#my review: completely worth it. so glad i get to have my very own musical pipis

[vgfm]

A Lily Gilded: A Review and Analysis of Undertale Yellow

The Short, Spoiler-Free Review (TL;DR)

Any Undertale fan who owns a PC should play Undertale Yellow, even if they previously weren’t interested or have any doubts or reservations.

No criticism that I levy at Undertale Yellow, big or small, is intended to dissuade anyone who hasn’t played it from trying it: you should play it and there is no reason not to aside from a lack of free time or not owning a PC.

Although I have some criticisms of Undertale Yellow, my overall opinion of it is still very positive. I’m glad to have experienced this game.

If you haven’t played the game yet, then I recommend starting with the neutral route. Pacifist is much harder in this game and there are story segments exclusive to the neutral route that make it worth the time investment.

My analysis from this point forward will include spoilers for all three major routes of Undertale Yellow. It will also be very long (close to 60 pages), so be warned.

My Background

I’ve completed all routes of Undertale, Deltarune (Ch 1-2), and Undertale Yellow

I primarily engage with UTDR fandom by reading and writing theories. I like to think that I’m decently knowledgeable about the series, at least

I have no professional background in game development

I’m usually a purist when it comes to games and the topic of fangames and mods. I’m a “picky eater” in particular when it comes to UT/DR fan content:

I’ve never played an Undertale fangame prior to Yellow

Most UT and DR fangames have either not appealed to me personally or have not been finished

I don’t engage with most story-driven Undertale/Deltarune Aus or fanworks if I feel they don’t capture the spirit of the original games

Saying Something Nice

Undertale Yellow is the best fangame that I’ve played in recent memory. I think it’s very likely that Undertale Yellow is not only the best Undertale fangame ever made but that it will remain the best Undertale fangame of its kind for the foreseeable future. It’s not just a good fangame but a good game in general--had Undertale Yellow been a completely original game with no ties to Undertale, it very likely would have become a cult classic in its own right.

Of the long-form fan content I’ve seen, Undertale Yellow is among those that come the closest to replicating the style and tone of the original game without feeling like it’s simply cribbing the story or jokes.

It goes without saying that Undertale Yellow’s spritework and animations far surpass those of Undertale in sheer effort, and at times they rival and surpass those of Deltarune as well. There are some stylistic differences between Yellow and the canon games, and I wouldn’t go so far as to say Yellow’s visuals are always better in every conceivable aspect, but the general quality difference is night and day.

Yellow’s music comes close to rivaling Toby’s work, though frankly I think this is a barrier that no fangame will ever overcome for me. It’s a better impression of Toby’s style than most who’ve tried, but it’s still noticeably an impression. One thing that I immensely appreciate is that Yellow has battle theme variants for each major area in the game. “Enemy Approaching” is a fine song, but I always start to get sick of it by the time I reach the end of Waterfall in the original game.

Most of all, what I respect about Undertale Yellow is when it shows restraint: the restraint to largely omit cameos and callbacks to Undertale’s characters except when it feels warranted to do so. I respect that the game doesn’t try to smuggle in characters or worldbuilding elements from Deltarune and instead sticks to its guns as an Undertale prequel. I also appreciate that, for the most part, it sidesteps the trap that most prequels fall into of trying to tell a bigger story than the original—the story of Undertale Yellow still feels impactful and meaningful, but it does not overshadow or diminish the events of Undertale.

I wanted to frontload my praises for this game because a lot of my more detailed analyses to follow will come across more negative and nitpicky. Admittedly, it’s much easier to point out something that doesn’t work in a story or game that’s otherwise good because it sticks out like a sore thumb and takes you out of the experience. Additionally, so many things are done well in this game that I’d be here all day if I listed every single thing that worked. If there’s an aspect of the game that I don’t comment on then just assume that I found it at least serviceable, if not great.

My Criteria

Since Undertale Yellow is based on the world of Undertale and borrows many gameplay elements from it, it’s virtually impossible to review or analyze the game without inviting at least some comparisons to Undertale.

Having said that, I’m going to avoid criticizing differences between Yellow and the original game if the criticism would boil down to “it’s different from Undertale, therefore it’s bad.” There are things that Yellow does differently that I find worse, but I’ll argue those on their own merit rather than pointing solely to the fact that they’re different. On the flip side, there are a few places where Yellow differs from the original game because Yellow does something better—I’ll be sure to point out these instances as well.

Overall, I’m grading Undertale Yellow on a curve because I can’t help but compare it to the original game. I don’t feel it’s unfair for me to do so, since Yellow relies on Undertale not only for its conceit but also for some of its story beats—Yellow would not make sense or feel complete as an experience if Undertale did not exist.

If Undertale Yellow had been a completely original game, with whatever tweaks or rewrites would have been necessary to make it such, my overall tone would probably be more positive, since I’d be comparing it to the average game experience rather than to one of my favorite games of all time. This is not to say that Yellow would have necessarily been better as an original game, nor am I saying that it should have been—it just would have made the comparisons to Undertale less warranted.

Lastly, I’m going to try to avoid comparing Undertale Yellow to Deltarune. I feel like this is a less fair comparison since Deltarune is not a finished game and Yellow lifts very little from Deltarune beyond a run button and the charge shot.

Bosses

Undertale Yellow’s bosses were the most contentious issue for me during my initial playthroughs. Subsequent playthroughs caused me to warm up a bit to some of the problematic ones, but most of my gameplay-related gripes are tied to its bosses.

My three biggest issues with this game’s bosses are the strategies for sparing bosses, the telegraphing of their attacks, and the attack variety that each boss has.

Sparing Strategies

To start with the simpler complaint, half the bosses and minibosses in this game have pacifist fights that consist of waiting for the boss’s dialogue and attacks to run out before you can spare them, sometimes requiring a token act only at the very end of the fight.

This is a problem because it reduces these fights to waiting games that can be brute-forced with a full supply of healing items. Annoyingly, these same fights also come with 2-3 options in the ACT menu that often do nothing and in most cases don’t even prompt any reaction or different dialogue from the boss.

By comparison, Undertale’s pacifist route only has two (and a half) bosses that require waiting out the opponent: Papyrus and Muffet, and both of these fights have alternate completion conditions that can be used to bypass the wait.

Conversely, Napstablook’s fight requires acting, Toriel requires constant sparing, the Snowdin dogs all have unique acts, Mad Dummy requires redirecting her attacks back at her, Undyne requires running away, the Royal Guards require acting, Mettaton must pass a ratings threshold tied to unique acts, Asgore and Flowey require fighting; Asriel’s fight is half waiting but the second phase requires the lost soul segments to be completed.

Every Undertale boss felt like a puzzle on pacifist and some like Undyne and Mad Dummy were genuine brain-teasers. None of Yellow’s fights ever quite scratch that itch, though a couple come close like Guardener and Axis.

It baffles me a little that this issue is even present because the common enemy encounters in Yellow don’t fall prey to this. In fact, a few enemy encounters in Yellow cleverly require using multiple different acts in a specific (and usually intuitive) order to achieve victory—something that even Undertale seldom did.

It seems that most bosses in Yellow were designed around distinguishing themselves via their attack patterns rather than their spare method, though this leads into anther major issue: how these attacks are conveyed, paced, and telegraphed to the player.

Attack Telegraphing

Undertale Yellow is meant to have harder combat than Undertale, which had me a bit wary going in. The average enemy encounter in Yellow feels harder than Undertale, and the same is certainly true of the bosses. However, I’m not sure if I’d say any of Yellow’s hardest bosses quite rival the Sans fight in terms of sheer difficulty, at least in terms of the number of attempts it took me to complete them.

This could be chalked up to me coming into Undertale Yellow with more experience than when I first played Undertale, or Yellow’s 1.1 patch toning down a few of the harder fights. For the record, I’ve beaten all fights in Yellow without the use of the game’s “easy mode” option—I used it for certain bosses in my very first pacifist and no mercy runs, but I later replayed those runs with the setting disabled in order to have a “proper” experience.

Many fights in Yellow, big and small, feel less “fair” than the fights in Undertale and even now I’m not 100% sure I can nail down why. A lot of this boils down to the “feel” of the fights, but part of this could be due to me already being familiar with Undertale’s attack patterns and not Yellow’s. OG Undertale does have a handful of battle moments that feel “unfair” or not designed as optimally for new players as they could have been, which is easy for a player like me to gloss over after I’ve become familiar with the game. One such example is the Lemon Bread amalgamate, which (imo) is one of the hardest fights in the pacifist route.

Still, I noticed many instances in Yellow where incoming attacks would give little or seemingly no warning before they were able to hurt you. Some examples off the top of my head would be Mooch’s moneybag attack, Guardener’s triple stomp attack that fills the whole box, Starlo’s horseshoe attack that blends into his head before it drops, and Ceroba’s paralyzing diamond attack.

The only consistent way I found to avoid attacks like these was either to know in advance where they were going to enter the bullet box or to already be moving before they appear. It doesn’t help that often attacks that come from outside the bullet box will spawn in immediately outside the box, minimizing the travel time where players could see them coming and act accordingly.

Another common issue I found is the frequent use of blue and orange attacks, often paired with each other and/or with regular attacks, and often without properly telegraphing which will be used until they’re already onscreen. In contrast, Undertale generally used these types of attacks one at a time or, in Asgore’s case, clearly telegraphed them before they were used in tandem.

Yellow’s approach presents a problem because dodging orange and blue attacks demands either movement or lack of movement, which can force the player to take a hit if there’s already another attack onscreen that demands the opposite. In my experience the solution was either to know in advance where the blue and orange attacks would come from (and when) to get into optimal position, or simply tank the hit and hope you make up for it later.

Speaking from my own personal experience, I struggled for a time with Ceroba’s No Mercy fight when I went in blind—she has multiple deadly attacks with little to no telegraphing as well as color attacks that can overlap each other if you’re not already in an optimal position. I was only able to complete this fight on normal after I watched a no-hit run so that I could memorize her patterns. This is something I’ve never had to do for any Undertale or Deltarune fight, including Sans, and it doesn’t really feel like it’s in the spirit of the franchise. I always try to go into each of these games blind and I don’t think it’s unreasonable that a new player, even on a harder route, should be able to intuit what is expected of them in a fight. A few attacks might be challenging or counter-intuitive at first, but having to rely on rote memorization or a guide just doesn’t feel fun or organic to me.

On that note, some of you may be nodding toward the Sans fight as an example of some of the things I’m complaining about, particularly the lack of proper telegraphing and a reliance on memorization. Well, let’s unpack that.

To start, I’ll say that the Sans fight is not my favorite fight in Undertale from a pure gameplay perspective and that I don’t fully agree with some of its design choices. One reason I don’t play fan battles in general is because many of them seem to emulate the style of the Sans fight or double down on it without understanding it.

Despite my minor issues with it, I find the “unfair” aspects of the Sans fight to be more justified and acceptable within the context of Undertale than I find the seeming “unfairness” of Yellow’s harder fights to be in the context of that game. One reason is that the Sans fight is the only fight in Undertale (or Deltarune) that works the way that it does, whereas Yellow has several, even if they’re overall less hard than the Sans fight.

More importantly, the Sans fight has proper buildup, feels appropriate for the character and story, and (most important of all) the game itself acknowledges the fact that it’s unfair and the fight is designed around that admission. Sans literally has over a dozen different dialogue variations depending on how many times you die in his fight and when.

The game is even aware of the fact that most new players won’t survive Sans’ first attack and creates multiple variants of just the dialogue before and after that attack. Undertale fully anticipates your deaths and cultivates a unique experience for you along the way as you learn Sans’ patterns.

To put it simply, the Sans fight is the exception that proves the rule: it makes you realize how much fairer the other fights in Undertale are and how easy it is to take those design principles for granted. Conversely, the attack patterns in the hardest Yellow fights didn’t feel radically different or radically “less fair” in philosophy from Yellow’s moderately difficult boss fights—both feel varying degrees of “unfair,” but the harder fights are just “more” with the occasional twist added on top.

My platonic ideal of a challenging boss fight in an Undertale game would be Undyne the Undying. Undyne the Undying is a massive difficulty spike in her respective run, at times she requires ridiculous reaction time, and it’s easy to psych yourself out and get double-tapped by her barrages and die quickly. Nonetheless, her fight feels fair—it’s a culmination of the rules you’ve been taught and it doesn’t needlessly subvert them. Even though she has her dreaded reverse-arrow attacks that trip up new players, these are still properly telegraphed and manageable. Looking at footage of it now, it’s surprising how this fight looks more honest and straightforward than many of Yellow’s later boss fights.

Attack Variety

Another contributing factor to my issues with Yellow’s boss fights is the sheer number and variety of attacks that some bosses have, particularly in the latter half of the game. To wit, most bosses in Undertale have about 4-5 unique attacks that are repeated with variations, while Undertale Yellow’s bosses can have upwards of 9-10 unique types of attacks, not including variations. Ceroba alone has ten completely different unique attack patterns in just the first phase of her pacifist fight—every single turn is a completely different attack requiring different dodging strategies and none are repeated.

Some may be asking why this is a problem. Isn’t more variety a good thing? This just shows that the Yellow team put more effort in, right? My issue here is that many of these attacks don’t seem to exist for any reason except for the sake of artificial variety and because the devs (presumably) thought they’d be a cool-looking thing to dodge. If you’re confused as to the point I’m trying to make, let’s look at how Undertale utilized its attack patterns with Mettaton EX.

The Mettaton EX fight is a favorite of fans and mine, and one reason I like it so much is for how it uses eclectic and seemingly chaotic attacks to teach the player new mechanics while offering a spare mechanic that relies on strategic thinking to optimize. The fight offers the following types of attacks: moving legs, bombs, boxes, miniature mettatons, gates, a disco ball, and Mettaton’s heart. Not counting the joke/gimmick turns like the essay or break time, this is seven main attack archetypes, each with their own variations and crossover with each other.

Note that all seven of these attack types interact with the fight’s core mechanic: the yellow soul mode. More importantly, each of these attacks teaches the player something about how the soul mode works with no need for an onscreen prompt. Boxes and bombs teach you that there are some attacks you should shoot and some that you should not. The hand gates initially teach you that some bullets are unaffected by your shots, but later you’re given gates with yellow buttons that will open them, teaching you that some targets require precision. The miniature mettatons teach you that some attacks will become a bigger problem for you if you don’t take them out right away. The moving legs teach you that shooting can stop certain attacks from moving and that the timing of your shots is important. The disco ball builds on this lesson, requiring the need to plan your next movements when shooting the ball. The heart serves as the culmination, featuring the bombs and mini-mettatons from before while also giving you a precise moving target to hit repeatedly.

All of Mettaton EX’s attacks tie into a common theme and reinforce one another—learning to dodge and utilize the mechanics of one attack will make you better-equipped to deal with the others. It’s by no means a perfect fight, nor does it teach all of its lessons perfectly—I remember it taking me several attempts to complete and some mechanics like the disco ball and legs didn’t “click” with me immediately, but there’s clear intent behind every attack and it’s remarkable how utilitarian the whole thing is structured, despite its reputation for being one of the game’s longer and more self-indulgent fights.

Let’s bring things back to Ceroba for comparison. Her first phase has 10 unique attacks, only half of which feature mechanics that appear in the later phases: her paralyzing diamonds, her spinning bullets that circle around you, her bells that create colored shockwaves, and the vortex that opens in the center of the arena.

The other attacks are only used once, have little-to-no pattern commonality with each other or with her later attacks, and teach nothing other than how to dodge each of these one-off attacks. At most, a few attacks share a flower motif but move with completely different behaviors (straight line, fanning out, circling, homing in). While this isn’t horrible design, I can’t help but find it a bit wasteful considering what other fights have done with less and how chaotic the later phases of Ceroba’s fight get—something that players could have been eased into by having her first phase present more of her later attacks in a more controlled environment.

In the end, I remember being frustrated with the Ceroba pacifist fight when I first played it. Part of this was due to my own mistake of going past the point of no return without a full stock of items, but the lack of cohesion in the first phase and its lacking relevance to the mechanics of the second phase made it hard for me to “gel” with the gameplay and, as a result of my own frustration and confusion, I had a harder time getting invested in the narrative. I’ve seen some fans label the Ceroba fight the best fight in the series, but I wouldn’t even put it in my top 25, despite the overwhelming effort on display from the developers.

To bring the comparison home, I cried the first time I saw Mettaton say goodbye to his call-in viewers, but not once did I cry during Ceroba’s fight. A flamboyant robot making a single pained expression leaves a bigger impact when his attacks are unintrusive to the experience, and a lovingly-animated grieving fox’s backstory doesn’t hit as hard when I’m distracted by a hodgepodge of visually stunning but incoherent bullet hells. Less is more.

I realize I’ve been a bit mean to Yellow during this segment. In fairness, I did replay the pacifist route and tried the Ceroba fight in a more prepared state. I enjoyed the fight more my second time around, but I still would not rank it among my favorites in the franchise. And to be clear, I don’t hate this fight at all—I just think it represents the excesses in Yellow’s battle design and how they can sour a first-time experience, which is the most important experience for a narrative-driven game. Even the weaker aspects of Yellow’s design are, by and large, serviceable by the standards of typical game design. Compared to Undertale, though, I was disappointed in the areas where it lacked or, more accurately, overstepped.

Having fewer types of attacks is not a result of less effort—it allows more room for variations on each type of attack and it can make difficult or poorly-telegraphed attacks more forgivable if the attack is used multiple times with the first instance training the player for the future variations. I feel that having too many unique attacks for each boss resulted in each attack not receiving the necessary polish and balancing that it should have, and it also made each fight feel less instructive and lacking in a clear design goal.

To close this off, I’d like to give a positive example of a boss fight from Undertale Yellow: Axis. For the most part, Axis successfully walks the tightrope of Yellow’s more complex late-game fights while still maintaining a consistent theme and introducing concepts to the player gradually. The whole fight revolves around blocking Axis’ attacks with a trashcan lid—first with a ground-based lid, then with a lid that rotates around an axis (get it?). As the fight progresses, new types of projectiles and hazards are introduced, usually first using the ground-based lid to avoid overwhelming the player.

As if that weren’t enough, the fight comes with its own unique sparing strategy where players fill a meter by blocking attacks and then attempt to reflect an orb back at Axis once the meter is full. The fight’s not perfect—there’s still the occasional one-off attack that doesn’t really teach any relevant lesson to the player, the orb reflection mechanic is finicky, and the fight is perhaps slightly more difficult than I’d prefer from a typical boss fight, but if all Yellow bosses had been of a similar caliber then I wouldn’t have needed to go on this massive detour about boss design in the first place.

Since some might ask, I might as well weigh in on Yellow’s most controversial boss: El Bailador. I initially had difficulty with this fight due to my lack of experience with rhythm games (and the lack of preparation that the game gives you). I also found the need to press a direction key and the Z key for each note to be a tad clunky. Beyond that? I actually didn’t mind the fight all that much. It introduces a simple concept and builds upon it gradually in a way that felt satisfying to me as I began to master it. The last turn maybe goes on for too long, but I can’t say that I hated it. I promise I’m not trying to piss off the Undertale Yellow fandom (who, if memes are anything to go by, seem to despise this fight), but I found the simplicity of Bailador refreshing considering how chaotic the later fights get. That said, I turned on the auto-rhythm setting in future playthroughs to make this fight less of a difficulty spike.

Themes

To start off, I’d like to acknowledge the fact that Undertale Yellow largely avoids most of the “meta” themes that Undertale and Deltarune touch upon, nor does the game try to go in its own direction in regards to metatextual concepts. Undertale Yellow generally leaves the topic untouched, aside from continuing to use in-universe mechanics established in Undertale such as saving and EXP/LV. Some fans might view this as disappointing or even a betrayal of the tones and themes previously established in Toby’s work. Me? I don’t mind at all, honestly. If anything, it’s refreshing to see an Undertale fan project that takes the setting of Undertale at face value rather than trying to outsmart it or put their own meta spin on it. Far too often have I seen fanworks that swing the pendulum in the other direction and have characters just flat out address the player and shatter the verisimilitude of the setting with no buildup.

None of this is to say that Undertale Yellow is lacking in themes. The most prominent theme I noticed, unsurprisingly, is that of justice. Undertale strongly implies that the yellow human soul is the soul that represents justice, and fanworks ever since have ran with the idea. Undertale Yellow represents the culmination of this concept by turning each of its routes into differing interpretations of what justice means.

As a refresher, Undertale Yellow has three main routes with four endings: true pacifist, “false” pacifist, neutral, and no mercy. I see each ending as its own realization of and commentary on the concept of justice.

Neutral

In Undertale Yellow, the neutral ending acts as something of a “bad ending” from classic video games. These are the kind of endings you get when you fail to 100% complete a game and you’re told to go back and do it again, complete with Flowey’s laugh imposed over the “Thank you for playing!” end credits message.

Who wore it better?

Thematically, the neutral route represents justice as subjective and personal—Clover can spare or kill whoever they wish. It’s hard to argue that any one monster in Undertale Yellow is more guilty than any other in this route, so killing monsters in neutral largely comes off as the capricious whims of Clover rather than being based on any consistent law or greater principle.

This outlook ultimately blows up in Clover’s face when they come to a head with their foil in this route: Flowey, who exercises his own form of justice, or “judgment” as he prefers. Flowey only cares about freeing himself from his current situation and will use any means to achieve this goal. In his eyes, your failure to follow his directions or be of further use of him is a slight against him that demands punishment as he sees fit.

Fitting this individualistic outlook, Flowey takes “might makes right” to its logical conclusion by trapping you in his own personal hell while he acts as a wannabe-God looking down on high. Ultimately Clover can only escape when Flowey wills it, cementing Clover’s status as a pawn subject to the whims of the powerful despite their illusions of independence. Without laws to protect them, the weak will be trampled by the powerful.

Pacifist

Pacifist presents two outlooks depending on whether Clover spares or kills Ceroba in the final battle. Of all the monsters Clover meets, Ceroba is the most culpable for a serious real-world crime other than Asgore and Axis (the latter of whom may not meet the definition of culpability or competence to stand trial).

