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#like clearly he was not expecting this. he obviously has no idea what to do about the body just in his house
megamindsupremacy · 1 year
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That “Billy physically switches bodies with Captain Marvel whenever he transforms” AU where Billy’s mortal body ends up at the Rock of Eternity whenever he’s running around as Captain Marvel. Except Billy never visits the Rock as Captain Marvel so he had NO idea his mortal body went anywhere, he thought he was shape shifting or something.
Captain Marvel has to bring the Justice League to the Rock for [insert plot-related magic reason here] and he is just as caught off guard as the rest of them to see an apparently dead nine year old lying on the Rock. He has no explanation for his own “dead” body hanging out at his home base. Cue Wisdom of Solomon.
“Oh, he’s a… human sacrifice?”
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suzukiblu · 8 months
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excerpt from in-progress "timebending with Zuko" fic
Zuko wakes up and everything hurts.
Most specifically, his scar hurts.
That . . . doesn’t make sense, he thinks, and reaches for it automatically. A strong hand catches his wrist before he can touch it, which seems–fair, yes. Probably a good idea, anyway, because spirits does it hurt. Just . . . so much.
“Uncle?” he asks reflexively, attempting to open his eyes. It’s surprisingly difficult. And Uncle is in Ba Sing Se, of course, but he’s on his back on a futon or bedroll or something similar and someone’s sitting beside him and his head is swimming and he’s injured, clearly, so options for who said “someone” might be are limited, really.
So it’s not Uncle, obviously, but . . .
“Nephew,” Uncle says, very quietly, and Zuko . . . blinks.
At least, half-blinks. The one eye’s in too much pain to open.
The ceiling is metal, he notes absentmindedly. That’s . . . odd. He was in the palace, wasn't he?
“What happened?” he asks, vaguely bemused. Uncle pauses in a very concerning way, and Zuko has about three heart attacks about just how badly he doesn’t want to know what he’s about to say before–
“The Agni Kai,” Uncle says, very carefully. “Do you remember it?”
Zuko frowns–just with the one side of his face, because again, his scar hurts right now. To the point that his whole body feels wrong, does his scar hurt right now.
“Um–which one?” he asks, because there’s been about a dozen this month alone, and frankly he’s getting really sick of fighting them at this point but if the old guard of nobles are just going to keep dragging everything out like this–
“With your father, Nephew,” Uncle says, very carefully.
Zuko . . . blinks.
“Oh,” he says, vaguely perplexed. Uncle never talks to him about that. “Yeah, I remember that. What about it?”
“Do you remember what happened?” Uncle says.
“The part where I disgraced myself or the part where he burned my face?” Zuko says, because it’s so fucked up and awful and horrible that he can’t even get upset about it anymore, except when he’s really upset about it. But if Uncle’s bringing it up, presumably he has a good reason to be, so . . . “Or the whole ‘go find the Avatar who no one even believes exists anymore or you can never come home again’ part?”
“. . . all of that, yes,” Uncle says, still sounding very careful. Zuko frowns a little–again with just the one side of his face–and then looks over at him. His body still feels weird and wrong, but . . .
But . . .
They’re on a ship, he realizes. A Fire Nation one.
Well, explains the metal ceiling.
It doesn’t explain why Uncle is wearing red armor and a topknot like he hasn't in years, though, or why he looks so unspeakably sad.
“Um,” Zuko says, and attempts to sit up. His head immediately starts swimming even worse, and Uncle catches his shoulders and keeps him pinned against the . . . futon? Looks like a futon, yeah. “Where are we, exactly?”
“We are aboard a ship,” Uncle says. “I . . . may have slightly commandeered it.”
“. . . you paid for it, right?” Zuko asks, a little skeptical at that idea.
“Yes, Nephew, I did,” Uncle says, giving him a very tired, pained smile. Zuko doesn’t feel much better, seeing it.
“Is someone dead?” he asks, because he can’t think of anything else that would make Uncle look that way.
“Ah–no, no one has died,” Uncle says.
“Then what’s wrong?” Zuko asks warily.
“. . . you are injured, Nephew,” Uncle says, slowly. Zuko frowns, bemused. “And your father . . . I did not know he was going to do this. I am so sorry.”
Zuko . . . pauses. Looks around the room again, and then realizes: he knows this room, doesn’t he. He knows this ship.
This is the same ship he woke up on after the Agni Kai.
“Hold that thought, Uncle,” he says, then lifts his hands and looks at them. They . . . well, they are his hands, obviously.
But they’re not his hands, obviously.
“Huh,” he says, frowning in bemusement at them; turning them around like he half-expects them to stop being a thirteen year-old’s or something equally ridiculous. They don’t. They are very definitely a thirteen year-old’s hands.
Specifically, his thirteen year-old hands.
Huh.
“You don’t have to be sorry,” he says after a moment, putting his hands back down and glancing back to Uncle, who’s obviously the more important concern. “It wasn’t your fault.”
“I took you into that meeting,” Uncle says, his voice tight. “And I watched the Agni Kai. And I did nothing to stop any of it.”
“I know,” Zuko says. “But it wasn’t your fault.”
“It was,” Uncle says, his smile a sad and terrible thing. “You were there because of my actions. My mistakes.”
“You’re not the one who wanted to sacrifice all those soldiers,” Zuko says. “Or the one who decided to throw fire at my face.”
“You were there because of me,” Uncle repeats, his voice tight and his smile no less terrible. It occurs to Zuko, briefly, that Uncle must be thinking of Lu Ten.
He only ever looks like that when he’s thinking about Lu Ten, so . . .
“Uncle,” he says. “Really. It’s not your fault.”
“Nephew,” Uncle says, and his voice is somehow even tighter. Zuko tries to get up again, and his head swims again, and Uncle moves to stop him again. This time he grabs onto Uncle’s wrists and uses them to pull himself up, and then . . .
Well, then he’s sitting up, at least.
So that’s something.
He tilts his head and his hair slips into his eyes. It’s loose, and long. Not shaved on the sides yet, like he wore it the last time he was thirteen. He supposes he should cut it, but then again, why should he? He's not changing anything, after all.
Except for this conversation, he supposes, because that went very differently last time.
. . . hm.
"Uncle," he says one more time, and reaches out for him. Uncle doesn’t seem to understand what he’s trying to do, so he has to reach out a little farther, and then Uncle makes the connection and leans in and lets him wrap his arms around him and alright, yes: that’s better, Zuko thinks, and clings to him.
Just a little, perhaps, but . . .
Yes. He clings to him.
Uncle wraps his arms around him in turn, very carefully, and makes an awful sound.
“My boy,” he chokes. “I’m so–I’m so–”
“I forgive you,” Zuko lies, because of course there’s nothing to forgive.
But of course Uncle doesn’t understand that, does he.
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trashfangirlsworld · 1 month
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Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.
they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.
we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.
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the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.
quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.
quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.
At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.
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honeypiehotchner · 18 days
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kiss her, you fool (Hotch x fem!Reader) -- one shot
Anyway I'm back in the fucking building again!!!! Listened to "Kiss Her You Fool" by Kids That Fly and had this one shot written in like an hour. The love for Aaron Hotchner never dies apparently
Summary: You're in the middle of spring cleaning when Aaron calls and says he forgot something at your place (he didn't).
Warnings: tooth-rotting fluff! I just wanted to write some romance
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It’s the middle of the day and you’re in the middle of a cleaning frenzy when your phone rings for what looks like the third time. It’s Aaron.
“Hey! Sorry,” you laugh, grabbing the TV remote to pause your music, phone pressed to your ear with your shoulder. “I’m spring cleaning and clearly way too far in the zone. What’s up?”
“That’s okay,” you can hear him smiling as you readjust your phone in your hand. “Would it be alright if I stopped by? I think I left something there last night.”
You furrowed your brows, spinning around the living room. You definitely would’ve noticed if he left something here last night. You’ve practically turned your entire apartment upside down to clean it.
“Are you sure?” you ask, moving to lift the couch cushions for a third time. “What was it?”
“I’m not sure,” he says, which totally isn’t suspicious at all. “Can I just come look?”
“I mean,” you let out an awkward laugh. “I guess you can. I’ve been cleaning since this morning, though, so I think I would’ve spotted it, but—”
“I’ll be there in fifteen,” he says. “If that’s okay?”
You sigh, selfishly glad you’re getting to see him again, two days in a row. It feels like you’ve hit the jackpot. “Yeah, of course it’s okay.”
“Great, see you in a few.”
“See you,” you bite back your grin, ending the call. You turn the music back on, a little lower so you’ll hear him when he knocks.
You have no earthly idea what he could’ve forgotten. He had his phone and jacket in hand when he left. He never took his wallet or keys out of his jacket pockets, so they must’ve stayed there. Unless either of them fell out, but again, you feel like you would’ve noticed.
Whatever it is, he’ll either find it or realize it isn’t here. Regardless, you’re getting to see him again, so you’ll take it.
With his job, the days that you do see Aaron are typically one long day spent together here and there. Yesterday was an exception, a rare dinner mid-work week because he happened to be done at the office early and you were free, so obviously the opportunity was taken advantage of. It’s only been a few weeks of seeing one another, so you both take any chance you can get. 
Despite this, though, things have moved…slow. Slower than you expected because, to be frank, every guy you’ve been with has been quick and to the point. Not that you always minded that. Sometimes you wanted the same thing — quick, hot, heavy. But those days have since left you, and you went through a period of seeing no one, aside from one guy who left as soon as you said you were interested in moving slowly. 
It’s nothing against Aaron, but when he first introduced himself at your local coffee shop, you kind of assumed he’d be the same. It’s hard not to assume when everyone acted that way, and when the men who frequent said coffee shop don’t exactly have the best track record for being polite and respectful.
Aaron, though, took weeks to ask for your number, let alone to join your table one morning to sip his coffee — and even then, you offered him the seat; he didn’t invite himself. That alone was enough for you to agree to give him your number, and then to an official first date.
He kissed your cheek after the first date, your forehead after the second, and kept to those areas alone. You found yourself wondering if something was wrong with you somehow, but he wasn’t disinterested. Quite the opposite, actually, from how he held your hand and kept his arms around you, how he made sure you were safely inside your apartment before heading off, how he still texted when he arrived home to ask you if you were still safely inside.
Or when he had to cancel a date last minute, and sent flowers to your apartment in lieu of his presence. He apologized over the phone, but the flowers had an apology note attached too. And another apology when he arrived at your door four days later, fresh off the plane, with a real explanation of his job and why he didn’t have time to explain it all to you before he left.
Your friends think it’s a little crazy, that it’s been almost a month of dating and there hasn’t been a single kiss — “On the cheek doesn’t count!” they argue. You think it does. If anything, you’re just happy there’s no pressure.
The underlying anxiety is there, sure, of what if it never happens? But you can’t bring yourself to entertain the thought. Mainly because you want to kiss him so bad, you’re practically going to leap onto him one of these days.
You’re mid-dance when a knock sounds on your door and you jump, having forgotten Aaron said he would be here soon. You turn the music down as you head for the door, unlocking it to let him in.
He stands there in his usual dark suit, sans tie this time so the top buttons are undone, bouquet of flowers in hand and dumb smile on his face.
“What are these for?” you ask when he hands them to you. 
He steps inside and shuts the door, pausing to press a kiss to your forehead. “Because I wanted to.”
You give him a look, cheeks feeling warm. “If you keep doing this ‘because you want to,’ I’m gonna need to open a flower truck,” you joke, gesturing to the other vase of flowers sitting in your window. And there’s another in the bathroom. And one in your bedroom. 
“Just let me know what kind of truck you want,” he teases.
You press the flowers to your nose to hide your smile. “Oh, what did you forget? You’re welcome to look for it, but—”
He lets out a laugh, scratching the back of his neck. “Well, I might have lied.”
