs the milk you’d asked him for, the least he could do after all those dinners you cooked. He tries to repay you, do things around the place but you’re resistant to it, independent and sometimes angry, and damn stubborn about it. “So I really don’t see what that has to do with you, anyhow.”

The hostility bleeds red in the air. He pays for the milk and doesn’t wait for the change, figuring he wouldn’t get it anyway, and that a few coins didn’t matter anyway.

When he opens the backdoor, snow and ice and street grit knocked carefully off his boots at the bottom of the steps that led up to the porch, you smile at him.

“You got some protective friends.”

“Excuse me?”

He tells you what happened, lets you put a cup of coffee in front of him on the table and press a friendly hand to his shoulder.

And, Jesus, it shouldn’t, but it makes something deep in him ache. If your hand lingered, if it rubbed the top of his spine and between his shoulder blades, he’d be all right with that; he’d lean into it.

But your hand disappears just as quick.

“Oh, honey, they’re just suspicious of anyone that hangs around town for too long.”

“Why’s that?”

“You ain’t noticed? We don’t get people from other places around here, and the ones we have take everything. With not a lot to go around. They just don’t know you.” You smile wryly at him over your shoulder, mouth twisted crookedly. Your gaze flicks over him, lingering for a second, but then you shrug and turn away.

“Make an effort, if you care to. They’ll come around. They just don’t know you, it’s not like you get out,” you rib lightly.

“Cute.”

“Can’t help you go from here to the mines and back and that’s it.” You’re smiling when you say it, the curve of your cheek visible to him even though your back is turned.

He rolls his eyes and you laugh when you catch him doing it.

He can’t figure why it matters to him, but it does.

So, Joel makes the effort, or does his best to.

He makes his way over to the neighbor’s place and offers to fix their front step he noticed was loose, wood rotting through. He fixes someone’s leaking roof. Runs deliveries of groceries to the old folks who can’t get out and regale him with stories that take at least two hours to tell. He shovels snow until he’s so exhausted he does actually pass out at night.

It gets around that he’s handy and not asking for anything in return and a nice young man according to the older people and so he finds he has something to do each evening for almost a week straight.

Maybe that was a mistake, but if Joel knows anything it’s that small, poor towns run on favors. He knows that you smile when he tells you why he’s back so late each evening.

A week or so after the general store incident, he receives a parcel of muffins, and overhears one of the neighbors commending him in your kitchen. “Maybe he’s not so bad. We was worried. No one ever sees him. You should bring him over to the church sometime.”

It shouldn’t matter, but it does. You laugh and say, “I don’t think either of us are the church goin’ type. But I always know a good man when I see one, you should know that by now at least.”

“You sure do. Think he could fix our porch swing before spring comes?”

“Don’t see why he couldn’t.”

He makes an effort to be seen. It’s nice, he guesses, that people know his name again. It’s nice to feel needed somewhere, even if it smarts a little. It’s nice to feel like maybe he isn’t looking for nothing anymore.

Joel tells himself that it just makes things easier for him, just so he can get goddamn milk without being accosted. Milk for you, for dinner.

No, it has nothing at all to do with you, or the way you called him a good man, or the way the tips of his ears went hot with it.

Not getting to talk to you for a week straight in the evenings almost becomes worth it.

It has nothing at all to do with that big lonely hole in his heart, or the memories that snagged like sharp teeth at the edge of that wound.

The mines are way out past the edge of town.

It’s a long damn walk there and back. The morning is pitch black when he sinks into the cold earth, and only dregs of light are left when he comes back up in the evenings.

But the town, when he draws near, sparkles with light, bright with moonlight reflected on the snow that won’t seem to melt, even as April begins to creep in.

Spring should be well on its way, but the world still smells frozen and bruised, like pine needles and coal dust and the enduringly brutal cold.

Most that stay in town are just passing through town, on their way to somewhere else. He finds he doesn’t mind being the only permanent fixture at your place.

Some of them are all right, most of them really, but a few make him wary. He worries about you, though you don’t seem concerned about being alone. He supposes you did it long before he got there, and you’ll do it after he leaves.

They’re gone within days, anyway, so he doesn’t say anything about it. But he wants to, the words like bubbles that want to pop in the back of his throat. He wants to tell you to be careful and not so friendly.

He’s exhausted by the time he makes his way to the basement door, folds away his coal encrusted oversuit and rises off the worst of the sweat and dust quick. He’ll take a proper shower later.

You and him have fallen into a routine the last couple months, the fine sharp edge of April waiting just around the corner, and with it the hopes for warmer weather, that the temperatures will rise and the wind won’t bite quite so harshly.

There’s always something hot waiting for him on the table, even if you aren’t there to see to it. Most nights you’re there, but you are busy. More times than not lately, you’re somewhere else, doing something else, maybe like you’re trying to unstick yourself from him just a little. But you’re just busy, popular in town as a local, a regular nearly everywhere.

He always sits with you when he gets the chance, eats with you. He likes to. It keeps his mind off of what he’d left behind, what he lost.

Just like working himself to death all day does. It’s hard to think beyond the physical, backbreaking pain of the labor to what lay in back in Texas.

You and him create a routine together, solid and steady.

When it’s interrupted, he hates to admit it burns.

It hadn’t taken him long to realize that you are profoundly lonely, despite the plethora of people in and out of your life—the visitors and guests, but the townspeople, too. You’re a regular everywhere, and somehow always alone.

You’re friends with the baker next door, at least. As far as he can tell, she’s the only person you’re really close with in the town.

The baker has started coming to the back door in the morning, a sly smile on her face that he’s not particularly keen on. He has started taking the basket from her, answering the knock that never waited to be answered, the door always pushed in before either of you could get to it, a basket of fresh bread and the pepperoni rolls he’d started buying off her weeks before to appease you.

He forgets to eat more than he ever has before. It just doesn’t seem to matter.

A couple times a week, you sit down to cards and cigarettes and drinks with the baker. He listens to the gossip from the front room, a book with words that blur and never sink in propped on his knee. To hear the two of you together, it makes something in his throat close.

He usually has Sundays off, days where he’d climb out into the great unknown of the valleys and hills that surround the picturesque town, almost village-like with all its holiday lights still strung up to keep the long dark days of the enduring winter season at bay, and, rifle in hand, go hunting.

