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#literally only one person will understand the context but frankly it's still funny without
choctalksalot · 11 months
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this took way too fucking long for what it is
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ult dirkjake shenanigans are getting real wild
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nightcolorz · 2 months
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I must confess something, I do not understand white Vox lol is it just his VA? He may be just a TV with a body but his eyes seem to be drawn as east asian and thats his most prominent human feature. Majority of the time I see people draw him as a human they actually erase his real eye shape to (I assume) make him look more white. There's no real canon so people can hc whatever but I am so intrigued by how people are interpreting him white. I promise there are nasty tech/media ceos that overwork their employees all over the world... maybe im reading too much into it because the show is otherwise verrrry western-centric. Just curious how you view it, you're definitely in the majority and i realize people like me are the outliers but just saw your post and had to ask (if you didnt mind sharing).
Anon is referring to this post btw for context: https://www.tumblr.com/nightcolorz/746235899544813568/my-hot-take-is-that-i-think-that-a-vox-human?source=share
Anon ur hella polite and ik u got good intentions so I was stressing a little over how to respond without invalidating ur headcanon cuz like, I never want to be the guy saying “this character is white and u can’t headcanon them as a racial minority” cuz that’s pretty shitty no matter what. We definitely have different takes but when I’m explaining my interpretation I don’t wanna sound like I’m trying to boss ppl around and say there’s only one way u can see these characters. This is just my personal interpretation and I was being funny in my og post implying that my interpretation is the “correct” way. But since u asked I’ll explain my reasoning why I (and prob other ppl) see Vox as extremely white lol.
I don’t take Vox’s physical appearance into account at all when thinking about his ethnicity cuz in a show were everyone is pretty racially ambiguous design wise Vox is one of the most ambiguously humanoid characters, like my guy literally has a tv for a head with eyes and a mouth, and that’s it. I don’t see ur point about his eyes at all tbh, to me Vox’s vaguely slanted eyes have always come off more like a devious squint than an ethnic feature. Even still I don’t read slanted eyes as Asian automatically so it never occurred to me.
I don’t read as Vox as white bcus of his VA being white or him being a tech bro billionaire (but ig they play a part). I read Vox as white mostly bcus I see his background as a former religious extremist/cult leader from the 50s with a skill in life and in death for male manipulating ppl and using them for his own gain as very white and western. (I got this info from his official reference sheet for auditioning va’s, here that is)
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His capitalistic ideals and business practices r meant to mirror (extremely white) billionaires like Musk and Bezos, which adds to my perception of him. Of course being a billionaire tech guy is not a western white man exclusive thing, but I feel that if we were meant to perceive Vox as someone not from America that would definitely be coded or in some way communicated. And I say this with as little ill will as possible, but for me I wouldn’t want to perceive Vox as an East Asian tech bro billionaire specifically bcus there r negative stereotypes and connotations attached there. East Asian men have a history of being negatively stereotyped as corrupt tech business owners. I don’t think u are trying to imply those stereotypes with ur head canon (frankly it’s hard to avoid negative stereotypes in fiction a lot of the time bcus stereotypes encompass such a vast range of things that its hard to take them all into account). But regardless, it’s smth we should try to be conscious of.
Anyways, I also usually take these character’s personalities and values, self image, etc into account when im thinking about race, bcus race is more then color, and especially for characters with lives and personalities based in much less tolerant time periods, it’s significant to consider how race would play a role in forming the way they navigate the world. Based on how Vox behaves I can’t see him as being racially marginalized. I’m gonna compare Vox to alastor a little cuz alastor is canonically creole and I think he serves as a good reference for someone I perceive as not white in comparison to Vox and how I think he differs and contradicts the experiences of a racial minority.
Vox to me comes off as someone who thinks he is entitled to power, respect, privilege, etc, which is a very standard type of attitude for a white man who was alive in the 1950s to have. He’s very emotionally immature and volatile, doesn’t seem to concern much over his public image beyond petty dick measuring contests with alastor (he regularly publicly has angry tantrums and doesn’t break a sweat over how this will affect his status). He obviously cares about it (scolding Valentino for embarrassing him and such) but he doesn’t seem to worry about loss of reputation in any sort of real way. I get the impression that Vox has always had at least a standard amount of social standing and privilege and can’t see a life for himself without the fundamental privilege he feels owed there to support him. He’s basically a man baby, a man baby who still manages to garner power and respect effortlessly (it comes naturally to him) while remaining whiny and insecure. Very white man of him! White man behavior!
in comparison, Alastor, (who I do not read as white) is always frantically clinging to his composed self image and his power as if it will slip away from him if he loosens his grasp at all. He has an extremely firm grip on his composure to the point where he never allows anyone to see him slip at all, let alone frown (despite his mental health and emotional well being being equally fragile as Vox’s). Alastor understands deeply how little the world owes him and how difficult and unreliable his acquiring of status actually is. He is borderline neurotic about retaining his power and staying on top. Despite the smile, Alastor is always defensive and fearful, picking fights with anyone he thinks might be a threat like a small dog or a prey animal would. Meanwhile, Vox conducts himself like a man with nothing to loose. I feel like Vox grew up with money and doesn’t know poverty or a lack of privilege in any intimate way that would drive him to guard it in anyway beyond flippant. To Vox power, status, and privilege are inherent. Same can’t be said for alastor.
tldr in conclusion Vox’s brand of bad feels very specific to a white man, alongside his emotional immaturity and his attitude, mindset, and behavior. This is why I see him as white asf, but I don’t think there’s anything wrong or it’s in anyway less correct to headcanon him as a different race. That’s just how I see him. Thank u for sending the ask anon it was pretty interesting to write! Have a good day! (btw i love Vox he’s one of my fav character lol me calling him a white as shit privileged entitled man baby douchebag is out of love and all I find interesting and fun about him)
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teruthecreator · 11 months
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TW FOR RACISM, CHILD IMPREGNATION, EUGENICS, & TRANSPHOBIA
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okay @silvercistern! thats okay! if you dont wanna be here for this conversation then i'll have a conversation without you! for all those readers out there who might've missed it
FOR EVERYONE'S INFORMATION:
Side Quest is definitely one of the weirdest fics I have ever seen get popular, for several content-related reasons.
Firstly, the racism. She writes her Serizawa to be half-black, half-Japanese, which is a perfectly valid hc if not for how she handles this fact. Ignoring the moments of subtle racism she gives Reigen (having him comment on the apparent "sloppiness" of his afro--which she also refuses to call an afro, by the way--and also having him guess his race via his racial characteristics), she blatantly and openly makes Toichiro racist towards Serizawa in a way that I feel we cannot ignore. For example:
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I shouldn't have to say that calling a black man a "slave" in any context is fucked up, but I will for the sake of this post! Since she already think I'm insane :-) Also:
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Once again, shouldn't have to say this but I will: Saying a black man has a "brutal masculine appeal" is so obviously and blatantly racist while also being entirely unnecessary for his character! We understand, as both readers and watchers of the base material, that Toichiro is a bad guy. We do not need him to then become racist, borderline-pedophilic, and a supporter of eugenics! And if you need quotes for some of these points, I will include one that has both:
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Even if he is saying that he won't facilitate the "impregnation of a child", why the fuck is he laughing about it? Just a reminder: Toichiro in canon is only a terrorist and a child abuser. Yes, he is a bad person. However, I think elevating his evil to this level removes any concept of character depth that you could possibly have, and makes the ending of this fic (where he is seemingly normal and fine, with both his wife and child in his relative good graces) all the weirder. But again, I'm insane, right? Oh yeah, one more point about Toichiro that I found from the comments:
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Now this tells me several things. Firstly, it's that she lacks the oversight to recognize when there is blatant racism in her works of fiction. Which is questionable, but I'm willing to let that slide because people should always be given the opportunity to grow. HOWEVER, the second part of this tells me that the first part might be a lie!!! Because hey!! If you are headcanoning a person's parent as being a WHITE SOUTH AFRICAN WITH EUGENICIST BELIEFS, you are basically saying your character was raised by an APARTHEID APOLOGIST. So I really don't know how you can avoid the racism embedded in that statement.
Now, let's move away from Toichiro because he's not the only character she completely butchers with weird concepts. Shimazaki is a trans chaser in this fic.
That's right. I'm not kidding. He is a chaser.
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Once again reminding you that I'm the insane one.
There is literally no reason I can see as to why she would write this, other than that it is supposed to be a joke. Now, as an afab trans butch, there is only so much I can say to this point, but I will still ask: Who is laughing here? Who is this joke funny to? Is it to the trans women, who have to deal with similar kinds of harassment each time they try to go on a date? Or is it the Shimazaki fans, who I guess aren't weirded out by their fav being a chaser? Or is it just you, silvercistern? Is it just funny to you?
That point brings me to one of my last points with context. She seems to enjoy throwing in random "edgy" topics for either shock value or a laugh, neither of which I think her wording lands on. I did collegiate improv comedy for all four years of college (yes that may seem pathetic to you, but it was fun)--if anyone knows how a joke should sound, I think I'm one of the few. And, frankly, none of these land. For instance, the repeated "joke" of calling Reigen a creep or alluding to him being a pedo:
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But, again, me? I'm insane, apparently. If you take issue with any of this, like I did, then to her you are insane.
This is not surprising to me, given that she already had a kind of breakdown to my friend regarding when they asked if silvercistern could tag one of her fics with sa.
Here is the link to their post. I ask that you respect their wishes and do not send harassment to silvercistern (as that is my wish as well) and do not be weird to them in their inbox.
But this is why it does not surprise me that she 1. would private her twitter account when faced with even the slightest backlash, 2. would then talk about the situation to her mutuals to garner sympathy, and 3. not even bother to read a single thing I said, given that she replied to my post in less than a minute after I had posted it.
By the way, one of those mutuals? Yeah, they are literally a toichiro/shou shipper. Here's the proof:
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Anyway, this is not an excuse to go harass her. I DO NOT CONDONE HARASSMENT OF ANY KIND. ANY OF MY POSTS ABOUT THIS SITUATION WERE MADE TO DIRECTLY ADDRESS HER AND THE ISSUES I HAVE. IF YOU FEEL THE NEED TO CHIME IN, DO IT ON YOUR OWN TIME WITH YOUR OWN POST. DO NOT HARASS HER.
So yeah. Guess this would be something an insane person does, right? lol
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incarnateirony · 1 year
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Hi.I will say right away that I do not understand the situation with Patrick very well, but for several years I was thrown information that he wrote with the words:"look at what Patrick writes, he has secret sources, he owns insider information," but I'm such a person that I don't take his word for it, so every time I started checking how reliable it was, and every time I came to the conclusion that this Patrick is just a stupid talker who doesn't own any secret sources. I will give a small example:last summer, Patrick wrote that Jared will have a new project not on the CW and that Jared has three projects: Walker, Windy and a new one not on the CW.And Jared's poor stans spent the whole summer wondering where their precious whiner would be filmed, in fact it turned out that Jared was just going on vacation, so he canceled the convention, and not because he was working.This is just a small example of how Patrick gives out wishful thinking for insider information .We all know that Jared's stans doesn't like Walker and they're jealous of Jensen, so they want other projects for Jared.So when they send me something with the words:"look what Patrick wrote," then I tell them to "fuck off with this stupid cunt"
Yeah, it's literally years ongoing of vaguing, stalking, denial, and wishful thinking.
The guy once in a while hears something vaguely convention relevant that actually happens but he tries to pass his convention socialite nonsense as real production connection or a viable method to maintain meritful intel. Or blurs the lines of those connections.
Like basically sometimes he'll vague at some guests that seem to come true. Fair enough. His whole life and that of his friends revolves around being consumers in the convention market, so I'm unsurprised they hear news about what will be consumable to consumers in the consumer market at that level of involvement.
It's the overall stretching of that awareness--and hell, it's ability to fail, like your example, or the fact he just got busted outright lying about M&G contents and is known for it on the lowkey to people that rotate in and out of those greets by the dozens and watch him lie and butcher what's said in them for years.
The guy has never had a meaningful piece of intel land much less about the shows, much less about THIS show. Like this one in particular, any canker sore that had given him viable info in mainbody SPN seems to have been yeeted. He literally hasn't had a single thing right about The Winchesters and has failed at every denial to date so far but still can not be compelled to shut the fuck up, because he wants the attention so damn bad. And the free gold tickets he grifted out of people with the shit.
Man has been a consistent leak failure for 6 years but people lost to their delusional psychic landscapes of self importance just like hearing what he says and imagine if they wish real real hard, THIS TIME he'll be right about something.
Also frankly his con sources aren't even that good, apparently mine outrank his, and that's all I can say, because he'd also be shutting up even from a con angle at this point if he had a real clue. If ANY of his CE connections were even worth a damn he'd have the context and information enough to know one of the several reasons I keep saying TW/CM is fine.
in hindsight it's genuinely funny that for all his work and posturing, the market i've made clear I give a shit about the absolute least and ignore until he and his friends fuck up on main, i still somehow have better ears on the wall at than him. without paying a dime. bless.
if the man stayed in his own lane and just admitted he was only a con coverer, I wouldn't mind. I'm sure he'd still butcher con coverage, but everyone butchers con coverage. But it's his desperate need to pretend it makes him Somebody That Knows Something, even when he's proven a hundred times to the opposite. Nobody would bother him if he just reported shit, it's him pretending he can talk in the production box by proxy that turns him into a living clown.
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seesgood · 3 years
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can we very gently talk about call out posts / culture really quick?  not in a judgmental way, but in like a: i just want to pose a thought and explain why i’m never going to buy into it and why i wish it would become less of a trend instead of more of one? and i’ll add the  disclaimer  here: i totally get not wanting certain people around you for various reasons, that is all your prerogative. that’s your comfort level. but in emphasizing “your blog should be a safe space” we’re kind’ve losing sight of the fact that the rpc should also be a safe space, and as much as your comfort and safety matter, so do other people’s. and not just the person who hurt you, but the third parties and other mutuals and 99.9% of people who are not at all involved in any way in whatever happened. so, anyway here goes, read it or don’t, we all have different opinions or reasons, i just want to be heard:
people are allowed to change.  think back to who you were last year. two years ago. think about the stuff you said when you were seventeen, or twenty-one, or hell whatever age you were. current-you would probably cringe at the kind of stuff past-you had to say. because you grew. you learned. you had life experiences. in hindsight you have the freedom to be like “oof yeah that was not the best version of myself right there damn i don’t want to be like that again.” the growing trend of ‘here’s a 10+ page google doc complete with out of context screenshots that sometimes date back to like 2017 or earlier’ makes this kind of change impossible. because right there, you’ve just frozen a person in time, probably not at their best, removed any and all amounts of context, and put it on the internet and let other people judge it for themselves. 
so that leads into another point that i want to just kinda present to the community at large: the act of documenting behaviors and storing them for months / years at a time, in itself creates a super unsafe environment, not just for you, your friends, the people who have hurt you --- but also for anyone else that isn’t at all involved in whatever happened. like, for example, i like to think that i’m a pretty nice person. i actively try to be a nice person. am i sometimes not having the best day? have people definitely caught me in bad moments? oh hell yeah. but am i, as someone who tries really hard to be nice and welcoming, constantly thinking through every message i send to someone knowing that a) i could have a reputation that makes them read into context that isn’t there and that could contribute to them misinterpreting words i meant in a different way, b) very aware that every post i make, ask i send, message i send can at any moment be screenshotted and posted and taken out of context and either serve as someone’s only opinion of me or pile on to someone’s existing opinion of me? yeah. so in my experience, and based on people i’ve talked to, we now have this thing where you can be surface-friends wtih a lot of people, but if you want to survive in the tumblr rpc you should really only have 2-3 people that you really trust that you can actually talk about shit with. 
and lately i’ve been seeing a resurgence of posts on my dash about like “bring back xyz in the rpc” or “the reason the rpc is like this is because of xyz” and i both agree and disagree with a lot of this, but primarily i think the reason the rpc is Off lately is because everyone and their cousin has a DNI, which is --- again --- your decision and i understand and respect that, but while you know the context of every name on that DNI, other people don’t. and to be honest: other people don’t really care and honestly maybe they shouldn’t care. --- and don’t get me wrong, your friends should care if someone has hurt you. that’s important. but joe billy bob who just wants to write their character with yours is going to read through your rules, they’re going to see “do not interact with me if you follow with or interact with these people you’ve never heard of and if you want me to tell you why just message me” (which no one is ever going to do, i’m sorry to say). and say, joe billy bob also followed that other person because they were like ‘omg this blog looks cool’ --- now joe billy bob, who just wants to write cool plots, is suddenly the middle-man in some type of drama that they do not understand, and maybe they’re able to remove themselves from the situation, but even then it’s still in the back of your mind. 