Clover lacks the fore-knowledge that Ceroba’s daughter will likely survive thanks to Alphys’ efforts, so Clover would view Ceroba’s actions toward Kanako as manslaughter, or at least reckless endangerment. Unlike the neutral route, Clover’s choice can’t solely be chalked up to their own personal whims—actual harm has been done by Ceroba, but more harm may yet be done if she’s killed.

False Pacifist

If Clover kills Ceroba, then this choice seems to represent justice as following the law to the letter, for good or ill. Starlo, who’s most upset by Ceroba’s passing, reluctantly echoes this sentiment:

Even if Clover stands by their choice deep down, it’s reasonable to assume that hurting Starlo this way left a bitter taste in their mouth. Not long after this, Clover reaps what they’ve sewn as they come face to face with their foil for this ending: Asgore.

Initially I thought it was strange that Asgore doesn’t appear if you spare Ceroba, but this ending illustrates why Asgore’s entrance is most appropriate here. Asgore finds himself in a similar situation as Clover. Asgore is keeping his word to his people for good or ill, and a king’s word is law. In all likelihood, Clover probably hated killing Ceroba in much the same way that Asgore hates killing humans. But both are trapped within the confines of their own rigid principles.

Martlet, who acts as an onlooker, first argues on behalf of Clover’s killing of Ceroba on the basis of the law, but just as quickly turns around to plead that Asgore bend the rules of his kingdom to spare Clover. In the end, she can’t have it both ways. No one is happy with how things turn out and the only thing served is the letter of the law, rather than the spirit of justice.

True Pacifist

If Clover spares Ceroba, it might be for her own sake or because killing her will benefit no one and will only serve to harm Starlo. In much the same way, killing the monsters who harmed the five humans won’t bring any benefit to monster or human alike and will instead only fan the flames of war.

Clover came to the Underground armed in search of five humans, no doubt willing to enact justice on anyone or anything that harmed them. Instead they find a world of good-hearted people who have ample reason to distrust humans. Through acts of kindness, this distrust is cast aside and many friendships are made.

In the Wild East, Clover is presented with the classic trolley problem. Starlo emphasizes that Clover could let a large group of monsters die while incurring no personal responsibility. Clover didn’t tie those monsters to the tracks in much the same way that Clover is not personally responsible for monsters being trapped Underground. However, Clover can save them by sacrificing a single life—an anonymous other, but eventually Clover is faced with the possibility of becoming that sacrifice willingly.

Clover choosing to give up their soul is not only an ultimate act of selflessness but also interprets justice as a principle higher than any mere law or person’s whim—laws should not exist solely for their own sake because laws should be a means for the betterment of all. Any “justice” that loses sight of this higher principle has no meaning or value, so one must act in service to the greater good.

Clover doesn’t deserve to die, but sitting on the sidelines so that monsters or the next fallen human can suffer in their place would be a greater injustice in their eyes. Ultimately they decide that their own sacrifice, while tragic, will create the best outcome for everyone and act as a step towards restorative justice for monsterkind.

No Mercy

No mercy was a bit of an enigma for me initially. It starts off largely the same as Undertale’s no mercy route, only without the one-shot kills and commentary on completionism. It’s not until Steamworks when the aim of this run starts to come together. We see a role reversal where Clover chases down Axis, and Flowey of all people questions Clover’s craving for destruction.

When fighting Axis, we see him admit that he had killed a previous fallen human. Although this information can be uncovered through a hidden tape in the pacifist route, here we see this revelation enrage Clover to the point that their LV increases on the spot. Normally I’d nitpick something like this, since Undertale states that cruel intentions can make a human’s individual attacks stronger but their LV is tied to their EXP. However, I can overlook this since the rules are bent in service of a good character moment that defines the run for me.

This moment and the ending recontextualize the whole run up until now: Clover isn’t killing indiscriminately like Frisk was. On the contrary, Clover is quite discriminate with their killing: they specifically want monsters (and their creations) destroyed, but not humans. Up until now we haven’t had an Undertale protagonist who is unabashedly pro-human. Chara was very much the opposite and some lines in Deltarune imply Kris may feel similarly. Frisk seems ambivalent, but from the beginning Clover has been acting for the sake of the five missing humans.

In neutral and pacifist, Clover judges monsters on an individual basis, but in no mercy all monsters are deemed guilty. What distinguishes this run from the others, besides the brutality of Clover’s actions, is that their actions can’t solely be chalked up to dogmatic obedience of the law or their own selfish desires.

Throughout the run, Clover can choose to steal from shops, commit armed robbery against Mo, and even cheat in their “dual” with Starlo—all of these indicate some degree of underhandedness or dishonor, but Clover’s outlook is seemingly that monsters don’t deserve fair play or the benefit of the doubt.

Conversely, we see from the ending that Clover goes out of their way to free the five human souls—they don’t leave them behind or try to go on a power trip and use them for their own ends (as far as we’re aware). No mercy is a dark reflection of true pacifist, where “justice” has transcended the letter of the law as well as personal desires. Instead of “justice” being in service to the greater good of all, it’s in service to division, tribalism, and vengeance.

Even so, one can debate whether Clover’s actions are motivated more by a love of humanity or purely by a hatred of monsters. Asgore points out that Clover’s actions will only worsen the conflict between humans and monsters, and more humans will die in the future as a result.

This doesn’t seem to give Clover any pause, so one can assume they either don’t believe Asgore or they don’t care—they’re here to make monsterkind pay, and if more conflict arises then that means more opportunities for payback in the future. Make them pay and never stop making them pay.

Characters

Character writing is a crucial component of any Undertale-adjacent game and it’s often the biggest stumbling block I encounter when I’ve tried to get into fanworks. I mean that in no way as a slight against fan creators, but rather to illustrate how high the bar has been set by Toby. This is a bar that’s set just as high, if not higher than Toby’s musical abilities, imo. In all the ways that I would describe myself as a “picky eater” when it comes to Undertale content, I’d say character writing is where I’m by far the pickiest.

To give Undertale Yellow a fair and thorough analysis, I’ll be going over all of the major characters one by one to give my impressions of them as well as what I feel works and what doesn’t, starting from the top:

Clover

There isn’t a ton to say about Clover compared to the other characters, but this isn’t a bad thing. What’s apparent is that Clover has more personality and initiative on display throughout the game than Frisk did, though in some ways not as much as Kris—Clover is something of a middleground between the two canon protags. At several points we’re only given a single dialogue “choice,” meant to illustrate when Clover has made a decision on their own.

We’re told Clover’s surface-level motivation: to find the five humans who disappeared, but we’re not given any context as to what connection (if any) Clover has to these humans or what their own history is beyond one or two vague bits of flavor text.

Clover’s motivations can evolve or outright change course depending on which choices the player makes throughout the game. I already went over this in the themes section, but the fact that Yellow largely eschews the broader metatextual commentary found in Undertale means that Clover’s actions are much easier to attribute as their own in-universe decisions, rather than something imposed on them by a controlling entity.

Beyond this, we also see Clover display various quirks via their character animations, such as kicking their feet while seated, tugging on Ceroba’s sleeve, or standing on their tippy-toes when handing their hat to Martlet. We ultimately can’t say much about Clover’s overall personality or interests outside the context of game events, but these little flourishes help to make the character memorable.

By default I’d argue that Clover’s “better written” as a character than Frisk was, barring the metatextual baggage attached to the latter. Overall, not a bad start.

Dalv

I wasn’t sure what to make of Dalv initially. Confession time: Dalv was the deciding factor that led to me not checking out the Undertale Yellow demo when it first dropped. I’ve got nothing against the guy, but at the time I didn’t really “get” his character—I wasn’t sure what his motives were and I couldn’t even understand what his first lines of dialogue were meant to convey.

Even now I’m still not 100% sure whether his first line of dialogue is him rehearsing a conversation with another Ruins monster, with the monster that used to leave him corn, or with the previous human that he encountered. The fact that Dalv is known by the other monsters for talking to himself and having imaginary friends only blurs the lines further, though this doesn’t feel intentional.

This is part of a broader, though minor, issue with some of Yellow’s writing where characters will allude to events and other characters that a first-time player wouldn’t be familiar with. To be fair, Undertale does this as well early on but usually with enough context clues to help you figure things out—Papyrus namedrops Undyne and Alphys in Snowdin, but we learn from context clues within Snowdin that Undyne is a monster of authority that Papyrus knows and Alphys is a doctor and apparent inventor.

To draw a more direct comparison, we know early on that Toriel is a motherly figure and we see in her house that she has taken in other children who’ve met an unknown fate—this mystery leads to some first-timers speculating whether Toriel is the one responsible for said fate. Right before her boss fight she explains her motives more clearly--her actions, though overbearing, have been to protect Frisk. You can also infer, though not stated directly, that her actions towards Frisk may be some attempt on her part to recreate or make up for her past experiences with children that she’s lost. Later on we learn that she’s Asgore’s ex-wife and lost her two children tragically, but this is not something that needs to be spelled out in order to get a basic grasp on Toriel as a character.

Dalv, on the other hand, has an implied backstory that is never outright stated but instead needs to be pieced together from context clues given much later in the game, some of which are tied to optional secrets and randomly-generated fun events. In short, Dalv was a monster living in Snowdin who met Kanako when she and Chujin came to visit. During that visit, Dalv was attacked by a human (implied to be the one carrying the blue soul), who was later killed by Axis. It’s implied that this experience was so traumatic that Dalv retreated into the Ruins and cut off all contact with those around him. Conceptually? This is a solid backstory. No notes. It’s a shame, then, that most players don’t even seem to be aware of it after finishing the game.

Now, a character doesn’t need a tragic backstory in order to be likable or compelling. In fairness, I do enjoy the aspects of Dalv’s character that are given upfront in his house—his neatness, his social awkwardness, his creative side, and his “imaginary” friends. The problem is that we don’t see these sides of him until after his boss fight, when most players likely won’t see him again for the rest of the game.

Characters don’t need to front-load their entire personality or backstory into their first encounter, but doing the opposite isn’t helpful either. First impressions matter in fiction, and unfortunately Dalv gave very little for me to latch onto for most of his screentime. It’s really only through hindsight that I began to appreciate Dalv as a character, but even then he isn’t one of my favorites in Yellow, let alone comparable to Undertale’s core cast.

Martlet

Martlet is the most recurring character in the game aside from Flowey. Although her personality is quite different, I get the sense that her role is meant to be analogous to that of Sans and Papyrus, namely as a comic relief character that drops into your adventure regularly and presents a crucial turning point right before the game’s ending.

Martlet’s introduction gave me flashbacks of Dalv—namely that she never even interacts with Clover until the end of Snowdin, making me fear that once again a new character’s story was going to be backloaded into their final appearance before they disappear from the narrative. Thankfully this wasn’t the case. Martlet’s in it for the long haul and her boss fight is more of an introduction to her character than a conclusion.

So what do I think of Martlet? I’d say that I like her more than Dalv, or at least she’s better utilized than Dalv. Still, it took a while for Martlet to “click” with me. I think what I got hung up on was that a lot of her early gags revolve around royal guard protocol and the handbook that she keeps around. In many ways this feels at odds with what’s later established about her character, namely that she’s scatterbrained, wishy-washy, and lacks long-term goals or planning skills.

Martlet doesn’t seem like the type of person who’d follow a handbook in the first place, given how often she disregards it anyway. Perhaps the intent was for Martlet’s “arc” to be her unlearning what she’s learned from other monsters regarding humans and for her increasing disregard of the handbook to symbolize this. While I think the former is true—she says as much on the apartment rooftop at the end of the game, she seems to waffle back and forth on following her royal guard duties as the plot demands—ignoring them when it means accompanying Clover but following them when it means having to be separated from Clover.

I think this ties into a bigger issue that I have with Martlet, which is that at times she feels like she’s a character of convenience for the story rather than a character acting on a clear want or need. I think this is most blatant when viewing the various “abort” points in a no mercy run.

No matter how badly you beat Martlet in Snowdin and how resolute she is at stopping you, she’ll turn on a dime if you’ve aborted a run prior to Oasis or Hotland just so that she can play out her allotted part.

Other times it feels like she’ll show up just so that there’s someone for Clover to talk to and someone to react to what Clover sees. Now, it would be reductive of me to write off Martlet as a mere plot device—she isn’t, and any appearance otherwise is more so a flaw of the narrative than of her as a character.

You’ll notice I haven’t said much about how I feel about Martlet’s personality, her dynamic with other characters, or her overall “vibe” and honestly she’s just… fine? It’s hard for me to say anything because she feels a bit lukewarm to me—she’s not undercooked like Dalv, but she’s not as memorable as many of the other characters either. She says some funny things, but she’s not the funniest. She has some great and heartfelt lines during the pacifist ending, particularly this one:

But as a whole? She’s just fine. She's competently written, no major complaints.

I think maybe what Martlet lacks is a “larger than life” quality to her character. I’m not saying that her role within the setting should be larger than life, but rather she could use at least one exaggerated trait to help her stand out from the pack—Papyrus has his bravado, Sans has laziness and jokes, Undyne has intensity, Alphys has awkwardness, and Mettaton has his showmanship. Not every Undertale character is like this, but I feel like Martlet was intended to fit a similar mold—we catch glimpses of it, like her overly long “P.S.” messages amended to her first puzzle, but imo she doesn’t go far enough consistently enough (assuming that was the intent).

One last thing that I want to touch on is Martlet’s contingency plan for Clover that comes into play in the No Mercy run, where she injects herself and becomes “Zenith Martlet,” as fans have dubbed her. Conceptually I’m fine with the idea of Martlet having an ace up her sleeve that she’s too indecisive to actually use in most scenarios.

This feels in-character for her and I can even look past a scatterbrained character with no planning skills having a plan like this since it’s largely Martlet appropriating another character’s plan. The main thing that I find questionable about Martlet’s plan is that it relies on Alphys’ determination extraction experiments.

We the audience know what that is, but how does Martlet know about them or even what to look for? We do know that underground residents were asked to donate fallen down monsters to the lab, but seemingly nothing is revealed to the public about the nature of the experiments. Even Ceroba, who had a vested interest in learning all she could, seems to be completely in the dark. In the pacifist ending, Martlet offers to investigate the experiment for Ceroba, implying she didn’t know the full story either. I also question how Martlet would’ve been able to venture into the true lab seemingly without running into a single amalgamate, given that she never brings them up in pacifist.

Now, my issue here is not the supposed “plothole” that this creates. My main issue is that a more reasonable solution was sitting right there: Chujin’s monster serum. I legitimately wonder if earlier drafts of this game’s story had Martlet using Chujin’s serum instead of Alphys’ extract, because the former would bring everything full-circle and it would tie in more naturally with the flashback scene of Martlet with Chujin.

Now, the obvious answer is that Chujin’s serum was never completed, but I can’t help but wonder if perhaps this wasn’t always the case. During Ceroba’s flashback, we can see a case with two syringes—one full and the other seemingly empty.

This is just my own speculation, but I can’t help but wonder if it was once intended for Ceroba to use one syringe on Kanako and for Martlet to have taken the other. Obviously this doesn’t jive with the story as it’s currently written—Martlet is clearly taken aback when she learns of the experiments that Chujin conducted. Still, part of me wonders if an earlier draft had Chujin entrust Martlet with a prototype of the serum to keep her safe.

I think it’d be fitting if the no mercy route were to reveal that Martlet was a lot more privy to Chujin’s less savory actions than she let on, and that even in pacifist she kept this knowledge to herself of self-preservation or shame. This would fit with a line of hers in the no mercy fight after her flashback of Chujin:

It would be fitting for the NM run if we were to learn that there was always a seed of doubt and mistrust between Martlet and Clover, even during the best of times.

The Feisty Five

I’ll be brief, but when these guys first showed up my first thought was “great, I’ll never remember all these new characters” and I’m glad I was wrong. While they don’t have quite the depth that the main characters do, they’re all memorable in their own way. They’re also the first characters in the game to get a serious chuckle out of me and I wish we got more of them. If we’re comparing quirky miniboss squads, these guys clear the Snowdin canine unit and Sweet Cap’n Cakes. There, I said it.

Starlo

This is the coldest take ever and I won’t even try to bury the lede: Starlo is the best Undertale Yellow character. He’s funny, he’s charming, he’s flawed, he has layers, he has great moments of pathos with Ceroba, and he has a backstory that isn’t tragic yet still feels necessary to his character.

Here’s another cold take: Dunes/Wild East is the best part of the game. Dark Ruins and Snowdin, while not bad, still feel very much like typical fare for a romhack or fangame. Wild East is the first area that truly feels like Undertale, which is ironic since it’s also the first completely-original area.

By extension, Starlo is the one original character who feels most like he could be an Undertale character. It’s easy to take for granted all the little nuances that Toby injects into his characters to make them stand out, which is probably why I felt so lukewarm towards Yellow’s cast up until Starlo’s introduction.

One thing I admire about Undertale’s core cast is that each character has their own unique manner of speaking, to the point where you can identify a character’s dialogue without needing a dialogue portrait or typer sound. Starlo shares this trait, speaking in a semi-stereotypical drawl while occasionally misspelling words (FEISTYJ, dual vs duel). It’s a small touch but it goes a long way to endearing me to the characters in these games.

Although Starlo is mostly a comedic character, he still has plenty of depth. Another hallmark trait of Toby Fox characters is that they have multiple sides to them that seem contradictory at first glance but actually tell you something profound about the character (Papyrus’ bravado masking his loneliness, Sans’ joking to cope with his harsh outlook, Alphys’ awkwardness stemming from her guilt).

Starlo also fits this trend, first presented as a dashing and charismatic lawman that is nothing more than the mask of a nerdy and immature farmboy. And I would say Starlo’s fatal flaw is immaturity—not because of his interests, but because of his attitude. Starlo treats his friends like playthings, takes what he wants from Clover and Martlet when he first meets them, and he acts utterly irresponsible with his (or rather, Blackjack’s) firearms.

We learn from Starlo’s mom that he once pined after Ceroba and that he took a long time to move on.

It’s also implied that Starlo had a grudge against Chujin, which could have been due to the two having differing opinions on human culture or Starlo’s own jealousy over Ceroba.

We can also see this immaturity reach an ugly conclusion if Ceroba is killed in the so-called false or “flawed” pacifist ending. Starlo previously trained Clover to carry the weight of taking a life and also taught them the value of sacrificing one life to save many, but Starlo immediately throws this out the window as soon as Clover acts (as far as he’s aware) in self-defense.

This is a case where I’d argue that Starlo is right but for the wrong reasons. Starlo’s not so much recanting his earlier philosophy as he’s simply upset because someone he cared about was sacrificed this time—had it been a stranger or a ne’er-do-well like Vengeful Virgil then I doubt Starlo would’ve parted ways with Clover so bitterly. That’s just my interpretation, anyway.

None of this is to say that Starlo is always immature. When it comes to his interactions with Ceroba he’s often the most sensitive and emotionally-mature person in the room, which is a trait that we only see grow in him after he gets a reality check in the Wild East. When trying to talk Ceroba down we see Starlo give his respect to Chujin, despite their past differences, and he’s patient and understanding to the utmost once the fight is finally over.

This doesn’t mean that Starlo is a doormat for Ceroba either, as we earlier see him confront her and call her out when he suspects foul play involving Kanako—he clearly cares for Ceroba a lot but won’t sit idly by while she ruins her life or the lives of others.

Honestly, Starlo’s bond with Ceroba is a contender for the most wholesome relationship (platonic or otherwise) in the entire franchise—yes, I’m actually saying that there’s an aspect of this game’s writing that rivals and perhaps even surpasses Undertale and Deltarune.

I realize a lot of my analysis of Yellow’s writing has skewed negative, but as a reminder I am grading this game on a curve because it’s a companion piece to one of the best-written games of all time. To give Yellow a bit more praise, I think it might actually do a better job than Undertale at portraying characters’ moments of vulnerability and allowing them to cut to the emotional core of an issue, as seen with Starlo and Ceroba’s late-game interactions as well as Clover’s ultimate fate and its aftermath.

Unlike Undertale, there was no moment in Yellow that quite made me cry, but moments in the pacifist ending came close. I consider this quite the feat because the final outcome of Yellow’s pacifist ending is easily predicted from the start and the way that it plays out is a concept that would be difficult for any writer to sell. Yellow was backed into a corner by being a prequel, whereas Undertale had free reign to tell whatever story it wanted. In many ways I feel Yellow’s ending did just about the best job it could with the hand that it was dealt—it’s not perfect, and in one or two areas I feel it overplays its hand (which I’ll cover shortly), but the writing succeeds far more than I would’ve thought it would have with such a concept.

Axis

This’ll be another brief entry, but I wanted to include Axis since he always seems to get left out of fanworks. I enjoy Axis but I’m not sure I fully understand him. His overall arc and goals are very straightforward, but for the life of me I can’t really nail down what his personality is. He’s funny and memorable, which goes a long way for me, but I can’t really wax poetic about him beyond saying that he’s your stock quirky robot. It is a bit of a shame that, like Dalv, he’s largely isolated to one area and has little to no interaction with the rest of the cast.

I suppose one thing that bothers me is how robots in this game aren’t treated as people, which feels at odds with the broader themes of Undertale. We’re taught that amalgamates and even a soulless flower are still people, so having robots that lack free will and don’t even count as EXP kinda rubs me the wrong way. I generally don’t like when fictional works treat sentient robots as less than human or “soulless.” In my view, the true point behind sentient robot stories isn’t to debate whether robots have souls, but rather to question what a soul is and who gets to decide who has one and who doesn’t, or whether they exist at all.

Robots in fiction are meant to be a reflection of humans, and the robots in Yellow could have been presented as a reflection of video game characters as a whole—can free will exist when you’re programmed to fulfill a function? Unlike in our world, souls are a scientifically measurable quantity in Undertale’s universe, so I guess Yellow’s portrayal of “soulless” robots works on a technicality, but that doesn’t mean I have to like it.

