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#it’s even WORSE than you guys know literally the only person with the context here is gurt and that’s bc she spent half a month visiting
I think I understand Antigone and I'm making this no one else's problem but my own. I can deal with my own devices even if those devices always break. I'm not trying to complain. I'm not complaining. I know this has to be right but I'm still here laying on the couch. world's smallest violin or whatever they say. if you go know you go as one beloved although you go without your mind.
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were--ralph · 4 months
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why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜
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if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.
this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.
example
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the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.
Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh
Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.
Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?
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ready?
These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.
I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.
There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.
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itsclydebitches · 1 month
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Hazbin Hotel: Let's Talk About Cursing!
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Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes
As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.
Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.
Charlie: “Hi, mister!” Demon: “Go fuck yourself!”
The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.
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We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.
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However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.
Except... I do? I talk like that.
See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?
We can sound a lot like the Hazbin crew.
Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.
“I don’t want to go to the party!” “I don’t want to go to the freaking party!” “I don’t want to go to the fucking party!”
The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:
Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!” Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”
This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.
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Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’
Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.
On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:
As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.
Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.
Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.
Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.
Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:
Husk: “Go fuck yourself” Angel: “Only if you watch me~”
Husk: “You’ve come—” Angel: [very loud orgasm noise] Husk: “...to the right place.”
Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.
Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.
Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.
In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.
Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’
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"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.
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So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.
Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?
Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.
That’s all! Thanks for reading this fucking long post ✌️
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doorhine · 6 months
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I think the show does a really good job at validating and empathizing with Akemi’s concerns as a woman living under a patriarchy while also acknowledging her privileges, not just as a wealthy person, but as a literal princess. There’s a lot to be said about Akemi’s dynamic with Madame Kaji and the other sex workers but right now I’m focusing on her and Mizu as two main characters whose experiences as women contrast each other the most. I specifically want to talk about the end of episode 5 because it’s a culmination of so many things.
*SPOILERS BELOW
Mizu obviously isn’t there to personally see the misogyny Akemi experiences so from her perspective, she has no real reason to empathize with her running away. Mizu also just has her own priorities with her revenge quest. But even with the lack of context or understanding of Akemi’s situation, Mizu and the other sex workers' judgment of Akemi isn’t unfounded because she has real privilege over them. As a princess, she has an unfathomable amount of wealth that lets her live a life of comfort and luxury so far removed from other people’s experiences to the point where, Akemi herself states that being rich like that makes you forget that you’re rich. And while Akemi is clearly shown to utilize the skills sets she does have to her advantage when she runs away, it’s not an insult to her intelligence to acknowledge that getting as far as Madame Kaji’s establishment was also the result of luck because there’s so many ways that things could’ve gone wrong on the way there. 
So for Mizu to encounter Akemi
A princess who ran away from all that luxury for the sake of a failed marriage with a guy who bullied/hate crimed Mizu as a child and wants to duel and kill her for his honor/social status in the present (when social climbing was never truly possible for Mizu even when disguised as a man and because we know how her marriage ended)
A princess who tried to kill her and says she only regrets not doing it immediately 
A princess who calls her a monster just like everyone else 
A princess who has no idea Mizu’s even a woman or all the experiences that got her to this point, including the assassination of Kinuyo (who didn’t want to die) at Madam Kaji’s request because women have to be practical and think of the results (not how they get there) when it comes to revenge 
A princess who may have fought to help defend Madame Kaji and her girls but then expected a mentally, emotionally and physically exhausted Mizu (suffering from multiple puncture wounds after doing the majority of the killing/defending) to fight Akemi’s own guards like a personal attack dog when doing so would’ve more than likely killed her and Ringo while Akemi still lived and got taken back home…. *takes a deep breath*
It’s totally understandable why Mizu just lets them take Akemi. 
On Akemi’s part, she doesn’t know the context around why Mizu is the way that she is but at the end of the episode assumes that she’s not capable of love when they’ve only known each other for… not even a day and half technically speaking. Meanwhile Mizu’s assessment of Akemi’s privilege is still accurate in certain ways despite her lack of context that makes Akemi empathetic to us as the audience. Also, not that Mizu sees this happen, Akemi is able to maneuver her way around the shogun’s court and her new husband while also uplifting and hiring Madame Kaji and her girls to both their benefit. A path she chooses to continue taking at the end of the season. It’s still within the confines of the patriarchy and not without its challenges, but Akemi is taking advantage of the privileges she does have when she previously took them for granted. 
Both Mizu and Akemi are just so nuanced and well written and this scene is a perfect example of how and why they clash due to such drastically different lives shaped by their social status. I’m curious to see how their journeys will go from here and what circumstances reunite them (for better or worse) given where they left off with each other during the season finale.
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Riordanverse Characters as quotes by people i know have said
dedicated to @lord-of-pterodactyls, i know you asked for friends in particular but i’m broadening it as even people i consider my nemeses (old ass philosophy teacher) are funny
Percy: i truly feel as if nothing will ever incapsulate my being as truly as the singing monsters water wubbox
Annabeth: *screaming from adjoining room* GET LOST APPLE MUSIC PRIVACY
Piper: *in bikini* i don’t like people with big boobs
Jason: *trying to compliment piper* your hair looks like dementia
Leo: *emerging from the stinky depths of his room after being in there for 16 hours straight and no showers with clothes from 5 days ago, red scabs all over his body and lips so dry it looks like a snake shedding its old skin by how crusty it is* guys on a scale from 1 to 10 how sexy do i look rn?
Hazel: *yeets her foot out and jiggles her toes menacingly at people she dislikes as an intimidation tactic because her toes are particularly hideous*
Frank: *after literally being targeted by a racial ‘joke’* worse than that, you white people eat spam
Grover: *pats air purifier* a good trusted friend
Nico: *drifts into hazel’s room* bro i ain’t even gonna lie, the holidays are better than the black plague *leaves room before she can question him further*
Reyna: *sleeptalking* stallion le meghan
Rachel: *pretending her coloured markers are vapes*
Thalia: *pointing at luke* my bro be the victim and the perpetrator
Tyson: *when talking about doing math* all i have are my fingers and a dream
Clarisse: *sees a sick person in bed* you’re looking pretty vulnerable *proceeds to ransack their room and steal their sheets like some gremlin*
Octavian: i am THE riddler *speaks in riddler voice and puts on devious little expression* what is... a curtain?
Will: *sees a dying person and looks pointedly at nico* and thats because they didnt take their cenovis vitamin c
Luke: i am constantly one snap away from either committing homicide or suicide
Apollo: *feeling face after new skincare routine* gosh my face feels as soft as a silicone tit
Meg: *pointing at apollo after redemption arc* YOU WON’T GO TO HEAVEN BECAUSE YOU ARE A COMMUNIST!
Magnus: *eating falafel* this is an orgasmic experience
Samirah: *substituting random words in english for arabic and not realising no one understands what she’s saying*
Alex: *laughing at the death threats she gets online after posting a meme about BTS in the military*
Blitz: *does something naughty* omg sorry im such a libra(^ν^)
Hearth: *walks into room* god is dead.