this is getting long. it’ll be longer, but let’s take a brief break for me to remind you that in some cases, it’s definitely good to give your mutuals and friends a heads up when someone has done something really, really bad. like, remember x amount of years ago when some dude was like ‘i’m gonna make up a new person and say they died by suicide as a social experiment’ or ‘hey this person actively tries to force very triggering plots about abuse / rape / incest onto people and has been doing so for years and does not seem to change their ways no matter how many people try to educate them’ that’s shit people should probably know about. and it’s also okay ( in my opinion ) for your friends to be able to message you like ‘hey i saw you’re writing with x and i just wanted to let you know i had this experience with them’ if that’s something they feel comfortable doing. and if they are comfortable with you still having the autonomy to make your own decision regarding the person. 
i’ll be honest, for a second: i’ve been part of friendships and groups that have turned really toxic for one reason or another. a handful of times. there are probably people out there that are like “yeah this chick is really fake and manipulative and etc, i was friends with her back in 2019″ which, okay. yeah. i’ve definitely done shit and said shit that was not the most representative of who i want to be and who i want to become, and you probably have to. because we are human beings and we are a product of our social groups and the community around us. and you shouldn’t be chained to a version of you that isn’t you anymore. people change. they grow. you don’t have to like them, but you should respect that sometimes people don’t mesh, and that doesn’t mean any of them are bad people, it just means the experience was bad. 
a few additional notes i would like to make but i’ve already gone on way too long:
90% of the callout posts that i’ve seen and the DNI’s that i’ve seen can, in my opinion, be classified as a friend group thing. you were friends with x, x did something, now y and z aren’t friends with x anymore. pain is a very, very real thing and people hurting you should never be minimized, but at some point i just want you to remember that not every friendship is going to end happily, but both you and the other party should be allowed to move on and grow better, healthier friendships after. rehashing Friend Group Gone Wrong instances removes that ability for not only person x, but also person y and z.
you putting out a callout says just as much ( maybe more ) about you than it does about the other person. which sucks. because i’d like to think we all have great intentions, and i’m not saying that you should swallow your pain, but it might not be the kind of thing that impacts the community at large, and maybe you should try to find a better way of working through it with a trusted friend(s)
i’m going to be very real and very blunt on this one: literally no one cares. i say that with love. i’m good friends with people who have each other on their DNI’s. establish a baseline of respect and ‘i’m not going to say anything to them about you and vice versa because there’s no need for me to do so’ and move on. but seriously. no one cares. most outside people read callout posts because they like being in the know about the drama, not because they actually care. 
person a and person b who are mentioned in the DNI / callout aren’t the only ones who are going to be affected. your friends, your mutuals, your writing partners are now all put in a weird spot where you have to pick sides on an issue you know nothing about and shouldn’t have to know anything about. you’re asking people to choose sides on an issue they cannot fully understand, and that’s not fair to them or to you. and it drives great people away. and then we all lose out on having more awesome people in the rpc.
you’re entitled to your safe space, but this is a public platform and you are also responsible for maintaining your safe space. you shouldn’t put it entirely on other people to do that for you. you can block, blacklist, make up funny names for, or spitefully erase from your many anything and anyone that you wish. but you shouldn’t make your friends do it for you.
there’s always an inherent power imbalance when any kind of drama occurs between those who have more followers / friends / connections and those who do not. and the smaller blog is always going to suffer a little bit more because they don’t have people blindly coming to their defense. 
bad moments, bad experiences, bad decisions DO NOT equal bad people. 
allow people to make up their own mind about something or someone
anywho, if you read through this whole thing i think i owe you financial compensation. but also thank you for reading / listening / considering. even if you rolled your eyes through the whole thing like “stfu lia” that’s fine. i’m just presenting an alternative thought. i’d like to once again state: i’m not judging you if you’ve made a callout/DNI or if you’re on a callout/DNI. like i literally don’t care. and frankly, in my opinion, i shouldn’t have to. because i, and you, and your friends, and your mutuals, and your non-mutuals should be allowed the space to make up their own opinion and mind on something or someone without being told that there will be consequences if they don’t agree with you. set boundaries. communicate in healthy ways. you don’t have to forgive the people who have hurt or wronged you, but you also don’t get to decide that their actions make up 100% of who they are as a person, or decide that that is the only side of that person people should get to see. 
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mxvladdy · 3 years
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Barbatos- True Form
It’s here! Thx for your patience's I hope it’s worth it :<
Last but not least for this series is: Belphegor  
Of all the demons you’ve met, he unnerves you the most. Not because of his demeanor or temperament. No, no you genuinely like him and his company. There is just something about him that unnerves you sometimes. He is just so hard to place.
You see- how can I explain this. The brothers are easy to understand’ easy to neatly categorize and compartmentalize in your mind as friend or foe. For as ancient as they are you do share some common traits. Family lineage for one. Traceable origins. It’s familiar, it’s comforting.
Hells, even Diavolo has an origins, a genealogy one could trace. A family made of stone flesh and blue blood. (He’d be happy to tell you about it too- if you have a few eons to waste).
But Barbatos? Barbatos had just always been- here...there? From the context clues you’ve picked up from Lucifer and Diavolo he was older than even the great kings of the past. He even helped raise the crown price. He grew in experience and expanded his talents, but never aged. Did he have kin? A bloodline? Hell did he even bleed? His very existence raises the hackles of your self preservation skills. 
If he is older than the old kings is he old then the concept of time itself? Does the idea of time really exist to him at all? 
The odd fight or flight feelings he gives you lessen and disappear over time though. He knows he can be quite uncomfortable to the human psychic and evolutionary survival traits instilled in you after hundreds of thousands of years fighting to the top of the food chain. 
It took you a bit, but one day you finally warm up enough to ask him about- well him. How he works, and what is relation with the idea of time even is. It was shot in the dark question. He is a notoriously private demon. But for you he will open up a little. Besides it’s not like you could do anything with the information anyway. Just promise to never tell Solomon. 
The best he can explain time to a mortal is in an analogy. If time was an object it would best be described as a stream or creek to him. And all the little minnows and guppies trapped in it’s currents were the beings of the three realms. While they are bound by the waters he would be the one standing on the riverbank. 
Most of the time he is happy enough to walk alongside the flow. Other times he enjoys simply dipping his feet in and watch it all pass him by seeing what it all does without his intervention. 
Others he’ll slip in himself and gauge out new deviations and channels of his own. He loves to see what flourishes in his hand crafted areas without intervention.
He does confide in you however. Despite his age and maturity he can still slip up from time to time. He is not infallible after all. Barbatos’s corporeal existence depends heavily on his emotional state and mental fortitude. If he is not careful he has a tendency to just-get swept up. 
One moment he is having a delightful time with you over a fresh pot of tea and the next… You had a lovely funeral. Wait- hmmm no. Honestly, humans can be so gaudy sometimes. He was actually offended on your behalf. The flowers weren’t even freshly cut. 
Ah well. Once he is stable he’ll simply dam this stream and kill the flow before this travesty would happen. Now where was he? Ah yes, do you think this blend goes better with Madame Screams or a human bakery? 
Truthfully Barbatos doesn’t use his abilities all that often. It gets boring real quick. But sometimes he is tempted. Anything to do with you is a struggle to be exact. Most streams involving you he is happy to let slip by. All the ones of you falling for the brothers, or his highness, even the angel. There are even a few of you falling for Solomon. Those he doesn’t wise to see. 
But the streams where you fall for him? The itch to look is overwhelming. Just a peek, a small taste of your favor. What had he done to make you his? Did he have a chance in this timeline? He always loved a good mystery. So he’ll bide his time and wait. 
Now naturally there are some other rules to his existence. Being constantly hyper vigilant of himself can get exhausting and he needs to rest. He doesn’t sleep though, not by human standards anyway. You’ve walked in on him “resting” once or twice. He calls it a stasis period. To you he looks like he’s frozen. Stock still and just standing there in his room. His lanky form flickering in and out of focus. After images appear around him, hundreds of different hims there but not. 
It’s an absorption stage, or so he explains. All the input from the trillion parts of hims scattered about all sharing like a hive mind their encounters and experiences. This is the one time every version of him is in sync and very vulnerable. 
While he can convene with all his scattered parts of him in stasis he still cannot be in the same visible area as them. One of the two would have to yield to the other. The weaker one reabsorbed quite violently. It is a most unpleasant feeling. 
After exerting large amounts of energy and not resting it can take him a bit to recover, and it is very noticeable. He lags hard after such instances, literally. The first time you saw him snapping and rubberbanding around the castle gave you a few more grey hairs then was normal for your age. He’s normally smooth movements were now choppy and stiff. It would have been funny if you weren’t so worried for his well being. The only thing to stop him is Diavolo himself having to throw his weight and power around to get him to rest. He hates being reprimanded. 
Don’t get me wrong though. He loves serving the royal family. The years spent in the Devildom have been an utterly delightful vacation. The menial labor and tasks keeps his mind anchored in the present and mutes all the other voices of him to a manageable static. 
Now when it comes to his form quite frankly even he has forgotten what he originally looks like. He has been in this form for so long he might as well call it his original form. You ask to see it once, beyond curious. If you could see it that was. Was he like Dia? A formless form? A mass of contradicting layers stack one on one on top of each other?
He is hesitant to say the least. He consults with himself on this. Have any of the others come across this yet? If not he promises to look into it for you. He practices with Simone, knowing that aside from Solomon he knows the limits of a human. Once certain he comes to you delighted to share himself with you.
He is so smol small. His form fitting neatly in the palm of your hand. He is warm and pulses like with a faint heartbeat. You can’t really make heads or tails of what his defined form really is though. His tiny form is covered in a glowing haze flicks of distorted images and sounds invade your senses whenever you hold him. But one thing you can sense in some kind of bony nodules and slender legs. Thousands of them all skittering and tickling your flesh, like an obscenely long centipede.
Now that you know of this form he likes to pop up from time to time when he misses you. His favorite spot to appear is in the breast pocket of your uniform. It’s dark and quiet and close to your heart. While he can’t talk in this form, the physical closeness is enough for the both of you. 
Mini Fic
“Be honest with me. Which one of me is your favorite?” You flip over onto your pleasantly full stomach. His tea sandwiches and cakes make you feel sleepy. You stretch out with a grunt of happiness enjoying all the little touches that were distinctly Barbatos. The blanket protecting you from the early morning dew smelt of elderflower and juniper. The fleece material was a personal favorite, soft, warm, and perfect. Even the foods had all been your favorites. He had crafted this all with you in mind. Surely you were the favorite. If he would put this much effort into it.
The demon in question hums from his chair. A steaming cup of tea resting lightly on his bottom lip. A perplexing thought. Each one of you was a delight to his many senses, so similar, yet so different at the same time. Like a reflection in a broken mirror. Each one so stunning and vivacious in a way only a human could be. Yet so few even glanced his way. “Does a parent have a treasured child?” He quips back. 
Your peal of laughter warms him better than any tea. “Ha! You must be an only child then.” You snort. He matches your smile, pleased that you were pleased. 
“Perhaps-” He takes a sip cutting off that train of thought there. He didn’t need to sour a pleasant morning with such melancholy questions. Was he an only child? Surely he at least had a sire. If he had such kin would they have not met by now? He was on every plane of existence that he knew of. Had they missed each other? Slipping past each other like ships in the night.
More likely they would be more like two similar ends of a magnet being forcibly kept away by their molecular structure than merely missed chances. Incapable of existing in the same dimension at the same time.
Ignorant to his inner turmoil you flip back over to your back eyeing the snack tray he refilled. “How much longer now?” He checks his pocket watch then looks out at the carnage below them.
The Battle of Omosu was in full swing. The ancient warriors below oblivious to the strangely dressed human and otherworldly man sitting on top of a neighboring cliffside to observe the preordained outcome. “Any moment- now pay attention.” He chastises you but without any heat. Pocketing his watch he comes to sit beside you on the fleece blanket. You scoot closer, happy to have his naturally warmer body beside you. The heat of which fends off the cold sea breeze. “There, look.” He points to a growing patch of bubbles by one of the enemy ships. 
The water turns turbulent, oily green, and black bubbles foaming on top of the surface. “Wow.” It was all you could manage to whisper. 
Leviathan enters the fray now, called forth by his pact barer. The great serpent emerges like a ghost from the depths. Invisible to the other mortals you watch fascinated as his massive tail wraps around a boat crushing it as easily as if it were a stick. Another capsizes, getting pushed away by his massive shoulder. 
The sailors fall into the choppy water mouths open in silent screams. They would not survive after hitting the water. Levi’s legion waits below, ready to drag them deeper down. Their bodies will be added to the Devildom navy. Something dark and humanoid darts around the remaining boats. From what you remember from class Levi had called forth an umibozu from the nearby depth for this fight. Its bloated grey body jostles the boats knocking more sailors overboard whole. The two of them make fast work of the enemy ships. The human sailors pick off the rest.
“Quite impressive.” Barbatos remarks. “I can see why humans want to make deals all the time. But what a terrible cost, don't you think?” 
“What’s going to happen to the pact holder?” You ask. 
“Depends on whatever Levi feels like. Mostly his holders are trapped in the depths of his realms. Left to the devices of their victims. But each brother is different.” The air around you both grows thick with your sudden fear. You rub subconsciously where your pact mark rested, eyes blank. 
He places a firm hand on your thigh bringing your focus back to him. “Don’t worry. Like I said the choice is up to the demon that holds the pact. I doubt you would be advantageous to the royal navy.” You chuckle weakly, still rubbing at the growing chill climbing up your arm. “Will this be enough for your project?” He removes his hand begrudgingly away from your soft leg. “It is getting late.”
You nod glancing back down to the battle. It was already over-with the great sea beasts and demons in the water, Takeda’s forces didn’t stand a chance. You don’t wait to see Levi’s victory lap. “Yes, thank you for your help.” You accept his help in picking up your books and supplies. “I hope Kinz is happy with this.” You had been having a bit of trouble in your history class with Professor Kinz. Nothing major, you had assured him. But if it continued your ranking within the school would be at risk, and with it your scholarships. 
“Any time.” Barbatos moves an elegant hand to the center of your back escorting you away from the edge. A door slowly emerges from within the mist. He grabs the semi-translucent knob and opens it for you. “I know it will be more than satisfactory.” 
“Ye?” You adjust your pack’s shoulder strap bracing yourself for the weirdness of time travel. “Think you can give me next week's lotto numbers? I’m asking for a friend.” Your teasing pulls a deep rumble from him. It was all in good fun, but truth be told he came to find that not keeping one of his many eyes on you had the most enjoyable outcomes. You little human ramblings and witty comebacks being one of them. You at least weren’t afraid to joke around him. 
“Now, who said I did anything of the sort?” He chuckles. Keeping a firm grip on your forearm he ushers you through the threshold. You clung to him hating the sticky feeling of the space between time. It clung to your skin, thousands of webs grab and pull at your clothes knowing that you were not supposed to be outside of their control. You were envious of the fact that you couldn’t experience it the way Barabatos did. To him, this was nothing more than the feel of a cool shower. The pulls of time merely buffering off of him. Hardly a threat like it was to you. 
He sees you off at the gate to the house bowing deeply as you hop up the front stairs waving at him. You had to hurry lest you be late for dinner. Once you had disappeared through the door he melds into the timestream once more emerging in front of your classroom. A week had passed and your paper was due. He was excited to see what you had gotten and just didn’t feel like waiting this time. He could indulge from time to time. 
The bell rings and your class files out. They pay him no mind. The prince’s butler was nothing to gawk at. He counts heads. His frown deepens when you do not appear from the lecture hall. Kinz leaves the room last, her heels clacking obnoxiously on the marble. “Oh! Good afternoon Barbatos, are my services needed by the prince?” She smiles showing far too many teeth to be considered polite. Their mutual dislike of each other was a poorly kept secret. But she had a talent that Diavolo needed; for the moment. 
