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#i'm just rambling but yeah
riddlemewisp · 6 months
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oh my god isn't it plausible that after the snap all rocket had left of his family was what was on the benatar??? so like peters zune??? probably another reason why rocket grew to love pete's music so much because it was one of the few things left of his family during those five years. and then to add to it, when everyone came back and peter started drinking a bunch and, as we saw in the third movie, peter getting fussy at rocket for having his zune even THOUGH it was likely now a super personal item of rockets.
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I saw someone on twitter who's had pretentious takes about writing in pop culture in the past say the reason why video games don't have a bigger cultural footprint is because the writing is always bad in them and.....a few things:
Silent Hill 2. Lol
2. Some games have great writing that cannot be accurately translated outside of that very specific medium; the stories in games are specifically created for this art form and is told in a way that cannot replicated with a novelization or film adaptation. Storytelling via gameplay is a thing games do all the time, which non-gamers can't experience unless they pick up a controller
3. Video games are never going to be as popular as movies/TV shows because there's a certain amount of skill and time required that not everyone has--it doesn't necessarily have to do with the writing. For example, everyone knows how to watch a movie, there's no lack of skill that will prevent them from reaching the end, but plenty of people are still bad enough at games that they can never finish it. Plus, a lot of games are very time-consuming to play, with dozens or even over 100 hours of gameplay required, and a lot of people simply don't have the time for that, as opposed to a 2-hour movie. People also need to spend a lot more money to buy a game than watch a movie, on average.
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somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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monstrousparalysis · 3 months
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Hey y'all! Since it's Love Loses Wednesday for all who celebrate and I have plenty of thoughts about it, here's some of those thoughts I've had for my fellow enjoyers of Chip Bastard from the insanely powerful podcast Just Roll With It!
So.
Chip being so focused on family and friends, on finding Arlin and keeping his co-captains and crew safe, while the most he ever shows interest in romance is in brief, jokey flirting that's quickly brushed aside.
Chip buying a love potion, only for it to sit unused in his inventory for literal months until it unceremoniously drops into the mouth of the Electrodon.
Chip being unnerved or even downright scared when somebody shows a sign of being attracted to him (Amanda with the marriage, Jazz and his flirting, the frantic denial to Ollie that Gillion kissing him meant anything (which was then followed by barely any change in their relationship. A typically romantic act, done as an act of love between friends, and yet those friends never did start a romance. Curious))
Speaking of Amanda and the marriage: Chip waking up one day and suddenly being expected, even morally obligated, to be in a romantic relationship with somebody he doesn't even know, for reasons he doesn't even know. And even when he clarifies that he doesn't want this, that he won't give up being a pirate with his friends for it, he still can't leave behind the expectation fully, because Amanda, and thus this expectation, is literally chasing him. Sometimes it even comes from his own friends, because no matter how much he would prefer to just Not Be Married, there's no way for him to get out of it, especially not ones Gillion would likely accept, and therefore the expectation that eventually, he'll be in a romance, is inescapable.
And even more interesting, he's not opposed to the idea of getting married in general. He wasn't wholly against the notion of marrying Igneous just for the AC boost it would give them. Clearly, the problem he had wasn't with the marriage itself, but with the fact that he was expected to form a romantic partnership.
And lastly: Chip having his literal heart ripped out of him, and staying nearly the same. Making jokes about how his heart was stolen in a way that was literal instead of romantic. Writing to his wife that if death do them part, then now it has (and doesn't it even say something that the only way for him to escape the marriage, the expectations, was to die?)
He cares for his friends just the same. He cares for his crew just the same. He wants to find Arlin just as much as ever. And his avoidance of his wife, of the expectation that he perform romance, stays the same. But even if he's the exact same, he has an excuse for this now. Because clearly, somebody with no heart couldn't feel romance, and who cares that he didn't really seem to before he lost his heart either?
Chip being aromantic, on a textual, metaphorical, and thematic level.
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chiricat · 1 month
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ryomina demons are winning
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cangrellesteponme · 1 month
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wife
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shimmershy · 11 months
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Chara Week Day 5: Ghost
Every time I see that machine in the True Lab, I wonder if it could possibly be Chara's soul in there? Probably unlikely, but not impossible... It's interesting to think about what the implications of that would be.
A version with no text and then a version with just the machine, because I think it looks pretty cool and ominous alone as well.....
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kaiserouo · 3 days
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Well someone has to give it its driver updates, Gabriel
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saltpepperbeard · 1 year
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No because, the way Stede keeps his eyes blissfully closed well after the kiss ends, and the way he looks so fondly at Ed when his eyes finally open, and the way you can see Ed’s cheeks tilt upwards with the start of his own smile, and the way Ed keeps his hand gently on Stede’s face, and the way they stay so impossibly close together, and the way Ed’s nose brushes against Stede’s because they’re so close together, and—
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jesncin · 19 days
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I hope Superman fandom as a whole will one day understand that if you truly want to commit to the immigrant allegory, scenes like Lois shooting Clark with a gun or her jumping off a building to prove he's Superman pair really badly with that allegory.
I know some fans like to say "Superman was always an immigrant allegory" and while I get the sentiment of retroactively looking at how the lives of his creators inform the character they made, we also have to acknowledge that the allegory was never consistent to begin with. The original Superman comics were fun gags and shenanigans. Superman Smashes the Klan wouldn't stand out so much if his immigrant identity was consistently integral to his character.
And if you're going to commit to Superman being an immigrant, then you've got to be open to changes on staple Superman lore. So much of this fandom is dedicated to nostalgia, references, canon events, "but Lois does that in the comics! It's not Lois Lane if she doesn't do crazy things to prove who Superman is!" without considering how that is contextualized in the allegory.
I still get so many comments on my Clois comics but especially the Private Interview comic saying "I've never seen Superman this way before" from even longtime fans of the character. Honestly, I never saw him that way until I read Smashes the Klan. Since then I want people to have that recognition of themselves in him too. But that means being brave with changes! Maybe it's okay for this version of Lois to respect Superman's boundaries. Maybe an Asian Lois can be more than an aesthetic shallow retread of white Lois.
These characters are more than callbacks and references. The reason they persist throughout many versions is because they hold themes. Lois isn't just "stunt girl reporter obsessed with Superman and THE TRUTH", she's also a jaded reporter hardened by life who finds hope again in Superman. Superman isn't just "save cats from trees" guy. He's an alien immigrant, and you can make a ton of new stories from that lens alone.
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eyes-of-nine · 1 year
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truly what a guy
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effen-draws · 1 month
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“Oh tragic clown, so much sadness now. You built your mountain and now it blocks the sun.”
Alts and lines under cut:
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120percents · 8 months
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i just think it’s so funny that zoro does not even wanna comment on the usokaya situation when usopp explicitly asks and he very pointedly looks away when they kiss and yet he proceeds to butt in every single time sanji flirts with a woman or implies he knows about romance to redirect attention back on himself like god i wonder where your interests lie…
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beatcroc · 9 months
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pest control TWO!!!!! heres the first one
adn heres the obligatory bonus bc i can't help myself :')
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scificrows · 8 months
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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.
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idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.
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wardingshout · 1 year
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Viridian besties my beloved
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