Yesterday I decided to watch Oban Star Racers, since it was a series I slept on when I was a kid and I heard a lot of good for it. So I binged the 26 episodes yesterday and today.
Overall verdict: FUCKING DOPE. 9/10
Very good series overall. It has a pretty unique art style (most notable on the humanoid characters) but it makes it work and uses it well to have pretty dynamic and expressive characters and gorgeous environments. And it's a very neatly written story, that finds the right balance between a sport fiction (racing), the overarching space opera/space fantasy narrative, and the interpersonal drama.
And the OP is pretty good and sells the color.
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The plot :
(two ships preparing for the preliminary of the Oban Star Race)
In the future, humanity is set to participate in a racing competition between civilizations of the galaxy, where the winner will receive the "ultimate prize" from a sort of "god" of the galaxy. Eva, a young girl who wishes to be recognized by her father (both literally and figuratively), gets involved in this race when said father becomes the manager of the earth team... And it soon turns out the competition has way higher stakes than everyone believed.
The plot reminded me bit of Red Lines, albeit with far looser vehicle rules than it (one competitor rides a giant beetle... ONE COMPETITOR JUST FLY HIMSELF), although I don't think a more in-depth comparison is worthwhile. Ultimately they provide different experiences despite the similarities.
A more in-depth rating would be :
Story:
very well written with good dialogue. None of the 3 main storylines (racing, drama, mystery) feel underdeveloped compared to the other, and they all manage to fit right into place as the plot progresses. The only downside is some plot points could have been introduced earlier and in more detail, but this only concerns a few.
9/10
Characters:
The characters are colorful and interesting. The secondary cast have a lot of personality, with unique ship design that sometime really push the definition of "racing ship".
(one of the secondary cat... I mean cast, Para-dice)
And the recurring cast isn't left behind. They are complex and nuanced, flawed people who sometimes make bad decisions, but always act in an understandable way. Sometimes their reasoning is more implied than explained, but it's not easy to miss it.
(The short guy with black and white hair is Don Wei, the protagonist's father. The tall dude with his tits out and sunglasses is Rick Thunderbolt, a pilot for the earth team)
The only issues are that one character is developed and leaves the story way too quickly and that some are a bit too simple/one not. But it's a minority and it's probably to balance give more time to the interpersonal drama.
8/10
Art :
The art style surprises a bit, but you get used to it quickly. It makes for expressive characters, and it's stylization make the humans not feel boring compared to the many aliens.
(you may have noticed they don't have noses)
There's also some clever use of 3D here and there, but it's well integrated so it doesn't feel too jarring. And the environment are fun to look at.
(This isn't what you expect to see when you're told you're going for an interplanetary racing competition. But I really like this planet, Alwas)
8/10
Music:
The music is good guys. I put the OP above, but the ost is also great, both for actions and non-action scenes. I really like the preliminary planet's theme... it really sells the confusion of humans reaching a new world they've never seen before with a pre-fire spacefaring civilization (that uses caterpillar-powered engines).
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And Prince Aikka's theme is also cool.
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Anyway, for the music, I was gonna give it a 8/10, but now that I listened to them again for this review, I realize they do carry a lot of making this experience pleasant. So
9/10
Worldbuilding:
That's a very important factor if you make Sci-fan, so I thought it was good to make it a category. Oban's setting succeed in the two key point I look for in a fictional universe: It makes its own sauce, and it looks alive.
Not everything in the setting is unique, but it offers some fresh concepts or visual identity make the inspiration turn. Like, I really enjoyed Ceres' ship being an amalgam of tubes that shouldn't fly, and that he rode standing on it rather than in a cockpit.
or spirit weird anatomy that looks like an unraveled humanoid
Or hell, Oban (the planet) itself functions in a way I haven't seen yet in sci-fi. that's what I mean by "make its own sauce". I can look at some elements of it and say "Wow, you don't see that every day" and get a rush of inspiration from the new flavor.
As for the "looks alive" part, by that I meant that the series gives the impression if I put the camera away from the main plot, there still would be interesting things to see. We know a lot is going on offscreen. We only see one of the 3 preliminaries... that's a lot of teams we haven't met... And even with the one we met, there's political intrigue in their homeworld, tragedies they wish to repair, etc... It's a universe where you feel you could always find something new to look at.
i dont like the idea that kids these days are doing their fandom rps with ai chatbots. that's how you're supposed to make lifelong friends as a weird really online teen.
We get pretty excited about the common siphonophore. What’s not to love?
We’re thrilled to be the first public aquarium in the world to culture and raise these delightful drifters. While these animals are incredibly fragile and difficult to see, they’re abundant and can be found throughout the ocean!
Siphonophores are colonies of tiny animals called “zooids”, and they play an important role in the oceanic food webs.
Thank you to our colleagues at @mbari-blog for the common siphonophore footage! Check out their website to learn more about these magnificent mysteries!
I personally choose to believe that the Hunger Games series is supposed to be Katniss's memoir/way of setting the record straight about her and her loved ones part in the Games/war. Meaning I think the entire country of New Panem was going into a FIT with every new chapter they read, let alone book. Just imagine the podcasts for a second.
