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#lovecraft country season 1
midnightmurdershow · 1 year
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Lovecraft Country (2020– ) Season 01 Episode 05 “Strange Case” Directed by Cheryl Dunye
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kcyars52 · 6 months
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midnightmurdershow
Mar 17
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Lovecraft Country (2020– ) Season 01 Episode 05 “Strange Case” Directed by Cheryl Dunye
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re-dracula · 1 year
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The Afflicted team had to transfer funding platforms and lost the $3k+ they raised so far - if you have a few bucks to spare, please help them fund the second season of this amazing audio drama! There's great perks to be had as well.
Here's the pitch for their new season:
This season: a modern retelling of the Bell Witch haunting...this time with a (demonic) bookish twist. Last season, we took on Lovecraft Country meets True Blood, but this season, we're more about The Conjuring meets Lovecraft Country.
Season 2 of Afflicted will be set in the 1960s, and focus on a family being tormented by an unseen entity. Folks from the area insist that the Bell Witch has returned, almost 150 years after her original appearance, but is this Bell Witch a copycat, or something far more sinister? If you listened to Season 1, you know a demonic book bound in human flesh was responsible for the supernatural disasters that befell Gunnaway, and this season is no exception. The question is...who wields the book's power this time?
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brightlotusmoon · 9 days
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10 Great Horror and Sci-Fi TV Shows You Can Stream For Free on Tubi
Farscape: The cult-beloved sci-fi series about a ragtag crew aboard a living spaceship had the magic of the Jim Henson Company helping bring its alien and robot characters to life. An Australian-American co-production, it hit U.S. airwaves on what what then called the Sci-Fi Channel in 1999; it was cancelled in 2002 but a 2004 miniseries directed by Brian Henson helped soothe the series’ abrupt ending. Watch seasons 1-4 on Tubi, as well as Farscape: The Peacekeeper Wars.
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Red Dwarf: The cult-beloved theme continues with Red Dwarf, a long-running British comedy about the last human in existence and his companions (holographic, AI, creature, android, and otherwise) aboard a drifting mining ship. It first aired in 1988 and Tubi has all 12 seasons (including three-part 2009 special Back to Earth), though completists will need to look elsewhere for 2020 special Red Dwarf: The Promised Land. Watch seasons 1-12 on Tubi.
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Babylon 5: Yes, it’s another title with a passionate fan following: J. Michael Straczynski’s 1990s sci-fi saga that aired first on the now-defunct Prime Time Entertainment Network before shifting to TNT. Named for the space station where its 23rd century action takes place, Babylon 5 spawned a franchise that’s still going—including several made-for-TV movies and a direct-to-video animated film released just last year, something to keep in mind if you get hooked watching the 110 episodes that make up the series itself. Watch seasons 1-5 on Tubi.
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melaninpov · 11 months
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Jonathan Majors | Jurnee Smollett
Lovecraft Country Season 1
Atticus Black (Majors) joins his friend Letitia (Smollett) and his Uncle George (Vance) to embark on a road trip across 1950s Jim Crow America in search of his missing father
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spnscripthunt · 1 year
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I so badly would like to see the script for interview with the vampire's episode 5... Do you have ang idea if anyone is working on collecting them and/or who I should contact?
If anyone is, they aren't posting about it.
Pilots are easy to find, anything else is hard. For Supernatural we get our scripts from eBay at sometimes outrageous prices (high triple digits) and local (Vancouver area) memorabilia sellers. Others we got PDFs from people who won charity auctions (four digits).
For IWTV, local crew would be New Orleans area sellers who are no longer working for the show...it could be awhile. I haven't heard about any charity auctions of scripts signed by the actors (nothing has crossed my dash or timeline) but that's not even something we go near, we aren't built for that 💸💸💸💸
One very, very long shot would be if IWTV was submitted by AMC to the Emmys for writing because Deadline's It Starts on the Page series has PDFs of For Your Consideration scripts (2021; 2022) and that series has given us scripts from The Boys, Stranger Things, Wandavision, and so many more.
Just to give you a sense of what's out there for other AMC shows (it's not much):
Breaking Bad/Better Call Saul: a Collection on Reddit
Mad Men: Pilot (Writer's First Draft); 7 from Season 1 & 2 from Season 7
The Walking Dead: 3 from season 1
Fear the Walking Dead: Pilot
Halt and Catch Fire: Pilot
Misc: Script Slug has an AMC tag
Resources for finding TV scripts online:
r/screenwriting guide to finding scripts online
Script Hive has a screenplay collection, you need to be a member of their discord to access (this might be where something from IWTV lands, be sure to read all the rules and regs so you don't get booted from the server/do what you need to do to be in "good standing" to be able to peek in on the script collection every month or so)
TV Writing (see also the credits page, most every other site has taken the stuff from here and reuploaded it to their site)
TV Calling: Comedies, Dramas
BBC Writersroom: Script Library
Scribd: mostly trash (badly done transcripts), sometimes treasures like this Yellowjackets 1.04 "Bear Down" script
Films because these two sites are great: Scripts Onscreen will help you find a pdf for free or give you a direct link to Script City (ScriptFly too but they charge way more and are really obvious about just stealing shit from TV Writing to resell, I refuse to buy from them)
Stashes for Other Shows: 
Sliders Scripts Collection
SupernaturalWiki Scripts and Casting Sides
This is Who We Are: X-Files Scripts
Misha Green's website: Lovecraft Country
Living Dead Guy Productions (Wonderfalls, Hannibal, Pushing Daisies)
Beauty and the Beast Scripts and Transcription Project
Call Me a Cab: Scarecrow and Mrs. King scripts
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heavenboy09 · 19 days
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Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Amazing & Radiant Talented Asian Actress Of Korean🇰🇷 Descent That Has Starred In Various Roles in Popular TV Shows & Films Of Her Acting Career
This Korean 🇰🇷 Born Actress Was Born Here In San Francisco & Went To The Same High School As Me. 4 Years before I arrived in SF
She is an American actress and former reality television personality. She began her career in 2004 as a cast member on the MTV reality series The Real World: San Diego and subsequently through her appearances on its spin-off show, Real World/Road Rules Challenge: The Inferno II. She is regarded by many as the Real World alumna with the most successful media career.
