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#my writing let me show you it
kiyoors · 4 months
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stay
tsukishima kei x reader
warnings: afab! reader, mentions of unprotected sex, unclear relationship between reader and tsukki, kei is bad at feelings
you hear tsukishima shuffling in the bathroom as you lay on his bed.
looking up at his ceiling, you try to figure him out: is he the kind of guy who’ll kick a girl out after he sleeps with her? will he let you stay? should you get dressed and make a run for it while he’s busy?
instead, you stay where you are, only choosing to drape your arm over your face, the crook of your elbow resting over your eyes. you close them. you’ll leave it up to him to decide what he wants to do with you.
would he walk you home if he kicked you out?
eyes still closed, you hear him come back into the room. you brace yourself for rejection and the eventual walk of shame.
the bed dips as he kneels on it, inching closer to you.
you feel him tap the side of your naked thigh, “open your legs,” he says
you do so, choosing not to remove your arm from covering your face until you feel him clean the mess in between your thighs with a damp hand towel. you guess it’s the least he could do before kicking you out— given that most of the mess is his.
he sighs once he’s finished, discarding the rag, eyes still not meeting yours as he makes his way to the dresser across the room.
“you…” he drags the question out as he rummages through the top drawer.
“want a shirt?”
you hum, and he throws it over to you.
he’s pacing the room again, picking up the various clothing items you were each wearing before the night’s encounter.
you see him fold your pants, the shirt you were wearing, and your bra. he picks up your panties and finally, shyly, meets your gaze, cheeks coloring.
he throws these at you, too. you to put them on.
he’s back to his drawers, pulling out a clean pair of sweatpants for himself. the waistband rests low on his waist as he finally, finally, comes back to bed.
“umm,”
you take this as your cue to leave, sitting up and moving to the edge of the bed, searching his room for your phone, your keys, your wallet.
“i tend to run pretty cold at night,” he begins, clearing his throat, “do you want an extra blanket incase-
“are you leaving?”
he cuts himself off when he realizes you’re collecting your belongings, your pants already in hand, waiting for you to put them on.
you feel like a deer caught in headlights. your mouth falling open into a soundless oh.
“you want me to stay?” you ask him, unsure
immediately, tsukishima gets defensive, closing himself off, “i mean, no one’s forcing you to.”
he looks away, and you feel like hitting yourself with a hammer repeatedly.
“text me when you get home.” is all he says, still not meeting your eyes.
“tsukki-”
“what.” his tone is harsh. he’s furiously picking at the skin around his cuticles.
“i-i want to stay,” you tell him, nearing him where he is sitting on the edge of his bed. while he still pretends to be upset, he’s readily parting his legs for you to nestle in between them, burrowing his head in your stomach as you stand in front of him, your fingers immediately moving to scratch his scalp the way he likes. his hands gently cup your ass, bringing you closer.
tsukishima breathes in the scent of you and him mixed together through his shirt. you’re good to him. too good sometimes.
the truth is he wants you to stay in his bed (and his heart, and his life) forever.
“call me kei,” he tells you finally, softly, “s’the least you can do after asking me to cum inside you.”
“kei,” you say, smile on your lips, savoring the syllable, “can you get me an extra blanket?”
he huffs, pulling you down to lay beside him, “you won’t need one after i’m done with you.”
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muffinlance · 3 months
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Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue
THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.
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buck2eddie · 9 months
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quote from “for everything we are (everything we’ve been)” fic // written by @lover-of-mine
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johnslittlespoon · 1 month
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i just finished the prologue of the mota book and i don't know how i haven't seen a single post talking about how after john and gale's stalag reunion, they were then separated for another four months.
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my heart is aching so bad. imagine being reunited (after almost three weeks, oct 8–26th) and having that tiny feeling of 'everything is going to be okay' and then being ripped apart again for four fucking months. 120 more days of not being able to be at each other's sides.