He matches her predatory smile. “I was here looking for our esteemed exchange student.” Her smile falters, her hackles raising for a moment before her face goes blank. 
“They didn’t show up today.” She flicks her tail dismissively. “You know how pathetic humans are.” She challenges him, locking eyes with him like the fool she was. 
“Hmm. I do not share this sentiment, but it is unusual to have them miss class.” All airs of pleasantly evaporate from him. The cold fury of his ire permeates the narrow hallway. Kinz flinches, breaking eye contact with him. Her weak attempt at dominance is gone. “A moment if you will-” His voice brittle and laced with malice. “I shall return for you later.” He bows shallowly and blinks out of existents leaving the woman quaking in the hall. 
________________________________________________________________
An insult, a complete violation of the rules set by Diavolo himself. If the celestial council caught wind of such a flagrant disregard for your mental well being- the program would be in jeopardy. Hiding your death had been hard enough. But a room full of demons acting out unsupervised? 
Barbatos struggles to control himself. He could feel his grasp on himself waver with each passing second. His very self unraveling at the seams. Your tears fuel his rage.
Kinz stands over you mocking your relentlessness in front of your peers since the brothers were not present in the class. You had been so excited to test your merit on your own, believing that after getting to know the student body you could handle it. Diavolo approved, figuring his name and the program's initiative was enough to protect you- at least on campus. In theory, it seemed like a good idea, you were well liked among the student body. But that same feeling didn’t bleed over to this particular teacher it seems. A grave error on the councils’ part. 
Barbatos watches along with the rest of the silent class as Kinz burns your paper at the front of the lecture hall, berating you for “showing off” and “abusing your statues for brownie points”. You leave halfway through the start of class. A trail of salty tears and ashes left behind in your wake. 
Such disgustingly uncouth behavior. To a guest of the prince no less. To you. 
He arrives inside Diavolo’s office in a blur, filling the empty air by his prince’s side. The younger demon used to the sudden comings and goings of his most trusted ally didn't even look up from his paperwork. “Something the matter? You are getting a little wispy around the edges.” Diavolo asks signing off on a form. 
Barbatos inhales deeply focusing on his present self. The unneeded action of breathing, the expanding and contracting of his chest cavity was soothing. Not necessary for him, but nice. Yet another odd quirk he had picked up during his time in the Devildom. “Kinz has been putting the program in jeopardy.” He grinds out once he finally locks himself back in. 
“Oh?” Diavolo dips his pen in its ink well. “That is quite unfortunate for her. Do you suggest a council meeting on the matter?” Barbatos bites his cheek. 
“I believe her offense far outweighs just a slap on the wrist. I believe her tenure should be revoked. This isn’t her first strike.” 
Diavolo chuckles resting back in his chair. He gives his full attention to his butler who was bustling around the room, tiding an already spotless room. “I haven’t seen you this bloodthirsty since those scribes in Alexandria poked at you.” 
“I gave them a fair warning. As I have with Kinz.” He bristles. Diavolo waves a hand, willing to listen. “Kinz has taken up public humiliation and verbal abuses since the brothers are not around to interject. You know how she is. This will only accelerate in time if not nipped now.” 
“Is that what you see?” 
“I don’t need to to know.” 
Diavolo sighs deeply, weighing the pros and cons of losing such an asset. He already knew his verdict, as did Barbatos. Even without his powers, they both knew either one of them would bend for you. “Fine.” He returns to his desk of papers. “I will let you do as you please. Just don’t tangle things up too much.” 
“Thank you, my lord.” 
In a way, it was a pity. Kinz is- well- was one of the Devildom’s more esteemed historians. Her place amongst the upper echelon had been a commendable feat. She certainly lasted longer than the archivist and scribes that had come before her. 
 Barbatos stares in disgust at his once stark white gloves. But better soil a pair of gloves or two then touch her wretched corpse with his bare hands. Ugh. Was that some viscera on his wingtips? The cruor of it turns purple as it oxidizes in the open air. Perhaps he had gone a bit overboard. Though to him, it was merited. She had been a pain in his ass for years. Plus the past thirty or so versions of her had put up a bit of a fight. Once even he had walked in on a reflection of him taking her down for some other transgressions. He rolls his shoulders as a phantom twitch shoots up his spin. Merging consciousness was unbearable. Yet, as he went about his duties “cleaning” he realized he would handle as many as needed to see you safe. Fascinating. 
At first, he had debated with himself on at least keeping a few versions of Kinz around. While he universally hated her, there were a few less volatile Kinz floating around. If only to steal her work for the prince and his goals. But even without her, her discoveries and advancements would be found by others. He had even found a diamond in the rough, a potential successor. Given time to grow and which paths they take they could benefit Diavolo greatly. Even more than her. A gamble he was happy to take. With that discovery, Kinz’s faith was sealed. She was set to be only a figment of a memory left in his mind. The rest of the universe will never remember her.
 ______________________________________________________________
You stare bewildered at the aged bronze plaque on the door. Something about it didn’t sit well with you. But damned if you could place it. It had something to do with the name. Des Moines...Moines? Who in the hells was that? You glance at your schedule like it was your first day of school instead of your 150th. 
Room 325- Demonic history: Professor Des Moines Riel.
This can’t be right. Where was Kinz? You grab at your head crying out at the sudden violent throbbing that erupted between your eyes. The queasiness it caused was beyond description. It was enough to send you to your knees. Indecipherable images layer themselves in your mind, folding and stacking on top of each other. The mounting pressure scares you and then-
Nothing.
Bliss and clarity. Like sucking in a breath of fresh air after a near death experience. What were you thinking about again? How did you end up on the floor? Shaking yourself from your stupor you stumble back to your feet. The school hallway was too stuffy for some reason. You needed to walk away, especially from this door. Just looking at it made your stomach clench. Yes, you needed some fresh air. That’s all. 
“Is something wrong?” Patent leather shoes appear beside you matching your hurried gate effortlessly. You shake your head, not trusting yourself to open your mouth lest you start feeling ill again. Barbatos stops you with a gentle hand on your waist. He scrutinizes you, teal eyes roving over every inch of you. Shucking a glove he places a warm palm on your forehead. “You are clammy.” 
“I’m fine.” You lie through your locked jaw. “Just got dizzy for a second.” He looks alarmed. “Don’t worry about it- probably just one of those mysteries of the school.” 
“I’m not worried about it, but you on the other hand.” He looks up from your flushed face to the hallway you had vacated in such a hurry. The history wing. Could you? Impossible. “Is there an issue inside the department?” Had he missed something? 
“What? Oh, no really! Everything is great! I think.” You lean into his hand now resting idly on your cheek. It felt so good compared to your cold skin. “I just- I could have sworn. Is Riel new?” You rub at the bridge of your nose. A knot was growing between your eyes now. “Where is Kin-Kinel? You draw a blank. A name was on the tip of your tongue. You glance up at Barbatos. His hand on your cheek becoming stiff. “What?”
“Nothing my dear.” He recovers smoothly. The hand on your cheek slides down to your shoulder. “Perhaps you should sit out of this class for today? You sound like you're overworking yourself. I’ll make a note of it to Diavolo and Lucifer so it won’t be counted against you.” 
“I- don’t think that’s wise,” You argue meekly. “I have a paper to work on for this class-”
Barbatos ignores your weak plea. Drawing you close to his side he steers you down to the lower floor. “Nonsense. Why don’t we spend some time together? I can help you with that paper later as a trade.”
Hmm. That wasn’t a bad idea. If any demon could get you out of class and help you make it up it would be him. Maybe a little break would be good for you. Though you can’t remember why you needed it in the first place. 
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misterbitches · 3 years
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I ship muren and li cheng bc i only saw it through gifs then i watched this episode cos i was like im only starting this show if they kiss im waiting and they did and it was nice and i got so anxious that i was about to fucking vomit. I really like them together. The top/bottom shit is dumb and i hope if they must mention it they all build a bridge and get over it so they can switch cos who gives a shit. I didnt realize how large they all are like most “tall” men on tv are lying. But bc that kid is so thin and tall and the other one (idk the stepbrother) is huge too. Li cheng is shorter than them both but more ~manly~ but still short so why doesnt he take a DICK UP HIS BUTT XD since that’s all that fucking matters and there’s only 2 genders and 2 eays to have sex lmao so nothing else otherwise ur screwed
Hd a terrible past couple of weeks personally and because i keep seeing my peopl eget murdered and things ripped from us ^_____^ anyway here’s Some libertatrian communist dumb bitch discoars so i’ll tag it:
keep in mind these are my opinions’”” when i engage in discourse. I am not the end all be all and I don’t need you to agree. There’s some shit I am non-negotiable on but thsi is just exchanging of information. Any authoratative tone I take on comes from my beliefs, my life, my experiences, and what I choose to cultivate as a person and an artist. I dont have control over your feelings, you do. If it hurts you then either tell me the issue and be PRECISE about it, understand that context matters which is why i type so much in engagement, and do not fucking lie or misconstrue my words. Do not call me western ever in your life either. I am a black-american. I have adhd and bc i am a black woman if ur automatically thinking im brolic i am accepting money in my paypal for ur wellbeing to get me to shut the fuck up.Thanks.
The stepbrothers storyline is stupid and lazy writing. I really want to counter people that say it’s written well and that it’s interesting because it isn’t. Even if it was illicit and fucked we can write a story out about this. Let’s rethink what they could have done shall we:
- become stepbrothers at about 16 and their parents mismanage the relationship and they fail in trying to get an integrated family together (this is what happened in the #iconic transit girls and that was fuckin’ weird but hey dude guess what we watched it and it was weird but not unethical and we know one is like 19 and the other is 21 and a girl so it’s like wow you avoided so much and handled their stepsister story very…….um lightly given the end lmao but it was there and people had AGENCY)
-OR you realize that freak is obsessed with him and then he realizes it and is like “bitch i swear to god” and in typical shtity trope BL fashion they can find a way from obsession, to loss and independence when you lose your obsession, to “love” if they choose
- have the fucked up shit but make it clear what the issues are and you literally cannot write your way out of it so do not try
But why can’t fucked up things be shown? Also this is realistic.
0. Well according to you but no one said that they can’t. So that’s on your interpretation of critique (that is, again, not bullying or harassment.) They can, i just gave plenty of scenarios in which it is affective and not just annoying to witness, trope-y, and frankly ridiculous and offensive. Sorry! They don’t do it well. You can come up with alternatives too. See #2 btw.
1. No it isn’t doing a good job of reflecting life because life has consequences. The exaggeration in drama doesn’t mean the arc shouldn’t be there. Almost always things that aren’t heavy with the message or meant to be sobering in a deep way are COMPELLING. The realism is the basis for art because we are human. This is not the way real humans act.
Someone said Tharn Type was mature and I had to laugh because no, no one acts that way and is “in love” if they act that way that means they fucking hate each other and they’re immature and frankly it’s just not that interesting for many of us to watch because the dramatization of the “realism” is fucking bonkers. That was such poor writing it is unbelievable and someone has the audacityt o say it’s how real adults act. Fucking murder me if I’m with someone for 7 years and we break up over a miscommunication and for some reason I am not as horny as my always horny boyfriend. The fuck? What kind of lives do you lead? Either you are not an adult or you are an adult who needs therapy.
I also hear the “realistic” argument but then people try and temper it with “but also it’s fiction.” What do you think fiction is? Why do you think filmmaking exists? Number one, it’s propaganda in the sense that you want others to buy into your presentation and see what you see. That means that the creators are telling people and influencing them WITH ART BECAUSE THAT’S WHAT IT IS about their feelings around a situation. That’s why it is imperative to be responsible as a filmmaker and artist and underline the deepness of creepiness if that’s what they want. If they want to relay that rape sometimes ok and psychos are crazy so they get boy (??!?!?!? BITCH?) then they achieved it with no innovative information. We know people get raped bc we are human beings and many of us live with that fear. You know, being the target demo and all. And bc BL loves that trope it’s rape fantasy peddled to young people and women. Just like shitty wattpad fics or NYT best sellers. Hooray, what now? Or are you trying to purport that this isn’t glorified fanfiction? Which it literally is
2. This is the issue with these shows. No one is saying that fucked up shit cannot be shown. There’s a film about a woman who is raped and she falls in love with her rapist (because he was masked but i think we find out later that she knows. Binoche is in it.) I have no desire for that film—i think it’s by a man and i extra dont care—but I hear it’s sort of powerful for many. I heard it was a good film. But the act itself is always eschewed and the conflict comes from how fucking ridiculous it is especially finding out that she knows. The power imbalance adn the possibility. They may not have handled it in a way I would have cared for but it was there.
There’s simply no imagination because these people do not care that much and aren’t great writers and filmmakers because they simply do not have to be. Sorry.
The industry doesn’t rely on the best they rely on efficiency (this is everywhere.) You can tell by the camera angles, the editing, the camera itself (idk if it is multicam but the flatness is typical soap flatness without the glowboxes to soften their faces.) Simple constant lighting. Now the surroundings are mostly beautiful. But even to some of the costumes. And those edits are abysmal, some of that camera work.
So with all that said even with the couple I extremely enjoy I see its (H4) faults. Add into that a lazily thrown together “shocking” love and if they are trying to get us to feel a type of way about its sexiness they fail. This is why movies like 50sog, 365 days, etc aren’t enjoyable to people because it’s fucking strange situations that they dont want to entangle or make enjoyable to viewers across the board. They know what people will take. It’s just that bitch what are we here for if even the sexiness isn’t there for ur stupid story.
At least with that teenager and 30 yr old man in MODC (which i do not love but i like them in theory if it wasnt totally repulsive to me and also if it was developed in a way that was good TO ME) they had their, er, “sex appeal” i talk about this as well the main couple in MODC to me, visually, was a miss. Not bc whatshisface was small and stuff but bc he was so sickly and they needed that to propel the story but it was just not appealing given how the story progressed. A missed opportunity in tying the two together besides making him look waif-y and sickly only to have the “did ur mom die in a car crash? No, cancer” type of move in not another teen movie. But the opposite. And not funny. Wayne tho????? GORL. Eggs. Cracked.
fandoms have a very warped sense of harrassment and discourse.
Most fandoms have harassers who are “protecting” the cast and crew who don’t need their protection (or maybe the crew does since they probably dont get paid well but why the fuck would anyone care about that lol) but very few have the people who have concerns or massive critique about the show are not going to be “bullying.”
If people are saying “if you like xyz, u suck” then sure it may suck for you to see but who fucking cares. Either talk to the person or don’t be friends with them. That is not bullying or harrassment. Things that are shitty get criticized. Fuck, things that aren’t shitty don’t. Get away from this idea of cancel culture and people misunderstanding the story. We have the ability to.
Think beyond your noses of personal preference. You don’t have to convince people of what you believe. Discussing it is good but critique is not bullying, harrassment, or hate. Neither is fucking roasting shit because even this shit I like (manner of death lets say) deserves it. Art is meant to be critiqued and if you dont fucking like the bullshit people make then say it. They know stupid stories like this are scandalous and they don’t give a shit in how to present them.
And guess what? You won’t like everybody. Many people can’t stand me i’m sure. Oh well. I mean frankly I don’t like that and I feel very unsettled when I don’t feel understood. That’s ok! I have to temper it. Sometimes calm myself down. I won’t get anything and everything I want. And you won’t like every opinion and sometimes it’s like “man am i a dummy?” But the part of growing up is fucking maanging that and beng honest about “bashing and harrassment” and “bullying” and growing up. Yuo can like what you want the “let people like what they want thing” is so fucking juvenile and THAT is not the real world. Which is probably why so many people feel that way, they dont want to live in the real world. Unfortunately, you do.
Think beyond our noses of personal preference and what we feel emotionally in conjunction with others. You don’t have to convince people of what you believe. And you can say things that you believe to be true but it doesn’t make them so or maybe it isn’t received that way to people. And many times we learn new things in the discussions “oh shit i didn’t see it that way” right? Discussing it is good but critique is not bullying, harrassment, or hate. Neither is fucking roasting shit because even this shit I like (manner of death lets say) deserves it. Art is meant to be critiqued and if you dont fucking like the bullshit people make then say it. They know stupid stories like this are scandalous and they don’t give a shit in how to present them. Usually the “opposition” in these situations aren’t the popular beliefs that permeate through society. Trust me lmao
Antiblackness
Antiblackness is a thing. It permeates everywhere. It permeates in this genre and it permeates in fandom. Get it the fuck together. Also do not conflate cultural relativism with being repsectful. They are not barbarians, they are smart human beings either making work or deciding to. We all have diff cultures but we have fucking sense in what is respectful and not. And if we don’t we fucking learn. You cannot excuse things and say “oh culture” when you have 0 idea of that culture or actual people who are radical etc and are fighting against it. Additionally the word westerner is an ignorant term when referring to people in the US or UK who are black. Because we are not. We extend sympathy to other groups and empathy since we know so there is no inherent power imbalance between a black viewer and their subject. Don’t suggest that because it’s wrong and ahistorical and contextless.