Carter: *walking into sadie’s room visibly upset with a box of cadbury favourites* here take them. if you don’t im going to eat them all. please, dont make me do this
Sadie: take a shit and be late to school or dont take the shit and be on time hell loop
Zia: my top artist on spotify this year will be xi jinping’s wife
Walt: *simply, appreciatively and completely without context* yeah, buddha is a pretty amazing guy
Anubis: i dislike being emo because i can only go as death note characters for halloween
Bast: *absolutely entranced by watching love island uk and is just repeating everything any person says back in a treacherous essex accent*
Bes: *walking into classroom full of young teens with an oversized ‘free james assange’ shirt* today i am a nice, trendy leftist. tomorrow, who knows?
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starcurtain · 1 year
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Haikaveh Fanfics I Really Want to Read (Part 1)
Part 2. ->
1. A run-in with a cursed artifact on a research trip leaves Alhaitham intangible and invisible. He can't be seen, heard, or even open his precious books (which is the real tragedy here). Things go from bad to worse when it's discovered that the only person who can break the curse is someone who "knows Alhaitham by heart."
Problem is, nobody does. The only one who might even come close is Kaveh, and will he really be willing to go out of his way to research Alhaitham's deepest secrets just to bring his scathing roommate back?
Turns out the answer is yes, and Alhaitham is left invisibly watching over Kaveh's increasingly desperate attempts to learn more about the most private person in all of Sumeru.
Yeah... Alhaitham's probably doomed.
(Or: The Akademiya's erstwhile scribe has nothing better to do than stalk follow his roommate around unseen, gets a front row seat to Kaveh's tough life, undergoes the mortifying ordeal of being known, and realizes just how much his own cold nature has left him isolated from the world.)
Rest under the read more:
2. Another research trip gone wrong: While Kaveh's out of town on a job and without a shield this time, Alhaitham takes a nasty knock to the head during a fight. Although he wakes up all right, he doesn't have the faintest idea who or where he is. Quick-thinking nature intact, Alhaitham decides to fake his way through on context clues for a while. It's an interesting experiment, after all, to learn about his own life from an outsider's perspective.
Too bad a very silly series of coincidences occur (i.e. Kaveh took most of his work things with him for his trip, so his room is pretty bare; they wash their laundry together to save water; and everyone keeps asking Alhaitham why some mysterious "Kaveh" guy isn't with him), all of which lead Alhaitham to the absolutely incorrect assumption that this missing "Kaveh" person is his significant other. Imagine Kaveh's shock when he returns home to a very out-of-character greeting...
(But I mean, really, does Alhaitham need his memories back? This is kind of nice, you know...)
3. Requirements for a Desirable Life (According to Alhaitham):
1. Match your actions to your talents (read as: go with the flow) 2. Low stress, high paying job (read as: the balancing act between making oneself seem indispensable while underachieving as much as possible is a talent) 3. Nice home with a short commute (read as: at-home lunch hours every day) 4. Books (read as: soon as possible) 5. Kaveh (read as: the light of my life who I moved into my house through admittedly somewhat underhanded tactics just to keep him close to me, but what was I supposed to do--tell him I have actual feelings? Impossible, in the most literal of senses)
Or: Alhaitham pursues his plan for an ideal lifestyle in an utterly single-minded and undeterrable fashion... except when comes to his roommate, who--for someone so good at drawing up his own designs--also seems terribly good at ruining Alhaitham's.
Just fall in love with me already.
(Basically, I just want to see Alhaitham be the pining one for once. He is one checkmark away from his dream life, but he'd rather sell his soul to Lord Sangemah Bay than confess without knowing how Kaveh feels first.)
4. Alhaitham is preeminently capable. He's beyond a genius. His research could rewrite the laws of reality if he tried hard enough. But he's also... terrible with people. Actually, terrible is an understatement. If Alhaitham is murdered one day, it'll be because he finally committed one too many social faux pas and honestly the masses will probably say he had it coming. Thank the lesser lord that the Akademiya's scribe has someone as gregarious as Kaveh around to help him learn, right?
Or: Five times Kaveh tried to teach Alhaitham social skills, and the one time Alhaitham put all those lessons into practice... on Kaveh.
5. The very silly comedy one: If someone were to ask Kaveh what the very worst thing about living with Alhaitham is, he'd say--well, first he'd say "Who told you?!", but after that, he'd say something that might come as a surprise. The worst thing about living with Alhaitham isn't their constant snarking and diametrically-opposed mindsets. It isn't the tacky, asymmetrical furniture Alhaitham keeps bringing home because it was "practical and inexpensive." (Kaveh's skin is crawling.) It isn't even the fact that his so-called "landlord" reminds Kaveh all too often about his unpaid rent while never lifting a finger himself to do the dishes.
Nope. The worst thing about living with Alhaitham is the experiments.
"How many books can I leave on top of Kaveh's sketches before he yells at me?"
"How angry will Kaveh get if I drink the expensive wine he brought home last night?"
"How many days will it take Kaveh to notice I keep rearranging all the stuff on his shelves while he's out?"
"How many times can I suggest he add Aranara statues to his designs before he tries to strangle me?"
It's bullying, is what it is! There's no limits to Alhaitham's behavior when his curiosity is piqued--the only thing that matters to him is the answer to whatever outrageous new question he's thought up in that thick head of his. And of course, the louder Kaveh shouts, the more "experiments" Alhaitham seems to dream up...
Honestly, someone ought to give him a taste of his own medicine!
(Or: Alhaitham and Kaveh end up in an exponentially escalating social experiment competition, pushing as hard as they can to find the other's boundaries. One of them has to break and give up soon, right?! Too bad Alhaitham's the god of stubbornness, and Kaveh's eternal peace of mind is on the line--if he can just win this, Alhaitham will finally give it up and quit bothering him! He can't chicken out first!
Because they're both very Normal™, it turns out there's not a single boundary to be found.
Well, at least answering the question "How many times can I walk in on him in the shower before he kicks me out of the house?" might save them some money on the water bill?
By the way, Kaveh wins. It turns out the answer to "How many dog ears can I fold into the pages of Alhaitham's books before he tries to kill me?" is 0.)
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wotw round 1
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propaganda under the cut!
anders:
So for context as to Why This Has Happened, he does happen to be an incredibly controversial character because of bad writing and that time he blew up a catholic church (complicated), so a lot of fans, even fans who otherwise wouldnt do so, of him swung HARD in the other direction of "he has basically no flaws at all" which is. Not True. Even if you agree with the blowing up a church thing. He is RUDE and MEAN and HAS BOUNDARY ISSUES. also he js very much the epitome of Extremely White activist and doesnt know how to communicate unless he is arguing (he is not good at arguing and he does not like doing it. these conflicting traits cause exactly the amount of problems you think it would).
Now are these various issues he has generally due to "forcibly imprisoned in a cult", "a year of solitary confinement", and "hes mentally ill and his writer is incredibly ableist"? Yeah for sure. But that doesnt mean the solution is to scrub every flaw he has away or pretend like they dont matter or blame it on the (very cool and sweet) guy possessing him (willingly) its SO uninteresting. And then if you try to talk about these flaws you get people excitedly talking about how they always without fail kill the passively suicidal man and how his romance is inherently abusive to the pc or some shit. Im DYING out here
link:
I know this is like really minor but it bugs me SO much. Ok so. At the beginning of the game, Link gets woken up by Zelda. She calls him a sleepyhead. Later in the game, she references that he would oversleep sometimes. Some of the other npcs do this also. Fandom decided that this was one of his only personality traits, being a sleepy little soft guy who loves his girlfriend soooo much (ok, he does love her a lot, but that's not the point).