"SO THE STAR-CROSSED LOVERS OF DISTRICT 12."
"YEAH."
"FATED SOULMATES."
"DESTINED TO BE TOGETHER."
"Role model for all of our relationships, I think it's safe to say."
"Mmhmm."
"It was a SURVIVAL STRAT????"
That baby reveal??? Had the country in SHAMBLES when they realized Peeta was lying. Her editors probably told her to just keep that out and she probably just said "why?? I have actual kids now, it's fine." The tabloids are blowing clear the fuck up all day every day. Peeta's hijacking??? People already knew but they didn't know EVERYTHING. God, those podcasts were LIT.
i got my isbn today for the book. 8 months to go. my mom and i were talking about what the next steps are. i was eating trail mix, standing on one foot, phone tucked into my ear.
"yeah," i said. "the problem is that tumblr as a market is like, not something that can be studied." there's this weird wave of nostalgia and affection for this place that came up over me: how lovely we avoid consumerism. okay, it sucks as a creator. but also? keep stickin' it to 'em.
my mother made the sound at the back of her throat that i also make, the one that means i've got an idea. "you should figure out some kind of reward for presale amounts. maybe you give out poems or a mug or a signed book or something. would your followers like that?" my mother is sweet, and kind, and i have no idea how to explain on this website you can buy someone crabs.
i put more m&ms down the hatch. i had to speak through peanuts and almonds. "if it passes 25 thousand i will print the book out in its entirety and eat it live on camera."
"oh god. no, you don't have to do that." she was anguished. "just tell them that you'd love them to read it, and that they've inspired you to write. you got started on that site, and they helped you keep going. raquel, you love these people. the community? you talk all the time about the other writers and artists and whatever else. tell them that you're hoping for their support, they'll come through."
"no," i assured her. i discovered i had dropped an m&m, but an ant had already found it, so it belonged to him now. i will let his little life have a surprise blue treasure in it, too. "i'm gonna fuckin' eat the book."
The main reason I think Goncharov worked better as a piece of mass produced fiction over Zepotha really does come down to the basic concepts of each piece.
Goncharov had a concrete idea from the start, it was a lost 1973 mafia film directed by Martin Scorsese. Meaning that people new to the joke could more easily understand how to add to the story. Martin Scorsese has an unique style to his films, he has directed multiple mafia/crime dramas that people could pull from to create a cohesive story that sounds plausible for him to have made. People were able to come up with characters (and the actors who played them) and an actual plot by just studying the genre and finding what would work.
Zepotha is just marketing a single artist's work under the idea of "an 80's horror film", no director, no actual genre other than "horror" (what kind of horror? Slasher seems to be the most popular, but Zepotha sounds more like a giallo style supernatural horror to me). There's no director listed, so no one knows how this film would play out or look. Because horror is such a vague descriptor here, people are throwing just about everything to the wall to see what sticks, which slows down the actual storytelling potential. People are making up characters first, before a plot leading to there being like 50 named characters, but any actual story is lost.
Tldr; Goncharov found it's footing much easier and faster by starting out with a concrete idea, while Zepotha is stumbling because it's vagueness makes it hard for anyone to agree on basic things like story or characters.
Hi Jonny! Re: your latest post, did you mean that guest writers are also involved with the metaplot portions (with Alice and Sam ans Gwen and the others), or just the case file/"statement" parts? Inquiring minds would like to know. Really enjoying Protocol so far!
So, the detailed answer to this is very complicated, as it's all about parallel production pipelines and varies quite a lot between guest writers, as they all had different schedules/availability. We'll probably dive into it more on a Q&A at some point.
Broadly speaking, the shape and story of the overall metaplot is all me and Alex. We'd have loved to get some of the guest writers involved for a bit more of a writers room feel, but time and logistics simply didn't allow for it. Once we'd sculpted the seasons, we sent out the episode briefs to the guest writers, along with a prompt for a possible case. Some of them used the prompts, others created the whole thing themselves. A few did a pass at the dialogue scenes, but most of these ended up being heavily redone by me and Alex when we were going through and weaving the story together and making the characterisation consistent (it was all being written pretty much simultaneously, so when drafting the guest writers really only had the pilot to go on in terms of writing the cast). Then there were a couple rounds of feedback/edits for the cases, and me and Alex adding in bits to tie the case into the metaplot a bit more and make the tone a bit more cohesive.
Like I say, it varied heavily based on the guest writer (and which of myself or Alex had the first edit pass on an episode), but if you're trying to guess how likely any given event/line was to be written by someone specific, the chances are generally something like
To be clear, these numbers are purely illustrative, but they give you a rough idea of at least how it seemed from my end. April's been doing a fantastic job of organising the production, so apologies to her if I'm talking fully out my ass :p
anyway, so the hermit permits: this feel VERY MUCH like the hermits going “we did not like how little we used the shopping district in 8 and 9, we want to create a mechanism that not only brings it back but hopefully forces more collaboration by preventing one guy from having the super shop”. I’m here for it! interested in seeing how it plays out going forward, it definitely at the very least intrigues me! as does iskall mentioning that if he doesn’t keep up with demand the other hermits are allowed to rebel and take his rocket permit, sir what does that mean,