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lauraneedstochill · 1 year

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My first choice (part 1/2)

summary: Aemond thinks you are way too good to be Aegon’s best friend. But you are enough for the one-eye prince to fall in love with.

pairing: Aemond Targaryen and F!Reader words: ~ 5500

warnings: friends to lovers, slow burn (with very obvious mutual pining), angst, Aegon is a sad boy (but ends up being a pretty good wingman!)

author's note: this is inspired by “Little women” and Amy March in particular. I took the liberty to rewrite some plot lines because to me Aemond is nothing like Laurie (Aegon is ;) and I hate love triangles so we are not having any of that sorry. it's a bit of a roller coaster so I divided it into 2 parts in hopes that it will be easier to read: the first part explains Aemond's feelings, the second one is about hers. ✨ part 2

part 1. How could you be so blind

Aegon knows he's supposed to be relieved — he never wanted the crown and now that Rhaenyra is the Queen and a feast is arranged in her honor, he should be celebrating. And he may have been hitting the wine way too hard for the past couple of hours, but he can’t pretend to be happy, and he gave up trying to force a smile. It’s ridiculous that he is upset over this, and yet he can’t help but feel horribly useless. The prince drinks one cup after another until the room starts spinning and he can’t even sit straight — and then he suddenly finds himself propped against the wall, sliding under the table instead of sitting at it. Aegon catches a few judgemental glances but at this point, he couldn’t care less. There is only one person whose judgment he is afraid of — and it’s not long before he’s greeted with a displeased remark:

“When I asked you not to swoop too low, I couldn’t imagine you would literally lay on the floor.”

He looks up — and here you are, staring down at him, not even trying to cover up your disappointment. At any other time, Aegon would’ve at least tried to sober up, but today he’s disappointed in himself, too, so he doesn’t make an effort. Instead, he reaches out an arm to you with a lax smile:

“Would you like to join me?”

“I didn’t get the invitation to this pity party so I will pass,” your tone suggests you are not in the mood for jesting. “Now that you’ve succeeded in making a fool out of yourself, would you mind getting upright?”

“I think I like it here,” he retorts, shamelessly staring at the legs of the maids passing by.

“You like wallowing in misery for all to see?” you huff. “Aegon, get up.”

He fakes a whine:

“My legs gave out, I’m afraid!”

“You would need to drink all the wine in the castle for that to happen, and I doubt you managed to do that,” you roll your eyes, taking a step toward him — but pause upon hearing a voice behind your back:

“You underestimate my brother.”

Aemond has a habit of sneaking up on people which often startles you yet right now you are too angry at Aegon to be bothered. You throw Aemond a glare over your shoulder but your eyes soften when you see the apologetic look on his face. It’s not the first time that the two of you find yourself in this situation — throughout the years you learned to work as a team: you bring Aegon back to his senses while Aemond helps to physically bring him to the nearest flat surface. You have never asked him for help — and yet he’s always there.

Aemond is about to lean down to help his brother up — you stop the one-eye prince with your hand, your palm inches away from his chest. Anyone else would’ve thought twice before standing in his way but you don’t hesitate.

“He is perfectly capable to get up on his own,” you reject Aemond’s attempt, your eyes fixed on Aegon. “He can hold onto the wall shall he feel unable to stay on his two feet.”

There is something in your gaze that makes Aegon uncomfortable, piercing him to the bone. You are never downright mean or rude but with just a few words you can easily unmask his feigned recklessness. The prince stands up, tottering and feeling a little light-headed.

“Are you happy, now when I'm in the standing position?”

“If you cared about anyone else's feelings but your own, you wouldn't be in this position,” you scold him while Aemond takes his brother under the arm to guide him out. Aegon tries to grab another cup of wine but you slap his hand.

“Do you ever get ashamed of yourself?” you hiss at him.

“Let me think... No, why would I?” he sounds sarcastic.

“You should be,” you whisper scream at him. “You can find nothing to do but dawdle and make a mockery of yourself!”

Aemond feels his brother shuddering at your words, and he tightens his hold on Aegon.

“Well, what else am I to do,” his voice is bitter. “Since I am not an heir and serve no purpose to the realm nor do I have any taste for duty.”

You slow your pace, and a sigh leaves your mouth.

“I feel sorry for you, Aegon, I do. I only wish you'd bear it better,” you reach out to stroke his arm but the prince bristles.

“You don't have to feel sorry for me. Your duty is to marry, and we will see how that goes,” he mutters before he can stop himself — and regrets it the very next second when you swiftly turn to him.

“At least I would be respected if I couldn't be loved,” your tone hushed but sharp.

Aegon stops dead in his tracks, his wide eyes meeting yours. You moved away from the crowd into the hall, and it becomes silent. And then his lower lip quivers.

“But I thought that you loved me,” Aegon whimpers, his assumed nonchalance instantly gone.

“Oh, Aegon, how much did you have to drink?” you come to his side, lending him a shoulder to cry on. While he’s aggressively sniffling, you look at Aemond and quietly mouth “How many cups?”

“Way more than usual,” he gives you a wan smile, and you groan at his answer, taking Aegon by the arm.

“Alright, you can lean on me. But don’t get handsy or I will push you down the stairs,” your remark earns a weak laugh from the older prince, and the three of you head toward his chambers.

Aegon doesn’t talk much but his mood softens and you exchange a few jokes before finally reaching his room.

“I can take it from here,” Aemond suggests but his brother eagerly protests.

“No, I want to be tucked into bed! And definitely not by you,” he sticks out his tongue, and you chuckle at his whim.

“Aemond, I can handle him.”

The one-eyed prince shoots you a knowing glance and holds the door open for you and Aegon to walk in. You slowly move to his bed, making sure he doesn’t stumble on his way — and then, with a sudden boost of energy, the prince flops down on the fluffy blankets, letting out a satisfied moan. You hold back a giggle and wait for him to crawl under the covers.

“Should I call for the maid to help you undress?”

“No, I am way too comfortable like this,” he pulls the blanket up to his chin, and you sit on the edge of the bed.

“I am sorry for the way I behaved,” he reveals, frowning. “I did not mean to, truly.”

“Aegon, you know I’m not the one you should apologize to,” you take his hand in yours, and he squeezes it with childish eagerness. “You left Helaena all alone. And you promised me you would make an effort.”

“I know, I know,” he yawns. “I was doing better until today, I swear, you should ask her,” his speech becomes incoherent as he is already too drowsy to talk, his cheeks flushed from the wine and the heat of the blankets. As you stand up to leave, Aegon mumbles:

“I fetched you a book... the one you were looking for,” he sloppily points to his table by the window before dozing off.

There is only one book so it’s easy to find — and when you do, you can barely contain a sound of surprise: it's the complete history of Westeros, heavy and hardcover, decorated with gilding. You glance at Aegon but he looks fast asleep so you cautiously get out of his chambers.

If you were to turn around, you would’ve noticed that he kept an eye on you with a grin on his face.

When you walk out, you see Aemond still standing there, his gaze landing on the book and then immediately on you. It takes you a minute to figure it out and then you smile at him:

“Even though I appreciate the gesture, it is hard to imagine Aegon in the library.”

“He asked me to help him find the book you wanted. I did,” the prince explains as if it isn’t that big of a deal. But to you, it is — although you think he only did it out of politeness.

