what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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I see your requests are open and I haven’t made one in a long time. Feel free to not write about this because I am a sucker for only one or two aus🥹I’m just boring like that. I feel like I’m a regular at a cafe that asks for the same thing- I’m so sorry😭🙏
Firstly, HOW ARE YOU and take your time with these requests💖🫶 may I ask for a Nightfall Leona and Floyd? Maybe diving deep into their relationship with the reader? Or how about reader catching them in the act (of their evil deeds perhaps👀) how would Leona and Floyd react?
Nah you’re good! It’s like having a familiar face drop by and I already have the order ready to go. It’s a comforting thing, like a set routine? Please don’t feel so bad about it! I really took my time with this oops-
Nightfall Au
General Headcanons for Leona and Floyd
Leona x reader, Floyd x reader
Tw: death, gore, kinda yandere because it’s a Ceru fic, of course it is-
Leona Kingscholar
The boss of Savanaclaw.
He’s very practical in the way he runs the gang. Moving men around with a hooked finger, shifting them like pieces on the chessboard. Unfortunately, he does value each and every one of them, which makes him such an interesting person to work with.
He’ll never admit it though. Always muttering about doing things with the least amount of effort needed in his part… although his operations always seem to have the least causalities as well.
Leona knows the names of every single person who’s in Savanaclaw. He’s memorised them, actually. However, if you ever mention it, Leona’s face takes on a more sober shade.
“Ain’t nothin’ much. At least I’ll know what to put on their tombstone.”
How did he discover the Lantern?
Leona has made a habit of wandering about at night. There aren’t too many people out and about then, and those who are, were normally too drunk to care about him. For a while, Leona’s just another person on the street. It suits him just fine, really. He’ll pick a lonely corner shrouded in shadow, watching people stagger by silently. Quietly observing, taking note of each person’s pace, the way they carried themselves.
As tiresome as people were, reading them like a book was something that came naturally to Leona. Although like with every skill, it has to be practised and honed, lest the blade of talent turns dull.
Sometimes, he gets a little peckish. Walking about in the dark does that to a person. By chance, he walks by the Lantern. A 24 hour cafe, lights still twinkling from within glass doors. He pauses in front, watching the person manning the counter. How hardworking, they seemed to be. A little anxious as well, rearranging pastries over and over again. It was a rather adorable sight.
You’d piqued his interest, rather you like it or not.
Relationship with Him
It feels like he exists just to frustrate you, sometimes. Leona takes forever with his orders, dragging a crooked finger across the menu. He often has the most ridiculously convoluted orders ever, with a seemingly endless list of requirements. He likes watching your lips curl in frustration, as you mutter his order quietly under your breath.
How you’re so clearly annoyed with him, but you’re still rushing around the kitchen all the same, determined to fulfil whatever he says. It’s almost as you take it as a personal challenge.
Leona likes to watch you bustle around, pouring out your very heart into the meal. There’s a passion burning behind those eyes as you busy yourself with his order. There’s little he misses, especially if it’s about you. Your little habits in the kitchen, the way you hold your utensils… Leona sees and remembers it all.
He also doesn’t miss the gleam in your eyes and you place his order before him, beaming at a job well done. That pride you take in your work is rather respectable. Your smile then is also pretty cute, honestly.
As much Leona likes to tease, you hardly feel any malice from his actions. It’s almost as if you’re being batted around softly by a cat’s paws, a treasured possession. Something to amuse him, for a while. Yet there was a warmth behind his expression, whenever you met his gaze. An almost tender look.
Ever since Leona started frequenting your cafe, tools haven’t seem to be breaking down as often. Heck, you don’t even remember having this much silverware. It’s almost as if they multiply by themselves every week… how strange.
Probably nothing much… right?
If He’s caught in Red-Handed
Leona doesn’t take drastic measures to appear like a normal citizen. Lying to you would be too much of a bother, so what he does is to mislead you. If you question about his occupation, Leona just says he runs an organisation. He’ll not elaborate much, only keeping things to short sentences and grunts, neither confirming nor denying any of your questions.