FIRST the fallacy of representation as freedom makes people fucking complacent, individualistic, and doesn’t let them think critically. Consumption and discourse around consumption is not helping material conditions of the marginalized communities in your home, the black ones who are ignored, those intersectionalized in these communities. Groups talk about art and what it means for them outside of just what we see and because we also don’t have access to a bunch of Thai reviews or what movements or going on we are less likely to know if we don’t FUCKING SEARCH for it. Because art is constant...which leads me to....
Representation is difficult. It matters and it doesn’t.
Tthese shows are not meant to overturn the LGBTQ+ community.
There are queer filmmakers and artists in these countries. Deep illustrious film careers or even TV that is moving and deliberate. We can even see it with the dude from “your name engraved” in their short series he was in beforehand. BL is no wa pejorative because it is simply not “qu**r” storytelling whatever that means. But know it has always existed everywhere and there are also out artists or radical artists in all these countries who do no respect mediums that are cash-grabs and poorly made.
ex: As much as “Like in the Movies” sort of isnt for me and is a bit hamfisted you can tell how much love goes into that. Love of the characters, acting, and message. Yes it’s cringey to see some of the lines (like very tbh subtlety wasnt exactly their strong suit) and yea naming them after lenin and marx is just 0ihgoaudgijposkagjihou BUT GUESS WHAT? THEY FUCKING DID IT. THEY TRIED. And class was a large component as well bc u cant fuckin ignore it. The show is aware of the machinations in its world as a show but also in the philippines and for a fuckin reason. And duatarte? Loooooooool so like yea not so sure bl makes him love his ppl but the show isnt trying to do that
It’s not a transgressive genre and it has no reason to be. No ethical anything under the way we live it’s just trying your fucking best to be. That’s it. They serve societal ills and capital’s purposes. Which is fine but it is not revolutionary.
These countries in SEA or even SA do not have as big budget for even mainstream dramas—though things are changing and that’s bc REVENUE like revenue from kpop is fucking huge for SK and again so much about that is bc of what happened in their history from japanese imperialism to WWII to the US—so for “queer” stuff it is sort of now important to make that an export and it sure is one. Not only globally or to the west but a lot of these places make their money within asia (duh!) outside of their countries. OBVIOUSLY. so BL is a way to output and gain money. The thing is, it doesnt seem to be put back into the industry at all. For people in all these countries to make works that aren’t for mainstream or wont reach as many people there’s a difference between trying and just shoving shit in your face and going here it’s gay you like it right? But dont antagonize the inherent patriarchal nature of BL.
Another thing: did you guys know thailand was never colonized? You should look it up. There’s little hints of things in ITSAY to represent french influence still. Isnt that fascinating? Find out why. It’s certainly interesting that the representation, though damaging and dubious many times and also incorrect like any media, is huge in asia and this isnt a commodity here (the US) exactly. A lot of that has to do with colonial ideas of gender of which I am sure. But listen………lmao
Sometimes people dont give a shit. And it very much shows. Here is the thing once again. GOOD TRANSGRESSIVE WORK exists.
Een within the capitalist Bs paradigm or you can see people trying (I can sort of applaud parts of lovely writer) also queer media has always existed everywhere the reason you don’t know about it is because it gets takena nd commodified into a mainstream product. We hvae little incentive, particularly if we are not fans of cinema or art in gen, to search fror others when the output is right here. Being dictated by others and the state and who will give you money. No longer an effort of a cast and crew who want to convey things. But google [any country] independent cinema, radical cinema, queer radical cinema, or even retrospectives on the cinema and rethinking what is queer and radical in film. What if we took that, diluted it, got rid of the creators who put themselves through all the work, ignroe al the nuances and do……………….two actors who are conventionally attractive with no chemistry making out.
It’s the same here lets say daniel kaluuya winning the oscar for the film about the BPP. I heard it was okay and not too offensive but it still isnt’ enough. It still isn’t like hwood isn’t trash, nnati black, misogynistic towards BW and women, and all that other shit. It was pushy but it can’t be enough where we are. Black KKKlansmen i think won an oscar, by circumstance i fuckin hate these award shows they mean nothing, and i like the film a lot but he has his misogynoir still resting in his films even if it is poignant. And it was a film that honestly wasn’t really made for black people. And should all art be a response to direct trauma or trying to make ourselves palatable when we’re just human?
$$$$$$$$$$$$$$$$$$$$$$ and it’s importance (capitalism) but also sorta individual responsibility
Considering a lot of these actors are rich and then just dip that’s another problem. Mainstream isn’t what sustains marginalized art ever. It doesn’t change in the vast ways we think it does. What changes is the people of these groups pushing, fighting, forcing and then capitalism trying to make it work under capitalism. It will not. It cannot.
This is why artists and labels often don’t mix or you see people like Sonic Youth doing whatever they want and pissing off their label but making them give them money. Same with Nirvana. Vince Staples. The thing is they can fight and make good shit but what capitalism helps people….not care? They don’t respect the audience? We’re getting those returns on poor executed product placement, lighting, editing, framing, fucking acting. And you surewon’t see mixed black asians in these shows. WHY R U is the oNLY one i have seen it in and he just disappears (but that was pretty cool.) so who the fuck is this representing? And before you start: asian countries are not homogenous the way we believe them to be. There are marginalized communities outside of even mixed people that are harmed. So you can skrrt cause on that one: you’re wrong buddy. But it gives us the IDEA of a paradise which is what they NEED.With representation and visibility comes consequence and responsibility as artists. What it allows them to do is coast and not think complexly because why should they; it’s mostly the fantasies of some older woman who probably has money and much less interaction with the world. It’s bonkers. And what that allows even further is for them to say YOU ARE THE THING THAT YOU CONSUME and the THING THAT YOU CONSUME IS YOURS. It is not, it is not your identity, form a close bond but figure it the fuck out. Especially for adults who are hellbent on twisting their minds into pretzels and can’t acknowledge what’s just laziness in art and not giving a fucking shit. Truly.
There’s damage that has been done from Parasite as he was supported by CJE&M and the bullshit obsession america had and eveyrone’s poor interpretation of it if they are rich. BJH is a socialist and he is a filmmaker. He has made films that are outstanding and cost a lot of money. But now a fear for indie filmmakers is just not being able to raise that much or have that much attention. Getting funding that helps them instead of expecting the Next Big Thing that is a fad because capitalism is trash. Yes this funneling of money is absolutely harmful to us artists. Even buying in is strategic. Additionally, that film is probs one of the most radical films to have that wide release and accolade (unlike “Sorry to Bother You” which i have a lot of thoughts about. One being that asian exports are acceptable but black ones are not. This is an overall art critique and global media critique. Blackness is removed, not respected.) However, filmmaking isn’t green, it can’t be socialist, and it’s a lot of work. They used tons and tons and TONS of water to do a huge beautiful feat but we still know there is a cost. We have to figure that out because it shouldn’t be. It doesn’t go back into the crew’s pockets the way it should and the work becomes that of the director’s and actors solely. It’s fucking hard. We have to do our part but it doesn’t mean we are doing it perfectly. We just have to try to do better. So does BJH cos he needs to not be a misogynist but anyways i digress.
additionally and this is something some users fail to understand: people in the media sphere generally have fucking money. I went to film school that was international with super fucking rich kids. Taiwanese kids, kids from south asia, china, thailand. They had money. No not upper middle class money, not “rich” money, not some paltry 1m that’s chump change. Fucking money. Fucking RICH-RICH. MILLIONAIRES. BILLIONAIRES. WHICH IS DISGUSTING MIGHT I ADD. The domestic people didn’t have the money for school (in the UK) and i am in a massive amount of debt like every other black student that went there. You do not understand how much money is needed to survive so people who turn to these crew positions even casting etc need this fucking money usually. OKAY. A lot of the people that do well in these dumb shows or even on a larger scale HAVE MONEY. The reason these industries are small and struggling is because of lack of people and lack of resources to independent shit because oh gee it takes money to make things.
Why should I try? Well you don’t have to really if you have money or a name. Yet...
We can tell when like those Tik Tok shows or DCOMs dont give a shit (anymore.) You know how frustrated we get when content for young people is garbage? Well, see, BL is literally that under that system. Occasionally we will get something good now but there is virtually no need in any sector in the world at this point to truly figure out how to make it better and what to do to enhance artistic literacy, outreach, teaching people new things, getting people from these communities there and having true realistic says. Art and culture is IMPERATIVE TO WORLD LIBERATION but not when it is so stiffly trying to bend to capital’s idea of progressiveness. No. Neoliberalism. No.
That’s why in a way ITSAY is a huge feat; it takes from films etc and they clearly had money (the actors rae rich too which….lmaooooo j’aime pas) but it was a respected fucking script, acting was important, blocking, framing. There’s very little to critique as a visual medium for that because I understand what they are trying to do, their market is going to be mostly young girls, but they RESPECT THE FUCKING AUDIENCE. And guess what guys? You can make money from it!!!! WOAH! Since that may be the only goal which is disgusting and repulsive.
HOWEVER AND THIS IS WHAT IS SAD: itsay is an ex of a great show however knowing the actors backgrounds and the pseudo trouble it stirred when they weren’t supporting people protesting against the coup in the summer it really put a damper on my enjoyment. And this is how we can see that:
a) it’s honestly just a show and a good one but b) now what?
These kids (actors, who are like idk 19? 20?) are rich and not saying anything while countless actors, who were filming, did. Even tul who has $$$$ and the thing is the protesting against the coup legitimately attacks the rich. As it should. The protests going on were cries for help, against a dictatorship and fucking coup, asking people to get fucking help for covid, having kids be able to live. There’s a mini on VICE about this and it probably doesnt go too in depth but there’s a kid in there who talks about his friends getting into drugs and how he just wants to make music, have fun, skateboard. And it’s harrowing to see. This is a direct example of what these things do and don’t do. Yea we know a good show is here, we know growing up and slice of life, we know this is a bit of escapism and idealism but the idealism is reflected in the way these actors also choose to live their lives. So what progress? To who? For who? How is this helping me? What purpose does it serve? I say ITSAY serves its purpose as a piece and a glimpse into possibility of growing up but i do not say it antagonizes a broader issue that needs to be relevant in some sense but simply is not. It’s very singleminded and, well, it’s sort of like “besides my sexuality, what do i have to worry about?” But for real humans like....a lot. I do not respect their decision at all.
Why can’t we do our jobs and make something decent and respect our audience? No time, gotta make that sweet sweet sweet cash baybee. Look how progressive we are! Don’t look at history and material conditions. Thanks in advance, management.
History 4 does not have that respect. Many of these shows do not. Sometimes we hit good, sometimes we don’t. But in the end we cannot settle. And I won’t. If I am critiquing something I will not be shy and if I am meant to enjoy something as escapism then these shows NEED to highlight that and it’s rare sometimes (the best twins is a good reminder like that show is bad but man do i Brain Empty when i turn it on and i like that and there’s not much in it that makes me want to kill myself from annoyance but there are transphobic jokes i dont love however the whole show is a comedy about this dude’s crazy homophobic sister and she is constantly positioned as wrong and they talk about the aforementioned trans women as the actor was in drag. Interesting that they can manage that, huh?)
Oh btw.....taiwan has a very complicated history but ignore all the bad stuff it’s good now you can kinda sorta get married and stuff. KMT? You know how i learned that? I care about human beings and read about it lmao. I am not Taiwanese and look at that. So now I have historical and DIALECTICAL~**~*~****~*~*~ context so i can judge it as an artist, a black woman from america, and from the knowledge i have to pick up on their history to see if this fits into a broader picture besides the micro-one of sexuality on an individualized level. And this is kinda where it comes full circle: these shows are not you, you are not them, they do not exist in a vacuum because nothing does. The failure to critique now means continuing on as it has and it will still do so. History and time are not linear in the sense we think it is. Someitmes things are better, sometimes things feel more austere. We are not living under liberation though and these shows are not going to do so. So they are not US nor are they for a nebulous “us” of which the groups are all fractured and have diff opinions anyway (my opinion as a black american is going to vary from an asian woman’s say and that could really clash and i do not feel solidarity with all those in every community i am for several reasons.)
Final thots that have taken up my time and the only thing i actually wanted to write but got distracted:
Anyway my dissertation is that I ilke Muren and LiCheng a lot a lot and i like how cute they are and how truly dumb li cheng is. This is an example of mostly good writing, decent actors, nice chemistry, and sort of a calmness to them. And I super enjoy how Muren is pretty forward with LC in the sense that being together is like very important to truly be together. When he was like “no i didnt forget!” Or when LC asked him something in the office I forget it was 6 am and again i almost threw up and muren nodded and then LC leaned on him. Very cute. I want more of them tho i may have to skip that othre couple (the cameo the ones from MODC) but omfg the younger one HIS HAIR GREW SO MUCH HE LOOKS SO MATURE AND CUTE OMFGIJ0HUG9SAOGIJPKOAGJSIOHUAGIJP hahhaha the one good thing i will say about THEM.idk how old the actor is i figure he was young idk it makes me happy to see him he’s very cute. I hope he’s in something i can watch and not gag at. Is he hot? Who knows but he is a cutie!!
Anyway muren and lc have a good thing going it’s nice to watch ho\pe they dont fuck it up but im truly a sucker for some true finds 2 luvas i think some user on her\e was like i’m not a fan of friends ot lovers bc it doesn’t seem like they’re actually friends and maybe they were referring to this show idk. But it made me think and it was a very good observation. So i think they are friends and also luvrs <3
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asgardian--angels · 4 years
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SO I WATCHED THE SUPERNATURAL EPISODE
...And I just think it’s worth saying that the confession scene is not nearly as ridiculous in context. Which, I think most people who saw the episode would agree with me on this. 
Dean’s reaction is fairly par for the course, both for his character in general and also in the specific situation they were in - they were running from Death herself, barricading the door and waiting for their inevitable demise, reeling from a series of devastating truths learned in a matter of minutes and Dean shutting down and blaming himself for the world coming to an end. Clenching his jaw and taking it is how Dean copes, and right after the scene, Dean is crouched on the floor, head in his hands crying and shaken. Trust me when I say that while it may seem like it to the casual viewer just watching that one scene, Dean is absolutely not emotionless here, and he’s not brushing Cas off. He’s literally on the brink of numbness and subsequent breakdown. 
I’ll admit I had to stop myself from getting emotional during it, and honestly if this hadn’t blown up on Tumblr before I got to watch the episode I probably would have cried, and overall just seen the whole thing in a different light. Frankly the internet hype ruined the scene because it really wasn’t that bad at all! Do we want Cas to die? No. Should they have used the bury your gays trope? Fucking no, but to their credit, they did set this up to happen a long time ago when Cas made this deal and we knew it had to be paid soon. At least the moment of happiness was with Dean and for Dean. There is closure there. We’d be bitching if they killed him off without any final speech to Dean, I know that for sure. And this final act is something that we can only hope is the catalyst for true change for Dean. I’d like to hold onto hope that we’re not done with the Empty and might see Cas again (since it took Death too, and they’ve not grappled with the consequences of a universe without Death). 
To be entirely frank, the writers put themselves in a corner when setting this up, because Cas had to be taken by the Empty before the end. They had to find him a moment of true happiness. At least they took that opportunity to acknowledge Destiel, and more than that, use it to tell Dean what he needs to hear in the eleventh hour, from the person that matters the most. Look, Destiel should have happened years ago - season 8 to be precise - and they dropped the ball. They strayed from what was a promising path for a diversion that lasted several seasons. It could and should have been done better. But we’d pretty much accepted at this point it wouldn’t be done at all, and that Cas would just be killed off. I for one am happy that we got this over nothing. If anything, what’s funny is that I know my parents, who are oblivious to Destiel, will more likely than not watch that scene and STILL not understand it was romantic. It will never be blatant enough for some (heck, I wouldn’t be surprised if some cast/crew deny it’s romantic ffs). 