This just makes me so upset because he. is. not. sleepy.
Oversleeping doesn't make you sleepy! Many fics portray him as someone that's very soft and gentle and kind and can fall asleep anymore!
At the very most, he's tired. He pushed himself hard during his quest, losing sleep. Afterwards, he would probably go back to a regular sleep schedule and sleep fine (barring nightmares). This is a very different thing than sleepy!
Anyway. Next point. Soft and gentle. He is a kind person, he's on a time sensitive quest and he'll stop to help a mother find her lost child, help a demon become human, find a LOT of lost things, all sorts of stuff like that, but he is not soft and gentle. At the very beginning of the game, he tells the bully "nice hair" (it's kinda ridiculous). Many of his answers are short and blunt. He says "not that guy" when he has to enlist the help of someone he doesn't like. He broke a chandelier for the equivalent of five dollars. He eavesdropped on a private argument-- like literally if you walk by the house at the right time control is taken from the player and he'll walk towards and listen to it. He tells a guy that his elder is dead just for shits and giggles (he's not).
Anyway. Fandom, of course, remembers none of this. He's the peacemaker, he's the soft and gentle one, he falls asleep whenever possible-- he is none of these things! The only thing they get right is that he loves Zelda!
I just want the fics where he's properly snarky and rude and tired (of this bullshit), is that too much to ask?
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thebladeblaster · 3 months
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I don’t know if I ever talked about this but Aichi is a total gigachad for this
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This dude was literally dying from the reverse and still went on to beat Kourin, Takuto, and Kai in an epic boss rush. Meanwhile he’s like “pfft I’m fine” while in agonizing pain. Remember Aichi is currently facing this excruciating pain all while focusing on cardfighting. Like…I can barely even do anything when I have a headache. Aichi’s being torn apart from the inside by an alien force and he still has enough concentration to win against Kourin and Takuto. Imagine how much better he would have done if he wasn’t distracted by being in excruciating pain? What a freaking legend. He wasn’t actively dying against Kai but realistically that pain probably didn’t disappear it just stopped getting worse 😅.
So this is why Aichi is a gigachad and Link Joker wanted his bod🤣. Like think about it Takuto said a cardfight would kill him but he cardfights two people and Reverse Takuto tries to outright murder him and he’s STILL somehow still alive. Aichi is more durable than you’d think 😅.
Considering we learn just how much attack power he has in If that’s not TOO shocking. Basically when it comes to attack power you have to at least have some ability to endure what you dish out. So If kinda explains how Aichi isn’t FREAKING DEAD.
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Once again is it ANY wonder why Link Joker wanted this guy?
I think Aichi has a high tolerance for pain because of his backstory AKA him getting the crap beat out of him for his whole childhood. Though, I don’t really know much about that kind of stuff personally. That’s just my guess as for why his pain tolerance is so high.
Let’s not forget Kai went on to shove him in this state though I don’t think he knew Aichi was dying (I would have to rewatch to remember).
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Honestly this scene still sets me off. This is like kicking a puppy. What the heck Kai?! Despite how much this scene makes me want to strangle Kai with his scarf I’ll just assume that he didn’t know or it was more of the void then him then.
Also Aichi’s behavior in completely ignoring his friends telling him to chill out, acting on his own and sacrificing his well being to protect his friends…sound familiar?
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Now, I definitely don’t think Legion Mate was that planned out especially after the rewatch I did but it was a funny consistency I noticed. For context I don’t think the seed was planned at all because the Quatre Knights act like cartoon villains in their first appearance and Reverse Takuto tries to drag Aichi into the gate…when he HAS the Link Joker seed.
One thing I really appreciate about Legion Mate Aichi over If Aichi is that he feels much more consistent with his previous characterization. I don’t remember who said it but I remember hearing a saying that turning a character into an antagonist doesn’t involve removing their old traits. Instead that it involves recontextualizing them. That is definitely done here. When you think about it Aichi’s behavior here with going to continue fighting despite literally dying was a massive red flag for what he would do on season 4. At Aichi’s core he hasn’t changed that much really in between seasons. I just think he has a different perspective after the Link Joker events and definitely at least a bit of Link Joker influence 😅. Aichi has not changed much but the situation has due to the seed. I think that’s the only real difference between Link Joker and Legion Mate Aichi.
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queersouthasian · 4 months
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Listen guys, I just wanted to say this, may not to be important but needs to said:
PEOPLE HATE WAY 'CAUSE HE WAS SUPPOSED TO BE HATED
that's it, that's the post...ok let me elaborate
As the saying goes, "you have to be the villain in someone's story for them to be the hero", and this may not be the most fitting sentence in context to WAY but in a way it is. Listen, why do we love characters like vegas/kiyoi/charn but dislike the dr from sign or way to be specific?? Interesting question right?
Vegas/Kiyoi/Charn are not "evil" characters, they are not supposed to be looked over or hated 'cause of whatever they did (killing for Vegas, bullying for kiyoi and Charn being the evil lawyer) 'cause their motive to commit a crime outweigh the consequences of the crime itself. Why did Vegas kill people?? He was from the minor family who were always overshadowed by the major, lived with his abusive ass mf dad, was raised and treated like an animal and when the final fallout with pete happens, he realises he treated pete the exact same way he was treated all these years, like an animal (pls don't even treat animals like that) and the realisation alone made THE vegas beg to Pete. Even though Vegas is a murderer, a criminal, people can sympathize with him 'cause he has a convincing story of extreme physical and emotional abuse to tell, his story perfectly explains him as a person and doesn't matter how bad/evil he is, people still cry out for him, people still feel the pain 'cause to some extent, people can relate to it. Same for kiyoi and Charn (I am not elaborating but there are many psychological takes on kiyoi here which are really good)
Now this solid back story lacks in the case of Dr and Way. Even if Way was not the "Enigma", he would still be a very annoying character, he is not the cool "loki" rather actually annoying lmao, mostly because nothing about way, till now, can explain what he did, like why did he hypnotise and manipulate babe?? FOR 10 YEARS?? why did he have to manipulate everyone against Charlie and Jeff about the car accident??? He was suspicious of Charlie, but actually he wasn't. He didn't know anything about him, did no research about him, did not have any reason, technically, to doubt him cause he had zero proof about Charlie or even jeff doing something, he just wanted to cut both off 'cause jealousy. He even saved the bfs in the last ep just 'cause babe was there, if only charlie was there or someone else with him, he would have left them. And I am not even kidding. Remember how after knocking the guy out, way goes "come on, Babe" totally refusing to acknowledge charlie being there. He could have just went "let's go" or "come on guys" but no. And if he infact is the enigma, then that just adds up to the selfishness and nothing. I am not saying that a character needs a dramatic backstory to explain their wrongs but way has...nothing. like from all perspectives he would have won, he did not have a loss. Also the biggest deception is literally from his part. The fact that not only babe, but literally every character including jeff - charlie, trust him, the fact that he tries to come off as a concerned friend but actually is just a manipulative bitch with victim complex, and to make it worse his "love" is more of a "possession" like unfiltered unsexy possession lmao. Exactly like the doctor. Both don't have any reason to do anything they did, they just want to see the world burn but not in the "oh the world is shitty" Charn way rather they are the upper hand and basically are toying with things for their pleasure.
