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#in any case i enjoyed doing this :)
stil-lindigo · 1 year
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patchwork canary.
a comic about two girls, fate, and a powerful man who felt entitled to something that wasn’t his to own.
support me on patreon (if you’d like to see more comics like this one)
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crescentfool · 2 months
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reunion 🌸
#persona 3#persona 3 spoilers#minato arisato#makoto yuki#ryoji mochizuki#aigis#ryomina#lizzy does art#HELLO EVERYONE!!! march 5th is upon us again so i bring... my contribution for this year. my third year drawing for it!#i made the thumbnail for this a few weeks after last year's graduation day#i thought it would be fun to lean into the ryominaigis angle of graduation day (you could read this as minato/aigis if you like-#but i feel like most people would read it as ryoji/minato)#IN ANY CASE working on this made me very emotional over this game :') (specifically minato)#i really enjoy how p3 ends it's such a nice way of wrapping up the narrative's messages and themes#working on this. minato's kindness was at the forefront of my mind throughout the piece#and i really wanted to capture how. ultimately it was his decision to sacrifice himself- to do the great seal#while to an outsider's perspective it is. sad that minato passes. i think becoming the seal is something that minato-#actively welcomes. in the same way that death (ryoji) is a comfort to him because death was housed in him for Ten YearsTM#AND I ALSO GOT REALLY SAD OVER AIGIS TOO. i still get fucked up over how in fes's animated cutscene for 3/5 they portray-#her as human and not drawing the robot parts so i wanted to do something smilar here...#but also i am very sad on aigis's behalf because she discovers her humanity through minato and realizes what she-#wants to do and then. well. minato is like. he's ready to pass on (even if he's scared) and im like. OH MY GOD THIS TRIO GETS ME MESSED UP#this was more coherent in my head LOL BUT ough i like drawing p3 and working through my feelings about it...#anyway! happy (in quotations) march 5th. i love this game to bits. it's so fun to draw for this day every year and see how i've improved#if you've read all this thank you :) lizzy appreciates you all very much. mwah! <3
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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turbo-tsundere · 11 months
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Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
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Thank you byeeeeee
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phoenixyfriend · 7 months
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something something one of those those "Jango falls for Courtesan/Stripper/NightclubSinger/TrophyWife!Obi-Wan" AUs...
But instead Obi-Wan actually being a sex worker, he's undercover and still a Jedi, and either:
They split ways and run into each other a few months later with Obi-Wan in full Prude Beige Knight mode OR
The situation goes pear-shaped while they're still flirting and Obi-Wan has to break cover to grab a senator and jump out a window and suddenly this half-dressed glittery Person is batting away shots with a lightsaber and there's a bratty twelve-year-old who ALSO has a lightsaber threatening people with I Will Eat Your Liver if they keep staring at his dad's ass just because the sequined sheathe dress tore in a sexy place
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monochromeblend · 6 months
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fluorescent shrimp
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arudoe · 9 months
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cloud watching ✨
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shima-draws · 1 month
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Normally Sanji is the most put together person between him and Luffy. He’s probably the most put together person on the entire crew besides Robin. Meanwhile Luffy is a walking disaster, chaos is naturally drawn to him and he’s ALWAYS getting into trouble. When it comes to their actual romantic relationship tho. It’s COMPLETELY flipped lmao
Luffy will walk out on deck with his hair slightly tousled and his vest a bit askew but that’s normal for him. He looks smug as hell but that’s also normal for him. Nobody bats an eye. Then Sanji comes tumbling out of the galley. Shirt untucked and buttoned up the wrong way, hair thoroughly ruffled, clothes rumpled, looking utterly fucking disheveled. His nose is bleeding, he’s stumbling like he’s drunk and his neck is covered in hickies. Everyone on deck proceeds to lose their goddamn MINDS
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palossssssand · 6 months
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Reconciliation
Old dome squadmates Trito and Kinoga get together at Trito’s place to catch up after years apart and a meeting by chance on the surface.