It’s illegal to go hunting on Sundays, but you assure him no one cares as long as it’s after the church services are over.

He never manages to get a shot off anyway, so it doesn’t really matter.

Everytime he thinks he’ll be able to lift the gun to his shoulder and pull the trigger at the creature sighted in the scope, he doesn’t, he can’t. He sees his daughter instead. He sees Sarah’s closed coffin; he sees her bloodied face, shards of glass spread around her like a halo of sparkling snow; he sees her blonde hair stuck to her forehead with sweat, tubes crawling in and out of her mouth and chest and arms.

And all Joel has to show for it is a scar across the bridge of his nose, a tight pinch in his right shoulder that hadn’t been there before.

There are a lot of deer around, but birds, too, ducks and geese, rabbits, foxes. All of them remind him of his kid and so the rifle remains unused. He can’t help but feel like he might be killing his kid all over again.

The basement is dark and chilled when he gets in, but not cold or damp. Snow crumbles from his boots and leaves an icy shine behind. There’s a broom beside the door and he does his best to sweep the mess to the drain in the center of the basement floor.

Something weary weighs on him. He feels heavy all the time, tired beyond belief, and like a hole might open up in his chest at any moment, like the heart of him might slip out, bloody and mangled, right onto the floor.

This isn’t the first town he’s stumbled onto, lost and wandering, unable to stay in Texas without thinking of his girl. It is the first town he’s stayed in longer than a week.

It’s been near a year since she passed in that hospital, machines turned off, chest ceasing to rise and fall.

He thought he could take it, be strong, be there as his child died right in front of him.

He’d had to agree to it after all, sign all the right papers and talk to all the right people, and get a thousand and one second opinions from all kinds of doctors to be sure.

No brain activity. No chance of ever waking up. Hung in limbo forever, and he couldn’t abide that, that maybe she was in pain and trying to move on and leave and find rest and he wasn’t letting her.

They assured him that she would not feel a thing, and that was good, but no one warned him that he would be the one taking it all on. It felt like being carved open, split down the middle, like he was raw and turned inside out and someone was holding a hot needle to his lungs.

He hadn’t been able to help the way he fell to his knees and howled, sobbed.

So, after the funeral, he sold his house and left. Did odd jobs and backbreaking seasonal work for almost a year, a different town every week, until he stumbled on this mining town, deep in the hills of some place long forgotten.

By the looks of the buildings, it might have been busy once, trains and visitors and people, but the mines feel like they’ve been there since the beginning of time. There’s something ancient in the air and down in the deep earth.

Maybe he stays because he got into town on the anniversary of the accident.

He’s goddamn stupid if he doesn’t think it has nothing to do with you, though.

Joel should have already moved on when he heard about your little inn, in the bar down the street, but snow had moved in, so thick and white, he couldn’t see more than an inch in front of his face. The roads would be bad for days after, the least he could do was get away from that shitty company housing while he waited, and get a few more days of pay.

But the roads cleared, and a week passed, and then another, and another, and he still hasn’t met that urge to keep moving, to put space between him and Sarah. He only thinks of her when he’s trying to sleep, and those fateful Sundays.

The kitchen is empty and cold when he closes the basement door behind him, a thin wind spiraling in from the cracked open back door.

The porch is dark but the outline of you is clear, sitting on the plastic-covered porch swing with a cigarette between your fingers. “Those things’ll kill ya they say,” he says by way of greeting, leaning against the siding.

“And what exactly do you go breathing in everyday down in them mines that’s so healthy?” There’s a snap in your voice that usually isn’t there, that mean streak that lashes out from time to time.

Joel pulls the door almost shut, shuts the little bit of light leaking outside away. “Are you all right?”

“Sorry.”

“S’okay,” he says. “Should I leave ya?”

It takes a minute for you to answer. “Get a coat and come sit.” After a second you add, “If y’want.”

So he gets a coat and sits next to you on the swing. The plastic crinkles under his thighs. “Do you smoke?”

“I used to.” He should leave it at that but more words follow that he doesn’t intend. “Stopped years ago, a couple months before my - my daughter was born.” He falters a little on the words.

Joel braces himself, stiffens, all the bone and muscle inside of him going deadly tight, waiting for the inevitable questioning. Maybe you don’t care to ask or maybe you feel him tense or hear something in his voice because you don’t ask.

Something pricks at him, disappointment maybe.

“Well, it’s just us here,” you say simply. “You want one?”

Sarah never knew he smoked.

He takes the one you offer and the packet of matches.

“I don’t usually,” you say without prompting. “Smoke, that is. Sometimes when I drink.”

Joel takes a long drag and holds it in his lungs for a long minute. It feels good and tastes as bad as he remembers. “Card night.”

You smile at him, cigarette slowly brought to your lips. “That’s right.”

He almost asks what it is that has you smoking without your friend, but he figures you’re about to tell him anyway. You talk a lot. He likes that about you.

So he waits.

And you don’t say anything.

There’s just a long melancholy silence where your words normally are.

On a usual evening, he comes upstairs and bothers you about letting him help you some way. You don’t like letting people help you, like it even less when he just does it anyway.

On a usual evening, he’s threatened with expulsion from the kitchen, and then gets caught up on local dramas, some of which he is beginning to understand, while he sits at the table with a cup of coffee and you pretend to never need help.

The snow makes a sound as it hits the piles of the stuff that has yet to melt, frozen hard and unforgiving everywhere.

He’s never been around snow, much less sat outside as it fell.

The whole world goes quiet with it, like he got sucked into a black hole and sound got swallowed up around nothing.

And in the silence, he can hear the individual plunks of each flake settling onto the frozen ground. He wouldn’t have thought it made a sound at all.

“You sure you’re all right?” He asks and slips one arm across the back of the swing, realizing that you never answered him in the first place.

You just draw in another long breath and inch closer to him on the swing.

Maybe he’s not as crazy as he thought. When you look at him, there’s something in your eyes, a grief that he feels reflected back in your eyes, sharp like a tack shoved into the delicate skin between thumb and forefinger.

The ache in his chest is present on your face.

“Just one of those days,” you say and smile. “Sorry I’m not myself.”