Nothing worse than a character being merciless to people for no reason, they are either sociopaths or just rich and this would have been a great thing in crime/thriller genre not romance.
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nautilusopus · 2 years
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nobody else is writing meta analysis for vivarium so i guess i have to do it
Vivarium is a 2019 horror film that the internet doesn’t seem to know what to think of. Most YouTube videos as per usual don’t wanna engage with it on anything more than an extremely literal surface level (hence the abundance of “VIVARIUM EXPLAINED” videos that just recap the plot to you as though you can’t see with your eyeballs that yes, he put on the nametag, that sure is what happened onscreen, yes I fucking get it the boy is like a cuckoo-esque brood parasite I GET IT) that ultimately devolve into speculative fanfiction about how effectively the aliens can take over the world. There are a few people here and there a little more willing to at least engage with what the movie has to say, and from there you get takes about how it’s about how the golden capitalist ideal of the suburban nuclear family is a banal hellscape, which I’d say is generally pretty accurate. Tom spends his entire time at Number 9 labouring, digging a hole while Gemma looks after the boy because he doesn’t know what else to possibly do with himself, an action that wears him down and ultimately costs him his life, and for all his trouble all he’s found is the body of the last guy who tried to labour his way out of this situation. All he’s done is created is a grave for his “offspring” to dump him into. 
Like, as far as Capitalism Bad stories go this one’s pretty on-the-nose, and a lot of the people griping that the story was confusing are mostly the ones that seems to have missed this. (For an even longer tangent about how a lot of scifi stories aren’t going to make sense to you if you resist the very obvious thematic readings they’re giving you because you think things can’t be that deep I recommend Dan Olson’s excellent video on Annihilation.)
Occasionally, though, you get people also mentioning how it’s a little about animal rights, and even more especially about nature versus nurture. For the most part, Tom and Gemma are not kind to the boy. They (understandably) have nothing but contempt towards him. They openly discuss how creepy he is when he’s within earshot. At one point they try to lock him in the car to starve just to see if whoever comes to get his body can be forced to let them go, and they only back out on the plan when the fact that he looks and acts like a child in that moment gets to Gemma and she lets him out. Eventually, the boy grows into an emotionally distant young adult that locks Tom out of the house to die and doesn’t seem to give two shits about their suffering now that he’s bigger and stronger than his “parents”. Surely, we think, if Gemma and Tom had been kinder to him, he would have grown into a kinder adult, even if he was an alien? Are they not perpetuating this literal cycle of violence? 
And with regard to the nature versus nurture reads, I actually directly disagree and find it at odds with the Capitalism Bad message, because my read is this:
No amount of kindness or understanding would have turned the boy into a good person, and acting like it would have is in fact part of the trap. Gemma and Tom would have wound up used up and dead either way, because thematically speaking, what the boy is there to do is to collect data.
More under the cut, I have a lot of opinions about this.
The boy’s creepy alien gimmick is mimicry. It’s what the realtor (p clearly a member of the same species) does when trying to entice Tom and Gemma into Number 9. The realtor is better at saying context-appropriate things than the boy is, but still slips up every now and then, and even so his mannerisms aren’t quite right. At best, he sounds like he’s regurgitating a script (a bit more admissible given he’s trying to sell something). At worst, he parrots Gemma’s “no, not yet” back to her in exactly her voice. Everything he’s saying, it’s clear he’s going through motions without any real understanding of what those motions are, beyond, “This is the thing you say to sell a house.”
The boy is demonstrably worse at it. He’ll parrot entire conversations back to the people who had them regardless if it makes sense to do so. He rarely speaks in his own voice, instead chopping up various words he’s heard from both parents. He doesn’t seem to have much sense for what is and isn’t appropriate to mimic (to the point of Gemma quite transparently tricking him into revealing he’s an alien outright), much less what makes sense for him to mimic. 
He develops this skill gradually over the course of the movie, gets a bit better at putting together sentences people can actually reply to. But even then, he doesn’t seem to engage with the context overall of the conversation. After aforementioned alien reveal, with Tom growing sicker by the day, Gemma begins to cry and back away in horror, and we get this exchange:
The boy: Are you [overwhelmed] again, Mother? Gemma: I am not your mother! The boy: Are you [overwhelmed]? Gemma: I want to go home. The boy: Silly mother. You are home!
There’s no real engagement with the actual conversation at hand. This is the kind of script a reply bot runs. It emulates emotion the same way it emulates everything else. 
His nature is reflected by the surroundings: The identical miles of houses with framed pictures of those houses on their own walls, with no real understanding of what people do and don’t want in the aesthetics of a house. The food that looks correct, but has no flavour or nutritional value, eventually leading to not just Tom’s death, but eventually Gemma’s. The entire world, from the Number 9 house to the suburbs of Yonder in general with its fake clouds, to the boy and its interactions, are fake, hollow, and the kind of thing an alien with no real care for the real human experience beyond perpetuating the system’s own growth would create.
And at this point hopefully some of you have noticed, we’ve seen this exact behaviour pattern before.
i’m quoting the reply on that second one here by @dukeofankh​ because it’s extremely relevant to this entire thing:
I’m honestly reblogging this again because the more I stare at it, the more I feel like this is staggeringly relevant art.
Like, so much of modern capitalist marketing is the construction of these superficially personal narratives. Giving the sense, not only that the brand fits in with your identity, but that it is almost a sentient individual itself that has a personal relationship with you. Corporations have personalities. They want to be your friend, and the reason that the entire internet economy runs on the currency of data right now is that the only way to prop up the illusion that they care about you is by already having the information about you that real people would gain by paying attention
But the only way they can collect and sort all that data is with computers, without any actual humans involved past setting up the parameters and pressing “go.” And computers are fucking idiots.
Which leaves us here: this false, saccharine message of togetherness and community–community between you and your friends but more importantly between all of you and Facebook–stripped fucking bare by the fact that the cookie-cutter algorithm can’t tell the difference between friends supporting and caring about each other and Thanos with a dumptruck ass.
The boy is here to collect data, and he collects it and regurgitates it as though it all has equal relevance to the situation at hand. 
He reacts with the same polite indifference to open contempt, genuine warmth and an attempt to bond with him, terror directed at him, and pleas for mercy from him. Later on when we get a glimpse of the “inner workings” of the house, we see the boy watching another set of parents rawdogging the shit out of each other, and applauding appreciatively with the same blank amusement as he applauds to everything else. He sees Gemma and Tom dancing to the music from their radio outside, trying to have one bright moment with one another despite the grim circumstances they’re in, and he immediately inserts himself into the moment with zero awareness that he isn’t wanted here (granted that’s also extremely a little kid thing to do lol). 