“Thank you, Aemond,” you enthusiastically turn your attention to the book, flipping through the pages in awe. He watches you, feeling the warmth in his chest at the sight of your joy.

“You know that you bring out the best in him?” Aemond says in a low voice, and your heart skips a beat at his comment. You are thankful for the dim lighting that makes your heated cheeks less obvious.

“You overestimate my influence,” you say, then dither before admitting, “I’m afraid I was too hard on him today.”

“Someone has to do it,” Aemond objects, and there’s something in his tone — sincere and soft, that makes you look at him again. At this moment, away from the prying eyes and the pressure of everyone’s expectations, you can see the side of him that people rarely get acquainted with.

“I think you are doing a pretty good job, too,” you tell the prince, finding his presence ever so calming. You could never understand why would anyone call Aemond intimidating when he’s been nothing but kind to you ever since you two met. Whenever you have a chance to be alone with him, his company always brings you comfort, and that feeling is so rare, you want to chase it.

But then you remind yourself of the harsh reality, and your smile falters.

“I’m sorry you had to get involved,” you look down at the book. “I wouldn’t want to distract you.”

“You need to elaborate on that,” Aemond says uncomprehendingly.

“I’ve heard that you were courting lady Baratheon,” you explain casually, avoiding his gaze.

He hesitates before answering.

“Well, I only plan to,” the prince clarifies. “If she accepts my advances.”

“It would be silly of her not to,” you blurt out and, while you can’t see it, Aemond gives you a quizzical look.

“She may have her reasons —”

“I can’t come up with a single one,” you tell him with so much confidence, Aemond’s heart flutters at your words but you continue without a second thought. “You are intelligent, good-hearted, handsome — and a really skilled swordsman. Not to mention you have the biggest dragon in the realm, which does sound like a reasonable perk.”

The prince is glad that you’re too preoccupied with the book to see his stunned expression. It’s not just the fact that you compliment him so easily — but also the way you do it. When other people try to, they usually start with Vhagar as if the old grumpy creature is the main good thing about Aemond. But you only bring up the dragon at the very end and in passing, instead keeping the focus on the prince. He is silent for a moment, letting your words sink into his memory.

And then Aemond persuades himself that you only said it out of politeness.

You notice his lack of response — and you are about to question it when a maid comes to you in haste:

“Lady Y/N, your presence is needed. Your father is looking for you.”

“Better not keep him waiting,” the prince encourages you with a grin. “If he finds Aegon, he might hug him to death.”

You playfully elbow him and turn to follow the maid but then stop to say:

“Please make sure your brother stays in bed.”

“Will do,” Aemond looks at you walking away, clutching the book to your chest as if it's the most precious thing in the world.

To this day, it is truly a mystery to him how Aegon managed to befriend someone like you. You met the Targaryen brothers when your family was invited to one of the royal feasts. You were ten and three, the middle one of three sisters. Your oldest — Elaesa — has been the center of attention, beautiful and graceful, but while everyone’s eyes were on her, you looked a little bit disoriented. It was the first feast that you’ve attended, and maybe you got too agitated or overwhelmed — or both — but soon you ended up lost in the castle, and somehow ripped the hem of your dress in the process.

Aemond was the one to find you. The prince has never been keen on taking part in celebrations, often sneaking away from all the noise. That’s when he saw you — fussing with the dress, your sobs echoing through the hall.

“Are you hurt?” he rushed to your side, and you looked up at him with blubbered eyes.

“Why do you have so many halls? You should hand out maps so people can find their way back,” despite being clearly upset, you sounded unusually serious, and Aemond fought back a smile.

“I can help you find your parents without a map,” he suggested, and for a second it seemed to lighten your mood but then your pout worsened.

“I cannot go back,” you gestured at the dress. “I am in such trouble!” you whined, the tears threatening to spill out of your eyes.

Truth be told, Aemond didn’t have much experience with ladies back then nor did he know a thing about dresses but your distress seemed so genuine he couldn’t leave you be.

“It is not that bad,” he pointed at the ripped material. “I can ask our seamstress to take a look.”

You studied his face for a second, then glanced back at the dress — surprisingly, that was all it took for you to stop crying, and no other coaxing was needed. You wiped your nose and fixed your hairdo, smoothing the damaged hem the best you could.

“I'd appreciate it if you help me find my way back,” you said, your face seemingly more relaxed.

Getting you to talk was pretty easy, and Aemond shortly discovered how open-minded and outspoken you were, using your quick thinking to compensate for your timid personality. When you returned to the hall of the Iron Throne, he was reluctant to let you go but promised to come back with the seamstress. The task only took him about ten minutes, but when he did reappear, you were not alone — Aegon was standing next to you, making you laugh so hard, it looked like you forgot about the dress already. Aemond didn’t mean to interrupt as he suddenly felt very out of place, uninvited in his own home, so he abandoned the idea of helping you and just left.

At first, he thought you fell for Aegon’s flirtatious charms but soon learned that, as much as you did like his brother’s humor, his charms had no effect on you. On the contrary, you often chided him for hitting on young girls and openly condemned his affection for wine. Your honesty set you apart from all the ladies Aegon was surrounded with — and that was the reason he came to enjoy your company as much as he did. Despite the three years age gap, you were the one who told him the truth, no matter how ugly it might’ve been, but you did so without prejudice or any ill intentions. You would usually follow your critique with advice or a solution of some sort to keep the prince away from unnecessary trouble. That is why you were on friendly terms with Helaena, too, and your influence was also welcomed by Alicent, the then Queen. She liked that you were straightforward with your remarks and often said that you were wise beyond your years. Although, as much as Aemond agreed with it, he suspected there was a reason you had to grow up early.

It happened the same year you met — your older sister, with all her grace and beauty, ran away from home to elope with some unworthy beggar. Your mother was inconsolable for at least a week, saying that Elaesa brought shame upon her family. Your father, the kind man that he is, forgave his daughter fairly quickly and tried his best to restore peace. And yet, you came to realize that Elaesa's vagary did cast a shadow over your House. Your youngest sister, Alyna, was a fragile little thing, frequently sick and tacit — which left you to be the one representing your family in the eyes of society.

Within a few years, there wasn't a thing you weren't good at: lords lined up to have a dance with you, ladies admired how well-spoken you were and shared a laugh at your florid sarcasm, and you learned to embroider, to ride a horse, to walk exquisitely dressed and with impeccable posture. But while for everyone else it was a reason to compliment you, Aemond saw the underlying cause of your diligence — the corrosive desire to prove one's worth which was something he learned to live with as well. And which led him to think he understood you better than anyone.

More often than not he found himself watching you as if he had the need to make sure you weren't in harm's way. Helping you with Aegon was a part of that routine but it also gave him a chance to be alone with you. You talked about everything and nothing in particular, and he would catch glimpses of you — the real you, shy and emotional at times, but still understanding and perceptive. He cherished every opportunity to steal you away from the never-ending chattering, from lords ogling at you, from Jason Lannister whose interest in your company should've been concerning. Aemond has gotten so used to observing you, so enthralled with your covert conversations, he didn't realize that a particular feeling was creeping up on him. But there was one person who turned out to be more observant than Aemond has been. Aegon was the mere reason why his brother ended up at your door a few days later. Aemond’s been to your place a couple of times and he promptly memorized the way to the farthest room of the house — the one you used to paint in. It was the only thing you truly allowed yourself to enjoy, an unexpected talent of yours which you soon perfected, too, except it wasn't meant for the others to marvel at but plainly for you to keep your head occupied, to have some quiet time.