She was born April 10, 1983 in San Francisco, California, where she grew up. She and her older sister are second-generation Korean-American, raised by "traditional" parents who moved to the United States in 1980, and ran a hamburger restaurant. After graduating from Lowell High School in 2001, She attended and graduated from the University of California, Riverside with a B.A. in economics in 2005. She was a member of Kappa Kappa Gamma sorority.
She later transitioned into acting and has since become known for films such as Dragonball Evolution, Grown Ups, Premium Rush, Sorority Row, The Hangover Part II, Sucker Punch, and Big Hero 6 (2014). She received critical acclaim for her lead performance in the independent drama film Eden. She played the lead role in the miniseries Samurai Girl, was a series regular in the two seasons (2017–19) of the superhero drama series The Gifted, played the recurring role of Mulan in the ABC fantasy television series Once Upon a Time, and has been a series regular, since 2017, as the voice of Go Go Tomago for the animated Big Hero 6: The Series – the role she voiced in the 2014 film. Beginning in August 2020, She appeared in the recurring role of Ji-Ah on the HBO series Lovecraft Country.
Please Wish This San Franciscan Native A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊
The 1 & Only
Ms. Jamie Jilynn Chung 🇰🇷 💛 Jamie Chung
Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Chung 🇰🇷
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#JamieChung #GoGoTomago #SamuraiGirl #Big 6 Hero #Dragonball Evolution
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foxfireink · 10 months
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Hi! I found your blog when you reblogged my "how to writeblr" post but your WIPs all look super fascinating! If you have taglists, can you please add me to the ones for "Songs of Decay" and "Bards, Courts, and Changelings?"
Also please feel free to ramble about either of these WIPs, I'd love to hear more about them.
Wow, thank you for the ask! We have added you to our taglists! :D And we are soooo happy to ramble about Songs of Decay and Bards, Courts, and Changelings. This is Inkwell. I am gonna cover Songs of Decay, and Crooked Writer will cover BC&C in a part two post.
Be warned. This is a very long post. I had waay too much fun writing it, hahaha. Bards, Courts, and Changelings will be a much shorter post, as it is in an earlier stage of development.
Part One: Songs of Decay
A HISTORY OF THE PROJECT
This is definitely a 2020 project, hahaha. We wrote draft 1 in script format because it was an easy way to write intermittently. We pulled out board games like Arkham Horror (2nd Edition) and Betrayal at House on the Hill to help us add the eldritch elements and throw in some chaos. We tracked the insanity level of different characters through some of our scenes. Then, when we were done, we were so happy with the story that we wanted to DO something with it rather than it just being a hobby project… and we were like, "What if we actually turned it into an audio drama?"
Crooked Writer does voice acting, but neither of us had ANY experience with writing audio dramas. It was our lazy way of not converting to prose, but also trying something new!
We created draft 2 by having friends come read what we'd gotten done out loud. We would edit and write for two weeks, then gather online, divvy out parts for the night, and read through it. It gave us a lot of motivation to get through the draft! I personally am not the kind of person to sit in on someone's early writing project and read it out loud for an extended period of time on a consistent basis, and it still blows my mind that our friends wanted to do that with us. It was so much fun.
Now, a great deal of research and worldbuilding later, we have four seasons planned and are midway through writing draft 3 of season 1. :D
WORLDBUILDING
The story isn't straight cosmic horror, it's more flavored by the eldritch, and much more inspired by the board game Arkham Horror than Lovecraft. We have our own pantheon of Horrors who have different thematic elements and warp and corrupt in different ways. Technology is roughly equivalent to the 1910s, and eldritch Horrors have been threatening to end the world as we know it for centuries. We have four countries who approach the long-standing eldritch problem VERY differently:
Our setting country, Malgrave, has a "kill it with fire" approach. They have a specially trained corps of Stewards and an Eldritch Anomalies Department (the EAD) to handle things using mostly weaponry. Malgrave views eldritch corruption as an individual's choice to bring Horrors and Fiends (Horrors = world-ends-upon-arrival monsters, Fiends = smaller monsters) into the world and destroy/remake it, so laws tend to treat cults and such in a similar way to how you'd treat the mafia. The temptations are overpowering to many. You can't trust anyone completely.