Which leads to the fact that that isn’t to say he doesn’t have his moments of personality. He smiles at positive attention (as well as negative attention), he enjoys interaction. He throws a tantrum when he’s told he can’t watch fucked up alien meat television at 3 am and turns it right back on. About the only time we get a genuine reaction from him is when he gets locked in the car to starve.
But then, so do things like Alexa, or Siri, or Cortana. You can have little conversations with it. It can tell jokes. You can ask it the meaning of life and it’ll tell you 42. You can insult it and it’ll do an EPIC SNAPBACK OMG SO SASSY. The people who designed it want you to view it as a friend, even as it sits there and spies on you and integrates itself more and more into your life. 
Gemma lets him out of the car because (also understandably) she can’t bring herself to kill something that looks like a child. Later on, when she speaks with a dying Tom, she wonders why she didn’t kill him when he was still small. Tom tells her, “Because you’re a good person.” Their problems could have maybe (I mean probably not we’ll never know, at the very least Tom wouldn’t have died of exposure maybe) been solved if they just locked the thing in the car and ignored it, but in the end they still wound up viewing it as a person. 
Tom and Gemma openly comment that the boy is always, always watching them, knowing full well they’re within earshot of him. He doesn’t retaliate for this, they’re never punished for saying it. Why would he? It’s what he’s there to do. He knows they know he’s watching. Water is wet. The boy watches.
Of course, when he is older, and better at putting together conversations that sound like an actual person, Gemma is openly terrified of him. His mannerisms don’t change, but conversationally he seems to at least understand whats being said to him, and is willing to ask more in-depth questions, graduation from, “What’s a dog?” to “Why did you say ‘you’re welcome’?”
By the end of the movie, the boy matures into a man. He’s gotten a bit better at knowing which words to parrot at what time, something we can watch him improve upon as the movie goes, and still insists, to Gemma’s last breath, that she’s his mother and that she is home. Gemma dies telling him, “I’m not your fucking mother.”
This is maybe the only other genuine reaction we get from the boy: a disappointed, “Whatever,” before he zips up the bodybag and chucks her into the hole as well. He cleans up the house for the next occupants and leaves. He takes the now-dying realtor’s nametag and puts it on himself, folds up the old realtor and stuffs it in a drawer, and takes his place in the office ready to lure the next couple to the suburbs of Yonder, with words that almost, but not quite, convince you he’s a person, and by that point it’s too late. 
The boy was only ever there to make sure someone would be in Number 9 to make sure someone would be there to raise the next boy to make sure someone would be led to Number 9 to raise the next boy. 
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And who among us haven’t left this exact message, or even said this exact thing out loud, to the bot hanging over our shoulder watching us constantly, politely asking if we want help or suggested content?
TLDR anyway yeah the movie is “capitalism bad nuclear family in suburbia is a banal hellscape” still but there’s LAYERS you see
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mdhwrites · 9 months
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The Nightmare Catch 22 of Hunter as a Clone
So first, let's just get this out of the way: The Grimmwalker twist was unnecessary. It wasn't properly introduced until S2B, with the only real foreshadowing of it being a single element in the S1 finale and the fact that Hunter didn't have magic. They could have kept him as having no magic though and been a genuine orphan that Belos took in to raise as a protege, possibly inspired to do it MORE because Hunter had a failing Bile Sac and would never be able to cast magic by himself which would have made him appear more human to Belos than the other denizens. Someone he could connect with more. This also would have made it so Hunter would have HAD to choose to leave Belos on the grounds of morality rather than being a disposable clone that Belos just straight up tries to kill before Hunter can actually rebuke Belos' way of doing things and the like, making his arc and redemption stronger. This also would have allowed for the same steps taken but less baggage that they couldn't deal with because of the shortening.
But, as always, TOH couldn't kill its darlings so let's talk about the nightmare that is how they dealt with Hunter being a clone, especially in the context of his crises of identity.
So the first thing that has to be acknowledged is that this is nothing new when it comes to clones. Clones have been a staple of sci-fi and fantasy for a LONG time and a clone reveal is ALWAYS more common than the person actually knowing what they were. This makes a lot of sense thematically though and it's a trope for a good reason. It opens up a lot of questions about what makes a person their own person, nature versus nurture, etc. like that. And the common decision by most media is to have the clone reject that who they're made from doesn't matter, they're going to be themselves, doubling down on the idea that free will is that which makes us human and ourselves rather than a machine (which also brings this up a lot in matters of androids.)
Which I will give credit that that DOES actually fit the goals of TOH. That you being you is the best thing possible in this world. There's just a couple catches to it. The first is obviously time as by the time Hollow Mind happens, there's VERY little time to deal with it and Hunter still spends some of that time just not addressing it and lying/keeping secrets instead because this show has very few ideas of what to do with things when it comes to angst. He's not the most prolific liar/secret keep in the series amongst the good guys after all as that title firmly goes to Luz.
And that time problem IS a problem. After all, this is their setup: Hunter is a clone of someone who recorded history in his world has entirely forgotten. Instead, he looks and is raised by Belos. As such, he assumes that Belos is who he is cloned after and after the attempt on his life, even more than just being a clone (I am serious when I say the Grimmwalker twist is unnecessary), by Belos, he rejects being like his perceived Uncle. And so he becomes a witch loving, Palisman befriending good guy who betrays Belos!
...Which is literally EVERYTHING we know about Caleb. Every concrete fact about him lines up with what Hunter turns into. Even worse, NO ONE wants the old Hunter. They only want what he is when he is lying, not acting like himself... Or like Caleb. Darius is actually the creepiest here as he explicitly wants Hunter to be like his dead lover and the canonical fact that EVERY Golden Guard ends up betraying Belos means that Darius effectively just wants to not guide Hunter to a better place but to just... remake his old love.
And that's fucking creepy.
Luz wants nothing to do with what Hunter was before he started becoming good though. Amity wants Hunter to become like her which is essentially just becoming Luz. Willow likes the time she spends with 'Caleb' and then is mad at Hunter when he's back to being the Golden Guard, at least until he goes against Belos by saving The Emerald Entrails, pleasing Darius and her.
But this is where the Catch 22 comes into play. From the character's perspective, Hunter IS rebelling against what he thinks he was made to be. Who he believes himself to be a clone of. He has no reason to assume he's Caleb's brother after all. Hell, he'd probably get confused about why this ancient white dude named Philip has brown hair when Belos has blonde. Not white like Eda but blonde. So we NEEDED some time for Hunter to introspect, learn the secondary twist that he is a clone of Caleb, learn about who this Caleb guy was, which is effectively impossible beyond the fairy tale they're told which tells Hunter nothing of Caleb besides the boy liking witch booty over taking care of his brother, and for him to THEN decide he was okay with being like Caleb.
And that would have been fine. It would have even been theoretically a bit novel if not kind of weird. Again: Writers have always chosen that the person goes their own way for a reason. Hunter deciding being Caleb is cool with him is one way to close that out... But it would still be him choosing to be a different person. That his individuality isn't what's most important which goes against pretty much the core theme of TOH, who believes individuality and self expression is the ultimate priority. Full stop.