“I knew you were, you idiot,” you swat playfully at his arm. You turn to head into the kitchen in search of another vase. “I got off the phone and paced around like what did he possibly leave here? I figured maybe your wallet or something, but I definitely would’ve found it earlier. You should’ve seen the living room this morning — I had the couch on its side and the coffee table in the middle of the hallway—”
You’re in the middle of rambling, digging around under the sink for a vase, when Aaron pulls you up by your hand, spinning you to face him.
“—it was a disaster trying to vacuum. Remind me never to do that unless you’re over here to lift all of it. I think I nearly—”
He’s smiling at you, and you don’t have a single moment to spare to register that he’s leaning in before his lips are on yours. 
You sigh into the kiss, pleasantly surprised to be interrupted in this way, and glad your hands are free so you can hold onto him. Maybe this is why it’s good he hadn’t kissed you yet — one second of it and you’re ready to collapse under the sweet weight of it all. His arms circle your waist to lift you up, and your arms circle his neck, keeping him close. As close as you’ve really wanted him.
When you finally break for air, it’s only to press your foreheads against one another’s, not wanting to move too far.
“Well,” you laugh.
“Technically,” he says, pausing to peck your nose, “that’s what I forgot last night.”
You roll your eyes. “You are so stupid.”
“Mm, just because it makes you smile,” he says, kissing your lips again, and again. “What are you doing tonight?”
“Ideally,” you pause, letting him kiss you again, “ordering dinner in and making out with my boyfriend until the sun rises. You?”
“You know, I was thinking about taking someone special out to dinner,” he pauses, pulling you closer again, “and then kissing her until she tells me to stop.”
“That could be forever, for all you know.”
“That’s fine with me.”
You grin and he kisses you again, pausing to say, “Sorry, I can’t help myself—”
“Trust me,” you move even closer, your eyelashes practically touching his cheeks when you blink, “you don’t need to apologize.”
He responds by kissing you some more, and more, until he’s lifting you into his arms and placing you on the kitchen counter. 
“Aaron!” you squeal, nearly crushing the bouquet. “Let me move the flowers at least!”
“I’ll buy you another,” he says, just a whisper away from kissing you again. 
“You know—” You have to pause in between words as he presses his lips to yours. “—I still have—cleaning—Aaron,” you giggle. “I need to put my apartment back together.”
“Do you?” he asks, relenting only slightly, his fingertips pressing into your lower back, keeping you against him. “Do you need help?”
“I do actually,” you chuckle, running your fingers through his hair. “The couch isn’t back where it was.”
He smirked. “I noticed.”
You tug on his hair slightly to tease him for that jab, only it lights a new spark behind his eyes. Your cheeks grow even warmer. “No, seriously,” you say. “It’ll stress me out if it’s not back in its spot, but then…”
He nods, kissing your lips. “Then we’ll get ready for dinner.”
“And then come back here for a movie?”
“We’ll see how much of the movie we actually pay attention to,” he smirks, eyes traveling all over your face. 
The urge to let him ravish you right now against the kitchen counter is so strong it nearly makes you lightheaded. But soon Aaron is helping you down, pressing another kiss to your forehead. 
“Did you get to vacuum under the couch all the way?”
“…kind of.”
“Come on,” he chuckles, pulling on your hand, leading you back into the living room. “Call me next time?”
“If I get kissed like that during spring cleaning then I’m doing it every day,” you reply, mostly joking. Kind of. “Fuck I forgot the vase for the flowers—”
Aaron kisses you to interrupt you once again. “One thing at a time,” he says.
The kissing doesn’t stop, and you never do get to vacuum under the couch. It can wait.
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eggcats · 18 days
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Radioapple fic, where after it's revealed that Pentious was redeemed, Heaven sends some angels (including some of Lucifer's own family) down to check out this Hazbin Hotel. (common fic theme)
And Lucifer is STRESSED. He hasn't seen any of his family in millennia, and they absolutely did not part on good terms. Especially because now he has to make as good of an impression as he can because he will NOT be the cause of Charlie's dreams failing.
Anyway, one of Lucifer’s estranged family arrives and they have absolutely NOTHING good to say about the hotel, it's people, or even hell itself. Insulting the decor, how it looks, being like "You got kicked out for free will and THIS is what they do with it? Ugh." and the like.
Lucifer is trying to keep himself together for Charlie's sake. (He's only had 3 breakdowns today, he's doing good!)
However, the last thing he expects is Alastor coming to his defense. Alastor looks at this shitty relative of Lucifer’s and is immediately like, "How DARE you? Antagonizing this angel is MY JOB, and I don't send him into hysterics, I send him into MUSICAL NUMBERS. Get out of my hotel immediately." But, obviously, he can't SAY that (for many reasons, the least of which is that Charlie needs them here for her redemption project).
So instead, he just picks at everything they say. "Hmmmmm, yes, but we at least chose to do this with this, free will you're insulting. What's your excuse for that eyesore youre wearing, hmmm?"
Alastor goes as far as to defend Lucifer’s choices in decor in the hotel, and Lucifer is completely confused because he and Alastor literally fought the day before about that SAME decor??
(The second the angel leaves Alastor turns to him and goes "They're right, you know, that is the ugliest interior design I've ever seen," and then DISAPPEARS before Lucifer can even respond. What the hell?!)
Alastor is not ignorant of toxic family dynamics, and while part of his initial issues with Lucifer stemmed from his belief in him being a deadbeat father, actually knowing him kind of changes his thoughts on this. It's a little telling that Charlie has been (apparently) attempting to contact her mother during her 7 year disappearance and has heard nothing, but the father who (she believed) thinks she's a failure shows up within an hour of her calling him ONCE. And then he does whatever he can to help her dreams, and the second she implies she wants him around more, he MOVES IN. It's kind of hard to continue thinking that LUCIFER is the toxic parent in the family dynamic, after all this.
(He still fights him, though, because it's fun to tell the most powerful being in hell his choice of interior design is ugly. If Alastor kind of doesn't go for the throat in all of Lucifer’s insecurities anymore, no one needs to acknowledge that.)
So, during the entire Heaven tour, Alastor is strongly in the "form a united front" boat. He can and WILL come out of the shadows for a sarcastic quip that simultaneously shuts them down AND makes Lucifer feel better.
(Alastor will NOT acknowledge the anger that goes through him at the idea of someone other than him picking at Lucifer, especially when they are CLEARLY trying to send him into a breakdown. How dare they. *cough* Anyway.)
So the whole ordeal winds up not as stressful as Lucifer was dreading, because somehow he has an antagonistic cannibal deer defending him the entire time. And Lucifer has no idea HOW that happened, but it does kind of make him feel better. (And Alastor's form of mocking him does, too, somehow.)
When they're alone, however, Alastor still picks at him so they can fight. (And Lucifer didn't notice until now how much FUN he has fighting with Alastor, and that Alastor insulting him makes him want to do better and prove him wrong, unlike his visiting family that makes him want to lock himself away for a decade.)
The tour ends, and Alastor and Lucifer go back to how they were before. (Sort of. Lucifer might be re-evaluating every interaction they've ever had and might send himself into a mild crisis.)
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nohoperadio · 4 days
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That cool bee book I was talking about a while ago mostly refrains from philosophical digressions (which I think is a strength, I appreciated how the author had total confidence that just clearly presenting the facts about his subject would be enough to make a fascinating book without the need for any "...and here's why that should blow your mind" editorializing, and he's totally right), but there was one towards the end I've found myself thinking about a lot, which is: he wants people to stop using "self-consciousness" (i.e. the concept exemplified by the mirror test but used implicitly or explicitly in tons of other contexts) as a criterion for which animals can be considered sentient/morally relevant/having significant inner lives/however you want to describe it. Not, as you might expect, because he thinks it's an unreasonably high bar to meet, but because it's such a low bar that it produces no distinctions: he argues that basically any animal with any kind of developed central nervous system has to have some kind of self-consciousness almost by definition.
The example I remember best is: imagine you can see an object in your visual field getting closer to you. No matter the specifics, it's obviously always going to make a huge difference to how you evaluate this situation whether the cause of the object getting closer is a] the object is moving towards you, or b] you are moving towards the object. If a, then something might be pursuing you or falling on you or a thousand other things that are just not even worth considering in the case of b. But visually the two cases are indistinguishable; if you're going to be able to track the difference, your brain has to be putting at least some work into keeping tabs on what your own intentions are and what choices you're making as you move through the world, predicting the expected consequences of those choices, and maintaining a fairly tidy mental separation between stuff in the world that you're making happen and stuff in the world that's just happening of its own volition. Otherwise, every time you walk towards a rock you'll freak out and think the rock is rolling into you, or vice versa.
And it's not hard to see how this applies to your entire sensory world right, it applies to sounds and tactile sensations and even feelings internal to your body to some extent, if you're going to both perceive the world and take actions in the world then it's mandatory to mentally separate yourself and the world before that's going to yield even an ounce of helpful information, you just can't function successfully on the most basic level if you're processing stuff that you're doing on the same level as stuff that's happening, if you're in that state then you simply don't have a usable model of the world at all, you just have chaos.
So you can very easily eliminate a certain seductive narrative about the evolution of consciousness, which starts with very primitive animals who are mentally processing nothing but basic sensory inputs, then as you rise up the chain more complex animals are forming concepts of objects and building up a more nuanced understanding of the world, until finally you approach humans and the mind becomes so subtle and sophisticated that it gains access to this special advanced meta-level of thought where it can even understand itself! No, the self is precisely the one idea that has to be in place from the very beginning, before any of it has even the most rudimentary practical value. Self-consciousness isn't the pinnacle of the mind's evolution, it's one of the lowest, most basic foundations that everything else builds off of.
I think this is really cool stuff! I don't know enough about the relevant academic philosophy of mind debates to say how far all this does or doesn't speak to that, maybe someone will tell me the "self-consciousness" concept being attacked here is a strawman somehow, I don't know. But it's definitely impacted the way I (just a dumb guy who likes creatures) think about our small small cousins and what their lives might be like and I think it's super interesting. If you think it's interesting too then maybe you wanna buy The Mind of a Bee by Lars Chittka and read it. It's mostly not about this stuff, as I say it's light on philosophy and heavy on bee-life immersion, but if you actually read this whole post then you're probably in the market for that I feel like.
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dcxdpdabbles · 9 months
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Phantom's number 1 Fan. Part 2
Tim wakes a few days later, half submerged in liquid and hooked to various machines. He is in a tub shaped like a bed, obviously meant to sleep in. Around him is what he hopes is a hospital room with medical tools scattered about and soft blue paint that turns to the night sky the higher it goes on the wall.
On the ceiling are paintings of various constellations. It's rather beautiful.
Tim also notices he feels no pain. None. Not even the aches of his bones after years of abuse while fighting crime. He thinks that's a bit strange since the last thing he could clearly remember was barely escaping Ra's al Ghul, losing his spleen, and gaining more wounds from angry assassins on his way out.
He had been flying half-blind, blinking in and out of awareness. He thinks at one point, Cassie had attempted to call him, and he may have answered, but for the life of him, he couldn't remember what he told her.
He did remember what she said in response. She sounded so desperate as she begged over the S-Batplane speakers. "Please, Tim, you're not well. Let us help you. Just tell me where you are."
Too bad for her, since the S in S-Batplane stand for Secert because Tim had built that one on his own in Secert. There was no way she or any of the hero community could track him in it since they had no idea it existed until Tim had taken it and his supplies on his solo mission to save Bruce.
Tim will admit that he is happy they noticed he went missing- even if it was three months too late. Not that it mattered much. The rest of the Bats wanted nothing to do with him. The world only saw him as a young easy wallet as a shiny new CEO. And his friends were all dead or convinced he was insane by Dick.
Tim didn't have anyone to notice he was gone anymore. But Bruce needed him to push through the ache and get him home.