What I’m trying to say is, yeah I’ll reblog all the memes cause it’s funny as shit. But for people who do actually watch the show and care even a little bit, this was still a worthwhile and important scene and I’m sure it really means something to a lot of fans. Don’t knock it blindly. It could have been done better, could have been done ages ago when the subtext was stronger and fresher in the mind. But at least in my opinion it’s better than nothing at all, and in context the scene works a lot better. Just my two cents.
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a-flickering-soul · 3 years
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do kylux for the ask meme 😳 you + me = mental illness
i love you so much for sending this in this truly is the mortifying ordeal of being known
putting this under a readmore because it is LITCHERALLY 1.2k words because i am literally clawing at the walls of my enclosure about these two
ANYWAYS go ahead and send me a character and i’ll give you some headcanons bc im having fun doing these!!!
Kylo Ren
Sexuality Headcanon: ambiguously queer. Don’t make me think about him having sex he makes me so angry
Gender Headcanon: he Must be a cis man. He has so much mommy issues. He is such an incel. He is so full of toxic masculinity. He must be a cis man.
A ship I have with said character: Kylux. Every single angle you take this ship from it’s funny and good. Canon—they hate each other and want each other dead. AU—they still hate each other but they’re (probably) less fascist and genocidal. It’s just so funny. They are so obsessed with each other. They gaslight each other into love confessions. It’s unreal. I’ve been thinking about Kylux for the past month and I feel like an entire geological age has passed. You can tell I’m a Kylux shipper and a R*ylo anti because I almost exclusively refer to him as Ren instead of Kylo. The gay angel went to superhell for Kylux to go canon in Lego Star Wars (twice) and a kids’ comic book. God mocks me to my face.
A BROTP I have with said character: This got literally shot to shit but post-TFA when a bunch of people headcanoned Rey as Luke’s kid and she and Ren were cousins and he reluctantly babysat her because he was literally ten years older than her (hhhhh.) and they had this weird mildly-contentious relationship as adults where they grudgingly acknowledge they are both the most powerful Force users in the galaxy and are the only ones who mutually understand the legacy they bear and care about each other but also cannot be in the same room together and hold a civil conversation for more than five minutes before resorting to uncomfortable silence. Like when you’re at a family reunion and you’re automatically shunted with the only other kid around your age so you have to make conversation but you are just so fundamentally different there’s nothing to talk about. Unreal.
A NOTP I have with said character: Hhh. R*ylo. I’m one of those evil lesbians who hate that ship viciously and one of my dreams is to be one of the mean antis that that bully a shipper in a story that’s clearly exaggerated or made up and then get cancelled for having good taste.
A random headcanon:  I think he and Phasma used to spar a lot. I keep thinking about the five years he spent on the Finalizer pre-canon and I can’t reasonably justify the Knights of Ren hanging out with him for the entire time on a literal military ship and I like the idea of them being the only people that are reasonably on par physically (I also like how Phasma is an inch taller than him because....whew).
General Opinion over said character: God. He drives me wild. I have a lot of thoughts about him and how good he was in TFA and the pre-canon comics/novels as a really fucking good example of a morally-conflicted villain (especially the comics where it made it really clear that he was very much manipulated and gaslit since like…ten years old). Like! The way he could flip at will from drawing strength from both the light AND dark side of the Force is just!! So cool! The way his strength literally derives from moral conflict is just really interesting to me but….idk the way post-TFA he was thrown into a redemption (Rendemption) arc that hinged on Rey being a literal genuine fascist sympathizer made me just really disappointed. He had a lot of amazing potential to be either a really interesting semi-redeemed Byronic antihero OR a full on unhinged animalistic power-mad villain that Rey has to mercy-kill like a rabid dog. And then. Well. Yeah. I like him a lot in very specific contexts and flat out hate him in most others.
 Armitage Hux
Sexuality Headcanon: gay! He is gay! I have an entire list of reasons why he’s gay and it grows daily! Without a doubt a homosexual! Gay and repressed!
Gender Headcanon: Also a cis guy even though I still do have a lot of half-formed thoughts about gender in the First Order/post-collapse of the Empire society.
A ship I have with said character: Kylux! Again! I’m obsessed with how obsessed Hux is with Ren. He hates him so much it’s unreal. I keep reading the novelizations and thinking so fucking hard about how consumed Hux is with hatred for this one man. He’s so repressed. He’s so damaged. It’s unreal. The brainworms in my head have metamorphosed into moths and they’re flapping their wings so hard they’re disintegrating my grey matter. I think near-daily about how he personally went down to retrieve Ren from the collapse of Starkiller Base and yet would not touch him to drag him to shelter in the Hux graphic novel. Would you take off your glove to check his pulse or would you attempt to feel it through the leather and touch something’s dead skin rather than his living warmth. I’m so deeply unwell.
A BROTP I have with said character: Him and Phasma!!! The way they are on first-name terms with each other….the way one of the few times in the graphic novels you see him smile is when Phasma comes back onto the base…..the way they plotted to kill Brendol together….truly evil mlm/wlw solidarity you simply love to see it
A NOTP I have with said character: Oof I see a lil bit of shipping him with Resistance members (I think I’ve seen him with Rose and also Poe??) and I know TROS made the decision to have him defect from the First Order (out of. again. his obsessive hatred with another man. writing choices.) but it makes me INSANELY uncomfortable seeing people of color being shipped with a literal fascist parody of British colonialism and imperialism lmao like….just ship Kylux bro they’re mutually bad people AND a power couple
A random headcanon: Frankly at this point I joke so much about how much like a sick Victorian orphan he looks like that I could write an entire fake medical file for him but I’ll spare you all and simply say that I am incredibly partial to the headcanon that Hux is a freak that bites string cheese instead of peeling it like a normal person. Also…the implications that he Personally placed the tracker in Ren’s belt rather than someone else, so that he alone could keep tabs on him…..I’m unwell. Enough.
General Opinion over said character: If Ren is a character I love to hate, Hux is a character I hate that I love. I just. I can’t stop thinking about this gay little war criminal. It truly, genuinely baffles the mind how much information there is about him. It triggers that same little part of my brain that goes wild over like. ARGs and stuff. There’s just so much lore. With every new piece of canon or semi-canon information I learn about him I can feel my grip on sanity slipping. He owns a black robe. He has a personal hitman in the First Order ranks to poison people he doesn’t like. He drinks tea. He’s a bastard son. He’s great with kids. He was in charge of a squad of feral orphan child soldiers at five years old. I just. I just don’t get it. I’m enamored with him. His compulsive attention to grooming. His hubris. His ambition. How literally unhinged he is (the “rabid cur” line genuinely lives in my head rent free). The way he systemically killed every single person who saw him weak and abused as a child. There’s just so much to talk about with him. He’s so evil. He’s so fucked up. I love him so deeply. He is such a horrible person and he is so fun to make fun of and he is so fun to think about. God wants there to be a bullet in my head so badly.
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good-omens-classic · 4 years
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Hi Good Omens fans, ever since making this blog, and trawling through the archives for old art, I have been thinking again about trends from before the TV-show, and the way people draw Aziraphale and Crowley.  I wanted to make this post addressing it but this is not “discourse” or to start a fight, in fact I would be perfectly content if all I did was make people think critically about what I am about to say and not even interact with this post at all, but I feel like I need to say it.
Talking about any racist undertones to the way people draw our two favorite boys usually makes people dig their heels in pretty fast.  This is not a callout post for any artist in particular, this is not me trying to be overly critical of artists especially since they have more talent and skill than I do, and I’m going to address some common counterpoints that I frankly find unsatisfactory.  Let’s just take a moment to set aside our defensiveness and think objectively about these trends.  It took me a while to unlearn my dismissive attitude about these concerns so maybe I can help others get over that hurdle a little faster.  Now let’s begin.
I’ve been kicking around the Good Omens fandom since maybe 2015 and for art based in book canon, whether it was made before the TV show came out, or because the artist is consciously drawing different, original designs, I’m going to estimate that a decent 75% of all fanart looks like this
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Aziraphale is white and blonde and blue-eyed while Crowley is the typical “racially ambiguous” brown skin tone it’s become so popular to draw podcast characters as nowadays.
And the question is why?  With the obvious answer being “it’s racist,” but let’s delve a little deeper than that.
A common thing I hear is that people get appearance headcanons fixed in their mind because the coverart of the book pictures the characters a certain way.  My first point is this only shifts the question to why the illustrators drew them that way, when there aren’t many physical descriptions in the book.  My second point is that while there definitely are cover arts that picture Aziraphale as cherubic, blonde, and white and Crowley as swarthy, dark-skinned, and racially ambiguous...
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(side note: why is Crowley’s hand so tiny?  what the hell is going on in this cover?)
It’s much more common for the covers to simplified, stylized, and without any particular unambiguous skin tones
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I don’t know about the UK but the most popular version in the United States is the dual black and white matching covers
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And while you could make an argument that the shading on Crowley’s face could suggest a darker skintone, it seems obvious to me that lacking any color these are not supposed to suggest any particular race for either of these two, and the contrasting colors are a stylistic choice to emphasize how they are on opposite sides.  If anything, to me it suggests they are both white.
In short I simply do not buy the argument that people are drawing Aziraphale and Crowley this way because that’s how they were represented on the cover art of the book.  If you draw them the way they are on the cover then whatever, I don’t care, but I don’t believe that’s what’s driving this trend.
The second thing people will say is that Good Omens is a work of satire, and it’s based in Christian mythology which has this trend of depicting angels as white, and it is embodying the trope of a “white, cherubic angel” paired with a dark-skinned demon for the explicit purpose of subverting the trope of “white angel is good, dark demon is bad” since Aziraphale is not an unambiguous hero and Crowley is not a villain.  “It’s not actually like that because Crowley isn’t a bad demon, and Aziraphale isn’t actually a perfect angel” is the argument.  This has a certain logic to it and allows some nuance to the topic, but to this I say:
Uncritically reproducing a trope, even in the context of a satire novel, is not enough to subvert it.  Good Omens is not criticising the racist history of the church, and while the book does have some pointed jabs at white British culture (such as Madam Tracy conning gullible Brits with an unbelievably ignorant stereotype of a Native American) it is not being critical of the conception of angels as white and blonde or the literal demonization of non-white people.  That’s just not what the book is about.  So making the angel white and the demon dark-skinned, playing directly into harmful tropes and stereotypes, is not somehow subversive or counter-cultural when doing so doesn’t say anything about anything.
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Please consider fully the ramifications of the conception of white and blonde people as innocent and cherubic and dark-skinned people as infernal and mischievous, especially in modern contexts...
Black people are more likely to be viewed as violent, angry, and dangerous.  Priming with a dark-skinned face makes people more likely to mistake a tool for a gun.  Black people are viewed as experiencing pain less intensely by medical professionals.  Black men are viewed as physically larger and more imposing than they actually are.  The subconscious racial bias favoring light skin is so ingrained it’s measurable by objective scientific studies, on top of the anecdotal evidence of things like news stories choosing flattering, “cherubic” pictures of white and blond criminals while using unflattering mugshots for non-white offenders.
This is why I say that if you’re going to invoke the “whites are angelic” trope, you better have a damn good subversion of it to justify it, because this idea causes real harm to real people in the real world.  And Aziraphale being a bit of a bastard despite being an angel, I just don’t see that as sufficient.  I am especially cautious of when it’s my fellow white fans that make this argument, not because I believe they do this out of any sort of malice or hatred of people with dark skin, but because I know first-hand it stems from a dismissiveness rooted in not wanting to think about it for too long because it makes us uncomfortable.  Non-white people do not have the luxury of not thinking about it, because it’s part of their life.
Now the strongest textual evidence people use, in the absence of much real descriptor, is this:
"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong; Heaven is not in England, whatever certain poets may have thought, and angels are sexless unless they really want to make an effort" 
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This piece of art has circulated in the fandom for so long I don’t know the original artist and it’s been used for everything from fancovers to perfume.  This is where I found it and it’s one of the first things that come up when you google this quote about Aziraphale.  
Doesn’t it just feel like this is the man that’s describing, some blonde effeminate gay man?  Well guess what, there’s the “blonde as innocence” trope rearing its ugly head again, because the stereotype of gay men and effeminacy as being a white and blonde thing is--ding ding ding you guessed it--racism.  And why would intelligent suggest a white and blonde person, except if the stereotype of a dark-skinned person is less intelligent?
Now the point of “people assume Aziraphale is British” is another sticking point people will often use, claiming that the stereotype of a British person is white and blonde.  I guess this has some merit, since the British empire was one of the biggest forces behind white colonial expansion, and it seems disingenuous to assign “British” as “nonwhite” as soon as we’re being satirical, in the same way I found it distasteful that the TV show made God female when so many of the criticisms of the church are about its misogyny and lose their teeth as soon as God is no longer male.
However consider that 1.4 million Indian people live in the UK.  I heard a man say aloud once that the concept of a black person having a British accent was a little funny, as though Doctor Who doesn’t exist and have black people on it.  And I’m not overly familiar with the social landscape of the UK, but I understand they’re experiencing a xenophobia boom and non-white Brits aren’t considered “really British.”  The stereotype of non-white people not being British only exists because of reinforcement in media.  If you really want to be subversive, drawing Aziraphale as Indian goes way further than drawing him as white IMO.
Now let’s talk about Crowley.  He is almost always drawn with a darker skin tone than Aziraphale, even when they are both white, and while I’ve outlined above how this is problematic on terms of linking light skin with innocence, I think it does have an extra layer.  I think it also has to do with the exotification and fetishization of brown skin and non-white people.
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This artist’s tumblr is gone now but their art is still on dA and while it’s definitely beautiful and well-done, I think this is a very good example of what I’m talking about.
Crowley and Aziraphale necessarily contrast each other, so describing Aziraphale as “British” might suggest that Crowley is “foreign-looking.”  I also know *ahem* that the fandom generally thirsts over Crowley to hell and back, so making him a swarthy, tall dark and handsome is not necessarily surprising.
An interesting thing happened when the TV show came out, and everyone started drawing Michael Sheen!Aziraphale and David Tennant!Crowley more and more often:  It’s not ubiquitous, but it does happen that sometimes artists will draw David Tennant’s skin darker than it actually is.  The subconscious urge to see Crowley with dark skin is for some reason that strong for many people.  And I really encourage people doing this to think about why.  Not naming any names but I’ve working with fanartists before for collabs who I had to ask to lighten “bad guy” demon’s skin tones because it looked like they were making the skin darker on purpose to make them look scarier.  This person is a perfectly pleasant person who tries not to be racist!  And we both still fell into it accidentally, and it took me a while to notice and point it out, because the ingrained stigmatization of darker skin is pervasive yet often goes unnoticed.
What is the solution?  I don’t know, and as a white person I’m not really qualified to make that call.  Do we draw them both with the exact same skin tone?  Is it better to make them both white?  Should we make both of them non-white?  Should we only make Aziraphale non-white?  I am consciously aware of the fact that the Good Omens fandom is mostly white people, so most of the art we make is being both made by and consumed by white people, so I don’t feel comfortable saying “draw these characters of color specifically” because that can also veer into fetishization territory very quickly.  This is not specific to good omens but I think we should pay attention to what fans of color say in all fandom spaces and weigh our choices even if they seem insignificant.  And it’s important to realize that fans of color will not be a monolith in their opinion either, and it’s our responsibility to recognize that everyone can be affected by racism and social issues differently, the same way all women are affected by misogyny differently so just because one woman says such as such is misogynistic and another says it’s not.  I’m sure there are non-white fans who think it’s perfectly fine to draw Aziraphale as white and Crowley as ambiguously non-white.  I’m not saying they’re wrong.  And I’m not saying you can’t reblog this kind of art, or that people who make or made it should feel bad about themselves.  But so often this sort of thing goes unaddressed just because people don’t like thinking about it, and well, avoiding hard questions never really goes well I think.
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trensu · 4 years
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Episode 6: the One Where LWJ is Drunk and Gets Married
YES, GUYS GALS AND NB PALS, WE ARE AT THIS MOST WONDERFUL EPISODE.