So you have a character who narratively, for the sake of having the redemption arc they want him to have and who logically fits into this place by contrasting against his uncle, also cannot become that person because he's a clone and his clone appears to be the anti-thesis of his uncle, thus making each of those points of contrast not him becoming his own character but him becoming just a different, ancient white bloke. There is no winning with this. And in the end, there was no victory. Hunter turned into a copy of Caleb, his arc feels shallow in part because of it and the Grimmwalker stuff robbed time away from the rest of the series for minimal payoff and a blow to the core themes.
All for a twist that cheapened his arc in the first place and had no real reason to be here besides being kind of neat conceptually.
======+++++======
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
And finally a Twitter you can follow too!
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moboxcritique · 11 months
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Ayo I got two anon asks
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"how you constantly minimize her actions" you say that as if noody didn't just casually drew Nazi artworks and drew a suggestive gayass OC X OC Nazi ship months ago and harassed minors because "they had similar OCs" AND called me "half delayed mind issues" on her gayass helluva boss discord server alongside with her boyfriend calling me the same thing and then calling my autistic followers the f slur and "virgins", and she especially drew nsfw art of her helluva boss OC with crimson that actually depicts crimson RAPING said OC in her new comic "the white sin" which we recently found out that her helluva boss OC falls pregnant and her son works for crimson and it'll all literally lead to abusive romance AGAIN. Mobox literally did a lot of worse shit and all you can say is what Kev done.
"I think it's kinda screwed up that you share and post private DMS that people send you to moboxcritique" I censored their users, and I only had ONE conversation with ONE person. They were not private AT ALL, and they've spread lies about me in Moboxs posts on twitter. Alongside with spreading lies about Kev, saying Kev is manipulative and a PEDOPHILE/sent "porno" to minors when they have NO proof of that whatsoever. I blocked that person because they were stressing me out in our dms, of course I have to defend myself when they are saying shit about me.
Mobox even said this about me on a new gayass page:
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I didn't say "she romanticises her trauma" she's romanticising rape and abuse IN GENERAL. And she called me a STALKER, when people only send me this shit in dms.
Mobox has literally dug up old "evidence" of Kev years ago and tried to make Kev sound like a stalker out of them << Kev was 15-17 AND WAS GOING THROUGH ABUSE, from her family. Mobox literally tried to make Kev a STALKER out of that. Kev only went to moboxs house because Kev was in a abusive household. Moboxs mum ALLOWED Kev to sleep over.
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Mobox isn't the only person who's gone through abuse, she says she wants to help abused victims when she's harassed 13-17 year olds over them having similar OCs to hers. Just because mobox is traumatized doesn't mean she can make years worth of comics that romanticise abuse and rape AND transphobia (she's literally cishet).
She made a response tweet to me and she TWISTS my words saying "now you say I support sexual abuse" where did I ever say that?? I said ROMANTIZISED, two different things babes.
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"to save yourself after people already saw who you are" babes that was YOU
You guys don't realise she's talking to a mirror and reflecting herself onto me and Kev. "You just want to take everything out of context" that was YOU, you brang up old screenshots of you and Kev talking, Kev was venting to you about her abusive family, and you tried to make it sound like Kev was a stalker out of them, Seriously? We made an entire doc with 200+ evidences, how can you call that out of context. Have you guys even seen her apology posts? She apologises and then she brings up her entire life story, most of her fans don't even know what she done and what she's apologising for. You can't forgive someone if you don't know what they've done. Context my fucking ass
The Nazism shit doesn't even excuse her problems. she wasn't "mocking the Nazi movement" she literally used the star of David behind a stripped lemur with stripped clothes
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1 million Jewish people (out of the 6 million that died by Nazi's) died in STRIPPED CLOTHES in one of the death camps, Auschwitz. They died in gas chambers. By Nazi's. This is just disrespectful but apparently all mobox has out of her ass is "I'm not the same person I was 5 years ago" girlie pops most of the shit you've done wasn't even more than 2 years ago, stfu
(I would show the pics of the stripped clothes Jewish people wore in the death camps but I can't add any more pics in)
Mobox literally drew the first picture here, months ago. Not that long ago. Probably somewhere this year. That black eared bunny is a NAZI DOCTOR. You can't say these shit to me and then ignore this shit
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Stop obsessing over Kev. Even if Kev was a bad person, or if Kev didn't just fucking exist. Mobox has still done this shit in her free will, stop going over to Kev. Kev wasn't apart ANY of this. Mobox just brings up Kev because y'all are stupid and dumbfounded, I'm sorry but it's literally true. I'm the nicest person and I promise that, but it's the fact this is how you guys only defend mob.
If Kev was a bad person to begin with, of course I wouldn't support Kev or even be friends with her, but so far Kev has been proven innocent. If I wasn't friends with Kev, that doesn't change anything. If Kev didn't exist, that wouldn't change anything. I only stopped supporting mob because of what I found out in a doc about her, Kev didn't just reach out to me and say "oh mob did this and that" I found out on my own.
Stop using Kev to defend mobox.
Literally face moboxs actions, tell me how you're gonna defend her, she technically made CP and included rape and transphobia and put in the f slur all at once in her new helluva boss comic, she admits she ships noda and crim despite the rape and the very abusive relationship between them in the comic and then they have a CHILD. And then she just says "I do this because of my trauma"
She's 23, changing is gonna be a hard process for her, so far she hasn't made any progress. She literally got away from the fnaf fandom and said "fuck y'all" and made a helluva boss comic with her oc in it to do the same shit she did with Rockstar Freddy X lefty. She's literally in denial saying she did change, it's concerning if she romanticises victim X abuser if shes a victim of being abused or sexually abused. If she draws THAT because of her trauma, that's something she should talk to a professional about. But apparently she already had years worth of therapy and she has said that her therapist thinks it's okay for her to draw this stuff. A bunch of people literally reached out to me saying how much they were hurt from her content.
She's been doing this ever since she was 16. It's pretty sad all she does is make content of characters being abused and raped. And then she like, later on romanticises that shit. And then she receives fanart of it. And then she obsesses over her abusive OCs where her fans even simp for her abusive rapist incesty OCs (referring to Austrabhos. Her fans literally simp for Austrabhos in her discord server and mobox is just fine with it)
These guys really believe anything without evidence. It pisses me off, I'm gonna be straight up honest cause I'm sick of having to keep on a filter, you guys need to shut the fuck up if you don't have anything to show that proves your statement and stop being confident little stuck ups that obsess over moboxs work when all they're about is unrealistic abusive transphobic romance
Anyways that's all I needed to say 😋😋😋😋😋😋😋
^^^^^^
The only thing that's wrong here is that Kev never went to Mob's house since the plans fell through. It's discussed in the doc
But anyway, yeah. It's over, it's done with, stop using Kev to defend Mobox. Kev's already apologized for what she did with Blurry's OC, so stop using that as an excuse to defend Mob
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i feel so strongly about the whole Laughing theme regarding Kid actually
like one piece is at its core a story about joy and laughing and partying, like that is the heart of it, we end each arc with a party. there’s all this almost prophetic talking about luffy as someone who brings joy wherever he goes. He is literally JOY boy and has an entire Sun God imagery going on complete with a whole New Dawn theme. like that is luffy’s thing, being just a joyful little guy and laughter in this context is regarded as something infinitely positive.