As the Robin who Bruce trained to put the mission first no matter the cost, the one that came after Jason's death so, Bruce stopped allowing himself to think of Robin as a son and more along the lines of a soldier; he quickly shut down the crying child that wailed for someone to believe him, to support him.
Sometimes it felt like Tim was still waiting by the door of Drake Manor, waiting for someone to come and care for him, to stay for him.
The door to his room opens, snapping Tim back to the present. He automatically stiffens, expecting more of the League of Assassins. He can't remember much, but he guessed he was captured by the fact he was sitting in a green glowing water.
He was not, however, expecting a Yeti to walk in, reading a clipboard.
The Yeti looks up, bearing its teeth at Tim when he notices him awake. It takes a moment to realize the action is supposed to be a smile. "Great One's Honored Guest, I am so glad you have awakened. I am FrostBite, your doctor for the remainder of your recovery."
Okay. Ra's has Yetis at his disposal.
He was the only person that Tim knew as the "Great One." Usually, his most loyal operatives too, which means he was deep within Ra's territory.
FrostBrite pauses for a response, but when Tim remains silent, he holds up his board. "It seems to me that most of your wounds have healed. The only problem is that your spleen could not be salvaged due to the damage."
Tim fights to keep the despair off his face. He figured that was the case, seeing as Ras's had it in a jar, but he had hoped.
"...I understand this may be a difficult adjustment. You will always have to be careful when being ill. Even a simple cold could be disastrous." Frostbite steps close, taping one giant claw on the tub's edge. "The Great One has ordered we keep consistent Ecoplasm Baths at the ready for the remainder of your natural life."
Fuck. The Yeti is saying Ra will never let him leave again. It's a threat disguised as a offer of help.
Tim glares down at his hands. They lay within Lazarus' water, gently healing his small scars. This must be some of the purest Lazarus he's ever seen. It must be Ra's own special blend.
The only reason he is wasting it on Tim is that Ra's wants an heir from him. Or for him to become the Heir. He doesn't know, which makes him feel worse but he does know what lust looks like.
It's one that Ra's has aimed at him for too long.
He may as well get this over with. Learn as much as he can. Plan an escape. The best way to do all that is to simply ask.
"When is the wedding?"
Frostbite freezes. "I beg your pardon? Whos wedding?"
"Th Great One and mine" because the madman would never allow a bastard to inherit his empire.
"You and the Great One....are paramours?" Frostbite sounds awe. Shoot his medic doesn't know anything. The Yeti is likely low ranking.
Tim looks away, and the giant white creature jerks into action. "I apologize for not treating the Great One's beloved properly. I shall have servants bring up a meal while you soak. And the finest robe we have! Sweets and messages....offers of gold?....humans always like gold."
He waits until the Yeti leaves, mumbles of giving him the royal treatment echoing in his wake. Tim sighs, sinking into the water. He knows he is being watched as that's what he would do, so for now he needs to stay put and heal.
He's never going to get Bruce back if he acts too rashly without knowing where he is and what else Ra has under his control. Yetis were no easy feat to beat on his own. He like to avoid....a vampire or something too.
Half an hour later, FrostBite returns with the promised meal and change of clothes. Smaller Yetis help him dress in threads of the finest silks. They feel like heaven on his sensitive skin. Tim feels soft and warm all over, pampered beyond belief.
It's been so long since he just had a moment to rest.
He asks for a walk which he is only permitted after Frostbites clears him. It's while he is wandering that he realizes he is in some winter castle. Everywhere he looks, there is ice, snow, and yetis.
He notices all the guards and makes mental maps of possible weak spots. He wonders why he's not freezing despite only being in a thin silk robe. A form of magic?
A few yetis- servants he can tell by their mannerisms- bow as he wanders about. He can't tell where he is based on the sun or the environment. It's....somehow different.
"That's him?" A young female voice asks. He turns his head slightly to catch the speaker in his provisional vision. It's one of the smaller Yetis....he assumes she's a child? Hard to tell when she still towers over him. "The Great One's future spouse?"
"Yes, I heard King Frostbite, himself, tell the Head Butler"
"He's weak," another Yeti says with disapproval. He sounds male but young as well. Not even a teenager. "He does not even have a core."
"He is a human." A much older voice replies. She sounds like Tim's age based on vocal cords. "Humans are not meant to have cores. Despite this he is a formidable fighter. He has to be to have attracted the Great One's eye."
"Maybe not. I heard humans enjoy being cared for like children. They even call partners things like Mommy and Daddy."
"Why?" The boy Yeti sounds horrified.
"Apparently it's seen as attractive"
"That's disgusting."
Tim turns a corner cutting off the conversation as the Yetis snap to attention. They bow low at the waist as he walks by.
He nods at them, which seems to startle a lot of them. Not that he's surprised. The AL Ghuls likely treated them like decorations and never fully acknowledged them.
Tim barely hears the young boy gasp. "He's beautiful."
"That's likely why the Great One is so bestowed."
Tim sighs walking back to his room with a escape plan half formed.
Elsewhere, the rumor mill in the Ghost Zone is running over time as news of King Phantom's human husband-to-be is spread far and wide. Leaders of the Ghost Zone quickly prepare for a ball that will likely be called to celebrate the union.
They have gifts gathered, each wanting to gain favor with the King. The Far Frozen gets overwhelming requests to visit the future Consort, but seeing as King Phantom had to return to the human world, thus leaving his fiancé in their care, they reject all. They do not want the boy to be overwhelmed or caught unawares if he is not tried in any form of politics.
It would not allow him to become a threat to the King's authority's pawn.
This led to even more rumors starting.
By the time they reached John Constine- the only human who has any form of contact with the Realms- the word is that King Phantom's human was currently carrying their child, wanting to marry before the baby was born, and that he was running from a group of humans known as "The Bats."
He was as beautiful as the King Phantom was powerful- which meant he was utterly breathtaking for a human- and that King Phantom was currently in the human world hunting down those who threaten his family.
Across the dimension plane, Danny is blissfully unaware of the misunderstanding as he is busy filling out college scholarship applications. He has only one more year before he graduates, but he would like to go somewhere away from Amity Park.
The Wayne Scholarship is a long and lengthy process, but it will be worth it. A full ride with board and meals? Yes, the housing will be in Gotham but it's a small price to pay.
He wonders if his number one fan has awakened. Frostbite would have contacted him if his guest had escaped the coma.
Tim Drake had been asleep for nearly a week, only kept healthy due to Danny bathing him in his Protective Core ectoplasm and the Yeti's multi-species medical knowledge. As it were, Tim appeared to only be taking a small nap, none of the adverse effects of long slumber appearing on his thin body, but Danny was getting worried.
At this point, he didn't even care how Tim knew his secret. He just wanted him to be alright.
A flash of green light causes Danny to spring away from his laptop, body falling into a natural fighter's stance only to blink at the giant gift wrap present laying on his bed. Cautiously he inspects the gift finding it from Princess Dora.
"May your love lead the Realms into a wonderous future, and may your union bear many children." He reads the small note she had attracted to her gift "What children?"
Pulling open the gift, he stares at two sets of King robes decorated with rubies shaped into snowflakes. More miniature robes and a few booties surround the pair, obviously meant as a family gift.
Tuck to the side of the box is a long and deadly-looking sword. It's pitch black, with a scull as a handle. Dora had tired a scroll to its blade, where she had written My armies are ready to yield to you. You need only to swing this sword, and they shall come to your aid. The Bats will not harm your treasure.
What in the world?
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livwritesstuff · 7 days
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Steve comes home from a few hours of running errands with his and Eddie’s one-year-old daughter Moe to find Eddie pitching an absolute fit to his beleaguered book agent Paul over the phone.
Given how Eddie’s third book is about three months away from its release date, Steve has a pretty decent idea what the fit might be over.
The dreaded book tour.
Look – Steve doesn’t like it either. He didn’t like it back in ‘95 when Eddie’s first book came out. He didn’t like it in ‘99 with the second one either. He definitely won’t like it this time around, especially now with Moe in the picture. He actually likes having his partner around, believe it or not (and, if he’s honest, there’s still some baggage surrounding work-related travel and his parents’ relationship that he’s still trying to shake).
Still, he knows it’s a necessary evil of Eddie’s success and they’ll all survive it.
That’s Steve’s perspective anyways, even if Eddie doesn’t share it with him.
Eddie looks over as Steve drops a few bags of groceries onto the kitchen counter.
“Hang on, Paul – Steve just got back from absconding with my daughter,” Eddie says, and then he pulls the phone away from his ear, “Don’t put her down for a nap yet.”
Steve only shakes his head.
“Sorry, Paul,” he says, not raising his voice quite enough for Paul to actually hear him (Eddie hears him though, and that’s what matters) as he continues on his way up the stairs to get Moe ready for her nap (he’ll drag out the process as long as he can for Eddie’s sake – he’s not a total monster).
In the end, Eddie’s phone call ends no more than five minutes later.
“So what’s the damage?” Steve asks when Eddie makes his way into Moe’s room.
“Five weeks,” Eddie grumbles as he pulls Moe out of Steve’s arms. He presses a kiss to her chubby cheek and then adds, “Stops goddamn nation-wide.”
“Maybe stop writing so good and you wouldn’t have this issue,” Steve points out.
“Shut up – I’m not gonna do it. Paul can drop me, see if I care.”
“You’d care.”
Eddie’s shoulders slump.
“Yeah, I’d care,” he mutters, and then he shakes his head, “It’s entirely unfair that he’d expect me to leave home for over a month when he knows I have a little baby at home. I’m not doing it. She’ll be a whole teenager when I come back, Stevie.”
Steve looks at him, “It’s five weeks, love. She’ll probably still be the same shoe size.”
“I’ll miss our anniversary.”
“No, you won’t. It’s not ‘til the month after.”
“Okay, who’s side are you on here?”
“Paul’s, obviously.”
Eddie’s jaw drops as he feigns an affronted expression.
“I cannot believe that my beloved, my betrothed–”
“Betrothed?”
“–would side with my traitorous agent over–” 
“Ed, Paul was pretty forgiving when you slowed down writing for six months for the foster training stuff,” Steve points out (and it’s a point that actually manages to stop Eddie’s tirade – an impressive feat, he’s well aware), “And then he was really forgiving when you stopped completely for almost a year when Moe was born. Wasn’t this book supposed to come out, like, over a year ago? I feel like the least you can do is put up with a book tour given everything you’ve put him through.”
Eddie only blinks at him a moment – clearly trying to fathom any kind of counter-argument and coming up empty.
“Damn you,” he mutters.
“Can’t believe you used to be the guy who wanted to be a rockstar and go on year-long world tours,” Steve laughs, “Now you can’t even handle a month of the continental United States.”
“Watch your mouth, Harrington. Hey – maybe you and Moe can come and be the world’s cutest groupies.”
“We’ll see.”
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discofama · 2 months
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I love how comfortable Adam and Lute are around each other.
I mean, look at this
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So they're casually together during the extermination, much like how friends gravitate towards each other when in an event even if they're not talking or doing anything, just because it feels easier than being alone. Or perhaps Lute flew closer because she saw the huge war machine approaching Adam and got a little worried.
Charlie and Vaggie are going to attack them, and look at what they do:
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Despite being Adam the one closer to Vaggie, he doesn't move an inch. They don't say anything (besides the shit talk) and Adam doesn't even look at her, he expects Lute will take care of Vaggie with no order from him, even if he's closer.
Obviously Adam is confident and doesn't think Vaggie can hurt him at all, but he clearly trusts Lute to get her out of the way. He probably knows how bloodthirsty Lute is for Vaggie and lets her have her without a word, and Lute complies, again, without a word, leaving him to handle the strongest of the enemies at that moment (Charlie).
