drop the rabban/piter ship manifesto Please
okay okay okay okay okay all right here we go
point the first: dave bautista and david dastmalchian are hot and therefore we are fully justified in wanting to smash them together like ken dolls
point the second: the 2021 scenes
rabban and piter never interact on page in the original books but denis made the choice to have them in scenes together because narratively they kind of fit as opposite sides of the spectrum of house harkonnen and that is fun. their canonical film scene having the vibe of "this fucking guy" on both of their parts fits the characters and belies a necessary amount of shared history, which is interesting.
plus, things that were deleted: bautista describes a scene where rabban is essentially trying to intimidate piter (i'd guess after their sauna scene with vlad). dastmalchian says there was a short scene of piter and rabban together where he's torturing a prisoner. this is probably the same scene. torturing a prisoner in proximity is basically a date for a mentat i think.
the choice to extend their screentime (even if for the pragmatic reason of not having to cast feyd until he'd have more than a minute of screentime and because denis loves his daves) creates a dynamic that is really cool! the slavering, entitled, shrieking manchild of house harkonnen and the coolly sadistic mentat? it's very hot to think about.
(please see this fanart for a summation of that Vibe)
point the third: narrative functions.
isn't it hot when foils kiss?
within the realm of dune, not speaking to the prequels/graphic novels, just the first book, rabban and piter essentially function as the top tier of baron harkonnen's operation - they are equal opposites, like real actual narrative foils. piter is a mentat and assassin and therefore serves a more subtle, back-end function while rabban is front-facing; he's the older of the nephews, he's a count and he's been ruling arrakis for a while.
the baron literally has an evil plan that involves taking back arrakis, installing piter as the ruler and then killing him and putting feyd in his place. when piter dies, he just does the same plan but with rabban. he treats them as interchangeable despite how different they are. they're at the top of vlad's list of "guys everyone fucking hates" together!
piter is also power-hungry. it makes sense that he'd see the most susceptible to manipulation harkonnen as an appealing target to sink his claws into. piter would absolutely treat rabban like a meat shield against the baron and, conversely, i think rabban would try to use piter to figure out how to keep his uncle happy. neither would succeed, but they would absolutely get wrapped up in each other trying.
additionally, they can't kill each other. neither of them have that boundary with anyone else, and could murderfuck their way through giedi prime, arrakis and lankiveil and the baron probably wouldn't care. but piter can't kill his boss's nephew, even the stupid one, and rabban can't damage his uncle's property. so even if they did hate each other, they would kind of be trapped in this state of flux where they couldn't do anything about it, anyway, so why not just fuck about it?
plus, with piter being a spice addict and rabban nominally in control of arrakis, there's a certain amount of poetry in the idea of piter being attracted to the source of his vices.
i conclude the manifesto with this excerpt from the novel:
like the baron thinks rabban is afraid of him but he's actually angry at him? come on.
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Things from IWTV episode 10 (s2ep03) I noticed:
- the French is good this time! I still wonder if it's the actors themselves or dubbing. But it's actually understandable for a French-native person, and the language itself is exquisite. Wondering now if those lines are picked up from the book in Anne Rice's own pen, the translation of the books, or they're original lines written for the show by a French writer who has a splendid style.
- I just really loved the Armand flashback, both because of the language, and because it opens up the veil on the history of vampire covens throughout the centuries. Also we get to see more Lestat, this time Armand's Lestat and that's always a win.
- Armand is right about both Louis being broken and Claudia being pushed to the limits of how long she can accept this life of hers. I absolutely do not trust Armand, he's twisting the narrative for his own purpose (that I don't know because I haven't read the books yet), but still, he's a good judge of character. Can't not be one and survive for 500+ years I guess.
- the Loustat scenes, on the quai de Seine, in the bar and in the park, were insane.
- was that Sartre? Did. Did they just cameo'd in Sartre for the lols? Man, Paris.
- speaking of Paris, I know it was actually filmed in Prague, but man, I felt like I was back there. That Seine promenade, that's the one I walked countless times in my years living there. I could recognise the pavements like I was still there.
- Santiago's fed uppppp with Louis' BS. And he's definitely laughing at Claudia. Calling her "puce"... It's funny because in French, "ma puce" is a term of endearment, like "my darling", but indeed literally it means "my flea", so for an English-native like Claudia, it could be seen as literally being called the smallest, lowest member of the coven (like Delainey says in the episode insider), but for a French-native, it's like the coven is calling her sweetheart. And then they give her that dress and tell her she's going to play a kid for the bext 50 years, the one thing she hates being reminded of the most, and you go "ooooh. Oh, no, honey. They bad. This is bad." Clau's about to Break. Knowing how her story goes, I'm not sure I'm ready for that.
- Danny boy felt subdued this time. Like he's still reeling from Louis' invasion in the last episode, and now that Talamasca agent invading his laptop, he's feeling attacked on all sides and he's floundering to get back up again. That said, the scene with just him and Armand was particularly intense. You can sense how yearning Armand is, and how destabilised Daniel feels under Armand's gaze. In other words, that vampire really wanna fuck that old guy, and the old guy doesn't know how to feel about it but he's definitely feeling the intensity.
Need to read those books yesterday.
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