He walks in when you are already painting the finishing touches. When you turn to greet him, you stop mid-sentence, seeing that it’s Aemond instead of his brother who you were waiting for.

“He overslept,” the younger prince shrugs. “It isn't a bothersome task to come pick up the portrait of my nephews.”

You point in the direction of the painting with the brush in your hand. Aemond admires your work — as he always does — while you try to shake off your confusion. There is another reason you did not expect to see Aemond today. You tarry with voicing your concern but eventually glance at him with empathy:

“I was sorry to hear about lady Baratheon’s decision.”

“I was not,” he’s quick to retort.

“I cannot imagine agreeing to marry a Stark,” you say, dipping a brush in a jar of water.

“Is it the cold weather?” Aemond grins knowingly.

“Yes! Gods, just thinking about it makes me feel uneasy. All the layers you have to wear to keep yourself warm, barely being able to move, getting no sunlight...,” you ramble, making sure to wet all the brushes before lining them up on the table.

“Some say they've got quite a beautiful scenery,” Aemond tries to object although he knows his argument doesn't stand a chance.

“I wouldn't be able to enjoy that,” you huff. “How am I to capture the beauty if my paint freezes?”

He only hums in agreement, watching you busy yourself with your supplies. You go through the brushes, delicately cleaning the bristles with a cloth. Your fingers carefully take one brush after the other, and Aemond silently admires your love for neatness and order.

“You are staring,” you say without turning to him.

“Where do you want me to look at?”

“Aemond, you are in a room full of art!” you chuckle lightly. “Surely, enough options to land your eye on.”

The prince lets his gaze go around the place, and it takes him about a minute to quickly examine all the paintings. And then he inevitably looks at you again. Aemond thinks he likes this view the most.

“When do you begin your next great work of art?” he asks, hoping to distract you.

You halt movement, then force out glumly:

“Never.”

“What do you mean?” he’s taken by surprise.

“I’ve come to realize that I’d never be a genius,” you reluctantly explain. “So I’m giving up all my foolish artistic hopes.”

“Y/N, you cannot be serious. You have so much talent and — ”

“Talent isn’t genius!” you throw up your hands in defeat, and he can sense your frustration from a distance. “I may be talented in other things, but when it comes to painting, I want to be great or nothing. And I am only of middling talent,” you scoop up the brushes, give them a quick look and place in another jar to dry.

Aemond wants to argue, he really does — but he also knows better than to try and persuade you when you are like this: firmly standing your ground, exuding nothing but stubbornness. In any other situation, he would’ve found it endearing but it’s upsetting to see you downplaying your brilliance.

“Hm, may I at least ask your last portrait to be of me?”

You instantly turn to him, taken aback. Throughout the years you’ve known him, he clearly expressed that he did not like being painted, and you only could make a quick sketch or two, at best, when he wasn't paying attention.

“Alright,” the long-awaited opportunity makes you smile. “Next time I come for breakfast, I will drag you into the garden to pose for me,” you give him a pointed look, and Aemond humbly nods.

Your smile grows wider but you try to tone it down, afraid to spook him, and focus on wiping the nearest table.

“What are you going to do with your life in the meantime?” he changes the subject.

“Polish up my other skills and become an ornament to society,” you sigh, putting the cloth away.

There’s a brief pause before he says, his voice a bit strained:

“Here is where Jason Lannister comes in, I suppose?”

You say yes but the answer comes a little bit too fast, and Aemond notices that the topic makes you uncomfortable.

“But you are yet to be betrothed to him,” he clarifies, gaze fixed on you.

“I will be if he proposes,” your eyes meet his, and you are sure that there’s a shadow of disapproval on his face that only spurs your stubbornness. You fully turn to the prince to say: “I always knew I had to marry well, I do not feel ashamed of that.”

But Aemond isn’t looking for a fight — he swiftly corrects himself:

“There is nothing to be ashamed of. As long as...” — he can barely bring himself to say it — “As long as you love him.”

For the reason unknown to Aemond, his statement brings a bleak smile to your face.

“I believe we can have some power over who we love,” you object, lowering your gaze for a second as you start absentmindedly twisting the ring on your finger.

“I think the poets would disagree,” he chuckles, trying to defuse the unexpected tension.

But when you look up at him, your glare is as obdurate as ever.

“Well, I am not a poet, I am just a woman,” you rebut crisply. “And as a woman, I have no illusions about my prospects which do not include me earning a living to support my family. And my parent’s fortune has its limits as I've come to learn. Hence why, if I want to have children — I do — and be able to provide them with everything they wish for, I must rely on my husband,” that last word is pronounced with disappointment. “So don't stand here and tell me that marriage isn't an economic proposition, because it is. It may not be for you but it certainly is for me.”

Had he not known you, Aemond would’ve been very impressed — with how blunt and witty you are, you are very good at delivering speeches. But as he’s standing in front of you, watching your face, he senses that your determination is akin to despair. Aemond thinks he might take a chance at arguing with you, after all — but you’re both startled by a knock on the door:

“Lady Y/N, Ser Lannister just arrived.”

You look baffled for a second, your confidence crumbling.

“Why would he — I, I didn’t expect him today,” you mumble, almost ashamed of his arrival.

Yet you pull yourself together faster than Aemond can come up with a reason for you to stay. You remove your apron and quickly examine your dress, then move to put on a cape.

“Did I miss any paint stains?” you ask Aemond in a haste.

“No,” he looks over the flowing material of your neat dress, your hair knotted up high — and then: “...Wait!”

You stop abruptly while he grabs a clean cloth.

“There is something on your cheek,” he says as you both step toward each other — and in the next second you’re suddenly standing too close.

You turn to him and shyly shut your eyes, taking a deep breath. Aemond is frozen for a moment but then carefully wipes away a slight smudge of green from under your cheekbone. His hand unwillingly lingers as he examines the delicate features of your face. You open your eyes, looking at the prince questingly. His facial expression is unreadable but it makes you wish you didn’t have to go.

You brush away that silly thought and stand back, fixing your cape.

“How do I look? Do I look alright?”

“You look beautiful,” Aemond says with no hesitation, taking you in — with your cheeks a bit flushed, lip parted and eyes shining. “You are beautiful.”

You seem bewildered at his words but then a smile grows on your face — and in a blink of an eye, you’re gone. The prince is left standing there, staring at the spot where you were just now. The room suddenly feels so empty without you — and so does his heart.

The realization strikes Aemond like lightning: he wants to be the one you come to, at all times. The one holding your hand, watching you paint, or read, or dance — watching you do whatever your heart desires. Because his only desire is to be with you. That thought puts down roots deep into his chest, and he doesn’t know how to pluck it out.

Nor does he want to. It’s all he can think about for the duration of the week, until you come to the castle — with canvas and supplies, not hiding your excitement. He almost forgot about his promise but follows you into the garden without objection. You sense a slight change in Aemond’s behavior, him being more quiet than usual, but decide not to push the prince so he won’t reconsider.

“I will start with a sketch and then we will go from there. Alright?”

He just hums in response while looking at you but you are unaware of the meaning behind his gaze.