You’re plenty yourself, just muted. Quiet.

He does quiet pretty well, so you just sit there and listen to the snow, breathe it in, shudder against his arm until he just wraps it around you, trying not to put too much thought into it.

You don’t look at him. “Thanks.”

“Mhm.”

He’s not sure how long you sit there. He just knows he’s numb when your hand covers his, your fingers feel hot against the freezing ache that’s set in.

“My dad was a miner. Pretty much everybody is around here, I guess. Those mines,” you say and shake your head. “They give. We wouldn’t exist without ‘em, but they take too. They take what they think they’re owed in the end. You can’t take that much out of Earth that old and expect nothin’ bad.” You hesitate for a long moment but when Joel squeezes your hand, you continue. “My dad died in a mine collapse around this time a couple years ago. So I guess that’s what I'm thinkin’ about today.”

There’s a long moment of silence, and, slowly, your head tips against his shoulder. The cigarettes are stubbed out, the butts deposited in an ashtray. “Usually, this time of year all the snow is already gone. And then the rains come and everything floods. And that spring, the mine collapsed with it.”

He thinks of telling you of his own grief, his own loss, and the way he ran away from it. The way he’s still trying to run away from it. But something sharp twinges in his chest and he stays silent. Layering his grief over yours wouldn’t help no one, least of all you.

Telling someone about her, someone who didn’t know her, having to describe her — he wants to, and can’t imagine doing it, all in one.

Maybe it isn’t right to, anyway.

Instead, he squeezes your hand, tilts his chin against your forehead. “You always run this place?”

“No. Back when there were people still passing through, my aunt did. It’s not like there’s much else to do around here so I just decided to keep it going when she left.”

“It’s nice.”

“Think so? One day it’ll be a five star hotel.”

He chuckles. “I don’t doubt it. Almost too rich for my blood now.”

“Honorary guest,” you disagree. “Always. Room reserved for you, just in case.”

“Uh-huh.”

“I’m serious,” you laugh and relax fully against his shoulder; the tension bleeds out of you, the curve of you spilling softly into him.

You sit like that for a long time, until the snow stops coming down.

It’s then that the world does go silent as a grave, like the two of you are the last people alive.

“It’s been real nice havin’ you here,” you say suddenly and quietly, like someone might hear, like you might disturb him. The puff of your breath clouds, crystalizes in front of him like something physical he might pluck from the air and put in his pocket.

Glad to have been here, glad to be here, he wants to say and doesn’t. It feels wrong to be glad to be anywhere at all.

When you tilt your face up, your eyes are soft. He doesn’t even think about it.

He just kisses you.

You taste like blackberries, dark sweet and sour. The cigarette on your tongue is only an afterthought. The sound you make when he cups your head in his hands and tips it back, rehomes itself in his chest.

When he pulls you into himself, you sigh.

Five days later, it’s a Sunday. Another snowstorm is passing through the hills, and any snow that had managed to melt that week comes right back.

Joel only realizes when he’s brushing his teeth—preoccupied with thinking about maybe not going hunting for once, and cleaning the damn rifle instead—that it’s unusually cold. He rinses his mouth out and goes to find you.

The steps creak and crack as he descends them, like they’re covered in a spiderwebbed ice that might split and send him into some achingly cold depth if he isn’t careful.

He finds you bundled up in a coat by the backdoor, a scarf wound halfway up your face, just your eyes visible above the fabric.

“I’m sorry,” you say, voice muffled and eyes wide. “The heating went out and there’s nothin’ to be done about it until the snow clears up a little and it ain’t supposed to until tomorrow.” You shake your head. “Never snows this goddamn much or this late in the season,” you gripe, a bitterness in your voice.

“Well, that ain’t your fault,” he says, watching you wiggle your fingers into a pair of gloves. He thinks you’re just layering up, but when you reach for your boots by the back door it becomes apparent that you intend to go outside. “And just where do you think you’re goin’?”

You pick up a basket next and reach for the doorknob. “I need wood for the fireplace—”

“Then let me get it for ya,” he says, stepping into his own boots, tugging the basket out of your hands as he goes. “You’ll freeze out there.”

“No, Joel, you’re a guest here—”

“C’mon,” he says. “It ain’t like that now and you know it.” You don’t say anything but when he looks up, you’re frowning at him. “We got anyone else around?”

“Just—it’s just me and you.”

He doesn’t know why you sound so upset about it. “Good. Now where’s the wood?”

You blink and glance away, pulling at your gloves nervously. “In the shed. Should be enough little pieces but the ax is by the door if some of it needs broken up.”

“Okay.”

“I’ll have some coffee ready for you.”

“You don’t gotta do that.” He opens the door, snow swirls in.

“I’m doin’ it anyway.” Then. “Joel?”

He turns.

“Thanks.”

He’s not sure what he’s being thanked for and you still aren’t really looking at him, so he nods and plunges into the white blur that is the back yard, the whip of blizzard wind harsh against his face.

Inside the shed he finds that more of the wood does need axed.

He can’t get the way you looked at him out of his mind. You’ve been busy the last couple days, always out or taking care of something, pushing away any of his attempts to. . .what? He isn’t sure. Maybe that’s the problem. Maybe he made things complicated, messed something up along the way.

He fears that pushing has nothing to do with the grief that had made a home on your face that evening you spent on the porch together, but what came after and what he hadn’t said.

You have been different too. Like something wary and stiff.

He chops the wood, feels every lift and swing of the ax. It seems to ache more in the cold. Everything does.

Joel shoves the wood into the basket and stacks the extra pieces back onto the pile. The house is marginally warmer than outside without the brutal slice of the wind. He leaves his boots by the back door and finds you poking around in the grate of the fireplace.

You back away when he approaches and it stings that you do.

“Somethin’ the matter?”

“No. ‘Course not.”

But there is. Some kind of wall went up between you the other night. He should have said something. “All right. I’m, uh, I’m gonna get outta your hair for a while.”

He doesn’t think of being in a blizzard, just that he needs to get out of your house before you ask him out of it, before you kick him out of it.

The only thing he can think is that he doesn’t mean shit to you. Somewhere along the way, things got messed up, like they always do. His ex-wife’s face flashes behind his eyes, all that happened with her, all of it that always seemed to be his fault.