Side note, because I love the Stewards: The Stewards have really fun political power dynamics, as they are supposed to keep the king's family from turning on him/protect the family, but also can't really contradict a royal, sooo it gets messy sometimes. They technically have the power to report or stop a royal that's corrupted, but just try doing that in practice and see how it goes. Stewards tend to be more subtle. They also die, a lot. The MC's father, Sam, is one of the few Stewards in living memory to retire from active duty. Pays well, though!
Eastcairn, Malgrave's other neighbor, uses augury - magical engineering - to create wards and automatons that are powered by protective patterns. These patterns slowly corrupt over time and must be maintained regularly, or they will amplify corruption rather than negate it. Eastcairn views corruption as a contagious miasma in the air and isolates eldritch outbreaks in sanatoria and asylums. There are many strains of corruptive virus, and most if not all are incurable by current science.
Logoria is Malgrave's neighbor to the left and uses patterns just like Eastcairn, but rather than using physical augury patterns they use mathematical patterns in music and dance to ward off corruption. They have trained singers and musicians and dancers, and choirs are common.
Not a ton of development on the fourth country, because it's farther away (only worldbuild the top of the iceberg, right?) but it has a protective martial art, a caste system based around the concept that corruption runs in family lines, and people there know what different kinds of corruptive influences/objects/presences smell like.
These varying perceptions pool together in our story, as Sam is from Eastcairn but worked in the Stewards in Malgrave and has a medley of views about the nature of eldritch corruption that often conflict with prevalent theories. Augury isn't well thought of in Malgrave, but both he and Tom practice it. The conflict of "eldritch corruption: illness or choice?" is central to the first two seasons of Songs of Decay (particularly the second).
CHARACTERS AND STORY (Season 1)
Tom moves into the very rural Malbury county because living too close to his far wealthier ex-wife will end with him losing custody of their daughter, Sara. His dad lives in Malbury county and is supposed to be living far away from all eldritch influence. However, Tom is appalled to see how rife the county is with cultists, corruption, and eldritch Fiends - such as the Moose that he and Sara run afoul of on the first day of school. Tom also has a past record that requires him to report to the EAD and means that the EAD could refuse to grant him an augury license, which is literally Tom's livelihood right now, SO Tom offers to help with local problems. In doing so, he trips into the plot of a local cult that centers on the estate of one Lady Esther Lambert, a widow with a grudge against the EAD. Esther married into one of the local noble families and is used to fighting for herself because no one else will. She throws an annual party at her house at the end of summer, but this time things go very poorly very quickly. Tom and Esther have to band together with other guests to stay alive and prevent the summoning of a greater Horror, but they don't know who to trust when you can't even rule yourself out as an enemy.
So, throughout Season 1 you've got Tom trying to be a good single parent, learning how to prep and cook three consistent meals a day while also getting drawn into fighting eldritch monsters and cultists. You have Sara, his daughter, who is trying to adjust to a lower class lifestyle, meeting a grandparent for the first time, and stressing about her dad putting himself in danger. You have Sam, who convinced his son to move to Belleview because he was worried about him, but also has so much corruption from his time in the Stewards that he is one poor decision away from snapping entirely. You have Chief Compton, a former city policeman and current head of the local EAD bullied into the role after the last chief died trying to contain an eldritch summoning. And you have Lady Esther, whose late husband's family literally built her house around the idea of summoning eldritch Horrors, and whose perception of the local EAD is so poor that she would rather fight off monsters with a shovel than call them in to help.
We are having a great time writing this story. :D The hope is to ultimately put it on YouTube, but we want to get the first two seasons ready before we get to that, as they contain the first major arc.
Okay, I am done now. If you've made it this far, thank you for reading! Again, really appreciate the ask, and absolutely delighted to be able to ramble away like this.
Cheers!
-Inkwell
Songs of Decay tag list: @hd-literature @pure-solomon @blind-the-winds @sarah-sandwich-writes @lucianinsanity @coffeewritesfiction @surroundedbypearls @tate-lin @ettawritesnstudies
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smoothmedia · 10 months
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Shows I've Seen Every Episode
Alice in Borderland
Arcane: League of Legends
Avatar: The Last Airbender
Banshee
Big Little Lies
Black Mirror
Breaking Bad
Chappelle Show
Cobra Kai
Cyberpunk: Edgerunner
Dark
Deadwood
Dexter
Dragon Ball Z (Kai, Super)
Family Guy
Fargo
Friends
Futurama
Game of Thrones
Hawkeye
Heroes
Homeland
House of the Dragon
How to get away with Murder
Hunter X Hunter
Invincible
Jett
Loki
Lost
Lovecraft Country
Mad Men
Moon Knight
Mr. Robot
Ms. Marvel
Narcos
Naruto
Only Murders in the Building
Ozark
Oz
Poker Face
Prison Break
Ray Donovan
Reacher
Rick & Morty
She Hulk
Smash
Sons of Anarcy
South Park
Stranger Things
Sword Art Online
The Boondocks
The boys
The Duece
The Falcon and Winter Solider
The Last of Us
The Sopronos
The Wire
The Witcher
True Blood
True Detective
Wandavision
Warrior
Watchmen
Wednesday
You
Shows I Never Seen Any Episode Of
American Gods
American Horror Story
Atlanta
Barry
Berserk
Billions
Black Clover
Black Sails
Boardwalk Empire
Brooklyn Nine Nine
Castlevania
Chernobyl
Community
Doctor Who
Dr. Stone
Euphoria
Firefly
Ironfist
Kingdom
Luke Cage
My Dress up Darling
Naruto: Shippuden
Outlander
Parks & Recreaction
Peacemaker
Rome
Sense8
Severance
Smallville
Star Wars (Any of them... The Clone Wars, Bad Batch, The Book of Bobafett, Visions, Andor, Obi-Wan Kenobi, Tales of the Jedi etc.)