“Take any pose you like, I don't want you to feel uncomfortable,” you suggest with a half-smile, knowing full well he will probably remain standing.

And he does, arms clasped behind his back, his eye never leaving your face. You immerse in the process too quickly to be bothered, the piece of charcoal in your hand sliding over the paper, leaving lines and shadows. Drawing Aemond is an effortless task, and you can only enjoy how easy it is to sketch the sharp contours of his face and his lean body. The simplicity can also be explained by the fact that you've already memorized all the details by heart: the curves of his cheekbones and his lips, the flow of his silver hair, the shape and cut of his eye.

When you are finally satisfied, you can’t tell if it’s been an hour or three, and the prince, as it seems, hasn’t moved a muscle. At this point, Aemond’s demeanor does worry you yet you blame it on his nervousness.

“Want to take a look?” you hand him a few sketches. “Mind you, I’m not finished so please don’t judge too harshly —”

“I could never,” his hand brushes yours when he takes the drawings.

Aemond has seen your works before but it's a whole new experience when he's the one being portrayed. He almost doesn't recognize himself — you didn't miss a single feature of his yet somehow this version of him looks too beautiful to be real. He's at a loss for words until he spots that there's another drawing hidden underneath. It's a sketch of him sitting, both arms on the table, his face looks like he's deep in his thoughts.

“When did you do this one?”

“After the coronation,” the memory makes you smile. “Made my poor father lug around with charcoal in his pockets while he was trying to keep up the conversation with Ser Lannister.”

It was the day you got introduced to Jason. You were supposed to be by his side, with your charming smile and polite talks, yet you spend your time drawing Aemond. He can imagine your gaze focused on the piece of paper, the way you must've been looking at him to capture every detail and movement — all of that without him asking to, without him even noticing. There's so much care in that act, he is unexpectedly moved by it.

The words leave his mouth before he can think them over:

“Don't marry him.”

His request makes your hands tremble, and you drop the piece of charcoal, slowly looking up at Aemond, the smile disappearing from your face. He did not mean that, you must've misunderstood.

“...What?”

Aemond turns to you, looking you straight in the eyes:

“Don't marry him,” he repeats, helplessly and desperately.

“Why?” you ask in disbelief, suddenly having trouble breathing. The only reason you can think of sounds delusional, close to impossible. You wait for him to come up with some clever explanation — instead, he comes closer to you, his gaze so warm it makes your cheeks burn.

“You know why,” Aemond says and his hand gently lands on yours. You look down at it, perplexed, your mouth opening and closing, heart rate speeding up.

He keeps his eye on your face as he waits for your reply. You are not repulsed nor angry — which is supposed to be a good sign — but the reaction he gets is actually worse than that. Because when you finally glance at him, you look hurt.

“No,” you yank away your hand as if his touch stung. “No, Aemond, you are being mean, stop it,” you take a step back, your eyes glossy and lips tight. The look you give causes him physical pain — while you are trying your best to fight back the tears.

His intelligence clearly fails him because Aemond has no clue what’s going on. He feels like there is a deeper meaning to your words but he does not get it.

“Why am I being mean?” he asks incredulously as you slowly continue putting more distance between you two.

You don’t even realize you are doing it — it’s almost an urge to not be in his presence, for the first time ever. The weight of his words feels suffocating and merciless. How easy it is for him to toy with your emotions, you think, and that cruelty of his — as you see it — wounds you so deeply, he might as well put a torch to your heart.

“I have felt like everyone’s second choice my entire life,” you bemoan, not being able to keep your agony bottled up any longer. “In everything, no matter how hard I’ve worked to be better. I thought you out of all people would understand that,” you sound raspy, trying to swallow the lump in your throat.

“So I will not be the person you settle for just because your first marriage proposal was turned down,” only when your voice shudders, Aemond finally understands how wrongfully you interpreted his intentions.

But you are out of his reach already — at least ten feet away from him, and the distance separates you like a giant chasm.

“No, I won’t. I can’t,” you are hurting so much, your feelings spill out like blood from a wound. “I can’t do it. Not when I have spent years loving you.”

His breathing hitches as your confession pierces through his chest — and he is left speechless, deafened by it. The moment slips through his fingers with unforgiving pace: you were standing so close only a minute ago — and now you are turning your back to him, rushing away. The last thing he sees is how broken you look, your shoulders slumped and eyes brimming with tears.

Aemond stands, shocked and paralyzed until it’s too late — the garden is silent with your absence and the only evidence of you being there is your supplies scattered on the ground. Your words are ringing in his head, his heart heavy with a dreadful feeling.

He was afraid he would never have you — but he actually could have.

If only he wasn't so blind.

➡ Part 2

yes, this is me blabbing again: I’ve watched this movie an embarrassing amount of times, and I’ve wanted to write a fic based on it for a few months. I did rephrase a couple of quotes but still tried my best to do the story justice. my apologies for the angst — just so you know, it was painful to write. also, will I ever stop using friends to lovers trope? only time will tell! (I probably won't, though) I know there is a very heartwarming fic by aemonds-war-crime that was also based on “Little women” and it's only fair that I link it as well!

tagging @greenowlfactif because you asked 💙 comments and opinions are VERY welcomed! 🥺 🎨 my masterlist English is not my first language, so feel free to message me if you spot any major mistakes!

#aemond targaryen #aegon ii targaryen #<<< PLS don’t be mad! I know Aegon isn’t the main character but he has a meaningful role #so I thought maybe I should add his tag too... (PLS DON’T BE MAD)#on a completely unrelated note I decided to start with dialogue(s) and then bring the backstory #I think it’s more engaging??? but we’ll see how that goes #also it was a conscious decision to start with Aemond’s side of the story — just so it comes as a surprise when she says ‘hey I loved you f #(I mean it obviously won’t be surprising if you saw the movie...)#ALSO I really hope you guys will want the second part (’cause I already wrote it lmao)#my stuff #aemond x reader #aemond x y/n #aemond x you #aemond targaryen x y/n #aemond one eye #aemond one eye x y/n #aemond targaryen fanfiction #aemond targaryen fanfics #aemond targaryen fics #aemond targaryen x you #aemond targaryen fanfic #hotd fanfiction #aemond angst #aemond targaryen x reader #aemond targaryen angst

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spacebubblehomebase · 18 days

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Guys... GUYS!!!

I have an idea for a Chaggie + Radioapple AU and the world building... Oh my GOD do I have an idea. It's gonna be SO crazy and I'm on break now so hgwdgvdhwevdjyvwedjbwjd Should I??? SHOULD I??? Oh God Oh God Oh God it's INSANE I don't know. It's so long but oh WOW it's hahaha I don't wanna spoil anyone, but I remember doing this for another fandom I made comics for back when I was just starting online. That was so long ago now. But to honor my past self (hehe), what do ya'll think the #HHStargazersAU's gonna be about?

I guess I should say that this also serves as an interest check in a way. But don't be mislead now and don't think too much about the tone of this drawing. Anyone who've seen my art would know I mostly do fluff and humor anyways. ^v^

(Mostly.)

-Bubbly💙

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movingundertheice · 5 months

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“they killed the suicidal character!”

babes, ed’s fine! you gotta finish ep 3!