So in this second, Adam and Lute communicated in silence. Adam didn't move and trusted her to cut in even if it was him the one under attack, and finally Lute trusted him to handle Charlie so she could fight Vaggie, as she didn't seem worried at all of the possibility of Charlie coming to protect her girlfriend.
They're in harmony. They're just natural together.
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He lets her grab him like this and is willing to listen to her. It's clear he respects her and deep down appreciates that she'll keep him from doing something stupid, even if he whines.
She also climbs him? Lol. (Look at how she holds onto his arm 🥹 she's super comfortable with touching him!)
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They're always hyping each other up, like in their songs:
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(Look at Lute's smug face here 👇, she's sooo satisfied with what Adam's saying)
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I honestly believe that they kinda make each other worse, that neither of them would be SO mean all the time if they didn't have the other: a companion who is always backing them up, who agrees on any crap that comes out of their mouth (Lute lets him talk shit about random women and nods, Adam goes along with Lute's homophobia despite seeming to not care that much about homosexuals).
Many portray Lute being a lot smarter than Adam, but I think they're both dumbasses. I mean, we laugh at Adam for saying he never made a mistake in his fucking life, but it was Lute who first stated angels don't make mistakes, somehow keeping a serious face. I think Lute seems smart because she's more quiet and cares about the rules, but she doesn't do logic very well either and can be impulsive too, as shown in the end of ep. 1.
They're probably each other's best/only friend, because they're just so unlikeable. And it makes sense they'd deeply care for one another. They care about that person that stands them and agrees with them and actually enjoys being with them. They're always seen together, hanging out even off duty. They clearly have a lot of fun.
I'll be honest. I ship GuitarSpear, I love it, but I don't know if I want it to be canon for 2 reasons:
1. Lute might be a lesbian.
She is so repulsed by homosexuals that it feels personal. Talking about how disgusting and blasphemous Charlie and Vaggie's love is, or how many cocks were in Angel's mouth and calling him a whore. She cares too much about it for it to not be personal, and I think it makes sense that she'd be a closet lesbian with a shit ton of internalized homophobia. She probably knew about Vaggie's sexuality and held a lot of resentment towards her before tearing off her wings. Maybe she was even attracted to her and was so repulsed about it that she redirected her self-hatred to Vaggie.
2. I think it could be better for Adam's character.
Let's just think about it. This character has a very distorted view of women, he has a fixation on them and hypersexualizes them. So the idea of this horny man, who always sees women with sex colored glasses, being good friends with a hot female below him in the hierarchy with no sexual or romantic interest whatsoever is nice to me. It'd work as sort of a redeeming quality in regards of his relationship with women, and I personally think this man is very redeemable. Let's hope he gets a second chance!
Still! All of this trust and comfort and team feelings can be read as romantic and I certainly wouldn't mind if it becomes canon! They could be the best villain couple!
Summarizing, these two are soulmates, end of the story. They're worse together, but also probably provide the other of a very needed company.
I have no clue if Adam will actually come back, but if he doesn't, I'll feel very bad for Lute. Yeah, yeah, she's an evil bitch, I don't care.
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leolingo · 1 year
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waking up and seeing dream’s rip off project just breaks my heart man what the hell qsmp barely had two weeks to shine and now he’s introducing a VERY similar project in larger scale and uglier graphics and its just “the two are allowed to co-exist?” be fucking serious for a second dude why are you doing this NOW at the height of a project spearheaded by someone that used to call you a friend? like just . logistically speaking comercially speaking when you see how obviously similar these concepts are Why would you announce it now when you know someone else is getting the spotlight for once.
its hard not to call it spite or jealousy or anything of the sort when we cant confirm the timelines of this new project’s development but it REALLY, really feels like something unkind. not only that but it feels really gross to see most aspects of quackity’s passion project warped into something worse.. like LIVE TRANSLATION? really? bc dream of course wouldnt expect people to try and learn the different languages to communicate. he probably doesnt understand how redundant and ultimately hindering it will be to rely 100% on automated translation because 1) he’s not bilingual nor does he make any effort to understand the bilingual experience 2) he has no actual interest in the learning process of foreign languages or the different linguistic communities on twitch and in content creation in general . which makes me wonder WHY he is leading this and very likely profitting off of it when there’s no real reason for him to associate himself with this kind of cultural project other than . wanting to be relevant i guess.
during squidcraft, i didnt see him attempt a single word in spanish. i saw dream use google translate or straight up speak english (fast, idiomatic english at that) to spanish speakers and otherwise not try to meet a communicative middle-ground in any way. if this is how he intends to take on “united SMP” i cant wait to see it fail.
quackity’s project is successful because he cares. its modeled after his own experience and thrives because he as a bilingual host is able to cater to both communities within it and work as a linguistic bridge when need be. which, as we have watched day after day on qsmp streams, becomes less and less necessary because the environment quackity is fostering is actually very concrete INCENTIVE FOR LANGUAGE LEARNING. people are actually interacting and having meaningful linguistic/cultural exchanges that actually LEAD TO LANGUAGE KNOWLEDGE AND UNDERSTANDING. how the fuck is that supposed to happen if theres live translation? ill tell you now, it won’t.
when we study linguistics in college one of the first things we learn in regards to foreign language teaching is that translation methods rarely fuckjng work. by doing that youre limiting human interaction and actually DISTURBING the learning possibilities because youre taking away Real, varied input. dream doesnt know what he’s doing and its so upsetting to watch. dont even get me started on “language rankings” or whatever the fuck the competitive aspect is supposed to be
the project is just so flawed and the timing couldnt be worse. quackity is doing such a great job and? you just try to hijack his idea like this even though you clearly lack both the heart and the knowledge to make something like this work? to me it just appears so sour. so mean-spirited and uninspired. i dont even know man i just dont like it
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secretgamergirl · 5 months
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How a Computer Works - Part 1 (Components)
I am about to teach you on a real fundamental, connecting up electronic components level, how a computer actually works. Before I get into the meat of this though (you can just skip down below the fold if you don't care), here's the reasons I'm sitting doing so in this format:
Like a decade or two ago, companies Facebook pushed this whole "pivot to video" idea on the whole internet with some completely faked data, convincing everyone that everything had to be a video, and we need to start pushing back against that. Especially for stuff like complex explanations of things or instructions, it's much more efficient to just explain things clearly in text, maybe with some visual aids, so people can easily search, scan, and skip around between sections. It's also a hell of a lot easier to host things long term, and you can even print out a text based explainer and not need a computer to read it, keep it on a desk, highlight it, etc.
People are so clueless about how computers actually work that they start really thinking like it's all magical. Even programmers. Aside from how proper knowledge lets you get more out of them, this leads to people spouting off total nonsense about "teaching sand to think" or "everything is just 1s and 0s" or "this 'AI' a con artist who was trying to sell me NFTs a month ago probably really is an amazing creative thinking machine that can do everything he says!"
We used to have this cultural value going where it was expected that if you owned something and used it day to day, you'd have enough basic knowledge of how it worked that if it stopped working you could open it up, see what was wrong, and maybe fix it on your own, or maybe even put one together again from scratch, and that's obviously worth bringing back.
I'm personally working on a totally bonkers DIY project and I'd like to hype up like-minded people for when it gets farther along.
So all that said, have a standard reminder that I am completely reliant on Patreon donations to survive, keep updating this blog, and ideally start getting some PCBs and chips and a nice oscilloscope to get that mystery project off the ground.
Electricity probably doesn't work like how you were taught (and my explanation shouldn't be trusted too far either).
I remember, growing up, hearing all sorts of things about electricity having this sort of magical ability to always find the shortest possible path to where it needs to get, flowing like water, and a bunch of other things that are kind of useful for explaining how a Faraday cage or a lightning rod works, and not conflicting with how simple electronics will have a battery and then a single line of wire going through like a switch and a light bulb or whatever back to the other end of the battery.
If you had this idea drilled into your head hard enough, you might end up thinking that if we have a wire hooked to the negative end of a battery stretching off to the east, and another wire stretching off to the east from the positive end, and we bridge between the two in several places with an LED or something soldered to both ends, only the westernmost one is going to light up, because hey, the shortest path is the one that turns off as quickly as possible to connect to the other side, right? Well turns out no, all three are going to light up, because that "shortest path" thing is a total misunderstanding.
Here's how it actually works, roughly. If you took basic high school chemistry, you learned about how the periodic table is set up, right? A given atom, normally, has whatever number of protons in the core, and the same number of electrons, whipping all over around it, being attracted to those protons but repelled by each other, and there's particular counts of electrons which are super chill with that arrangement so we put those elements in the same column as each other, and then as you count up from those, you get the elements between those either have some electrons that don't fit all tight packed in the tight orbit and just kinda hang out all wide and lonely and "want to" buddy up with another atom that has more room, up to the half full column that can kinda go either way, then as we approach the next happy number they "want to" have a little more company to get right to that cozy tight packed number, and when you have "extra" electrons and "missing" electrons other atoms kinda cozy up and share so they hit those good noble gas counts.
I'm sure real experts want to scream at me for both that and this, but this is basically how electricity works. You have a big pile of something at the "positive" end that's "missing electrons" (for the above reason or maybe actually ionized so they really aren't there), and a "negative" end that's got spares. Then you make wires out of stuff from those middle of the road elements that have awkward electron counts and don't mind buddying up (and also high melting points and some other handy qualities) and you hook those in there. And the electron clouds on all the atoms in the wire get kinda pulled towards the positive side because there's more room over there, but if they full on leave their nucleus needs more electron pals, so yeah neighbors get pulled over, and the whole wire connected to the positive bit ends up with a positive charge to it, and the whole wire on the negative bit is negatively charged, and so yeah, anywhere you bridge the gap between the two, the electrons are pretty stoked about balancing out these two big awkward compromises and they'll start conga lining over to balance things out, and while they're at it they'll light up lights or shake speakers or spin motors or activate electromagnets or whatever other rad things you've worked out how to make happen with a live electric current.
Insulators, Resistors, Waves, and Capacitors
Oh and we typically surround these wires made of things that are super happy about sharing electrons around with materials that are very much "I'm good, thanks," but this isn't an all or nothing system and there's stuff you can connect between the positive and negative ends of things that still pass the current along, but only so much so fast. We use those to make resistors, and those are handy because sometimes you don't want to put all the juice you have through something because it would damage it, and having a resistor anywhere along a path you're putting current through puts a cap on that flow, and also sometimes you might want a wire connected to positive or negative with a really strong resistor so it'll have SOME sort of default charge, but if we get a free(r) flowing connection attached to that wire somewhere else that opens sometimes, screw that little trickle going one way, we're leaning everyone the other way for now.
The other thing with electricity is is that the flow here isn't a basic yes/no thing. How enthusiastically those electrons are getting pulled depends on the difference in charge at the positive and negative ends, and also if you're running super long wires then even if they conduct real good, having all that space to spread along is going to kinda slow things to a trickle, AND the whole thing is kinda going to have some inherent bounciness to it both because we're dealing with electrons whipping and spinning all over and because, since it's a property that's actually useful for a lot of things we do with electricity, the power coming out of the wall has this intentional wobbly nature because we've actually got this ridiculous spinny thing going on that's constantly flip flopping which prong of the socket is positive and which is negative and point is we get these sine waves of strength by default, and they kinda flop over if we're going really far.
Of course there's also a lot of times when you really want to not have your current flow flickering on and off all the time, but hey fortunately one of the first neat little electronic components we ever worked out are capacitors... and look, I'm going to be straight with you. I don't really get capacitors, but the basic idea is you've got two wires that go to big wide plates, and between those you have something that doesn't conduct the electricity normally, but they're so close the electromagnetic fields are like vibing, and then if you disconnect them from the flow they were almost conducting and/or they get charged to their limit, they just can't deal with being so charged up and they'll bridge their own gap and let it out. So basically you give them electricity to hold onto for a bit then pass along, and various sizes of them are super handy if you want to have a delay between throwing a switch and having things start doing their thing, or keeping stuff going after you break a connection, or you make a little branching path where one branch connects all regular and the other goes through a capacitor, and the electricity which is coming in in little pulses effectively comes out as a relatively steady stream because every time it'd cut out the capacity lets its charge go.