OUR FIRST INTRODUCTION TO DRUNKJ!LWJ
AND THE HANDFASTING THAT INSPIRED A MILLION FICS
Okay, to set the scene, we’ve got JC, NHS and WWX having a sneaky drinking party with Forbidden Alcohol
Obviously, LWJ can spidey-sense when a rule is being violently broken so he appears at the scene of the crime to BREAK UP THE PARTY (or possibly a threesome?? He’s not sure but he’s gonna put a stop to that immediately)
HIS SERIOUS BB FACE IS SUPER ADORABLE HERE, GUYS
LIKE, I’M MORE PARTIAL TO WWX BUT UGH, LWJ IS SO CUTE HERE???
IT’S AWFUL
WWX: *bounces right into lwj’s space* join us for a drink lan zhan!! We earned it after defeating the Haunted Water!!
LWJ: *stares over wwx’s shoulder* alcohol is forbidden in the cloud recesses
WHY WON’T YOU LOOK HIM IN THE FACE, LWJ?? IS IT BECAUSE HE’S SO CLOSE TO YOU SUDDENLY???
WWX: chill out dude *playfully tugs on lwj’s sleeve*
Oh man, the glare that lwj shoots at wwx’s hand here could have started a fire. I mean, it must have at least burned a little with how quickly wwx lets go
LWJ: Report to the Punishment Chamber
Did they have to call it ‘punishment chamber’??
It sounds like some kind of kinky sex dungeon, which, like, to each their own,(i’ll read some kinky sex dungeon fic every once and a while, myself)
But this is Ancient Fantasy China summer school…seems a little inappropriate in context
ANYWAY
WWX again tries to coax LWJ in to having a drink with them. He doesn’t understand how someone can just…not drink alcohol. Oh wwx, you budding alcoholic you
And here WWX nobly sacrifices himself to save his drunk buddies by distracting lwj (who was about to call for backup, like a narc) and pins some sort of mind-control talisman on him
Wwx: sit and have a drink with me!
Lwj: *sits down and takes a shot*
Lwj: *passes out*
Wwx: omg i killed him. WAKE UP YOU CAN’T STAY HERE!! YOU HAVE TO GO BACK TO YOUR ROOM!! 
Wwx: *proceeds to gently guide lwj onto the bed*
You know after that initial panic, wwx looks too damn pleased with himself, especially after he gets lwj to call him wei-gege
Wwx suddenly notices that lwj’s ribbon is off kilter and informs him of it bc that’s what friends do
Wwx: your ribbon is crooked
Lwj: *scandalized gasp* crooked??
Why’s he so adorable when he’s drunk?? LOOK AT HIM TRYING TO SEE HIS OWN FOREHEAD AND GETTING ALL CROSS-EYED, WHAT A CUTIE
Wwx: i can help!! 
Lwj: *slaps wwx’s hand* Go Away
Wwx: you’re making it worse!!
Lwj: *slaps wwx’s hand away harder* DON’T TOUCH! THE RIBBON IS ONLY FOR FAMILY AND SIGNIFICANT OTHERS
And now we have a way to measure their queer queer love for each other without making the censors mad
How does this show do it?? This is gayer than most of the stuff aired in the US and the US doesn’t even have that kind of censorship laws media producers here are a bunch of COWARDS, disney i’m looking at you
Wwx: lol, significant others, really?
Lwj: what’s so funny
Wwx: nobody’s gonna marry into the lan clan with your thousands of dumb rules and chronic allergy to fun
LOLOLOL BOY HAS NO CLUE. JUST YOU WAIT WWX, YOU’RE GONNA EAT THOSE WORDS
Wwx: nope, you are gonna be Forever Alone
Lwj: …that’s fine
This is actually kind of heartbreaking tbh
He’s so resigned and pretending so hard not to care!!
HE TRULY BELIEVES HE’S NOT LOVABLE *UGLY CRYING*
Idk how the actor did it bc lwj still has a very placid expression on his face but it somehow manages to convey like, a sense of loneliness while still looking adorably drunk?? Idk man, i think black magic might be involved
All this to say POOR BB LAN ZHAN, COME HERE SWEETIE AND LET ME HUG YOU. YOU’RE GONNA BE FINE, I SWEAR.
Wwx is so incredulous at this response. Like he totally believes lwj would be okay staying alone forever but he doesn’t understand it
Bc wwx is a dumb teenage boy who doesn’t yet have the emotional intelligence to see that lwj is just saying that bc he’s scared and hurting
Now we get to see an acute case of Foot-in-Mouth Syndrome like we did back in episode 2!
Wwx: your mother must be so bored here all the time
DAMN IT WWX
WHAT IS IT WITH HIM AND BRINGING UP PEOPLE’S DEAD MOTHERS???
LWJ: i don’t have a mother 
He says flatly HIDING HIS SORROW
*UGLY SOBBING*
HE’S SO SAD AND LONELY GUYS
IT HURTS TO LOOK AT
WWX: you can’t not have a mother! Somebody gave birth to…oh.
There’s a crack vid somewhere on youtube with this scene voiced over “it was at that moment he realized…he Fucked Up”
And it’s true
Dumb boy
Here WWX makes up by sharing his sad orphan story with LWJ. it’s so sweet
THEIR SONG IS PLAYING IN THE BACKGROUND WHILE THIS EXCHANGE HAPPENS
UGH THIS SHOW
LISTEN, ALL THIS HAS HAPPENED ALREADY AND WE’RE BARELY 10 MINUTES INTO THE EPISODE
LIKE, WHAT??
HOW. HOW CAN YOU GIVE ME SO MANY FEELINGS IN TEN MINUTES. THE FIRST TEN MINUTES OF THE EP EVEN.
WWX: my parents died when i was four and I can’t remember their faces–but i do remember getting chased by feral dogs
POOR BB WWX
HE CAN’T EVEN REMEMBER THEIR FACES 
OH, but we do get to see Actual BB!wwx in a brief flashback (within a flashback, remember this summer school business is not present time, how weird is that) and he’s riding a donkey while his mama and papa walk beside him. It’s adorable.
And after all that Emotional Vulnerability, he’s like “i’ll drink to that bro!” and makes a toast
I actually kind of like the toast he makes here with lwj tho
He tells him “may we never forget what is worth remembering or remember what is worth forgetting”
Idk if that’s like, a traditional toast or something he made up on the spot, but i like it
We get a brief moment of plot development here. 
AND OOOOH, THEY’RE ABOUT TO GET IN TROUBLE!!
So some Lan SNITCH barges into the room where lqr and lxc are at and is all “we caught wwx drinking Forbidden Alcohol!” and lxc’s expression is all gently amused
but then Lan Snitch continues “LWJ was with him!!” and lxc’s amused expression quickly morphs into Very Alarmed
(right before that all happened tho we get to see lwj fall out of bed, still passed out drunk and wwx laughs at him. I can’t even hold that against him bc i totally laughed at lwj too)
The camera now shows us some frankly HORRIFYING beating sticks (paddles?? Do they qualify as paddles?? THEY’RE HUGE AND SCARY AND MADE OF NIGHTMARES)
And bc LWJ is too honorable for his own good
Lwj: i am at fault and accept my punishment!
And goes on his knees to willingly get beaten. STOP THAT LWJ
WWX IMMEDIATELY steps in to take the blame, like no, it’s actually my fault bc i forced him to drink when he didn’t want to. LAN ZHAN SHOULDN’T GET PUNISHED!!
LQR: (proving that lans are all Dramatique) ARE YOU TRYING TO RUIN CLOUD RECESSES??
Take a chill pill, old man. A teenager getting drunk is not gonna start the apocalypse (probably)
And here lwj completely ignores wwx’s attempt to absolve him and is all no, I Made a Mistake and Must Get Punished 
Wwx: STOP ASKING FOR PUNISHMENT YOU IDIOT
So the punishment is kind of…harsh, but also lol bc as soon as wwx sees lwj take the beating without flinching or even staggering under the strength of the hits (lwj is truly a stronger man than i; one look at those Nightmare Sticks I would’ve run for the hills), he grits his teeth and forces himself to stay steady
Wwx: *internally but you can totally read it in his face* i’m not gonna let that bastard one-up me!! I have WAY more experience taking punishments. I am the punishment KING.
Okay so that all happens and afterwards WINGMAN LXC STRIKES AGAIN
LXC: wwx, you should definitely visit the family’s private cold spring
LXC: you know, so you can heal faster and not miss class
LXC: not for any other reason
I’D LIKE TO TAKE THIS MOMENT TO THANK GOD AND ALSO JESUS FOR THE UPCOMING SCENE
WE ARE AT THE COLD SPRING
LOOK AT WWX RUNNING TOWARDS LWJ
WET, HALF-NAKED LWJ
Wwx: *leans coquettishly against a tree thing and pouts* why didn’t you tell me about this spring? Friends don’t keep secrets from friends!!
wwx, you’re so clever, how can you be so stupid – boy is flirting at max level and doesn’t even realize it???
Lwj: HOW ARE YOU EVEN HERE *frantically robes up like some virginal maiden which he kinda is*
Wwx: your brother told me!
Lwj: *internally* brother why
And here wwx gets into the cold spring
Wwx: so cold so cold, let me get close to you where it’s warmer~! *dives right into lwj’s personal bubble*
Lwj: *takes a HUGE step back*
Wwx: *pouts* you know i didn’t like you much before but after our Romantic Moonlit Sword Fight and our Sword Fight By the Waterfall, i’ve decided i like you a lot and we should definitely be friends forever
Lwj: *doesn’t even look at wwx* That’s Not Necessary
Wwx: before you reject me, let me show you all the ~benefits~ to being my friend! *starts to strip*
(I’M NOT EVEN KIDDING YOU, HE LITERALLY SAID BENEFITS AND STARTED TO GET NAKED)
LWJ *is Horrified in a Repressed Gay Way* WHAT ARE YOU DOING
WWX: getting naked?? To heal better?? I thought this was obvious???
LWJ: *determinedly walks away*
WWX: wait don’t leave!! I’ll keep my clothes on! Anyway you should definitely visit me in yunmeng and i can pick lotus seeds for you. That’s totally what i meant about benefits.
LWJ: no
WWX: i can also introduce you to all the pretty girls there!
I CRACK UP EVERY TIME AT THIS. WWX, THAT IS A WHOLE GAY BOY YOU’RE TALKING TO, OH MY GOD
Then it turns out the cold spring is actually Haunted Water 2: This Time It’s Personal and tries to drown them
See this is why i don’t trust any bodies of water
They’re all out to get us
AND NOW WE GET TO THE  CAVE OF WONDERS (or cold pond cave, whatev)
Wwx: what is happening
Lwj: *is fascinated by the cave of wonders*
Lwj: *internally* ooooh Magic Guqin!! (BECAUSE HE’S A NERD LOLOL)
Magic Guqin: NOT TODAY SATAN *attacks wwx*
Wwx: WHY IS IT ATTACKING ME, I DIDN’T EVEN DO ANYTHING YET!!
brief pause here to point out that we meet the bunnies now!! Hello bunnies!!! Everyone in the fandom loves you~!!! 💗💗💗
Okay so Magic Guqin continues to attack wwx but wwx is a Clever Boy and figures out that it’s only attacking him because he doesn’t have a sacred lan ribbon
Wwx: lwj, quick, give me your ribbon!
Lwj: *FLIES RIGHT OVER TO WWX and proceeds to bind their wrists together with the SACRED RIBBON ONLY FAMILY ANd S.O.’s CAN TOUCH*
Then the camera zooms in on the metal piece of the ribbon that is now swaying gently between them like, Subtlety? Never heard of her!
Camera: yep, this is totally a straight thing that straight bros do together
So now that they’re bound together for eternity the boys approach the Magic Guqin
Lwj slaps wwx’s hands away from the guqin here – just bc i let you touch the sacred ribbon doesn’t mean you can touch the magic guqin that tried to murder you
BC LWJ IS A MUSIC NERD AND IS TOTALLY GEEKING OUT OVER THE PRECIOUS MUSICAL HEIRLOOM
LWJ proceeds to reverently play the Magic Guqin and we have this moment where he’s like, floating in space surrounded by glowy blue lights??
Idk man, it’s weird but we’ll roll with it
This is the first time we see him communicate with spirits using music, btw. 
Now we meet Lan Yi!! Who is a badass and important for plot reasons but the Valid Reason she’s mentioned here is because SHE OFFICIATES THE WANGXIAN WEDDING (bc we’ve already established that we’re not here for the plot lol)
the boys are tied together with the sacred ribbon and then they bow to a clan elder. How is that not, bare minimum, a handfasting??? 
Okay, technically, lwj bowed to the elder first to show respect while wwx stood there all stunned until lwj reminded him of the Importance of Manners. Then wwx bowed. But I’m pretty sure that still counts.
“You two being here must be destiny!” lan yi says, “i’m gonna do some plot exposition so pay attention.”
Thankfully we are not lwj or wwx so we don’t have to pay attention at all!!
At some point, wwx makes a clever comment and lan yi is all “wwx you’re as smart as i thought!! 
Yes yes i definitely approve of you marrying my great great great grand-son/nephew/whatever the heck he is, idk i’ve been in this cave too long with only bunnies for company" (🎶bunnies are better than people, buns don’t you think that’s true~?🎶 I AM SO SORRY FOR THAT REFERENCE, DISNEY YOU STILL SUCK I JUST HAVE POOR SELF-RESTRAINT)
Okay, she for real complimented wwx’s intelligence (bc I guess everyone’s hot for WWX’s big brain? Idk) but i’m pretty sure she was thinking the rest of that really loudly in her head
Then more plot stuff happens and the episode ends!!!
Beautiful, phenomenal episode. One of the MOST IMPORTANT Wangxian episodes we have!! 100/10 stars, would watch again.
Return to Masterpost
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klug · 4 years
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rafisol and/or aya :)
I LOVE YOU FOR SENDING ME THIS COMBINATION.
Rafisol
Sexuality Headcanon: (bass-boosted) Lesbian. Gender Headcanon: She’s a girl but also not really but also yes. She’s like a genderless girl which maybe doesn’t make sense but it does to her! Gender is void left girl A ship I have with said character: AllySol :-) Ally’s love literally fueled her existence and if that is not gay idk what is A BROTP I have with said character: UHHM Doppelganger Arle and Strange Klug TBQH. I think they’re all super interesting and would probably have a lot to say about like, personhood, but Rafisol is the only one out of this trio that isn’t depressed she’s just alexithymic. So sometimes she doesn’t understand why Doppel and Aya have so much like...angsty baggage she’s just like...well I am an evil existence who clearly, shouldn’t feel things and shouldn’t be able to give love, all I was “created” to do was take, if I was created. Not like she takes things at face value but I think she doesn’t have much motivation of her existence outside of its intended context, while Doppel and Aya both...existed before as “whole” people? Rafisol conversely has never really been a “whole” person and understands she wasn’t “designed” to be a “whole person” so she doesn’t see the point in longing for something that’s outside of her perceived existence? Most of her #angst comes from not really knowing if she can give love because it hasn’t ever been shown to her, at least not until Ally came into her life. A NOTP I have with said character: No Men all my homies hate men In all seriousness I don’t really have one I just don’t see her with anyone but Ally A random headcanon: After the events of Chronicle Rafisol uses her powers to dimension hop with Ally and they travel to a lot of different places! She also starts dressing differently to differentiate herself from Ally since she starts to understand her own identity a bit better, imo she cuts her hair so she loses the characteristic curls but she likes short hair General Opinion over said character: WASTED POTENTIAL. OF COURSE, this is a given for most characters... that I really like, so... yeah. I mean I talked about it earlier but I think she didn’t feel as threatening as the game made her seem, so if she had more of an influence on the plot it would’ve been  interesting.
Aya/Strange Klug
Sexuality Headcanon: she’s bi but i don’t really think about her sexuality too much honestly Gender Headcanon: Girl but like if it was evil (she/her or they/them pronouns) A ship I have with said character: AyaSig and AyaKlug... A BROTP I have with said character: AyaSchezo is really funny and one ship I have in an AU? uhh also Aya and Rafisol like I said in the last part, and AyaAmi is really cute I think they could be friends esp. because Amitie reminds her so much of her old friend from before her sealing ;___;!!!!!!! OH and Aya and Feli because one of my friends said Aya acting like a guiding figure to Feli, in like, understanding that fate isn’t always absolute... good shit A NOTP I have with said character: Idk if I have any uh I’ve seen AyaRaffi before which I don’t really like I think they’d be friends more than any. A random headcanon: She/The Record of Sealing used to be in the possession of Lemres’s family but when he was like, old enough to start doing things without his family hovering over his shoulder he donated the book to the Primp Town library in hopes that Akuma would be able to help her, or that she’d be able to find a way to like...accept being how she is now? So they’re actually friends/have history together but Lemres doesn’t really tell anyone this. General Opinion over said character: I miss her :( I think people reduce her character alot when her backstory is really tragic and her conflict is like, frankly a good philosophical question about if you split a “person”/soul in half are the halves still one person or are they their own thing? So? She’s kind of...fascinating to me in that regard
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RE: My post earlier about the Ooblets Epic Games Exclusive backlash.