Ceroba

I don’t think it’s a stretch to say that Ceroba is the most controversial character in the game, and I find my own opinions of her (and her family) to be polarized as well. In a neutral run she’s barely noticeable but in pacifist she eventually becomes the main focus of the story. I’ve seen some people criticize Ceroba’s level of focus, but I’d liken it to Alphys and Flowey’s elevated level of focus in Undertale’s true pacifist ending. In other words, it doesn’t bother me.

Ceroba’s personality is a bit of an anomaly for me in the sense that she’s not quirky like a typical Undertale character, and yet I feel that aspect of her works for the story that Yellow tells. Previously I mentioned how Martlet didn’t really “wow” me as a character in part due to her lacking a sufficiently “larger than life” personality, but I feel Ceroba succeeds where Martlet didn’t for me because (1) Ceroba is clearly not intended to be a comic relief character and (2) Ceroba often acts as the straight man to other characters like Starlo and the Steamworks machines, whereas Martlet often feels like she has no one to work off of her besides Clover (for whatever that’s worth). In many cases, Ceroba’s understated reaction to things or her attempts to parse or explain them rationally end up making scenes funnier, such as when Starlo cuts off her piece on the ethical quandary of his trolley problem.

Having said that, I do think it’s a bit of a missed opportunity that the game doesn’t expand more on Ceroba’s own interests or quirks outside of her family. While showcasing a character’s hobbies can sometimes feel like checking an item off of a list, it helps add a bit of texture to a character that makes them that much more believable.

Not knowing this information doesn’t “ruin” Ceroba or anything, but it’s a bit disappointing that most of her “talk” dialogue in the steamworks, while interesting, pertains to her immediate surroundings or her family and friends instead of herself. The most we get is that she used to have a gym membership and (if I recall) she was once a waitress. We later get to see her room and all that’s in there is a bed, a photo, and her clothes. After seeing all the loving detail put into Papyrus and Alphys’ living areas in Undertale, it’s such a shame to see Ceroba’s opportunity squandered.

Oddly enough, if there’s one existing bit of characterization that I think could’ve been retooled sightly, it’d be Ceroba’s dynamic with Clover. Ceroba is a mother who lost a child around Clover’s age (or younger) but she’s also distrustful of humans and had a husband who hated them. You’d think that Ceroba would react strongly to Clover one way or the other, either distrusting them as a human or having a soft spot for them due to Clover being a child, or feeling conflicted between these two outlooks. Instead Ceroba seems utterly casual around Clover.

Initially her laid back attitude served as a nice contrast to the overbearing wackiness of Starlo and the Feisty Five and helped endear Ceroba to me as a character, but it begins to feel a bit out of place when she says things like "I respect the hell out of you" to a child.

Maybe I’m overthinking it, but the way Ceroba treats Clover makes sense for how she’d treat a stranger who was a monster, given what we see of her personality, but I’m just not sure it makes sense that she’d treat Clover that way specifically. I’d be fine with it if the narrative unpacked the idea—maybe she’s casual around Clover because she’s too world-weary to muster a strong reaction, or maybe she’s forcing herself to act casual to hide her true plans for Clover, or maybe she never fully agreed with Chujin’s rhetoric on humans and is acting against them out of pragmatism, or maybe she never liked kids until she had one of her own, etc.

Speaking of kids, I guess there’s no avoiding the elephant in the room: Ceroba’s backstory. If I had to guess, I’d wager this is probably the most controversial portion of Undertale Yellow’s entire narrative, and I have a lot to say about it.

To start, I’ll say that I really like the way that (most) of Ceroba’s backstory is doled out to the player piece by piece over the course of a playthrough. As early as Snowdin you hear mention of Chujin, then in Wild East you can piece together from various bits of dialogue that Ceroba had a family that she’s reluctant to speak about. Steamworks fleshes out Ceroba and Chujin’s pasts considerably, albeit mostly hidden behind optional talk dialogue.

Steamworks also has one of my favorite scenes in the game when Ceroba learns why Chujin got fired—it technically doesn’t contribute anything major to the main plot, but it helps illustrate Chujin’s flawed methods that Ceroba willfully overlooks so that she can double down on furthering his “legacy.”

Right before Hotland is when the other shoe drops and Starlo confronts Ceroba—this was the moment that had me hooked on uncovering the mystery of Ceroba’s past. This leads right into the abandoned Ketsukane estate, which is another of my favorite sequences in the game. I was always a huge fan of Undertale’s True Lab and Ceroba’s house scratches that itch for me. The two locations have a very different tone and style of gameplay (or lack of), but both are dripping with unsettling atmosphere and environmental storytelling. Maybe it’s just me, but I’ve always been creeped out by abandoned houses—not decrepit haunted mansions per se, but places that were abandoned so recently that you’re not sure whether someone might still be lurking inside.

Unfortunately, I start to run out of nice things to say about this storyline as soon as Clover and Martlet enter the estate’s basement. Before we descend into that chasm, I want to make one thing perfectly clear: I am not a “Cinema Sins” kind of guy. I do not go into a work of fiction looking for inconsistencies to complain about. My philosophy is that I can overlook the occasional plothole or retcon or bending of the rules if it’s done in service to a good story or memorable character moment.

If anything, I find it annoying when a story tries too hard to cover all its bases with exposition out of fear that some smartass is going to find some plot detail to complain about—this just draws more attention to potential “plotholes” that could’ve easily been ignored. I don’t care if the eagles could’ve carried the ring to Mordor and I don’t care whether the ark of the covenant would’ve killed the bad guys in Raiders if Indy wasn’t there. At the end of the day, if a story is well told then I can overlook things like that, and if it’s not well told then my mind wanders and I begin to notice those sorts of things, but those nitpicks (more often than not) are not the underlying cause of the problem—lack of a compelling story or believable characters is.

So, getting back to the basement. Here we see Chujin’s tapes and the plot begins to lose me. Chujin wants to create a serum that will strengthen monsterkind and give normal monsters the power of a boss monster. All well and good. Where I start to take issue is the convoluted method of creating this serum and what it means for the story.

As a point of comparison, I always thought that the rule in Undertale of requiring a human soul plus a monster soul to pass through the barrier felt a little convoluted and contrived, but it seems to exist for the sake of forcing a “kill or be killed” confrontation between Frisk and Asgore as well as explaining why Asriel passed through the barrier with Chara’s soul but (presumably) Chara alone couldn’t. In this way, the rule acts in service to the story and creates memorable character moments with Alphys and Asgore and gives Frisk a stronger temptation to kill Asgore during their fight. The two soul rule is a bit clunky, but I can begrudgingly accept it. Chujin’s serum fulfills a similar purpose but is clumsier in its execution.

To start, Chujin’s serum also requires a human soul and a boss monster soul—this makes sense, as the goal is to turn monsters into boss monsters and one can assume that human souls have some kind of preserving property that would keep the serum stable.

On top of that, the human soul must also be “pure of heart, uncorrupted.” I thought nothing of this line initially until it was reiterated during Ceroba’s flashback and I realized why it was in the story.

This concept bothers me for a number of reasons and it’s technically not even a plothole or inconsistency. It feels out of character for Chujin to frame things this way given how he views all humans as evil, and this purity rule seems to exist solely as a plot device to explain why Ceroba enacts her plan in pacifist but not in neutral runs. I feel like the story could’ve come up with a more organic method of explaining why Ceroba couldn’t be present or was otherwise occupied during the steamworks section in a neutral run, plus I feel like she wouldn’t let something like “purity” get in the way of attempting her plan if she was that dead-set on it, given how rarely humans appear in the Underground.

Lastly, we learn that Chujin and Kanako are both boss monsters, or at least “carry the boss monster gene,” which is an odd concept to me. You could argue that this revelation technically doesn’t contradict anything established in Undertale, but like the pure soul rule it just bugs me. Maybe it’s because it reminds me of the early days when the fandom thought that all bosses in Undertale were boss monsters instead of just the Dreemurr family. I won’t waste time rambling about the particulars of boss monster lore, but I think what bothers me with Chujin and Kanako is that it feels like yet another contrivance to explain why Ceroba’s actions had to involve Kanako specifically.

I’ve mentioned that Undertale’s two soul rule feels somewhat like a contrivance. One could argue that the Barrier requiring seven human souls to shatter is also a contrivance, but I think what makes that easier to swallow is that it’s a rule that’s established fairly early in the game. The reveals of the Barrier’s two “rules” are spaced apart from one another and each are given dramatic weight and time for the player to dwell on their implications.

The mechanics of Chujin’s serum, on the other hand, rely on multiple contrivances that are all spilled out onto the floor at once in the final stretch of the game right before they become necessary to explain Ceroba’s motivations, which only makes their narrative purpose feel all the more transparent.

Getting back to Ceroba, we’re left with her plan and what she did to Kanako. Now, I’m going to give the benefit of the doubt here and say that I don’t mind the particulars of whether Ceroba’s plan involving Clover would have worked or not—as far as I’m concerned, Chujin’s plans could have been doomed from the start even with a “pure” soul. The point wasn’t whether Chujin’s plan would’ve worked but rather how Ceroba’s grief has turned her own life (and by extension the lives of her family) into a sunk cost—she feels that she has to go through with her plan or else all her family’s suffering was for nothing.

In many ways this makes the contrived requirements for Chujin’s serum feel less necessary, since the serum’s mechanics could’ve been kept vague or it could’ve even been implied that Ceroba was simply repeating the same experiments as before hoping for different results.

I’ve put it off long enough, but it’s time to talk about that scene. You know the one: the big reveal flashback at the climax of Ceroba’s pacifist fight. Again, I’ll try to be charitable and say that I don’t absolutely hate the idea of Ceroba testing Chujin’s serum on Kanako. I mean, I would hate the act on a moral level if she were a real person, but I don’t hate the idea as a story concept. Still, my charity has its limits.

I’ll just come right out and say it: the scene where Ceroba injects Kanako is hard to watch—not because it’s tragic, but because it’s just not a good scene. My original write-up for this part was far harsher, but I’ll spare the vitriol. This scene has been memed to hell and back by people more critical of the game and… I can’t disagree with them—this is my least-favorite scene in the game.

(Image from ScottFalco's "Undertale Yellow with a side of salt" video)

The most obvious criticism I’ve seen is the fact that Chujin specifically told Ceroba not to do the exact thing that she does. That’s a fair point and honestly, yeah, I think the simplest writing fix would’ve been for that line not to have been in Chujin’s tape to begin with so that Ceroba doesn’t look willfully ignorant on top of being recklessly negligent.

Tbh, it feels a little out of character for Chujin to say something like that because I got the impression that Chujin wasn’t always the most thoughtful or attentive dad. His own tapes mention that he didn’t keep an eye on Kanako when a monster was attacked in Snowdin, and even then Chujin was more preoccupied with tracking down the human than with comforting his own daughter. He made nice things for Kanako, sure, but even that could be explained as him being more wrapped up in the work than her. It’d be wrong to say that he didn’t care about Kanako at all, but I got the impression that he had the wrong priorities and it’d be fitting if Ceroba’s own actions followed that pattern.

That being said, I can’t solely blame Chujin’s warning for why Ceroba’s flashback doesn’t work. The scene as a whole is just dreadful, even when viewed in isolation from the rest of the narrative. There’s so many issues big and small with this scene, like Kanako being able to read the word “corruption” but not “extract,” Ceroba’s immediate turnaround after the slightest prodding, or the predictable outcome of the whole thing that’s dragged out for what feels like an eternity.

You know, I’ve heard some people critical of Undertale say that the true pacifist ending to that game felt maudlin—I disagree, but in some places I could see where they were coming from. Calling the Kanako flashback maudlin would honestly feel like letting it off easy. If I wanted to be mean I’d call it manipulative, but honestly I think a more fitting term would be a comedy of errors. It feels less like tragedy and more like dark humor bordering on self-parody of what an Undertale character’s sad backstory would be.

So what should’ve been done differently? The easy and safer option I’ve seen suggested would be for Kanako to stumble across Chujin’s research and inject herself, with Ceroba feeling guilt for allowing it to happen. I would prefer this over what we got, but I said earlier that I don’t completely hate the concept of Ceroba experimenting on Kanako, so how can that idea possibly work? Besides getting rid of Chujin’s overly-specific warning, I honestly think the best fix for this scene would simply be to not show it. Don’t remove the events from the backstory, but just don’t reenact them onscreen. Normally it’s better to show than tell, but there have always been exceptions to that rule.

I’m reminded of how Undertale didn’t show us Asriel’s death or the Dreemurrs’ divorce, and only offered a glimpse of Chara’s buttercup plan. These were cases where less was more—letting the players imagine these events in their heads sidestepped any potential tastelessness and seeing the aftermath of these events and how they affected the characters involved painted a vivid enough picture. I think Ceroba would be a perfect fit for a similar approach.

If we need to see something, then either portray it via montage like Asriel’s memories or only portray Kanako finding Chujin’s basement and Ceroba stumbling upon her after she’s viewed the tapes. Ceroba could then explain to Clover that Kanako pleaded with her for months or even years to let her help with Chujin’s experiments. With time Kanako only become more stubborn and their relationship more strained. The whole time Ceroba knew that only Kanako’s soul would work for the experiment but she tried to remain in denial and hope an alternative would present itself. After countless research dead-ends used up all but one vial of the leftover human soul extract, Ceroba gave in to Kanako’s demands in a moment of weakness. And that’s all it took—one moment she was there and the next she was gone.

Not to toot my own horn, but I feel this kind of summary would’ve worked better because it leaves things up to interpretation. Was Kanako still a child when this happened or was it many years later? Did Kanako understand what she was signing up for? Is Ceroba’s recounting of the events reliable or is she merely rationalizing her actions after the fact? It’s not perfect and it’s still somewhat “safe” compared to the game’s swing for the fences. Unfortunately, a big swing means nothing if it misses, and even less if the bat goes flying and hits someone.

Despite what I just said, the Kanako scene doesn’t ruin Ceroba for me as a character. It blemishes her boss fight for me, though I have other issues with that fight besides the flashback (as I’ve mentioned). When thinking back on this game’s characters and story, I mostly just ignore the particulars of the Kanako scene unless if I need to sit through it again. I view it as the equivalent of a flubbed line read or a boom mic visible in a shot--I can see the pieces that were meant to be there underneath the lackluster execution.

Surprisingly, Ceroba’s still my 2nd favorite original character in Yellow, though a lot of this is owed to her dynamic with Star, and part of me wonders if I like her more for the character she could’ve been rather than the character we got. Still, I’ll always remember the buildup to the mystery of Ceroba’s backstory, even if the reveal failed to deliver.

Flowey

Flowey is one of my favorite Undertale characters as well as the only character from Undertale featured in a recurring lead role in Yellow, so I was curious to see how this game would handle him.

When this game was first announced, many fans debated the “canonicity” of whether Flowey would have encountered the human who fell prior to Frisk and whether Flowey would retain his save abilities in such a scenario. Often this debate overshadowed the other aspects of Flowey’s portrayal, so to avoid doing the same, I’ll just say that I don’t believe Toby ever intended for Flowey’s save abilities to function in relation to a human like how they’re portrayed in Undertale Yellow. However, I don’t take issue with this “lore contradiction” because I feel that the way Flowey is utilized in this aspect works for the story that Yellow is trying to tell. Flowey’s role is to limit Clover’s own powers and to keep their story on-track.

It’s easier to tell a prequel story where the main character is destined to die if that character doesn’t also have the ability to return from the dead at will or turn back time, so having Flowey fill that power vacuum makes sense. Despite this, Clover is still given plenty of agency. Flowey only railroads their story in two notable instances: whenever Clover is going to live with Toriel or when Martlet offers to have Clover come live with her in a neutral run. Both outcomes would be a bit of a cop-out for the game’s main conflict and would be the boring option as well (sorry fanfic authors)—Flowey agrees with this sentiment, making it feel justified that he’d intervene.

Having gotten that out of the way, what do I think of Flowey’s portrayal? Compared to Undertale, it’s interesting to think how much more screentime Flowey receives in Undertale Yellow, despite Flowey being the main antagonist and ostensible central character of Undertale. Since Flowey’s story can’t be allowed to conclude in Yellow, his character is kept in some degree of stasis—in many ways, Yellow’s portrayal can be seen as “Flowey, but more.” That might sound like a pejorative, but for the most part I think it works here. Flowey’s interactions with Clover honestly make him feel a little underutilized in Undertale by comparison.

That said, Undertale was a game intended to have moments of isolation, so having Flowey chime in at every save point likely would have diminished that effect and also made Flowey less threatening due to overexposure. I think Yellow can get away with giving more screentime to Flowey because for most of the game his mask hasn’t dropped—he has every bit of ill intent that he did in Undertale, but for the sake of his plans he has to play along at being your friend for far longer than he did in Undertale.

The result is that very little of what Flowey says in Yellow can be taken at face value once you know his aims. Until that point, however, I think the game does a good enough job at keeping you guessing as to how far gone Flowey is and at what point in his moral decline this story is meant to take place. If someone played this game without playing Undertale first, they’d probably chalk up Flowey’s mannerisms to him just having an odd and occasionally morbid sense of humor, which isn’t far from the truth.

One thing that I appreciate about Yellow’s portrayal of Flowey is his dynamic with Clover—the game manages to thread the needle of not making their relationship an also-ran of Flowey and Frisk or Flowey and “Chara” from Undertale’s No Mercy run. For most of the game you get the sense that Flowey views Clover as a means to an end that he’s forced to humor and put up with, but that deep down he likely has some small sentimentality towards them (mainly shown in the pacifist ending).

I think Flowey’s relationship with Clover in neutral and pacifist gives us a look into how he likely acted around the other monsters of the underground back when he tried to solve their problems or form bonds with them—he can’t fully relate to them but is willing to fake it ‘til he makes it, or rather until they make it to the outcome that he wants. If I were to draw a more direct comparison, I think Flowey’s bond with Clover might be the most similar to his bond with Papyrus—he’s implied to have spent a lot of time with each of them and found them each amusing in their own regard, but ultimately Flowey isn’t above using them or casting them aside.

What I find especially compelling about Flowey and Clover is the turn that their partnership takes in Yellow’s No Mercy route. Here Flowey initially seems to be cautiously optimistic about Clover’s rampage, but as his advice is ignored he grows increasingly exasperated with their actions. It’s strange to say, but it’s a refreshing dynamic to see Flowey outright grow to hate his human companion—while he voiced plenty of insults and disdain towards Frisk, it came off more as condescension or an attempt at intimidation.

In Yellow, however, you can really feel Flowey becomng absolutely fed up with Clover, not just for their pushiness and disobedience in the no mercy route but also for the hundreds of runs where Flowey has had to string them along and, in the process, be strung along himself. This development is much better-paced in Yellow than Flowey’s turn toward fearing Chara in Undertale—it’s amazing what can be done when you’re allowed to have more than four conversations with a character.

That said, I don’t think there’s any one Flowey moment in Yellow that quite lives up to Flowey’s speech in New Home or the conclusion to his story in the form of Asriel—those two moments will forever be peak Flowey to me. When comparing Undertale Flowey to Yellow Flowey, it’s a case of quantity vs quality, but in this case the “quantity” is still pretty good.

If I had to voice any complaints for Yellow Flowey beyond a broad “it’s not as good as something near-perfect”, I will say that when Flowey’s mask does drop in Yellow, he doesn’t sound quite as crass or childish as he does in Undertale—something I feel is important to him as a villain, but this is a very minor nitpick since he has plenty of lines in this game that go hard. I didn’t even notice the difference in speech styles until I went back and watched footage of Undertale and realized “oh yeah, I guess he sounds a bit more childish here.”

I suppose there’s one other thing I should discuss regarding Flowey. This is a topic that I intentionally saved for last since I find it’s a perfect capstone for Undertale Yellow and my opinions on it: Flowey’s boss fight. If ever there was a case of “Flowey, but more,” it would be this fight. For years Undertale fans have speculated and wished and wondered what a fight against plain old vanilla Flowey would be like. Countless fangames and fan battles have tried.

Yellow opts for an unorthodox approach by centering the entire fight within Flowey’s mind—this framing is used to its fullest and then some, allowing for interface-screws and psychedelic attack patterns showcasing Flowey’s twistedness, his self-loathing, and his various forms of retraumatization.

Players are attacked by phantoms of any bosses that they killed, complete with Floweytale-esque corrupted designs. This aspect of the fight dovetails perfectly with Flowey’s comment about only enjoying the moments of Clover’s run where they “gave in” to their violent urges, and clearly these moments are etched in Flowey’s memories for Clover to relive.

Afterwards we’re treated to a peek behind the curtain at Flowey’s subconscious, featuring a collage of his first runs as a flower—this whole sequence adapts my favorite Flowey moment from Undertale while not tipping its hand too much by revealing Flowey’s true identity, as it easily could have in less-skilled hands. We’re given just enough to ponder without spoiling things for the mythical gamer who tries playing Yellow before Undertale.

Next up is a brief horror fakeout where Clover “reunites” with Martlet. I don’t have much to add other than the telegraphing being a bit obvious but not in a way that majorly detracts from the moment. Overall it just makes me consider that this fight as a whole might be scarier than anything in Undertale

Finally we have the climax of the fight. I’m not quite sure what to call it. Photoshop Flowey 2.0? To be brief, the visual spectacle shown in this phase surpasses not only the visuals of any sequence (so far) in Undertale or Deltarune, but I think it’s unlikely that future chapters of Deltarune will feature anything with visual flare on the level of this finale.

That’s probably the highest praise I’ve given to Undertale Yellow so far, which is what makes this next part so difficult. I’m sure this will go down as my hottest take in this entire review, and it breaks my heart to say it given the clear effort on display from the developers, but…

I did not care for the Flowey fight.

How can I even say that? Was all of my prior praise just a lie? Not at all—I meant every word of it and then some. So how is it possible that I didn’t like this fight? You’ll notice that I broke down the Flowey fight into its individual phases and aspects, praising each in isolation. You might also notice that my praise was aimed at the spectacle and underlying concepts of the fight, which are fantastic, but I had very little to say about the actual experience of playing the fight—and that’s because I found the fight to be an utter slog to get through. In hindsight, it might actually be my least-favorite fight in the entire Undertale franchise if we’re solely talking about the gameplay. I’d rather fight a Jerry than have to fight this thing again.

