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#like on the one hand obviously he's a lot more levels removed
whetstonefires · 2 years
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re: your tags on the Holmes Alignment Chart, Henry Cavill as dumbass thot is Sherlock Holmes from the new "Enola Holmes" movies on Netflix (the ones with Millie Bobby Brown)
i love this, someone also contacted me by DM to provide this data. just ask a question sotto voce and thou shalt receive. 😄💕
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percy-puppy · 3 months
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Headcanon: Thinking of the 141!men having an afab!partner with body hair.
About: CoD Men || Task Force 141
CW: 18+ Blog/Post | MDNI, afab!reader, reader with body hair, pubic hair, talks about bullying in school, judgment, puberty, insecurity, sex (oral/reader receiving, PIV/penetrative sex, switch!dynamic, body worship, s&m), hair pulling, not proofread
A/N: Anyone else struggling with posting on the smartphone app? Like Tumblr? What's going on? Anyway, this is for my bestie who ranged about the lack of representation. @mothymunson 💕
🎀Price: Price is a hairy, hairy man. God, he is so fuzzy, and it's so hot. Obviously, he doesn't care if his partner is hairy, either. It would be hypocritical of him, really. In fact, he would be an encouraging force. It's lots of work to keep shaved and smooth, and should you feel comfortable with just no longer shaving, then why not? He is happy when you are, and just because society expects something doesn't mean you have to obey. Price would support it fully, showering you with praise as you unlearn the old “values” taught from a way too early age and drop the trauma all the comments in your puberty gave you when body hair became more prominent. He teaches you a new, healthy form of confidence and, in the shortest time, “It's just hair, love.”
🎀Soap: Johnny is… Let's be honest; that man is a feral mutt. He might shave sometimes, not often, though honestly, but body hair on his partner? He can't explain it, but that bush gets him going. He is one to drop the “the wilderness must be explored” sentence when you first get together and are insecure about his reaction. He will beg you to let him eat you out, swearing on everything that's holy to him that he doesn't mind your pubic hair at all. And, damn, he isn't lying. He doesn't care, although he does—It makes him feral. The following hours are spent with the scot’s head between your legs. Also, before you bother to worry, a hair on his tongue will just be removed, “It's locks, bonny. Happens sometimes,” he’d laugh, and go back to work, nose buried in your hair as he sucks on your clit.
🎀Gaz: That boy is always shaved. It's his personal preference. When you first mention your difference (cause a man with a negative reaction isn't even worth your time), he is surprised. It's not in a bad way, though. He just knows enough people are giving in to the pressure of shaving. He is curious, ashamedly so. You see, the curiosity effect when somebody tells you they have a piercing down there? That's what it feels like for him now. He’d sheepishly ask to take the next step, unsure what he even expects since it's just hair at the end of the day. But once you take things to the next level, it suddenly clicks. It's your confidence—the raw, unashamed, natural being. You're unashamedly yourself, every imperfection perfection, and your most potent weapon. When he hit puberty, he was insecure for a long time before he had his glow-up. He was never tall or beefy enough, just always picking himself apart by comparing himself to others. Today, he is confident as hell, but the 13-14-year-old boy he once was would be on his knees worshipping a person like you, just fully defying social expectations. He always felt a little bit like worshipping you, but your naked form bouncing on top of him absolutely breaks him. He babbles praises between panting and moaning, hands moving over every inch of your body. “You're so hot. Shit, don't stop, you're just so- fuck. Fuck me. God, please.” He did not know he was a switch, and all he needed was a confident partner.
🎀Ghost: Simon isn't nearly as hairy as the other men. He sometimes trims his pubic hair, but mostly, he just isn't hairy enough to even care about it. He also doesn't care about your hair. It's just hair. But at night, his sadistic side comes through. During sex, he will tug on your bush for fun, sometimes just shortly before slapping your tit, sometimes he’ll just pull and pull like a maniac while fucking into you. The delicious pain sends electric shocks through your sobbing cunt as he pounds you toward orgasm. Should you ever shave or trim it, he will most definitely pout a little as he lost his favorite toy. Thankfully it's just hair, it’ll grow back, and until then, he’ll focus on slapping your clit and pulling your nipples. It's okay. He’ll survive.
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turbulentscrawl · 5 months
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Hot as Sin pt. 1
What can I say? They’re hot af. Includes best boys Naib, Norton, Andrew, and Luca.
Did my best to keep things gender neutral for you folks! Reader owns panties in Andrew’s part but, you know, anyone could.
Warnings: lots of filthy smut, obviously. Naib is really hot, and I make it known. Light choking and dirty talk in Norton’s. Spanking and panty kink in Andrew’s (and cussing). Overstim in Luca’s.
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Naib
His sinful lips could drive a saint wild.
“Naib—” you started. He cut you off, tongue swirling against yours in a distracting dance. “Naib, your clothes." You were already stripped bare, but Naib remained annoyingly clothed. He’d been too busy corralling you, lifting you onto his bedroom desk.
"You," he whispered, sliding his sinful lips across your jaw. “Undress me.” You followed his order blindly through the fog of lust, hands slipping under his tight shirt and groping his chiseled form. He was on the small side, but cut and lean, strong. Bone and hot muscle shifted under your blind touch, the clench of his abs from a gasp, sharp ribs a massage to your palms. Your nails caught on his nipple and he retorted by pulling you further off his desk by the meat of your thighs, balancing you precariously at the edge and pressing your core against the bulge of his pants. The kiss broke just long enough for him to raise his arms and let you remove his shirt.
Then he was back, nipping, sucking at your lips. His hands rubbed circles and patterns across your back, hips, side like he was painting a picture. Your hands found his pants and somehow fumbled the button and zipper open while he thrust against you. Together, you shoved his pants—of course he’d gone commando—down to his knees.
Naib leaned away to hook both of your legs over his shoulders, giving you but a brief moment to admire his tan, scarred, vigorous, sexy body. He thumbed your body open, muttering “Better hang on to something.” Cold air shocked your slick skin for half a second, and with no other warning Naib thrust home in a single stroke.
You lurched a shocked, choked moan from the sudden stretch. He grabbed the back of your neck with a firm hand, massaging it and holding your forehead against his where unwavering eye contact held you. One more open-mouth kiss, a whisper of blurry praise, and Naib set off with a brutal, mind-numbing pace.
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Norton
“Oh god—” you yelp, stumbling over your words and falling into a mess of half-formed syllables and moans. Norton grabs you by your throat with one hand, still squeezing a steadying fistful of your love handles with the other, and pulls your torso up off the mattress so you’re arched against him.
His voice is level despite not letting up his wicked pace, muttering low into your ear, “God’s not the one blowing your back out. Say my name.” His fingers squeeze just a bit at your throat, not choking but reminding you of his control.
“Nor—” Your words fail again when his pace changes, switches from a steady, rapid piston, to an alternating 1-2 force of shallow and deep thrusts. “N-Nor—"
“What are you waiting for?” Norton asks. His lips press right against the shell of your ear, voice coming to you with wisps of hot breath and teasing clips of his teeth. “What’s the matter? Am I too much for you?” To punctuate, Norton thrusts himself as deep as he can go and grinds hard. His whole body flexes and coils tight with the action, abs against your back, bicep against your chest, and his hand which clenches your throat in earnest to the a count of five. You hold onto his wrists for dear life. “My cock too big for you?”
He goes slack again and you gasp quickly, dizzy and tingling “No—fuck, no, I love it. I love it, Norton!”
“I know you do,” he says and kissed behind your ear. His hand moves from your throat to your chest, making room for his mouth to bite and suck. His hips start to move again, impatient and rough. “Keep taking it for me.”
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Andrew
The room echoed with a loud clap as Andrew’s ungloved hand landed against your ass. His voice followed, hissing a seething, “Shut up.” You gave a clipped moan from the impact, and then giggled at his embarrassment-fueled anger.
The source of his agitation was your panties…which he was wearing. Had been wearing all day, after a good amount of cajoling on your part. After several hours of going about your day, stealing smirking glances at his red-glow face, he’d gotten fed up and dragged you back to his room. He said he was angry with you, tried to act like this was punishment for humiliating him, but the way his cock leaked and strained over the top of your thin, black lace told a different story. He was excited. Maybe a little humiliated…but excited about it nonetheless.
“You look so good in them,” you coo again, half-muffled by the bed. “Will you wear them more often?” Andrew shoves your face further into the mattress and spanks you again once, twice, harder and harder each.
“Fuck you,” he snapped. His face is hard to see from the angle, but there’s breathlessness in his voice. He makes a noise that sounds like giving in and starts grinding himself against your stinging skin. The texture of lace and precum, and his large hand squeezing the back of your neck, make your head swim.
“God, I wish you would,” you moaned. Another smack, closer to your thigh.
“Yeah, I bet you’d like that.” Spank. “Well, too—hnmm—too bad!” Spank. “You have to make it up to me first. Earn it.”
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Luca
“Fuck—fuck, that’s so good, you’re so good!” Luca cried. He was a dazed, twitchy mess beneath you, but he still had sense enough to talk so he clearly hadn’t reached his limit yet. Which was fortunate, since you still weren’t satisfied.
His thin chest rose and fell with rapid, drowned breaths, sweat glistening on his skin. He’d come three times already and was completely helpless to you still bouncing on his oversensitive cock, but he had a stupid, giddy grin on his face anyway. A line of drool slipped down from his lips, and you wiped it up with a thumb and pushed it back into his mouth. He licked at your thumb, and you pinned his tongue down by closing your fist around his chin.
Luca lurched suddenly, quivered. His watery eyes locked onto yours and you knew he was already close again. His hands groped about your lower body with desperation, kneading your thighs, your ass, and then he bucked up to meet you wildly. One of those pleading strokes hit home and your body fell to spasming pieces along with his.
When your muscles finally unclenched, your body tingled with approaching numbness. Luca pulled your limp hand from his mouth and kissed his way along all your fingers. Between puffs of hot air, he whispered, “You’re addicting.” He moans against your palm when you grind yourself on him one more time, just for good measure, and then raise off of his finally-softening dick.
“Likewise,” you manage with a chuckle, rubbing his sternum soothingly. “Seems a bit unfair that you got off so much more than me, though.”