I’m not going to show the Twitter user, if you follow the indie game development scene on Twitter it’s likely you’ll recognize this tweet, either way that’s not who I am. The Ooblet’s account on the other hand is fair-game since it’s basically a product placement.
I feel it needs reiterating how utterly dense this kind of tweet is, and how completely skewed the narrative for this issue has gotten, so let me reiterate in obnoxiously large and emboldened font to try and get the point across:
THE GAMING COMMUNITY IS NOT TOXIC
“Honesty” and “transparency” are all well and good, but unless you’re honestly trying to drive away your own community, perhaps you should try being a little less honest and a little less transparent. No one (or I guess no one but this guy and the few who agree with him) is going to thank you for honestly throwing them under the proverbial bus after they’ve spent months, if not years, supporting your project; your dream.
I’ve heard from others that “this is just how they write” and “it’s meant to be funny”, and to an extent, I can understand that. But let me just include some screenshots from the post in question to reiterate my point, because I feel like my previous post didn’t quite get the point across:
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(Context: What the Epic Games Exclusivity Deal means for you, the fan and/or financial backer of Ooblets).
I get that the Fortnite bit is the joke, ha ha, Fortnite used to be wildly popular, I get it, good meme. What isn’t the joke, and what was part of why people got upset was the first bit, specifically the “download the Epic Games Launcher and make an Epic Games account” bit, that bit.
Now, I personally have no qualms about having the Epic Games Launcher on my PC. I have long since looked beyond the ‘scandal’ of tech companies saving and selling my data to distant lands to be used for nefarious moneymaking schemes. Is it bad? Sure, maybe. Would I prevent it had I the chance? Of course. Do I have that chance? Not a chance in the world, so I decide to live with it.
That said, many others have not reached that point of fuck it, and understandably so. I hit that point because of my negative outlook on society as a whole but, praise be, there are in fact still some optimists out there who look at these shitty corporate tactics and say no to them, and good on them for that.
That is what I would say is the bulk of the primary issues people have with the Epic Games Store. The missing features bits aren’t terribly important, as even this post says, if you have a social life on Steam, then use Steam. The EGS does not need to be your do-all replacement.
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This is where the post should have stopped. Here and now, had this post ended, any and all issues with this decision would have been but a whisper in the wind. As I said in my previous post, yes they undoubtedly would have received plenty of critical, and non-critical backlash for the decision regardless, but ending the post here would’ve 100% put the developers on the right side in this situation and I’d be right up there agreeing with that tweet.
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(Context: Are you angry at Epic and/or us for this decision?)
Referring to earlier when I said that playful tone and humour are all fine and dandy, I understand that this is probably meant to sound playful and humourous, but it comes across as largely self-important and ignorant, and the bits that follow do in no way dissuade from that appearance.
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While my response to this complaint was similar to their own, in that you should just use Steam for the features that the Epic Games Store lacks, they go on to essentially say that this is just baby EGS and that Steam used to be just like it and look at it now.
While they aren’t technically wrong, from a development point of view, the big thing they need to understand is how web standards have dramatically changed since 2003 when the Steam store launched. Launching a store, of any variety, without a shopping cart is a big no-no.
As far as missing features go, that’s not like missing a friends list or a IM feature, that’s missing a crucial part of a web-based storefront. Imagine going to a store and only be allowed to purchase one thing at a time, that would be ridiculous.
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Their response to this was as corporate as any triple-A publisher, or really any corporation at all, from any industry. Just a complete disconnect from society that frankly is unwarranted from what is quite literally a two person operation. Not to mention, their response is quite literally what every parent warns their kids about at a young age. “But mooooooooooooom, everyone is doing it!!!!” Yes sweetie, but if everyone jumps off a bridge, are you going to?
Apparently, yes.
And not to discount the idea of making money, by all means make money, but let me put it this way, had they left this post exactly where I said they should have previously, all of the blame would be at Epic’s feet. Because at the end of the day, having your game be exclusive to one service does not make you money, it makes them money. So this whole “everyone is doing it” schtick doesn’t fly when coming from the developers. Had this been a post by Epic (and frankly with all the shilling I could be convinced it was from them) then this argument might have made just a tiny bit more sense.
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Underlined in yellow are the jokes; the “playful” and “humourous” attitude I’ve heard so much about. Underlined in red however, are what the developers are actually genuinely saying with complete and utter seriousness.
“There are worse things in the world to be upset about.” I kid you not, that’s their argument.
Now, all of that reiterated, to get to the actual point of this post (wish Tumblr let you do multiple “Keep Reading” lines but I digress), the article linked in the tweet here is about the previous “non-critical” backlash I mentioned they’d receive, though multiplied exponentially by their horrendous blog post, and further community responses to said blog post.
I’d like to refer to a completely unrelated post I made quite a while ago that really needs to spread like wildfire if you ask me:
RECEIVING INSULTS, UNCRITICAL FEEDBACK, AND/OR DEATH THREATS DOES NOT INVALIDATE THE CRITICAL FEEDBACK NOR THE ISSUE AT HAND.
I am by no means wiping away death threats or mean words as things to scoff at, by all means take them as seriously as you will, but under no circumstances should 20+ people telling you to kill yourself invalidate the hundreds of fans and financial backers who are upset with your recent financial decision, or your response to criticisms to those decisions.
This happens time and time and time again. Someone of note does something bad, for one reason or another, and instead of responding to the completely warranted and justified criticism and feedback they instead play up the 15+ people who IM’d them to drink bleach and throw it up as “an example of the ever present toxic gaming community”.
More or less, the substance to this article is their “apology”, and I use that term very loosely but I’ll get to that, to the community at large for the recent events. The post summarizes the issue from their (biased) perspective, posts some screenshots of the colourful responses they’ve received, the usual woe-is-me schtick.
I’d like to highlight a few bits from it to further exemplify the continued mindset of these people:
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I have given the full context to this next statement with these screenshots so that I can now take parts of these statements out of their context to, at least to my belief, succinctly identify the mindset of these folks:
“I understand the relationship people think they might be owed when they exchanged money for goods or services, but...we’ve never actually sold them anything and don’t owe them anything at all.”
I don’t want to get off-topic any more than necessary, but this, this right here is why fundraisers, Kickstarters, GoFundMes, Patreon subscriptions, or any other form of crowdsourcing platforms need to be handled with extreme care. I hesitate to say regulated legally, but I am by no means opposed to that idea.
I want to express this carefully and plainly: LEGALLY, yes they are absolutely right that they do not owe anyone anything. At least to my knowledge, they didn’t have a formal Kickstarter, their financial backing came primarily from whatever it is they do for a living AND the support of their Patreon backers.
And while I do not feel that it needs addressing, for the sake of consistency I will address it: MORALLY they owe the game to anyone who financially supported them with the express purpose of developing the game.
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“We definitely owe all of you who supported us, but also fuck off you entitled cunts because we don’t owe you shit.”
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When in the face of well-deserved criticism, deflect deflect deflect. As if a broken record, I’d like to again emphasize that yes, legally they owe no one anything. Morally, they do. Legally, they don’t. Morally, yes. Legally, no.
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This, in essence, is a response to the majority of people who are like me, who aren’t screaming vitriolic personable attacks, telling them to drink bleach, long jog off a short pier, the works. Essentially: “If you aren’t with us, then you’re against us.”
Because apparently pointing out your blatant mischaracterisation of the gaming community, your outrageously awful personal relations skills, and most especially your morally bankrupt understanding of the relationship between you and the people financially supporting your passion project means we are, by their logic, on a level equivalent in nature to the 10+ people telling them to drink bleach.
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Fixed for typos:
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Remember how I said this was an “apology” in the loosest form, well what I was referring to was how in the beginning during their (totally unbiased) summary of the events, they more or less said “Sorry you didn’t respond the way we wanted you to.” Beyond that, yeah, it’s not an apology.
And why would we expect one? Nothing they have spat out in the face of their fans so far has even a hint of self-realization or self-reflection in it. Even their acknowledgement of their (horrendously under exaggerated) bad PR skills comes across as a hollow acknowledgement, if it can even be referred to as an acknowledgement at all, because if you truly truly acknowledged it, then this post wouldn’t exist.
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As to this anti-Semitic fabrication making the rounds, I have not seen it so I will take their word for it that they did not make one, especially since I have seen fabricated evidence involving Discord messages rearranged out of order. What I feel needs addressing specifically in this chunk though is his reference to “my messages taken out of context to insinuate I don’t care about our patrons/fans”, because if you’ve seen my previous post then you’ll know no amount of context makes this statement look good:
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Sure, it’s a true statement of fact now that they have Epic’s money, but it’s fairly obvious that it reads “We have Epic’s money now, we don’t need you anymore.” I’m sure they didn’t mean that, but that when combined with their other statements regarding how they don’t owe their patrons anything, what they are saying is clear as day.
But hey, credit where credit is due, at least with this we can agree:
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But of course, as these people are now infamously known for not ending their posts where they reasonably should...
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Now I know how much money goodwill, faith, and morals make, and again I would fully expect this kind of response from the likes of EA, Ubisoft, Bethesda, or fuck even Amazon or Facebook to show that corporate greed has no industry bounds, but this is a two person team whose passion project is to make this game which is being financially supported by loyal fans and future customers.
And that’s just it, that is the mind-boggling part to me, that this is all just the self-important, mischaracterising, morally bankrupt, and childishly ignorant ramblings of a small little husband and wife duo.
In summary...
As was said in the blog post, I’m sure that looking from the outside in we don’t get to see the full scope of the vitriolic comments they’re receiving, so to that I give them credit, and the most sincerest of apologies. I’ve received a few death threats and vitriolic hate-filed messages in my time on the internet, and while personally I am unphase by them, I can fully understand that it can be damaging to one’s self-esteem and self-confidence, especially when it comes in relation to your passion project. I am sorry.
But unwarranted, hate-filled, vitriolic, suicide-baiting messages do not invalid those of us criticizing you for the things that you did do, the words that you did say, and the actions that you did take. I mentioned this in my previous post, but as it stands, the centerpiece to this issue isn’t even about the Epic Exclusivity Deal anymore, it’s about you. You and your treatment, of not just the community at large (for which, might I add, is your primary customer base), but of your treatment towards your loyal fans and financial supporters along the way.
You, for whatever reason, act as most of us have come to expect a soulless and faceless triple-A publisher would, when in fact you are just a two person team with public faces. You’re taking the shots that the likes of EA, Activision, or Bethesda would and have taken, but you’re forgetting that it is above and beyond easier to find you then it is to find them.
All we, but more importantly your fans want from you is for you to make the best game that we all know you’re capable of. And for those who supported you this far along the way to be given even an ounce of respect, despite you not needing their support anymore.
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Psycho Analysis: The Joker (The Dark Knight)
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(WARNING! This analysis contains SPOILERS!)
The Joker is one of the most widely interpreted characters in all of media, with so many taking a stab at him that it should really not be a surprise that he’d end up in a Psycho Analysis. There are plenty of Jokers to talk about, so I feel it’s appropriate to start out with the best interpretation of the character thus far in live-action cinema: Heath Ledger’s Joker from The Dark Knight.
Really though, what can be said about this performance that hasn’t been said already a million times before? This performance is legendary, and truly makes the movie the modern classic that it is. This take on the Clown Prince of Crime, a more down to earth take, really helped shape and mold the decade of superhero films for the decade to come, for better or for worse.
Actor: Unless you have lived under a rock for the past decade, you are well aware that Brokeback Mountain’s Heath Ledger portrays Joker in the film, a casting choice that was widely derided when it was announced. Ledger would go on to prove all the naysayers wrong – dead wrong. His take on the Joker seems more in line with the character’s very first appearance in comics, where he was more about murder and black comedy than theatrics and cackling, and Heath sells you a version of the Joker that in the hands of anyone else would likely be unappealing to those who grew up with Hamill’s Joker. Add in a dash of characterization from the more nihilistic Joker from The Killing Joke, and Ledger managed to cook up a psychotic anarchist clown for audiences of every stripe to love to hate.
It’s worth noting that Ledger’s performance is practically unmatched in comic book cinema; despite Joker being ripped off in and out of comic book movies to oftentimes poor effect, very few villains managed to come close to the complexity and talent Ledger brought to the role. Only the MCU has managed to give villains of this level of quality – villains like Thanos, Killmonger, and Adrian Toomes – and even then it took them a decade to get to those. Incredible, isn’t it? The MCU, which has produced the best comic book movies since The Dark Knight came out, has only JUST managed to get villains with performances that match up to Ledger. Ledger’s performance is just that hard to match.
Motivation/Goals: The Joker’s goal is simple: he wants to kill the Batman. Okay, it isn’t that simple, but he’d sure love you to think that. The Joker very much seems to draw from his interpretation in The Killing Joke, especially in regards to Harvey, with him wanting to put the purest hearts of Gotham through the wringer to make them as warped and wicked as he is. He also wants to take Gotham from the organized crime and introduce his own brand of anarchic, disorganized crime, where criminal actions are done for the sake of it. Frankly, almost every action Joker does in this film can just be chalked up to him wanting to do it just because, but it’s hard to deny there’s an underlying genius to everything he does. Every move he makes is just so perfect and calculated, all in the sake of bringing ruin onto Gotham and destroying and crushing its hopes.
Personality: This Joker is much more subdued than, say, Hamill or Nicholson’s take on the character; the wacky props and the over-the-top showmanship are a lot more subdued, but it’s still easy to see that this Joker is a genuine Joker. He indulges in lots of black comedy, he’s constantly lying through his teeth, he’s underhanded and is constantly executing overcomplicated plans, he executes anyone when he feels they’ve outlived their usefulness, and most importantly of all, he really loves screwing with people. Much like the previous clown covered on Psycho Analysis, Joker truly seems to relish in the anarchy, misery, and suffering he causes others
Final Fate: The last we see of Joker, he’s dangling from a building and cackling like a madman. It’s easy to assume he was arrested, and the novelization of the sequel mentions he is the sole inmate of Arkham Asylum… maybe. He may have escaped, for all anyone knows. Sadly this lackluster ending is because Heath Ledger tragically died, and Christopher Nolan felt it would be disrespectful to have him appear in the sequel, even as a cameo using unused footage. It’s rather unsatisfying but it is understandable.
Best Scene: Every single scene could count. There is not one scene with Joker that is not iconic, awesome, and memorable. For my money though, the scene in which he walks out of the hospital dressed like a nurse and attempts to detonate the charges, only for them to not go off which leads with him fiddling with his detonator until things finally start to explode, is easily his best, funniest, and most wonderfully in-character moment in the film. It’s one of the most traditionally Joker-y things he does.
Best Quote: Pretty much everything out of his mouth is wonderful, but I think the gold medal has to be the first story he tells about how he got his scars. “Why. So. Serious?”
Final Thoughts & Score: Look, we all know Joker is getting a 10/10, it’s pretty obvious and we all know it’s what he deserves. And with that out of the way, I can just get right into the meat of why he’s so great.
Nolan’s Batman films are a more down-to-earth, darker, and realistic take on Batman, so they tended to sacrifice some of the more comic booky aspects of Batman in an attempt at realism, usually to good effect. For instance, there’s no Venom drug that Bane is hooked on, the Lazarus Pit is more metaphorical than literal, stuff like that. But Joker? Joker manages to straddle the line fairly well. It’s damn near impossible for a psychopath who dresses up like a clown to be taken 100% seriously, so while the Joker is toned down here, it’s not to the degree that someone like Ra’s al-Ghul was. Joker’s not wildly hammy, overly theatrical, and using guns that have little “BANG” flags in them, sure, but he’s still pretty funny, he still is a bit theatrical, and he’s still just as cunning as ever. As far as “realistic” takes on characters go, Joker is the absolute pinnacle. If you want to do a realistic take on a more unrealistic character while still staying true to them, this Joker is the character to look to.