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nessberry · 3 months
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"yue qingyuan deserves to know the truth about sqq." well yes but also, it would completely destroy his life bc he literally would not rest until he found shen jiu again. He would actually he horrified to think he had left xiao jiu all by himself for several years AGAIN. Ended up in shen yuans world without his memories? He's finding him. With his memories? He's finding him. He's actually still in his actual body, but isn't the main consciousness? Qi ge is bringing him back out, I fear. He woke up in some rando book extras body? He's finding him. He ended up in a whole other mxtx book? YUE QINGYUAN WILL FIND HIM
Doesn't matter if it takes him a day or a month or a year or 800 years or 1600 years he'll find Shen Jiu again
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averlym · 5 months
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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beloved-blaiddyd · 13 days
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"Hmm? Oh, I'm just the milkman. Nothin' more. Won't you let me in, my doorman?"
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sticks-and-souls · 8 months
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Anakin & Letting Go
I always found it to be a little skeptical that Anakin could become a force ghost after it took Yoda, Qui Gon, and Obi-Wan learning and training how to do it, and I always thought “really? Anakin? Finding that level of peace and letting go?” But after this episode, seeing the care and lesson that he imparts upon Ahsoka that he learned so painfully, I understand it from him so much better. Vader was so stuck in his complete self-hatred that he allowed nobody who had known him before as Anakin to reach him (most notably Obi-Wan and Ahsoka) because of the overwhelming extent of his shame. It took his son, who had never known him and yet who still stood before him and believed in him, loved him, sacrificed himself for him, to call Anakin back from the depths of Vader. And this Anakin, let everything go to save his son and to allow his son to save him.
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And it felt so impactful to get to see this mature post-Vader Anakin reaching out to Ahsoka to teach her this very hard-earned lesson that he took the very hard road to get. Because she has Vader in her. She is everything Anakin taught her, and we saw the behaviors that led Anakin to becoming Vader—the fear of losing his most cherished relationships—reaching out of Anakin very early in the clone wars (and before) and the two of them are both very aware that he imparted those lessons on her. And then we've seen across this season—and overtly in her clone wars flashbacks—that she believes she is inextricable from these traits.
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I’ve always loved Anakin as a fictional character, getting to see his earnestness, his flawedness, and his intensity (to borrow Huyang’s very accurate adjective), but this episode brought a level of humanity to him that has moved me so deeply. Life is HARD, loss gets forced on all of us no matter what, and the lessons that we learn through mistakes that we made can be extremely painful because acknowledging and taking responsibility for hurting people is actually really painful for humans (not owning up to our actions is the emotionally easier choice and George Lucas has stated time and again that the Dark Side is about taking the short-term easier choices). But it ultimately means that learning from your mistakes is an actual choice you have to MAKE. And this is the core of Anakin’s lesson. He is teaching Ahsoka that she has to choose which lessons he has taught her that she will live by, but more than that, that she is empowered to be able to choose. Yes, she has everything that he taught her—the good and the bad—but she is not condemned to live out all of the lessons. 
And the beauty of it isn't just the lesson, but that Anakin gets to be the one to teach it to her. The betrayal that she experienced in discovering his fall, the taintedness that she has been portraying that she feels about herself, gets specifically addressed because if he figured it out, then she definitely can too. If he is more than just Vader, then she is too. And THAT is what the "Is that what this is about?" line is actually about. It's so so important that we get to see pre-Vader, Vader, and post-Vader across her vision because the point is that yes, Vader is a part of him, and that brilliant shot of the two of them glaring Sith eyes across the blade at each other did it's job in conveying that Ahsoka is capable of that darkness too, but you are not only the darkness. You get to choose. ("You're more than [death and destruction] because I'm more than that"). And more to the point, you have to choose. Because if you don't specifically choose to fight the dark, then you're ultimately choosing to fall into it. "Fight or die."
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So for Anakin to be able to reach out to her one more time, to be able to love her the way he, as Vader, had refused to the last time when they met on Malachor, and to open with “you’re never too old to learn”, because god if he didn’t learn that the hard way too. And to be able to pass on to Ahsoka how to actually let go because he himself had only just finally been able to learn it as well, feels so powerful and poignant.
And that look of pride and wistful sadness that he gives her at the end? That both she and Luke were able to learn so quickly what took him so long? And that maybe, he may have helped save her from the worst traits that he imbued upon her? That’s him having let go of his own shame. He feels grief, he feels guilt—we can see it on his face—but what has happened has happened and he has accepted that, and finally learned that letting go doesn't mean it didn't happen, it means it doesn't have to define your actions going forward.