#ed teach #ofmd meta #ofmd #my toxic trait is pretending I don’t understand that fandom has given the entire main character’s arc and storyline off to izzy hands #so their anger can feel more justified!#just be sad and normal about this p l e a s e I am begging yall #stop using therapy speech to justify your over reactions take 935 it’s exhausting #one izzy fan to another yall didn’t find that at all hot?????#tw suicide #the 💿🐴#ofmd discourse

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cannedpickledpeaches · 2 months

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Insert Your Name (1)

Mafia!Jade Leech x Mafia!Reader

Link to part two, three, four, five, six, seven, eight, nine, ten, eleven, twelve!

Notes and TW: I wanted to write something that simultaneously includes some fun Jade moments as well as my own thoughts on some tropes. This series will have mentions of blood, violence, crime (kidnapping, attempted assassination, extortion), and harassment, as one might expect from a mafia AU. Please enjoy!

You’ve known the truth for a while—that this world exists inside a story. This is a world that revolves around a nameless, faceless, flawless main character. This entire world around you exists to serve one purpose: to present trials to the main character until she eventually finds a happy ending with her one and only. This world is created for “(Y/N).”

You are Friend A. Friend A is a foolish girl who puts (Y/N) into a dangerous situation, involving her with the mafia. (Y/N) is saved by a tall, dark, and brooding man who turns out to be a mafia boss. They will face dangers in the underworld until all threats are eliminated, and then they will live out the rest of their lives in blissful peace as though they are good people. Friend A is never mentioned again after page two.

You are Friend A. You are aware of that.

So why don’t you break out of your role in this story? Why should you play your part instead of using this knowledge to change the flow of the plot?

Simply because the plot is beneficial to you.

You are Friend A. You are a core member of the Leech Mafia. When (Y/N) enters the mafia, her actions flick the first domino of a long chain of events, eventually leading to the prosperity of the Leech family and expanding their influence. Because no matter what, this story caters to (Y/N)’s livelihood.

And why should you interfere with something that will eventually pay out big for you?

There she is now, coming down the street with a smile. Her indistinct hair is in a messy bun that she always throws together in seconds. Her pants emphasize her incredibly tiny waist, and her eyes sparkle with the light of constellations when she sees you. A light blush dusts her cheeks even though she doesn’t wear makeup, and she passes all the people captivated by her on the sidewalk, oblivious to their stares, because she doesn’t believe in her innate beauty and charisma—the beauty and charisma that the story says she has.

“Oh, there you are!” Her voice, clear and sweet, rings out to you. You wave back, just as you are supposed to. “You said you wanted to get sweets from the bakery that just opened, right? I’m so excited. I love sweets! I saved up some money just for this.”

A dialogue line full of exposition. You nod and lead the way.

“Have you seen their Magicam posts? The cakes are so pretty.”

Her giggles chime like bells. “I think the strawberry one is the cutest!”

Your small talk has little to no substance. It exists only to pass the time. To be honest, you don’t mind. If this were any normal day, you would have enjoyed this. You would have visited that bakery with (Y/N), gone home with a strawberry tart, checked up on the ledgers for the mafia, and slept while fed and content. But today is the inciting incident of the story, and you have your part to play.

A dark alleyway is where these things always take place in stories. Four men smoking and muttering ominously to themselves lean against a brick wall, hidden in shadow. Their eyes follow your every step. You make sure to walk on the outside of the sidewalk so that (Y/N) passes by the alley. As expected, their hands shoot out and grab her arm.

“Hey, you there.” One of the thugs licks his chops. “Got a minute to spare, pretty thing?”

Generic “bad guy” dialogue. Of course, he’s talking to (Y/N). You don’t need to do anything yet except make sure the pieces are in place. A flutter of black fabric in the corner of your vision assures you that the main lead is ready and waiting.

“Get your hands off me!” (Y/N) struggles against his much stronger grip to no avail. The men pull us into the alleyway and corner us against a dumpster. Tasteful.

“Don’t be so harsh.” Another thug whose voice scrapes like glass shards to the ears grabs your shoulder. You don’t shrug him off. Right now, your role is to lay low and let the main character shine. “We just wanna show you a good time.”

“You can fuck right off! And don’t touch my friend.” (Y/N) shows off her generically headstrong personality now. She probably thinks that she should protect you. You are Friend A, without any special characteristics, a piece of cannon fodder that cannot do anything on your own. Even though (Y/N) doesn’t consciously think that way, this is how she perceives the world. She is not wrong for doing so—she’s being sweet, in the way that she is designed to be.

You don’t have anything to do while she shoots off her scathing remarks, so you take your time to observe the thugs. Just as the story you read describes, these men come from an easily identifiable rival mafia. All four have a tattoo of a handsaw on their bodies—the symbol of the Carpenter Mafia, the current major group in the Queendom of Roses. Common soldiers, no doubt. Not anyone of importance . . . yet.

Thug Number One brings your attention back to the conversation by yanking on your hair. It hurts a little. Irritating, but you can bear with it. (Y/N) looks outraged.

“How about this? Since you’re so determined to save your friend, I’ll let her go if you give yourself to us.” He continues with his harassment by grabbing your cheeks with his grimy fingers. You inhale deeply and immediately regret it due to the smell of his breath. Your mind urges you to refrain from giving him a nice fist to the face. Not just from his treatment of you, but also from his gross proposition to (Y/N). Despite your respective roles in this story, she is still your friend. Hearing him throw those slimy words at her leaves a bitter taste in your mouth.

(Y/N) puts up a struggle. “I won’t give you anything!”

“Do you think you’re in a position to make demands?”

She hesitates, looking at you with conflicting emotions warring on her features. Takes a deep breath, just as the story says she would. Then, with a wavering voice and a tough façade, she agrees.

You take your cue to run from the alleyway, abandoning her the way Friend A is meant to do. You don’t have to worry. After all, the thugs won’t be able to do anything before the male lead steps in and saves her.

There isn’t much time to waste until you get an update on the story. You hail a taxi to a neighbourhood by the sea. You tip the driver handsomely, bid him a good day, then walk another block before arriving at a mansion. There’s nobody here to greet you except the security guards at the front gates.

You scan the trees. Looks like he’s in a good mood. When he’s upset, he doesn’t usually climb. He hasn’t noticed you yet—his back is turned, his head buried in a particularly thick patch of leaves, and you’re downwind.

“Floyd!”

He turns so suddenly that you’re worried he’ll get whiplash. A grin lights up his face, and without a single reservation, he jumps right off the tree and lands smoothly on your side of the fence surrounding one of the Leeches' many properties. The sun shines across his handsome, sharp features. Of course, the twin brother of the male lead must be gorgeous in accordance with the axioms that govern this world.

“Handfish, how was it? Did Jade meet her?” Even though you are Friend A in this story, to Floyd, you are just his friend. He hasn’t given you a generic nickname like the “minnows” that he calls the family’s soldiers and staff. To him, you are an individual who is interesting enough to grant a personal nickname. Even if that nickname is “Red Handfish.”

“Yeah, he did. I saw his blazer.” You think back to the black fabric you saw before entering the alley. “I bet he’s doing the whole ‘I can’t let you live’ conversation with her.”