⚠️Warning for suggestive content below + implied chest trauma
After several weeks of chipping away at this, the comic is finally done! Very happy to have rendered a full 7 pages of oc stuff. Please give it a read!!
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read the full 7 page comic on twitter! <-please do not click if you are a minor and view at your own discretion, this link contains explicit 18+ content. Thank you!
For the lore, includes stuff from splatoon Octo Expansion: Trito and Kinoga were a part of an octarian military squad living in the domes, Kinoga being their squad leader that many looked up to and admired. There were 6 of them who considered each other to be their closest friends. Upon hearing about the tests from Kamabo Co. and the allure of the Promised Land, Kinoga wished to seek it out in order to find a better life for their squadmates. A difficult decision, since it meant leaving them all behind, promising to come back and take them there.
Kinoga enters the metro trials and soon realizes that the Promised Land isn’t what they expected, their hope crumbling when they encounter one of their sanitized squadmates Agara, who followed suit to the metros soon after. Kinoga narrowly escapes, eventually making a break for the surface, carrying the shame of unwilling to return for their squadmates with them (it’s justified, of course, there might not be an easy way in, they might get caught again, Agara is gone)
Trito enters the Metro not too long after Kinoga does, wanting to catch up to them, and an accident that occurs in a test early on results in Trito’s near sanitization, giving him his scar. Terrified, and realizing what happens to his fellow octolings, Trito is unable to return to his squadmates, not wanting to break the news of their loved ones’ untimely fates. He hides away on the Metro until the events of OE happen and Agent 8 dismantles Kamabo, opening an opportunity to escape to the surface. Unwilling to face the possibilities of going back, Trito takes his chance to leave, starting a new life and feeling that it’s for the best if he doesn’t acknowledge it, though he missed his friends dearly.
Years later, Trito and Kinoga run into each other on the streets of Splatsville by chance, and the implications of them both being on the surface and alive hit them, having to carry the burden of leaving their loved ones behind and finding out the truth, knowing the other felt exactly the same, not knowing the fate of their squadmates and not wanting to think about the possibility of them being gone. They have a tearful reunion about it, and set up a meet later, to sit down and really talk, and get into a brief argument when the topic of returning to the domes comes up. Trito’s in disbelief that Kinoga never went back down to check on the rest of their squad, wanting them to have been a better person than him, who was too cowardly to do so. Eventually they do reconcile, and end up at Trito’s place to hook up, where the above comic takes place :]
#my art#my ocs#splatoon#suggestive#trito#kinoga#aaahhhhhh this is finally done!!!!#a small drabble turned into a sketch turned into a full fledged rendered comic. blowing up#in any case I hope people enjoy this as much as I do…they are so everything to me#splatoon ocs#I have so many thoughts about these two that I could not articulate in a tumblr post. they miss each other so so much#its about the. I’ve known your body. and coming back after years and going oh…this is new…#there’s no context where trito would be able to reveal this to kinoga except for boning#only kinoga could look at it and immediately understand. sparing him the pain of explaining what happened and reliving it#if it had been anyone else he probably would have stopped them the moment the hand went under the sweater#but he’s just so so caught in the moment of the reunion. and the everything . Auughhhh#stealing this from a friend but theyve changed and they haven’t changed at all. I’m going to be ill#chest trauma#scarring#‘what if they explored each others bodies’ or whatever. okay#if it wasnt clear enough or implied trito and kimoga are octolings from the underground domes#nsft#oh and the. really long lore explanation <33 teehee#they are so so much#not partners but more than friends. secret third thing. guh#its about holding each other so tightly and physically for confirmation that they weren’t seeing things and that the other was Really There#like the fate of their friends not on their mind constantly and then it all comes flooding back and all of a sudden it opens the door#for finding the others and now they won’t have to go back and face the possibility alone#IM GOING TO BE SICK!!!!!!!!!!!!#this has got to be the most ive rambled in the tags I’ve just been rotatinf them with fado for the past barely a month and they are
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gerrymicheal labyrinth au
i’m right and i should say it, but also how has no one done this before me?