And finally, it’s also him letting go of ahsoka. By teaching her that she will choose her destiny, he has to accept that he cannot control it either. And he has. “There’s hope for you yet.” 
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So yeah, Anakin learned to let go, and getting to see him here, in this headspace of acceptance and peace, practicing and understanding what it means to be a Jedi, was so unexpectedly cathartic and revelatory for me as viewer. 
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insomnya777 · 12 days
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do you guys know that youtube dating show called the button. because i was watching it with my friend the other day bc we were bored and we were like this seems funny and i somehow got a boat boys fic idea based off of it. so if i make a fic about the button dating show will people underdtand or is it too niche
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httpiastri · 6 months
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hands, crashes, neck, last race together, even more hands, swedish lessons??, haNDS!!!!
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For $5 USD stop making everything about that goddamn show for five minutes.
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starry-bi-sky · 2 months
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more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
#tw mentions of gore#cw gore#i suppose this counts as gore#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc#dpxdc crossover#childhood friends au#cfau#really leaning into the idea of rath just being a horror. the horrors! i am delighted in the horrors!#im having fun with it#i swear to god turning 19 turned a switch on in my brain because i am much more comfortable with gore and heavy injury now than i was l#literally a year ago. the urge to write about some of danny's most horrific injuries in his fights is STRONG#like the hORRORS folks. *th horrors*. i dont think i'll ever write a dissection fic because that icks me out but the idea that danny's had#to stitch up his own throat because it got slit in a fight nd he cant shift back to human until he's done because his ghost will survive bu#his body wont#the idea that he's been impaled multiple times before and it hurts each fucking time but he still gets up and hurls the hurt right back in#equal measure. because that's how you wanna play? okay. lets play. he's 14 and his best friend is dead. he can play.#and the idea that all ghosts have 'corpse' forms where their ghosts look exactly like how they died. and danny is utterly unrecognizable#jazz being liminal or not just isnt important to me because she's barely gonna show up in the story anyways#same reason why i hardly use the headcanon that ellie becomes danny's daughter because what use is she to me like that? she'll hardly have#an impact on the story and i refuse to treat characters like props. if they can't help progress the story then they aren't included
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muffinlance · 4 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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killerandhealerqueen · 4 months
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Can I bitch for a second? Like, I just want to understand why, in the past few years, comments and reblogs on fics have gone the fuck down. Like why? What fucking changed?
In 2020 and 2021, I used to get comments all the time on almost all my fics and now it's like...I'm lucky to get any. I also know that I write for small fandoms so like, that's a contributing factor, but still. Even with my latest multichapter fic, there are no subscriptions. Like, everything has just gone down.
And while I realize that the pandemic happened in 2020-2021, the decline has been happening for a while, especially here on tumblr. Comments and reblogs and asks about fics are just...not really a thing anymore.
And people wonder why writers don't wanna continue. Yeah, yeah, that whole thing of write for yourself, we all write for ourselves, lets be honest. We do. But we also want to share our creations with you because that's the whole fucking point of art. You want to share it with others and have them appreciate the work and time you put into it. And we'd like to hear feedback! It's literally not a bad thing to want comments. And people need to stop making writers feel bad for saying they want comments. And reblogs. Likes and kudos are great but they don't do anything. They just tell us that you liked the fic/work. But they don't tell us what you thought, what moved you, what rewired your brain, what made your heart thump or flutter or clench. That's what comments tell us. That's why we want comments. We want to see our fics through your eyes.
Writers shouldn't have to beg for interactions, so please. Reblog and leave comments on fics. Please. It's really the least you could do
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suddencolds · 2 months
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The Worst Timing | [5/5]
we made it!!! part 5/5 + a mini epilogue (5.6k words) at long last 🥹 (aka the installment in which i remember that h/c has a c in it in addition to the h, haha.) [part 1] is here!
this is an OC fic - here is a list of everything I've written w these two!
Summary: Yves invites Vincent to a wedding, in France, where the rest of his family will be in attendance. It's a very important wedding, so he's definitely not going to let anything—much less the flu—ruin it. (ft. fake dating, an international trip, downplaying illness, sharing a hotel room)
The world comes back to him in pieces—first the wooden panels of the ceiling, the sloped wooden beams. The coldness of the room, the slight, monotonous whir of the air circulating through one of the vents overhead.