In the story, one of the thugs reveals Jade’s identity as a mafia boss in front of (Y/N) before he passes out. How a common foot soldier of the Carpenter mafia can recognize Jade, whose face is kept classified from lower-ranked members of the underworld, is worrying enough to warrant investigation. This could simply be a result of poor writing from the original plot, but you are also an example of the original story’s loose ends. If someone like you, who was meant to disappear after page two, can still have any significance and will instead of vaporizing immediately after you left that alley, then you can’t be too careful.

“Bet he’s being real smooth with it.” Floyd cackles, his raspy laugh reminding you of a chain smoker after five consecutive packs. “She’s gonna fall for it hook, line, and sinker.”

“Of course. We’re talking about Jade.” Even under regular circumstances, he’s charming enough to lure any poor, unsuspecting fool to their demise. “They’re going to come here any minute now. Let’s go inside.”

You pass the security guards and enter the Leech property. A perfectly paved ground with colourful stones and not a weed in sight. A marble fountain surrounded by neat, rectangular hedges. And of course, the enormous white mansion with huge double doors, which in turn have proportionally huge fancy glass windows. For (Y/N) to have a “perfect” ending, the world must allow her to escape her current life of scrimping and saving by marrying her into a wealthy family.

“I wonder what the little minnow looks like.” Floyd hums, sauntering into the living room. “I bet she’d break easily if I squeezed real hard, huh?”

“Don’t do that.” The two of you sit on a velvet couch. Floyd’s long limbs sprawl out and take up the majority of the space. You settle on the far end. “And are you going to keep calling her a minnow?”

“Dunno, haven’t met her yet.”

“She’s very pretty. When you meet her, I’m sure you’ll get the feeling that there’s something special about her.”

The story emphasizes how much Floyd adores (Y/N). She is supposed to become a sort of mood stabilizer for him, keeping him consistently happy in her presence. You wonder if that will actually happen. Floyd can and will throw tantrums around people he holds dear. His mood that flips at the drop of the hat seems difficult to stabilize on just affection alone.

He shrugs non-committedly. Just as you’re about to suggest a nickname he could use, your phone buzzes.

Five minutes away. Jade’s text is short and to the point. You stand and stretch, getting ready to play Peeping Tom.

“Remember, don’t say anything about the original plot, okay?” Floyd’s unpredictable nature worries you. You know that your reminder won’t do much if Floyd decides it would be fun to spill the beans anyway, but you can’t help yourself.

“I know, I know.” He frowns and waves you off. Laughing, you move to the room across the hall. He hates being told what to do, but he’s in a good mood right now. It won’t be a problem.

The front door creaks open. Through a crack in the door, you watch Jade carry (Y/N) in his arms like a princess and set her down on the couch. Smooth, easy, efficient, the way he likes to do everything. Even though you know he is acting, his movements, the soft look in his eyes, are almost believable to you. And you’ve known him for fifteen years. There’s an odd stirring in your chest. Guilt? Envy? You tamp it down.

For a fraction of a second, you swear you make eye contact with him. If he notices you, he doesn’t show it. He seems to redouble his efforts on acting sweet to (Y/N). It might just be your imagination.

Floyd pokes around at the two of them the way he always does when he’s curious about something new. His grating laugh fills the air while Jade bandages a scrape on her knee. Good, the scene is going exactly as described in the story. (Y/N)’s first colourful and memorable experience with her future family. Her new family must be fun, rich, kind to her, and love her unconditionally no matter the circumstances. Her new family has to be better in every way compared to her current one—a mother who passed away at childbirth and a scummy father who neglects her. For an author, these are simply lazy ways to give her a tragic backstory and simultaneously pretend her parents don’t exist for the rest of the story because they don’t add to the romance.

How horrible. How could a late mother and neglectful father not affect a person? How could they simply be written off as another thing the male lead “saves” her from? And for that matter, how can the author casually write in a scene where she is cornered by adult men who are physically far stronger than her, who harass her and make disgusting comments, just so she can meet the male lead? How can they just pretend that won’t lead to any trauma?

You know firsthand how (Y/N) lives her life, because despite the story labeling you as the disposable Friend A, you genuinely have been her friend for the past year. You’ve seen her live on plain rice porridge for days to cut grocery costs. You’ve seen her wear clothes until they are threads because she can’t afford to buy new ones. Oh, but isn’t it wonderful that she’s skinny and looks good in everything?

What a load of bullshit.

#disney twst #twisted wonderland #twst x reader #jade leech #jade leech x reader #twst fanfic #floyd leech #twst jade #(y/n)'s the main character but you aren't her #slow burn #you're gonna have to read some plot #before you get to the fluff #this is actually just my excuse to write something sort of meta

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drabbles-of-writing · 1 year

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I mean this as kindly as possible but this is the most main character energy I’ve ever seen in my entire life

#the owl house #toh #for the future #toh spoilers #for the future spoilers #stringbean #palisman #luz noceda #snake shifter #snakeshifter #drabble post #screenshots #talk #stringbean toh #I LOVE STRINGBEAN I LOVE HER SO MUCH #EVEN STILL. MAIN CHARACTER ENERGY OFF THE CH A RT S #'shes a special little shapeshifter :]' is she now #i love her. shes adorable. i want to see her all the time every day #forfeit all mortal posessions to the stringbean #but cmon. you know. you know #SHE FITS! SHE DOES! LIKE YES OF COURSE LUZS PALISMAN IS A SHAPESHIFTER #THAT MAKES SENSE! she wants to be understood while fundamentally never fitting into ONE specific place!#just like a shapeshifter! even if its 'main' form is a snake #it still shifts to all kinds of forms! and wants to be accepted no matter where it is! YES THATS GOOD DESIGN CHOICE SHES PERFECT #im still calling her main character energy #also now im always gonna be reminded of vee #luz getting a palisman like im going to base her SO much off of my sister

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fujii-draws · 18 days

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OKAY! Chatot rant in tags below! Read at your own discretion.

#okay starting from the beginning of where ppl usually dislike him. apple woods chapter.#he doesn’t give hero/partner the CHANCE to explain themselves despite them being relatively good recruits up until that point.#and that legit might be my only gripe with that chapter bc!!! stories need conflict! I LIKE the conflict in apple woods!!!#hero and partner being punished so something they didn’t do!#the misunderstanding! how team skull (Skuntank) actually outplays the main duo with a clever yet rotten trick. I LOVE that it segways into-#one of the more sweeter scenes of guild members looking out for eachother. I LIKE APPLE WOODS CONFLICT.#but chatot just. not giving them a chance. is so dumb.#I’d personally fix this by having a lil montage of hero/partner fucking up on jobs. A LOT. and chatot giving them a pass every time.#and let the perfect apple incident BE the one where he puts his foot down and doesn’t listen to them. bc he’d given them loads of chances.#and doesn’t want to hear any excuse.#but yeah. I legit dont mind him during that chapter except for that really stupid and frustrating moment.#NOW. CHAPTER 17.#UGGGGHHH WHERE DO I BEGIN #Him not believing hero and Partner about Grovyle and the future being in ruin? FINE. ACTUALLY GOOD. BC CHATOT WOULD BE SKEPTIC.#IT FITS HIS CHARACTER!!#BUT WHAT DOES SUCK. IS HIM GOING ‘Dusknoir isn’t the bad guy. he didn’t do anything wrong’#WHEN HE LITERALLY KIDNAPPED HERO AND PARTNER RIGHT I N F R O N T OF HIM.#(NO LITERALLY. HIS CHARACTER IS IN THE FRONT ROW WHEN IT HAPPENED.)#and him. having the GALL to tell hero and partner they must’ve been ‘seeing things’ and downplaying the HELL they went through.#despite them being missing for hours/days. his own guild recruits. and his angry sprite showing up.#like. I think that’s when I genuinely despised him.#that and him going ‘OH I BELIEVED YOU THE WHOLE TIME HEEHOO :)’ shit was so fucking annoying.#just playing it off as a joke the second the guild started to believe hero and partner.#IMAGINE IF HE W A S ACTUALLY TESTING THE GUILD’S TRUST. SHOWCASING HIM AS THE MORE RESPONSIBLE AND RESPECTFUL RIGHT HAND OF THE GUILD.#and yes. Brine cave he saves hero and partner. but at that point I just didn’t care anymore.#he fucked those two over so much. that I didn’t care what ‘valiant’ sacrifice he had.#and he grills Team Skull for what they did OFF SCREEN. they couldn’t even give us THAT.#<<< THAT or him outright saying sorry would’ve been nice. IKIK his ‘actions’ or whatever but.#eughh again this is all imo. I’m not trying to make people hate him or change their mind.#I’ll get into positives in the second post cause I’m running out of tags