“How right you are,” Luca replied. Chest still heaving, he licked his lips and showed you his devilish tongue. “Come sit on my face.”
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itsclydebitches · 1 year
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I'm preparing myself for the personal disappointment of Ted going back home to Kansas (even though I don't believe that's his home anymore) and that Trent will see him off in a ruby slippers shirt, especially since Lance has worn one before and we now know a lot of Trent's shirts are coming from his closet:
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But in writing another meta I've been thinking a lot about Ted Lasso's clothing, particularly how it is used to connect with others and showcase growth. Sometimes that attempt is a failure and the growth is a detriment to the character, such as Nate trying to copy Roy's all black suit, and sometimes it's a success and the growth is something to celebrate, like Roy finding a compromise between his and Phoebe's tastes with his dark-colored, tie-die t-shirt. Beyond the issue that I don't want Ted to go back to Kansas at all (not unless the intention is to have him realize that Richmond is his true home now), a Dorothy shirt would fall flat for me because there's no in-universe connection to Ted. We as the audience understand the allusion because we've been picking up on hints since Season 1: Ted makes a quip about not being in Kansas anymore, he holds high scores on a Wizard of Oz pinball machine, he's surrounded by other allusions such as an emotionless man in need of a heart (Roy), a scared lion who rejects being a panda (Rebecca), and the comedic, presumed idiot who does in fact have a brain (Jamie). But all of that exists on an analytical level. In-world, Ted hasn't identified with Dorothy and what few connections there are -- such as that acknowledgement that he feels out of his depth in a new world -- are no longer accurate three seasons later, after a hell of a lot of growth. Unlike the suit and the shirts that exist overtly on screen as a way to say, "These characters are sharing a connection," Trent talking to Ted in a Dorothy shirt would feel too removed from textual!Ted and textual!Trent to have the same impact. This shirt totally sums up his story!... provided you've done the work to interpret all the easily missed hints and ignored the ways in which a Wizard of Oz ending would (imo) be a regression for Ted.
With an acknowledgment that I'm playing with all this through the assumption that Trent's shirt will have something to do with Ted, rather than us just getting an Overtly Queer shirt to show that Trent has fully embraced who he is, I've been hemming and hawing over what I'd give him instead. In some ways, Ted is notable for his lack of distinct fashion. He wears Richmond gear 70% of the time and the rest is plain colored long-sleeved shirts and collared shirts with polos. It's a distinctly Ted look to be sure (passionate and athletic vs. soft, comfortable, and mildly professional while still feeling approachable), but there's less material to work with than, say, Keeley's vibrate, quirky wardrobe; or Rebecca's preference towards outfits that emphasize her power as a kind of shield: wealth, beauty, her height; or -- of course -- Trent's move from buttoned-up journalist to queer bracelet, queer mug, queer style icon t-shirts. I can't think of anything Trent could wear off the top of my head that would a) be within his "vibe" and b) scream "I'M DECLARING MY SUPPORT AND/OR ROMANTIC LOVE FOR TED FUCKING LASSO."
Except, of course, for a "BELIEVE" shirt.
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While I love and fully agree with Ted's speech about how belief needs to come from within and, thus, their sign is not actually necessary, a part of me is still disappointed that "BELIEVE" is no longer a visual part of the club. I'd be more willing to accept letting it go if we hadn't seen that Ted himself still relies on those visual reminders. Not only does he choose to put the sign up in the first place rather than simply telling the boys to believe in themselves, but back when Nate was doubting their chances in Ted's apartment, Ted sprints to his bathroom to retrieve one of mini signs he, obviously, keeps on hand and presumably sees every morning, soon as he gets up. It's important to him, not just the message, but the physicality of the reminder itself, so I've been expecting/hoping for the message to return in a new form by the end of the season.
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Granted, that little moment was a while ago and it's possible that the writers didn't realize the implications it would have when Ted later ripped up the sign. However, another reason why I don't think my expectation is completely hopeless is because of the Season 3 promo, wherein all the Richmond family make their own BELIEVE signs. Forgetting a small gag back in Season 1 or 2 is understandable, but the promotion for the latest season? Why in the world would our advertising emphasize -- and celebrate! -- all the characters creating signs of their own if the message was meant to be, "Let the sign go. It's no longer needed"?
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We didn't get this scene in the show proper, but it still speaks volumes that they filmed a moment where every character puts their own spin on the BELIEVE sign, using it to highlight their personality. Then, we end with a shot of Ted's touched approval as he talks about feeling seen.
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Chronologically, Trent would have been around for all this. There's no need for the team to make their own signs until they realize the original has been torn and, obviously, Trent had become a part of the family by then. He's the one who discovered how the sign was torn in the first place. So if we read the promo as canonical, even if it didn't end up in an episode, why wouldn't Trent have joined in with everyone else? Thing is, he doesn't have a locker to hang a sign on, or even an office to put it in, and given that he's worn the same two bracelets and consistently used the same mug, there's really only one way that Trent shows his personality:
Shirts.
Some of which are notably brightly colored with blocky text referencing American-style learning.
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I don't want Trent to walk into the finale with a Dorothy shirt whose importance only exists on a subtexual level and heralds Ted leaving the actual home he's worked to build. I want Trent to strut out in a bright yellow shirt with BELIEVE across the front, announcing to the world that, yes, he believes in the Lasso Way. Give me the implication that he had this made when everyone was personalizing their signs. Give me a fully confident "dork" who's willing to excitedly proclaim his love and support without fear of censor. Give me a BELIEVE reminder that's now tailored to the individual and can be worn or safely tucked away as needed. Give me the possibility (because it's not gonna be canon😭) that Trent is in love with Ted and he's going to display that in the most overt but-not-actually-saying-it way possible.
He sees Ted and he loves what he sees.
Dorothy and her allusion don't exist in the textual show proper and they're definitely not connected to Trent's relationship with Ted. What is though? The very first words Trent said about Ted that weren't an insult, accusation, snide remark, or disbelieving question:
"I can't help but root for him."
What better way to take Trent full circle than to let him literally wear his heart on his sleeve, shouting in bright colors and with a noticeable vibe that yes, he does believe in Ted Lasso.
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mae-i-scribble · 6 months
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Since I am entirely too unwell about Ancient Magus Bride at all times of the day I have decided to break down the latest opening because I cannot do so for the friend I am watching season 2 with since she hasn't read the manga. Hands down this latest opening, Nemurasareta Lineage by Junna, is the best in the series to me. And I don't make that claim lightly, the first opening is iconic on so many levels from the visual to the lyrics, we ignore the 2nd opening bc it sucked (sorry to the fans out there I just do my best to pretend this one doesn't exist, no i have not moved on from my bitterness at its reused animation since 2016 next question), and season 2's first opening is also incredible.
However, what this latest opening brings to the table is some of the most spectacular visuals I've seen in a hot minute- and I don't mean from purely visual, I mean thematically, this opening is fucking spectacular. Every single moment has purpose and meaning behind it.
I will be putting the rest under a read more as to not clog anyone's dash bc this is gonna be l o n g
Starting off from the very first shot we already have so much thematic meaning crammed into this.
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Firstly, the shot of Elias opening the book has many connotations, alluding to how he has read the Testament of Carnamagos while also alluding to the fact that him reading that book is ultimately what lead to this story happening at all. If Elias had never read it to try and transfer Chise's curse, Chise would not have done what she did and Elias wouldn't have learned how to let Chise be independent, and then Chise never would have gone to the college. In that respect it's a perfect opener for this "play," as it was the prelude to this act.
Then we have the next shot of Elias hanging like a puppet, showing us an empty vessel-like appearance before being pulled upwards. There are a lot of different ways to interpret this, personally it drew me back to how the Wil O' Wisp described a magus as "someone bound to their fate." Elias, a tried and true magus, is bound to his fate like a puppet on a string while Chise, someone who is not yet fully a magus is free to walk around the stage as herself. Elias' removal from the set, and subsequently the way he claps to bring forth the next "acts" in the show, I think speaks to the way he is largely removed from this arc. Of course he is there, watching over Chise and pushing her along as best he can, but he has very much taken more of a spectator role in this arc. He guides his pupil the best he can but lets her make her own choices.
Now, onto Chise's entrance.
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With the college/the sorcerer's society as our stage, the protagonist enters. Chise walks in and looks around confused, just as she did when first entering the college and when she first learned of the dark politics lying underneath it. She is the only one not a part of the performance, the one factor that ultimately destroys the narrative the Sargent and the Rickenbacker families were trying to create.
At first, I thought these cardboard figures were a representation of the 7 powerful sorcerer families we are introduced to, but then I realized there were actually 8 figures so that theory is thrown out the window. This is something I'm not actually that confident in so if anyone else has interpretations I am so down to hear it. Obviously the woman in red holding the spider alludes to Lucy. The wolf next to her is most likely then the werewolf mother. The hooded man with the hammer I think can reasonably represent Isaac. While the knight beside him I honestly see as Rian (his sort of knight in shining armor attitude when it comes to Philomela, his very straight-laced straightforward view of things). The nun-like figure with the owl is mostly likely representing Philomela/Lizabeth Sargent. I can see the jester with the snake wrapped around him to be Zoey. For the last two figures though, I am absolutely stumped. The two women with the songbird remind me of Veronica, from the way she was raised up by her family to be a bird in a cage while simultaneously holding Philomela in an even smaller cage. For the family on the far right though I have absolutely nothing. However, I know there is some meaning behidn it, this opening is too packed with symbolism for it not to.
Speaking of symbolism, the sequence that follows is chalked full of it.
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Elias ushers in the entrance of Philomela, trapped in her cage. The design of the cage and the flowers around it make it seem extravagant, exactly what Philomela's life might look like to someone not aware of what's really going on. But a cage is still a cage, and this one comes with a guardian owl, keeping watch over Philomela in place of actually showing Lizabeth. The toys lining the bottom are representative of one of the key moments that made Philomela realize just how tight the bars around her were- that she would never have her grandmother's love, no matter what she did.