I’ll admit up front that I sucked at this fight when I played it. I sucked at all of Yellow’s final bosses and initially didn’t care for their gameplay. I eventually warmed up to Ceroba and Martlet’s fights as I got better and learned to beat them without needing easy mode, but the Flowey fight never clicked for me in the same way despite arguably being the easiest of the three.

So what’s the problem? There are little things here and there—I found some of the phase 1 attacks a bit obnoxious to dodge, though nothing major. I found the collision detection in the vine chase sequences to be a bit clunky, resulting in one or two deaths that felt unearned, but none of these issues are enough to sink the fight.

No, two major missteps that come to my mind are length and repetition.

Out of curiosity, after my neutral run I looked up gameplay videos of the Yellow Flowey fight and the Omega Flowey fight from Undertale: on average, Yellow’s fight took players twice as long to complete as the Omega Flowey fight. The difference is so stark that a “no hit” speedrun of Yellow’s fight with dialogue skipped, the intro cutscene edited out, and no attacks from killed bosses is still longer than an Omega fight played normally.

I want to be clear that my criticism here is not “it’s different from the Omega fight, therefore it’s bad.” The Omega Flowey fight, in my opinion, already drags at times, and it’s probably my least-favorite final boss in Undertale despite having the most effort put into it. I already take (minor) issue with the Omega Flowey fight for overstaying its welcome, but Yellow’s fight is beyond the pale. One nice thing I can say is that Yellow’s fight at least tries to break itself up with an intermission of sorts in the middle, but the whole experience is still technically one fight, so in some ways this just feels like padding, particularly the Martlet scene.

To give a non-Undertale point of comparison, the Flowey fight reminded me (oddly enough) of Darth Vader’s hallway fight scene in the film Rogue One. For many fans this scene was considered the highlight of the entire film, but a vocal minority at the time criticized this scene for being irrelevant to the film’s central characters and unnecessary to the overall plot—it was just something thrown in for fan service that could have been cut at no detriment to the overall narrative. While I can understand the latter perspective, I have no issues with the Vader scene at all—if anything I think it enhances the third act’s feeling of desperation. but overall it’s just a cool scene and that alone makes its inclusion feel warranted.

So why do I feel different about Vader’s scene compared to Flowey’s fight? After all, both are action-heavy “scenes” featuring the main villain of the original installment doing what they do best at the end of a prequel that wasn’t centered on them. The difference is that Vader’s scene is less than 2 minutes long. It’s closer to 60-90 seconds if we only count the portion where he’s onscreen and it’s less than 1% of the film’s runtime. Conversely, there’s a no commentary neutral run of Undertale Yellow on Youtube where the Flowey fight takes up about 15% of the overall run. Had Vader’s scene been that long, even if it were expertly shot and choreographed while being broken up with bits of pathos, I would’ve been checking my watch and waiting for it to be over.

Still, I could forgive the Flowey fight’s length if it had variety and was building toward something. Surely this is true of the Yellow fight, right? Well, I would say that the Yellow Flowey fight probably has the widest variety of total attacks in the game—it has six unique photoshop phases as well as copied attacks from previous bosses in the first phase. The problem is that these are part of his total attacks but not necessarily his most common attacks—half of the ones I just listed are optional depending on who you killed and the other half are for brief one-off phases.

For the majority of the fight you’ll be dealing with Flowey’s other attacks: his standard attacks, which are recycled ad nauseam with little variation and no iteration. In phase 1 this isn’t too noticeable if you only killed one or two bosses, but if you killed most (like I did) then every unique boss attack is sandwiched between a standard Flowey attack and a vine chase sequence, which really bloats the runtime of the fight. Still, I’d argue that phase 2 is the worse culprit in this regard.

For those who’ve played, let me know if this sounds familiar to you: four vines shoot up out of the floor, four piranha plants emerge twice spitting up bullets, two hands scroll across the screen lazily scattering pellets, three guns materialize and fire at your location, a bomb with an “X” or “+” shape detonates, a small circle with spikes orbiting it homes in on your position, and two cowboys riding horses gallop by until one explodes, all while the song “Afterlife” plays from the beginning. Now tell me: which part of the fight am I referring to? If you guessed “more than half of all attacks in the 2nd phase,” then you’d be right!

Now, some of you might be questioning why I’m complaining about lack of “variety” when I just listed off seven individual attacks and earlier I complained about Yellow bosses using too many types of attacks. Well, the problem is that these same seven attacks are all used in sequence with each other over and over and over with no progression—each phase of this lasts 25-30 seconds and it’s repeated at least 7 times in the fight (more if you die).

Combined, no joke, this one sequence of attacks lasts 3 minutes, longer than an entire pacifist Toriel fight (dialogue included). Don’t believe me? Look it up on Youtube. You spend at least 10% of the Flowey fight dodging this one attack pattern. You literally spend an entire Toriel fight dodging just one prolonged attack pattern. And as the cherry on top, “Afterlife” always starts over from the beginning each time this sequence plays—just to drill into your head how repetitive this all is.

To be fair, Omega Flowey has a similar problem of repeating a ~25 second attack phase multiple times, but I find it more bearable there because:

Omega Flowey randomly uses 3-4 types of attacks from his larger arsenal per phase instead of trying to cram nearly every single one in every time like in Yellow, which (ironically) makes the Omega sequences feel less samey

Omega Flowey makes use of loading, which spices up the encounters by feeling unfair initially until you notice the save messages in the corner that telegraph them

Each of Omega’s sequences has a Fight button that, though optional, acts as a goal and motivator, as opposed to the player just impotently killing time until the phase ends, and

Omega Flowey’s music doesn’t start over from the beginning each time he attacks.

Those last two might seem minor since they don’t directly affect the overall gameplay, but I honestly think they’re the most crucial because they give the player a goal and a feeling of progression, even if it’s illusory.

Probably my biggest issue with Yellow’s Flowey fight, even more so than the length and the repetition, is that it ultimately doesn’t go anywhere. It pretty much can’t be allowed to go anywhere due to the aforementioned “stasis” of Flowey’s character arc. Flowey can’t suffer a grand defeat or learn a lesson that impacts his character in any major way, which only makes me question why this fight is here at all.

Omega Flowey, while feeling hopeless and repetitive in some places, has a clear progression, goal, and conclusion that leads to Frisk either reinforcing Flowey’s beliefs or causing Flowey to seemingly question them and offer a path to the true pacifist ending. There’s a reason why the song “Finale” is considered an underrated gem—because it shows a clear turning point and building momentum in that fight. I’m not saying Yellow’s fight needed to copy this same moment, but instead it just peters out with nothing to show for itself. I mean, do I even need to say anything when the game itself basically makes my case for me?

So what would have been better? Personally, I think the first phase of the fight is largely fine as-is. Phase 1 is by no means without its flaws, but it’s the phase that’s most relevant to Clover and the overall story on a thematic level—the boss attacks are a consequence of Clover’s actions and the vine chases (though repetitive) are meant to symbolize Clover’s endlessly repeated runs. And the thing is? The pieces are already there for the fight to end in a more natural way that respects the player’s time.

If the fight were to be given a page 1 rewrite, then I would end it at the section with Flowey’s subconscious that shows his past. Why?

It’s a great scene on its own that should be kept,

The scene would actually be relevant to the fight instead of it going unremarked on like it currently is (seriously, Flowey has nothing to say about it?),

It would fit the central conceit of the fight—Flowey is able to peer into Clover’s memories but Clover can do the same to Flowey and that scares him, and as a result...

It would be a more believable and character-driven “off ramp” for Flowey to back out of the fight.

This last point is especially important because we see throughout Undertale Yellow that Flowey is constantly hiding from other monsters—he clearly doesn’t want to entangle himself with them or have them interfere in his affairs. We can also pick up from his dialogue in Undertale and, to a lesser degree, Yellow that Flowey doesn’t want to talk about his past life as Asriel.

Having Clover intrude upon that territory would likely spur a strong reaction from Flowey, to the point where he’d rather abandon his plans, albeit temporarily, than open up that side of himself to a stranger. This would not only make the fight shorter and end it on a more emotionally resonant note, but I feel it also makes more sense for the narrative and themes of Yellow.

Flowey’s rationalization for letting Clover go could be something to the effect of needing to “tidy up” his head space before he’s ready to share it with someone else. Perhaps in the process he could drop a hint that he’s only opened himself up like this once before (with Chara) or that he had thought he had buried those old memories for good.

I also feel like this explanation would work better in the greater context of Flowey’s actions—Flowey quitting the fight out of boredom raises the question of why he’d repeat the fight on future neutral runs or why he’d be so confident that he could absorb the six souls in Undertale if one was too stubborn for him. Instead, having Flowey be emotionally unprepared for his plan but trying to find a workaround would lend itself better to him trying again in the future—to him it was just a little slip-up that he can overcome with enough attempts.

I don’t want to give the impression that my critique here is “the Flowey fight wasn’t done the way I’d have done it, therefore it’s bad.” My suggested “rewrite” to the fight is merely piggybacking off of what was already there, which are great concepts that I could never have dreamed up myself. The problem is that there’s just too much. Way too much. It feels like not enough was cut during the planning stage and what we’re left with is the epitome of “less than the sum of its parts.”

Of course, my rewrite omits the 2nd phase entirely—something that couldn’t be done with the current fight since it’s the most visually stunning segment of the entire game—like it or not, that genie is out of the bottle.

If I had to give any suggestions to improve the fight that we currently have? I’d say that I don’t think the “afterlife” portions of the 2nd phase need to be repeated so often. I think the phase would be better paced if afterlife only occurred at the very beginning and very end, and instead each mini-phase just brought you right back to Flowey’s petal roulette wheel to take you into the next mini-phase.

None of this is to say that I hated the Flowey fight overall. I still love many of the concepts that the fight brings to the table and I’ll watch moments of it on Youtube from time to time, but I just don’t care to experience it again firsthand any time soon, which is pretty much the opposite of how I felt with the Omega Flowey fight.

Looking at Yellow’s final bosses now that I’ve completed them all, I think my favorite might actually be Zenith Martlet? Which is insane to me because I hated that fight the first time I tried it—anyone who shared a Discord with me can attest that I was complaining nonstop when I attempted that fight.

Even now I’d say the Zenith fight is sloppy and the bandaid solutions for it in the 1.1 patch only illustrate how unbalanced this fight originally was. I’ve never beaten it on 1.0, nor do I intend to, yet in 1.1 I’d say I probably enjoyed myself the most with this fight. It doesn’t overstay its welcome like Flowey, nor does it have anything as egregious as the Kanako cutscene in the Ceroba fight. It respects my time, it has great music (though that’s par for all the bosses), the attacks (while chaotic) mostly stick to a consistent handful of themes, and the narrative context of the fight works (minus the bit with Alphys’ lab).

At first I found the Zenith fight unfitting for Martlet as a character. I thought “what? Martlet isn’t some hidden badass,” but that was exactly the point—this isn’t who Martlet is, and reality catches up with her. The 2nd phase is my favorite part of the fight as we see, in typical Martlet fashion, she didn’t plan ahead and can only hopelessly flail about as the “enemy retreating” motif overtakes her theme. It’s a somewhat understated and undignified ending to the character and that’s exactly what makes it work—it’s another example of the game showing restraint and being all the better for it, as opposed to overreaching.

That said, if I wanted to cheat, I’d say my real favorite final boss is the Asgore “fight” from the false pacifist ending. It’s focused on the characters and their goals and it doesn’t try to be anything too flashy. It’s an even more understated yet fitting final boss than Martlet, though the rest of the “false” ending outside of Asgore is a bit lackluster since it’s just a glorified neutral ending.

Conclusion

To wrap things up, I’m sure you’ve all noticed the throughline here: Undertale Yellow is at its best when it’s tasteful and restrained, and at its worst when its ambitions run wild. Of course, that’s easy for me to say from the outside looking in. It’s likely that many of the things I enjoyed about Yellow were ambitious in their conception but were handled carefully enough to appear restrained and effortless. I have no intention of downplaying that—the project as a whole was ambitious, given the time and effort lovingly poured into it.

As I mentioned in the beginning, my criticisms are not intended to dissuade anyone from trying this game. I would not want this game to be forgotten, but I also would not want it to be uncritically praised as some flawless masterpiece that eclipses the original game—that not only does a disservice to the people who worked on Undertale but also to the people who worked on Undertale Yellow. Both games were carefully crafted and both games have their triumphs as well as their flaws.

The last thing that I would want any fan creator to take way from Undertale Yellow OR the original game would be “this was perfect, just copy what they did.” What’s important is understanding why things worked and where they could be improved. Despite Undertale Yellow’s reverence for Undertale, it takes risks and finds places to innovate over the original game. Not all of it works, but I can respect the effort.

And that sums up my overall opinion of the game—it’s a game that I like but a game that I respect even more. The best complement that I can give is that even the parts of the game I didn’t like still had good ideas evident within them. The pieces were there.

With some tweaks, fine-tuning, and the courage to reign in a couple aspects, I honestly think this game could be made to rival the original one day. But even if that day never comes, Undertale Yellow is still a fine game as-is. It’s not a game I consider “canon” like some fans have argued, but I still plan to replay it alongside the original in the future, and I can’t think of higher praise to give than that.

#undertale yellow #undertale #starlo #ceroba #martlet

[kolbisneat]

MONTHLY MEDIA: June 2023

Summer months here we go! Just wrapped up my time with Zelda so I foresee more reading and tv in my future again. In the meantime, here’s how I spent June!

……….FILM……….

Spider-Man: Across the Spider-Verse (2023) Saw it twice and the first time was very nearly too much to take in. The second viewing was far less overwhelming and still a joy. While it didn’t feel like a complete story following Miles, at least there’s some satisfying conclusion with Gwen. I’m glad part 2 comes out in less than a year. 

Ali Wong: Baby Cobra (2016) Maybe I wasn’t in the right mood or maybe going with one of her older specials wasn’t the right call but I wasn’t really feeling it. I can see hints of overlapping themes that pop up in BEEF (which I loved and why I wanted to watch one of her specials) but that was more interesting than it was funny. Still gonna check out her other specials.

Goldeneye (1995) I have more memories playing the game than watching the movie but still a big fan of this flick. Really great characters and locales and I forgot just how comedic it is. So many one-liners! Always feels a little long at the end but worth it to see Boris’ death scene.

Encanto (2021) Late to seeing this and really great! Beautiful and personal and peak musical songs where characters basically ONLY share their personality through song.

……….TELEVISION……….

Ted Lasso (Episode 3.11 to 3.12) I was really dragging my feet about finishing the series as I found season 3 wasn’t as consistently enjoyable to watch. But those last two eps really stuck the landing. Some beats were expected, some were welcome surprises, and there were so many callbacks that were naturally woven in that I was really impressed. Some of the best from the season (and on par with the rest of the series) and I’m really glad I finished it.

……….YOUTUBE……….

Do "gun buybacks" work? by Vox A really succinct breakdown of how the US can do better, and an honest look at why this needs to be a part of a more complex plan. VIDEO

Agnostic TTRPG Prep Method by Map Crow Really fun way to use all the books that you’re not currently using! Watch the vid and then if you like the process you can pick up the bundle HERE (not affiliated, just a fan). VIDEO

The Station Toronto Needs by RMTransit Hey I’m a big fan of trains and I just found this channel. This was my first introduction to them but I’m keen to watch more. More trains! VIDEO

How Editing Creates Comedies That Make You Cry... by The Editing Podcast Another channel I recently came across and I’m keen to watch more. I know very little about editing but am keen to learn more.  VIDEO

……….READING……….

Bullshit Jobs by David Graeber (Page 7 of 285) Clearly I’ve only just started this (thanks to me dragging my feet on The Righteous Mind) but really excited to dig deeper. The prologue is the original essay that inspired the book and that alone already has so much in it! A really great primer and I wasn’t expecting it to lay a lot of the blame at capitalism’s feet so I think it’s gonna be a great read. 

The Righteous Mind: Why Good People are Divided by Politics and Religion by Jonathan Haidt (Complete) The first time I read this (at a time when the COVID-19 vaccine was just coming out and folks were choosing not to get it) the book really helped me understand the reasoning behind other people’s choices. For that it was really helpful. This time around, with more time and more political moves behind us, I find it glaringly obvious just how out of touch (or conservative-leaning) this book is. There’s a whole section about how the free market and capitalism is good for healthcare. Wild stuff. If you want more in-depth reviews explaining why this didn’t sit right with me this time around, I found Storygraph had a lot of great write-ups (also Storygraph is great if you want an alternative to the amazon-owned Goodreads).

Delicious in Dungeon Vol. 12 by Ryoko Kui (Complete) Listen I sing this series’ praises every time I read a volume and this is no different. Somehow the story, setting, and characters grow while still remaining connected to the main theme of “what if we ate the monsters we fought in an RPG?” It’s truly top-tier and I can’t stress enough that if you like charming, funny, expertly-illustrated comics, you should try out this series.

The Fade Out by Ed Brubaker, Sean Phillips, and Elizabeth Dismang (Complete) Really fun read. Old Hollywood murder mystery with a lot of really nuanced characters. The resolution felt a little abrupt and unsatisfying, but without giving anything away I think it was appropriate. I’m also not sure if it was a stylistic choice but all of the women have different shadows than the men. It feels like they’re living in two different worlds but maybe that’s intentional? Still really great.

……….AUDIO……….

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation by King Gizzard (2023) Loved King Giz’s first foray into metal and this continues that trend. I may not love everything that they do, but I love that they do everything that they do.

……….GAMING……….

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The Tuesday Crew is currently up against a young dragon (Dragonette) plaguing a mine (recap HERE) while the Mof1 Crew is divided across Munchkin District and each dealing with their own small crisis. They say never split the party but I think the trouble gets way more interesting when you do.

The Legend of Zelda: Tears of the Kingdom (Nintendo) Finally moving on from this after countless hours spent in this world and it’s all bittersweet. Loved the familiar stuff, loved the new stuff, and loved the overall arc of the game. Hopefully the next game in the series goes back to something smaller and focused.

And that’s it. See you in July!

#Monthly Media #Kolbisneat #Andrew Kolb

[entryno17]

LOOK WHAT SHOWED UP. MY COLLECTION GROWS

also look at the little card that came with it i'm gonna cry...

#my review: completely worth it. so glad i get to have my very own musical pipis #also the air freshener smells like shitty cologne and i can smell it from across the room. help

[mountswhore]

hey! see u were taking requests so i wanted one with mason related to "london boy" by taylor swift? maybe reader is a singer or something like that?

one of the best taylor swift songs imo, so of course!

𝐥𝐨𝐧𝐝𝐨𝐧 𝐛𝐨𝐲 — mason mount

summary: mason shows you around london during your break, and now you don't think you can ever go back

notes: requests are open again! my asks are open.

Leaving your hometown in New York to visit the world was one of the hardest things you had to do. But you had your dream job, now it was time to follow it. Your recent album was a success, pouring your heart into it as you recovered from your breakup. Your fans had watched your relationship build, and then break apart. Hearing your side of things through 14 songs. Awards, interviews, and traction had come from it, earning you a world tour. It was a scary thing to do, considering it was your first international tour.

“I just want to come back to New York already, I’ve not been on this tour long.” You complained to your sister, curled up in a hotel bed in London. Your first destination was the UK, and there was nothing worse than being homesick.

“Quit being a baby, the UK is so nice.” Your sister replied, chuckling shortly afterwards. “Me and dad visited Manchester, I think? Very nice looking, at least where we stayed.” You sighed, knowing that didn’t make it any easier. You loved your cosy apartment in New York, you were even starting to miss the constant traffic sounds and arguing in the early hours of the morning.

“I guess, and I know London is nice, at least. I think I’m gonna interact with some fans,” you decided, pulling the duvet further up your body, “speak tomorrow at sound check.” You ended the call, liking some tweets and replying to a few things, eventually tweeting something of your own.

“Happy to see a lot of my UK fans tomorrow, can’t wait to scream my feelings out with you,” Declan read out, giving Mason a cheeky look. The pair of them were in Mason’s living room, enjoying their evening of FIFA. The boys had spoken about you plenty of times, in interviews too, Mason declaring you as his celebrity crush.

“Shut up already, she probably doesn’t even know who I am.” Mason stated, resting his arm over his eyes to conceal the blush on his face. Him, Declan and a few other boys were going to your concert tomorrow night, some of the WAGs suggested it as they loved your music.

“You think she’s not going to notice a blue tick in her dm’s? It’s worth a shot.” Declan encouraged his friend to shoot his shot, close to grabbing his phone and doing it himself, but instead he was watching Mason bashfully scroll through your twitter replies. “Do it, or I will.”

Mason sighed, clicking the reply button and typing out a reply, handing the phone to Declan to review. ‘Can’t wait, wanna see you.’

“Perfect,” Declan mumbled, pressing the reply button for him. He knew Mason never would, he just saved him 20 minutes of back and forth debate. Handing Mason his phone back, Declan smirked as he watched his friend's face change from fairly embarrassed, to shocked.

“There’s no fucking way you sent that.” Mason remarked, refreshing his phone to see his tweet attract likes. “You dick.”

Declan just laughed as Mason had turned completely red, watching the likes and replies collect under his tweet. Moments later, you’d appeared in his dm’s.

‘I recognise you.’

It was an ominous message from you, one that had you pacing and replaying the creepy message over and over again. But Mason smiled at the message, all ounces of worry leaving his body as he replied to you.

‘Oh yeah? From where?’

‘Actually, I think I recognise your teammate, Pulisic. He’s all my brother talks about sometimes. But all I know is that he plays for a soccer team.’

He laughed at your reply, Declan watching over in pure disbelief.

‘You have a lot to learn about the UK, and luckily I know all about it.’

‘I’ll hold you to that, come backstage after the show, bring whoever you’re with. I’m in London for the next few days before my next show, maybe you can show me around.’

“There’s no way you’re flirting with Y/N Y/L/N within two minutes of replying to her tweet.” Declan stated, Mason smirking at his best friend before sending another reply.

‘Bet.'