which is then perverted through the SMILE fruits that force you to laugh and smile against your will. the more you think about it the more fucked up it is that the population of a land is forced to laugh and smile despite being violently oppressed.
anyway. the thing with Laughing and Kid is that it’s not something positive for him. Laughing, with Kid, has had always to do with mockery. He expresses that clearly a lot of times, like the whole “I’m gonna kill everyone who laughs at me/my dream/ at Killer”. when someone laughs, that’s a personal attack against him. (like the bellamy situation pre-timeskip where luffy stayed calm and was the bigger person when bellamy mocked him - that would have looked much different with kid) that whole thing extends to Killer too, because, y’know, he literally hates his own laugh so much that he hides his face and leaves no one alive for mocking him. not to mention, that for Kid this situation is also a reminder that he failed to protect his friend and crew. killer’s laughter is a mockery in that sense.
and even when himself laughs, it’s because he is mocking and looking down on his opponents or making fun of someone. and i’m gonna go and pull up the “scum will only birth more scum” line from sabaody. because in every aspect kid does not really have the intention to be a good person. that line and the “we’re sorta cute in comparison [to the wg]” reads to me as that he understands himself as in the role of scum and fully embraces that in a “if they can commit atrocities, why shouldn’t i too?”, as in he’s extremely cynical of the wg’s double standards between what the bad things it does and the clean, helpful front it presents itself as. as in, “sure, i’m a bad guy but are the things i do really that much worse than what the government is doing? at least i’m upfront about it”. he really, really looks down on the government, constantly mocking it by perpetrating exactly what the government does because scum births more scum births him. he is the government’s own creation.
like Kid is very much not trying to be a good person. (Luffy isn’t trying either, he just is.). Lines that I also find interesting are those when the Kid pirates imitate Killer’s laugh but also saying things like “how dare you turn our Killer so cheery? Now we have to be one of those cheery pirate crews.” implying that they very much did not want that. They aren’t meant to be a happy, jolly ol’ pirate crew going on light-hearted adventures. like Kid is very self-serious and laughter is something negative and a way of mocking.
for another contrast real quick: even to law laughing and smiling is something positive actually, even though he doesn’t do it a lot if ever. but for him it has to do with corazon and the whole heartbreaking “i want law to remember me smiling saying i love you” thing”. so i’d argue, for law smiling/laughing would be an expression of love and it makes sense that he’s very reserved about it.
anyway, bottom line is: laughter has a very negative connotation for kid/in kid’s character and i am saying there’s a character arc to be had here, especially since the audience can already sympathise with him. like we know that yeah, he’s violent and angry but he’s capable of cooperation (even if he complains and denies it) and cares for his crew. but yeah, send post.
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giac222 · 4 days
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This is a more serious post y’all. So, it’s come to my attention that people are now using TCOAAL as an excuse to support real life incest? Even more so than before. Mfs have officially lost the plot. Again, this is yet another example of the fanbase giving the game a bad reputation.
You guys know I love Ashley and Andrew sm, but their relationship isn’t normal, and it isn’t supposed to be. Again, you guys know I love them, and I want them to have their happy ending, but you have to remember that their situation is incredibly unique. They had a horrible upbringing, were fucked over by their parents, and live in a totally dystopian society. They’re now on the run because they have no choice. They quite literally only have each other, and despite their issues, you know they really love each other. Plus they’re FICTIONAL characters.
I was considering rejoining the subreddit, because I actually did have some good conversations about the game there before, but I quickly changed my mind. I thought it maybe calmed down, but no, it just got worse.
Including this screenshot for more context:
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This was in response to someone posting about showing the game to a sibling couple IRL….💀. The mods locked the top comment in the screenshot despite them having common sense??? Wtf.
About the bottom comment, Yes??? people are fine with all that because it’s a VIDEO GAME, it’s not fkn real?? Actually insane.
What the fck is going on y’all? 😭
I can’t believe I have to say this, but no, in the grand scheme of things it’s not normal to fall in love with a sibling like hello? There are people who have trauma with real life incest, and will tell you how harmful it is to encourage. You try to tell these dummies that though and they’ll downvote you into oblivion. (When I used to be on the subreddit I got downvoted because I said supporting real life incest isn’t a good idea). 🤦🏻‍♀️
When it comes to TCOAAL, it’s like these people can’t find a healthy middle ground, it’s always one extreme or the other. You have one side that’s like “omg I hate this game, bad things should never be portrayed in media!” 🤬 and the other side is “yeah real life incest is totally okay and should be normalized actually!” 🤪. Like what???? It’s like none of these people know how to differentiate fiction from reality, and I find that very concerning.
Yeah, I’ll never forgive the people who hate without actually knowing anything about the game, AND that part of the fanbase for causing the game to be completely misconstrued. I held back from mentioning this before, but the sad reality is, it’s not hard to see that a lot of people only like the game for one thing, and It’s a damn shame. I mean during my time on the sub, there were hardly any discussions about the actual game, and If there were, those posts hardly got any traction compared to the NSFW stuff people posted. I’m like at this point you people are acting like the fanon stuff is canon😂. There’s an entire NSFW sub dedicated to the game, yet there was still so much of it on the main sub. Like I’ve said before, if outsiders see that and that’s their first impression, yeah it’s not a good look and I can see why it’s off putting for people.
Here’s another screenshotted comment from the same thread as the screenshot included earlier in this post:
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This person confirmed what I already thought about a lot of the members in the subreddit btw. Mf this is a gaming subreddit?? Literally just go to pornhub. 🤦🏻‍♀️ Insane.
That’s why I stated in another post that fanon Ashley is like a completely different entity to me at this point lmao. Like that’s not Ashley, that’s Ashleigh 😭. Saw someone on Twitter say “Leyley is definitely an anal girl” 🤪, I was like huh? My girlie is a virgin who doesn’t really care about sex. Lmao?? People just be sayin anything 💀. Touching grass is needed. Also, despite her viewing sex as transactional (for now), I think Andrew’s the only person she’d actually sleep with as he’s the only person she loves, that’s just my opinion though. Even when she contemplated possibly getting pregnant by the neighbor in their apartment to get out of quarantine, I don’t think she was actually going to go through with it.
Also, I’m breaking my silence, people on the sub were/are just annoyingly horny, like of course being horny is normal (duh), but I’d see the comments and I’m like?? How are you not embarrassed typing that out? 💀 good lord. I think a lot of them are teenagers, but tbh that makes it even more awkward, like I’m an adult, I don’t want to see that from y’all 😐. I hope I don’t sound like a prude when I say this, because that’s not my intention, but it’s obvious some of them consume more porn than they probably should 🥴. Viewing NSFW stuff is normal, but too much of anything isn’t good for you.
I could go into why teenagers and adults need their own separate internet, but that’s a completely different post 😂. Also, no offense, but I feel like most (not all) teens type and act the same online, like they aren’t hard to spot. If that makes sense.