Joel grabs his gear and goes out into the blue-white of the snow and makes his usual trek to a spot up in the hills. He sits with his back to a tree and listens to the way the weather beats down. The metal of the rifle goes ice cold between his knees, the bluster of the wind coats him in a perfect white.

He might just be the only living thing out. The world is quiet apart from that brutal, beautiful shush of wind through trees and snow through air.

He’d be ashamed to admit it, but the only thing he thinks about that day, is you.

Joel’s hair is still damp and curling lightly against the back of his neck when he finds his way to the kitchen.

He’d come back frozen to the bone, ice in his hair and eyebrows and the webbing of his lashes. It’s all melted now, and you have to resist the urge to reach out and touch him there, the back of his neck where you know his skin is soft, the feathery thick hair that grows a little long these days.

“You have a minute?” Joel asks, right hand toying with the strap of his watch. He’s looking at you the way he always does lately, like he got caught with his hand in the cookie jar. A stab of guilt rakes pointed talons along your belly.

You did that, you always do that.

Stop it, you think. Don’t do that this time.

“Hey,” you nod, trying. “Sure, I do. Was gonna ask you to come sit with me anyhow.”

He pauses, takes the cup of coffee when you extend it to him, fresh brewed, a peace offering of sorts. Peace over what, you don’t know. “Y’were?” He sounds surprised, takes the cup from you, his fingers brushing yours.

“Sure,” you answer, swiping your hand over your thigh. His gaze follows. “It’s just s’cold upstairs. Electricity’ll be out ‘til tomorrow probably. At the earliest. So.”

He nods and looks down into his cup and you feel bad about the last week again. Of how you’re pushing again and don’t know how to stop. You held him at arm's length, made sure you were out and busy and away, watched him stop smiling at you again, replaced instead by uncertainty.

It’s unfair.

He should probably hate you over it.

You wonder why he’s still here.

When he looks up at you, you smile and his shoulders relax marginally. “All right. I’m gonna get more wood, then I’ll be there.”

You show him the bottle of whiskey when he comes back inside, smelling of frozen air and pine. “Just to stay warm,” you promise.

He doesn’t say no to the drink you pour him, or the way you inch closer to him.

Because it’s cold, you tell yourself, just like it had been on the porch that other time.

The pull of longing in your chest hasn’t eased since then. You shouldn’t have let him, you’re bad at hanging on to people and afraid they’ll disappear, and you’d rather hurt by choice. You’d rather be alone and ache.

But Joel is here and real and still in front of you, still looking at you.

It’s terrible because he wants you to know things about him and you want to run away. You want to push him away, until he leaves or hates you or both. He brought up his daughter and even though you think it might have been an accident, you think he might have wanted you to ask about her.

And you hadn’t.

He doesn’t make it any easier on you by being warm and solid and pressing an offering open arm along the back of the couch.

Just like the other time.

You accept it, because it's cold. Just because it’s cold.

It has nothing at all to do with the way he strokes your shoulder and tugs you close to him, the way his head tilts down over yours when you press the cold tip of your nose into his neck by accident and then leave it there on purpose.

You aren’t expecting him to say anything. The guttering of the candles lulls you to sleep, the pepper of white snow against the black swirl outside soothing. “You know,” the sound of his voice rumbles against your ear. “I didn’t know snow made noise.”

You blink. “What?”

“That sound it makes. When it’s real quiet, you can hear it land.”

“Suppose you can, yeah.”

“My daughter,” he starts and your breath hitches. The broken eggshell of memory delicately being pressed into the palms of your hands. You’re being trusted with something. “She only saw snow once, I think. Real slushy and wet. Not like you get around here. And I don’t remember it makin’ a noise.”

You swallow the instinct to change the subject, to say something dismissive, to push and push.

“Did she like it?” You ask after a moment. “The snow?”

“Yep. Got off from school. Made the world’s tiniest snowman. Maybe only a foot high. Made snow angels that turned out to be more mud than snow. My brother thought that was real funny.”

You laugh and lean into his shoulder. He smells like snow and damp cotton and gun oil. “What’s her name?”

Assuming. No, hoping. You are hoping that he’s just missing her, that the chipped china memory in your palm is of a girl he misses and doesn’t mourn. But you could tell the other day, you could tell by his voice and the way he isn’t with her. If he had a choice, he’d be with her.

Joel isn’t like you.

He’s not the kind to leave someone behind.

He clears his throat. “Sarah. She was, uh, she was twelve.”

“Oh. Oh, Joel. I’m sorry.”

And you are. That is a loss no one should ever know, and Joel is not the kind to carry it well. It leaves those purple circles under his eyes, burrows deep ruts into the arteries to his heart, half his blood just drained away. It leaves the coffee pot empty, it whispers fourteen hour work days, and still no sleep.

It pushes a rifle into hands that always come back without game.

“Anyway, I think she would have liked this shit,” he gestures to the snow beyond the window with the mug in his hand, coffee and whiskey. “Think she would have liked it here.”

“It’s okay, when you get to know the place.” You follow his eyes. “It’s home, anyway.”

“Yeah,” he says. “It is.”

What part he’s agreeing with, you aren’t sure you want to know.

He looks at you again, and you can’t bear to meet his gaze through the dark that’s fallen on the room, to see too deeply into what lay there. Sharing his daughter with you, that she died so young. A lot of things about him suddenly fall into place in your mind.

The grief and the love with no place to go. It makes sense why he’s there, running away from something that could never be ignored.

You take the cup from him and pull him up by the hand.

He fits against you, pulled in tight, so easily. You feel the brush of his mouth against your cheek, his fingers against your back.

You sway, and there’s no music. You want to say that you’re sorry again. Not for his daughter, because he wouldn’t want to hear it, but for everything else — the running you’re both doing, the snow and the cold, and how clear it is that everything in the world looks like grief and loss and the big hole in his chest.

“I think you should ask Joel to get a drink.”

Janie pauses mid-chop, knife hanging in the air. Your friend the baker turns to look at you over her shoulder. “What did you just say?”

You wince and fiddle with the edge of your sweater. “Joel. You should ask him.”

“Now why,” she starts, wiping her hands on the apron tied around her waist. “Would I go and do somethin’ like that?”