Your show was now over and you were anxiously waiting for the boys to be escorted back stage. You didn't know much about football, especially over here, but you knew the boys that were coming back stage were professionals. You'd learnt their names, Declan, Jack, and Mason. Jack and Declan brought their girlfriends along, but Mason was 'painfully single', as he put it.

Finally, as you sat down in your chair to relax, you heard a knock at the door. It was them. They had all filed in, the two girls in shock that they were meeting you. You'd given them all a hug, and gotten to Mason. He looked down at you as you pulled him in, squeezing you tightly before letting you go again.

"Did you guys enjoy it?" You asked, ushering them to the couch for them to sit down. You wanted them to feel as comfortable as possible, rushing over to your dressing room fridge and pulling out some drinks.

"It was amazing," Sasha gawked, still in awe over seeing you for the first time, "we saw you have one in Birmingham in a few weeks, so we're going to that one too." You blushed, returning to your seat opposite the couch.

"That's so sweet! I'm sure I can get you some good tickets, I'll dm you on Instagram or something." You suggested to her, Sasha eagerly nodding her head. You conversed with the group of five, Mason giving you a particular look that you had mirrored back to him. You planned on getting his number, and making sure he showed you around London.

Soon enough, the group was heading back to wherever they were staying, as it was beginning to get quite late. "Thank you guys for coming, and I'm so glad I met you."

Mason stayed behind, folding his arms and sharing a smirk with you as his friends voices trailed down the hallway. "So, about this bet."

"Yeah," you replied casually, grabbing your water bottle from the table and taking a sip, being in the presence of an attractive man again was giving you quite the nerves, "I'll take your number, because I'd love to get to know London." He nodded, grabbing his phone from his jacket pocket and handing it to you.

"Perfect. See you."

You and Mason had planned your first meeting in a pub. It wasn't the classiest of places, but your plan was to get to know the UK. Mason had ordered you both a drink, guessing what you like and nailing it when you went in for a second sip and shoved a thumb up.

"So," he began, fiddling with the coaster his beer sat on, "how long are you in London for?"

"Just until Thursday, Friday morning I'm heading to Manchester." You stated, realising you only had four days with Mason, including today.

"Well, we better make the days count then." Mason declared. The pair of you spoke about his career as well as yours, talking about how different school was for the pair of you. Mason had stood up, holding his hand out for you to take, and you'd accepted it without complaint. He led you out of the pub and through the town center, gazing at the stalls set up around you. The weather wasn't so different to New York, both constantly dreary, but you were liking London so far.

On your second day together, you'd taken a cab to another town, this time to just experience the busy streets. To Mason, this was normal. For you, it was only familiar. New York was one of the busiest cities in the world, but London was different, better in every other way. You'd finished your day together, stomachs full of pub food, and in the back of a cab, rain pattering on the windows. You'd shuffled closer to Mason, placing your hand on his and squeezing. He looked at you briefly, smiling his usual smile, before quickly looking out at the street in an effort to hide his tinged cheeks.

Day three, the weather was too bad to do anything. But Mason kept you company in your hotel room. He'd taught you a bunch of British slang, laughing as your accent completely butchered them all. You'd shown him a snippet of your new song before room service had arrived. And the night ended with the pair of you collapsed in your bed, tv playing in the back ground, but your eyes on each other. It was like pure magic, the long-awaited feeling of his lips on yours. You'd been thinking about it all day, missing every opportunity until now.

Your final day was the worst. You both knew it was coming, you wouldn't see him until you had a break, and he had one too. You both had stupidly busy schedules, as well as living in different countries. Maybe one day you could bring him to New York, show him your side of life. And maybe one day you'll branch out and move here.

Mason had helped you carry your things out of your hotel room, which was taking you to Manchester. Your manager had texted you to be in the car before 3, which meant you had just 10 minutes until you had to say goodbye to Mason for a while.

You were stood in the foyer of the hotel, waiting for the car to arrive. You'd secretly hoped it didn't, you wanted to stay with Mason for a while longer, but you couldn't. Duty called.

"Thank you for showing me around London," you spoke, looking up at Mason, who was hiding his deflated feelings, "I really enjoyed it, I might even prefer it to New York."

"That's a given. I'm here." He joked, in an obvious attempt to lighten the mood. These four days had been immense fun for him, different to how he usually spent his days. Different than night at home alone, different than a night on the town. Was it too soon to say he missed you?

Mason looked down at you as you clung to his side, hoping he felt the same way you did. And he did, you just didn’t know that. His fingers slid across your jaw slowly, pulling your chin up to look at him. It was an intense moment, so many different emotions. He’d leaned in and kissed you, it was his parting gift. To say that he’d see you soon enough.

“Enjoy Manchester, I’m sure I can fit another show in somehow.” Mason spoke, his voice barely above a whisper. “I’ll miss you.”

“I’ll miss you too.” You spoke, the car pulling up outside. He’d dragged your suitcases out to the car, popping them in the boot for you. Finally, he stared at you through the window, which you quickly rolled down. “I fancy you, is that the right term?”

Mason laughed, head tipping back slightly. “Yeah, it is. And I fancy you too.”

#mase #money mase #mason mount one shot #mason mount request #mason mount x reader #mason mount smut #mason mount imagine #mason mount blurb #mason mount

[aerequets]

can you give me some webtoon recommendations? name some of your favorites! :)

i am here to answer folks 😎

all of these webtoons can be found on webtoons.com! I'm not sure about the whole daily pass thing they've got going on (which sucks tbh) but like,,, you could probably find it online illegally. NOT THAT I CONDONE ILLEGAL ACTIVITY HAHAHAHA ᵖˢˢᵗ ⁱᶠ ʸᵒᵘ ˡᵒᵒᵏ ⁱᵗ'ˢ ᵗʰᵉʳᵉ

I'll split these up between completed and in progress :) most are still in progress though

COMPLETED

1) Gourmet Hound (166 chapters)

this is like, my all time favorite webtoon. it follows Lucy and her quest to find all the chefs that left her favorite restaurant, Dimanche! it’s a really heartfelt story and the food illustrations make you really hungry, so make sure you have a snack before you sit down to read it. each character’s name is also food-related, so that’s pretty cool too! and the diversity in this webtoon is AMAZING. it’s the only webtoon i’ve ever read that has a hijabi character in the main cast. the development is done really well and it explores themes of loving and letting go. all in all, it has a bit of everything. i personally love food-related things, and this centers around it, so i was set LOL

(also a bonus is that this webtoon has NOT succumbed to daily pass hell, so you can binge read the whole thing. legally.)

2) Hooky (200 chapters)

if you like stories of witches, this is the one! the summary and beginning chapters are deceptively lighthearted. DO NOT BE FOOLED! the story really develops further on and explores numerous conflicts, a big one being (if i remember correctly) witch vs. nonwitch. if you like to see struggles between two sides, not a good-and-evil but just people-who-want-the-best-for-themselves-and-their-loved-ones type of thing, this is good for that. also, sibling love! the two main characters are Dani and Dorian, and while there is someee romance, i like how this story centers around the siblings first and foremost. ALSO THE ART??? I LOVE HOW THE AUTHOR DRAWS SETTINGS SO MUCH and am unabashedly jealous because i am completely incapable of doing so   just like,,,, even if the story doesn’t pull you in, you can at least stare at each panel for long stretches of time.

(unfortunately succumbed to daily pass, but you can read it on mangaowl or manganelo!)

3) Spirit Fingers (167 chapters)

aww, this one is cute. Amy is 18 and lacking in self confidence (her family definitely doesn’t help). but HEY she joins a wacky art club!! without her parents knowing!! HECK YEAH!! unfortunately it takes more than joining an art club for her to learn to love herself (it is a long journey after all!). i love this webtoon because it explores the problems of multiple people, not just amy: her high achieving brothers, her mother who had to give up her dream, the different members in the art club, Amy’s girl friends. the art is unique and has a cool watercolor-y texture! and the main couple is just adorable, too. if you’re an artist especially, i recommend this because that’s a big theme and you get to see these characters expand their art styles! which is very cool!

(you can read this one fully on 1stkissmanga)

now here’s where the majority of my recs are:

IN PROGRESS (all can be read on webtoon.com)

1) The Makeup Remover (currently 71 chapters)

i look forward to this every tuesday and friday because oh man!!!!!!!!! idk about you guys, but i am thinking about beauty standards A Large Amount of the time, especially when i consume media. and this webtoon is all about beauty standards (specifically in Korea, but still applicable like. everywhere). Main character Yeseul ends up having to partake in this beauty competition and, with her experiences through it, she begins seeing makeup and beauty standards for the huge role they play in society. i said it already but i LOVE LOVE LOVE this webtoon because it really challenges you as a reader to think about your own perspectives. why do we find the things/people beautiful that we do? what shapes our perception? how much of it is marketing, and how much of it shows in our daily lives? what assumptions do you make about people based on how they look? AGHH im sounding like an essay prompt instead of a reviewer but man. if you like webtoons that examine society through a critical lens (gosh i sound like an english teacher), this is the one. 

2) Odd Girl out (currently 261 chapters; on season 2) 

okay, first and foremost: if you’re NOT into long winded drama, this probably isn’t it for you. i will admit im not a fan of long problems that get dragged out, especially in a school setting, but i did keep reading this webtoon and i am glad that i did! the character development here is amazing and ONE CRUCIAL THING is that the whole first season (which is many, many chapters. at least over 100) focuses on the friendship between our main 4 girls. if you don’t wanna wait for a romance storyline (which comes in season 2), then you’ve gotta have the patience of a saint. i loved this though because lots of romance webtoons cast friendships aside or use them to further the romantic plot. platonic relationships are great to read about and this one does it masterfully! main character nari is resilient and emotionally strong, and it’s great to see her ruin her enemies

3) Cursed Princess Club (currently 110 chapters; on break before the final season)

this is another one about beauty and societal expectations, but in a fantasy setting! it’s really funny and the cast of characters is heartwarming. Gwen is a princess, but she doesn’t look like the typical princess. she accidentally stumbles upon the Cursed Princess Club, which is exactly what it sounds like: a club for princesses that have been cursed and are trying to find their self worth despite not being conventional princesses! now that i think about it, this is like a lighthearted mixture of Makeup Remover and Spirit Fingers. although while i do say “lighthearted”, this webtoon has its fair share of mysteries and exploration of deeper topics. but its funny throughout

4) Brass & Sass (currently 83 chapters)

ahh this one is really cute and the art is cute, too! i also like how this has a diverse cast. high schooler Camilla kinda sucks at band, but dangit if she’s not passionate. Victor is some type of musical prodigy but he’s a brass-hole (hahaha get it. no that’s not original i ripped it from the summary). now i KNOW I KNOW, the whole “perky girl and asshole guy” is so overplayed BUT DON’T FRET! this isn’t the type of story where the girl “fixes” the guy, or where the guy is an asshole to everyone except the girl. believe me, the character development and relationship development in this story is SPLENDID. there’s no real antagonist. it’s just a bunch of high schoolers trying their best to make themselves and everyone else happy, and that’s hard! the story is carried more by the characters than by the plot, but it works well in this case since the characters are strong and each one has a presence. 

5) Surviving Romance (currently 10 chapters)

this one is relatively new compared to my other recs but it’s by the author of the Makeup Remover so yaknow i had to hop on it. BUT IT IS VERY DIFFERENT! first off, it’s a horror, so keep that in mind. the best way i can describe it is a mixture of the standard “girl falls into a story” genre, Groundhog Day, and zombies. Yeah. Bascially, Chaerin is our main girl and she’s in a romance story that’s she’s read a bajillion times, so she knows the day has come for her male lead to confess his love! except he doesn’t! because he becomes a zombie instead! hahaha well that sucks! it’s only got 10 chapters but i am very into it, and it seems to be taking an emphasis on platonic relationships, so i am very closely watching 👁👁

6) The Witch and the Bull (currently 60 chapters) 

another witch story! and the art is GORGEOUS. more witch + nonwitch conflict, too! our main dude, Tan, is the royal advisor and he’s hella bigoted against witches. our main girl, Aro, happens to be a witch. and Tan needs her help to make him into a human again (because he got turned into a bull. that is worth mentioning). this is a very barebones summary and there’s a lot more that goes on, but that’s the general gist of the beginning!

ANYWAYS. this got very long, predictably, and i rambled for each title, predictably. i’ve got more that i’m reading, but i really like these 9! i also made comments on the art for a lot of them, which might not matter to some people, but i feel like my art was very impacted by each webtoon i read. if you’re an artist i recommend finding a webtoon you like and studying the art; try implementing parts you like into your own style! 

anyways, i am FINALLY done talking. bye yall 

#webtoons #my recs

[cocogukkie]

2020 in review: kdramas (the heart fluttering, the disappointing, the saviors of 2020)

it’s december 31st! the new year is quite literally upon us (some of y’all are already in 2021) and my procrastinating self has chosen to upload this today. i’ve always loved these rec lists and I wanted to do one for 2020! this year was a rollercoaster for kdramas with some excellent ones and some not so excellent ones. i watched all of these in 2020 but not all of them were released in 2020.

if you want to use my questions to make your own list please do!! or give your favs in the tags, i’d love to read them. (fair warning, some of these have multiple answers bc i just can’t choose one!!)

drama that made me laugh

When The Camellia Blooms (2019)

i finally got around to watching when the camellia blooms this year and it. was. so. funny. oh my goodness, the comedic timing in so many scenes was pure excellency and im kinda mad at myself that i didn’t watch this last year. this isn’t just a comedy for those who are interested, its a thriller/romance but its also so fucking funny. definitely watch this if you want to laugh (and be touched bc the emotional scenes in this one are beautiful)

drama that made me cry

Sweet Home (2020)

hahah….. um this one is gonna go to sweet home friends. i went into this one with zero expectations and the first couple episodes didn’t really wow me? but i kept watching and holy shit fam. this show really picks up story-wise around ep 4 and makes the viewer love a lot of these initially unlikable characters. all i can say is that the end was devastating for me and i cried quite a bit. (warning, there are a lot of mature themes in this one so make sure you look for trigger warnings or send me an ask and i’ll list them all out for you) 

best OST

Itaewon Class (2020) 

i loved the ost for itaewon class!! the music is just so inspirational and pump up music, its so good. my favorites are ‘you make me back’ by woosung and ‘start’ by gaho.

drama with chemistry royalty (aka the best couple) 

i have three for this one because i just cannot choose one. 

It’s Okay To Not Be Okay (2020)

we recognize this one as one of the best things to come out of 2020. go moon young and moon kang tae have some of the best chemistry i have ever seen in a drama couple. i waited on the edge of my seat every single week for the next couple of episode just so i could fawn over these two. they work so well together, lift each other up, and so fucking funny together and support one another. while they’re not the chillest couple (lmao) they’re most certainly one with the most personality. they’re so cute and bicker and they just get each other. who could ask for more.

Flower of Evil (2020)

our badass mom and dad 😭😭. this was another peak drama that came out this year and our married partners-in-crime-but-not-really had amazing chemistry. baek hee sung and cha ji won were so cute as a married couple but they were even more precious later on in the drama after certain things unfolded (no spoilers). they both just get each other and protected one another as well as on the most precious kdrama children this year, their daughter eunha. they were so wholesome, flower of evil is so very worth a watch.

Into The Ring (2020)

this was one of the more underappreciated kdramas of the year but hoo buddy was the main couples chemistry top notch. they were so friggin cute and i just couldn’t. goo se ra is highkey one of the best female characters i’ve ever seen, she’s absolute chaos, lawful chaos, but chaos nonetheless. her other half, seo gong myung is opposite from her as lawful neutral. he’s just along for the ride that is se ra and loves her. they’re both so very fond and protective of each other and back each other up!! very very cute and you’ll definitely replay more than a couple of their scenes together.

most disappointing

Record of Youth (2020)

it’s sad but true… i went into this one with so much hope and excitement (i was riding off that ‘psycho but its okay’ high) and i was vastly disappointed. the plot mostly focused on the male lead, and there wasn’t much characterization for the female lead which i didn’t like. honestly, i only cared about maybe 3-4? characters in the whole drama. the rest were absolutely terrible or plain boring and i ended up skipping eps 14 and 15 and just watched the finale. i would not recommend tbh.

drama you can’t really get through

Crash Landing on You (2019)

this one is absolutely on me, i want so badly to love this one. but i just… can’t seem to get past ep 2? i’ve tried!! i swear, but i just cannot get through it. maybe in 2021, i can try again and i’ll enjoy it more.

drama everyone else liked but was meh

Kairos (2020)

i though kairos was a bit predictable tbh. i know those of us who did end up watching it really liked it but maybe its because i watch so many crime/mystery shows that this one didn’t really do it for me. the writing is quite solid and everything connects well, i would recommend that those who don’t really watch thrillers, to watch this one. (also the friendship between the female lead and her two friends is suuuper cute and worth it alone to watch kairos)

favorite romance

It’s Okay To Not Be Okay (2020)

yeah… this one wins again lol. what can i say, i just loved it so much and the main theme of the show is romance (its also a comedy and a mental health/healing drama) all i can say is watch this if you haven’t yet, its definitely worth it!! 

favorite mystery

Memorist (2020)  & Watcher (2019)

i really enjoyed these two mystery dramas. both were super fun to watch and very kinda unique in their own ways. i liked memorist because it was lowkey funny and i liked the relationships between the characters, but most importantly i couldn’t guess the main antagonist by the end! i really thought i knew who it was and then i was completely wrong lmao. watcher was also very good, the main trio had really good chemistry and i really cared about all the characters. (also i’ll never say no to watching seo kang joon) plus the plot twists threw me a bit at the end which is always a feeling i welcome, i love being surprised and wrong (as long as it makes sense)

favorite slice of life

Hospital Playlist (2020)

oh my goodness, i was late to the hospital playlist party and i regret it because this show is so. so. good. its just a slice of life following 5 friends who are doctors and work at the same hospital together but its so much more than that. this is honestly one of the first shows i’ve seen that are optimistic? in the show, every time i thought a plot was going to play out a certain way (usually negatively, as tends to be life unfortunately) it surprised me by taking the more optimistic wholesome route. characters in subplots changed for the better, became more understanding, chose to do the right thing, etc. if you want a feel good drama where the main characters have wonderful platonic chemistry and just care about each other but is also super funny, watch hospital playlist!! (season 2 is coming out early 2021 and im so pumped)

favorite fantasy

The Untamed (2019)

this one is a cdrama but i watched it in 2020, mostly because of how many people on the internet were adamant that the rest of us watch this and ngl they were v right. the untamed was very very good and im really glad i gave it a chance and watched it, its also my first cdrama ever. the chemistry between the male leads is honestly what makes this show and its worth the 50? i think? episodes. to be completely honest the fanfiction for the show are peak and if you do watch this, go straight to ao3 and you will not be disappointed.

dramas that saved 2020

The Uncanny Counter (2020) & Run On (2020)

these two dramas are among those that started airing at the end of the year and will go into the beginning of 2021 and absolutely saved the end of 2020 for me. while neither of these are finished, both have been excellent so far and worth starting. uncanny counter has the best use of the found family trope i have ever seen. i fucking love the four counters and their relationship with each other, how protective they are of one another. they all have amazing chemistry and the actors have amazing chemistry in the making films.

run on has one of the cutest couples that will definitely make my best chemistry list for next year. i didn’t put them on this list bc they actually haven’t gotten together yet but once they do, they’re gonna be freaking adorable, i can already tell. there’s no specific grand events propelling the plot forward, but just following the lives of these unique, interesting and relatable people who have casual yet entertaining conversations with each other. the show is super soft and the main couple are so straightforward and honest (plus theres mutual pining!!)

best dramas of the year

here are my best dramas (and one movie) watched this year, no further explanation given lolol. just watch them and enjoy because these are fucking excellent in the feels department. trust me 💞

It’s Okay To Not Be Okay (2020)

Flower of Evil (2020)

Itaewon Class (2020)

Hospital Playlist (2020)

One Spring Night (2019)

Midnight Runners (2017)

Hot Stove League (2019) 

I hope this gives you some fun stuff to watch!! or convince you to start that drama in your watchlists! 

#kdrama #kdrama 2020 #kdrama recs #kdrama recommendations #when the camellia blooms #sweet home #itaewon class #Its okay to not be okay #psycho but it's okay #flower of evil #into the ring #memorials #the ballot #record of youth #kairos #memorist #watcher #hospital playlist #the untamed #the uncanny counter #jtbc run on #run on #one spring night #midnight runners #hot stove league #best of 2020 #ocn watcher #cocogukkie recommends

[omniscientwreck]

Hello! For the imtimacy prompt list #30 for Shadowgast🖤💜

Hello! This was the prompt I was most hoping someone would ask me so THANK YOU for that! If anyone else would like to make a request I have one left in my inbox and am always happy to do more, especially for this list! Here is the post in question!

As a side note: welcome to the version of Caleb and Essek from my no rules no angst just right Carly Rae Jepsen song lyric inspired College!AU in a modern fantasy kinda setting. This just feels most to me like the version of Essek and Caleb that would do this and it gives you a bit of insight into the tone of my BIG work in progress right now! Enjoy!

30: doing beauty treatments, like facials or manicures, hair dying or face masks

Essek has long stopped knocking before entering Caleb, Beau and Jester’s apartment, but he still likes to call out his arrival though he knows Caleb is the only one home.

Jester and Beau have gone back home for a few days, visiting Jester’s mother in Nicodranas. Caleb elected to stay behind saying he had too much work to do, which is true. Essek finds him in his room, still as much a mess as it was the last time he was here. The small desk is completely covered in books all with several markers placed in their pages and the mess spills onto the bed. Caleb is ‘sitting’ on the chair containing most of his clothing and doesn’t appear to realize he’s come in.

He drops his levitation, trying to make noise so he doesn’t startle Caleb too badly as he approaches from behind and smooths his hands from his shoulders down to his hands. Caleb looks up as Essek’s chin presses into the top of his head, “Drogi, when is the last time you ate anything?”

Without hesitation, “Around elven, I’ll take a break soon I’m on the edge of something here.”

Essek sighs, “Darling it’s nearly six, I brought food, just take a break now with me?” He watches Caleb place a marker in the book to save his space and he finishes a few thoughts in the literature review before standing and smiling wearily at him.