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didderd · 7 months

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first drawing of this bastard man :3 ('s not my best work, but shh i was tipsy when drawing it)

(Baggs belongs to @megalommi)

bonus under th cut bc i simp:

#when i draw a character for th first time 's usually jus in a generic pose #so i can get a hang of th design first #but i do wish there was something more to this drawing :'>#but eh #made up for it in th bonus hehe #(said it bfor abt fresh 'n i'll say it again now. i like th freaky ones dkfj)#megalosomnia #megalosomnia sans #baggs sans #undertale #undertale au #didderd art #(th gloves should b visible in th main drawing but i forgor :'>)

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to-eat-laugh-love-in-peace · 3 months

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With how Tristamp sets up major plot points in advance with the characters that they name drop or have appear and interact with and learn more about other characters throughout the series no matter how short their screen time was or how small their role to play at the time was, I think that Meryl along with Milly might be a bit more involved in the fight against Gray the Ninelives who really only fought against Wolfwood in Trimax.

Like yeah the girls show up but it's really only at the end and as comedic relief they literally just fall on top of them and knock them out, signalling that the fight's really over now. But like just look at how hyped they looked to fight, guns out and all.

But in Tristamp not only has Meryl gotten to meet and get to know some of Ship 3’s residents, becoming especially invested in Luida’s project in growing enough flora to terraform No Man’s Land into a green planet to lessen the burden on the Plants and ensure the survival of both species, making her more than willing and ready to fight for them given the chance,

but also she’s seen Gray as the both the mech suit in Ep3,

and as the nine people who control it in Ep10,

with her having seen and gotten to know more about them thanks to Conrad possibly setting up that she might actually be the way Wolfwood figures out that Gray is just a giant mech suit being piloted by nine people. And then they could work together to take them down.

Which would be pretty cool to see, maybe they could take three each, given that there aren’t a lot of instances that I can recall at least where Wolfwood fights alongside the girls, plus it’d make for good team building with Milly having just joined the gang. Also, after rewatching episode 4, specifically where right before Roberto’s taken by Zazie Wolfwood makes fun of Roberto’s derringer, it just ignited a want, a need really to see Wolfwood have his ass saved at least once by said derringer.

Speaking of which, there have also been multiple instances where allusions to David and Goliath were made in relation to Meryl in Trimax, notably in the few panels that show bits and pieces of her backstory that show how she got her first derringer, which Studio Orange expanded upon with Roberto, that lead me to believe this to be the case even more.

On top of that, I think that she might be reason for why they're simply going to have them locked up and not killed (wonder if seven of them are still going to be killed during the fight in S2) even after the damage they've dealt and the deaths they've caused seeing as she reacted with horror and pity when she learned about them from Conrad,

a sentiment Roberto himself doubled down on,

which while it might have enraged Elendira and sent her to come after them with her nails, leading to Roberto's death, and possibly souring Meryl's feelings about her, the same can't be said for Gray. @tristampparty

#Trigun #Tristamp #Trigun Stampede #Trimax #Trigun Maximum #tristampparty #Gray the Ninelives #Meryl Stryfe #Milly Thompson #Nicholas the Punisher #Nicholas D. Wolfwood #Revenant Vasquez #William Conrad #Luida Leitner #Hope they release Gray's official character sheets need #It's already a struggle as it is to draw techy stuff will need more references for their mech suit/s to make some fanart #Also wonder if the reason why there's one main mech suit and one smaller version of the mech suit for each of the nine guys #is that they're pulling some design inspiration from Kanta Tonkichi and Chinpei Nebraska's designs for their Tristamp design #where they can condense into a ball to inhabit the main mech suit but also unfurl into each of their own mini mech suit when the #main suit gets damages if not completely during destroyed or at least just when it seems more convenient like when they're moving #around Plant tanks around the room full of Red Plants that probably isn' the most spacious or at least needs to be handled with care

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sguidwards-bestfriend · 2 months

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New Dimension, Who's This?

honestly writing this cuz I saw @gin2212 's comment and made me teary, so were gunna finish this bad boy! not today but you know... it will happen

Part 1, Part 2, Part 3, Part 4, part 5, part 6

Explicit mentions of death (but of characters that are currently living) Kind of OG version of their deaths

Danny had only walked through the Wayne’s home adjacent gardens once, in a direct route to the barn. Batcow was a highlight of that little excersion.

Now, however, they were actually looking at the shrubbery shaped like boring spheres and rectangles.

He felt Jason become distant and floated back a bit, he’d turned left into a very small opening.

Inside were three unmovable cement benches that curved slightly into one circle. The well cut bushes were wilder in here, making it cramped and impossible to see over the hedge.

“This spot used to be my favorite, when the weather was nice. I’d come out here with a book and whatever drink Alfred had decided to make that day.” Jason looked down at a square of cement in the middle, probably where a table had been. The indents on the side of the seats, likely from the mold it was made from, had moss growing in it.

“This seems like the perfect hideout.” Danny smiled and sat on the bench opposite Jason.

Jason hummed in agreement, he coughed awkwardly even for Danny’s standards and spoke up again. “So, you’re the god of death?” Jason was probably really good at looking casual and intimidating to most people, but Danny could sense the tension emanating from his core as he sat near a branch mere inches from his face with his hands in his pockets, probably wishing he could lean against something to look nonchalant.

“Nope, I’m the king of the dead. They aren’t the same thing.”

“So, you’re not Hades?”

“I hope not, I’ve met him and he’s kind of a dick.”

Jason laughed softly, he liked how it sounded “Okay, cool, so the Greek gods exist.”

“All of the gods do, technically.” He waited for Jason to look at him. “I know it’s hard to wrap your head around, but the infinite realms isn’t really a dimension on its own. It’s the space between all dimensions. When you die you have to pass through it to get to your destination. Some people don’t have a place and they end up part of my realm, some get lost, some sell their soul, others forget their lives entirely and are part of my people from the second they pass over. Then there are the never-borns: souls that form from pure will of the infinite realms. All that is part of my domain.” Danny floated up a bit to try and catch a glimpse of the stars, the smog from Gotham blocking everything. He looked back at Jason and his stomach did a little flip that he decidedly did nothing about. “But just so were clear; hell, the underworld, and all those other things are in the infinite zone. They aren’t all the same thing.”