Although if he’s finally caught in the act, it would probably in the name of protecting you or the cafe. Calmly shooting someone who dared to attempt a robbery in the Lantern point blank, without even so much as a change in expression. Leona would simply call up some of his men to clean up the mess.
Don’t worry, no crime will be linked back to you, so don’t worry your lil’ head, herbivore.
If you’re shocked, he’s just going to laugh at the way your eyes widen. Did he ever tell you what he did? No? So why are you surprised by this? Whatever expectations you have in your head, dash them.
He’s a murderer, and that’s what he’ll stay as.
Chuckling coldly, he’ll simply tuck his payment under his cup, before walking off into the night. Having people target the cafe means that you’ll be in danger. So Leona will simply take his leave. Let those ruffians chase him instead.
He’ll still keep tabs on you, watching from building rooftops, from within parked cars. Leona’s still staring wistfully into the kitchen you roam within. Even after all his big talk, he’s the one who can’t leave you.
Although if you were the one who was attacked, you’ll get to see the brutality of Leona Kingscholar. A shot to the head was too merciful for scum like them. Leona’s arm snakes around your waist, yanking you closer to him. While he fires round after round into the attacker’s thighs, rendering them immobile. What happens next? Leona wouldn’t let you see.
He’ll yank you into his coat, shielding your eyes from whatever gruesome scene awaits before you. A part of him feels a pang of pain at the way you shiver and tremble within his grasp. You’ve been led to believe the great big cat who frequented your store was docile. Now, you’ve seen his fangs.
For once, you’re afraid of the lion.
You won’t have any say, if this happens. Leona’s dragging you into a car and taking you… somewhere. Somewhere “safe”. Everything you need from your house? He’s sending men over right now to grab everything they can. You were almost murdered on Leona’s watch. You can bet he’s worried to death about your safety now.
You’re just some herbivore, after all. If he wasn’t there… no. He was there. And he’ll always be, from now on.
You’ll never leave his side ever again.
Floyd Leech
The famed loose canon of Octavinelle, Floyd Leech. Dual wielding a pair of destructive guns, he’s famed for the absolute blood baths he leaves behind. He’s who Octavinelle sends whenever they want to make a statement. Whether it’s to threaten rival gangs to return what they’re owe, or to destroy them entirely, Floyd’s the guy for the job.
The only problem is that he’s a little too unpredictable for fine operations. If you make him wait too long, he’s stepping on the gas and leaving you far, far behind in the dust. Not the best trait you’ll want in a getaway driver.
As crazed as people make him out to be, Floyd can be reasoned with. He actively ensures that whatever deals he deals are “fair” in the loosest sense. Both parties have to gain something, in order for it to be called a deal, after all.
If something’s a waste of time, Floyd would tell you that straight up. Was it him being kind, or could he just not be bothered to lie? Nobody really knows.
How did he discover the Lantern?
He was probably hungry. For those who lurk within the shadows, the night is the best time to work. After all, it’s called the “dead of night” for a reason. It’s already dead, so what’s the difference of adding more deaths to that phrase?
The problem is that not a lot of stores are open at these ungodly hours, and Floyd’s pretty sick of eating instant meals. Sure, they’re tasty, but if you eat enough of them, they just feel… dry. Empty, in an odd sort of way. Also, if he eats too much, he’ll feel sick, so no thanks.
So he’ll drag himself from street to street, searching for something to satisfy his grumbling stomach. Until he spots a light in the distance, and the heavenly scent of freshly baked bread waft into his nostrils. His gaze flickers up to a signboard before him.
The Lantern, huh? The worker’s kinda’ cute. Scampering here and there like a lil’ shrimp caught up in the currents. Hey, maybe he’ll call them shrimpy.
Guess he could give this place a try. Anything’s better than eating out of a plastic box again.
Relationship with Him
Floyd pesters you all the time. Leaning over the counter, fiddling with the bell until you come out. Even then, you have to physically pry the bell out of his hands for him to stop ringing it. He’s stubborn, though.
So both of you end up in a wrestle for the bell, fingers slipping and pulling away. Floyd plays dirty, though. He’ll hold it high above your head so you’ll have to jump and try to reach it. He’s laughing all the while. Yet there’s a weakness in that tactic you exploit daily.