“Well, I think y’all would be good together—”

She sighs heavy and long, rolling her eyes as she sits down across from you and takes your hand in hers, still wet from rinsing the vegetables off. “You’re doin’ it again, you know.”

“Doin’ what?” You snap, yanking your hand back, accusatory.

“As soon as you think somebody is getting too close you push ‘em away. I know you know what you’re doin’. And I know if I hadn’t had the sense to hold onto you so hard all them years ago, you woulda done the same to me. And we’d just be neighbors.”

She raises a brow at you when you sputter. But it’s true. You know it’s true.

It happens all the time, with everyone. It always hits you so hard, the sudden smothered feeling, the scared, confused, cornered animal feeling, when hanging onto something seemed impossible and wrong.

“You know that man don’t want nothin’ to do with me.”

“He always answers the door to you in the mornings,” you defend weakly.

“As a favor to you. He does everything for you, and I know you noticed or you wouldn’t be trying to pass him off on me. You don’t gotta be so avoidant. Not everything disappears.”

You know, but you what you don’t know is how to stop it. The sharp talons and fangs that spring out whenever someone gets too close are always a surprise. You hate it when people care about you, when you care about them.

It’s like there’s a box around you, growing smaller with each passing second. So, you flee, before the box crushes you, or before the thing trapped in there with you gets to do it first.

That’s what you’re really afraid of, after all, not that someone might care about you, but that they one day might stop.

“I told him about my dad,” you admit.

Janie freezes, blinks, and then looks over at you. You look back at her, miserable about it. “Oh, honey.”

“And he. . .you shoulda seen the way he—” The way he looked at you. You almost tell her about Sarah, but don’t. That loss isn’t yours to tell, no matter what, even if it would tell her exactly how close he’s drifted to you.

You don’t know what to call it, anyway. The way he looked at you the night of the snowstorm, the air chilled and the whole world cold except for the two of you pressed together. His hand in yours, the mocking remembrance that you had forgotten in that moment to feel trapped.

No, that had come later. When you couldn’t breathe before going to bed, when your skin felt pinched and tight. That moment is tinged in your mind with the heaviness of a hand pinching the back of your neck, instead of the gentle press of fingers to your spine, his mouth against your cheek but not your lips, not again.

“He’ll leave soon and it won’t matter,” you dismiss with a shake of your head. “He’s got to be goin’ soon. I know it.”

She pats your hands again, pity in her gaze. “It will matter, and you know it. But it seems to me he’s stuck. And it isn’t this town or those mines that are keeping him here. He wants to hang on. You should, too, for once. He’s looked like nothin’ but a kicked dog lately, and one that might bite at that.”

The snow melts over the next couple of weeks, temperatures rise rapidly. For a while, the sun shines, the weather is nice; the skies a purest bluest blue.

Joel doesn’t leave.

He smokes more on the back porch, his eyes far away and haloed with something distant. He stops hunting on Sundays, and starts going fishing at the lake instead, and unlike before he brings back a haul.

For a minute, it seems like things might be okay. You don’t allow yourself to have any more quiet, secret moments with him, but you don’t push either. You try not to push.

But you wonder if he wants that, if he might have wanted to kiss you again when the heat went out and you were stupid enough to let yourself reel him back to you.

Then, one day, the rains come. Clouds so black they appear blue roll in and sit heavy in the sky for a day, winds whipping the leaves of the trees back so their bellies show. Old warnings about just how bad the weather was about to get.

The skies open up, and the rain doesn’t stop.

For weeks.

Suddenly all anyone can talk about are the floods and the landslides that are likely to happen any day.

You wish they wouldn’t, or at least not to you, or have the decency not to look at you with pity when they talk about it. What if there’s a mine collapse? Well, you think, that too is likely.

The creeks swell until they look like rivers; the rivers glut themselves with so much rainwater the levees threaten to bend and break, the banks of the lake disappear, silt stirred so deeply that the whole lake goes brown with it.

Joel stops fishing.

You expect them to close the mines, at least for a while. But the coal companies have never cared about any of you, and they weren’t about to start.

“Mornin’,” he says, his voice a soft grumbling rumble.

“Hi,” you say, not turning away from your spot by the window, watching the rain pour down seemingly harder.

The rain and all it could wash away, makes you anxious. Makes the whole town anxious. Flooded river plains and lake shores, mountainsides crumbling down to sweep everything away. It’s embedded in you, something your body learned generations before you were born.

A generational curse, a landscape that could steal everything, that had and would again.

“You okay?”

The sound of the coffee pot sliding out of place, liquid being poured, ceramic clicking down onto the counter.

“Yeah. The rain makes me anxious.”

“All anyone talks about are the floods.”

“Same way every year,” you shrug, like it doesn’t keep you awake at night. Like you haven’t stopped sleeping and pace all night long. “Hard thing to forget, once it happens to you.”

Joel makes a soft noise in the back of his throat and joins you at the window. “It’s gettin’ lighter every day, at least.”

You think he means it to comfort you.

“The sound, though.”

The sound of rain tapping at the window is like nails on a chalkboard — warning.

He covers your hand with his for just a second, the squeeze of his fingers around yours barely felt. “I know.”

Too close.

It’s too close.

You don’t want him to know that.

You move your hand before his skin has fully left yours, jerking away like you’ve been stung.

He clears his throat and shifts, floorboards squeaking awkwardly beneath his socked feet.

Socked feet. Hand on yours, rough skin against yours. Tender words, gentle tone.

It all feels like he knows too much, wants too much. You take a step away from the warmth he radiates under the guise of reaching for the handle of the dishwasher. “You think you’ll be movin’ on soon?”

A surprised silence follows your words. “What?”

“It’s just you been here awhile.”

He doesn’t answer and you start to unload the dishwasher, carefully stacking the ceramic on the counter even though you’d normally just put them up in the cabinets. “Big waste of money, stayin’ somewhere like here for so long. If you’re waitin’ for better pay or something, I can tell you it won’t happen. Not even if you talk to the union.”

A long silence follows your words. It’s a buzzing, angry silence. “You ain’t even gonna look at me?”

You shrug and your body continues on autopilot, still not looking at him, stacking dishes one after another.

Clink, click, clink.

The door to the basement doesn’t exactly slam, but it shuts much harder than usual.