Then we cut to moments of Philomela's childhood, again deceptively happy with what we know of Veronica and how she treated Philomela. The baby bird hatching from the egg, Philomela when she was still young and innocent and far too fragile. This association of the baby bird with Philomela also comes back later in a heartbreaking way so :')
Then Chise reaches out with the potpourri, and Philomela becomes alive. It's so fitting, in that Chise's kindness to Philomela, the understanding she has to exactly the pain Philomela is going through, is what touches Philomela so deeply, reminds her of the time where her life was not structured in this way. Chise gives her hope that it doesn't have to be, Chise pulls her out of it and gives her a perch to stand on, and it all began with one fateful meeting.
The shot we get of Chise smiling and swaying in the breeze is all too perfect, in showing that this desire for connection is mutual.
Fittingly, we then see Chise reach out to her friends one by one. Lucy and Zoe's each have a bit more meaning behind them, as we're still somewhat in the dark when it comes to Rian and Isaac's histories, but it still examplifies the ways in which Chise tries to help those around her as best she can. It also makes it abundantly clear why Philomela, and subsequently everyone else, are presented as children in this sequence: a direct reference to chapters 86-87 in which they all are mixed up due to Chise's influence and Chise goes around helping them regain themselves. It marks the turning point in which Philomela tries to take a stand against her grandmother and start believing in the people who have come to try and save her.
There is one gaping hole in this in that Zoey is in fact, not present at all in the whole mind melding thing, but I'm taking that as the animators/directors wanting to include him in this sequence as another main player. Plus the shot we get of him is very cheeking in showing a broken shell- in the way Chise figurative helped him break out of his shell and very literally revealed him to be a gorgon/human mix by accident.
In that interpretation it is also crucial to think about why Chise was kept as her teenage self and not also scaled down to baby form as in the original chapter. But overall keeping her as a teenager flows with the story of the opening itself better while still keeping those same allusions and thematics.
The next big shot to talk about is this one right here.
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Many have already pointed out how it is an homage to the classical painting "The School in Athens." Which is very fitting for the college setting of this arc. More so than the reference itself, the way in which the characters are placed is so meaningful.
We have Chise in the center of it all as the catalyst of course. But we once more get that repetition of Elias as a bystander, observing the situation while remaining more in the background when it comes to Chise. Parallel to him is Lizabeth, who is similarly an outsider but with none of Elias' good nature, she is an outsider in that she wants to watch this scene burn to the ground (and probably why the choice was to then introduce a werewolf who leaps forwards on the attack, still under Lizabeth's control.)
Ruth and Alcyone are also parallel to one another, highlighted in a shot mirroring the two of them. This is interesting in that Alcyone is far more often paired with Elias when being given a point of comparison. While she is quite literally an artificial familiar, her presence is what sparks the idea that Elias might be something similar to her, and yet here she is paired with Ruth. They do have their similarities in the way they would do anything for the person they live for. A thought that struck me was in this mirroring there is also a contrast, Ruth shares his life with Chise, if he dies she is to die as well. However Alcyone's death was meant to be a way for Philomela to live- it was crucial in ensuring Philomela's freedom from her grandmother.
Also notably, Veronica is given a long, lingering shot. As a child, she is far more innocent looking, but the shot stays just a moment too long, as if trying to confirm the suspicions surrounding her (which manga readers will know are true). We also have Jasmine and Violet prominently featured, a very interesting choice considering how little a role they play in this arc, but I feel that current suspicions about how they will have a large role in the upcoming arc might be supported by their presence here. There actually isn't much to say about the shots with the werewolf and our first glimpse of how the show portrays the Testament as it gains a physical form.
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While gorgeous there's just not much to say about them from an analytical standpoint. Besides for the way in which everyone is turned back into their play forms upon being killed, as if that was their original fate before Chise's interference with the story.
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We then see Chise look devastated, the carnage of her dead friends behind her on the stage. It truly captures just how terrified she is of losing people she cares for. But then she looks at the thorn rune- plot relevant in the way her rune charms protected her friends from being killed. But it's also Elias' symbol, and yet another reminder of how he is still watching over and protecting her throughout all of this. It's only after she activates the magic that she looks up, determined to carry on and change this fate.
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The start of our final action sequence for this opening is a bang, giving us this chaotic shot.
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We see both bits of the classical painting and of our original stage figures being tossed around in the background referencing how the Testament literally rips its way through both the college itself and the students/teachers there. It also, notably, is not contained within the story, instead existing on the same plane as Chise. It's a being far too powerful to be contained in such a way, so it makes perfect sense for it not to be confined to the theatrical setting of this opening.
The next flash of shots is perhaps one of the most hearbreaking ones in this entire opening. First we're shown Philomela and her grandmother, then we cut to this:
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Y'all the layers to this, the l a y e r s. We've already seen this bird represent Philomela in the opening itself as a hatchling. However the adult form of this bird is exactly the same as what Alcyone's base is, it is the only thing remaining once Alcyone dies. However we see all 3 stages of life here, lying dead on the ground. The Sargent family is a family of abusive cycles. Lizabeth passes down her abuse to her son, having been doomed to this path from the moment she was born. It's Adam who tries to break the cycle but ultimately fails, choosing to end his own life rather than return. This dooms his baby daughter to the same fate, nearly killing her as well. It's Alcyone, the last remaining gift Philomela has from her father and the one way he thought of to keep her safe even if he was gone. It's both about the cycles and about how they are broken and how Philomela will never truly escape the violence of the family she was born into, even after her grandmother is gone. This is then followed by the 1 picture of her parents that Philomela tries so hard to remember but cannot. Anyways I am going to be physically ill, next.
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While the last sequence is just a build up to the final fight (cool as fuck but again, not much to say analytically), I do want to point out that when the Testament pulls in all the surrounding settings, it pulls in both the theatrical characters and the actual representations of Chise's friends with them. Which is such a cool little detail my jaw in on the fucking floor.
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And after a brilliantly animated scene of Chise running to try and save Philomela from the jaws of this monster, everything abruptly comes to a close. Leaving us unsure of whether or not Philomela was truly saved, as the last set piece to fall away is that gilded cage, the angle making it unclear if Philomela is still inside before our title card appears. The quiet, peaceful shot of the classroom the title lingers over in favor of the chilling set pieces of the opening before it is an excellent place to end, leaving that sense of urgency and notions of the sinister lying in wait at the college.
All of this, and I haven't even touched on the lyrics- which I won't do so here. I am not a qualified translator and frankly this post is long enough as it is. It isn't as if this opening needs anything else to explain how fucking fantastic it is- the visuals themselves are stunning on a level few openings are these days. Not only does it tie into already existing thematics of the show, not only does it go through plot points we have seen and those yet to come in unique and engaging ways, the opening *itself* brings forth its own thematic reading of the college arc and Chise's place in it while telling its own story of events. Truly a masterclass piece of animation all around.
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BTS Reacts to Being Kidnapped and Being Saved *Mafia Reaction*
Hey guys! I’m officially back into doing reactions! I’m expanding my horizons so I’m willing to do Mafia, Werewolf, Hybrid, Kinky shit, whatever. I’m a lot more confident in doing stuff like that now so please feel free to send me a request! I hope you enjoy!
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1. Jin
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Jin had never been much a fighter. His role in the group has always been much more logical and strategy based. Which is why he was so woefully unprepared for the kidnapping. Pain works just a little too well on him as a deterrent, but the bigger deterrent is the threats towards you. He would burn the world to the ground to keep your safe, but here he is, watching you be lowered into a tank, like a fish on display. Your unconscious form shivering as the cold water filters in.
“Stop it!” His voice is loud, but the rushing water is louder,” Let her go! She has nothing to do with this!”
Their attention is focused on him, but he can’t take his eyes off of you. If he hadn’t been looking, he would have missed it. You let the water cradle your body, slowly bringing you to the caged top. A knife flashes in your hands as you use the sound of the water to cover the sound of you prying the grate on top the tank open. On solid ground, soaking wet, there is anger in your expression.
“Gentlemen, I believe our time here is up,” Your voice is calm, your expression falling to neutral. Their shock is their downfall as Their forms fall, too distracted to notice the sneaking forms of Yoongi and Jungkook behind them. You carefully climb down as Jungkook frees Jin.
“You’re crazy, you know that?” Jin’s voice is rough, his form obviously injured, but his expression is full of love,” I really, really love you, Princess.”
2. Suga
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The ropes around your wrists are tight, but somehow, you’re sure the ones around Yoongi’s wrists are tighter. This definitely wasn’t on either of your schedules today, being kidnapped, but here you are. Yoongi’s wrists are secured to the frame of the wooden chair, as are his ankles. You, being perceived as less of a threat, only have your wrists tied behind the chair. Your chairs are so close, you could easily reach out and take Yoongi’s hand. Your mouth has been taped shut but Yoongi’s remains free to allow him to give the information they want.
“I’m so sorry you got dragged into this,” Yoongi’s soft voice echoes in the empty warehouse room. You ignore his words and reach behind you. The guards had stepped out for a moment for a smoke break or something, so you had to act now, before they came back. You reach between the bars behind Yoongi’s back, fingers searching. He jumps a little,” What are you doing?”
When they had patted Yoongi down earlier, removing all of his weapons, you noticed that they had missed a few, most notably being the knife that he keeps at the small of his back for emergencies. He can’t reach it, but you can. You lift his shirt and remove it from its’ hiding spot. It takes some maneuvering to get it hidden under your own shirt before the men come back.
“Alright, Min. Lets give this a try, shall we?” The man that speaks has a cheery voice despite the situation. He grabs you by your hair and drags you from your chair, throwing you to the floor in front of Yoongi. The knife cuts into your skin a little but you don’t flinch. Yoongi’s eyes blow wide, an angry hiss leaving his lips,” We’re going to have some fun with your girl and you’re going to tell us what we want or it gets worse.”
You’re flipped on your back as Yoongi struggles, the chair groaning under his aggressive struggles. You wiggle the knife from the back of your shirt, hidden by the floor and your own body. The ropes give easily to the sharp knife. The guards are far enough away that they couldn’t interfere if they wanted. Quick as a snake strike, the knife is in the man’s throat and his gun is freed from his belt. You level the gun at one of the guards, flicking the safety off and cocking it. You shoot before he can speak, turning to the other guard, who has only just managed to free his own gun in his shock, and cock it again, pulling the trigger.