This is why I don’t associate with the fandom, at all. I fw the Tumblr community, but that’s it.
This is kind of a rant post? But tbh, I don’t think these people understand the harmful shit they’re pushing by supporting real life incest. 🤦🏻‍♀️. I’m over idiotic people on the web.
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Unpopular opinion, but I genuinely think that March of the Oni is one of the worst Ninjago seasons, (That is if you even count it as a season.) and it's all because of that last episode. The fact that the title is even "Endings" and yet is one of the worst season finales I've seen in this whole show just makes my blood boil.
Because when you think about it, this episode is supposed to act as the ending not only for itself and the two seasons before it, but the first ten seasons and the Wilfilm era as a whole. But, to me at least, it just feels like it dropped the ball. (If you wanna read my long ass rant, be my guest.)
The most egregious thing this episode does is what they did with Cole. Literally what was the reason for this fake out death if he's just gonna show up completely fine afterwards. And yes, I know that it sparked some of the most tear jerking moments in this show and furthered what Lloyd and Garmadon had going on, but doesn't that just make it worse that it feels like this whole thing went nowhere? And I don't want to hear anything like, "Well, bad and unexpected things happen in life all the time! It's just being realistic!" If this show was going for that type of realism everyone in the main cast should be dead by now. And I'm not saying that that's not a true statement about the world, but this is a lego ninja show aimed at eight year olds.
And then there's the second fake out death in this four episode season. And I'm also aware that the scene where Lloyd meets the FSM is cool. I also think that the scene is really cool! But my problem lies in the fact that Lloyd dying and then being fine minutes later doesn't serve anything. At least Cole falling caused some interesting scenes, but what happened to Lloyd doesn't cause anything! And yes, he met god, but then god told him that he won't remember any of this anyway. Oh well.
And then Garmadon just walks away??? Like, I get why HE would do that, but Wu just let's him leave????? Isn't this guy literally only the evil parts of who he was before? And not to mention that he forcibly became a dictator like three weeks ago.
And there's so many other things that piss me off, like how Kai has kind of a full circle moment with his smithing abilities, and as a longtime Kai fan I really like this idea! But then it was only a 20 second montage. Like, you aren't even going to give us a reason as to how he became so good at being a blacksmith that he can reforge the fucking GOLDEN WEAPONS? NO??? Ok then! *explodes with rage*
And my next complaint is moreso targeted at the whole season, but am I the only one who thinks that the Oni where really underwhelming? Like, these are supposed to be demons hellbent on the total destruction of the universe, but they're also the most forgettable villains in this entire show. The only reason why I even remember Omega's name is because that name in this context is kickass, but other than that he has nothing going for him. He's just here to destroy and kill everybody, that's it. What makes him and say, Kalmaar so different, is that Kalmaar has an actual personality. They have the same fundamental plan, but Kalmaar feels more like a classic disney villain while Omega is an extremely watered down version of the Christian take on Satan. This could've been the chance to make some absolutely epic lore about the Oni, where they've been, what they're like, or literally anything. But no, they're just here to kill.
And then they where defeated by the power of spinning really fast with your fam. The whole Tornado of Creation coming back just to serve as a callback and a convenient Oni killswitch has always bugged me. It just feels really cheap, especially with how everything faded to white and we didn't even get to see what actually happened.
But the real reason why I hate this final episode so damn much is that, I really liked the episodes before it! When it was coming out I thought that this would be really good, and I was legitimately excited to see how it ended! But then it crushed my dreams by having the worst ending possible and I haven't been able to trust since.
Okay, I think I'm done now, these aren't all of the reasons why I hate it so much, but I've rambled enough so I'm done.
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Hello it is I connection terminated the random Tumblr user!
Ideas had:
Directly after waking upafter being controlled by a bunch of psychotic clowns for like a year Michael went to Henry for help. Henry built him the end of skeleton shell so he could do stuff again But also made Michael internalized the idea that his life is basically useless unless he does vigilante stuff. Also the idea that it basically didn't matter at all what happened to Michael himself as long as he could still walk and punch...
"Nightguar" Michael Is introduced at a charity event hosted by William. (I think he definitely has a "oh you have dead parents I have dead children isn't that so sad" talk with Bruce at some point) Also Tim is there. Then suddenly as Williams giving this speech about "Look at these new robots I made they have a criminal detection system will protect Any children who walk into my establishments!". When Michael bursts in through the glass ceiling and tries to kidnap/maybe kill his dad. But because The crowd and Batman don't know the context it just looks like scary villain came down from the ceiling and is now trying to kill nice children's entertainer William Afton. Basically Michael runs after that and has a little rooftop fight with Tim. Throws down a flash Bang and then runs away.
All of the fun times can easily disguise as humans everyone except baby is just really bad at acting normal. It's also not something they need to do much-
Michael has a lot of hang-ups about being the only non-human member of the bat family for so long. Like everyone else can kind of take off the mask and do normal people stuff (mostly). But Mike physically can't do that.... He also happens to live in a city where most of the metahumans are villains and most of the heroes are normal human people. He kind of sticks out and sometimes gets mistaken for a villain (Kind of a loose adaptation of the whole looking like William hence people wanting to attack him thing for cannon)
Whatever kind of ghost or something like that Michael Charlie and most of the other cast from fnaf are Makes anyone who is in the presence of them feel really Uneasy.. This kind of fades the more time you spend around the person. (This is a head cannon I have for normal fnaf too I just think it'll be fun here)
Cassidy's powers are based on how much pain herself and the people around her are in. Either emotional or physical. she shares a vessel with Evan (because it's easier To say then crying child) His constant sadness is A Perfect power booster! If you're wondering what her abilities are she can trap people in nightmares, Teleconesis, Telepathy, Reality bending,
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Thank you for listening to my ramblings here's a sketch of Cassidy! More of a little concept sketch than her final design LOL but I hope you like it
Ah! Hi! Sorry for taking so long to answer I was recovering from my sister’s second baby shower (I didn’t have a panic attack at this one yay) but it’s been a few weeks and now I’m ready to type! (mainly hearts and key smashs)
HENRYYYYYYY!!!!!! I know you have good intentions but you are giving my blorbo even more of a complex than he already has :(
*lights up the bat signal to let Bruce know to make sure he has the emergency adoption papers ready*
Of course William would have the fucking audacity I want to hit him (and I know that that man is so good an actor probably the only member of the batfamily to notice anything off would be Cass and ether she’s not settled enough to go to galas yet or literally hasn’t joined the family)
There is no doubt in my mind that he pulled out the “I am so sorry about the loss of your son Mr Wayne. There is no pain worse than the loss of a child. I would know” I want to break his nose
Is it really a robin teen vigilante romance if it doesn’t start with a misunderstanding and a fight?
Of course she’s a good actor, she loves playing pretend. kill me
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I have no words for this one just tears
Tim: Hey guys! this is my boyfriend Michael.
*the entirety of Young Justice about to beat up a corpse Because he has bad vibes*
Tim making distance between them with his bo: Back! Back I say!
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I love her so much💕💕💕💕💕💕💕💕💕💕💕💕 her little hat is everything to me
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