He’s leaned up against the wall, seated on the floor in the hallway, and Vincent is kneeling beside him, his eyebrows furrowed.
It takes him a moment to realize where he is. He had been about to head back to the courtyard, hadn’t he? He doesn’t have much memory of anything that happened after, but judging by Vincent’s reaction, he thinks he can probably guess.
“Hi,” Yves says, for lack of a better thing to say. 
He watches a complicated set of expressions flicker through Vincent’s face—relief, first, before it turns to something distinctly less neutral.
“You’re awake,” Vincent says. He turns away, for a moment. Yves notes the clench of his jaw, the tightness of his grip—his fingers white around Yves’s sleeve.
“Was I out for long?”
“A couple minutes.”
Yves wants to say something. He should say something. Anything to lighten the tension, anything to get the point across that this is all just an unlucky miscalculation, on his part. It really isn’t something Vincent should have to be worried about. 
“I’m sorry for making you wait,” he starts. Really, what he means is, I’m sorry for making you worry about me. “I promise I’mb fine.”
The look on Vincent’s face, then, is something that Yves hasn’t seen before. 
“Why do you have to—” he starts, frustration rising in his voice. He sighs, his jaw set. “I don’t understand why you—” He drops his hand from Yves’s sleeve, and it’s then when Yves notices the stiffness to his shoulders, the tension in his posture. He runs a hand through his hair, lets out another short, exasperated breath. “You’re not fine.” 
It’s strange, Yves thinks, to see him like this—Vincent, who usually never wears his emotions on his face, looks clearly displeased, now. 
“Hey,” Yves says, softly. He reaches out to take Vincent’s hand. Vincent goes very still with the contact, but he doesn’t say anything. “I—”
Fuck. His body seems to always pick the worst time for unwanted interjections. He wrenches his hand away just in time to smother a sneeze into his sleeve, though it’s forceful enough to leave him slightly lightheaded. 
“Stay here,” Vincent says, getting to his feet. “Lay down if you get dizzy again.”
Yves blinks. “Where are you going?”
“To tell the others that we’re leaving.”
Yves wants to protest. Dinner is already halfway over. It’s not as if the festivities are particularly strenuous. They’ll probably move inside after dinner, where it’s warmer.
But he thinks better of it. Judging by how exhausted he still feels, how much his head aches, it probably wouldn’t be wise to push it. 
“Don’t tell them about this,” he says.
Vincent’s eyebrows furrow. “What?”
“Aimee is going to worry if she finds out,” Yves says, dropping his head to his knees. He doesn’t want to look at Vincent, doesn’t want to know what expression is on his face. “Just—let them have this night. It’s—supposed to be perfect.” I really wanted it to be perfect, he almost adds. There’s a strange tightness to his throat as he says it, a strange heaviness to his chest.
He knows what it means. If, after he’s tried so hard to do his part, their evening still ends up ruined on his own accord, he’s not sure if he could live with himself after.
For a moment, Vincent doesn’t say anything at all.
“Okay,” he says, at last. “Just stay here.”
And then he heads down the hallway. The door at the end of the reception hall swings shut behind him. Yves thinks he should be relieved, but he finds that he doesn’t feel much other than exhausted.
The ride home on the shuttle is silent. Vincent sits next to him, even though all of the other seats are empty. Yves thinks the proximity is probably inadvisable. He opens his mouth to say as much, and then shuts it.
Vincent sits and stares straight ahead, his posture stiff, and doesn’t say anything for the entirety of the ride. It’s strange. Yves is no stranger to silence—Vincent is, after all, a coworker, and Yves has endured more than a few quiet elevator rides and quiet team lunches at the office, but it’s strange because it’s Vincent.
Vincent, who usually takes care to make conversation with him, whenever it’s just the two of them. Vincent, who stayed up through the lull of antihistamines a couple months ago to talk to Yves, until Yves had given him explicit permission to go to sleep.
Yves tries not to think about it. Through the haze of his fever, everything feels unusually bright—the interior of the shuttle, with its leather seats and metal handrails.