We don't just have switches, we have potentiometers.
OK, so... all of the above is just sort of about having a current and maybe worrying about how strong it is, but other than explaining how you can just kinda have main power rails running all over, and just hook stuff across them all willy-nilly rather than being forced to put everything in one big line, but still, all you can do with that is turn the whole thing on and off by breaking the circuit. Incidentally, switches, buttons, keys, and anything else you use to control the behavior of any electronic device really are just physically touching loose wires together or pulling them apart... well wait no, not all, this is a good bit to know.
None of this is actually pass/fail, really, there's wave amplitudes and how big a difference we have between the all. So when you have like, a volume knob, that's a potentiometer, which is a simple little thing where you've got your wire, it's going through a resistor, and then we have another wire we're scraping back and forth along the resistor, using a knob, usually, and the idea is the current only has to go through X percent of the resistor to get to the wire you're moving, which proportionately reduces the resistance. So you have like a 20 volt current, you've got a resistor that'll drop that down to 5 or so, but then you move this other wire down along and you've got this whole dynamic range and you can fine tune it to 15 or 10 or whatever coming down that wire. And what's nice about this again, what's actually coming down the wire is this wobbily wave of current, it's not really just "on" or "off, and as you add resistance, the wobble stays the same, it's just the peaks and valleys get closer to being just flat. Which is great if you're making, say, a knob to control volume, or brightness, or anything you want variable intensity in really.
Hey hey, it's a relay!
Again, a lot of the earliest stuff people did with electronics was really dependent on that analog wobbly waveform angle. Particularly for reproducing sound, and particularly the signals of a telegraph. Those had to travel down wires for absurd distances, and as previously stated, when you do that the signal is going to eventually decay to nothing. But then someone came up with this really basic idea where every so often along those super long wires, you set something up that takes the old signal and uses it to start a new one. They called them relays, because you know, it's like a relay race.
If you know how an electromagnet works (something about the field generated when you coil a bunch of copper wire around an iron core and run an electric current through it), a relay is super simple. You've got an electromagnet in the first circuit you're running, presumably right by where it's going to hit the big charged endpoint, and that magnetically pulls a tab of metal that's acting as a switch on a new circuit. As long as you've got enough juice left to activate the magnet, you slam that switch and voom you've got all the voltage you can generate on the new line.
Relays don't get used too much in other stuff, being unpopular at the time for not being all analog and wobbily (slamming that switch back and forth IS going to be a very binary on or off sorta thing), and they make this loud clacking noise that's actually just super cool to hear in devices that do use them (pinball machines are one of the main surviving use cases I believe) but could be annoying in some cases. What's also neat is that they're a logical AND gate. That is, if you have current flowing into the magnet, AND you have current flowing into the new wire up to the switch, you have it flowing out through the far side of the switch, but if either of those isn't true, nothing happens. Logic gates, to get ahead of myself a bit, are kinda the whole thing with computers, but we still need the rest of them. So for these purposes, relays re only neat if it's the most power and space efficient AND gate you have access to.
Oh and come to think of it, there's no reason we need to have that magnet closing the circuit when it's doing its thing. We could have it closed by default and yank it open by the magnet. Hey, now we're inverting whatever we're getting on the first wire! Neat!
Relay computers clack too loud! Gimme vacuum tubes!
So... let's take a look at the other main thing people used electricity for before coming up with the whole computer thing, our old friend the light bulb! Now I already touched a bit on the whole wacky alternating current thing, and I think this is actually one of the cases that eventually lead to it being adopted so widely, but the earliest light bulbs tended to just use normal direct current, where again, you've got the positive end and the negative end, and we just take a little filament of whatever we have handy that glows when you run enough of a current through it, and we put that in a big glass bulb and pump out all the air we can, because if we don't, the oxygen in there is probably going to change that from glowing a bit to straight up catching on fire and burning immediately.
But, we have a new weird little problem, because of the physics behind that glowing. Making something hot, on a molecular level, is just kinda adding energy to the system so everything jitters around more violently, and if you get something hot enough that it glows, you're getting it all twitchy enough for tinier particles to just fly the hell off it. Specifically photons, that's the light bit, but also hey, remember, electrons are just kinda free moving and whipping all over looking for their naked proton pals... and hey, inside this big glass bulb, we've got that other end of the wire with the more positive charge to it. Why bother wandering up this whole coily filament when we're in a vacuum and there's nothing to get in the way if we just leap straight over that gap? So... they do that, and they're coming in fast and on elliptical approaches and all, so a bunch of electrons overshoot and smack into the glass on the far side, and now one side of every light bulb is getting all gross and burnt from that and turning all brown and we can't have that.
So again, part of the fix is we switched to alternating current so it's at least splitting those wild jumps up to either side, but before that, someone tried to solve this by just... kinda putting a backboard in there. Stick a big metal plate on the end of another wire in the bulb connected to a positive charge, and now OK, all those maverick electrons smack into here and aren't messing up the glass, but also hey, this is a neat little thing. Those electrons are making that hop because they're all hot and bothered. If we're not heating up the plate they're jumping to, and there's no real reason we'd want to, then if we had a negative signal over on that side... nothing would happen. Electrons aren't getting all antsy and jumping back.
So now we have a diode! The name comes because we have two (di-) electrodes (-ode) we care about in the bulb (we're just kind of ignoring the negative one), and it's a one way street for our circuit. That's useful for a lot of stuff, like not having electricity flow backwards through complex systems and mess things up, converting AC to DC (when it flips, current won't flow through the diode so we lop off the bottom of the wave, and hey, we can do that thing with capacitors to release their current during those cutoffs, and if we're clever we can get a pretty steady high).
More electrodes! More electrodes!
So a bit after someone worked out this whole vacuum tube diode thing, someone went hey, what if it was a triode? So, let's stick another electrode in there, and this one just kinda curves around in the middle, just kinda making a grate or a mesh grid, between our hot always flowing filament and that catch plate we're keeping positively charged when it's doing stuff. Well this works in a neat way. If there's a negative charge on it, it's going to be pushing back on those electrons jumping over, and if there's a positive charge on it, it's going to help pull those electrons over (it's all thin, so they're going to shoot right past it, especially if there's way more of a positive charge over on the plate... and here's the super cool part- This is an analog thing. If we have a relatively big negative charge, it's going to repel everything, if it's a relatively big positive, it's going to pull a ton across, if it's right in the middle, it's like it wasn't even in there, and you can have tiny charges for all the gradients in between.
We don't need a huge charge for any of this though, because we're just helping or hindering the big jump from the high voltage stuff, and huh, weren't we doing this whole weak current controlling a strong current thing before with the relay? We were! And this is doing the same thing! Except now we're doing it all analog style, not slapping switch with a magnet, and we can make those wavy currents peak higher or lower and cool, now we can have phone lines boost over long distances too, and make volume knobs, and all that good stuff.
The relay version of this had that cool trick though where you could flip the output. Can we still flip the output? We sure can, we just need some other toys in the mix. See we keep talking about positive charges and negative charges at the ends of our circuits, but these are relative things. I mentioned way back when how you can use resistors to throttle how much of a current we've got, so you can run two wires to that grid in the triode. One connects to a negative charge and the other positive, with resistors on both those lines, and a switch that can break the connection on the positive end. If the positive is disconnected, we've got a negative charge on the grid, since it's all we've got, but if we connect it, and the resistor to the negative end really limits flow, we're positive in the section the grid's in. And over on the side with the collecting plate, we branch off with another resistor setup so the negative charge on that side is normally the only viable connection for a positive, but when we flip the grid to positive, we're jumping across the gap in the vacuum tube, and that's a big open flow so we'll just take those electrons instead of the ones that have to squeeze through a tight resistor to get there.
That explanation is probably a bit hard to follow because I'm over here trying to explain it based on how the electrons are actually getting pulled around. In the world of electronics everyone decided to just pretend the flow is going the other way because it makes stuff easier to follow. So pretend we have magical positrons that go the other way and if they have nothing better to do they go down the path where we have all the fun stuff further down the circuit lighting lights and all that even though it's a tight squeeze through a resistor, because there's a yucky double negative in the triode and that's worse, but we have the switch rigged up to make that a nice positive go signal to the resistance free promised land with a bonus booster to cut across, so we're just gonna go that way when the grid signal's connected.
Oh and you can make other sorts of logic circuits or double up on them in a single tube if you add more grids and such, which we did for a while, but not really relevant these days.
Cool history lesson but I know there's no relays or vacuum tubes in my computer.
Right, so the above things are how we used to make computers, but they were super bulky, and you'd have to deal with how relays are super loud and kinda slow, and vacuum tubes need a big power draw and get hot. What we use instead of either of those these days are transistors. See after spending a good number of years working out all this circuit flow stuff with vacuum tubes we eventually focused on how the real important thing in all of this is how with the right materials you can make a little juncture where current flows between a positive and negative charge if a third wire going in there is also positively charged, but if it's negatively charged we're pulling over. And turns out there is a WAY more efficient way of doing that if you take a chunk of good ol' middle of the electron road silicon, and just kinda lightly paint the side of it with just the tiniest amount of positive leaning and negative leaning elements on the sides.
Really transistors don't require understanding anything new past the large number of topics already covered here, they're just more compact about it. Positive leaning bit, negative leaning bit, wildcard in the middle, like a vacuum tube. Based on the concepts of pulling electrons around from chemistry, like a circuit in general. The control wire in the middle kinda works in just a pass-fail sort of way, like a relay. They're just really nice compared to the older alternatives because they don't make noise or have moving parts to wear down, you don't have to run enough current through them for metal to start glowing and the whole room to heat up, and you can make them small. Absurdly small. Like... need an electron microscope to see them small.
And of course you can also make an inverter super tiny like that, and a diode (while you're at it you can use special materials or phosphors to make them light emitting, go LEDs!) and resistors can get pretty damn small if you just use less of a more resistant material, capacitors I think have a limit to how tiny you can get, practically, but yeah, you now know enough of the basic fundamentals of how computers work to throw some logic gates together. We've covered how a relay, triode, or transistor function as an AND gate. An OR gate is super easy, you just stick diodes on two wires so you don't have messy backflow then connect them together and lead off there. If you can get your head around wiring up an inverter (AKA NOT), hey, stick one after an AND to get a NAND, or an OR to get a NOR. You can work out XOR and XNOR from there right? Just build 4 NANDs, pass input A into gates 1 and 2, B into 2 and 3, 2's output into 1 and 3, 1 and 3's output into 4 for a XOR, use NORs instead for a XNOR. That's all of them right? So now just build a ton of those and arrange them into a computer. It's all logic and math from there.
Oh right. It's... an absurd amount of logic and math, and I can only fit so many words in a blog post. So we'll have to go all...
CONTINUED IN PART 2!
Meanwhile, again, if you can spare some cash I'd really appreciate it.
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miniwheat77 · 8 months
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Wild. (Rudy x Reader.)
!CW! NSFW, Smut, MINORS DNI! unprotected p in v sex, (sorry if I missed any.)
*not edited*
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When people think of Rudy they think of him as a kind, gentle, loving man. And they’re not wrong, not at all. He’s gentle, he’s a good problem solver. He’s good at soothing people when they’re upset in any way. He’s good at de-escalating situations, and he’s a phenomenal getaway driver.
Everyone knows Rudy is a family man, but he doesn’t talk much about his wife. Alejandro has only met her a couple of times and knows that she’s quiet and reserved.
But everything was about to change, because you were coming to work on base as a bookkeeper for Alejandro.