Steins Gate
Succession
Superstore
Supernatural
Ted Lasso
The Defenders
The Fear of the Walking Dead
The Last Kingdom
The Legend of Korra
The Owl House
The Punisher
The Sandman
The White Lotus
Vikings
Vinland Saga
What we do in the Shadows
Yellowstone
Shows I've Started But Haven't Finished (Last episode I seen in parentheses)
Assassination Classroom (episode 4)
Attack on Titan (Season 2 Episode 12 "Scream")
Battlestar Galactica (Episode 11)
Beef (Epsiode 4)
Better Call Saul (I dont remember but I believe I seen most of Season 1)
Bleach (Never seen but I read the Manga, even that Alphabet war arc)
Chainsaw Man (Episode 2)
Deathnote (About 3 episodes)
Demon Slayer (Episode 7)
Daredevil (I think I saw 1 or 2 episodes but dont remember)
Full Metal Alchemist: Brotherhood (Episode 14 or 15)
Gravity Falls (Episode 1)
It's Always Sunny in Philadelphia (seen 3 or 4 episodes here and there)
Jessica Jones (Season 1)
Jojo's Bizarre Adventure (Season 1, Episode 5)
Jujutsu Kaisen (Only 1 epsiode)
Money Heist (Season 3)
My Hero Academia (About 33 episodes)
One Piece (I read the Manga to Wano, so in episode terms I'm probably around episode 960)
Orphan Black (2 Seasons)
Peaky Blinders (Season 1)
Power (Season 1)
Ranking of Kings (6 episodes)
Rings of Power (Episode 2)
Snowfall (Season 1)
Solar Opposites (One episode)
Spy x Family (Episode 9)
Swarm (Episode 4)
The 100 (Season 1)
The Leftovers (Season 1)
The Legend of Vox Machina (Episode 3)
The Office (Season 2 Episode 6 "The Fight")
The Orville (Season 1, Episode 3)
The Umbrella Academy (Season 1, Episode 2)
The Walking Dead (For the tv show, somewhere in Season 6, I never met Neagan. But I have read the comics)
Titans (Season 3, Episode 2)
Twin Peaks (Episode 1)
Westworld (Season one)
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halalgirlmeg · 1 year
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Found The Bram Stoker Award List for 2020 and 2021 and I have some thoughts:
Stephen Graham Jones has one for The Only Good Indians AND My Heart is a chainsaw (ok!) And he won in the same year for The Only Good Indians and Night of the mannequins (Long Fiction, which I'm assuming is like a novella category)
Clown in A Cornfield has won in the youth category
When The Reckoning Comes was nominated but didn't win for the first novel category (a shame cause its good, love southern gothic)
Midnight Mass won? But Altar of the dead from Bly Manor was a finalist but didn't win (y'all know I'm a bly manor fan so I'm shocked)
The candyman remake was also a finalist
Lovecraft Country was too (for season 1 episode 1 which makes sense edit: episode 8 also was nominated boooo)
There was a book i saw in b&n a while ago (Children of Chicago) but I didn't have extra money then so I passed, it lost to my heart is a chainsaw
Grady hendrix also lost to my heart is a chainsaw (as it should have)
Abbott 1973 was a graphic novel finalist (which, I was thinking it more fantasy than horror but ok)
Also there's a nonfiction category???
Final thoughts: I have some reading to do!
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historyhermann · 1 year
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Moon Girl and Devil Dinosaur Spoiler-Filled Review
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Moon Girl and Devil Dinosaur, also called Marvel's Moon Girl and Devil Dinosaur or Moon Girl, is an animated superhero adventure series created by Laurence Fishburne and Helen Sugland. It is based on the 2010s Marvel Comics series, Moon Girl, by Brandon Montclare, Amy Reeder, and Natacha Bustos.
Reprinted from Pop Culture Maniacs and Wayback Machine. This was the twenty-? article I wrote for Pop Culture Maniacs. This post was originally published on April 24, 2023.
The plot of Moon Girl centers on a young girl named Lunella Lafeyette (voiced by Diamond White). She is secretly a superhero named Moon Girl, named after her favorite scientist, and a student by day. She uses a dimensional portal to bring a T-Rex named Devil Dinosaur (voiced by Fred Tatasciore), to the streets of New York City. Her best friend, Casey (voiced by Libe Barer) helps her, while she fights against villains like The Beyonder, a mischievous and curious trickster voiced by Fishburne.
Lunella's family have an important role in this series. Her grandmother Mimi, mother Andria, father James Jr., and grandfather "Pops" are protagonists. They are voiced by acclaimed actors such as Alfre Woodward, Sasheer Zamata, Jermaine Fowler, and Gary Anthony Williams. I personally remembered Williams for voicing characters in Star Wars Rebels, Star Wars Resistance, Velma, The Cuphead Show!, and The Owl House, or when Zamata voiced Jade in the subpar film, The Mitchells vs. the Machines.