“I’m not gonna lie, that was kind of hot,” Yoongi’s voice is almost dreamy but you roll your eyes, grabbing a knife from the nearby table and cutting Yoongi’s ropes. His arms wrap around you,” Are you okay, babygirl?”
3. J-Hope
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Hoseok felt trapped, like a caged animal being brought to slaughter. The rival gang had been meant to be making a deal with him and Taehyung. It quickly became apparent that this was a ruse but by then, it was too late. Taehyung is unconscious on the floor, his face bloody and his nose possibly broken.
He can only thank his observation skills that saved him from the red lasers filling the room and the quickly following sniper shots. All three men hit the floor. Despite his own pain, he lumbers to his feet and lifts Taehyung into his arms. He would never leave his unconscious friend.
“Hoseok!” Your frantic voice is the last thing he expected as you rush into the room, a sniper rifle nestled in your arms. Yoongi and Jimin are hot on your tail.
“Angel, what are you doing here?” Hoseok worked hard to make sure you were involved in this side of his life. You give him a guilty look.
“Jimin has been teaching me how to snipe so I can help with your missions,” Jimin and Yoongi work together to remove Taehyung from Hoseok arms, which he quickly wraps around you instead,” You work hard to protect me so I wanted to return the favor. I can’t let you be the only one taking risks. I refuse to let you die.”
“Angel, what if you get hurt?” He looks crestfallen, his head falling into your shoulder,” You’re my sunshine. If you get hurt, I would kill anyone in my path.”
“I won’t. I’ll always be here just like you. You’ll keep me safe and I’ll keep you safe. That’s my deal,” You grin, bringing his lips to yours. He doesn’t respond but his hands tighten on your hips, pulling your body into his. You know that he’s giving in to you.
4. RM
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It’s going to take more than some knife cuts and a few punches to make Namjoon cave. He has way too much practice in tolerating the pain that comes with this position. You, however, are his weakness. His Achilles heel, if you will. He’s practically vibrating with rage when they toss your unconscious form in the small room with him. He waits until they are out of the room to cradle you, his touch soft as he moves the hair from your face.
“Babygirl?” He watches your eyelids flutter and then your gazes lock,” Are you okay?”
“Mhm,” You hum, sitting up and giving him a cheeky smile. You raise your wrist to your mouth and press a small button,” I’m in.”
“What?” Namjoon can’t help feeling shocked.
“You really think I would come in without a plan?” You lumber to your feet. Despite your bruised appearance, you appear unhindered,” Although, I guess we’re just sitting ducks. I’m mostly just here to give them the location. Tracker.”
You tap the necklace on your throat, triggering the tracking capabilities. Yoongi had insisted you wear it, with good reason. They wouldn’t get anything out of Namjoon so, of course, they had to try you. It doesn’t take long for the shouting and gunshots to start. The door swings open to reveal a cheeky Jimin, his clothes stained with blood.
“You’re too smart for your own good,” Namjoon presses a sweet kiss to your lips before taking the gun Jimin holds out to him,” Now, I believe I have a man who needs to meet his end.”
5. Jimin
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Jimin had always been good at infiltration. Taehyung is good at making friends and slipping into groups unseen but Jimin is good at getting into areas he shouldn’t be. His luck was likely to run out at some point, though, and today was that day. Assassination was always more of Yoongi’s thing. Jimin is more of a sniper and an infiltrator. A cat burglar, maybe.
It was supposed to be a simple job, infiltrate the mansion and get into the safe. He’s don’t it hundreds of times. The lasers were easy, but he didn’t know about the one invisible laser. It wasn’t on the blue print. It was a new addition and someone forgot to give him the info. It got him caught, his body bruised and his head swimming from a harsh hit.
He didn’t even have time to process what was happening around him. The blows had stopped and the gunfire had started. Hoseok kneels beside him, a machine gun nestled in his hands. He and Taehyung help him to his feet.
“How did you know something happened?” Jimin’s voice is a little choked through his bruised throat.
“Your girl. She’s always watching your missions. Did you know she had us put a tracker in your knife? She noticed you weren’t moving for too long. She called me as soon as she noticed,” Taehyung keeps a firm arm around him, helping Jimin limp out of the mansion.
“I love that girl,” Jimin mumbles, grateful that you were always looking out for his health and safety.
6. V
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“I brought the money,” You throw the duffle bag on the floor in front of you, the sound echoing throughout the warehouse. Taehyung looks up, his eyes panicked as he struggles against the ties holding him. You don’t look at him, your hands resting on your hips.
“Is it all there?” The man that speaks has a gun leveled at you, his eyes dark. You scoff and roll your eyes.
“Check it if you don’t believe me,” This time, you cross your arms, your eyebrows raising in exasperation. He nods at one of the men beside him, who approaches the bag. He really should have thought to have more than two guards.
He doesn’t even notice the red light before the sniper bullet finds his forehead. The other guard quickly follows. You draw your own handgun and point it at the man in charge, the man who kidnapped your boyfriend. You approach him with slow and measured steps, pressing the gun to his forehead. He backs away into the wall.
“I don’t understand. You didn’t call anyone to help you. I monitored your phone,” He stutters over his words, clearly bewildered about how you bamboozled him.
“You should know by now that we don’t need to call to get help. Plus, did you really think you could kidnap the snipers best friend and not get sniped yourself?” Your grin is a little dark and then you’re pulling the trigger.
You pull free your knife and make quick work of freeing Taehyung. He falls into your arms, nuzzling into your neck. Despite his position as a leader in the mafia, you know direct confrontation like this is not his forte. He can still make him anxious when the confrontation is over. Jimin saunters through the door, his sniper rifle hanging from his shoulder as he shoots you a wink.
“We ready to go home? We still have to give a full report to Joon,” Jimin says cheerfully. Taehyung nods but doesn’t remove himself from you. Your fingers rake through his hair soothingly as you pick up your duffle bag and lead him to the car.
7. Jungkook
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If looks could kill, the man touching you would have long died. As he pats you down for weapons, your keep yourself still. You had been with Namjoon when he received the call with the demands for Jungkook’s safe return. The plan had hatched quickly and you knew exactly how to play your role.
“I don’t understand why they would send some little girl as opposed to one of their leaders,” The man mumbles, pushing you forward. You catch yourself on the wall, rolling your eyes.
“You already have one, why would they send someone else that matters?” You straighten up and saunter into the room.
“Is he going to agree to our demands?” A different man speaks this time. You pull a note from your pocket and handing it over. There are only two words written on it and they get the exact reaction you’re looking for. It was a clever plan, really. As one, both men immediately drag their eyes to the ceiling. It takes less than two seconds to punch one in the throat and grab the obvious gun.
The idiot didn’t even have the safety on, likely scared of Jungkook getting free. Both are dead before their eyes even make it back to the floor. Once Jungkook is free, he kicks one of the corpses, an obviously pissed off look in his eyes.
“What the fuck is wrong with you! You could have died!” He glares at you.
“But I didn’t. And neither did you,” You shrug. His hands are shaky as he reaches up to cup your cheeks.
“Don’t you understand that I would die if you died?” He leans his forehead against yours,” Please don’t ever do that again.”
Thanks for reading! I hope you enjoyed! Let me know if you have any requests! They are officially back open!
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dozing-marshmallow · 1 month
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Do you have any more headcanons of Chris being a dad? This time raising his teenager who wants to get in the show despite reader's detest?
My motivation is back. 🙌 Apologises for putting these off for so long and thank you all so much for being so patient. I hope you’ve all had a wonderful start in the Spring Season and may you enjoy the read!💗
CHRIS MCLEAN AS A DAD HEADCANONS PART 2
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Once a month, he and the child have this all nighter of ordering fast food and playing video games.
Chris is the type of dad to play games like Mortal Kombat, Call of Duty and GTA 5 with his teenager.
Obviously you don’t approve of it, but it’s better than her trying to persuade you into letting her on his show.
Like last time.
“Chris’ show?” you consciously blinked,“Why would you want to go on that show, sweetheart?”
“I have what it takes!” she gleefully replies, putting a proud hand on her chest,“And besides, if you’re comfortable with all the other kids my age going on, you should be fine with me, mom!”
You sighed. There would be so many complications that could wreck Total Drama if the host’s damn daughterjoined as a contestant,“But my dear... The whole point of the show is to win money! And mommy and daddy already-“
“I don’t care about the money!” she snapped in interruption, yet her tone remained in her own way benevolent,“Iwant to start drama. I’ve had plenty of experience in doing that!”
To your horror, Chris gave a grand laugh at that,“That’s my girl!” 
“Support me here! I’m not letting you feed into her delusion that she’ll actually be going on your show! This is horrible influence!“ you scolded Chris unimpressed with how okay he was with this idea, turning back to the daughter in question, with a dejected frown,“Darling, it’s a bad idea! Maybe another show daddy’s hosting, but notthis one. I don’t approve.” 
“Daaaaaad.” she whined, her begging eyes rolled onto him.
“I know, I know.” Your husband exhales a disappointing breath. And it’s not exactly like he can bring her on secret since it’s a reality show,“Just goes to show how mother doesn’t always know best.”
“You said something, Chris?” You said, removing the flip flop off your foot and gripping it in your hand.
He nervously smiles seeing you armed,“Naaaah. I-I said nothing.”
You humphed. Why can’t they both see that you were thinking of them long term?
Regardless, he goes all out on spoiling her, no thing is ever too expensive for his little girl.
Why wait for sixteen to throw her an expensive birthday party?
Albeit, it seems she’s taken after your morals as she also puts a lot of her allowance (Keep in mind, she gets the literal prize money amount every month) towards charities and many shelters.
Thank God for that.
If she ever brought a boyfriend home, Chris would plaster hospitality and bump a fist.
Though, he’ll do a lot of interrogating and enjoy the hell out of torturing the guy if he turns out to be even the slightest bit scumbag.
Rather than letting his fame decide, Chris actually asked her which type of school she wanted to go to.
“Public!” she chose quickly.
Chris raised an eyebrow. He had bet a yacht and two helicopters she’d pick private,“Why’s that?”
“Because I read in a book once that this girl went to a boarding school and her dad, who was paying the fees, died so she got abused by the people at the school, and I don’t want you to die.”