“Ja, a break is probably a good idea. Thank you Schatz.” He stands and for a moment Essek lets Caleb distract him by wrapping strong arms around his waist and pulling him in for a kiss.

Essek has been looking forward to this particular date for a while and finally got the chance to suggest it, surprised when Caleb agreed with little hesitation.

It had started a few days ago when Caleb had slept over. He’d watched Essek’s skin care routine and had begun asking questions which led to the confirmation of Essek’s theory that Caleb has never so much as moisturized his face, much less done any of the other pampering that Essek considers central to his sense of well-being.

Tonight, Essek gets to show Caleb what it’s like. After they finish eating, they wind up in the bathroom. Essek pulls out a massive bag full of creams, ingredients, washes and all kinds of products. “Sit.”

“Essek, I need to see the mirror to shave.” He presses Caleb’s shoulders and sits him on the closed toilet lid shaking his head, “Caleb, you are taking a break. Let me.”

Drow are not immune to facial and body hair. Essek has never had much but Verin always has. One time when Verin was particularly injured in early adulthood Essek had to learn how to shave him during recovery. He has someone else for that now, so Essek transfers his knowledge to Caleb.

He gently spreads a soft cream across his partner’s face with the gentle touch of a brush and he pulls out a straight razor, the only possession he has from his father. Carefully and gently he shaves Caleb’s face, dragging the razor across tawny stubble while the man sits beneath him with closed eyes, completely trusting.

It doesn’t take as long as he’d thought it would and he’s able to begin gently washing his lover’s face, humming as he goes, occasionally singing in undercommon. Caleb looks more at rest than Essek has every seen him, sighing every so often as Essek exfoliates, washes and tones his skin. He steps back and instinctively Caleb goes to touch his face. Looking in the mirror the main difference is calm and peace. “Okay now this is the fun part.”

Essek mixes up two small cups of ingredients, one is his proprietary blend for his own skin, one that he thinks will suit Caleb more, “Ok now trust me. We’re going to leave these on for 15 minutes. I’ll do yours, you can do mine. As revenge.”

Caleb’s eyebrows quirk in confusion as Essek begins slathering the face mask onto his pale skin and then grimaces at the cold unfortunate texture of the mask. “Ah ja I see what you mean, this helps? In some way?”

Essek nods, “It will help tone out some of the redness and smooth out other things. I promise it will be worth it.”

“I trust you.” Essek smiles and puts a dollop on the tip of Caleb’s nose and the fake scowl that follows is delightful and adorable.

“You shouldn’t.” Essek winks and flashes fangs at the other and Caleb grabs the cup of Essek’s mask and boldly smears it over his forehead in protest. A shiver goes down his spine, he hates this part but it’s more fun with Caleb.

They go into the living room and put on one of the old movie musicals Caleb is so fond of and Essek starts on Caleb’s hands. “I won’t do anything extravagant I promise. You can just do a top coat if you’d like, but I did bring most of my collection if you’d like to look.”

Caleb opens the deceptively small case and shakes his head fondly upon the realization it’s enchanted to hold more than one would expect. “All this enchantment for nail lacquer?”

Essek scoffs, “Of course, you don’t want to know how much room this would take up if I had to lay it all out in the apartment.”

Caleb hums along to the music as Essek works, taming and shaping the nail beds that have been left to their own devices for decades and Essek finds himself distracted by romantic songs and well choreographed dance numbers occasionally. Far more distracting is the beauty of Caleb’s baritone singing along to a style of music Essek is unfamiliar with, warm and low and full of love as he looks down at Essek’s meticulous work.

He ends up with an iridescent top coat, just a little bit of flair but subtle enough most won’t notice. Midway through they pause to rid themselves of the face masks and Essek removes the mixture for Caleb and then for himself so as to not mess up his own work. He smooths on some moisturizer for Caleb, ever patiently sitting with his eyes closed. “How does that feel perełko?”

“Good, it’s very cool, my skin feels… fresh?”

“Take a look for yourself.” Essek smiles, it isn’t a miracle by any means but some of the redness of Caleb’s face is brought down just a bit, giving more prominence to the scattering of delicate freckles across the bridge of his nose and it’s smooth and fresh.

“I can see the merits of this.” he says, in slight awe, feeling this skin of his face.

“Now, let me finish your hands so I can do mine.”

He finishes Caleb’s hands with moisturizer and a good long massage, and starts to work on his own, removing the customary black polish he usually keeps there, Caleb’s arm around his shoulders, watching him work. “Is there anything I can help with?”

Essek considers, “Well I’ll shape on my own. Would you like to pick a colour for me? I’m tired of black. You can do the last step as well.” Caleb is back looking into the nail polish case and, rather quickly, presents him with a deep burgundy.

“How’s this? I just think it would look good.”

Essek presses a kiss into his forehead, “Perfect, thank you darling.” He goes back to shaping his nails to fine points and applying a base coat. As he begins to apply colour Caleb watches him intently, focus on the movie lost. “Would you like to help with his?”

He blushes a bit, “I do not think I would be very good at it and I don’t want to ruin your hard work.”

Essek laughs, “You won’t ruin anything. Here, watch me do my right hand and you can do my left. It’ll help me immensely. Any mistakes you make can be cleaned up with little effort I promise.”

Caleb is better at this than either of them expected. Only a little varnish makes its way to Essek’s skin and that’s easily enough removed, he even flips Essek’s hand as he’d done his own to apply the polish underneath. Then, when it’s dry, he rubs the stress away from Essek’s hands and they share many looks as a second musical begins playing. They pay little attention to it, instead giving in to the quiet comfort of the evening, of learning to care for another and yourself. Caleb has all but forgotten his previous state of anxiety for the evening and Essek hopes he’ll let him do this again. “Thank you for this liebling I needed this more than I could have guessed.”

Essek is pressed to his side now as they drink tea and finish up a horror movie, “I am glad my love. Thank you for letting me share this with you. If you ever want it again all you have to do is ask.” Caleb nods and over time they both fall asleep on the couch, wrapped in each other’s arms, waterlogged with the quiet, weighty bliss of love.

#shadowgast #essek thelyss #caleb widogast #critical role #the mighty nein #tm9 #cr fanfic #prompt meme #my writing #gay wizards #i still love them and i'll never stop writing them #omniwrites

[starcookiechu]

ROTT Review

SPOILERS FOR THE MOVIE. You have been warned.

FYI: I just finished the movie. So my opinions may change a bit but here I am writing a full review.

Before I talk about the movie, I have to say this movie has fantastic animation. The music is as good as usual.

Ok now the story. Let’s start with the our Trollhunters.

Fair Lady Claire. My girlie Claire really brought her all into this. I’m really proud of the young woman she has grown up into. However for the sake of the plot and story they make her run out of magic juice quite a bit. But my girl is still the best and gives it her all.

Wingman Domzalski. I will be perfectly honest. Toby is kind of the annoying best friend at times and bothers me as a plus size person. (They really push the over eating thing to the point that it’s his biggest factor.) Toby is a very eager kid who is ready to get in the action. Never being negative to his friend but the best emotional support who will always be at his side. Sure Toby was used a bit as comedic relief in the movie but when push comes to shove, Toby will always be there to do the right thing.

Blinky is amazing as always. One of the best father figures out there.

Aarrrgh was there. Was great for the scenes he was in, but all together didn’t do much that altered the story.

Our Trollhunter, Jim Lake Jr. Someone I admire and basically see as my little brother/child. Kiddo really did it. I know everyone is upset that Jim’s arc was redone when we had the “Unbecoming” episode. If I could come to a peaceful middle ground, I saw we all need to blame Merlin. He really rocked Jim’s world and self worth. When the creator of the object you need to save the world with tells you “You’re not enough”, it really can be a great setback. But once we past that, Jim really pulled through. Amulet or not, he is our Trollhunter.

Mommy Dr. Lake was there. Barbara was mostly there for our emotions.

Dilf Strickler. I felt that he was changed a bit since we last saw him, but he had a new purpose. He was more cautious and happy because he had a chance at a happy life with Barbara. Which makes what happens to him more upsetting. 

Nomura my sweet. This movie did not deserve you. At least she was with Draal.

And Not-Enrique (seriously why didn’t they ever give him an actual name) just wasn’t in the movie.

How about some CreepSlayers?

BABY ELI PEPPERJACK CAME BACK LOOKING SO CUTE. So proud.

Bumbling knight oaf Steve the Palchuckian was great as usual.

I will say though. The whole pregnancy plot was just a way to get Eli and Steve out of the way. I could feel that the writers maybe didn’t like Steve so much since Wizards. But Steve was once again someone to laugh at. Pregnant and out of the way.

How about some Akiridions?

Aja my darling girl, oh how you’ve grown. I understand some think she has changed. However I must say that her preparing a plan B on the side was smart. She isn’t just a princess on earth anymore. She is a queen on a distant planet. So if she thought evacuation was best, it would ensure that everyone would live. And avoid losing more valuable people from her life. So no, I can’t blame her.

DJ Kleb was there. He was kinda doin his own thing and messing with Steve. Brother-in-law stuff.

It was good to see Varvatos Vex.

Stu was the man in the background working on the busy important things like working on the amulet. Personally I feel like the series REALLY underutilizes Stu A LOT so I was so happy to see him being a part of something huge.

And finally some Wizards.

Douxie my love, you were amazing as usual. His powers have grown greatly and have contributed to the adventure. But god the writers really do love to take everything away from him don’t they. It’s unfair.

Archie was kinda just there and just... I understand leaving Douxie but that doesn’t mean I like it.

Nari the sweetest. I can only imagine the guilt she felt to end Nomura. Her self sacrifice was probably the one in the movie most called for.

Alright now I’ll talk about the movie.

I can whole heartedly say this movie was rushed. To be honest I feel like the original writers weren’t completely in this. At least it felt kind of not so much Trollhunters or 3Below vibes but more Wizards, if that makes sense whatsoever. Something is off.

I just want to blame Merlin for everything. To hell with that guy.

The beginning sequence was great. A car chase to a moving train. Which ends up with Toby of course screwing up and breaking the brakes. Of course. The train falling off the tracks which ultimately ends up with Nari gone. Oh yeah, and video recordings of Magic, trolls and being taken in by the police. Great.

WHY TF WAS TOBY TELLING THEIR STORY TO THE POLICE. YOU DON’T MIX THE POLICE IN STORIES UNLESS YOU KNOW THE COP PERSONALLY. CUZ IT’S A MESS AND THE POLICE GET IN THE WAY. GDI TOBY.

Our heroes go back to base on the new and improved Camelot. Where we discover that Barbara and Strickler are now engaged. Happy news and would secure that Jim has another Father figure in his life and his mother’s happiness. Which explains Strickler’s “stay behind” advice. Now he has a family to watch over. He must be careful and warns that Jim’s actions could cost so much that he might not be able to afford.

Enters our Majesty Aja and the new stud on the block, Eli. Dang I wish puberty hit me like that.Truck-kun strikes again. And also enters... the pregnancy thing. I will say, I didn’t mind it too much... at first. But there are complications. Steve is too young to be a father and dang 7 kisses?? I can’t help but feel like Aja should have mentioned that or it was a last minute plan to write out Steve and Eli. (Which it was.) It was funny sure cuz omegaverse and ALIENS but all together it’s really iffy.

They really had Douxie preform a body-swap spell only so it would be undone. And undoing the spell only hurt them both?? C’mon. C’mon.

And they mention the Krohnisfere. We’ll get back to it. Jim gets a brand new amulet infused with Akaridion tech. However theres an issue. It was created by Merlin right? Who is a wizard right? Who uses MAGIC. Shame Douxie wasn’t there to help make it. Ya know. 1/2 of the original creator of the AMULET. So it’s missing a huge part and for the sake of the plot, Jim doesn’t test the Amulet which is out of character personally.

Toby makes a silly big deal over a penny. I was actually hoping they would make it a silly Chekhov's gun later on. But no, it’s just Toby being loud and comedic relief.

The titans are released and we visit a very pregnant Steve. Ok so it’s a rushed kind of thing. ok.

Aja suggests evacuation. You can say it’s out of character but we need context. When Aja helped in the Doomsday Battle, she was ensured a way out but if she let the people of Arcadia perish. She decided to stay and help. But now the Trollhunter himself can’t help. So to ensure the survival of everyone, evacuation. A best chance for everyone to survive. Plus she is now a Queen. She rules over a whole planet which must change her thinking.

Now our characters are split into 3 teams:

Blinky, Archie, Archie’s dad and Claire for the Krohnisfere.

Jim, Aja, Toby, Strickler and Barbara for the Glacial Titan.

Nomura, Douxie and Aarrgh for the Earth Titan.

Now here is where I have problems. WHY. DID. THEY. SEND. TROLLS. TO. BRAZIL. IN. THE. DAY. Nomura dying was just so out of pocket. Unnecessary. I couldn’t even grieve properly I didn’t have a chance to process. The best thought I could think was “At least she’s with Draal now.” 10 seconds later, Strickler makes the choice to sacrifice himself. Because of Jim’s heroic’s, Strickler decided to try to save the most important people in his life. The person who was always dishonest finally had a chance to live a happy life with his family. The one who played it safe now had to make the final impulsive move. And unfortunately, his death was in vain. These deaths were just so forced. It wasn’t in any way good. And Strickler being one of the best written characters just going in such a way was just off. He died for nothing. He could have turned back and fought another battle but... no.

(BTW Barbara was just there... for Strickler’s death.)

We move to Babara and Jim having a heart to heart. I’m glad she didn’t blame Jim but a small moment of anger. Something a little more real for me but no I guess. Barbara will always just be Jim’s mom. She mention’s Jim’s father and it passed so quickly I missed it on my initial viewing. I’m happy that Jim’s father is never revealed or made a bigger part in his story. This is good representation for those of us who did have our fathers walk out on us. That we can grow despite our parents failing us.

And finally team Krohnisfere. Archie just leaves. He’s gone. Poor Douxie. A mentor and now his closest companion.

Our heroes meet up to go against the Volcanic Titan. In comes Varvatos Vex on a Gun Robot. Nice to see some good ol Gundam with a character mentioned throughout the entire trilogy. However it doesn’t last. BTW for the sake of survival, Aja leaves Jim and Toby. Iffy.

Douxie pulls a “Jason stop. This isn’t you.” thing with Nari and is reunited with his friend.(+ points for the shippers. It’s kinda winning me over?) Also, Claire now has the power to teleport a Titan. I know she’s much stronger than she was for the Trollhunters Sn 2 finale, but cmon. You can’t just say she’s out of magic juice and then pull this. C’mon.

(btw did the titan make a War of the Worlds tripod sound? No? Just me?)

Nari sacrifices herself and takes the other god with her. Which takes away Douxie’s other companion. Mr. Stark I don’t feel so good. Why does this movie hate Douxie so much. (I am so sorry shippers. Angst.)

BLINKY DIDN’T SEE A PAGE? ADDRESSING IT IN THE SHOW DOESN’T GIVE YOU A PASS. I forgot the word but this irony isn’t greatttt.

Jim now has to pull out the legendary sword Excalibur. But he can’t cuz he hasn’t harnessed the power of friendship.

And Steve is giving birth. At the worst time. What is this a zombie movie??? C’mon.

Jim says “Magic is friendship” And Stu is finally being used for one grand act. Seriously Stu is just so unappreciated. So he fixes the amulet with magic.

Basically everyone who went on top of the Volcanic titan falls off at some point. Except Jim cuz of course some 1v1. 

ONCE AGAIN Claire is out of magic juice. Because... reasons.

Toby makes the choice to race to Jim’s side with the technology to cancel out magic. (Wait how does science stop magic again)

BTW, For the Good of all doesn’t hit as well BUT it’s not mentioning any glory towards stinky Merlin so I am happy with the change.

JIM HAS A NEW TRANSFORMATION. MY BOY. MY SON. I’M SO PROUD.

Toby races to Jim and his helmet falls off the taco truck. That honestly should have been a huge warning sign. I was worried he didn’t have armor but we know how this goes.

Jim defeats the final titan and everyone is happy. The fight is finally over.

STEVE HAS 7 KIDS. OUCH. 

Seeing Jim run to Toby was heartbreaking. Now this is the one scene where the movie really let out actually process a character’s death. How on earth can you process your best friend, your most faithful companion dying. Jim goes through too much I swear to god.

Now let’s discuss the time travel plot. I honestly feel like they pulled some kind of Attack on Titan ending. The main character burdened with knowing the future and what could have been. And if everything is meant to be how it will be, destiny will reconnect them again. (Jlaire reincarnation AU???)

I’m actually ok with this ending. I understand people would want the time stone to return only a few minutes. But even then, the kiddos still have police records, so many people dead at the titan’s hands (or feet) and now the world knows about the existence of trolls thanks to the internet. In New York no less. And people are still dead.

We return the the beginning of everything, reflecting the “Unbecoming” episode.

(NGL I’m bothered that they didn’t do anything to stop Steve from bullying Eli, but Jim can’t do it. He’s saving it for Toby.)

And now finally, let’s discuss Toby becoming the Trollhunter. From the beginning, Toby never considered himself good enough to be the main star. Always the wingman, the 2nd best. Support. Now it was Toby’s turn to climb the ranks and be the Hero he’s always wanted to be. It’s Jim’s turn to live an easier high school life. I don’t doubt that he won’t follow Toby. But now he knows what to avoid and how to make the story process more smoothly.

I understand some are unsatisfied with this ending, which is kinda trademarked with Dreamwork’s shows. I get it. But honestly as of right now, I think I like the ending.

The amulet didn’t choose Jim because this Jim is not the same Jim as in Sn 1 Ep 1. He is a new man. And I think we all can agree that it’s his turn to be happy.

---

I still love this series so much. It is my favorite cartoon. Of course it has it’s flaws, but this ending is at least satisfactory and not heartbreaking. Now it’s up to us to either continue the story or contribute our ideas in fanfiction. I look forward to everyone’s creations.

Don’t think. Become.

#rise of the titans #rott spoilers #trollhunters rott #wizards rott #3below rott #Trollhunters #3below #wizards #tales of arcadia #toa trollhunters #toa 3below #toa wizards #toa

[queenmylovely]

Hey hope you're well 😊 i think the holiday advent idea is lovely! Id like to request something that just popped into my head if you would like to write it, no worries if not 😊 So I was thinking Queen are doing an album release party which also happens to be on new years eve and you work for a music magazine and have to interview the band members, you're nervous because its Queen and obviously you're a huge fan, and have a crush on rog 😁 and you bump into him before the interview and he has his flirt on but you're trying to stay professional because you know you have to interview him later, and then after the interview (which incldues a few suggestive comments and a bit of teasing) you bump into each other again on the dancefloor just as the clock strikes 12! 😁 sorry if its a bit cheesy but i think you could put your own cool spin on it😁 💕

bonus holiday advent post! since this was nye themed, I figured dec 30th was the perfect day to post it. Anyway, I really liked this and had fun with it so I hope you like it as well! (no warnings, 1.9k)

☆☆☆

Walking into a giant ballroom filled with lights, music, and people, you tried to take it all in and calm yourself with a deep breath. There were quite a few people you recognized and many you didn’t, but none of them would recognize you. This was your first big assignment for your magazine, after your editor had finally seen your worth when you filled in for a sick coworker at a Fleetwood Mac concert a month ago. Now, you were at a release party for Queen’s new album, News of the World, which they had decided to host on New Year’s Eve.

It had been one thing to go to a Fleetwood Mac concert and do a review, but going to a release party and actually interviewing the band was a whole nother level, and you were trying not to freak out. Not only your dignity, but your career, depended on you being able to hold yourself together professionally before, during, and after the interview. All of this was going to be harder as well considering you had a massive crush on the drummer, Roger Taylor. You had yet to see any of the members of the band on your initial survey of the room, a fact that you were glad for, and hoped that you could keep a relative distance until the time of the interview.

As per the directions of your editor, you had gone out and bought a nice outfit for the occasion with the company credit card. You had tucked your press pass into your clutch as soon as you were through the doors in a further effort to fit in, grabbing a glass of champagne from a waiter for the same reason.

Skirting around the edges of the room until you came to a group of high tables without chairs, you stood at one, content to people watch and get a good feel for the energy of the party so that you would be able to convey it well through your writing. Most people’s clothes ranged from cocktail party to black tie, though a couple were wearing something akin to circus performer costumes. This would have been confusing, but you had read and heard lots of far stranger things about parties hosted by rockstars, so you just accepted it.

You had finished your glass of champagne a few minutes ago but had decided not to get another so you could stay alert for the interview when you saw someone walking over to you out of the corner of your eye. Turning to greet them with a smile, your stomach dropped when you realized who it was: Roger Taylor.

“Hi,” you said, hoping you sounded normal while you fell to pieces on the inside.

“Hi,” he said with an easy smile. He held up one of the two champagne flutes in his hands, “Looked like you needed a top up.”

You bit your lip and hesitated for a second, but figured you just wouldn’t drink it all and accepted, clinking your glass with his and taking a sip.

“So, I don’t believe we’ve met,” he said, looking you up and down in a way that made your cheeks feel hot. “What’s your name?”

You told him just your first name, in case he knew who was interviewing him later. Even though you were completely flustered, you were going to use this opportunity to see what he was like not during an interview.

“I’m Roger,” he replied.

“I know,” you told him and he smirked, but since it was playful you laughed.

“So do you always stand off to the side alone at parties?” he asked as if he were just curious, but there was a mischievous glint in his eyes.

You rolled your eyes, “I like observing.”

“Hmm, I’m more of a partaker, but I’ll give it a try,” Roger said, coming around to the side of the table you were on and standing right next to you, the front of his left shoulder just inches behind your right one. You could practically feel the warmth radiating off of him but took another deep breath in to center yourself.

“So what exactly are you observing?” Roger leaned in to ask, his breath tickling the hair at the nape of your neck.

“Actually,” you said, turning to him quickly so he had to tilt his head back to avoid knocking your heads together. You suppressed a laugh, “You could probably help me out. I was wondering who those people are.”