From the get-go, I knew that Moon Girl would have a superb animation quality because the show's production companies include the animation arm of Disney (Disney Television Animation), a Marvel Studios subsidiary (Marvel Animation), and two animation studios: Titmouse and Flying Bark Productions. The latter two are known for Star Trek: Lower Decks, Fairfax, The Legend of Vox Machina, Glitch Techs, What If...? and Pantheon.
Fishburne's own production company, Cinema Gypsy Productions, is helping produce Moon Girl. This could be part of the reason the series got a favorable reception from executives, resulting in renewal of a second season before the first season had premiered. The animation style is said to be inspired by Spider-Verse, pop art such as Jean-Michel Basquiat, Andy Warhol, and Keith Haring, along with comic book and graffiti style, and other influences.
Moon Girl has an impressive cast including well-recognized names like Indya Moore, Craig Robinson, Pamela Adlon, Jennifer Hudson, Anna Akana, and Asia Kate Dillon. It includes actors of Indian, Iranian, Puerto Rican, Vietnamese, and Palestinian descent.
This is reinforced by executive producer Steve Loter, composer Raphael Saadiq, and producers Pilar Flynn and Rafael Chaidez. Loter is an executive producer of The Ghost and Molly McGee and has been recognized as a former Kim Possible producer. Saddiq previously did the discography for Lovecraft Country Season 1. Flynn was co-producer of Elena of Avalor.
Show director Trey Buongiorno previously been a storyboarder on Glitch Techs and She-Ra and the Princesses of Power. Samantha Suyi Lee storyboarded on Cleopatra in Space, Christine Liu on Steven Universe, Rodney Clouden on Futurama, and Ben Juwono on Big Hero 6. Show writers Jeffrey M. Howard, Kate Kondell, Halima Lucas, Liz Hara, Taylor Vaughn Lasley, Maggie Rose, and Lisa Muse Bryant have written for Elena of Avalor, Rugrats, Sesame Street, Broad City, and Kenan.
The cast and crew of Moon Girl support the series' aim to be something for "everyone" and have tones of "heart...comedy, incredible action and great music" as Loter put it. What he is saying has validity since the series is clearly smart, punchy, dynamic, dazzling, and enchanting, with a unique personality.
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Representation in Moon Girl is central to the show's storyline. In an interview with the show's producers in February 2023, Loter noted that the show started with Laurence Fishburne loving the Marvel’s Moon Girl and Devil Dinosaur comic series because he had read the original late 1970s Devil Dinosaur comic. Supervising producer Rodney Clouden said that it "means a lot" for the series to have the first Black female protagonist in a superhero series by Marvel.
Later in the interview, Clouden added that Lunella is more than young Black girl into science and math, but is about helping her community and family. This is because her brains are her superpowers, not any other special abilities. She is a 13-year-old who has teen problems that are relatable, and universal. This is done with the intention of making the series inspirational and creating "sophisticated and elevated children’s program", to summarize Clouden's words.
There is more beyond the interview with Loter and Clouden. Like The Proud Family: Louder and Prouder, Craig of the Creek, or My Dad the Bounty Hunter, the series has a Black-majority main cast. Moon Girl is different than those two series, in that it is centered on superheroes. There are very few other Black superhero animated series, apart from three prominent series, either Vixen in the 2010s, Static Shock in the 2000s, or Todd McFarlane's Spawn in the 1990s. Various additional Black cartoons aired since the 1970s, but few are in the superhero genre.
Moon Girl has outward LGBTQ representation. This includes Lunella's classmate, Tai, and living/A.I. supercomputer named LOS-307, which are both non-binary, and Brooklyn, an openly trans character. Furthermore, Casey has two dads: Isaac and Antonio.
The voice actors for Tai and LOS-307, Ian Alexander and Asia Kate Dillon, are non-binary in real life, while Indya Moore, the voice of Brooklyn, is trans and non-binary. In addition, Wilson Cruz and Andy Cohen, who voice Casey's dads, are both gay actors. It remains to be seen if any of the main cast will be shown as LGBTQ or not. Some fans have seen hints of romantic attraction between Casey and Lunella, shipping them either as "Lucasey" or "Mediamoon", but ship this has not been confirmed presently. Furthermore, it is possible that since Michael Cimino, who voices Lunella's loud friend, Eduardo, has seemed to say his sexual identity is fluid, this may be reflected in his character.
In watching Moon Girl, I was reminded by the fact that Moore previously voiced a trans character in animation (Shep in Steven Universe Future). Recently, Dillon provided the voice for the genderfluid and pansexual Val/entina Romanyszyn in the ever-controversial and problematic gen:LOCK. This series appears to be the first voice role for Cohen, but not for Alexander or Cruz.
This is not unique to Moore and Dillion. Diamond White has provided her voice for characters in Phineas and Ferb and Sofia the First. Tatasciore has voiced characters in animated series since the 1990s. Fowler prominently did voices for Tuca & Bertie and BoJack Horseman. Others have voiced characters in wide-ranging series including We Bare Bears, Star Wars: The Clone Wars, Mira, Royal Detective, The Simpsons, and Hamster & Gretel.