obviously gerry would be sarah, and michael would be jareth (they’re both blonde trickster characters who live in and have some level of control over an ever changing maze. please tell me someone else sees my Vision™️)
outside of just that i feel like you could take it a couple different ways:
just a straight up au, no fears or anything just micheal the goblin king and gerry the fantasy loving goth. literally just the plot of labyrinth but dropping these two into sarah and jareth’s places.
more of a fusion, the fears do exist but the labyrinth is either a part of the spiral or just flat out Is the spiral in this universe. bonus points for having gerry learn about the labyrinth and it’s monstrous king from either meeting/reading a statement from sarah herself about a certain red leather bound spiral leitner
is purely self indulgent crack, they watch the movie together and gerry mentions how hot he thinks david bowie is. micheal hears that and spiral logic says “hm, kidnapping and threats in a nearly impossible maze huh? i can do that!”
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sheepalmighty · 10 months
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Some more of that Chai joins Vandelay for half a day AU. Or just a picture of a kinda OOC Kale chilling if you wanna gloss over those comics. I'm still not sure if the colours are too garish or not.
These were mostly done with the premise of treating Kale's office like the hideout. I also really like how mundane, or familiar, the interactions between Chai and Kale can be in the game so I wanted to draw some stuff exploring more like that. But also, there's the ulterior motive of shipping so I included an out of context scene because I can't bother drawing the rest of it (though it seems like a huge jump in their relationship as a result. I think they're so big headed that they get stuck in a feedback loop of stroking the other's ego if an excuse comes up to do so)
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technicalthinker · 5 months
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I feel like debating who Loki was talking to when he said "For You" in the last episode, is missing the point of the scene. And people referring to it as "cowardly" and a "no-homo" moment is just?? Baffling to me tbh because like;
First of all, it is obviously intended to be to both of them? If they only wanted to make it about Sylvie, Mobius wouldn't be there. If they only wanted to make it about Mobius, Sylvie wouldn't be there. If they wanted to make it about everyone they would've just framed it more equally, he does do it for all his friends ("for all of us"), but they have that scene to highlight these two specific relationships. The framing is quite clear, they have him take a last look at all of his friends before going down the stairs, but Mobius and Sylvie runs after him to have a final significant moment.
Which absolutely makes sense and is consistent with the show we have seen so far, s1 and s2 combined, which is what I love about it. And it was to be honest a surprise! Going into this season, I had little hope for Loki/Mobius interactions, just didn't want to expect too much since S1 had a lot of their connection, but that could've been it. I was shocked when s2ep1 was full to the brim with Loki and Mobius scenes? And then they kept reinforcing every week that they care about each other, is a funny duo to watch, and are important to one another.
And despite this, I expected the rug to at some point be pulled, especially compared to Loki's relationship to Sylvie. No matter people's personal viewing on the show, she is still cited as a love interest by showrunners and is just portrayed as that by the narrative a lot of the time. Sidelining that, even in s2 when the romantic hints are more vague, she's still a very important person in Loki's life. She played a central part of the plot and Loki's own character development of understanding himself.
So to me, I was surprised seeing Mobius and Sylvie side by side in the end. Both being framed as The important people in Loki's life. Then, however you wanna see in what ways they are important is up to you, but they are the people he keeps coming back to for advice and self-reflection. You can frame it as "oh it should've been only been Mobius and they added Sylvie to downplay it", which, I just disagree with (If they wanted to go for explicitly canon Lokius they needed to set that up even more earlier in the season but that's a post for another day). Sylvie is still like, a constant in the narrative and driving force of s1, even if s2 changes things around a bit, and imo it would be inconsistent if she just vanished here. I guess I am used to media that downplays a meaningful dynamic between two dudes in more aggressive ways, which they absolutely could've done, and would've taken me out of the story to be honest... but they didn't, Mobius and Sylvie got to be side by side in the end and that imo validated the Loki/Mobius dynamic way more than downplays it.