When people met you, they were surprised. You were stunning which made sense because of course, Rudy was good looking. But than, talk started around the base.
Alejandro had overheard very gross conversations between a few of his men, making them do push ups and handing out suspensions like candy on Halloween. He didn’t expect Rudy’s wife of all people to be such a big topic. You got plenty of glances from the men on base and it made you uncomfortable and Alejandro was furious obviously. They looked like a pack of hungry wolves and it was absolutely ridiculous behavior.
After about a month or so, everything finally calmed down. Everything slowly started going back to normal, but you were still getting cat called. They would say gross things to you, stare you down. They were ridiculous.
You were sitting in the mess hall, figuring out a spreadsheet and drinking coffee. Rudy and Alejandro were getting coffee, and you were getting frustrated with the conversations you were overhearing from the table near you. “Yeah, I’d hit that. There’s no way Rudolfo is satisfying that.”
That was your last straw. You let out a very exaggerated sigh, standing up and pushing your chair in. Which gathers a few glances from those around you. You stand there with the spreadsheets in your hand. Leaning up against the table with your arms crossed. “You know I’m sitting 5 feet away from you, I can hear absolutely everything you’re saying.” You say. This catches the attention of everyone, including Rudy and Alejandro who are waiting for coffee. “Yeah? So what. Nothing I said was untrue.” He shrugs. He smiles.
You send him a very fake smile.
“Listen.. Sergeant Ramirez right? There’s a reason that none of the women on this base interact with you. Because you’re a total creep who keeps talking about having sex with a married woman.” You laugh. “I don’t know why my sex life is sooooo interesting to you, but since you must know, it’s great. Rudy is satisfying me just fine, I’m a VERY happy wife. But thanks for your.. weirdly obsessive concern.” You step closer, your face only a few inches from his. “If I hear you say “I’d hit that.” One more fucking time, I’m going to hit you right in the jaw with my fist. Am I clear?” You narrow your eyes at him. He’s clearly embarrassed, nodding his head. “Great!” You say. Walking away from your table, down the hall. “Jesus Christ.” Alejandro laughs. “Didn’t realize she had such a fire in her.” Rudy laughs, bringing his coffee up to his lips. “Oh, no tienes idea del tipo de actitud que domino en el dormitorio.” He takes a drink of his coffee, trying not to smile when Alejandro nearly chokes on his. “Jesus Rudy!” He laughs.
“I’m gonna go check on her.” Rudy laughs. He’s not wearing his normal gear yet, still just wearing black jeans and a white t-shirt. Wearing that signature comfortable grey jacket he has. He opens the door to your room, seeing you looking over something. “Hey. You alright, amor?” He breathes. You nod your head. Turning to look at him. “Don’t let them get to you.. they’re just.. immature.”
“They don’t get to me, I just hate that they think you’re so soft.” You narrow your eyes, an evil grin playing at your lips. “The Rudy I know is far more devilish than they know.” You roll your eyes. “Yeah? That’s cause I have to do something to combat that fucking attitude of yours.” He crosses his arms. You roll your eyes. “Fuck you Rudy.” You laugh. “Sí, te gustaría eso, ¿no?” He smirks. “Quizás lo haría.” You reply. He snorts, locking the door behind himself. He pushes his jacket off, discarding it on the floor as he makes his way toward you. He cups your face, kissing you hard. Helping you pull your clothes off, only stopping to tug your shirt off. He reaches for his belt but you stop his hand. “Keep it on.” You breath.
He rolls his eyes.
He grasps your wrist, tugging you until your back is to him. His lips ghosting by your ear. “I forgot..” he chuckles. The fabric of his shirt burns your bare skin. “You like the way it rattles when I fuck you.” He whispers. “I hope you think about the way I fuck you anytime you hear something rattling.” He growls, pushing you down onto the bed. You whine as he pulls your hands behind your back, lining his cock up with your aching hole. When he sinks into you, you’re gasping out. Trying to take in a breath. Turning to look at him. He pushes your hips into the mattress, rutting his hips into you. “Fuck Rudy-“ you gasp. He’s breathing hard as he fucks into you, gritting his teeth. No matter how many times he was inside of you, he’d never get used to it.
He tries to keep you quiet as he rocks his hips into yours but he doesn’t really care who hears at this point anymore. You push your hips back into him, and he smiles as he moves away. “I wanna ride you.” You breathe. He smiles. He sees your chair, sitting down in it and you move quickly sit in his lap, lining him up with your entrance again, moaning as you sink down onto him. He rests his hands on your hips, looking up at you as you start to rock your hips into him. “Fuck..” he sighs. “You’re so fucking good at this.” He breathes. “Siéntete tan jodidamente bien mi amor.” He breathes, looking up at you through his eyelashes. His eyes are dark and loving as he looks up at you. “God, no wonder they think you’re so sweet, stop looking at me like that.” You breath, pushing down on his chest and rocking into him, raising up off of him more, taking more of him down. “Ah-“ he moans, a smile still on his face. “I’m not doing anything.” He mutters. “Yeah you are, you keep looking at me like you love me or something.” You giggle, a gasp leaving your lips as he thrusts up into you. “Maybe that’s just because I love you. Love that attitude, love your personality.” He breathes. “Love this perfect body you have, love the way you make me feel. And god do I love watching you put people in their fucking place.” He gasps. Thrusting up into you faster. You clutch onto the chair for dear life. “Me vuelves loca de mierda.” He gasps, tilting his head back.
You cup his cheeks, kissing him as he holds your hips, thrusting up into you. He can feel you getting tighter around him, and he’s fucked you enough to know that you’re close, so he stands up with you, lays you back on your bed, and hammers his hips into yours until your crying out his name. “Yeah, that’s it. Cum for me.” He breathes. “Muéstrame lo buena chica que eres.” He growls. You reach your peak with a gasp, eyes screwing shut and he pins your hips to the bed so that you can’t squirm away from him as he rides out your high. He grits his teeth, letting out a cry when he reaches his own orgasm. Not pulling out of you even when he knows he should.
He takes a deep breath. Pulling away from you with a sigh, moving himself to lay next to you.
When you make eye contact, he’s got that same look in his eye that makes you laugh. “What?” He rolls his eyes. “Nothing, I love you.” You breathe. “I love you too. Now Cmere.” He breathes, pulling you into him.
A knock at the door has you both going stiff.
“I think you’ve made your point, hermano.”
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leviscolwill · 7 months
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sanctuary
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pairing: jude bellingham x f1 driver!reader
summary: after an eventful singapore gp, the only thing you can think of is your comfy bed but your body has another plan and your boyfriend isn't happy about that. [wc: 1,6k]
req: Ferrari driver reader x jude where she feels a bit dizzy after a race and kind of faints when they get at the hotel, like just fluff with him taking care of her + CAN YOU WRITE JUDE ANGST THEN FLUFF IDC ABT THE SCENARIO JS JUDE ANGST IN JUDE X DRIVER READER 🙏🙏
contents: established relationship, charles is reader's teammate, ferrari being good au (impossible ik), reader faints, jude is a worried bf, barely has angst ngl 🏃‍♀️, nothing else i think
note: i have no idea how to write about fainting and it probably shows. ALSO, i wrote most of this at 1am so i hope it makes sense (probably doesn't but we move😪)
now playing: sanctuary by joji (nectar)
usually you would say you absolutely loved singapore. the track was one of your favourites on the calendar and you practically counted down the days to this race. but this week was probably the most difficult of your entire career in motorsports. of course, marina bay had never been an easy race, and the weather conditions in singapore were only making it harder to handle. but this year, no number of ice bath and cold shower could appease the dizzying headache that plagued your weekend.
and to add to that, everyone at the team has been stressing you out about the championship. obviously, you were grateful that you could finally fight for one, ferrari had built the perfect car this season. but this came with a price, fighting against charles for the title. you were great friends with your teammate but you had to admit your relationship took a toll with the constant tension between the two of you throughout the season. anyone wearing a bright red kit kept reminding you that you needed to be careful on track, that if you crashed with anyone, but especially with charles, you'd be in great trouble.
thankfully your boyfriend joined you after qualifying, and made your weekend instantly better. he noticed something was wrong right away. of course, you told jude about your struggles but he didn't expect to find you in this state.
"maybe you shouldn't race tomorrow..?"
you took a glance at jude, laid down on the hotel room bed, to check if he actually meant what he just uttered only to find a very serious look on his face.
"yeah, i'll just call fred to tell him i'm feeling sick and don't care about the championship anymore, that's definitely the best choice i have." sarcasm dripped out of your words as jude rolled his eyes.
"just because you had a bad day, doesn't mean you have to give me an attitude." it was your turn to roll your eyes. you quietly got under the sheets and muttered a barely audible 'goodnight', clearly not having the energy to argue with him tonight.
as you closed your eyes you felt jude turn around to wrap you in his arms around you.
"i'm just worried for my girl, that's all." he said, softly kissing your hair. you turned around to face him, having to trace his face before finding his lips because of the darkness of the room, and pressed a quick kiss on his lips.
"i appreciate your concern, i really do. but this race is so much more important than a silly headache. i'll be okay." you kissed him again for good measure. "you're gonna have to trust me with this one."
"i always trust you." the two of you talked some more before falling asleep in each other's arms.
the only thing you could think of when you stepped out of your car was your bed. as expected the race had been particularly draining and truth be told, you didn't know if you would be able to stand on the podium in your state. you managed to score a satisfying p2, well it would have been more satisfying if charles wasn't standing on the highest step of the podium, with a 4-point difference before catching on you in the driver's standing.
when the whole team congratulated you on your results, it felt like you were in a fever dream, barely making out what was real and what wasn't. you didn't even notice jude talking to you before he snapped his fingers in front of you.
"are you okay ? should i take you to the medics ?" he asked in a worried tone.
"i'm alright... just need to get through the podium." which did not happen. you ran off stage as soon as the italian anthem stopped ringing in your ears. it was all too much, the heat, the noise, the exhaustion, the pressure. all too much to handle for you.
when you joined jude, he was already talking with your pr manager, telling her you wouldn't be able to do any media work right now. it was the truth, not a petty lie to get away with it. you genuinely felt even more lightheaded (if that was possible) at the sole thought of having to go through a dozen interviews.
seeing you barely standing straight must have conceived her, so soon enough you were on your way back to the hotel in a cab jude called.
you quietly laid your head on jude's shoulder. he barely said a word to you since the podium incident, only asking how you felt, if you drank enough water, and how many hours of sleep you had. you watched him as he typed things on his phone in total silence. you wondered if he was mad at you for putting yourself in such a situation or only worried. regardless, you felt a pang of sadness in your heart thinking about it before drifting off.
as soon as jude opened your hotel room's door, you felt your legs giving up on you, your hands found the wall to steady yourself. you could hear jude's voice but couldn't make out what he was saying, like you were underwater.
you tried making it to the bed, but you fell down on your knees and just propped your back against it, waiting a minute before getting up, to get your head to stop spinning uncontrollably.
"y/n. are you okay ?" you felt your boyfriend kneeling down next to you and could finally understand his words, but it felt like they were resonating in your brain, only worsening your headache.
"i'm fine, i'm fine... i just need a moment." you didn't want to worry jude more than he already was, although the weak tone of your voice alarmed him more than anything. you felt him shift around you, and caught a glimpse of him coming back from the bathroom before your eyes shut.
when you woke up, you were laid on the bed with a wet cloth on your forehead. and the first thing you saw was a wide-eyed jude handing you a glass of water.
"i thought about making you drink when you were... asleep? but i didn't want to drown you. so i waited for you to wake up." he was talking fast, too fast for you to fully understand his nonsense.
"hello to you too." your voice was still weak but you felt much better than at the race track. you quickly took a few sips of water before jude tried drowning you for good.
"what's that ?" you asked pointing at the cloth still laying on your face.