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The show's first episode began with a bang and pulled me in almost immediately. I've been lamenting the reality that few present series have roller-skating protagonists. This could be because wearing such shoes seem almost retro these days. It is part of Lunella's shtick, as she skates around fighting villains with the help of her dinosaur (Devil), using her gadgets for good.
Having a protagonist move around in roller skates puts in her good company alongside protagonists such as Sakura Kinomoto in Cardcaptor Sakura and Candace Flynn in Phineas and Ferb. Occasionally Kim Possible of Kim Possible and Milo Murphy in Milo Murphy's Law wear them. The same is the case for characters in the Steven Future Universe episode "Bismuth", possibly Jenny /XJ-9 in My Life as a Teenage Robot, and more directly, Neon Katt as shown in some RWBY volumes.
What further endeared me to Moon Girl was the setting, in New York's Lower East Side, and character's relatability. In the 44-minute first episode, Lunella almost abandons being a superhero, after Devil is seriously injured by Aftershock. She is reassured on her path by her wise grandmother, Mimi (voiced by Alfre Woodard). The latter makes even more sense after the revelation in the season one finale that Mimi knew that Lunella was Moon Girl the entire time!
I can see how Moon Girl is like the musical coming-of-age comedy, Karma's World, created by rapper Ludacris. Both series emphasize the importance of community, family, and history. The latter is manifested within Moon Girl with blending of the old with the new. Moon Girl uses a cassette player as a device. The show's fight scenes featured music which fits perfectly with the story and action, while in-keeping with the series style. As a person who enjoys interacting with "analog" technology, or possibly soon-to-be analog (CDs and DVDs), I liked this part of the story.
The series has similarities with Karma's World and The Proud Family: Louder and Prouder when it comes to episodes about the dangers of fighting online trolls, and themes of cooperation (rather than competition), friendship, self-acceptance, patience, and Black girl's hair. One episode even echoes the "Sugar Rush" episode of Elena of Avalor. Lunella speeds up tasks because they are taking "too long", reminding me of Elena using her powers to speed up the making of chocolate desserts. Another episode slightly mirrors Steven Universe finale "Change Your Mind" where Steven fuses with himself (Pink Steven), when Lunella comes back together with her hair, Mane (voiced by Jennifer Hudson), promising to take care of it.
Moon Girl has recurring villain-of-sorts, as noted earlier. He is one of the most playful I've seen in animation and is named the Beyonder. He is not conniving like Cece Dupree in Karma's World or downright evil such as Salem in RWBY. He can be playful and fun, but can do a lot from the snap of a finger. In fact, he even threatens to destroy all of humanity in the show's seventh episode, unless Lu "proves" to him that humanity is worth saving.
In another, he kidnaps Lunella's mother and Casey, threatening to send them to another dimension, where she will never see them again. He never considers how his actions will cause trauma, only claiming that what he is doing is "helping" her, which is questionable. Hopefully, Lunella doesn't have a meltdown like Ruby Rose in Volume 9 of RWBY, who takes her own life, or Steven Universe in Steven Universe Future who becomes a monster.
The ninth episode of Moon Girl mirrored some plot points in the classic Futurama episode "Time Keeps Slippin'" and the more-recent Cleopatra in Space episode "Do-Over". In all three cases, skipping forward in time goes horribly wrong, but with completely different results. In the case of Moon Girl, the episode points to the dangers of A.I., as shown by the Skipster App, and hints at possible future scenes in the show's second season.
The value of a work-life balance is emphasized through Lunella faking a sickness to get out of a photoshoot. This reminds me of the Cleopatra in Space episode "Cleopatra Needs Space". The difference is that Lunella lies to her friend Casey, claiming she cannot get of bed so she can have a break, while Cleo wants to get away from her two friends who are flirting with one another. However, Moon Girl doesn't as directly counter the issues with overwork, making it different, in that regard, from the isekai anime, I've Been Killing Slimes for 300 Years and Maxed Out My Level, which emphasizes this theme repeatedly.
I further enjoyed the episode in which Lu rallies her community against the Muzzlers, two White home inventors, who are trying to gentrify the Lower East Side. The episode examines gentrification as much the Season 2 finale or three-part Season 4 finale of Karma's World, both of which approach the topic in their own ways. Moon Girl is more poignant on this topic than the construction by the golf-addicted Mafia in Birdie Wing, in which the protagonist's family are evicted, or that shown in City of Ghosts.
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The last few Moon Girl episodes, which focus on value of chosen family, facing your fears, and being perfect the way you are, strongly end the first season. These episodes also center plotlines about Jewish traditions (since Casey is part Jewish) and the issues with clout-chasing. The latter is somewhat reflected in certain episodes of The Proud Family: Louder and Prouder.
The two-part season one finale of Moon Girl is unique. The villain, Maris Morlak (voiced by Wesley Snipes), wants to construct a dimensional portal so he can gain recognition for his contributions from White leaders, which are those with authority.
Maris reveals that his work, and that of Lu's grandmother, Mimi, were ignored by their White bosses, with White scientists taking all the credit when speaking to the U.S. military generals. This story of casual and institutional racism is more relevant than ever, with  White supremacy currently running rampant across society. I liked how even though Mimi disagrees with his method (opening the portal), she agrees with his concerns, but says he doesn't need others to validate him.
