changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
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I've been utterly fascinated by Good (better? nicer?) Chase design by @lizard-color4 from this post and desperately wanted to know more. Who's this man? What's his story? Why is his hand bandaged? Why is his fashion taste is so much better than Original Chase? And why the hell does his hug looks so nice??
so i um, decided to explore his design a little ;D
also bonus+ sorta?? continuation / my take on the after hug because i really craved more of that
bonus++ a silly doodle of my first attempt on his design because why not
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This isn’t an ask but…
Anakin searching through the SW equivalent of Naboo fashion magazines so he can do Leia’s hair to represent her mom’s culture.
just gimme a second i'm. i'm. no you're crying i'm not crying for sure. for sure for sure. ough me heart
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"when you called me normal... that made me so happy."
"because you're the girl that saved me that day. the worst girl in the world."
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i think the best part about meursault's food diss critique is that for yi sang's turn, he actually dropped so many puns with yi sang's name in his rant yet he is still absolutely brutal and straight to the point, without losing his monotonous delivery
and yi sang kinda just,,, has to take it bc he must have been both impressed that meur managed to use so many homophones of his name in his rant yet those words must have definitely stung
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"i didn't think you had that kind of vulnerability in you, chet."
"i don't." >:(
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i just can’t stop laughing thinking about those two mfs from staged looking at each other trying to do a serious scene knowing full well they’re about to make out
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When Day puts the eye drops in TO LOOK AT MHOK, what then, huh?
WHAT THEN?!?
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It does not take much to get me to talk about how much I love EXU: Calamity but apparently a real easy way to set it off is saying that (or saying other folks said) Sam Riegel can’t do anything but comedy
There is one aspect of Calamity where it is a horror film and Cerrit is the Final Girl
but there is another aspect where it is a shakespearean tragedy and the heart of it is the love story between Laerryn and Loquatius
and while I am a huge Aabria stan, it takes two to tango and Sam more than held up his side of things
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You know what I always wanted? An episode where Kagome actually manages to give in to the Darkness in her heart and it would be up to Inuyasha this time to snap her out of it and bring her back to her senses (paralleling how she always manages to bring him back whenever he goes into full demon mode), kinda like the 1st movie or the Tsubaki arc but like better because this time it wouldn’t just be Kagome’s body under the control of another but her mind as well due to giving into all her insecurities regarding Kikyo.
Honestly? This is such a good concept that it deserved to be its own freaking arc. The potential for angst and character development is insane. The parallels with Inuyasha, the parallels with Kikyo.
"You really are my reincarnation, walking the same path I did" except Kagome is walking her own path, based on her own decisions, because of her own feelings and then dealing with the aftermatch of her own actions after Inuyasha manages to bring her back.
I think it's brilliant because Inuyasha was always so terrified of Kagome dying on him that he doesn't really worry about all the other ways he can lose her. Or rather, he does, but it's never really explored in a serious or satisfying manner.
And the irony of it all? Like, Kagome being the one constantly afraid Inuyasha would forget about her if he goes full demon, only for her to turn the tables? Cinema.
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