There’s honestly not much to criticize here; like yes, I’m sure I could nitpick here and there, but for what it is this performance is utterly electrifying. However, it’s hard not to point out how, much like the movie he’s in, this Joker had quite an uneven impact, as a lot of movies tried ripping off the elements of the character that worked in the context of the film without understanding just why Ledger’s performance worked. One need look no further than the next cinematic interpretation of Joker courtesy of Jared Leto to see how toning down the Joker and trying to aim for gritty realism can backfire spectacularly. And then of course there are all the incredibly edgy people on the internet who take this Joker at face value and idolize him as some sort of philosophical wiseman espousing harsh truths about reality, when he is in fact a hypocritical liar who is constantly screwing with everyone around him; perhaps that only adds to his brilliance, though, as he managed to even pull one over on the audience.
Still, none of that is really Ledger’s fault; he had no way of knowing that his take on Joker would be ripped off or treated as some incredible intellectual instead of as a conniving madman who sought to crush hope and bring about chaos. Ledger may be gone, but he left us with a brilliant and unique take on a classic character, one that even years later still holds up as one of the greatest villain performances of all time in any media. To this day, people still talk about him, still try and theorize about his origins, still quote his lines; for better or for worse Joker is an icon, and while the worse in that equation is pretty bad, the better is what really matters and what we should really remember this incarnation of Joker for.
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scriptureofashes · 6 years
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hey! can i request a spideypool soulmate au where the first words of your soulmate that you hear from them is tattooed on your arm kinda thing with peter having a Really strange sentence on his arm like just a bunch of curse words or something absolutely ridiculous and out of context? i think that would be so funny
this starts out angsty, turns cracky and ends fluffy, what have I done
(ps: wade is speculated to be 28-35, I’ve aged him down only slightly because peter is over 20 when they meet here)
Peter makes a point of never letting anyone see his mark.
Even as a little kid, he remembers Uncle Ben and Aunt May’s frowns when they saw it for the first time, gobsmacked by his soulmate’s utter cheek. Before the accident, Ben would always tut under his breath and mutter on about manners and subtlety. That by itself was enough to convince Peter to strap a watch or a cloth of sorts over it.
To this day, Peter still sticks to covering it, all-too aware of the extra fun he’d be made of if these words ever got around. He’s not particularly ecstatic on feeding the bullying.
May still snorts at the sight of it though, after some considerable wine intake.
(mind the readmore, mobile users!)
Ned is the second person to see it.
“Dude.”
It’s after a rather strenuous PE lesson, so they had hit the showers quick before they can go to team practice. They’re the last ones in the locker room and Peter is frankly so damn stressed about everything that’s been going on in just this last week—coming back from his literal ashes and to the Spider-Man shindig with a Spanish quiz around the corner—that he completely forgets.
He stops toweling his hair, eyes darting back and forth between his bare wrist and his best friend’s failing attempt to contain his disbelief, and throws him a sheepish grin.
“Yeah, yeah, I know.”
“Dude.”
It shouldn’t surprise him that MJ sees it next.
The strap on his watch snaps. It snaps, and it’s summer, so he can’t at least try to cover it with his sleeves, and has he mentioned his life sucks? Because it does. It freaking sucks.
It’s not odd to hide your words from the world. People do it more often than you’d think, but it comes from an outdated, conservative concept, so nowadays, society encourages you to flaunt them with pride. Those who insist on concealing them, especially if they’re young, are slightly frowned at.
And, realistically, he knows the words aren’t bad, per se, but they’re not the kind you’d look at without reacting a little, and he’s learned the hard way that kids and teenagers are the absolute worst when it comes to these things. It doesn’t take much to poke fun at someone who’s just slightly off the norm, so if it’s Peter Parker with something like that as his soulmark? Well, he can only imagine the hell Flash would raise for it at school.
He’s just about two seconds into panicking in the middle of team practice, watching Flash on the podium, when tan hands take the watch away from his fussy hands to slide a red cloth over his inked skin. MJ’s own words stare back at him as she ties off the hairband, ones he actually recognizes but says nothing about.
When she’s done, she takes a step aside. She gives him a brief once-over, and then her expression turns appreciative, clearly agreeing with the contents of his mark.
She winks when she turns away, and Peter feels his face on fire.
Mr. Stark, surprisingly, doesn’t react. At first.
Because Peter’s a complete idiot, as Mr. Stark tells him later, he forgoes precautions and pays the price when they’re testing out an upgrade for one of his web shooters. Something malfunctions, and advanced spider healing or not, it still burns when it goes all the way down his forearm, like the freaking Devil himself took a hold of his hand and yanked.
Peter almost comments on how literally fading to bits had hurt less, but when he opens his mouth he’s levelled with a stare very reminiscent of Aunt May’s, and acknowledges the too soon. Even if it has been almost two years.
Mr. Stark has to push back his sleeve to see the damage and get the right treatment from the First Aid kit one of his bots fetched, and Peter squeaks, indignated, despite his arm hurting enough to be a concern. His mentor actually pauses as he surveys his arm, face paper blank for a few moments. Either he’s seen worse or the injury takes precedence, because all Peter’s given is a split-second look, then calloused hands rub some soothing balm on his arm and the lab safety lecture comes on.
Later, bandaged and properly chastised, Peter chances a look at Mr. Stark. His face is still hard to read, as it sort of always is, but he’s staring back dead on. The silence is somewhat excruciating.
Anyhow, this lasts about three seconds before Peter notices the knowing glint in his mentor’s eyes and the clear effort he’s making at holding back his laughter. It occurs to Peter that maybe he realized why the mark is always hidden by the watch and is trying not to say anything in respect to Peter’s feelings.
So Peter gives him a mile and laughs, abrupt and a bit deprecating, but he can’t help himself, and Mr. Stark’s responding grin is wide and nothing short of exasperated.
“Jesus, kid. You have your hands full.”
And Peter laughs all the harder, catching his breath enough to quip, “I thought it was the other way around?”
It takes a surprising half-minute before the meaning sinks in.
“You’re grounded.”
Peter keeps cackling.
He used to think about hearing them for the first time as often as one does think about hearing their soulmate’s first words to them. He used to feel this sort of anticipation and, he admits, desperation for it, when he still dreamt of becoming like those people in the movies whose soulmate comes and saves them from their not-so-rosy lives.
That was before Spider-Man, however, and before Peter grew up enough to know that’s a load of crap. No one can save you but yourself.
Spider-Man is a hero. He’s the people’s man, an actual knighted Avenger by both Iron Man and Captain Marvel, at the beck and call of every criminal that decides to be naughty one particular night. He’s New York’s reliable savior, a figure to look up to and someone to depend on.
It’s understandable how he still longs to hear them, ridiculous and problematic aside, seeing as he doesn’t have time to be his own hero.
He does hear them. At long last, he hears them, and the moment he does, he wishes he didn’t.
It happens when he’s out on a lead about a rich dude’s friends kidnapping the girl that dumped him and teach her how much of a mistake it was to run away from him. Considering the guy’s sadistic tendencies in his criminal record, Peter doesn’t blame her at all.
Spider-Man sneaks into the empty warehouse he finds them in and drops down quietly, though unnecessarily so. The guys—three, and none of them were even assigned guard duty—are arguing so loudly he could have burst in banging pots and pans and none of them would turn.
“Well, it’s about time I had fun and got the imbeciles going for ‘walking cliché’!” he says in lieu of greeting. They’re all in ninja masks too, what is this. “Seriously, guys. A shady warehouse in the shady part of town? What’s wrong with an old-fashioned basement?”
The trio whips out actual knives, like the idiots they are. If he bristles, it’s at the sight of an asian, half-naked girl, gagged, tied to a chair and dotted with colorful bruises. He’s been doing this for almost six years now and seeing innocents touched up like that—it still gets to him, gets his blood boiling.
He snaps his fingers as to show them some sort of realization.
“Let me guess. Is this a Febreeze commercial?”
Goon #1 looks like he’s about to make a terrible decision and lunge, when there’s a static noise only Spider-Man can pick up. Something crackles in the air from somewhere behind the girl, looking steadily more miserable, a poor quality sound even he has trouble discerning. One of the goons goes to the source of it—a battered but fully functional radio transmitter.
It’s a song.
Here I go, here I go, here I go again (again?)Girls, what’s my weakness? (Men!)
Spider-Man freezes. Suddenly everything around him stills and everything within him explodes, not just because this is not the time—he knows that song, he knows the lyrics to it by heart.
The guys finally freak out at the fact that Spider-Man is in front of them and about to spoil their plan, flinging loud curses at each other. Goon #1 suggests taking him on and Spider-Man dubs him the dumbest of the three, rightfully so when Goons #2 and #3 start screaming at him. The song plays on.
Shoop shoop ba-doop shoop ba-doopShoop ba-doop ba-doopBa-doop shoop ba-doop shoopBa-doop shoop ba-doop, ba-doop, ba-doop
Just as he feels anticipation snap, a red and black figure swings out of somewhere into the scene, guns and swords ablazing.
And singing along the words imprinted on the skin of his left wrist.
“Ooooh, you’re packed and you’re stacked ‘specially in the backBrother, wanna thank your mother for a butt like that!”
And wreaking absolute havoc. The guys don’t even have time to wisely make a break for it—because who wouldn’t—before the whole thing turns into a whirlwind of blood and gore.
“Can I get some fries with that shake-shake boobie? If looks could kill you—” Goon #3 goes down with a sword up his guts, “Would be an uzi—”
Peter reacts on instinct when Goon #2 stumbles towards him. He kicks him right in the solar plexus, and right into a chokehold.
“You’re a shotgun, bang!” a gunshot to his head, “What’s up with that thang?”
They’re the lyrics to the song, but the mercenary never seems to let Peter off his sight as he keeps singing and finishes up the job. Goon #1 flops down, lifeless and messy. Peter can suddenly smell the sharp, sour tang of piss.
“I wanna know how does it hang?Straight up, wait up, hold up, Mr. LoverLike Prince said you’re a sexy mutha—”
The corpses are laid in a bloody pile, overstepped in favor of the transmitter going back to its alleged owner. Said owner proceeds into tucking away his weapons and untying the poor girl from the chair—and gently patting her on the shoulders after cladding them in a jacket he produces from God knows where—and steps away to give her some space while she collects herself.
Of course, that means he’s turned to Peter now, who for the life of him cannot move. He doesn’t think he can.
“Man. You don’t know how much I’ve been dying to meet you.”
Oh my God. There’s a joke there, he knows it.
“It’s like you’re running from me! The few times I do see you, you just slip away before I can go up and say hi. Seriously, I blink—” he snaps his fingers, “And you’re gone. Like an actual spider. Ha.”
Oh my God.
He places his hands behind his back, primly, but he looks like he can barely contain his giddiness.
“Also.” How is his mask doing that, how is his mask leering at him. “It’s as great as they say, by the way. Looks even better up close.”
Oh my God. Peter keeps quiet. It would be a choice, but it’s not.
“Anyway.” He sticks out one hand. “Great to finally meet you, Spidey.”
The hand is covered in blood. Oh my God. Peter shakes it nonetheless, and he hears him laugh. He does not think about how oddly pleasant it sounds or how his wrist tingles in response.
“Cat got your tongue? Or cat eat your tongue, in this case. A cat would kill and eat a spider, wouldn’t it? Anyway, I was expecting to hear Spider-Man’s sharp-tongue tonight.” He waggles his eyebrows at this.
Half-heartedly, Spider-Man slips back into role and nods his head. He absolutely says nothing and goes to the poor girl waiting for one of them to escort her home, and continues to do so even as he hears more absent-minded talking.
Oh my God. His soulmate is Deadpool. This is a nightmare.
As it turns out, Deadpool got hired by the rich ex-boyfriend to kidnap the girl and torture her if she refused to take him back. Deadpool took the money, shot the guy’s head and went off to track his friends so he could kill them too.
Peter doesn’t know what to take away from that, but a stubborn little voice in the back of his head goes, at least he’s got some morals.
It becomes a thing.
After the warehouse incident, Deadpool is always there. It’s like the carefully stacked dominoes of Peter’s life are knocked over in very quick succession, because Deadpool is always there.
Spider-Man is chasing down a pickpocketer and Deadpool is pointing at shortcuts from his perch on some building. Spider-Man is beating up a bankrobber and Deadpool is clapping on like some ridiculous high school cheerleader. Spider-Man is cooling down a hostage situation and Deadpool is shooting hands that hold weapons.
That last one still has Peter a tad miffed, and thereafter he was livid and on the very edge of a tongue-lashing. Deadpool knows of his firm ‘no killing, crippling, torturing and so on’ policy. He knows, and he still does what he does.
Spider-Man said nothing, did nothing but spare a glance at where the mercenary stood with his sniper rifle and fume on the inside as he recalled the man’s anguished screams and the blast of blood. He did nothing but count every rescued hostage and leave the feds to handle the rest.
He never says a word when Deadpool pops around.
In his defense, the moment he does is warranted.
It’s more often than he’d like that he stumbles upon rape scenes. He always knows it’s one blocks away, before he even swings into the alley and gives the asshole a swift kick to the head. And he always lets himself go on these types of situation, sees red everywhere.
So when Deadpool joins in on kicking the absolute crap out of the guy, Spider-Man throws one last punch and leaves him to it, knowing whatever is about to befall the piece of shit is an armageddon Spider-Man can’t deliver, but Deadpool certainly can.
He’s checking over the poor woman, relieved that the guy hadn’t even managed what he was going for other than ripping some of her clothes, when he catches the end of Deadpool’s rant, “—and there’s only one thing worse than a rapist—”
And quips back, “A child!” out of reflex.
Deadpool stops punching—and Peter was right, the man’s face is swollen, purple, unsalvageable—to stare back at him. Subsequently, there’s a groan and a body hitting the dirty concrete, but the merc doesn’t even waver. He’s staring straight at Peter, the mask unreadable for a change.
Spider-Man dials nine-one-one and gives them his location, bids farewell to the woman despite her pleas for him to stay and webs his way away, away, away.
He’s going to give Ned and Shuri so much hell for this.
One particular night, he sets up watch on a section of the city he’s never even been to as a civilian. He’s not running, except that he is. And there’s something tight in his chest, draining all the fight, draining all but the low-simmering anxiety.
Ergo, he keeps to surveillance and eats his deli from Mr. Delmar’s, texts Ned a string of nonsensical emojis because he can and thinks about how he’ll get started on his next paper—college is wild—with all those extra hours he’s doing for Jameson. He resolutely does not think about his soulmate and how much Deadpool he is.
But Peter… is Peter Parker. Of course that whole plan is shot straight to hell.
“A vine. A fucking vine.”
Peter pauses in his chewing, rolling his mask back down over his jaw, even if his back is what’s turned to Deadpool. The chill in the air turns suddenly sharp.
“Well, would you rather have the first verse to a freaking Salt-N-Pepa song?”
“What kind of question is that. Of course I would, Sandra Denton is a queen and whoever says different can eat a big bag of dicks. A huge bag of dicks. One of those huge, sack bags with colorful dildos in—”
“Jesus, yeah, point taken.”
He meant to sound annoyed, but laughs instead. The sound cuts through the underlying tension, melts it outright. Deadpool approaches him, steps slow and quiet. Peter lets him, fiddles with his phone as the merc settles at a respectable distance, eyes always on the evermoving city before them.
“I.” Deadpool pauses and doesn’t talk for some time, which in itself is a red flag. “Look, I get it. I wouldn’t wanna be saddled with a psychotic killer whose face looks like it was fossilized then reconstructed with wet newspapers, either.”
Peter blinks. Oh.
“I just…” Deadpool trails off again. “We could… ah, fucking shit on a pogo stick.”
The merc sighs, drags his hands down his face, and Peter realizes how much of an asshole he’s been. Deadpool is… Deadpool, to say the least, but there is a person under the suit, a broken man with a broken mind.
Just as he starts to get up, Peter slides over his bag of chips.
“I’m Peter.”
Deadpool freezes so abruptly it’s almost amusing. He’s staring at Spider-Man, open and hopeful, like he can’t believe what he’s been given, and Peter stares right back with a smile, despite the mask and the dark.
Deadpool takes the chips.
“Wade.”
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