“Okay. So, you rule over those too?”

“Again no, once a soul gets into the correct dimension, I don’t really have anything to do with it.”

“Wait so if someone who believes in an afterlife sells their soul what happens?”

Danny slouched in the air and grunts, “That’s where all the fucking paperwork comes in. I really want you to imagine the most bureaucratic way to possibly move to a new country, but you have none of your documents. Being stuck in this dimension was a fun break at first, but now all I can think of are the stacks of A-13 forms that are probably covering the castle floors.”

Jason shifted and with it came a wave of uncertainty. “If someone was killed and brought back, what then?”

Danny has seen how ghosts in the zone get when they talk about their deaths. For many it’s all they remember of their life. If a ghost with years to think it through reacts explosively he’s not sure how it will go with a newbie. “Well, a few things. The soul could come back to a place without a body in which case you have a true haunting. If the death was quick, it could have flash formed a core, that’s like a soul that has died fully, and then shoved back into the living body. That’s how you get halfas like me.”

Jason still looked cool and collected on the outside but there was unbelievable turmoil seeping out of him. “What if the body was dead for a while? What if a soul or core was shoved back into a body on purpose?”

“I’ve only seen one revival before, but there was a lot of time warping there. The necromancers I’ve met who were trying to bring someone back didn’t have access to ectoplasm which had results that are very different to… having it.” Danny breathed out to calm himself, letting that calm wave wash over Jason as well. “Sorry.”

“No, it’s alright.” Jason shuffled his leather jacket, “You call it ectoplasm.”

“Yeah.” Danny answered with a lilt in his voice.

“The green goop filled pools you said you emptied, you mentioned they were corrupted.”

“I did yeah.”

“What would happen if someone was exposed to that?”

“Honestly, it’s not the first time I’ve come across it but never that much. For ghosts it can leave them sick and weak for days. Not like polluted water, more like if you switched out the water a healthy person drank for soda exclusively. It won’t kill them, but it will have a negative effect.” Danny thought for a second and remembered the one-time Sam got covered in a mix of good and contaminated ecto during a fight with Undergrowth. “I saw how a diluted version of it affected a living person, her mind was warped and she had the same sort of tunnel vision a ghost has if they have a particularly strong obsession.”

Jason took a breath, he’d been going strong so far. Danny may come to regret this, but he put a hand on his shoulder and floated where they’d be face to face, letting his bottom half fade away into the ghostly tail. “I won’t do it if you don’t want me to, but I can subdue your emotions a bit if you want to talk about it.” Jason looked up quickly and Danny scrambled to correct himself. “I haven’t been doing that! Well, like not in a controlling way, more like the ghost version of calming down a friend who’s freaking out. If you pushed past it I wouldn’t hold you back.”

“You should.” Danny couldn’t help the questioning noise that came out of him, “The first year I came back, I don’t remember it well, but I tried to kill Tim… and possibly Damian. If I do go too far hold me back.”

Danny nodded, “Back in the hall, when Tim was taking an unorthodox amount of coffee cups out of his room,” Jason snorted a bit and smiled, “you didn’t fight me stopping your emotions from bubbling over. I think, with even a little help, you do in fact make the right decisions.”

Jason’s hand came up to hold on to Danny’s forearm, “I went out to stop the top villain at the time, the Joker. I really did think I could beat him so I turned off my coms. He… He beat me to an inch of my life and left me to die in the explosion he’d rigged up.” Jason’s body was hot to the touch and he was obviously timing his breaths. “I can still feel the damn crowbar he used whenever I fall asleep. Batman had never been late before; he’d never let something like that go past him. My plan B was him, and he didn’t make it.”

Danny hummed. A benefit of their shared ghostliness in needing not to use his words, he pushed through waves of camaraderie and understanding.

“I had dug myself out of my own grave. I don’t remember much other than pain for months. Then Talia, Damian’s genetic mother, threw me into a Lazarus pit. The first thing I remember seeing was looking up at her terrified face, tinted in green.”

There was anger as he spoke her name, Danny controlled the waves of corrupted ecto that were threating to turn those emotions against Jason’s true wishes.

“I was fifteen, how does someone let a child do that. I was a kid!” Jason’s emotions were switching around and Danny could hear the forming core start too fuss. “I was just a kid.”

Danny came closer and wrapped all four of his arms around Jason, squeezing him just enough to feel a weight on him, but not so much it was restrictive.

Jason still seemed tense so, Danny did the only thing he could think of, he talked of his own death.

“My parents built the first ever physical portal to the realms. I was messing around with friends and they dared me to walk into the useless frame. My parents always had a tendency of forgetting lab safety and making just one mistake in every build. I’m not sure how they managed to put the on button inside it, but I tripped, hitting it on my way down. I could feel every bolt of electricity ripping me apart as the link between worlds opened directly on top of me. I died separate to my body and ended up like this.” Danny moved back and looked down at himself without letting go of Jason. “I tried to tell my parents at first, but they were always busy.

They spent the day I finally gave up trying to trap my sister; thinking she was the ghost their devices we’re picking up.”

Jason rested his forehead on Danny’s, sighing against the cold touch. “How old we-“

“Fourteen.”

“We were kids.”

“Yeah,” Danny kept his forehead against Jason’s. Two arms he left at Jason’s shoulders, the other two caressing his arms.

With a wave of confidence and fear Jason grabbed Danny by the waist and pulled him in for a real hug.

They held each other there, hidden amongst the foliage, until it started to drizzle.

“We should-“

Danny cut him off, pulling back to show the tears running down his face. “Can we go to your room?”

“Yeah, come on.”

They didn’t touch on the walk through the garden, or at the entrance, or in the hall. No, it wasn’t until the door was closed behind them that Danny came forward and just barely touched his arm.

Jason grabs him and pulls him in again, this time resting his chin on the top of Danny’s head. The attempt to calm Danny down just as he had for Jason made him start to cry again, this time much happier.

The surge pushed his kingly nature to shift into something more human. His arms went back to only two, his skin became that of a pale human’s (for the most part), his ears shrank down and his pointy teeth rounded out. And, surprisingly, his form gave him pajamas.

The ecto the change required didn’t accept the contaminated ecto that Jason had sent and Danny sagged into Jason, his knees buckling.

“Hey, hey.” Jason hushed, “I’ve got you.”

He sat Danny on the bed and went to get pajamas for himself. Once changed he laid down beside Danny and curled around him.

Danny was laying on his back, his legs bent over Jason’s thighs, who was laying on his side up against Danny. Creating a cocoon to hold Danny in.

They fell asleep quickly, Danny held Jason's hand on his chest throughout the rest of the night.

Neither of them had nightmares.

Part 1, Part 2, Part 3, Part 4

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#dpxdc #danny phantom #danny fenton #dead on main #so this was the first time i have ever dealt with tumblrs stupid character limit #It's s limit on paragraphs not on the whole post. however. that means i have to manually reformat the entire post of over 2k words #that i have already done the editing for #this is not important to the story i am just a little annoyed #death #bad parents jack and maddie #I use that tag so often just wrote a b and it popped up hahahah

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