TLDR; The "For you" was for both Mobius and Sylvie because why would you frame it that way otherwise, and having them side by side like that validates Lokius way more than downplays it in a "no-homo" way considering the full context of the show.
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dyke-in-crisis · 7 months
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so theres this alien soap opera *twirls hair*
commissions
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incomingalbatross · 11 months
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I have a groundbreaking concept.
A wedding episode/story where nothing unusual goes wrong (or even NEARLY goes wrong) and the audience and characters both just get to enjoy this big event without it going off the rails at any point.
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ducktracy · 3 days
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reminder that if you're not watching Crayon Shin-chan then you are living a hollow and empty life. this is not edited. this ripped straight from the movie (Movie 8: Jungle That Invites the Storm, highly recommend for fellow Masaaki Yuasa lovers)
if you need further convincing: these monkeys run an animation sweatshop
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#i've made this disclaimer on another post but will again since i've seen a lot more of the movies now#the movies are VERY good and very enjoyable but unfortunately the first handful are bogged down by transphobic/homophobic/okama stereotypes#they kind of vary in their severity. Movie 5 i think is the biggest catalyst because it features the stereotyped characters the most#prominently. Movie 3 doesnt really have caricatures per se but saves a very backhanded reveal for the end#Movies 1 and 4 are a bit more tolerable if my memory is correct. Movie 2 i think is kind of comparable to Movie 5 with its caricatures#in that the characters have similar roles in both movies#i admittedly can't remember what caricatures there were in Movie 6 or 7. 7 i think barely had anything#RAMBLE RAMBLE BASICALLY: these jokes are within the first 7 movies or so 5 being the zenith then reducing down and down. by movie 8 it's sa#e#i give these disclaimers because these movies are all very enjoyable and i would not recommend them if i didnt think there wasnt any merit#o them. they are all very much worth watching. Movie 5 still has a lot of very enjoyable stuff in it (there's a showdown in a supermarket!!#but i just want to make sure that is clear and established since transparency is good to have and i dont want anyone's viewing experience t#be ruined because they weren't given the proper warning#if it's any consolation it's my understanding that even the directors hated doing the jokes#iirc Keiichi Hara really didn't like doing the jokes and i think had a talk with the mangaka Yoshito Usui and was like 'uh dude this is#gonna age horribly can we maybe not'#ironically Hara's first film is Movie 5. which is again the biggest offender#BUT! that is my spiel. my understanding is that it's contained to those 6 or 7 first movies and i think is strictly just a movie thing#so please do give these films a watch but just be mindful at the same time#if anyone needs recommendations my favorites have been movies 4 and 9 but i genuinely really enjoyed every one that i have seen#i've seen the first 11 and a half movies (need to finish 12) and movie 22. the worst i've felt about one is 'oh that was pretty good!'#each film has its own merit and is very very very much worth watching#22 was the first Shin-chan anything i watched and all my Shin-chan expert friends say 4 is a good introductory piece#in case that influences anything/makes it easier to break in#so. thus concludes my spiel#csc#vid
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lissafaye · 2 months
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All of this driver stuff is exhausting. For a multitude of reasons. Mainly I’m feeling the fatigue of not being surprised that I’m disappointed in the lack of mindfulness and support in these men. It sucks. But I expect it in a male dominated atmosphere (which is f*cked up).
I’m also just tired of people assuming the majority of these men are going to all of a sudden reveal they were undercover feminists the whole time. Supporting women isn’t something that needs to be done under the radar. So if they weren’t doing it before, I doubt they’ll be waving banners now.
I’ve adjusted my expectations, and learned to live with it. (Which again, is also f*cked). And I’m not going to be shamed for supporting or liking a driver despite the flaws. If I can look past it, leave me alone about it. I’m not asking you to support anyone in particular. And I’m not blindly supporting either. I just refuse to be pushed out of a space where men “dominate”. I like it and I’m here to continue liking it.
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