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#mask debate
drfrogphd · 4 months
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Working on some lethal company stickers!!
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colourful-void · 7 months
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bringing the wild and radical take into sv dlc discussion that i dont think that kieran like, consistently objectifies ogerpon or the player. part of it is just vibes, and im just going off memory here, but like, if it Is him objectifying you or ogerpon, i dont think that means he doesn't see either as living, thinking people. which is a take i've seen?? a few too many times?
when kieran takes you to the dreaded den, his dialouge is soemthing like 'it must be so lonely here, poor guy. i would've let it stay at our house...."
which. that's empathy! he's doing an empathy right there! he sees it as something that thinks and feels??
it's such an odd thing to have as an arguement actually, because "kieran thinks about how the ogre feels" is like. a massive part of his characterization in the games beginning?? the whole point is that kieran looks at this monster of myth and then Thinks About How It Would Feel to be in that situation.
moreover like... reducing Kieran this way kind of takes away from the alternative, which is that Kieran DOES see you and Ogerpon as people, he DOES want the best for you. Don't forget how many times Kieran says "i know this is wrong, but i need it." how he apologizes for stealing the mask, for trying to catch ogerpon. when he loses that battle he apologizes and cries. he doesn't steal ogerpon, he congratulates you even. his hatred is directed at himself twelve more times than it is to you or anyone else and that's a REALLY important part of his character!
Kieran sees you and Ogerpon as people, not just Symbols of Strength or things to possess! But Kieran is DESPERATE, so when he thinks he's going to lose (or lose the oppertunity to have) either of you as friends, that's when he starts trying to cling onto you. him knowing how you/ogerpon feel, but doing these things anyway is the Point. it hurts because you're both hurting, but he doesn't know what else he can do. and maybe this time, if he's a little stronger, things will be different. then he'll be good enough for you/ogerpon to want to Stay.
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harpuiaa · 9 months
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ghost trick doodles
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fantastic-nonsense · 2 years
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*reads the ten thousandth 'is Batman or Bruce Wayne the mask?' debate*
It's not hard, y'all. Batman is a Hannah Montana situation not a Count of Monte Cristo or Jekyll and Hyde situation, get it right
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devastatedloyallute · 22 days
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Adam is feeling a bit clingy today
I just want to see them happy 🥺
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zuzu-draws · 2 years
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Last try tumblr, after this, i give up.
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arthurtaylorlester · 2 months
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malevolent season 4 was... something, that's for sure
i want to preface this by saying i LOVE malevolent as a show and this is no means an attack on the creator or anything like that, i don't think i'll ever stop listening halfway, no matter how i feel about it. i'm not saying season 4 is all bad either.
it is a deviation for malevolent, though i found it VERY well written up until part 31 (and part 31 is my favourite malevolent episode ever)
s4 started off really strong for me, part 29 set the tone really well, much lighter after s3's emotional lows. the butcher was an interesting enough new villain to put yarson aside for now. part 30 had some charming moments, but the real star of the early season was part 31, a truly incredibly written and directed look into arthur's psychology. it truly gave us everything, from lore to highly comedic moments (to me)(no because why was arthur dreaming of waking up next to a shirtless man who tried to kill him)
parts 32 through 34 i'm not sure about, but i can write them off as awkward mid season points. part 34 was an interesting shift in perspective, but here is where my doubt's about the season's villains started rising
but the oscar & scratch arcs.... guys i'm gonna be honest, i might be oscar's #1 hater
scratch and oscar in this season were functionally useless filler. it's not unusual for arthur and john get sidetracked during their missions, but it usually ends up leading them right where they need to be by the season finale. this felt like a parenthesis that killed any tension created by the butcher.
this season had, quite unnecessarily, 3 antagonists. now this wouldn't be a terrible idea, had they been established before. but no. for some reason it was chosen to leave the only villain we could genuinely be afraid of alone, in favour of introducing not one but two antagonists yet to be established. neither because of this have the adequate fear factor (the butcher is better about this) and both get the most abysmal ends i could've imagines. what do you mean scratch is just gone like that after causing some emotional conflict with his deal. what do you mean the butcher was KOed by the fucking priest with a bedpan? what? that's it? you expect me to be scared or even care about the butcher now?
speaking of the priest. i want to like oscar i really do but. he's a terribly written character. we get to know him while arthur is teaching john intimidation tactics so out of gate our initial impression of him is as someone meek. and then in part 36 after "sorting out" the butcher, oscar just dumps out his trauma point blank to someone he's spoken to a handful of times in the past 3? 4? days.
malevolent in general has a bit of an exposition problem, but it usually works out if it's john expositing because. that's literally all he can do. but when a character with more agency do it, it makes them flat. oscar didn't have to tell us all that, he didn't have a reason. arthur confessing to 7 murders isn't a prompt to make himself vulnerable like that. i did not start caring for him, just because he had a tragic backstory. that's... not how you get someone to care about a character. oscar could be defined as a static character, and while it's not too unusual for a static character to be the focal point of an arc, i don't think it works the way most authors think it does.
also the worms in the farm only happened because of him messing with the stove so like. that's not helping his case.
the completely unnecessary farm arc concluded, we return oscar to the hospital, with arthur caving very quickly to john's demands if he truly cared about oscar so much. and so, a single episode before the finale, we get properly acquainted our main ally for the showdown. a choice definitely, but i feel like this one worked out pretty well considering noel had time to simmer before we got know of his past + he had interesting conflict with john and arthur.
and then there's the big one, the thing that appalls me entirely. leaving larson and yellow, the main villains of the finale COMPLETELY alone until the very end. why? why would you choose to not use them earlier? we spent so much time away from larson, so we weren't really as scared of him as we were at the end of part 28 (i literally was listening to the last 15 minutes of this ep on my toes because i thought he might do something) and we had had no CHANCE to even fear yellow, since we knew nothing of his power?
and what, the butcher is on our side now because noel granted his release? just like that? i know he's a contract killer but arthur insulted him to his face, he can believe they understand each other but did he feel no anger?
the finale did well, considering the context it was given to work with, though i did not understand the point of the memory thing... that didn't go anywhere? because not arthur nor noel actually lost anything. we don't know what the box was for, we only know some guy wrote "the birth of my son" on slip of paper and put it in. arthur assumed it was a memory, when it just as well could've been a literal offering, arthur assumed it would involve losing said memory, and they assumed it was related. initially i thought it would only go through if the ritual took place, which, it didn't. but reading back here is no further clarification on it. hold your angst horses, blindfaith enjoyers
i feel like john physically manifesting, if now an established power of his, was very cheap. unless it was a one-off, or some sort of power up, it just literally took away the main premise of the show. an all-powerful god rendered powerless by being stuck in some guy's mind and being forced to confront the troubles of someone infinitesimal to him. if you let him astral project and save people, then what's the point?
but i do actually think it was a one-off, so we'll see how it goes
simply put, john saving arthur when he jumped in s3 had more impact than this because he did it with a single, human, hand. no magic.
it was pleasant to have kayne and his expected chaos back, jarring as always. john's deal was exactly what we all thought it was going to be, maybe more about himself than arthur, but i don't think anyone can fault him for that.
one things though, and this questions may just be me not remembering, is arthur supposed to know that yellow is a separate entity from john when they realise larson has him in his head? because i remember arthur just assuming that 'yellow' just had all of his memories returned in part 23, and therefore not knowing that he's a separate guy from john.
just in general, i feel like s4 had a LOT of good ideas that weren't given enough room to breathe and therefore weren't written very well that really weighed down my enjoyment of the season. that's not to say there weren't things i liked. the emotional moments hit just as hard, like reconciling with daniel, the comedy was on point (genuinely this season was so funny) and even the most out of pocket thing arthur has ever said, calling john a child, no matter how much discourse it caused, was actually sort of in character for him? i mean arthur is an asshole so like i get why his immediate reaction to his severely emotionally unintelligent friend being possessive is babying him. they're awful people. they deserve each other. it made somewhat sense in retrospect.
all this to say, while i didn't hate s4, i think it had a lot of writing issues, especially when comparing it to the other 3, and it could've been done WAYY better but hey we all have our moments.
i await anxiously intermezzo's public release and the rest of season 5 👀
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dyketubbo · 9 months
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not to be a woman womaning all over the place but i feel like if you genuinely like. do not have friends that are women then you have something to work on. if you cant think of any female characters that you treat the same way you do male characters then you have something to work on. if you cant handle even seeing "i dont like being called a guy/bro/lad/etc because it doesnt feel gender neutral to me" but can understand when one of your masc besties is uncomfortable with being called girlie or sister then you have something to work on. if your default in regards to how you handle other people and even characters is to assume masculinity then you have something to work on. if you cant even let women and otherwise feminine people speak about our experiences without bringing up how you suffer too then you have something to work on.
it doesnt matter if youre queer or a poc or a minority in whatever which way, if you do not include women in your life and cant even stand a fucking inch of genuine feminism (and i dont mean terfs but god is it fucking agonizing that thats all you people can think of when you hear feminism anymore) where the point is to treat women, all women, equally then you have something to work on. listen to women, even the ones whose experiences completely dont align with yours (hell ESPECIALLY the ones whose experiences completely dont align with yours). just like how we all have to check ourselves for racism, ableism, queerphobia, we all have to check ourselves for misogyny too. stop acting like it got solved at some point. it still exists and it exists within you and you have to actually fucking work on that. "women should be included in your life and you should listen to them" shouldnt be a hard goddamn pill to swallow.
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clownenergyy · 9 months
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testing out some brushes and such
anyway love this podcast normally (lie)
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minhkhoakhan · 6 months
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a rook-esque red robin inspired tim for @yj-98 | happy birthday rookie 💚
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sparrowinthewater · 24 days
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I just need bloomsbury and sjm to drop the synopsis or even just the damn title/cover reveal because i am SICK so SICK of having to constantly defend gwynriel
Do people not understand that even if said ship isn’t heavily foreshadowed in previous books it does not equates to them being a crackship or ‘not happening because they’re so random together’? You guys think so freaking one-dimensionally it’s actually worrying.
Some of you need to learn to read between the texts and brush up on your analytical reading skills.
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nounaarts · 1 year
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MADE MYSELF A LMK MONKEY SONA
This is my first time doing one so I might change the design later? Idk
I is her and she is me :3
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Also considered her design to be without the baggy sleeves so alternative sleeveless Sona? Lol I might keep both designs
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sailorstarr-chan4 · 2 years
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Needless to say, I am forever Salty™ 🙃
Sailor Moon memes: Part 1 | Part 2 | Part 3 | | Part 4 | Part 5 | Part 6 | Part 7
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meganechan05 · 5 months
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Quick doodle but we got 3 days until I go full wota at a family event for Gokkan's Top Idol
Bless Kamihori for seeing our vision and greenlighting TakaMina's insanity for his blorbo (´-ω-)人
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powdermelonkeg · 11 months
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But the Zora in OoT are River Zora, not sea Zora. The ones that were Sea Zora are the ones in Majora's Mask. Either were there is the very possibility that the goddesses that sent the flood also made it so that the Zora could not swim through it to keep them from finding the sunken Hyrule.
River Zora as in the subspecies, not as in “they live in the river.”
River Zora, as commonly named, look like this
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Note the difference in head shape and the presence of claws. Some iterations have them looking even more monstrous.
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These Zora can spit fireballs, and are notably violent-tempered in Zelda lore. They’re only encountered as enemies to kill in the majority of their appearances, with the notable exception of A Link Between Worlds.
Sea Zora, as commonly named, look like this.
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They’re generally friendly to outsiders, and, with a few exceptions, have fish/shark tail ponytails, a fin framing either side of their face, and gills along their ribs. They can manipulate water and most often use spears to fight.
The name is most likely in reference to the fact that they look like sea creatures—namely dolphins and sharks—and to differentiate them from the aforementioned River Zora, who appeared first in Zelda 1.
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Ocarina of Time was the debut of this body type. Note the tail head, the fins on the arms and hips, and the shape of their form.
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The Indigo-Gos have more variation to them, but three of them (Lulu, Mikau, and Japas) are very much the same type of Zora as the ones we see in OoT. Toto (on the far left) looks similar to the OoT King Zora, and Tijo (third from the left) is the same kind of subtype (being a ray) as Muzu and Yona from BotW and TotK, respectively. They all have the same sea blue, and are meant to parallel OoT like the rest of Termina is.
Except Evan (pianist on the right). I have no idea what’s up with him.
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mothwingedmyths · 1 year
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I finally got my hands on this meme template let's go
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