Roger reluctantly broke eye contact with you to follow where your hand was gesturing, making a sound of understanding when he recognized who they were, “oh yeah, a couple years ago Fred went to some circus afterparty or something and ever since he’s invited whatever circus performers are in town to our parties because ‘we need them to offset all the boring executives.’”

He did a bit of an impression of Freddie Mercury that made you laugh, which he seemed to like.

“You know, I haven’t seen any of your bandmates in the crowd yet,” you said, hoping more conversation would distract you from how close he was and how interested he was making it clear he was.

“Well let’s see, last I saw Deaky he was up by the speakers; the man loves to dance. And Brian was over by the bar when I left him. Freddie could honestly be anywhere, but actually he’s wearing almost exactly the same color blue as you,” Roger told you, lightly touching the fabric of your dress, his palm just barely resting on your waist.

He watched your reaction, waiting to see what you would do next, whether you would welcome the contact or brush him off. You looked at his hand, then up at him, feeling his fingertips tense ever so slightly when he saw the look in your eyes. But you weren’t quite sure what to do; on one hand Roger Taylor’s hand was on your waist, on the other, you were supposed to be interviewing him very soon and any sort of fraternization wouldn’t be very professional.  

Before you could decide, someone walked towards you and you looked over to see who it was, Roger withdrawing his hand at the same time.

It was the man who you had set up the interview with, Jim something? You weren’t sure that he had seen Roger’s hand, but you really hoped he hadn’t.

“It’s time,” he said with a small smile, gesturing a hand towards a pair of couches you could see on the other end of the short wall of the room.

“Can’t the interview wait Miami, I’m in the middle of a conversation,” Roger asked, a bit of whine making its way into his voice.

“I actually was talking to her, but yes, you’ll have to come along as well,” Miami replied shortly, turning and walking away, not waiting for you two to follow.

Roger turned to you, his eyebrows practically to his hairline, “You’re the reporter?”

You started walking and Roger kept up pace with you, “Yes.”

He laughed wryly, “Oh you’re good, aren’t you?”

“You’re the one who approached me, actually,” you reminded him with the raise of a brow.

“Well-- I--” Roger spluttered, trying to find his way out but failing before you had reached the rest of the band.

You smiled brightly and introduced yourself to the other three, sitting opposite of them on the other couch. They exchanged glances between you and Roger, especially when he elected to sit next to you rather than squish in with the three of them, but didn’t say anything.

From there, the interview actually went really well. Roger didn’t seem to harbor any resentment that you didn’t tell him you were going to interview him. If anything, he was more open with his flirting, making little quips and innuendos that led to a lot of ducking your head. A couple times the others intervened with a “Sorry about him, darling” from Freddie, a couple of pointed throat clearings from Brian, and a somewhat subtle kick in the shin from John. Truthfully, you wouldn’t have minded what he was saying except that you were trying to act professional in front of his bandmates and their manager, as well as get your story.

But overall, the four of you got along great, falling into a good conversation rather than an awkward interview. They appreciated that you asked informed questions about their music, which you were happy about because you had done a lot of research in preparation. Another favorite topic was fashion and you and Freddie spent a good five minutes raving about the boutique you had bought the dress from. It was kinda sad to be done with the interview, but Miami intervened, telling the band they had to get back to meet with some executives.

While they went and did that, you went to the hallway, doing a quick happy dance at how well it went before finding the phone and calling your editor.

---

Brian and Freddie were taking the brunt of the interest from the executives as they had written the most songs, so Deaky turned to Roger and nodded towards the hallway where you were visible, talking on the phone.

“Bet she’s telling her editor all about how Roger the womanizer wouldn’t stop hitting on her during the interview,” he said sardonically.

Roger’s smile from seeing your excited gestures fell, “What?”

“I’ll just say that Fred and Bri will be disappointed if the interview isn’t focused on our music,” Deaky said, a warning in his tone.

Roger swallowed and nodded in understanding.

---

By the time your editor had let you off the phone, it was only about ten minutes to midnight. You made your way through the excited crowd to the packed bar, hoping to grab a drink in time for the New Year. It was taking a while but you were still smiling to yourself about the interview when you felt a tap on the shoulder.

It was Roger, once again holding two flutes of champagne.

“Need a drink?” he asked, his smile almost a bit shy.

You grinned back and accepted, cheersing and taking a drink with him.  

“So--”

“So--”

“Oh go ahead,” Roger told you.

“I was just going to say sorry that I didn’t tell you I was a reporter, if you want anything to be off the record, just tell me what and I won’t print it,” you told him quickly. “What were you gonna say?”

Roger huffed a laugh, “Just that I’m sorry if I distracted from the interview. I should’ve let you do your job.”

“I think a lie of omission and unprofessionalism are about equal offences. No hard feelings?” you asked, looking up at him.

He nodded, sticking his hand out for you to shake. You grasped it and couldn’t help but notice how warm he still was, and how the calluses on his fingers from drumming felt against your hands. Then Roger pulled you forward by your hand and you stumbled, laughing, until you had to let go to steady yourself with a hand on his chest.

You looked up at him, searching his gaze. His hand came back to your waist tentatively and you nodded, almost imperceptible, but he saw and a small smile graced his lips. Then you heard the crowd start the countdown around you and you smiled wide.

They got to one and yelled Happy New Year!, the sound barely reaching your ears as Roger’s lips pressed to yours, tasting sweet like champagne.

★★★

tagging bc it’s long: @drowseoftaylor @caborhapch @queenlover05 @johndeaconshands @stardust-galaxies @theblossomknows   

#and its in time for those of you ahead one day! #also I don't actually like champagne #I always hoped I would but yuck fermentation #queen #roger taylor #blurb #fluff #roger meddows taylor #queen x reader #roger taylor x reader #roger meddows taylor x reader #queenmylovely #holiday advent #scorpiogemini #request

[gotmymindsetonyou]

Reviews for Every Movie I Watched in March+April

Kinda fell off on watching movies after January due to some mental health shtuff, but I’ve slowly been getting back on that horse and I wanted to talk about the movies I’ve seen, so here we are. Take my number ratings with a grain of salt, they’re mostly off the cuff and giving a movie a numbered grade is pretty arbitrary anyway. 

March 1: The Wizard of Oz (1939)  dir. Victor Fleming - 9/10

It is STUPID how good this movie is for 1939. I really do like almost everything about this movie, from the fun characters to the bright and colorful set design to the iconic music. In fact, the only parts of the movie I don’t like are that ugly ass Cowardly Lion and those godforsaken Munchkins.

March 1: Kick-Ass (2010) dir. Matthew Vaughn - 8/10

Even when Matthew Vaughn is bad, he is still amazingly fun, and this movie is by no means a bad movie. Nicolas Cage gives the best performance, I love his delivery on some of his lines. This movie is so much fun y’all. Just watch it, you’ll have a good time. (And yes, I know both Quicksilvers are in this, you don’t have to tell me) 

March 13: There Will Be Blood (2007) dir. Paul Thomas Anderson - 10/10

This is a fuck-you movie. This movie curb stomped me, spat in my face, and told me I’d never make it in this industry. I don’t need to tell you this movie is incredible, ‘cause if you’ve seen it you already know, and if you haven’t you are seriously missing out.

March 14: The Philadelphia Story (1940) dir. George Cukor - 7/10

I had a hard time deciphering how I feel about this movie. I watched this for a Classic Film course, so I had a couple days to listen to and share some deeper analysis, and I feel like this film is actually pretty good. I don’t have any strong feelings on it, check it out if you like classic film.

March 14: Moulin Rouge! (2001) dir. Baz Luhrmann - 8/10

This movie is bombastic as hell, and even if this is a bad movie, it’s a good movie in my soul. Ewan McGregor, please return my calls.

March 15: The Ruthless (2019) dir. Renato De Maria - 5/10

I guess this movie just isn’t for me, I don’t know. I really do like Riccardo Scamarcio in this movie, but that’s the extent of the really good things. I was on a “Santino from John Wick” kick, I can’t really explain it. 

March 20: The Host (2006) dir. Bong Joon-ho - 9/10

Bong Joon-ho has never disappointed me once, and I don’t think he ever will. This is one of the best monster movies I have ever seen (granted I don’t think I’ve seen a lot of monster movies). Watch this movie, it has a wonderful heart and a wonderful monster.

March 20: Citizen Kane (1941) dir. Orson Welles - 10/10

Anything I can say about this movie has already been said, so I’m going to leave you with “I wrote a paper on this film and got a C so fuck this movie” and call it a day.

March 27: Sound of Metal (2019) dir. Darius Marder - 9/10

I am so glad a watched this movie. Riz Ahmed gives an award winning performance if only he hadn’t been competing against Anthony Hopkins. Paul Raci is also really, really good in this movie, and I don’t think that’s mentioned as much, and I think it should be. 

April 6: Casablanca (1942) dir. Michael Curtiz - 9/10

I did not think I would enjoy Casablanca as much as I did, but yeah. This is a great movie. I wanna go on record and say Humphrey Bogart is not tall, he is 5′8″. He wears pumps in this movie and they’re really funny to look at.

April 10: Dr. No (1962) dir. Terence Young - 7/10

This was my introduction to the Bond universe, and I thought it was a pretty good way to get me into the character of James Bond. Sean Connery is the strongest part of this movie as Bond. It is by no means a perfect movie, some aspects are extraordinarily outdated. But as a first crack this movie gets two thumbs up from me.

April 18: The Godfather (1972) dir. Francis Ford Coppola - 10/10

This film is truly something special. I am lucky that I was able to experience the story basically blind (I knew about some specific plot points and some famous lines, but for the most part this was all new to me), and I was extra lucky that I got to watch it with my dad. Being able to watch The Godfather with someone who has a deep love of the genre and the film itself is something that enhances almost every movie going experience. The Godfather is one of the greats. 

April 19: Mank (2020) dir. David Fincher - 6/10

I am not in love with this movie. I don’t hate it, but I don’t particularly like it either. The production design is great, and as a general appreciator of classic cinema I liked those aspects just fine. There’s just something in here that’s preventing me from fully liking this movie. 

April 21: Judas and the Black Messiah (2021) dir. Shaka King - 9/10

The only way I can describe this movie is “important.” King gives us a story of a often left out part of the Civil Rights movement, and it’s a story that everyone should be aware of. Fred Hampton was only 21 when he was assassinated, and yet he left such a mark on the fight for racial equality. Daniel Kaluuya absolutely deserved his Oscar win, he is a dream in this film. This is an uncompromising, tragic, and endlessly relevant movie.

April 23: The Father (2020) dir. Florian Zeller - 10/10

Yeah I cried. Anthony Hopkins is... I don’t think his performance can be summed up in words. It’s heartbreaking, everything about this movie is soul-crushing. 

April 24: Promising Young Woman (2020) dir. Emerald Fennell - 8/10

(You can tell I was cramming for the Oscars at this point) It is really hard to review Promising Young Woman. It’s incredibly polarizing to the film community, and it’s also polarizing in my own opinion. I really don’t know how I feel here, all I know is my feelings are strong. Also every time Bo Burnham was on screen I had a big stupid grin on my face, I can’t wait for his new special to come out. 

April 25: Nomadland (2020) dir. Chloe Zhao - 9/10

What a beautiful experience. This movie, on top of being absolutely gorgeous, has such a wonderful soul that completely shines through Zhao’s directing. There’s a monologue about maybe a half hour in that describes so succinctly the beauty of nature, and as someone who lives in a much more urban area of the world, it’s a description that I don’t get to see that often in my life. That’s why I love film. If Promising Young Woman made me angry at the world Nomadland made me fall back in love with it.

April 25: Minari (2020) dir. Lee Isaac Chung - 8/10

Watching Minari is like being gently set on fire. My feelings aren’t as strong as they were for Nomadland, and I don’t have much to say, but I still adore this movie and think it’s worth watching. 

April 26: Singin’ in the Rain (1952) dir. Gene Kelly, Stanley Donen - 8/10

I think my film teacher puts it best in describing this movie as “just so stinkin joyous.” That’s what this movie is, it’s joy put to film. I love how you can clearly see the excitement over making film that comes through in older movies, I feel like you don’t really see that anymore. 

April 28: Some Like It Hot (1959) dir.  Billy Wilder - 7/10

As glaringly outdated this film is, I still managed to have a pretty good time with it, although I can totally see why the plot could put some people off, or even make them outright dislike the film as a whole. Marilyn Monroe playing a ukulele made me feel very seen. (This is my first Marilyn movie as well!)

April 29: Snowpiercer (2013) dir. Bong Joon-ho - 8/10

CHRIST this movie is intense. The best part of Snowpiercer is it is engaging as hell. Unfortunately I had to duck out about three quarters of the way through to get some dental work done, but rest assured under different circumstances I would have been glued to the screen from start to finish. The premise is chilling (ha ha, get it), and the subplot of class disparity is also really compelling. If you know me you’ll know that I love me some John Hurt, Song Kang-ho has been great in pretty much every movie I’ve seen him in, TILDA FUCKING SWINTON rocks every scene she’s in. My only real problem here is sometimes Chris Evans is a bit hit or miss for me, I really like his performance at times, and I like it less at others. It has been cool to see him grow as an actor over the years, you can definitely see his improvement in more recent movies. In any case, I stand by my previous statement, Bong Joon-ho has never disappointed me once, and I don’t think he ever will.

#movie review #Film Review #i combined two months to give myself more content #but i think i might have given myself too much content #there's a lot in here

[writeyouin]

Skids X Reader - For the Dancing and the Dreaming (COMMISSION)

A/N - A commission for @officialpolnareff​ who I would like to thank for their patronage. You are a very cool person, thank you very much and I hope this is too your liking.

Description – Skids and you are in an established relationship. After a long meeting with Ultra Magnus, you come home tired to your favourite film, Sleeping Beauty. Halfway through the film, you are struck with the urge to waltz to the music. Skids comes to visit and is entranced with your dancing, completely awestruck that somehow, he managed to earn your affections. 

Warnings – None.

Rating – T

Word Count – 1066

You stretched and yawned, glad to finally be back at your hab-suite after a day spent in another dull meeting with Ultra Magnus, distracting you from your real job as the ship’s liaison to Earth. Why he felt you had to review the rules and regulations regarding human safety every three months was beyond you; it was nothing but a waste of time. Besides that, this meeting was longer than the rest usually were because now you were dating Skids; Ultra Magnus had added another twenty-nine pages of rules about human courtship with Cybertronians and you actually thought that list might have taken five years off your life. It was no use arguing that the Cybertronians only had to attend yearly meetings; Ultra Magnus had prepared a counter-argument about human fragility. Damn your organic body.

You sighed upon entering your room and turning on the TV. What you needed more than anything was a nice relaxing film that didn’t require much thinking. You couldn’t count the amount of times you had seen Sleeping Beauty, but it was enough for you to know all the words. While the film played in the background, comforting you with its familiarity, you decided that you would clean your room and maybe sweep up a bit. The sweeping used to be taken care of by Roombas, but after you had put two of them in a make-shift arena with balloons and knives attached to them, Ultra Magnus declared that you couldn’t have them back until you appreciated them for their intended function; killjoy.

You didn’t much mind losing the Roombas; it had been worth it. However, you did grow quickly bored upon sweeping the floor. You turned your eyes to the screen upon reaching your favourite scene, where Aurora was dancing in the woods surrounded by the woodland creatures. You smiled fondly at the sound of the music, and as Aurora waltzed with the owl and rabbits, you waltzed with your broom.

While you danced, lost in a world of your own, enjoying the simple pleasure of the music, you didn’t notice the hab-suite door open. Skids had come to visit you, having finished his own work early. He was hoping to lure you out on a romantic evening in his holo-form, which he had tailored especially for you, knowing the type of man you liked. He had short-cropped dark hair, piercing blue eyes, and a body that suited leather jackets and black jeans.

Instead of interrupting however, Skids leaned against the door-frame, watching you dance, completely enchanted by you. He had no idea you were into the whole romantic princess deal; his favourite part of your new-found relationship was finding out all these new little details about you and piecing them together like he was trying to solve a puzzle. 

His eyes flicked up to the screen where Price Phillip was watching Princess Aurora in awe. As the prince in the film swept Aurora off her feet, Skids too decided to make his own presence known, removing the broom from your grip as he pulled you into his arms, scaring you half to death in the process.

“Princess,” He smiled, bringing your hand to his lips. 

“Skids,” You blushed breathlessly. 

“I didn’t know you could dance.”

“I didn’t know you were a peeping Tom,” You retorted playfully.

“Only when my girlfriend is doing something cute,” He chuckled, caressing your cheek. “So?” He asked.

“So what?”

“May I have this dance, milady?”

He remotely hacked the film you were watching, removing the dialogue so it only played the music. Having studied waltzes among his research of famous human dances, Skids bowed to you, making you laugh. You curtsied in return and offered him your hand, the other going to his shoulder. Skids put his free hand over the small of your back, making your heart beat faster; this sort of thing never happened on Earth, it seemed that with Skids at least, chivalry wasn’t dead.

Without Skids’ support you would have quickly fallen behind in your amateur waltz, but his expertise led you into a world of sophistication and elegance. He knew exactly how to manipulate your movements as he spread your arms apart into a diamond shape, dipped you, and pulled you into his arms only to spin you out once again.

“Where did you learn to dance so well?” You asked, completely beguiled by his suave movements.

“I told you before,” He whispered in your ear upon embracing you once again.

“All skills are worth pursuing, especially if one can use them to woo a beautiful maiden such as yourself.”

You felt your heart race and your knees buckle as Skids drew you closer than he had before, his arms wrapping around your stomach, and his artificial breath warming your neck.

“Careful, you don’t want to fall now,” He teased.  “But if you do, at least I’ll get to catch you.”

You shivered in anticipation and Skids found his eyes tracing the curve of your neck. He slowly lowered his head till he was kissing your shoulder, nibbling lightly, and slowly making his way up to your jaw. He wanted to show that he was utterly devoted to you, that you had rescued him just as much as he rescued you on the night that you first began dating. The way how was simple, and Skids didn’t mind being open with his feelings, even if he wasn’t sure that you were ready to return them. 

He released your waist, turning you around to face him, then going down on one knee, he took your hand. “(Y/N),” He murmured your name reverently. “I love you.”

Shocked at the sudden omission and the fact that it had come after the two of you had only been dating for a couple of weeks, you fell clumsily to your knees. Skids smiled lopsidedly, grabbing your shoulders to support you.

“Don’t worry,” He said comfortingly, “You don’t have to say it back. Wait until you’re ready. I just wanted you to know-”

You threw your arms around Skids’ neck, crushing your lips against his, invading his mouth with your tongue and inviting him to do the same. He tasted of those three delectably sweet words that he had spoken. He loved you and nothing could ever sound, feel, or taste so good as that.

When you parted, you whispered breathlessly, “I love you too.”

Like my work? Buy me a coffee and earn preview of the next fic, or commission me on the commissions page.

#skids #skids x reader #tf #mtmte #idw #ll #The Lost Light #lost light #more than meets the eye #maccadam #transformers #reader #reader insert #fanfiction #fanfic #for the dancing and the dreaming

[wellthatwasaletdown]

Hello,so I had been debating a while whether or not to send this but this is probably the best place for me to vent because if I say this on my own blog or twitter I'll get harassed for sure. I only got into harry in 2018 came across a couple videos from his tour and thought he was very charming on stage, a decent singer with good music. I was really excited when FL was announced cuz it would be my first experience with a new release as a fan. I do like most of the album especially FL the song is one of my faves but overall the album didn't feel as cohesive as HS1. But I was still excited to watch him perform these live since his stage persona was the thing I was drawn to. In hindsight things started going down the drain after the one night only performance in LA. The way that entire debacle was handled left a sour taste in my mouth. But I still gave him the benefit of the doubt. But everything just got worse from there. It was just one bad thing after another. The covid merch, completely irresponsible behaviour during the pandemic, pretending to care about BLM and then announcing the cop movie, the overpriced ugly merch, never taking the effort to connect with fans directly, his team always supporting articles that trashed his other bandmates, the WS video 🤢, the list just goes on and on. (Just realized how big the list is before we even get to the dwd and olivia mess wow). And through out all this I saw his fans just brush off all these things time and time again. I was like what's it gonna take for you people to see and realize that he is not what his image is built up to be?!! I still don't believe that he is inherently a horrible human being but I definitely feel that the fame and success achieved has gotten to his head and he feels like he can do anything he wants and still have a career. And his rabid fans will make sure of it. I am not naive enough to believe I can change or police other people's fan behaviour. I'm just glad I myself realized that he is not someone worth supporting. There are better artists who deserve it more and I'd rather spend my time,money and energy on them. He is not revolutionary in any way. Everything he has done has already been done by someone else who never had the support he has. He's just a rich white man who is on his way to become a shrewd businessman and has a lot of support from similar rich people. If the universe has any ounce of justice left maybe someday some kind of karma will come for him but I'm not holding my breath for it. For now I just hope his acting is so terrible that everyone will be able to see it even if his team is able to pay for good reviews.

.

[introvertguide]

Goodfellas (1990); AFI #92

The current film up for review is Scorsese’s famous crime drama, Goodfellas (1990). It is the story of Henry Hill and how he lived through the psychotic and neurotic life of a mafia member. The film was nominated for six academy awards including Best Picture and Best Director, but only took one trophy home for Best Supporting Actor (Joe Pesci). I watched the movie 3 times over the last 2 weeks and my opinion changed from one opinion to another as I watched each time and I want to discuss why. First of all, however, we need to do summarize the plot with a standard warning...

SPOILER ALERT!!!!! I HAVE ALREADY GIVEN AWAY THE PLOT IN PREVIOUS POSTS AND I AM ABOUT TO DO IT AGAIN EVEN MORE SO!!!! CHECK OUT THE MOVIE FOR YOURSELF IF YOU HAVEN’T ALREADY!!!

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The movie begins with three men checking the trunk of their car and finding that the body in the trunk was actually alive. Tommy (Joe Pesci) stabs the man multiple times and then Jimmy (Robert DeNiro) shoots him multiple times. Henry (Ray Liotta) looks on and explains his life in voice over and how the men all got to this position. 