You sit the mug in your shaking hands down on the counter and stare at it without seeing.

The pressure in your chest isn’t gone. It never is, after. You push and push and push, until they finally let go. And then the loneliness and pain rub their hands together and slip back into their comfortable home in your chest. It’s almost a relief to have it back.

God, why does someone knowing something about you, caring about you, feel like getting your arteries ripped out, one fine line at a time? Why does it feel like your skin is shrinking and your throat is closing up?

Your eyes sting and you wish you wouldn’t have said it.

But you did and he’d be on his way soon enough and everything would be simple again.

You can remain in your little box all alone with carefully constructed walls that push everyone to the periphery of your life. They belong at arms length where you believe it won’t hurt you when they leave, where you convince yourself you’ll have enough time to recognize the signs and do it first.

He can’t get any closer, can’t see anymore than he already has.

Joel has to leave. You have to push him away, before he makes the choice himself and leaves you bleeding.

But Joel isn’t like you, you think again. He’s not the kind to leave someone behind.

The rain comes down harder.

The house rattles with it.

You think about the mines flooding, and finally cry.

Joel doesn’t leave, but you can tell he’s trying to figure out how to. He’s trying to leave because you want him to, and that’s what matters.

You don’t know how he picks where to roam next and you don’t care. You’re glad he’s going to leave.

He doesn’t eat dinner with you anymore, barely nods at you when you see him though you try to be busy with something else when he comes in in the evenings, or not in the kitchen at all, not in the house at all.

Joel leaves so early in the morning that you don’t see him then either. The ache that slices like a knife through the ventricles of your heart tears open a little wider each day. He makes the coffee now, and always makes enough for you, too, the pot left on to keep it warm for you. One morning you find an envelope in the center of your kitchen table.

Panic overcomes you, until you open it and find a week’s worth of money. Scrawled on the outside, I’m sorry to keep imposing.

You rip the envelope up, angry, because you don’t want to think about what it means that you got scared. Fear that he had already been gone.

Near a week later, late in the afternoon, when the sky is a deep purple, Janie knocks on your backdoor. Her voice is frantic. She smells like raw flour and sliced apples.

There’s mud on her boots and that’s the only thing you can think of as she talks at you, her voice far away.

You think about the mud on her boots and her boots on your floor and how she always takes them off on the porch no matter what.

She’s still talking, words flowing a million miles an hour, and you just think about the smell of bread and how she normally, always, takes her boots off.

She shakes you by the shoulders suddenly, hands clamped tight against your skin. “Did you hear me?” She asks urgently. “One of the mines collapsed.”

“Which one?” You snap, reality snapping sharply into relief. “Which one? They're all shut down but one. Which one?”

One that is empty, or not? The one with people, or not? The one with Joel, or not?

“I don’t know. Nobody seems to know but—”

You pull your raincoat off the hook by the door and shove your feet into the first pair of shoes you see, and dart out and into the rain, the hale of it cold against your skin and your face.

It’s been a cold year. This time last year, it was warm and sunny already, things like a mine collapse a far off, unreal, non-possibility.

The mud sucks at your boots but soon enough you’re on the road and running.

You run and run and don’t feel the burn in your lungs or the pain in your thighs. There’s nothing that will keep you from getting there. The town is small and built in relation to the mines.

You’ve always been a mining town and so it’s not far. It shouldn’t take you long to get there.

Joel walks in the mornings. It’s not far.

But time moves slow, and your body seems to move even slower than that.

Shouldn’t you have known? Shouldn’t you have felt something? The beating heart of the earth tearing something away; that primordial, knowing pit taking back what had been taken from it? What it was owed in return?

Not him. Not him.

He didn’t owe this stretch of Earth anything. And it is not owed him.

The hills and mountains rise up around you, the comforting presence of them, like ancient, silent sentries, suddenly loom a little more sinister. Crumbling and old and vengeful, just waiting to swing a fist down on something you cared about, something you loved, something you always try to push away. Because it would always be destroyed. The town, or a neighbor’s house, or the banks of the swollen river and lake eating up precious farmland.

That’s one thing, though.

Towns and houses can be rebuilt, the banks of rivers and lakes and the sides of mountains reinforced — other things, well, you can never get back.

He has to be okay. When you wanted him to leave, this is not what you meant. This is not what you wanted.

You move backwards in your mind, mapping out all the times Joel has come home. Where he’d usually be in his journey to your house after work.

It used to be he only came home after dark, but spring has arrived and the sun stays longer each day, and you think you should meet him on the road. You should find him at any moment; unless the mine collapsed and he was unlucky, trapped and lost and suffocating; or lucky and already dead.

The road twists and turns. You have to slow because you live in the hills, everything and everywhere is steep. Your chest starts to burn and you wish the trees hadn’t started to get their leaves yet even though it's so late in the season because then you’d be able to see further, you’d be able to spot him earlier.

Maybe it’s too early for him to already be along the road.

Your coat is soaked and so is the little house dress you’re wearing. Your shins and ankles feel cold from the rain and the chill in the air.

But then you bolt around a bend, and there he is.

His name jumps out of your mouth, careens across the gravel road, and echoes around the valley through the din of the still falling rain. It sounds lush against the leaves. It sounds horrible against drain pipes and gravel.

He looks surprised right before you crash into him and lock your arms around his neck. He drops his backpack and catches you, arms circling you tightly.

“Joel.”

“Hey—” The sound of his voice makes your knees weak and you’re afraid for a moment you might slip to the ground, into the graveled mud, and dissolve along with the rain.

“The mine collapsed,” you say, feeling the grit of coal dust beneath your cheek, the warmth and weight of him leaning back into you, strong arms tight around you. His palm slides against the back of your neck, thumb stroking slowly.

“I know it.” His voice is gentle, like you’re a startled, feral dog that might turn on him at any second. “S’why I’m on my way back now.”

You start to shake and cry and he just rubs your back and tugs you more firmly into his chest. He seems to understand what’s wrong. His palm settles against the back of your neck, keeps you tucked in close to his chest as the rain continues to siphon down over you. It’s all right. I’m all right. He repeats and repeats and repeats. It’s okay. It’s okay. It’s okay.