The actions of Maris go beyond the actions taken by other series villains, such as the Rat King, Abyss, and Gravitas, and Odessa Drake. He has an army of followers to support him, called the Enclave, and is willing to do anything to achieve his goals. In fact, he is probably the most ruthless villain of the series, destroying Lunella's underground lab, even when Devil is trapped inside, causing Lunella to drop to her knees and think Devil died. Although this is not the case, it undoubtedly deepens Lunella's growing trauma, which may be addressed more in season 2.
The first season of Moon Girl ends on a cliffhanger, with Mimi and Lu turning off the dimensional portal from each side. It could possible provide fuel for crossover fan fictions to be written by dedicated fans. The second season of Moon Girl may feature more of S.H.I.E.L.D. and its Agent, Maria Hill (voiced by Cobie Smulders), tying the series more into the Marvel Universe.
The growing friendship between Lunella and Casey will likely be an important part of the next season. By the end of the season, Casey becomes almost becoming the equivalent of Tomoyo Daidouji in Cardcaptor Sakura, who made all of Sakura Kinomoto's Cardcaptor outfits. This is because Casey made the outfits that Lunella used as a superhero. In addition, it is possible that the Beyonder will have a bigger role in the next season, and there be more fourth-wall breaks. The series might even have a storyline akin to the OK K.O. episode "Your World Is an Illusion", in which K.O. realizes that his whole world is an illusion.
Moon Girl fills the void left by the season 2 finales of The Proud Family: Louder and Prouder on February 1 and Star Wars: The Bad Batch on March 29, and the series finales of The Owl House (on April 8) and Amphibia in May 2022. Unfortunately, with the last episode of Moon Girl airing on the Disney Channel on May 6, it may be some time before any other series with as strong plot, characters, animation, and writing airs on Disney+ or other Disney-related platforms.
Although Kiff and Hamster & Gretel have their merits, as do any of the other animated series on Disney+ or Disney Channel, none of them measures up to Moon Girl, or the quality of The Bad Batch, Amphibia, and The Owl House. The same may be the case for upcoming series such as Hailey's On It!, Primos, Iwaju, Cookies & Milk, Tiana, or Moana: The Series, something which can only be proven or disproven after said series begin airing.
Although the episode-dumps on Disney+, the equivalent of Stevenbombs, undoubtedly reduced the possible audience, Moon Girl remains a shining example of a recent animated series. It can be enjoyed by all, even though it is primarily aimed at children. It is for that, and reasons I have previously stated, I recommend this series and look forward to the second season.
Moon Girl and Devil Dinosaur is currently airing on Disney+.
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midnightmurdershow · 2 years
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Lovecraft Country (2020– ) Season 01 Episode 04 “A History of Violence” Directed by Victoria Mahoney
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kcyars52 · 6 months
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midnightmurdershow
Feb 25, 2022
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Lovecraft Country (2020– ) Season 01 Episode 03 “Holy Ghost” Directed by Daniel Sackheim
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wack-ashimself · 1 year
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Ant-man 3 is proof Marvel's peak has come and gone.
<Spoilers, but I am doing you a favor. Read this; do not watch it.>
-Should have been called 'Ant-man deals with his daughter who has Tony Stark's brains, but teenage hormones.' Cuz the Wasp is in it as much as her fucking parents, so she's not the headliner, and not till the end does it even really feel like they super focused on Ant-man.
-His daughter was practically the lead, and it feels like stupid hawkeye; they're trying to give the next generation a spin, pass the baton when....we can just call it. Make up new heroes. She was boring. Not a thing interesting about her or stood out. Seriously: give me 3 adjectives to describe her that make her different from everyone in the movie. Smart? Determined? Heroic? You mean EVERYONE in the movie?
-BTW: why the FUCK is EVERYONE a super genius now? The mini tony stark in black panther 2, ant-man's daughter when...she's just a fucking kid. From a thief and a regular person; why is she so smart!? Ant-man is kinda a fucking idiot. Genetics DOES come to play. 'Hank taught her in her spare time.' WHY? But ok. COOL. I was great at math, A's, then I met calculus and no one could teach me. Not everyone can be taught HOW TO MAKE A MINI VERSE SATELLITE! I just...why can't heroes be heroic and mindful? Smart people don't need powers to help...
-Ant-man movies always kinda sucked (compared to other heroes). Ant-man is funny, but...his powers are boring, and there are limited things you can do with them. Big, small, woot. They were good because of the special effects (fight at the end of 1. Car chase in 2.) But now ALL CGI ALL THE TIME?! No real sets? Ew. And you cut his crew? The FUNNIEST parts of the first 2 ant-man movies? Because Hank and his wife were that important in ANT MAN and the WASP being they are not either of those?
-Fairly, Thor 4 was a trash pile so unforgettable it somehow made Thor 3 look bad because it had similar tones. So thor started this fall from grace, but ant man 3 was the nail in the coffin. Thank god; let it rest.
-Ant-man 3 is not the funniest, the most original, or at all got a good hook. I am not fucking around: There is not a single fucking thing that surprised me in this movie. Even Mordok being the villain from the first movie (sorry). Why? BECAUSE I DIDN'T EVEN FUCKING CARE! NO ONE DOES! Mordok, his origin, arc, and ending is the largest isolated incident of failure to watch for. He/it it so fucking bland and pathetic. The trailer IS the whole movie. Or at least the best parts...