In 1955, a young man named Henry Hill becomes enamored with the criminal life and Mafia presence in his working class Italian-American neighborhood in Brooklyn. He gets a job working for local mob boss Paul "Paulie" Cicero (Paul Sorvino) and is introduced to the entire family. Most important were associates James "Jimmy" Conway, an Irish truck hijacker, and Tommy DeVito, a fellow juvenile delinquent. Henry begins as an errand boy for Jimmy, gradually working his way up to more serious crimes. The three associates spend most of their nights in the 1960s at the Copacabana nightclub where they can impress women. Henry starts dating Karen Friedman (Lorraine Bracco), a Jewish woman who is friends with Tommy’s current date. She is initially troubled by Henry's criminal activities but is eventually seduced by his glamorous lifestyle. She marries him, despite her parents' disapproval.

We follow Henry and his rise in the mafia along with Jimmy and his growing paranoia and Tommy with his constant chip on the shoulder. In 1970, Billy Batts, a made man in the Gambino crew who was recently released from prison, repeatedly insults Tommy at a nightclub owned by Henry; Tommy and Jimmy then beat, stab and shoot him to death. The unsanctioned murder of a made man invites retribution; realizing this, Jimmy, Henry, and Tommy cover up the murder by burying the body in Upstate New York. Six months later, however, Jimmy learns that the burial site is slated for development, prompting them to exhume and relocate the decomposing corpse. At this time, Jimmy begins watching his back, Tommy feels invincible, and Henry takes on girlfriend while Karen stays at home with the kids.

Fast forward to 1974, Karen finds out about the infidelity and harasses Henry's mistress Janice and holds Henry at gunpoint. Henry moves in with Janice, but Paulie insists that he should return to Karen after collecting a debt from a gambler in Tampa with Jimmy. The mafia is all about family and there is no divorce and appearances must be kept. Things don’t go as planned because, upon returning, Jimmy and Henry are arrested after being turned in by the gambler's sister, an FBI typist, and they receive ten-year prison sentences. In order to support his family on the outside, Henry has drugs smuggled in by Karen and sells them to a fellow inmate from Pittsburgh. In 1978, Henry is paroled and expands this cocaine business against Paulie's orders, soon involving Jimmy and Tommy.

In 1979, Jimmy organizes a crew to raid the Lufthansa vault at the JFK Airport, stealing several millions in cash and jewelry. After some members purchase expensive items against Jimmy's orders and the getaway truck is found by police, he has most of the crew murdered. This part of the film is based on a true story Jimmy, in fact killed almost a dozen people in attempt to keep things silent. In his voiceover narration, as dead bodies are being discovered all over the city, Henry theorizes that Jimmy would have killed them anyway rather than share the profits of the heist. Tommy and Henry are spared by Jimmy since they had worked so close together. Also, Henry wasn’t actually involved in robbery and Tommy is going to be a made man and Jimmy wants the connection. Tommy is eventually deceived into believing he is going to be made, but he is murdered on the way to the ceremony, leaving Jimmy devastated.

By 1980, Henry has become a nervous wreck from cocaine use and insomnia. He notices that a helicopter is following him but is trying to visit with his family and deliver drugs at the same time. He sets up a drug deal with his Pittsburgh associates, but is arrested by narcotics agents and jailed. After bailing him out, Karen explains that she flushed $60,000 worth of cocaine down the toilet to prevent FBI agents from finding it during their raid, leaving them virtually penniless. Henry has nowhere to go so he returns to Paulie to ask for help and admits to dealing under the table. Feeling betrayed by Henry's drug dealing, Paulie gives him $3,200 and ends their association. Henry meets Jimmy at a diner and is asked to travel on a hit assignment, but the novelty of such a request makes him suspicious. Henry realizes that Jimmy plans to have him and Karen killed, prompting his decision to become an informant and enroll, with his family, in the witness protection program. He gives sufficient testimony to have Paulie and Jimmy arrested and convicted. Henry is grateful to be alive, but he is forced out of his gangster life and has to readjust to normal life once again; he narrates, "I'm an average nobody. I get to live the rest of my life like a schnook."

The end title cards state that Henry is still a protected witness as of 1990, but that he was arrested in 1987 in Seattle for narcotics conspiracy, receiving five years' probation. He has been clean since then. He and Karen separated in 1989 after 25 years of marriage, while Paulie died the previous year in Fort Worth Federal Prison at age 73 from respiratory illness. Jimmy is serving a 20 years to life sentence in a New York prison for murder, in which he will be paroled in 2004, when he will be 78 years old.

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Even more of an update from the end title cards, Henry Hill and Karen Hill divorced in 2001 and then Henry remarried and fathered one more child. Karen and her kids have lived in hiding and fear they will never escape possible retribution. Jimmy died in prison in 1996 before he was eligible for parole and Henry died in 2012 of cancer. With their history of explosive violence, I am kind of glad that all three of the main men (Tommy, Henry, and Jimmy) have shuffled off this mortal coil.

So I ended up watching this film three times in the last couple of weeks and I liked it less and less each time. So many people have such good things to say about the movies (including me), yet what the movie is most celebrated for is what I like the least. The first time I watched was with my housemates and they talked throughout the movie and laughed at the antics of Joe Pesci. I feel that many viewers enjoyed that crazy performance, and this was probably the reason for the Best Supporting Actor award. I am sure that capturing the volatile nature of a lunatic mafia hitman is very difficult and deserves praise.

I then watched it twice more to take notes on the different camera shots and then to compare to the real story of the Lucchese family and Lufthansa heist. I was not disappointed with the camera shots since Scorsese tends to let his actors go wild and then move the camera in interesting ways to capture the action while telling the story he wants to tell. He uses extreme close up shots and the vertigo trucking shot to represent the paranoia of Henry Hill and Jimmy Burke. He used the tracking shot to bring the audience into the world of the mafia man using the the character of Karen Hill as the “fish-out-of-water.” The choice of music was great including using the Sid Vicious rendition of the classic “My Way” popularized by Frank Sinatra. The colors were so bright in the beginning and became so bleak and washed out by the end. Fantastic cinematography and direction. 

By the last watch, I realized that I did not like Tommy DeVito (real life name Tommy DeSimone) because he made everybody around him scared. It was like having a pet feral tiger and just hoping that he never turned on you. He was not loyal at all. In actuality, he tried to rape Karen Hill while she was married to Henry. He really killed a young bartender named Spider because Jimmy was teasing him. He brutally attacked and murdered out of anger because he was completely unhinged. Just watching Joe Pesci play the part made me anxious and I wanted him to go away every time he appeared on screen. I guess this makes him a great actor, but it also doesn’t make me want to watch his movies. 

I brought this up with the Godfather movies on the list, but do Brooklyn based Italian-Americans act like these people in the movies? Constant noise in which men treat women terribly and the women go off to the kitchen and make food? I can except the loud large families and the giant shared meals, but I sure hope that the poor treatment of women and the huge lack of equality between the genders is fake or at least outdated. I have met some really nice Italian people who are nothing like the people in these films, so I believe it is a stereotype (if this is true, then Hollywood needs to stop promoting these stereotypes).

A final positive note towards the acting, I thought that Lorraine Bracco did a wonderful job as Karen Hill. She played a sheltered girl that wanted a little danger and got way more than she ever wanted. There is a scene in which she realizes that her husband is cheating and that she and her children are miserable and unprotected. She wakes up Henry with a gun in his face, but she can’t kill him because she wants that drama in her life. She is treated horribly and at one point barely walks away from a hit set up by Jimmy, yet she still stays with Henry until she is forced into the boring life of Witness Protection and she leaves him. After wading through the history of all the different characters from the movie, I actually find her story to be the most interesting.

In the end, I still want an answer for the same two questions. Does this film belong on the AFI top 100? Absolutely. It is a well made movie with a strong vision about one version of growing up in Brooklyn and how searching to realize the American dream can lead you down dark and dirty paths. Great vision by Scorsese and a well told story. Do I recommend it? Not really. I recommend doing the research on these American mobsters and get a feel for what these people were really like. I recommend checking out clips on YouTube that show the filming techniques that have become hallmarks of great directors. But don’t watch these portrayals and laugh. They are not fun or funny like they come off in the movie, these are horrible (yet interesting) people that should serve as a lesson/warning and not have their lives glamourized by Hollywood. 

#goodfellas #hollywood #70s #joe pesci #ray liotta #Robert De Niro #Martin Scorsese #Oscar winner #crime drama #mafia #robbery #murder #true story #introvert #introverts

[greensparty]

Movie Reviews: The Amusement Park / Punk the Capital

What a week for movie reviews!

The Amusement Park

George A. Romero was a legend of the horror genre. His use of horror as thought-provoking social commentary made his films so much more than just genre films. On the surface they were horror films, but they really had something to say about civil rights, government, consumerism, military, technology and internet culture among other themes. His low-budget indie zombie films Night of the Living Dead is, to this day, one of the greatest horror films ever made! In Oct. 2015, I got to meet Mr. Romero at Rock and Shock. He posed for a pic with me and signed my NOTLD DVD. He could not have been any cooler. Took the time to talk to me and pose for the pic even with a big line. I was so glad that I splurged on that signing / picture as Mr. Romero passed away in 2017. Romero made a 52-minute film about an elderly man at an amusement park in 1973, but it was never released due to the investors finding it to be too gruesome. The film was discovered in 2018, given a 4K restoration and Shudder has acquired it and released The Amusement Park this week.

me with Mr. Romero at 2015 Rock and Shock

Commissioned by The Lutheran Society, the film stars Lincoln Maazel (who later starred in Romero’s Martin) as an elderly man at an amusement park, where he finds himself disoriented and cast aside throughout the day. The entire film is an allegory for how society treats the elderly. It is told in a very 70s horror kind of way, but its clearly Romero.

movie poster

The lost film is always a curious case. Was it actually a great movie that never got completed by the filmmaker, in which case, you have to ask if its true to the director’s vision? Or was it never released because the distributor or rights holders had issues with it? It would be rather exciting to report that this lost Romero film is a masterpiece that has finally been unearthed and was worth the 46 year wait since its completion. Well...I can’t say that. However, it is intriguing. The amusement park itself was such a staple of 70s genre films, i.e. the campy but fun Kiss Meets the Phantom of the Park. The roller coaster, the bumper car rides, the food, the crowds...all of these lend themselves to metaphors for fear and anxiety of accepting one’s own mortality. Albeit metaphors that hit you over the head to make their point, but still. The pace was a little slow at times, but where it really works it when Romero uses the editing to heighten the anxiousness. It is cool to finally see this get the release it deserves and at 52 min. it works on Shudder!

For info on Shudder: https://www.shudder.com/movies/watch/the-amusement-park/286f545b09818c85

3 out of 5 stars

Punk the Capital

Punk rock music has always been a musical genre that is political at its core. In using the loud, fast and angry music to bring attention to socio-political issues, it forces its audience to think, albeit thinking while slam-dancing...but still. There have been several documentaries chronicling various regional punk scenes, i.e. the L.A. punk scene in The Decline of Western Civilization, Boston’s hardcore scene in All Ages: The Boston Hardcore Film, and Turn It Around about the Bay Area’s scene. Washington D.C. has always been unique to the punk movement in that the nation’s lawmakers are all in the city, so there was plenty for the punk musicians to get fired up about. The D.C. punk scene has been documented previously, notably in Scott Crawford’s doc Salad Days, which focused on the punk movement during the Reagan era of 1981-89, as well as the D.C. episode of Foo Fighters: Sonic Highways, which addressed a lot of the music from D.C. but mostly the punk scene that Dave Grohl was a part as the drummer for Scream in the late 80s. Now there’s a new doc about D.C.’s punk scene Punk the Capital. After a festival run, it has played virtual cinemas and this week it premieres on DVD and blu-ray from Passion River this week.

movie poster with Henry Rollins

This doc goes deep into the formation of the scene in 1976. There’s plenty of modern-day interviews from those in the trenches including H.R. of Bad Brains, Henry Rollins of State of Alert (his pre-Black Flag band), and Ian MacKaye of Teen Idles and Minor Threat (his pre-Fugazi bands) among others. What was highly impressive is the sheer amount of archival footage used in this doc. Something that gets addressed in a lot of punk docs and they cover here is the DIY approach (why wait for someone else to make something happen for you, when you can do it yourself) and the straight edge movement (banning drugs, alcohol and bigotry at punk venues). Both topics are woven into the fabric of this punk scene.

MacKaye circa early 80s and Rollins modern-day

Selfishly I kinda wanted to see more of Scream, one of my favorites of the D.C. punk scene. There is a deleted scene with Dave Grohl that has been making the rounds this week, but it would’ve been cool if Grohl and/or Pete and Franz Stahl or Skeeter Thompson had been in the doc. I went into this doc having already known a little about the scene and I think Salad Days went deeper into the political activism of the scene in response to President Reagan, but this was more encyclopedic in other ways. The rare archival materials elevated this above a lot of punk docs. The doc ends around 1984 and I kinda wished it had gone further and maybe addressed the punk and post-punk bands that came along after the Reagan era. But in showing the scene from mid-70s through mid-80s, it dives deep. This doc could easily be used in a college class about the punk movement and its great to see the footage preserved!

For info on Punk the Capital: http://www.passionriver.com/punk-the-capital.html

3.5 out of 5 stars

#the amusement park #george a. romero #Movie Reviews #film geek #punk the capital #punk rock #documentary #henry rollins #bad brains #ian mackaye #fugazi #James June Schneider #Paul Bishow

[anyways-wonderwall]

Album of the Week #11

Love Part 1

(2019)

by Colde (콜드)

Overall Rating: 9/10

TL;DR: Now this is how you write a song. The music and vocals meet in heaven to make the message clear and hit the listener hard.

I first found Colde through the man the myth the legend Byun Baekhyun, since the first song of his banger album Bambi (which I wrote a review on that you should check out) was written by him. "Love Scene" was my favorite off of the whole album and I had already heard of Colde, so I figured that I might as well check him out. I'm really glad I did because he is such a good musician and songwriter.

(Also, before I start the review I have to give a shoutout to his new song with the one and only Baekhyun called "When Dawn Comes Again". It is absolutely incredible and I think that these kinds of songs fit Baekhyun so well. Also, both of their voices work together really well. Seriously go check it out, you won't regret it.)

General Thoughts

I have come to the realization that I do not know what R&B is. I thought it was something rap adjacent which I guess isn't completely wrong, but a very narrow view of it. If you go on the Wikipedia page it seems like every type of music that isn't jazz or rock is R&B which doesn't feel quite right to me. Like I don't think you can get more broad than that.

Because of this album though I now think of this kind of music as R&B. The offbeat chord changes, the calm guitar and piano meeting with a relaxed voice. The songs straddling the gap between aloof and passionate, wanting the audience to know that they care but in a cool way. Whatever R&B actually is, I now know that I like it and want to keep listening.

Anyways, onto the actual album review. This is a short little guy with only 8 songs which I think is nice because it makes every song more distinct. One thing I hate in albums is when all the songs blur together and I can't tell any of them apart. The first listen to this album that happened but the next couple of times it became really easy to tell them apart. Yes, they all have the same mood and instruments, but each is slightly different enough that you know they have a different message.

Which leads to the next thing I love about this album, the lyrics. Now I'm sure this is a surprise to no one, but I don't speak Korean. What this album does so well is matching the music to the message. While I don't understand the words you are able to get exactly what he is saying by the way he says it and the music itself. You can tell which songs talk about the pure side of love, the dark scared side, and the all-encompassing side. That level of easy-to-understand expressiveness is hard to do, yet Colde does it so well with his songwriting.

Instrumentation aside, he also has a really incredible voice. It's not showy, no runs and slipping into falsetto every verse, it matches itself to the music, making it another instrument. Nothing against people who don't write their own music, but I think that this level of marriage between vocals and instruments is only possible when you are involved in every step of the process.

I just realized I went through this whole review not mentioning a single song by name, so let's fix that right now.

Something I really liked about this album was the mixing of jazz and pop in a really cool way (did I just define R&B?) the last song of the album "Don't leave me, My Love (내 곁에서 떠나가지 말아요)" had a great bassline with an actual upright bass and many others use that for the bass part.

My favorites are honestly half the album but I swear they all deserve to be mentioned. The opening track "Love is a flower" is an absolute masterpiece, with the chord progression feeling like a callback to the Pure Imagination song from Willy Wonka. I'm in love with the progression and the subtle way the orchestra is mixed in. "사랑해 (I fxxking love you)" is also amazing but just makes me laugh every time I hear it. He swears in the wrong part of the phrase so it comes across as a little kid who just learned what bad words are. Mix that with a tone of voice that screams "I'm cool I'm chill I swear" and it never fails to make me laugh.

My all-time favorite though is "You don’t need my love? (없어도 돼?)", a perfect mix of guitar and piano. It's sad but not in a crushing way, and gives the impression of someone who knows they have to accept the way things are going. It's absolutely beautiful and cannot recommend it enough.

Final Verdict

This album is really really really good and such a good example of songwriting and a concept album. I know I'm gonna spend the $8 on iTunes for it (sorry but $20 for the physical album plus shipping is way past my limit) and I think it's worth that. I'm definitely going to be listening to more of his stuff in the future so be ready to see more of him on here!

#album 11 #album of the week #colde #love part 1 colde #love part 1 #krnb #music review #music recommendation

[nerteragranadensis]

assorted thoughts on my first Leverage rewatch since I binged the whole series in 2016 (spoilers for everything through s3e4 The Scheherazade Job):

it’s really cool to see just how much character relationship stuff is set up in the early seasons, before it gets stated more explicitly in s4/s5.

Hardison/Parker is a perfect example- Hardison flirts with Parker in "The Nigerian Job”, and there’s explicit romantic tension btwn them in “The Wedding Job”. That’s episode seven in the broadcast order, but if you watch in the DVD/intended order, that’s episode three. it’s amazing to see how early that relationship is set up and how slow the burn is, especially considering it’s an interracial ship- and it’s great to have the writers follow through with it by the end of the show.

another example is Parker becoming the mastermind- there’s a handful of episodes in s2 where she’s clearly shadowing Nate and observing his plans (The Order 23 Job, The Top Hat Job, The Lost Heir Job, and The Runway Job come to mind), and in The Inside Job Nate and Hardison straight-up say that Parker’s plans for breaking into the steranko building were as solid as anything Nate ever came up with. In season 3.

y’all were right, Parker grifting in The Iceman Job is incredibly hot

every episode is good, I love all of them, but the two-parter of The Three Strikes Job/The Maltese Falcon back-to-back blew my fucking socks off this time around

it’s so good. it’s so good. there are so many small things that I love. Eliot having to play baseball and actually getting really into it. (”They named a sandwich after me!”) The mob stuff, which is especially funny when every other episode of s2 involves some kind of mob activity (you’ve got the Armenian mob, the Russian mob, the Irish mob, the Chinese triads... seriously). Sophie coming back at the end, a twist that I completely forgot about, which made it that much better--seriously, I probably made the same face Nate did when she showed up.

Nate and Hardison pretending to be mob guys to interrogate the mayor... ngl, I thought it was a little bit hot

I love any kind of grift/subterfuge where the characters pretend to be People They Definitely Aren’t, so it was fun on that level too

and the ending of The Maltese Falcon Job... wow. I remember being impressed even the first time I saw it, because it’s an ending that ties seasons 1 & 2 together into one big arc not only for Nate but for the team. It’s incredibly dramatic (the double cross! the self sacrifice! the kiss! Nate gets shot!) but it’s not a cliffhanger, it gives us a real ending for these characters... they truly could’ve ended the show after season 2 and it would’ve been a complete, compelling story. Obviously I’m glad they didn’t! but just the fact that they could have... the writing on this show, I swear

If I didn’t already know that Sophie’s arc in s2 was written that way to shoot around Gina Bellman’s pregnancy, I would’ve never figured it out. Sophie’s arc in s2 is so good! It actually makes sense why she would want time off to explore and maybe find herself! and the rest of the team ends up growing from it, too! so many fun episodes of s2 hinge on Sophie, even if she’s not physically there. And again, the fact that she’s gone for most of the second half of s2 makes her return in the finale that much better.

Sophie cons her own team at the end of season one and Nate cons his own team at the end of season two. it’s parallelism

Moving on to season 3- The Reunion Job is so extra. I’m not even sure if it’s a good episode, but it sure as hell is fun

The last episode I saw was The Scheherazade Job, which I remember disliking the first time I saw it. I thought the hypnosis twist was dumb, came out of nowhere, and took agency away from Hardison. On review... I think I’ve softened to it. The episode points out that the hypnosis was kind of an asshole move; Nate outright tells Hardison that being the mastermind sometimes means manipulating your own team (and that’s something Hardison won’t do, because he’s a sweetheart <3). And the episode also notes that Hardison always had the skill to play that violin solo, just not the confidence. I still think the hypnosis thing is a little out there, but what holds the episode together for me is that final heist sequence. Organizing a heist set to a musical performance? Amazing. Brilliant. Showstopping. The opera scene from mission impossible: rogue nation wants what this episode has

and then Hardison gets up to play his solo and he plays it and it’s so beautiful that literally everyone stops to listen. Everyone is moved, including me. Parker starts crying. the team almost blows the entire con, just to hear Hardison play, and it’s worth it. It’s just... a breathtaking scene.

I... really like Nate. I love the whole team, obviously, and if you asked me to pick a favorite character I’d have a really hard time, but I do like Nate. I think he’s interesting and even relatable (in a few specific ways. Nate is also an asshole and I do not want to be like him). This is kind of unfortunate in light of the recent allegations against Timothy Hutton (tw for sexual assault if you follow that link). I’m still working through my feelings w/r/t Leverage since this news broke. obviously it hasn’t stopped me from rewatching the show, but... I don’t know. I still struggle w/ how to engage with media that I love when one or more of the people who created that media (and those characters) was a sexual predator. At the very least, I am glad that Hutton won’t be returning for the Leverage reboot.

#leverage #I'm looking forward to the gone fishin' job #that might be my favorite episode of the entire series #bro the studio job the gone fishin' job and the boost job are all back to back #this show is really good! I still love it!