The shuttle stops just outside the main entrance to their hotel. Just before he gets to the doors, he stumbles. Vincent’s hand shoots out, instinctively, to steady him.
“Sorry,” Yves says, a little sheepishly. It’s not that he’s dizzy. The roads are just uneven, and it’s dark. “I can walk.”
But Vincent doesn’t let go—not for the entirety of the walk through the cool, air-conditioned lobby, through the hallways to the hotel elevators. Not when the elevator stops at their floor, not when they pass by the grid of wooden doors leading up to their room. 
Before Yves can manage to reach for his keycard, Vincent has already swiped them in, scarily efficient. He slides the card back into his pocket, pushes the door open. 
“Thadks for walking me back,” Yves says. “Sorry you couldn’t stay longer. You mbust’ve been halfway through dinner.”
“I already finished eating,” Vincent says.
“Even dessert?” Yves says. “I think Aimee got everyone creme brulee from one of the local bakeries. I was excited to try it. Maybe Leon can save us some.” he muffles a yawn into his hand. It’s too early to be sleeping, but his pull out bed looks very inviting right now.
“Take the bed,” Vincent says.
Yves blinks at him. “What?”
“The bed’s warmer.”
There’s absolutely no way he’s going to let Vincent take the pull-out bed in his place, Yves thinks blearily. He’s spent the past couple nights muffling sneezes into the covers—if there’s anything he’s certain of, it’s that he really, really doesn’t want Vincent to catch this.
“I dod’t think we should switch,” he says, sniffling. “I’ve been sleeping here ever sidce I started coming down with this. I’mb— hHeh-!” He veers away, raising an elbow to his face. “hh—HHEh’IIDZschH’-iEEW! Ugh, I’mb pretty sure I contaminated it.”
“We can both take the bed, if you’d prefer,” Vincent says. As if it’s that simple.
Yves opens his mouth to protest—is Vincent really okay with sharing a bed with him?—but then he thinks about Vincent finding him in the hallway—the stricken expression on his face, then, his eyes wide, his jaw clenched—and thinks better of himself. 
Instead, he lets Vincent lead him to the bedroom. The bed is neatly made—the covers drawn, the pillows propped up against the headboard.
“Lay down,” Vincent says, pushing lightly down on his shoulders. Yves sits. He peels off his suit jacket, folds it, and sets it aside on the nightstand.
“Hey, I kdow that was sudden,” he says, in reference to earlier. “I’mb sorry you had to witness it. I… probably shouldn’t have pushed it.”
Vincent says nothing, to that.
Yves lays down, shuts his eyes. “You didn’t have to accompady me home, you know.”
Silence. He exhales, burrowing deeper into the covers. “It’s not as bad as it looks, seriously.”
He opens his mouth to say more. He has to say something, he thinks, to convince Vincent that it’s really not that big of a deal. Anything, to assuage that look on Vincent’s face.
But he’s so tired. He can feel the exhaustion now that he’s finally let himself lay down. The bed is traitorously comfortable, with its soft feather pillows and its fluffy layers of blankets, and Vincent was right—it really is warmer.
He feels the press of a hand on his forehead, feels the cold, unyielding pressure. Feels gentle, calloused fingers brush the hair out of his face.
“Sleep,” Vincent says, firmly. 
And Yves—
Yves, already half gone, is powerless, when Vincent says it like that.
When he wakes, it’s just barely bright outside. He takes it in—the first few rays of sunlight, streaking through the curtains. The bed, a little more well-cushioned than the pullout bed he’d spent the past few nights on—higher up and decisively sturdier. He blinks.
Beside him, seated on a chair he recognizes as belonging to the desk at the opposite end of the room, is Vincent.
Vincent, awake. Yves isn’t sure if he’s slept at all. He certainly doesn’t look tired, at first glance, but closer inspection reveals a little more. It’s evident in the way he holds his shoulders, stiff, and perhaps a little tired, as if there’s been tension sitting in them all night. 
He’s reading a book. Whether he bought it at the convenience store downstairs, or on one of the other days when Yves was busy running errands for the wedding and Vincent was elsewhere, or whether it’d been sitting in his suitcase since the start of the vacation, Yves doesn’t know.
“How’s the book?” Yves says.
His throat is dry, he realizes, for the way it makes him cough, afterwards. