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cuddlytogas · 2 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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suddencolds · 5 months

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The Worst Timing | [1/?]

hello!! I've been wanting to write a longer h/c fic for awhile. This is the exposition/first installment to that (4.8k words).

this is an OC fic - here is a list of everything I've written for these two!

Summary: Yves invites Vincent to a wedding, in France, where the rest of his family will be in attendance. It's a very important wedding, so he's definitely not going to let anything—much less the flu—ruin it. (ft. fake dating, an international trip, downplaying illness, sharing a hotel room)

—

“A wedding,” Vincent repeats.

“Yes,” Yves says. “A wedding.”

It’s his cousin Aimee’s wedding—she’s four years older than he is. Back when he’d gone with his family back to France over the summers, she’d been one of the people he’d grown quickly to look up to—someone who knew the ins and outs, it seemed, to every stage of life he was in the process of stumbling through.

Yves has always been used to being looked up to—one of the natural consequences, perhaps, of being the eldest in his immediate family—and he likes to think that he’s good at giving off the impression that he has things figured out. But he’d grown close to Aimee at their family reunions precisely because she was everything he tried to be: strong-willed and resilient, self-sufficient even in the face of hardship.

Aimee’s getting married to Genevieve—someone who Yves has only met a couple times, but who manages to be one of the sweetest people he’s ever met. All in all, it’s a wedding he wouldn’t miss under any circumstances.

Leon, his brother, and Victoire, his sister, will be there, along with Aimee’s friends and the rest of his extended family. The problem is that Leon keeps in touch with Mikhail. Mikhail let slip that Yves has been seeing Vincent. Leon told Victoire, who told Aimee. And now Aimee is offering to pay for Vincent’s plane ticket to their wedding in France in the spring—a bit of a last minute arrangement, but she’d sounded so excited at the prospect that Yves was finally seeing someone new (“I’d love to meet him,” she’d said over the phone, “would it be too much to ask him to take a couple days off work? Oh my gosh, please give me his contact details, I’ll send him an invitation,” and she’d sounded so excited about it that he hadn’t had it in him to turn her down).

“It’s very last minute,” he says, “but my cousin’s getting married, and she really wants to meet you. It’ll be some time in early March, in Provence. She says she’ll pay for your flight, if you want to go, but you’d probably have to take a couple days off.”

“Oh,” Vincent says, blinking at him. “And you want me to be there?”

“Of course I do,” Yves says. “I think it’s more a question of whether you want to be there.”

Vincent looks back at him, his expression carefully blank. “Are you sure you want to introduce me to your family? That doesn’t seem like the kind of thing that you’d take lightly.”

“They want to meet you,” Yves says. “And I wouldn’t mind introducing you. I think they would really like you.”

“It would be a waste of your time,” Vincent says, quietly, “to introduce me as someone you’re serious about if we’re just planning to break things off.”

Yves is well aware of the fact. This arrangement with Vincent—the trust he places in Vincent; the practiced familiarity, the feigned intimacy—has an expiration date. The fact that he doesn’t know when the expiration date is doesn’t change the fact that it will, inevitably, end—when Erika gets the point, or fades from Yves’s life entirely; when Vincent finds someone he considers worthy of pursuing in actuality; when either of them become interested in dating again. Whatever it is that ends up ending things, Yves knows: what he has with Vincent right now is strictly temporary.

Perhaps it would be disingenuous to lie to his family about who exactly Vincent is to him. But then again, Yves thinks it isn’t much worse than any other relationship, with all of its ups and downs, all its hopes and uncertainties. It’s not like he can ever guarantee that a relationship is certain to work out, no matter how serious he feels about it in the moment. So is there really any harm to introducing Vincent as his current partner—as someone he feels certain about now, but maybe not always—and to leave it at that?

“It’s not really going to be my day, in the first place,” Yves says. “My relationship status is more of a conversation starter than anything. And even if you go by the timeline we told Erika, we haven’t even been together for a year. I don’t think my family will think much of it other than, like, a small and noncommittal window into what I’ve been up to. So it’s really up to you.”

“I think it would be fun,” Vincent says, “though only if you’re sure about having me there.”

“Great. I’m sure,” Yves says. “Everyone will love you.” He does think it’s true. Something about Vincent tends to have that effect, he thinks.

—

The fact that he and Vincent are traveling together is not exactly a secret.

Vincent agrees it’s best shared on a need-to-know basis—they won’t be the ones to bring it up, but if someone asks about it, they’ll answer honestly. It would be more work, Yves thinks, to have to coordinate lies about this.

But he runs into trouble not even two weeks later.

“So you and Vincent are taking the week off,” Cara says to him carefully, over lunch.

“Yes,” Yves says.

“Any plans?”

“I’m actually flying to France,” Yves tells her, uncertain about whether or not he should mention Vincent’s involvement—if Vincent has talked to Cara about this already, there’s no point in hiding anything, but he should be careful with the information he discloses otherwise. “One of my cousins is getting married there.”

“Oh,” Cara says, all too knowingly. “What a coincidence. Vincent told me he’s also planning on going to France.”

“I… heard,” Yves says, slowly. “He’s told me as much.”

“I didn’t realize France was such a popular tourist destination for march,” Cara says, smiling at him. “I thought most people went over the summer.”

“You know what they say,” Yves says. “France’s beauty knows no seasons.”

“You should ask Vincent which part of France he’s visiting,” Cara says, with a smirk. “Maybe you guys can book a hotel together.”

Yves is positive he’s being laughed at. “It’s the third largest country in Europe,” he says. “I’m sure the chance of us ending up in the same region is statistically very low.”

“I think Cara knows we’re fake dating,” he laments to Vincent later, in the break room. “I mean, the dating part, not the fake part.”

Vincent blinks at him. “Did you tell her?”

“No,” Yves says. He doesn’t think they’ve been that obvious about it. “I just told her I was going to France. She made some undue assumptions.”

“Oh,” Vincent says. “I told her I was attending a wedding there.”

An impromptu trip to France, over the same week at the tail end of busy season, to attend a wedding. Separately. Yves is starting to understand where Cara's suspicions might’ve come from.

“That would do it,” he says.

Perhaps they really need to coordinate what a need-to-know basis means. Cara is, thankfully, not the type of person to gossip, from what Yves has gathered, but if their coworkers know, that could complicate things. “I don’t think she’ll say anything,” he says. “But I’m sorry. I didn’t think she’d assume.”

Vincent seems to consider this. “It’s fine,” he says. “Though it might prove troublesome when we decide to end things.”

“We can figure that out when it happens,” Yves says.

At some point in the foreseeable future, everything will go back to how it’s always been. Yves had been fine on his own for a long time before he’d met Erika. He’s sure he’ll be prepared for it when it happens.

—

The entire drive to the airport feels surreal.

Mikhail drives them. They leave at the crack of dawn—4am, on the dot. Victoire’s in the passenger seat, dozing off, and Leon, Vincent, and Yves are crammed into the backseat.

Yves sits in the middle—there’s not much leg room to go around in the first place, but he tries to take up as little space as possible, mostly for Vincent’s sake. He and Leon have been crammed into far smaller cars on far longer road trips.

Leon says, “This is the earliest in the morning I’ve ever third wheeled.”

Victoire, who has her eyes shut, says, “It’s very nice to meet you, Vincent.”

“Likewise,” Vincent says.

“Yves has told us all about you,” Leon says.

“Oh,” Vincent says, blinking. “What has he said about me?”

“Mostly that you’re super hot,” Leon says. Yves, who is in a perfect position to elbow him, elbows him for that.

“You make me sound so shallow,” Yves says.

“But also that you’re really good at your job,” Leon continues, patting Yves on the leg. “Did you know Yves likes people who he’s slightly intimidated by?”

“I never said that,” Yves says.

“It’s pretty obvious,” Mikhail says.

“You guys are conspiring against me,” Yves says, and Vincent laughs.

Leon launches into a series of questions—about how they met, about who asked who out first, about what it’s like at work, about what kinds of things Vincent does for fun.

“No wonder Yves is totally whipped,” Leon says, after Vincent finishes telling a story about how he’d given a presentation at a conference in place of his then-boss, who had—due to unforeseen flight delays—found out last minute that she wouldn’t have been able to make it on time. Yves hasn’t heard this story before, but it doesn’t surprise him that Vincent would be able to pull that sort of thing off, even with such paralyzingly short notice. “You’re exactly his type.”

Just great. If anyone could dig a nice, fitting grave for him over the span of one conversation, Yves thinks, it would be younger brother.

“I can’t believe he hasn’t invited you over for dinner yet,” Victoire says, her eyes still closed. How much of this conversation she’s actually been awake for, Yves can’t say.

She makes Yves promise that, after their trip to France, Vincent will be over for dinner. (“Sure,” Vincent says. “Just tell me the date in advance. I’ll clear my schedule.” Yves will have to apologize to him after this—for some reason, Vincent has an uncanny talent for ending up invited to half the things Yves is personally involved in.)

Yves is awake enough to hold a conversation, but he finds himself yawning mid-sentence on more than a few occasions. Vincent doesn’t so much as yawn at all over the entirety of the car ride. Yves has no idea if he’s always up this early, or if he’s just naturally immune to tiredness—another signature of his good genetics, next to the fact that he looks like he’s just stepped out of a photoshoot, or the fact that he manages to look good in everything he wears. Some people just win the genetic lottery, Yves supposes.

For some reason, he finds he feels a little more tired than usual. Waking up early is never easy, but usually he’d be distinctly more alert by now. There’s a strange, uncharacteristic heaviness to his limbs—it’s the kind of grogginess he only experiences when he hasn’t been getting enough sleep for awhile.

It’s fine. They have an eight hour flight ahead of them—they’ll be flying into Marseille, and then being driven up to Provence, where the wedding will be taking place. He can catch up on sleep over the flight.

As they’re unloading the suitcases from the back trunk, Vincent says, “Your family’s nice.”

Yves laughs. “I’m relieved they haven’t scared you off yet. Sorry for the… well, interrogation, by the way.”

“I can tell you’re close to them,” Vincent says, a little more quietly.

When Yves looks over, something about Vincent’s smile looks almost wistful. Yves wonders, briefly, how well Vincent has kept up with his own family. If he’d ever been packed into the backseat of a small car, back when he’d lived in Korea; if over some long road trip, he’d ever had to come up with increasingly inventive ways to pass the time. If his relatives ever teased him, then, about the crushes he’d had when he was younger, or anything else. If the ocean that was suddenly between them came with another, less tangible kind of distance, the kind that even phone calls and international flights can never quite bridge.

Yves doesn’t know. He doesn’t even know how he’d go about asking if he wanted to know. How is it that sometimes, he feels like he knows so much about Vincent, but other times, he feels like he knows almost nothing at all?

—

Aimee has booked him a seat next to Vincent.

They’re a few rows away from the others—I wanted to seat everyone together, Aimee had texted him a few weeks back, but when I was booking Vincent’s ticket, the seats up front were all sold out, so I just moved you so you’d be sitting next to him.

Now, he watches as Vincent pushes his briefcase gingerly into the overhead compartment.

“You must not be new to flying,” he says.

Vincent nods. “I’m not.”

“Eight more hours,” Yves says, taking the middle seat so that Vincent doesn’t have to. “It’ll be over in no time, especially if you take a nap.”

“I have some work to get done,” Vincent says. “Only after the plane takes off, though.”

Right—no electronics larger than a cell phone until they’re 30,000 feet in the air. “I thought this was supposed to be your week off.”

“It is,” Vincent says. “I just want to make sure everything’s still in one piece by the time I get back.”

Yves has never quite been comfortable on planes. It’s not that he’s afraid of flying, or that the turbulence bothers him—it’s more just the cramped space, the noise, the anticipation, the discomfort—all of it compounds. It’s usually difficult to get to sleep, but he’s so tired right now that maybe this flight will be an exception.

There’s just one problem: whoever is in charge of the air conditioning in the airplane cabin really hates him. Compared to Provence, New York’s climate is generally more extreme—colder in the winters, hotter in the summers—so all he has on him right now is a thin jacket. It’d be perfectly reasonable attire in most situations, except for the fact that this airplane in particular is unusually frigid. It’s definitely cold enough to be distinctly uncomfortable, especially considering that he’s just sitting in place. Yves crosses his arms, suppressing a shiver.

“Do you think Aimee will be convinced?” Vincent asks.

“Convinced?”

“That we’re together.”

“I’m sure she has better things to do than play detective over the state of my relationships,” Yves says, with a laugh. “You don’t have to worry about that.”

“It’s why you invited me,” Vincent says, “is it not?”

“Pardon?”

“To show the rest of your family that you’re not still hung up over Erika.”

“I invited you for a lot of reasons,” Yves says. “For one, you’re good company.”

“So are all your friends.”

“I thought we could both use a week off,” Yves adds. “It’s France, in the springtime. What could be better?”

Vincent says, “I need you to tell me what to do.”

“What?”

“Your cousin paid for my flight,” he lists, counting off his fingers. “Your family is paying for the hotel. Your best friend drove me to the airport.” He says these things as if he’s listing off all the ways in which he’s indebted to them. “It’d be easiest for both of us if you told me how to make a good impression. That’s what I’m here for, right?”

Yves blinks. “I don’t think you’d need my help to make a good impression.”

“You could’ve taken anyone with you, but you’re taking me,” Vincent presses. “There has to be something you need me for.”

If there was nothing, you wouldn’t have invited me. The sentiment hangs between them, unspoken. But Yves can see it in Vincent’s expression.

“My favorite cousin is getting married,” Yves says, fervently. “To her fiancee—who is also super cool, by the way. My whole family is going to be there. Do you think I’d choose to endure an eight hour plane ride sitting next to someone I didn’t like?”

“Maybe,” Vincent says.

Yves shakes his head. “It’s true that my family wants to meet you. But if I didn’t want you to come to France with me, I could’ve come up with an excuse.”

He twists around in his seat so that he’s facing Vincent directly. Narrowly resists the urge to reach out and grab Vincent’s hand. “I like spending time with you. I wouldn’t have invited you if I didn’t. You don’t have to do anything out of the ordinary—if you have fun on this trip, that’s more than enough.”

Vincent stares back at him, his eyes wide.

Yves has a feeling he’s said too much. It isn’t Vincent’s fault for assuming this is all just for show, considering everything that’s come before. Part of it is, but another part of him just really wants Vincent to have fun—to take in the sights at the gorgeous venue Aimee’s sent him pictures of, to have a week off in one of the most picturesque countrysides in the world (Yves may be slightly biased, but still) and not have to think too hard about impressing everyone.

“Is that… okay with you?” Yves asks.

“Yes,�� Vincent says. “It’s just unexpected.”

“Which part?”

“All of it.”

“Oh. Well. I’m sorry if I misled you, or anything.”

“You didn’t.” This time, Vincent really does smile—a sly, quicksilver thing. “For the record, I am very excited to go to your cousin’s wedding.”

“Thank god,” Yves says. “That’s good. I was beginning to think I was holding you hostage.”

He leans back into his seat, suppressing another shiver. Something about the changing pressure in the airplane cabin is making his head start to ache. It’s probably the elevation. Perhaps he should try to sleep just so that he doesn’t have to sit for eight hours with a headache brewing.

He shuts his eyes and tries. It’s no use. He’s tired, and the cabin is quiet enough, but it’s too cold to get to sleep—it feels impossible to get comfortable like this.

So he picks up a novel he’d been meaning to get to—something suspenseful, to offset the monotony of the flight.

When the seatbelt sign flickers off, Vincent unclips his seatbelt so that he can retrieve his briefcase from one of the overhead compartments, and spends the next half hour paging through multiple documents and leaving notes in the margins at a dizzying pace. Yves slinks down lower into his seat, trying hard not to shiver.

“Is it just me, or is it kind of cold in here?”

Vincent frowns at him in a concerned way that seems to suggest that it really is just him. Then again, Vincent is unfazed by New York’s cold winters, so Yves isn’t sure he’s the best point of reference.

“Do you need my jacket?” he asks.

“No,” Yves says quickly. “It’s not that bad.”

“Okay,” Vincent says. “If you’re certain.”

He turns his attention back to the screen, and Yves resigns himself to reading—or, more accurately, trying and failing to read. It’s mercilessly cold, and his head hurts enough to make focusing on any one thing an uncomfortable task. He gets through another couple chapters, finds himself rereading the same passage over and over again, and—finally, defeated—dog-ears the page and slides the book into the pocket attached to the seat in front of him.

The next time the flight attendants come around, Vincent says something to one of them Yves can’t quite make out. Yves asks for orange juice—it’s not supposed to be symbolic, or anything, but on the off-chance that this headache ends up being a precursor to something more unpleasant, he thinks it might be wise.

The flight attendant pours him the orange juice he’s asked for—no ice (right now, something ice cold is the last thing he needs)—and sets it down on the tray table in front of him. Yves stares down at it, blinking. He hasn’t eaten all day, but strangely, he doesn’t have much of an appetite.

He doesn’t register the flight attendant from before—the one Vincent talked to—is back until he hears Vincent’s quiet “thanks” to his left.

Something brushes against his arm.

He looks up. It’s one of those travel blankets they sometimes carry, neatly folded, though this flight hadn’t given them out to everyone at the start. They must be reserved—given only upon request, maybe.

“You said you were cold,” Vincent—who’s holding out the blanket for him—says, by way of explanation.

Yves blinks at him. He’s about to reassure Vincent, instinctively, that it’s not that cold—that he would’ve been fine without the blanket, that Vincent didn’t have to go out of his way to ask for one.

But his head hurts. He hasn’t been warm all flight. To say that the blanket is a relief would be a massive understatement.

“Thanks,” he says, taking it. “This is perfect. I won’t be cold with this.”

He ends up wrapping the blanket around his shoulders, pulling it tightly around him—like a cloak, or like the jacket that he might have brought with him if he’d had the foresight to anticipate feeling this cold on a commercial flight.

It’s nice. He’s still a little cold, with the blanket, but it’s enough to keep him from openly shivering.

He should really try to get some sleep, he thinks. It’s going to be evening in France when they land. A seat away from him, the window shutters are pulled up, but he can see, from the crevices around the window, that it’s light out.

“I’m going to try to nap,” he tells Vincent. “But wake me up if I need anything—elbow me if you have to. I’m not usually a heavy sleeper.”

“Okay,” Vincent says. “I’ll try not to wake you.”

“You can wake me whenever,” Yves says, muffling a yawn into his hand. “Don’t work too hard.”

Vincent smiles at him, the kind of smile that implies he thinks he’s working exactly as hard as he should be. “No promises.”

It’s not easy to get to sleep, despite his exhaustion. He lays there for a while, his eyes shut—it’s certainly warmer with the blanket, but for some reason, he feels strangely restless. Maybe it’s the adrenaline of being here, with his family, with Vincent—on the way to see one of the most important people in his life get married. Maybe it’s the cup of black coffee he’d downed this morning to be awake enough to help Mikhail navigate and, subsequently, awake enough to actually be useful at the airport.

In the end, he falls asleep to the static hum of the aircraft, to the sound of Vincent hammering away at his keyboard next to him, incessant and comforting.

—

Yves wakes to someone tapping him on the shoulder.

“Sorry,” he says. “I’m up.”

“A ‘light sleeper,’ you said,” Vincent says. “We just landed.”

Yves says, “I’m wide awake.” The yawn that he hides behind one hand is apparently not subtle enough, because when Vincent looks away from him in favor of staring straight ahead, it looks like he’s trying not to laugh.

Vincent’s stowed away his laptop already—Yves hopes that’s a sign that he’s done with work for the duration of this trip, but more likely he just had to put it away for landing.

“How was the flight for you?” Yves says.

Vincent looks at him. “Uneventful,” he says, at last.

“Not enthralled by all the financial records you had to go through?”

“They were very enthralling. How was your nap?”

“Good,” Yves says, even though he doesn’t feel particularly rested. He’s just groggy, probably, and the headache is just as bad as it was, if not worse. He’s sure once he gets off the plane and gets some fresh air, he’ll feel much better. “I probably needed it.” His breath hitches, unexpectedly, he turns to the side, raising his arm to his face to shield the oncoming—

“hH-’IZscHH’iew!”

The sneeze is loud, embarrassingly, and it scrapes unpleasantly against his throat, which feels… off.

“Bless you,” Vincent says, frowning. He looks more concerned than he has any right to be.

Yves flashes Vincent a distracted smile. “Thanks.”

Everything—from the moment they step off the plane—is exhaustingly hectic.

The hotel in Provence is more than an hour away from the airport they’ve landed at. They have a bus to catch, which means that after they regroup with the others, it’s international customs, baggage claim, and then they’re headed, maneuvering multiple suitcases each, onto the bus. He sits next to Vincent, though on the aisle side, so that he can lean over and interject whenever Leon and Victoire say something that’s worth commenting on.

Other than that, he talks with Vincent, mostly—about Aimee, about how she’s been in his life for longer than he’s known how to write his name, back when his parents would take him back to France once or twice a year. (“She was practically an older sister to me,” he says, “except we never fought,” to which Vincent says, “You make it sound like not getting along is a requirement to be siblings,” to which Yves says, “It definitely is.”)

His parents flew into France yesterday, so they should be settled in already—they’ll catch up with them at the hotel tonight, if it’s not too late. He probably won’t see Aimee and Genevieve until tomorrow morning, at breakfast—and even then, that depends on how busy they are with the various wedding preparations Aimee’s been telling him about.

The roads nearing the hotel are uneven and winding. Halfway through the drive, Yves registers, faintly, that he isn’t really feeling any better from before. His head is still hurting from the flight, and when he swallows, he finds his throat feels perhaps the slightest bit sore.

He’s cold, too, in the sort of uncomfortable, persistent way that’s difficult to alleviate, even with extra layers or with a warm drink. He’s starting to suspect that maybe the airplane cabin hadn’t been the problem after all.

None of that is particularly visible to any of the others—that is, until he finds himself tensing up halfway through a sentence, burying his head into the crook of his elbow as his eyes squeeze shut—

“God, sorry, I— hh-! hHehh’iiZZSCHh’iiEW!”

“Bless you,” Vincent, Victoire, and Leon say to him, all at once.

“You’d better not be getting sick,” Leon says, turning to him, with the sort of tone that implies that he’s joking. “That would really be the worst timing.”

“I’m not,” Yves says, swallowing against the soreness in his throat. “I promise.” Or, perhaps more accurately—he can’t be.

It will be the perfect wedding, he thinks. Aimee has planned it out meticulously, and she’s one of the most thorough people he knows. The weather forecast says this week will be sunny and temperate. He’s here, in France. Tomorrow, he’ll be surrounded by his extended family, and in the afternoon he and Vincent will head off to the welcome party, and he’ll get to give Aimee the gifts he’s gotten for her and introduce Vincent to everyone formally. Everything will go as planned—the welcome party, the wedding rehearsal, the rehearsal dinner, and on Saturday, the wedding and the vows.

It will be perfect, because it has to be. Yves will be present, and attentive, and he’ll give the speech he has prepared at Aimee’s wedding, and they’ll all remember this week fondly. Even considering the small, almost negligible chance that he’s coming down with something, there are more important things he has to worry about right now, which is to say: Yves is going to do this right.

He’s going to make sure of it.

[ Part 2 ]

#sneeze fic #snz fic #sneeze kink #snz kink #snz #i'm sorry if this exposition is like #comparatively uneventful 😭😭😭#this entire fic was written with the intent of giving people-pleaser yves the worst time possible #so i promise that is to come... in the future (if i have the time and bandwidth to write more and if people want to read more)#yvverse #my fic #fun fact - i used to refuse to write characters with anything worse than a cold (the flu included) just as principle #clearly that changed over the years haha

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