“Hey,” he pulls back eventually, the cups of his palms cradling your face, pushing the tears away. “I’m gettin’ you all dirty.”

“I don’t care,” you grip his sleeves, press your hands over his. His face is streaked with gray so deep it appears purple, like there are bruises latticed over his face. “I don’t care. And I’m sorry.”

“All right.”

It’s too late, you think. Too little too late, pushed too far, and by your own hand, so you have no one to blame but yourself.

But he’s alive and he’s okay and something precious has not been reaped by the Earth.

You try to step back but he steps with you, not letting you go. Apologies swim to the back of your throat again, heavy on your tongue, but he’s already shaking his head at you.

Hazel eyes stare deep into yours, rivulets of water snaking down the side of his face, tracing through the coal and dirt. You don’t look away from him this time.

Your words get trapped, congested and clogged, sticky and stuck together.

“Joel—”

“Let’s get outta the rain.” His hands slide down your face, briefly slot against your throat, and then trail down your shoulders and arms. “Let’s do that at least. Before you catch your death.”

“Okay.”

You bend down to scoop his backpack off the ground, surprised because he lets you keep it and keeps his hand threaded with yours. His skin is wet against yours, the crinkle of your fingers together just a little uncomfortable.

The rain comes down harder, lightning sparks, the angry slash of violence through the sky, thunder crackling right after.

The walk goes quicker than your run. Time is moving at a normal pace again, you can breathe again.

“I’ll meet ya in the kitchen,” he says when the town and your street resolves itself. He turns and takes his pack from you, pinches your chin between thumb and forefinger and tilts your face up. “All right?”

You nod and release his other hand, and watch him walk away. You know the moment he reaches the back of the house because you hear the clatter of the basement door opening.

You just stand in the front yard for a long moment as shadow fall, as the rain continues down harder than ever.

The rain pounds against the side of the house, the windows when you step inside. The tree your neighbors have been telling you to cut down for years sways ominously, lashing the front window and the siding. The noise of it is awful.

You stand there, dripping pools of water onto the kitchen floor, anxiously waiting for Joel to come up the steps, like you’d gone and pulled a ghost right up out of the ground. He’s all right, you tell yourself. He’s all right. Real and not some ghost.

When he comes up the steps, his gaze flicks slowly over you. He holds a hand out. “C’mon. ‘S get you cleaned up.”

You’re shivering. The material of the dress clings to your skin like webbed silk.

It’s so pathetic, the way he comforts you and the way you want him to. You shouldn’t let it happen. You feel stupid, all that worry after all that pushing.

He follows you up two sets of stairs, to the third floor, the loft where you reside even though so many of the rooms below always remain empty.

Joel settles you on the edge of the bathtub in your little bathroom and fishes around in the cabinets until he finds what it is he’s looking for. He doesn’t ask you where anything is and you don’t offer.

He smells like earth and pine. He doesn’t complain or pull away when you touch that hollow place in his cheek, when you stroke his beard and watch the muscle jump, jaw clenching and releasing.

“Joel,” you say when he kneels in front of you with a washcloth in his hand, a first aid kit open on the bathroom counter. “I’m not hurt.”

He just pats the water away from your face and hands and arms. “Y’are. Musta ran through brambles or somethin’. Legs are all torn up.”

The surprise is muted when you look down and find you have been scratched all to hell.

“I’m sorry,” you offer.

He shrugs. “Nothin’ to apologize for.”

The way he takes care of you is meticulous. Disinfectant and ointment and bandages wrapped around and around. You probably would have just rinsed the cuts out and slapped the biggest band aid on and called it a day, but that’s not good enough for him and that makes you want to cry.

There’s only so long you can handle sitting there, shivering, feeling the press of his very warm hands into your cool, bruised skin, before you’re slipping to the floor too, kneeling with him, asking for forgiveness for something that doesn’t deserve it.

“I’m sorry. And that’s not enough.”

“No.” Hands cupped around yours, stilling the anxious twist of them. “Shouldn’t’ve got so comfortable. I ain’t anyone to you—”

“But you are.”

The words bleed. They are red and bone white and raw and drop like stones between you. He thinks he means nothing. He doesn’t know. “You are. You are. And that’s why.”

Thunder rumbles, and this time, you kiss him.

There’s only a brief second of hesitation.

But then he pulls you in and doesn’t let go, doesn’t complain of the cool tiles and your cooler hands or the way you pull at his clothes.

Joel does jump when you press your hands to the small of his back, when your iced over fingers skim his belly, when you finally get to rake your nails against that coarse chest hair that makes your mouth go dry.

“Hey,” he’s cradling you to him, mouth desperate and eyes wild. “I’m here.”

Go easy with it, his voice asks. Go easy with me.

You knock your forehead against his. “I know.”

Joel nods and his fingers skim up your thighs, beneath the clinging material of your dress. He’s so warm, even though he’d been in the rain too, and his skin feels like it's burning, like the tips of his fingers might sink right down into your flesh.

Cloth parts beneath desperate hands. He cups your breasts in his palms, follows with his lips. Fingers tug your underwear down your legs, and then slide through the core of you, circling and stroking.

It should be a surprise that he’s so delicate with you, but it isn’t.

He kisses you again, his beard scratching pleasantly along your skin. You gasp into him and let him lie you back against the bathroom floor.

The rain continues outside, the lashing the house is getting a far off dream.

The only real thing in the world is Joel, his shoulders beneath your thighs, the clench of your belly, the ache that spreads everywhere.

He presses his forehead to yours when he’s inside you, eyes closed, jaw clenched.

Joel’s mouth parts, he groans into you.

It’s enough.

“Did you know that crows mate for life?”

Joel looks over at you.

Morning is sitting heavily on the windowsill, watching.

His limbs are heavy, sleep pulling at the corners of his vision, darkening the room and dampening the sound of the still falling rain. Your bed is comfortable, and your naked skin pressed to his even more so. “No,” he answers after a minute, just looking at the picture of you, plush curves, the soft spill of softer skin. “Do they?”

You roll onto your side, watchful eyes riveted to him. Slowly, maybe a little shyly, you stretch your arm across his belly. Your fingertips brush his side, and you use the grip to pull yourself even closer. The light is kind to you. You glow in it, lips swollen, the discoloration on your throat from his lips and beard highlighted.