His sides. You’ll jab and tickle him until Floyd’s laughing hysterically, and the bell will drop. These little tussles add some colour to your day, at the very least. After a shift of standing idle, a playful fight helps to get some blood pumping. As much as you grumble about it, you have to admit that it’s fun.
Floyd always seems to pop in at odd hours, so most of the time it’s just you and him. While you’re whipping up his massive order (how can one guy eat that much?), Floyd’s doing some redecorating. Pushing all the tables together to form one big table, arranging the chairs so there’s two of them, facing each other.
Sometimes, if you’re shorter than him, he stacks up the chairs as a personal jibe at you. If you’re taller than him, now he’ll stack up his own chairs, so he towers above you.
Floyd always shares half of what he orders with you. Even if you refuse, he’s grabbing you by the wrist and forcing a spoonful of desert into your mouth. How is it? Isn’t it so good? Y’know, Floyd does really like the cooking here. He does appreciate the effort you put into each and every single thing you serve, so what better way to thank you than to encourage force you into taking a break?
Besides, there isn’t anyone else in the store now. Just you and him. Aw, you went all red when he said that. Hopeless romantic, huh?
That’s cute, shrimpy.
If He’s caught Red-Handed
Floyd’s another guy who would simply not care. Ask him no questions, and he’ll tell no lies. He effectively hushes your endless inquires with howling laughter, before his voice drops:
“Do you really want to know?”
He’s not against telling you what he does for a living, but Floyd wouldn’t want to scare you away… too soon, at least. Although, he drops a few hints here and there sometimes, just to see that flicker of panic flitter over your expression. Allowing you to catch a small glimpse of his holsters, rolling up his sleeves to reveal arms filled with tattoos swirling around his arms.
Sometimes, he’ll come to the Lantern all battered up. Nothing too drastic, only a few cuts and scrapes all over his skin. He’ll throw his arms over your shoulders, whining about how much it stings, how much it hurts until you cave in and give him some attention.
Floyd loves it when you tend to his wounds. Every touch gentle, pressing softly into his tender skin. Even your chiding sounds melodious to his ears. Man, you’re really worried about him, aren’t you?
He’s silent during those times, content with watching your hands wash and dress his wounds. Your fingertips brush against his hands sometimes, a warm caress. It’s gone all too soon, warmth vanishing into the air. Floyd’s left craving for more, long after your hands leave his skin.
Your warmth, your touch, your love… Floyd just wants it all. But he’s not rash. He’ll wait patiently for you, until the lil’ shrimp wanders into his clutches themselves… then he’ll engulf them in his embrace then. He’ll wait.
Of course, that is if you’re safe.
For Floyd, no matter whether it’s the Lantern or you that’s attacked, he’s seeing red. The Lantern was your workplace. It could have hurt you, killed you-
There’s no reasoning with Floyd on this. He’s not even going to bother with calling backup. He’s holding up both of his guns, sending bullet after bullet after the attackers with a deathly calmness. Floyd fires again and again, until the click of his guns alert him to the lack of bullets within.
Oh, if they attack you? Floyd’s pulling out all the stops. He wouldn’t even bother with a gun, effectively tackling the attacker with his arms alone, disarming them with a sharp slap to the wrist. A sadistic grin spread across his lips, you’ll have to close your own eyes as he snaps the poor attacker’s arms.
It’s messy, it’s gruesome, it’s cruel.
A pair of wet hands grab at your hands, staining your fingers a bright crimson red. Hey, why are you looking away? There’s no need to be scared now, Floyd took care of it. They were going to do so much worse to you, Y’know?
His arms snake around your torso, pulling you gently towards his torso. Floyd’s doing his best to be all soft and gentle to you, and you know that. But it’s hard not to be afraid of those same soft and tender hands, once you’ve seen them quite literally rip a person apart.
Aw, you’re trembling, Shrimpy! Relax, Floyd’s going to bring you somewhere safe. Somewhere that’s just you and him.
Isn’t that just so nice of him?
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