"some website said that's what you're supposed to do when your irresponsible girlfriend faints." you hid your face in your pillow at his accusatory words.
"no, but seriously y/n. do you have any idea of how worried i was ? imagine if something wrong happened. god, i knew i shouldn't have let you race..." his words had an angry tone to them and you were confused as to why jude was mad at you over hypothetical scenarios.
"but nothing wrong happened, i even got points. are you not proud of me ?"
"are you being serious right now ? you know i'm always proud of you, points or no points. but you think i'm gonna clap for you after putting yourself in danger like that ?" jude's tone got somewhat angrier but he kept going.
"fuck, when you fainted i already saw myself explaining everything to your mum. you can't take those risks, especially when you drive a fast car for a living. you can understand that right ?"
you felt tears well up in your eyes at his words, thinking about how worried he must have been this whole time.
"i'm sorry, it's just... i've been thinking about the championship a lot. i guess that clouded my judgment." you wiped away your tears quickly, before jude could notice them but it was too late.
"hey, hey, hey... you shouldn't be saying sorry to me, you probably spent a worse weekend than i did anyway. i'm not mad at you but at the situation, alright ?" his fingers stroke the wet spots under your eyes, wiping what was left of your tears away. "i'm proud of you, and happy for your points. but you're not winning a championship by making your dangerous job even more dangerous." his voice and his eyes were soft and you felt your chest get significantly warmer.
"you're right..." the room got silent for a couple seconds at your words.
"what was that ? i couldn't hear you babe" jude had a shit-eating grin on his face and you knew exactly what he wanted, and it almost made you physically sick to give him this satisfaction.
"i said... you'reright." you tried getting those terrible words out as fast as you could, but he wasn't happy with that.
"mmh mmh, that won't do... say it nice and loud for me love." you felt your face heat up, both in fluster and embarrassment at his words.
"you're right." your words had a defeated tone to them, but jude decided that would be enough by the way he didn't taunt you anymore.
he moved and got under the covers with you, even though you were gonna have to get up again as you were both still dressed. he just wanted to share this little moment of peace with you.
"you know, it's crazy how you drive the fastest car in the world but can't survive singapore's heat for a weekend." you playfully elbowed jude's ribs at his teasing.
you were grateful to have someone like jude to support you and your intense lifestyle, but also someone to talk about silly little things, legs tangled under the sheets.
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diapersguy · 10 months
Text
Ever since I woke up wet a few nights ago, my partner has insisted on keeping me in diapers so as not to risk anymore accidents. Obviously I hated the idea but he explained that it was best for me and so I went with it.
At first the intention was for me to keep using the toilet when I needed to go but when I got to a crucial part in a video game where I couldn’t pause yet really needed to go and pee, he was just like “well don’t worry about it, you have a diaper on and it will hold it so just go in that, it’s what they are for.” Of course I was unsure and nervous but I really wanted to beat this bit of the game and so that’s what I did.
“Wow well done, I didn’t think you would actually do that, but wasn’t it better than dying in your game.” I looked at him and nodded.
Later that evening we had decided to watch a movie, but it was over 3 hours long. Before it started he had already told me that he didn’t want to be pausing the film constantly and if I needed to wet I should just do it in the diaper. I figured I had done it earlier so it couldn’t do any harm.
He came in with a 2l bottle of coke, which he said was just for me to keep my hydrated and I happily drank it during the movie until the bottle was empty.
After the film has finished I stood up and then it hit me how heavy and saggy the nappy felt. Knowing that I had wet it several times during the movie I started to blush and headed towards the door to change it.
“Where you going?” He asked. I explained that my diaper was really wet and I didn’t want it to leak so I was going to go and change. He pulled me close, yanked my shorts down and felt the diaper. “Wow that is wet, it’s a good job you had it on for the film or we would still be watching it tomorrow morning, let me help get you changed.” He took my hand and lead me upstairs. Once in the bedroom he looked at the diaper and noticed that my cock was hard. “Wow somebody seems to be enjoying this wet diaper.” I blushed and looked away from him, not saying a word. He started to rub the outside of my diaper and I shivered it felt so good.
I tried to take the diaper off so that he could get to my cock, but he stopped me. “Hmm I don’t think so. You clearly like the diaper so I want you to come in to it too.” He kept rubbing the outside of the diaper and I got more and more into it. It didn’t take long for me to shoot. He kissed my forehead as he said “good boy, now let’s get you changed.”
This continued for a few days with me no longer allowed to use the toilet to pee and anytime I wanted to make stickies I had to do it in the diaper. It got to the point where I didn’t even think about using the toilet for a pee and just went in the diaper whenever I needed too, the toilet was now for poo only.
A couple of weeks later, my partner had made some chocolate brownies and gave me a couple. They were delicious although did have a bit of a strange taste but were still more than good enough to eat.
I sat on the sofa watching cartoons, which had become a regular weekend thing now for some reason when my stomach started to cramp. I wriggled on the seat wanting to watch the cartoon but I knew that I was going to have to poop. I looked at my partner, who now insisted that I called him daddy whenever I needed to use to the toilet to poop and told him what was happening. He looked at me and simply said “okay” as he got off the sofa and headed to the hallway where the nearest toilet was located. I followed expecting him to take me in there, take the diaper down and sit me on the toilet but instead he went in there, shut the door and locked it behind him.
I knocked on the door and shouted at daddy that I really needed to go. That my tummy was hurting and that I really couldn’t hold it. He shouted through the door “it’s okay you’re wearing a diaper, it will hold it just let it go.”
I resisted a bit more but it was hopeless. I squatted down and started to feel the poop flowing out of me, my stomach still cramping. The diaper felt warm as the mess hit the seat and a tear escaped from me. At that point daddy opened the toilet down and held me as I continued to squat and pushed the last of the poop out.
He then sat me on the floor, leaving me to feel the poop spread out all over my bottom. He wrapped me in a hug “now let’s go and make some stickies in this diaper before we get you changed.” He said as he lifted me off the floor and took me up the stairs.
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I don’t think Jason has ever hated Tim
I recently revived my Jason Todd hyperfixation from its torpor and realized I had... Means and Ways of reading as many comics as I want for free, so I made the transition from Fanon Only to having read Lost Days, Under the Red Hood, Teen Titans #29 (where Jason fights and beats the tar out of Tim), Hush, Red Hood and the Outlaws (the majority of both runs), Red Robin: The Grail, Batman and Robin: Streets Run Red, Green Arrow #70 - #73 (where Jason kidnaps Mia), Battle for the Cowl, and a smattering of other bits and bobs, all within the last month.
I have come to the conclusion that the idea that Jason hated Tim before slowly learning to be okay with him is completely backwards.
Jason starts respecting Tim as a fellow combatant after basically their first meeting, and was sympathizing with him even before. Fandom talks a lot about how Jason repeatedly tried to kill Tim, but I think there’s a good argument to be made that actually Jason has never tried to kill Tim, and there’s a better argument that Jason has never tried to hurt Tim out of a dislike for him.
Tim is the one who feels viciously betrayed by Jason, hates his guts, and depending on if you blend in the New 52 either learns to begrudgingly like him or just stays hatin.
Obviously I need some proof here, since this goes completely against the grain of every relationship interpretation I’ve ever seen for them, so approximately seven miles of character analysis under the cut lmao
I’m gonna try to go in chronological order of the characters’ history here, which means we’re starting with Lost Days, and Jason’s first reaction to finding out there’s a new Robin:
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This does not look like anger to me.
Lost Days is only six issues long, and this is the entirety of the pages devoted to Jason’s feelings on Tim. Jason succeeds in a plan that would have almost certainly killed Batman if Jason had gone through with it. Jason undeniably has Joker dead to rights at one point, but lets him go. Jason at no point in this story attempts to harm Tim at all.
Now for Hush.
Context for fanon only folks: this is where the “throat slitting” bit happens.
Context for a lot of confusion: I don’t know if Jason is the one who holds Tim hostage or not.
In the original Hush plot line this is only Clayface; Jason isn’t here at all. It was later retconned in Under the Red Hood that Jason was actually in this fight for... some amount of time. It’s highly unclear to me when they swap out. Probably because originally, they didn’t swap out. Oh well! In either case, it’s now canon that Jason coached Clayface on his acting, so for the purposes of this essay, Imma hold Jason responsible for the throat damages and the words said regardless of who did what!
Right off the bat: this is a hostage taking, not a murder. Yes, Clayson Jayface does nick Tim’s neck and absolutely makes the threat of murdering him to Batman, but it’s clearly a threat. Like, look at this panel:
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He is talking a lot. This isn’t an attempt to kill Tim, it’s an attempt to screw with Batman. No matter who this is, they have every reason to expect that Batman will stop them before they do any permanent damage. Can you see that little, blurry, half-hidden line of red? Lets look at what the damage was later on:
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The bleeding was stopped by a bit of cloth, some pressure, and he’ll need stitches eventually, but they can clearly wait, and Tim doesn’t seem alarmed. That’s enough to scar, and enough that it is perfectly reasonable for Tim to assume that he would have died if he hadn’t been rescued.
However, Jason being deeply protective of kids is a reasonably consistent character trait. “You really think I’m gonna bring the pain to a ten year old?” Even at Jason’s most villainous, he is willing to put himself in danger in order to protect his own sidekick Scarlet. I think it would be very out of character for him to have gone through with it. Combined with Jason’s later actions and the general fact that a hostage is pretty useless dead, I come to the conclusion that Jason was bluffing.
It is ambiguous though, and I admit that this is probably the weakest link in the “Jason never tried to kill him” chain.
But enough of that, was he angry with him? Is the hate there?
I argue no, and that really there’s no emotional investment in Tim at all. In terms of hard numbers the pages Jalay Toddface spends holding Tim hostage is 3 and the number he spends fighting Batman is 13 and the number of times he even so much as LOOKS at Tim is ZERO, like actually, literally ZERO TIMES. He does not spare poor Timmy a SINGLE GLANCE.
Now make a special note here because those three pages of no eye contact from someone who might not even be Jason are the ONLY times that Tim is called Pretender or Imposter.
I’m relying on this research done by Kiragecko: https://kiragecko.tumblr.com/post/128411908944/bat-sibling-interaction It only goes up to Battle for the Cowl, (as does this essay it turns out, I just don’t know how to bridge between that and the New 52) so it isn’t every interaction ever, but it’s still excellent research, go leave a like.
According to them: “Comments: Tim thinks about Jason a lot while he’s first training. He imagines the former Robins giving him pep talks, and uses them to fight off fear gas. When Jason comes back, though, Tim’s really nasty, especially in his head. Jason, however, is somewhat respectful. He usually calls Tim ‘Tim’, and seems to kind of like him. ‘Pretender’ and ‘Imposter’ are things that CLAYFACE said, not Jason.“
How many times are those said? Once. Each. That’s it. As a comment under the Jason and Tim post done by Kiragecko points out, “Replacement” doesn’t even get used.
Under the Red Hood is basically THE Jason Todd comic. To my memory he doesn’t interact with Tim in it. However, it does contain that aforementioned reconning! So we get to see his reasoning during this encounter.
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And it very very clearly isn’t at all about Tim.
Moving on to Titans Tower, which is indisputably focused on Tim: When he fights Tim, he is absolutely violent and over the line, but he’s NOT out of his head. Jason is clearly very lucid and careful about what he’s doing.
Is he angry? Of course! He’s angry at the Titans who in his mind cared about him way less than their other members, and accepted a replacement robin as though his life, his whole flesh and blood self, was something that could be so easily forgotten and swapped out.
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But I think it would be a mistake to assume that Jason’s at all mad that he isn’t Robin anymore.
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A very interesting direct parallel to this fight is when Jason kidnaps Mia, Green Arrow’s sidekick Speedy, fights her, appeals to their commonalities and encourages her to solve crime his way rather than Green Arrow’s way.