Chris’ eyebrows then came to the same level as he chuckled,“I’m a host, not a military captain for World War One, tiger,” but sure, whatever she wanted.
She never had any crying at the dinner table over maths homework nights with him.
For he was way too busy to not hire a tutor for her.
“Hi darling!” you kiss her cheek,“How was school today?”
“School was good-“ she’d catch sight of Chris entering the kitchen and before you knew it, she was sprinting to him.
“Dad, dad, dad, dad, dad, I have new gossip to tell you!” she could hardly contain the excitement seeping on her face and tone.
He’d smirk and take a seat at his island counter, cup of coffee in hand,“I’m all ears!”
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nectaric · 3 months
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zeus & his family
its been a long time since i’ve talked about this, and i don’t even know if i’ve talked about it on this blog - but the time has come to address zeus’ opinions on his family, and how i have always envisioned their relationships.
on his siblings:
hestia is one of the most important people in zeus’ life, and he looks up to her immensely. he is protective of her to an extreme degree, and relies on her a lot for guidance (particularly when it comes to his own emotions). there have been times where this relationship has bordered on a little unhealthy but i think zeus has come to have a much more equal and loving relationship with her.
hades is complicated. in their youth, zeus admired and loved him a lot. as they grew older, and became separated due to duty, zeus’ struggle with his own trauma became apparent. he developed a loathing for hades born not out of spite but out of jealousy. part of him was envious of hades, of how removed he was, how he did not have to deal with the struggles of olympus or the pain that came with it. zeus was damaged and he saw hades so in control of it all (whether or not that was actually true) and it soured their relationship a lot, at no fault of hades. in modern times, i imagine the two have managed to overcome some of their troubles, but its a work in progress and zeus wants to make amends, even if he has a hard time.
poseidon, also complicated, but for different reasons. obviously, there was tension between them on account of zeus’ early days where he struggled to be a fair king, abused some of his power, and was generally a menace. then there’s the coup, where whatever trust they still had in each other was completed shattered. their relationship remained incredibly rocky for a long time, cordial at best and argumentative at worst. but following the coup, and his torture at the hands of typhoeus, zeus makes a very big effort to change. and i think somewhere down the line, they begin to mend. zeus loves his brother, even if poseidon pisses him off immensely.
demeter is one of his best friends, very much so in the only i’m allowed to make them miserable kind of way. their parting after the birth of persephone was initiated by demeter despite zeus’ own wishes, and they became good friends. zeus did what he could to provide for persephone while keeping his distance, and so they are pretty close. i like to imagine that they have a very classic sibling relationship, full of roasts w/ love and bonding over their mutual dissatisfaction at their childhood.
on his wife:
zeus loves her. despite everything they have been through, that he’s done to her and had done to him, he worships the ground she walks on. his affairs were not born out of spite or falling out of love with her, but oftentimes out of necessity or his rather impressive wealth of emotion. i like to imagine that they have reached some level of understanding and that she loves him too.
on his mother:
not much to say here other than zeus is a huge momma’s boy.
on his children:
zeus is not a perfect father. he is extremely flawed. he struggled for a long time with trauma, and paranoia, and fear. it made him emotionally distant, sometimes cruel. but zeus really does love his children - and as with the rest of his family, he has fought very hard since he chose to reform to make things right with them. he has attempted to admit to his mistakes and make them right. he has attempted to reconcile damaged relationships. it varies, of course, from child to child. he has a stronger relationship with children like athena, hermes, artemis, dionysus, eileithyia, or hebe. he has a more difficult relationship with apollo, ares, hephaestus, eris, or enyo.
he does not expect forgiveness, but he is going to keep trying to earn it with each of them, even if he struggles and fails sometimes.
regarding pjo kids: zeus loves them. zeus mourned them, sincerely, was inconsolable for ages when he lost both of them. he does what he can to protect them while remaining distant, because he has learned the hard way that involvement of any kind makes things so much worse for them. but i sort of refuse to subscribe to the idea that zeus has, at any point, been disinterested in their well-being nor that he ever intentionally tries to harm them.
tl;dr: zeus loves his family. that has always been the case, that will always be the case. he is flawed and he struggles and he has not always shown his love. he has hurt the people he cares about. but he is trying, desperately so, and is on his journey to make amends.
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coraniaid · 6 months
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A couple of months ago, at the start of my S2 rewatch, I talked a little bit about how Willow was slowly becoming an increasingly more key member of the Scooby Gang, at the expense of Giles and Xander. Now that I've reached The Zeppo, it feels like a good time to return to that discussion.
Let's try to quantify things a little bit.
Obviously, speaking time data alone doesn't tell you everything about how important a character is, and Julian Freedland's audio time stamp data doesn't always perfectly reflect which character is really speaking (in particular, it has some trouble with body swap episodes like Witch and Who Are You? and -- most relevantly for us -- The Killer In Me). But those caveats aisde, I think looking at some hard numbers can still be illuminating here.
The chart below shows both Willow and Xander's average speaking time over the course of the show (based on a rolling average of the last dozen episodes, but always ignoring the largest and smallest values in that 12 episode run).
[I picked a 12 week rolling average partly just because it was decent length of time to smooth out random noise and partly because it means starting the time series at the end of Season 1; I removed outliers the way I did to avoid overstating the importance of episodes like The Zeppo and Doppelgangland. If you're interesed in what the chart would look like without either of these smoothing efforts, click on the readmore below.]
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Thus presented, I think the trend seems pretty clear. Up to the end of Season 2, Xander clearly has more average speaking time than Willow. Then, early in Season 3, that reverses: Willow starts to get a bit more speaking time and Xander gets quite a lot less. In fact Xander won't have as much average speaking time again until Season 7, whereas in both Season 4 and Season 6 Willow will have average speaking times much higher than Xander ever managed during Season 2.
And the data fits with how I'd summarize the state of things on a more subjective/qualitative level too. In Season 1 and up to perhaps the mid-point of Season 2, Xander really was treated as a more important character than Willow by the writers. He was presented as a possible love interest for the main character (however unserious that seems in hindsight), he was arguably the focus of several episodes (Teacher's Pet, The Pack, Inca Mummy Girl) where Willow was only the focus of one (I Robot You Jane). In fact, in the first sseason, Willow's main character trait -- otherthan being good with computers -- was that she was hopelessly pining over Xander. But as Season 2 progressed Willow became more assertive, moved beyond her crush on Xander and got a boyfriend and then, around the end of the season, she started to get more and more involved in magic, something that will come to define her character both this season and for the rest of the show. Willow grew and progressed as a character: the writers found more and more things for her to do. On the other hand, Xander .. didn't really get that sort of character growth. In a lot of ways, the Xander of mid-Season 3 really hasn't changed much from the Xander of The Harvest.
So in some ways The Zeppo is Xander's swan song. Even as it begins to suggest a new, more sympathetic version of the character -- one not defined so heavily by his unrequited feelings for Buffy or his (honestly not very compelling or plausible) relationship with Cordelia -- the show as a whole is quickly losing interest in him. Willow will continue to grow in status and narrative importance -- she'll come out as a lesbian next season, continue to grow in power as a witch and arguably even temporarily assume co-protagonist status in the show's sixth season. But Xander, as now reimagined, won't get to do that. He'll always be the Zeppo of the group.
On the other hand, perhaps I've got it backwards.
Perhaps the reason I remember the Xander Harris of the final two thirds of the show more fondly than I do the Xander Harris of the first third is simpler than I'd liked to admit. Maybe he's just easier to like because he isn't allowed to speak as much.
For completeness, this is what the chart above would look like if we didn't remove outliers:
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And this is what it would look like if we looked at speaking time in individual episodes rather than taking a rolling average (note, in particular, the big spikes for The Zeppo, Doppelgangland and The Replacement):
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Note also a common trend visible in all three versions of the chart: neither Willow nor Xander really get to say much at all in the second half of Season 7.
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madlad-sadgal · 8 months
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Goldenheart AU Pt. 2
I got bored, you get this. Enjoy.
[Part 1]
I'm gonna talk about why the Director/Livia (I'll be calling her Livia because calling her "Director" feels weird in this AU (she doesn't deserve a name but oh well)) doesn't want Goldenheart/Boldloin to be a thing
Just for fun, I'll also talk a bit (I say while writing a whole book) about the band members' backstories
Livia's reasons of not wanting Ambrosius and Ballister to get together comes down to three things: Social Classes, Influence and Reputation
Even though Ballister is doing pretty well thanks to his band, his family is essentially part of the Lower-Middle Class; he had some trouble when it came to getting education and his parents had a low income.
Ambrosius on the other hand is part of the Upper-Upper Class; a good portion of the Goldenloins' money is "old money" which has been passed through generations in his family thanks to their very successful company
For the influence part. The Goldenloins have an absurd amount of influence in a lot of stuff, and Livia worries that Ambrosius marrying someone like Ballister, who kind of has influence in the music industry but not much, will change the way other see him and will then make other companies trust them less (they aren't influenced much by him) which would send the company tumbling to the ground
Reputation now. The Goldenloins' reputation is interesting to say the least. They're known to indulge in their company a lot, making changes to raise profits and all in all just keep it at the top, but they're also known to be snob and kind of rude. Something that's interesting about Livia, Valerin and Ambrosius is that none of them fall in the same categories
Livia is the snob one. She is always seen following Valerin around and is often the one sent to attend meetings when Valerin isn't available. She says her decisions are for the good of the people, but often makes them because she does not wish for the lower/middle class people to gain more money and cause this whole social class thing to fall
Valerin is exceptionally kind and spends a portion of her work looking into helping the lower/middle class people, but she still spends most of her time concentrating on the company because she believes her status and money is what allows her to have such influence and therefore allows her to help the lower/middle classes
Ambrosius falls into none of the two categories. He is kind and charming and doesn't mind stopping to talk to kids who are curious about "his work" (he doesn't have the heart to tell them he doesn't own the company yet) contrary to Livia who will more often than not glare at them and keep walking (that's just an example). Ambrosius also believes that although keeping the company running is important, keeping on top isn't. His main idea for when he inherits the company is to make a few changes that will benefit the lower/middle class people only without lowering the upper class people. He basically just wants to start slowly removing social classes until everyone is around the same level when it comes to education, money and food because he made a friend who lived in bad conditions (Ballister) and wants to change society to make it a better place for people who had similar struggles as him
Obviously, Livia doesn't like Ambrosius' idea, so when she realizes Bal is actually just Ballister (shocking, I know) she is convinced he put those ideas in Ambrosius' head and basically tries to foil their relationship to make sure Ambrosius doesn't "ruin" everything his ancestors have built
Now onto the band. In the first part, @echoing-locations talked about how they thought The Shifters (band) could be a three person band with Nimona, Bal and Meredith Blitzmeyer (character from the comic) and I loved that idea
Nimona would definitely play the drums. Hitting something on repeat to make a beat, it fits them so wonderfully. At first I wanted to make Bal the lead singer, but I think the both of them sing their own songs throughout the shows and have occasional songs they sing together
Bal definitely plays bass. I have no idea when or from where this idea came to me, but I think it just fits.