-I feel bad cuz the end of loki, kang seemed like he would be a GREAT bad guy (LOVE the actor. Watch Lovecraft Country if you have not. AMAZING. A great stand alone season), but in this movie, he is such a fucking 1 dimensional basic bitch, he stands out from no villain. And I know THAT Kang was a different one, but the difference was (hint) BETTER WRITERS!!!! Even tho the loki kang was all monologue, it was at least fun. Chaotic. This Kang is like thanos, without ANY proper motivation but control. CONQUEROR. Who cares? Bad guy #3671 step up, get knocked down. Don't get back up again. No different or better than Justice League.
-And they did the 'save it all from grace from outta no where' endings. Summary: hyper intelligent ants went into the quantum realm with them, but experiences millions of years of evolution (why the ants and not them? Fuck if I know. And how did the ants get back to the cast? WE NEVER KNOW!), and they come to fight kang on behalf of hank in the end. I could do crack, acid, and meth and that still wouldn't fucking make sense to my brain. I guess it was the only way they could keep the word ant in the title cuz they come to play NEVER anywhere else.
None of this movie matters. Worst ant man. Def top 10 worst marvel movies (of recent. Not all time).
'Ant-man and the trailer that gave it all away, 3': 2/10.
Best part? All of them are in the trailer. No worries.
<Side note: what the FUCK is with the inconsistent powers? Ant-man: Big and small (NO FLY yet). Wasp: Flying and Small (NO BIG). Daughter: Small, no flying (tho AFTER the wasp's suit was made) and, oh wow, I can hack this at the perfect time, I can go big now! Why would you not make a suit with it ALL for EVERYONE? The fuck you thinking? I know: it will be more dramatic (but stupid as fuck logically.)>
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wyrmfedgrave · 13 days
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1914: Output. Part 2 -
Intro: Lovecraft's "New England" is 1 of his more successful poems.
Although its main theme is mostly seasonal - about the survival of people in the winter of a certain regional area.
Yet, always ending with Hell!!
The Work:
This poem starts out with Howard's 'travelogue' on a New England winter.
"When... tempests sweep... the barren hills(s), Life itself... scarse withstands the marrow piercing chill, When... snows drift over... pasture(s) & choke... dell(s), Then New England... seems a frozen Hell."
HPL continues with meteorological effects - during a winter night.
"When... nocturnal splendor mocks the... Earth below, Orion & the Dog Star in... sterile silence glow, When... all the fires (of) heaven, Cannot... winter's cold dispel, We eye... cruel stars in vain & call the (frigid) land - a Hell."
Lovecraft now turns to reveal the dire effects of winter on people asea & ashore.
"When mad, malignant billows rage, along the rocky coast, Ship(s) with ice clad rigging (fly) in... ocean(s) storm tossed; Then (do) anxious (folk) look (up)on the treacherous swell(s), Thin- king of the absent, (in the) savage clime (of) Hell."
Finally, the wintry Hell begins to end - &, is promptly forgotten!
"When (Spring, in) the North, begins to... wake & White gives way to Green, Crystal brooks flow & flowers bedeck the (happy) scene; When rushes fringe... placid pool(s) & lea(ves) shade the dell(s), We revel in the... warmth without a thought of Hell."
Commentary: "New England" lacks the usual archaic air of Howard's other poetic efforts.
There's also a conscious movement away from HPL's use of iambic pentameter¹.
This poem echoes with emotional descriptions like "barren hills," "marrow piercing chill" & "cold New England country seems a frozen Hell."
That last line makes it seem as if sound itself is frozen solid...
In "New England," both regional & personal emotional states are keenly represented.
We read of "cruel stars" & of "mad, malignant billows rage."
Language that evokes an emotional state in the reader. And, that reveals the narrator's state of mind...
Lovecraft's "New England" is among his works of true merit.
Howard shows growth - fighting off his archaic instincs & developing a more technical maturity that's above his works of this time.
But, it's in these almost forgotten poems that we see HPL's growth into a true poet.
Note:
1. Iambic pentameter is a type of writing structure used in English poetry.
The words in each line are measured out in small groups of syllables called 'feet.'
Iambic describes the kind of foot used - with the 2nd syllable being more the stressed syllable.
Pentameter indicates that each line has 5 'feet.'
As a whole, there's 10 syllables for every 2 lines.
It's used in various poetic forms, like blank verse, heroic couplets & rhymed stanzas...
This is now considered the most common meter used in English poetry.
BTW, it was introduced in the 1300s & is a version of earlier French & Italian models.
In other words, blame Chaucer...
End.
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sabazinus · 8 months
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Spoopy Books!
Spoopy Season is coming closer so here are some of my favorite horror novels:
1. Salem's Lot by Stephen King.
2. Phantoms by Dean Koontz.
3. The Fisherman by John Langan.
4. The Ritual by Adam Nevill.
5. Summer of Night by Dan Simmons.
6. World War Z by Max Brooks.
7. A Head Full of Ghosts by Paul Tremblay.
8. The Southern Book Club's Guide to Slaying Vampires.
9. Dracula by Bram Stoker.
10. The House on the Borderland by William Hope Hodgson.
11. Lovecraft Country by Matt Ruff.
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