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In both scenarios Jason engineers a way to isolate a sidekick and attempts to teach them something through combat. He makes a direct appeal to them against their mentors, and seems genuine about what he’s saying. He also lets both of them live, and with Mia is honestly pretty damned polite about it all. At least, as polite as a guy can be about kidnapping you and encouraging you to try to kill him in your high school gym that he definitely should not know about.
The plain fact of the matter is that Jason knocked Tim out, had time to paint his whole ass name way up high on a wall, and did not kill him. This is the same Jason who just prior to that took out all of Tim’s allies non-lethally. The same Jason who kept Mia’s protector’s busy non-lethally. The same Jason who cuts Mia free and gives her weapons back and starts slow in their fighting to make sure he doesn’t hurt her too badly. The same Jason who seems to feel very strongly that killing, trafficking, or selling drugs to kids is an unforgivable offense and very clearly sees Tim as a kid.
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Quite frankly, this reads not like a murder, and not like a jealous beatdown, but an attempt to convince Tim that he’s going to get himself killed and needs to get out while he still can. In Jason’s mind before they meet, Tim is purely A Robin, a kid who deserves better than to be put into danger against the same monsters over and over again until he finally slips up and dies.
Is this a hairbrained and back asswards way of doing that? Yes! But it does track for someone who tries to do all of his talking through his actions, which do speak louder than words, but unfortunately C-4 loudness is not actually a significant boon to nuanced communication.
If you want to put it in a less charitable way (and maybe we should, this is a bonkers asshole move on Jason’s part no matter how you slice it) then we can say Jason is testing Tim, trying to see if this one has what it takes to be better than he was, to survive where he couldn’t. Personally I think it’s a mix of both, and for this end of that emotional mess: Tim passes the test.
Jason leaves while talking about Tim in present tense, showing that he has every expectation of Tim being alive, and praises him in the process:
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Did you know that the fun panel of Tim kicking Jason in the nuts is actually from the same comic run, about twenty or so issues later?
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Did you know that the argument they were having starts with Dick and Tim wrestling with Jason and accusing him of a murder he did not commit, and in fact tried to save the victim from?
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Did I mention yet that the death in question was of Duela Dent, aka the JOKER’S DAUGHTER, whom Jason caught attempting to hold a young woman hostage for ransom? And that Jason repeatedly shot her getaway balloon instead of her and then tried to save her life immediately afterwards despite the fact that she was going to let the hostage plummet to their death? And it is implied that part of the reason he’s so easy on her is because of “Once a Titan always a Titan” loyalty, with this being our first clue that Jason isn’t the one shooting at her anymore?
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Did I also mention that he comes to her funeral in part to be around Donna (the starry leotard lady whose statue he smashed) because it’s nice to be around people who understand being displaced by their own death? And that the one who sticks up for him in this scene is Donna?
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At risk of negating my own thesus here, I’d say it’s reasonable to think that maybe Jason feels rage-hate for Tim in this “kicked in the dick while Dick grins smugly” moment.
Lets go now to Robin #177 at the tail end of the 1993 to 2003 run - Bruce has “died” and Tim hasn’t yet gone on his epic quest to find him. Tim finds Jason unifying street gangs with the intent to bring them under control and solve the current crisis. He appeals to Tim for help with this, in fact he comes off as almost puppy dog eager to work with him, and seems really sad when he says fuck no.
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This is one of the first fights in which Tim really holds his own against Jason, and I am very proud of him, yes :3
This gets Jason arrested. Then Tim actually goes through with a heavily modified, less violent version of Jason’s plan that Jason didn’t think could work. A few issues later, when Tim decides that he’s going to try to honor what Bruce would have wanted by springing Jason out of jail, Jason makes note of that.
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Jason is pretty damned civil at their next meeting, even though Tim makes it pretty damned clear he doesn’t want him around.
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And now... we have to talk about Battle for the Cowl.
I’ve seen it described as a masterclass in how NOT to write Jason Todd, due to it portraying him as being an absolutely off his rocker anger murder violence man. I am inclined to agree.
In this three issue comic Jason Todd has been dRiVeN mAd (in the most bullshit comic sense of that word) by Bruce’s will... telling him to go to therapy. Yeah. So uh, he dons a Batman suit to shoot people in AND pretends to be Black Mask so he can enslave a bunch of villains Amanda Waller style, and like it gets weird from there. It is an extremely jarring transition from that last scene to GUNS BAT HATE MAN.
He still does not hate Tim in it. I really, seriously thought I was going to have to make a lot of excuses for this portion but then the more I read of it the more vindicated I was cause let me repeat: One of the most unhinged with Bat hate and crazy juice versions of Jason ever put to print does not hate Tim at all.
Hell, he likes Tim! He compliments him!
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And on top of that, even though he is MUCH more lethal against his fellow robins when they attack him - Jason straight up shoots a ten year old Damian in the chest. It’s fucked. - There is still evidence to suggest that Jason deliberately didn’t kill Tim when he had ample opportunity.
Jason first of all never hunts Tim down. I’ve heard Battle for the Cowl described as Jason tracking Tim down or kidnapping him or going after him to force him to Be His Robin, but that’s just not how it goes.
Instead he waits for Tim to come find his Batcave, disorients him, and goes for a ton of surface cuts. He only actually goes for a real body blow after Tim picks up a crowbar and beats Jason across the face with it a few times.
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(Again, proud of you Timmy)
After the stabbing, Jason doesn’t just leave Tim there; this isn’t a matter of hurrying on before he could check. He’s seen dragging Tim off. When Nightwing later comes to rescue him, Dick is downright certain Jason is lying to him about Tim being dead because Jason is refusing to show him the body and Dick figures it’s because he knows there’s no body to show (if in part because he can’t let himself believe Tim is dead without hard proof).
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Tim himself wonders about this, noting that the batterang was rusted and shattered on his armor.
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Sure, Tim used playing possum to make his pulse slow to a near stop for a while, maybe that fooled Jason, but keep in mind that BRUCE taught Tim that skill, and if there’s one thing these comics have established, it’s that Jason is dangerous precisely because he is so intimately familiar with the techniques of the Bat. Jason even makes specific note of the fact that Tim being trained like Bruce and fighting like Bruce would be his downfall at the beginning of their fight.
The whole comic leaves me wondering just how much of what happened went completely according to Jason’s plan. I really would not put it passed him to engineer a ‘death in the family’ recreation for the next Batman in line! As much as I agree that this is garbage characterization for him in many many ways, I do think Jason makes a fantastic villain. I love to see him run rings around the Bats in some places, and make lemonade out of getting his ass kicked in others.
No matter how we interpret the stabbing here though, what does seem very clear to me is that Jason makes the Be My Robin offer to Tim first and foremost because he thinks pretty highly of Tim! He’s been rejected by Tim at least three times over but keeps holding a hand out for him. This does not seem like Tim hater reaction hours here!
Also that whole thing about kids being dragged into this vigilante life irresponsibly? Yeah that’s still there!
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I have TRIED to find evidence that Jason hates Tim at like literally any point here. I have gone through the shit people point to. I have looked at the context around those and dug up more obscure interactions for second and third views. Everywhere I look I just see more instances of Jason complimenting Tim!! It’s driving me nuts!
The only conclusion that I can come to is that people read this stuff and just trust that Tim is right about Jason. Tim’s internal view waaay more closely resembles fandom interpretation. Tim assumes that Clayson Toddface would absolutely have killed him in cold blood, that Jason beat the shit out of him purely to prove he was stronger, that he’s a brute, a moron, an active danger to society, and that every bit of leniency given to him will result in betrayal and death.
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I don’t have clearer proof for it, but I also don’t think it’s a stretch to say that Tim probably believes Jason has it out for him and holds him responsible for his replacement.
So yeah. As a fascinating reversal of my expectations going in: I don’t think Jason has ever hated Tim, but boy fuckin howdy has Tim HATED Jason.
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writerquil · 3 months
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Spoilers!
TW! A rant. Mentions of S@ and Abuse
AHEM! Alastor apologist (and apparently now partial defender) to the rescue!
This post is for anyone switching up on my guy after the newest episode. And the switch up originates from that one scene, you know, the scene below.
(EDIT: Sorry for the random censoring lol, I don't feel like going back to edit it and its an old habit of mine).
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Yeah, we all know this scene. Basically the one where Alastor lashes out at Husk.
Immediately after seeing this scene I had TWO different reactions, in which consisted of “wow that was cool” and “people are going to twist this, aren’t they?”
And people did! So here I am!
I’m basically going to show a bunch of reactions and concerns to said scene that I disagree with and then I’ll say why!
1. “Alastor is like Valentino!”
Don’t even say that. PLEASE NO.
I like to think that I’m pretty good at letting my liking for characters go the moment that I realize they’re wretched in specific ways, but this never occurred for Alastor.
You wanna know why? Because he is NOTHING like Valentino apart from the fact that they’re both overlords who carry soul contracts. I don’t think I really need to pick apart their personalities because we can already tell how different they are.
The only reason why the two were “grouped” together was because Husk and Angel were stuck in situations both caused by soul contracts and an overlord which caused the two to be mentioned alongside each other.
2. “Husk’s relationship to Alastor is EXACTLY the same as Angel and Valentino’s!”
Nope. Both relationships, admittedly suck, trust me, I’m not discounting either relationship or saying “ok well one has it worse than the other”.
But come on guys, the relationships are not the same. Alastor sucks to Husk, obviously, considering he is forced to do his bidding for who knows how long? But there’s obviously a fine line between the two relationships.
There’s parallels of course, with the chains and the soul dealing. The situations aren’t completely the same but they have similar sources so parallels are bound to occur.
Valentino is an abusive ass whom frequently physically and emotionally abused Angel and Alastor (from what we’ve all seen) can be a jerk who drags Husk into clearly many “favours” such as working at the hotel and possibly many more considering he’s clearly met more of Alastor’s colleagues and friends before.
They’re both forced into things and with their souls under contract, they can’t do much about it. But the things they’re forced to do are significantly different. Once again, this isn’t me saying anyone has it better, because it’s not a competition.
But the relationships are not the same. The two are brought in for significantly different things. Do you really think Alastor is s3Xua!!y abusing Husk whenever he’s brought in? Yeah, no, me neither.
Do you think he’s mentally abusing him too, or that a situation like what was displayed occurs often whenever Husk does come in? Because no. Didn’t you see how startled Husk was? This clearly wasn’t just an average event that happened between the two frequently and the fact that Husk was willing to push Alastor’s buttons a bunch in the first place just shows that he wasn’t expecting it to happen either.
And for the people so insistent on Alastor abusing him like that. I suggest you hide your weird k!nks better.
3. “Alastor tortures Husk frequently!”
Okay and what gave you that idea? Was it the way that Alastor lashed out? Because he didn’t lash out of the blue as you may think.
Husk pushed his buttons and Alastor got angry. Trust me, I love Husk but he played a stupid game and got surprised when he won a stupid prize.
Considering Alastor abusive after pulling Husk to the floor is strange. Trust me, if he was supposed to be abusive, it would be explicitly showed throughout the episodes. And before you say “well it was implied”, I really don’t think so.
And once again, Husk was clearly extremely startled, which means this probably doesn’t happen very often. Which also discounts you all considering him to be similar to Valentino, who displayed hurting behaviour frequently.
Like the most we’d even seen interaction between the two was in the pilot and the recent episode. I think we’d get more display if there was more violence occurring in the relationship.
4. “I used to like Alastor before…”
Then what? You realized he was evil and did evil things? YEAH, he’s bound to threaten someone here and there.
Like if you don’t like him after witnessing his literal evilness then sorry to say, you never liked him in the first place.
I’m sorry for this guys but seriously. You can’t switch up on an evil character for doing evil things. He’s going to threaten people. Just know that when he does, it doesn’t signify he’s abusive or assaults Husk on a daily basis.
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