Joel touches you there. You close your eyes for a moment.

“They do. They’re real social creatures, and when their mate dies they make this god awful noise. Sometimes they’ll carry sticks and stones and stuff to leave with the body, like a burial.”

“Mm. Not so different from people.” He thinks of Sarah, the last rise and fall of her chest, the noise that came out of him like something wrenched out of the bottom of his soul. He clears his throat but his voice still cracks a little. “Yeah, reckon we’re the same that way.”

You prop your chin on his shoulder. “Yeah,” you say, voice soft. “There used to be a flock that came around. Or, whatever they’re called, a murder, I think.”

“Murder?” He chuckles and you smile and it’s enough.

“Never heard of a murder of crows? Well, it’s true. The backyard was full of ‘em. For a long time, I fed ‘em. And they’d bring presents to me. Eventually they musta moved on, but a pair stayed. I know I sound crazy but I could tell they were in love. They were mated anyhow, even if they don’t feel love like people do.” You lean into his hand when he presses it to your cheek, like his skin isn’t rough and dry from working so hard, from the long, bitter winter; you lean in like it means something, like the pass of his thumb against the crest of your cheek means more to you than he can know.

He doesn’t know a thing about crows. It doesn’t really matter that he doesn’t, he has a feeling he already knows what you’re going to say.

The limbo he’s been in for weeks has finally ended, of knowing you wanted him to leave but not able to figure out how to give you what you wanted and feeling guilty for it. Just another person he couldn’t figure out how to love right.

Maybe this time hanging on was the right thing to do.

Your eyes flutter closed, head tilted close to his on the pillow, the swell of your body pressed to his. “It went on like that for years. I fed them and they brought me little gifts and everything was fine. And then one morning, there was only one. They mate for life. I never saw the other one again, and it was only a couple weeks, before the other one was gone too. It died.”

Joel leans in, presses his forehead to yours, the rain a painful tattoo against the roof and the windows and the whole wide world. You push into him, returning the comforting pressure, your skin still tacky with sweat. “So you see, I try to avoid being the second crow. But it just means I end up alone and wondering why there was never another crow in the first place.” Your eyes flick open and search his. “So, I’m sorry about everything. I never realize I’m — I don’t know I’m pushing until it’s too late. And I’ve never been good at holdin’ on.”

“I guess I’ve never been too good at lettin’ go,” he admits. “I’m the second crow.”

“I don’t want you to be,” you say. “I don’t want you to be the one left behind. And I don’t want you to leave.”

He nods and looks up at your ceiling. Carefully, you slide closer, until your head is heavy against his chest.

Things change a little.

The rain stops and with it you stop pacing through the nights. Before, he’d listen to the pace of your footsteps against his ceiling, the crack of old floorboards and the snaking sound of water down window panes.

You make every pretense of things being the same until night comes along and you ask him to stay with you. “I just won’t be able to stand it,” you say, nervous hands fisting around the edges of your sleeves. “If you go back to being just a guest. You mean more than that.”

He’s embarrassed to hear it, and likes to hear it all the same.

So, now, he listens to the long overdue hum of springtime insects nestled down into long sweet grass and between the branches of gently swaying trees, like all that snow and rain and blizzards and flooding never existed in the first place.

Most of all he listens to your breathing, slow and even, to replace the sound of your footsteps. The curve of your spine rests against his bicep, the ridge of it like the comforting heel of the mountains beyond your windows.

When he turns and tucks his arms around you, you relax and melt into him so easily it’s like it’s always been done.

So it goes, every single night.

Winter is over, spring arrives quiet.

Joel agrees to go to the town festival with you. Tiny, even by your standards, apparently.

Just some drinking and dancing and live music from a local band. A few games, for which the prizes are all donated.

Things go fine.

He doesn’t mind crowds, though he does prefer to hang on the edges of them.

The night is mild. Your arm repeatedly brushes his.

Joel finds he doesn’t mind that either, the way you stand so close and look at just him. There’s no shortage of eyes on either of you. And when you kiss him, he can practically feel the small town gossip sparkling and wasping in the air like lightning gold, like a thousand bees.

You don’t seem to notice, or maybe you don’t much care. Maybe you’re used to it.

Either way, you’re happy, and that matters to him. It matters to him that you’re happy, and safe, and that you feel those things with him.

“If you’re still here when its warm enough,” you say, “you’ll have to go swimming in the lake. It’s real nice down there.”

It already feels like summer. The air is balmy, the sinking, fading sun he feels like he hadn’t seen in months a red blaze on the horizon.

“Where else would I be?”

You give him a funny look and sip your drink, enthusiastically greeting a couple who approaches. Joel nods at them, takes a swig of his beer, and thinks of his kid. Sarah would have loved this kind of thing, all the people and noise.

He hasn't been hunting in weeks.

“You wanna dance with me?” You smile at him. “Just for one song.”

“Think I’ll say no?”

“I’m actually sure that you’ll say no, Joel.”

He just sets his drink down and offers you a hand. You grin so wide, it looks like it must hurt your cheeks. You don’t dance so much as sway together, pressed tightly together.

“Where else would I be?” He asks again.

“Somewhere else, I guess. Back home.”

Home. He hasn’t had one of those since Sarah died.

This place, as brutal an introduction as he’s had to it, is starting to feel like home. He wants to see the lake in the summer and the trees thick with leaves. The hills probably look beautiful, emerald forests not yet torn up for the things that laid beneath.

It only feels a little like a push.

Instead, he just says, “Yeah. Sure.”

You tip your chin heavily against his shoulder, the weight of your head comforting in its press there.

You aren’t always good about it. There’s a mean streak in you when you feel trapped. Today, you try.

“I’d like it if you stayed.” You say it against his throat, your fingers tangled into his hair, the movement of your hand fond. “If you wanted this to be home for a while.”

He nods, squeezes your hips. “And you should come see Austin. Instead of hearin’ about it. Reckon you might like it.”

“I think I probably would.”

The next morning, he calls his brother for the first time in over a year.

If you read this far, you have no idea how much I appreciate it. Thank you for reading and being here, and as always would love to hear anything you have to share. 💕

#joel miller x reader #joel miller x you #tlou fanfiction #the last of us fanfiction

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