Then I was struggling with how Meredith would fit into the band, which instrument she would play, especially considering she's this kinda weird scientist in the comic, but I eventually decided she works more backstage, with the lights, making sure the mics, bass and drums work, and everything else that needs to be done backstage
So I had written down what I wanted for the band members' backstories but I lost my notes and my memory is shit so I'll do another part about that when I either find my notebook or write down new ideas.
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kickingitwithkirk · 5 months
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Restless Man Pt II
Summary: Beau Arlen finds himself in the middle of a case with more twists than a country road.
Pairing: Beau Arlen x Reina Cetanwakuwa-Stanley
Word Count: 1681
Warnings: cursing, show level violence, derogatory remarks (some in native languages) poisoning, murder
A/N: The inklings for this started the first time I heard Jensen singing Restless Man. This work is partially from historical information and canon elements from the Big Sky series.
*Set after the series finally 3:13 That Old Feeling.
A/N II: All Native American words/sentences in this part are Lakota resourced from freelang.net and glosbe.com *some algorithmically generated on these sites.
*Translation:  lala -grandfather  Cetanwakuwa -attacking hawk or to hunt and chase
A/N III: Biology isn't my strong suit, so all references likely have errors.
*divider by @firefly-graphics
*no beta -all mistakes are mine
Pt I masterlist
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5:30 AM
Arlen pulls into the bank's back park lot and spots Reina sitting on an old pickup’s hood. Parking next to it, he climbs out and with hands on hips snaps, “Why the hell are we here at this ungodly hour?”
“Look who’s running a quart low on civilized this morning.”
“What the hell does that even mean?” 
“It means you’re a grumpy asshole till you get some lead in your system.” Hopping off the hood, Reina hands him a to-go cup, “So fuel up Texas.”  Arlen catches a whiff of the fresh roast bouquet and a far more civilized thank you darling slips past his lips making her eyes roll. 
“And to answer your question being here at the ass-crack of dawn ensures what we're doing doesn’t get out any time soon. Oh, by the way, I flunked charm school so nothing stops me from being an asshole darling.”
***
The bank manager removed their key grumbling as they left. 
“Obviously, not a morning person either,” Arlen commented while pulling the large rectangular box from its cubby and placing it on the table opens its hinged lid revealing an assortment of documents. Picking up the top one he reads the contents. “This is a medical file dated almost eight months ago. Gerald started seeing a Dr. Johnson in Billings who ordered..wow, that’s a boatload of tests.”
Reina began reading over his shoulder, “This doesn’t make sense, Lala Gerald was healthy as a horse for a man his age and preferred the healer over western medicine.” Handing it to her he starts going through the others. “Found the test results. Great, it’s one of those percentages per whatever. Personally, I like the connect the dots ones.” She points to the first results. “These here are chemicals you’d normally find on a working ranch. They’re within the safe margins for exposure.” Arlen was surprised, “You know how to read this?” 
“What? You thought I was only a fabulous derrière?” 
Arlen tilted his head a certain way letting his expression say it all. “Man, you got that dad’s done with your shit look down pat!” He’s still unamused. “Okay, I worked for the mobile vet a few summers, taught me how to do work-ups on the livestock.” Reina goes back to explaining the results then pauses at the end. 
“Huh. These look like medicinals from the healer, but the lab could not identify all the plants used.” She gives Arlen a contemplative look, “You got anything on your plate this morning?”
“Nothing pressing Hoyt can’t handle. Why?” 
“I have an idea where to find out what these could be. Your truck or mine Texas?”
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Montana State University
Bozeman 
“Remind me again why we drove all this way?” A tense Arlen dodges another Twalking student in the crowded corridor. “Because these people won’t know me or my family connections like in Helena. Here we are,” Reina opens the door under the Biotechnology Department sign. 
“Dr. Newsom?” The person writing on a whiteboard turns. “Hello, I’m Sheriff Beau Arlen. Dean Wilson said you might be able to help with some toxicology report results.” 
Arlen hands over the file and the doctor skims over the pages, “I take it’s the last one set marked inconclusive you’re inquiring about?” “Yes. My partner here believes they might be compounded from some types of plants?” 
Newsom seemed impressed and wrote out the information on the board then stepped back studying it. “Would you mind if I called in another colleague to consult on this?”
***
Sometime later 
“Everything all right?” Reina inquires when Arlen walks back into the room. “Hoyt was checking in.” Retaking his seat, he hears her mutter, “Some things never change.” 
“What the hell does that mean?”
“That your girlfriend can’t stand not knowing where you are, who you’re with, and when you’ll be back.” 
“Hoyt’s my undersheriff.…” “…from what I hear, under in the literal sense.” “She’s not my girlfriend or significant other so what's your problem with her?” “It’s always been her problem. Never mine.” Newsom's colleague interrupts their terse discussion. 
“Your assumptions were correct. These here,” circling a few abbreviations, “Are used in many medicinal compounds by the local native healers. Unfortunately, we cannot identify what species they come from because we can’t find any record of the source materials.”
“Hypothetical question,” Reina says, “Could their source be something the People purposely choose not to share but still retain knowledge of how to create?” Arlen shoots her a quizzical look.
“Yes, that is a possible hypothetical. We know from early expeditions writings and verbal stories passed on among native inhabitants that much of their knowledge has been lost due to time and habitats, or intentionally hidden due to subjugation and indoctrination.”
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Arlen's thumbs' tapping became more intense and thirty miles down the road he suddenly detoured his vehicle, Pedro, onto a dirt track. “Umm, do you know whose road we’re on?”
“Not a damn clue! Call it Bob’s Road.”
“Hope Bob doesn’t take a shot for us trespassing.” Arlen slams on the brakes and cuts the engine before shifting in his seat to glare at her, “What with the wild goose chase?”
“Sorry, I don’t….”
 “Don’t bullshit me Reina! I want you to tell me the truth.”
“I needed confirmation.”
“Conformation of what?”
“That you weren’t in on it!” Arlen was taken aback by her insinuation. “You think I had a hand in Gerald’s death?”
“No, in its cover-up!” She climbs out slamming the door shut emphasizing how pissed she was.  “I don't know if you can be trusted AssButt!” A now equally pissed Arlen copies her.  “That why you pulled a subterfuge ‘bout being a Texas Ranger?” His question makes Reina whirl around as he continues. “I know a lotta Montanans still have this old west mentality regarding the law."
“Don’t turn this to be about me!” Reina yells stalking towards him, not stopping till she invades his personal space. "I know about your partner in Houston so let me ask you something. How'd drowning your guilt and shame in booze and other avenues work out for ya?” Arlen's eyes narrow. “Seems you ended up in the same place as every other motherfucker who takes that route. Leaving a trail of collateral damage in your wake including your family.” Arlen's low growl of Leave them outta this only makes her double down. 
“Your ex remarried some guy and moved three states away with your kid to escape the humiliation! And what did you do? You followed them up here like a dog with its tail,” Arlen surges forward, slamming his hands flat on either side of her head, pinning her against the truck's door. His heart hadn’t pounded this hard since trying his damnedest not to kill Buck Barnes for kidnapping his daughter when Reina did something most would consider not only insane but confused the hell outta him by leaning forward so close he could feel her breath caress his lips as she spoke. 
“I bet you’re weighing your options on whether to sock me or kiss me.” Arlen jerks back with such an incredulous expression it makes her chuckle, “I have that effect on people.” 
“No more bullshit Reina! Did you know what that report would say?”
“Had an inkling you helped confirm.” Reina sagged back against the door. “After I left Montana, Lala and I talked practically every day. I knew something was wrong around six months ago when he suddenly stopped video chatting.” She looked up towards the clear blue sky, “I couldn’t get leave. DPS had just sent me to the Del Rio sector to help track down cartel smugglers. You can’t fathom the shit they’re doing, what’s being covered up by the mainstream media and those fuckers in D.C.”  Reina swiped at her eyes.
“I had a few run-ins with cartel elements which was bad enough.” Arlen placed his hand on her shoulder, “I’m truly sorry you didn’t have the chance to say goodbye.” Reina nodded in gratitude, and he asked in a gentler tone, “Do you have any idea why someone would want to do away with Gerald?”
“Have you heard of the new housing development proposed north of the city?” Arlen acknowledged he has. “Did you know the day lala died, the developers submitted an impact study on expanding that small airport in Silver City?” Arlen looked confused. “Helena already has a good-sized airport...what a minute. Why would a suburb need its own airport? It wouldn’t unless it’s a guise for something bigger.”
“Like something that’ll eventually run from outside Helena’s city limits up to the foothills of the Flathead and Lewis and Clark national forests?” Arlen's brow furrowed, “Okay. Excuse me, I need a map,” he opened the passenger door and glove box retrieved one and moves to the hood. “I’m not really familiar with that area,” Reina reaches over, pointing to a smaller valley snug between the mountain ranges.
“Phase one is here. It’s proposed to expand the airport to accommodate more traffic and have its own charter service catering to the financially privileged.”
“Darling, if there’s one thing I know about people with money, they don’t like to be too far from their modern conveniences.” Reina raised an eyebrow, “Well Darling, the deal includes building a luxury resort which will increase the tax base so much it’ll price the current residents living there out so they’ll end up doing what?”
“Sell to the developers who’ll eventually build residences tailored for their clientele.” Arlen shakes his head in disbelief. “Wait, what’s in Phase Two?” Reina’s voice took on a serious note, “I need you to swear on whatever you hold sacred, you’ll keep this under wraps because I could go to jail for possessing this information.” Arlen holds out his hand, “I give you my word.” She takes his offered hand before pulling out her phone and showing him a picture of a scale model representing the future Helena Valley.
“How far would you go if one man was standing in your way of building the next metropolis?”
tbc
SPN TAGS: @donnaintx  @lyarr24  @flamencodiva  @lassie-bird @nancymcl  @spnbaby-67  @leigh70
Dean/Jensen:  @thoughts-and-funnies  @stoneyggirl2  @akshi8278  @beabutterfly987 @smoothdogsgirl
@deans-spinster-witch
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chai-fi-rush · 10 months
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Hi-Fi Rush and Capitalism
I've seen multiple posts about how Hi-Fi Rush is capitalistic/neo-liberal propaganda and like. I'm not gonna say they're wrong but I'm also going to say it's a little more nuanced than that. Or at least there's multiple angles to look at this thing and I want to do that so I will.
Also I just want to quickly say that I think that even if something endorses certain aspects of capitalism while critiquing others doesn't mean that what it does critique is meaningless, or that everything that critiques capitalism should end with a radical change in it's story's system. Sometimes things that are sort of milquetoast can be fun or make some good points, albeit not rly something to strive to.
The first thing to address which is undeniably on the side of those posts I've seen is that HFR basically assumes that capitalism is the default. It tacitly accepts that the system must function through capital, and not just at the end where instead of getting rid of the company they just replace the CEO. This comes up the most in Zanzo's level when CNMN and Macaron say that budgeting and development are a balance. There's no implication that the idea of well-managed projects shouldn't have to rely on money to be able to function, just that Zanzo himself is bad with money due to unrealistic goals and Kale's light hand as long as he gets what he wants. Honestly, this is where a lot of real life people get tripped up on. They genuinely have a really hard time conceptualizing how a world without capital would function and often think of it as some lawless world. So, even when they disagree with capitalism they often try to think about how to change it without the removal of currency.
That being said, it's more accurate to describe Hi-Fi Rush's early stages not as a critique of capitalism, but as a critique of the conditions of capitalism (I know to us red-blooded commies those things are basically the same but hear me out). The only point where money is really important to the plot is in Zanzo's level and the overarching point of Kale using SPECTRA as a market manipulation tool. There are also undercurrents of class when it comes to Chai and Kale as foils, but that point is also linked with ableism (which is linked with classism under capitalism, but the game is very purposefully vague about Chai's backstory so I don't necessarily feel comfortable making too much speculation about it). The game vlog's heavily discuss the labor and physical exploitation of their employees, such as how all of the old Vandelay units such as CARR1E are being overloaded for the sake of productivity and you know. The fact that there are three or four Mondays. But the game rarely mentions the wages of the employees. I'm not going to say it never does even though I don't remember a time, but needless to say the actual working conditions of Vandelay's labor force is a much bigger focus. It does sort of come into play when Kale talks about how he's planning on firing almost everyone once SPECTRA gets up and running (something we are supposed to consider is Bad because without those jobs those people won't have money).
Breaking all this down abstractly, HFR is a story about corrupted intentions. The game's narrative exists in two different camps, the experience of what Vandelay is right now, and how everyone talk about what Vandelay was when Roxanne was in charge. Obviously, the first one is going to be more powerful. Characters like Peppermint, Macaron and Korsica can talk all day about how cool Roxanne was, but we basically have to take them at their word. There's no reason for us to consider them untrustworthy, but lets just say that as an audience member it's hard to fully reconcile the idea without actually seeing any of it in action besides Roxanne being kind of chill in the final cutscene and some vlogs about how the company used to work (particularly from O5KAR).
But what we can glean from this narrative is that Vandelay under Roxanne was not productivity driven. You get this idea from both the Zanzo and Roquefort levels, and a couple of those aforementioned vlogs. One that comes to mind is about how production used to take the time to actually fix defected products, but under Kale they all just get immediately scrapped because it's faster to just make a new one. Roxanne was someone who wanted to make things whereas Kale just wants to sell them. I mean, Roquefort is literally crushed underneath the quarter profits. HFR has a lot of metaphors, and they never really claimed that any of them were subtle.
Something that hangs over the entire story but rarely comes up (even within meta discussions about it) is that Project Armstrong was something born out of Roxanne's love for her disabled daughter. It's not just that she came up with the implant tech and then had Kale make the project as a scheme, Peppermint specifically says in Track 12 that it was Roxanne's idea. This was something that was made to genuinely help people, and Kale warped it into something that would get him more customers because it's not profitable to just "help people."
That's the story that HFR is trying to tell. It's about a project that was good, became bad through its management, and then had people who believed in the original intention of said project (I should note that Korsica's inclusion as someone who hadn't worked pre-Kale was also probably intentional so it wasn't solely a return to the old guard). The game isn't trying to say that any company can be fixed with the right leadership, that this one had its reigns taken away for the sake of profitability. A corruption of intentions. If you're willing to accept capital as the implicit base of society, it's incredibly inoffensive, but if you can conceptualize outside of that system it becomes a hand-wavey response to the problem. We all know that "just put good people in charge of capitalism" isn't actually a solution the the problem.
It's also worth mentioning that HFR bears a lot of meta-narrative about the video game industry specifically. The director said that some of the emails were literally taken from ones that he had received. It draws attention to its relationship in several ways, ESPECIALLY with the addition of Vandelay Gameworks. It's all stuff that can be applied to companies in general, but there's still that undercurrent of game devs upset about crunch time or being forced to throw out something that they worked hard on at the last minute because it "Just doesn't work." The kind of people who love what they're working on but work underneath conditions that make it feel like hell.
Anyways, hope that made sense. Hope I didn't sound too apologetic because I also take beef with endings that handwave capitalism away as an individual issue. Honestly, I think that HFR has far more interesting things to say about disability, but that's something that has to be its own post.
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badchoicesworld · 10 months
Text
blog guide !!
requests are closed, but feel free to send them in regardless. just expect them to be answered a little later !
this is (for now) an across the spiderverse blog !
please allow me up to a week to write up your asks
characters i write for :
Miguel O’hara
Miles Morales
Miles 42
Hobie (let’s go brit rep)
Pavitr Prabhakar
The Spot
Peter B. Parker
Spider-Noir
general info :
i cannot stress this enough, i exclusively write everything but fem reader, y’all got enough .
that being said, feel free to request anything else at all- when it’s not specified i will just assume gender neutral for the sake of inclusion
trans readers, non-binary, everything in between and all about is completely valid here and i’m more than willing to write about it <3
i do have a health condition that can catch me some days, so there may be times where i’m inactive but it should never be for long periods of time
feel free to get oddly specific with requests ! the more i can work with, the better
but i also don’t mind if they’re just general requests that don’t require a lot of detail
i will NOT write explicit NSFW, i draw the line at clothes being removed unless it has something to do with a prompt (e.g. seeing top surgery scars for the first time), some of these characters ages are not specified yet and i don’t feel comfortable potentially writing NSFW for minors. that is a crime.
there will be some requests i won’t obviously be able to complete for a number of reasons, please do not spam me if this is the case. if i’m willing to fulfil a request i will try my best to communicate with you if needed :]
i have the right to deny requests.
i do wanna say that i am a white guy so i can’t write from first hand experience, but if you request something that includes diversity like a specific race or cultural aspects i will try my absolute best to deliver accurate works. I’ll research to whatever extent i need to (if you don’t already give some information) so i can provide for groups of people that are seriously neglected when it comes to fanfiction and such. and please, in the future, if i ever do fuck up PLEASE hold me accountable and if you can show me what i’ve done wrong and what i should’ve done; what i can do to improve, i would be so appreciative- my goal is to be as inclusive as possible with my writing and the last thing i want is to offend any body of people.
finally, there will be types of writing i can’t do for specific characters. for example, spot, idk how tf i would write like a whole one-shot when my man is how he is now so i’d probably just have to stick to headcanons n such
what i will write :
requests can be either platonic or romantic dynamics, potentially other stuff if you have any ideas. just lemme know ! i do like to consider myself half decent at writing, i’ve studied english literature and linguistics my whole life and i love it very dearly <3 i’m going on to study english as a whole at a higher level (literature, language, linguistics, creative writing)
i'm happy to also apply these headcanons to the cc's, so transgender miguel for instance! just let me know :]
i typically write in bullet points because im a mess
x male reader
x nb reader (feel free to specify if they’re ambiguous, masc leaning or whatever if it’s relevant to the ask)
x trans reader
x cis reader
x spider reader
x mutant reader
character x reader
if you request multiple characters (which is fine <3) i’ll likely default to headcanons for the sake of ease
what i won’t write :
x fem reader .
character x character
NSFW
triggering topics (excluding canon events)
weird fetish/kink stuff :[
hate speech, everyone is welcome here
masterlist :
hobie brown:
how i think Hobie would react to GN!reader calling them their husband casually, even though they’re not married
hobie brown with a transgender, vigilante reader (ftm reader)
hobie admires your fighting spirit (gn reader)
hobie’s punk, you’re metal (band edition, masc reader)
where you and hobie have the most loving connection, but don’t label it (gn reader)
where hobie meets gwens older brother (masc reader)
hobie notices how startled you get when he kisses you (gn!)
hobie realises you’re not as naive as he thought ! (gn reader)
with an s/o that cries a lot ! (gn!reader)
hobie with a snake mutated boyfriend !
hobie with a butterfly mutated boyfriend !
defending his trans partner !
miles morales
miles with an artistic boyfriend riddled with anxieties
miles with a snake mutated boyfriend !
defending his trans partner !
miles 42:
miles 42 w/ an artistic spider-reader ! (masc reader)
miles42 with a butterfly mutated boyfriend !
miles 42 w/ and alien boyfriend !
defending his trans partner !
the spot:
the spot getting flustered by masc!reader
the spot falls into winged readers home (gn)
spider-noir:
spider-noir finds out you’re transmasc on a mission !
helping noir understand trans issues (deadnaming, ftm reader)
with an s/o that cries a lot ! (gn!reader)
noir finds out you wear trans tape (transmasc!reader)
defending his trans partner !
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For Adrian/Thane!
❤️ Who is the more romantic one? Do they wish their partner was more romantic?
💐 What’s their favorite “domestic bliss” moment? Do they cook/clean together? Do they like to go out shopping together?
💜 How do they silently show love or affection towards the other?
And @aceghosts
❤️ Who is the more romantic one? Do they wish their partner was more romantic?
Tough call, because they're both sentimental romantic dorks xD Like, outwardly? Half the Normandy crew's losing their shit (out of earshot ofc) that the scary assassin is the sort of sap who memorizes a favorite drink or will leave flowers, most of them would say Thane is the more... obviously romantic one. Thane would not necessarily disagree, but would deeply argue that nearly tearing oneself apart at the molecular level to avenge his dead wife puts at least a few points Adrian's way. (As does the poetry and music...)
In any case: they're both quite content with what the other has to offer, as is everyone else around them because anything more would be insufferable :D
💐 What’s their favorite “domestic bliss” moment? Do they cook/clean together? Do they like to go out shopping together?
Differs! Adrian would absolutely say cooking: Like. She has, historically, managed to fuck up the likes of MREs, so getting to advance to 'can grill a cheese without setting off smoke alarms' is one of those delightful little milestones that becomes even better when it's shared with her boyfriend, y'know? But beyond that... it's the sort of domestic moment Thane thought he'd never have again, and the sort Adrian never even contemplated getting to really have. The warmth as things cook, the scent and taste of the ingredients, catching up on the day or singing or just working in companionable silence is... so far removed from so much of the rest of their lives. For Thane, it's a second chance and a return to what he loved, but for Adrian... it kind of becomes a major distinction between two phases of her life, even more so than literally coming back to life lol.
Thane, meanwhile, would be hard-pressed to name anything more specific than 'time together'. He's used to solitude and had pretty much accepted his time with Irikah and Kolyat as a tragic blip in what was meant to be a lonely life. Finding anyone else was never even a consideration let alone a hope- so it's those quiet moments he treasures most, just simply being /together/.
💜 How do they silently show love or affection towards the other?
H a n d s
No but seriously they are so touchy - not much overt, especially in public, but it gets. Obvious lol. Quick touches to the arm or shoulder, linked hands. (And one that... Thane didn't quite consciously pick up on doing, Adrian straight up did not catch, but /so many other people did/ and it Sparked Some Rumors: Thane would kind of keep positioning himself just behind & beside Shepard in sort of a bodyguard way more than general squadmate follow lol.)
💛 What are their favorite activites to do together?
Cooking (particularly in the AU take on 3), reading, biotic sparring & shooting are definitely up there. I also imagine, in the 'congrats living is harder than dying' AU, they take up gardening and just find a lot of contentment in that or like, hiking together - spending time outside in a non-combative way xD
🍿 If they had a movie (or other fiction) couple equivalent, what couple would it be and why?
... yeah i got nothing for this one the tired sleepy is winning and apparently i have never seen a movie or read a book to draw a comparison from xD
🤍 What is their favorite or most admired quality in the other?
For Adrian - Thane's ability to accept things. That he could live through so much tragedy and still like... live, without it eating at him every waking moment; even when he shakes off the passive calm... he's still leagues ahead of her, in being able to face up to a situation as it is and not be shaken half to pieces from fear.
For Thane - Adrian's passion. Even though they met at about her lowest point - she loved so much and so /deeply/ - even if she didn't care for her own life, she cared for everything around her enough to keep trying, instead of simply shutting everything else out.
🍬 Who is their biggest supporter (friend, family, etc)?
Tough call xD Though I feel Chakwas and Mordin would be up there, and as far as my canon goes, were the first to pick up on anything (quite literally in Mordin's case), and were quite supportive - they're the ship doctors and had to deal with Adrian and Thane quite a bit beyond the usual injury patchups, so they got a unique little view of just how positive an effect they had on each other - /and just how much the pining fucked with them/ xD 
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sukunasbabygirl · 5 months
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OH MY GOD WAIT. WAIT. OHHH NO. SHIBUYA INCIDENT IN THE SWAP AU
YUUUUJIIIII WHEN I CATCH YOU
Oh man. The Shibuya incident.
Though a lot of the beats are the same, there’s also a lot of changes too, and entirely new fights along with that.
Kenjaku is swapped in this au too, and so they aren’t the one to seal Gojo, though they do still play an unintentional part in his sealing. Swap Kenjaku and Gojo have an interesting dynamic that leads into this, but that would need one hell of a long ass post to dive into.
Yuji though. Oh fucking boy.
So, Sukuna here doesn’t fight Choso. Choso doesn’t even want to fight him by this point, cue mysterious music.
Instead, he fights Jogo, and unfortunately, due to being sixteen and not the king of curses, he loses this fight. He manages to hold his own for a while though, which is impressive against a curse like Jogo, but inevitably, he’s pushed to the brink of death, and Yuji is then awakened by Jogo.
Now, remember how I said Yuji hates curses? Yeah. Jogo really thought Yuji would help them… I feel bad for the guy honestly, he gets no praise for his strength, only mockery, right until the very end. Their goal to become the true humans is laughable to Yuji, curses can never be human, can never take their place, what a stupid desire. The irony is completely lost on him.
As for Mahoraga… being as Yuji’s domain removes cursed energy, he’s the worst matchup for this Shikigami, once he figures out what Mahoraga is doing that is. The level of destruction and death he causes before that is bad enough, but to be sure Mahoraga is completely eliminated, he goes all out, and while he may not leave the same crater in Shibuya like canon Sukuna, he does leave behind a blazing city and a thousand deaths on his hands.
This is a shortened down simplification of it, and obviously there’s a lot more to this AU’s Shibuya than just this but I’ll save those rambles for later.
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cyb-by-lang · 1 year
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Uhhh, so, my take on Tailed Beast!Kei & Human!Isobu
[First of all, I don't usually use this site so I wasn't sure where I could like, send this to you so I hope this was the correct decision xd.]
[[Also, this is a work in progress I guess, cuz they're just some ideas that I got while rereading CYB.]]
[[[Also, also, I was racking my brain thinking of a way for Kakashi to possibly fall in love with a non corporeal, chakra-made entity like Kei and the answer was that Kei and Isobu could "exchange control" of Isobu's body like that one scene with The Dreamer.]]]
One last thing, English is not my first language, is spanish, so if some things don't make a lot of sense it could be either my sleep deprived brain or my Spanish rearing its head when I don't want it to.
Kei would be the Three tails, then.
She would probably bicker as much with Kurama as Isobu does in CYB.
While Isobu has amber eyes, when Kei takes control of the body, the eyes change to rings of black on gold.
Isobu and Kei exchange control kinda frequently, since Isobu wants Kei to experience the outside world more and feels apologetic for the Tailed Beasts getting their freedom removed against their will.
Which means Isobu and Kei scare a lot of people in different power echelons.
Since Isobu changes with Kei a lot, they make a system. Kei gets to control de body when (1) Isobu is too tired of other people's bullshit, (2) when he literally throws the control at Kei when he does something arguably against the law, or (3) he gets too hurt in missions and gets unconscious, letting Kei to do damage control of the situations.
Kakashi probably falls in love with Kei in the little moments that she gets the control, obviously after freaking the fuck out the first time.
Since everything is the same, Isobu would be Gēkko Isobu, teammate of Uchiha Obito and Hatake Kakashi, student of the Fourth.
Isobu would give zero fucks about everyone's opinions except those of his family, Kei and later his teammates and Sensei.
His childhood and life in general would be of a normal human being sans the memories of past lives. Kei would be the reincarnated human in Tailed Beast form, but the thing is she's lived all the time in the Three Tails form since the "birth" from the Ten Tails via Sage of the Six Paths. She couldn't change anything because her memories where spotty at best after the reincarnation (there weren't more that vague feelings of random human knowledge and her warped sense of self, where she knew she recognized herself as a female, and that her personality was a little more "human" than the rest of her siblings) (also, what could a Tailed Beast do in human society in order to change the plot?), so she lived the first centuries like a normal Tailed Beast. Only after getting trapped by the First Hokage and handed to whatever nation it was in canon, is that her memories return at full force.
But even after that, the only thing that would change after having a human body the first time around is her desire to change the plot (since she doesn't want to get brainwashed with Yagura by Tobi, and then getting reincorporated in the Ten Tails), the longing for freedom being doubled, and keeping her little human safe.
Meaning, the Tailed Beast side of her personality takes precedence over her human memories.
She's also... Opinionated.
Cuz even if she gets some human things, she also sees everything through a Beast lense.
Also, live commentary on Isobu's head.
They (Isoby&Kei) probably see each other as something like siblings.
The Fourth (or Third, I can't remember the timeline, help) probably prohibited Isobu of letting Kei take control of his body so easily, but eventually desists since, again, he doesn't give a fuck and "really, Sensei, if Kei wanted to level Konoha to bits she would've done that since getting inside my body. She had the courtesy of holding her chakra back when she was getting slapped in my chest and then when the Control Seal was trying to get a hold of our conscious."
At first the exchange wouldn't be possible since the seal was too tight for it, but with some help (and some threats on the line of "if you don't help me, I'm just going to experiment with myself") they manage.
The first couple of times are really short burst of consciousness since the body wouldn't handle the strain of holding a large being such as a Tailed Beast and something something, chakra exhaustion.
Then it gets easy because something something, compatibility.
Kei has the advantage of already have been a human being before, so the first times she got to control the body after a mission gone wrong and Isobu wanted to rest in their shared space, she tries her best to mimic Isobu's behavior and tics, but the eyes and the fact that her chakra was being concealed the entire time she was fronting gave her away pretty quickly.
Isobu then wakes up in a T&I cell lmao.
Then the incident gets resolved and everyone stops freaking the fuck out.
Overprotective of her siblings. If Kei with only Hayate had overbearing tendencies, with other eight siblings it's worse.
She remembers very clearly the way all of them got caught by the Akatsuki, so one of the first conditions on the deal with Isobu on not destroying Konoha the moment she gets control of the body is making sure all her siblings get a decent treatment by their Jinchuuriki and the village they're in.
Um, that's all I have so far. I really enjoyed this fic, and I sometimes still think about it. 
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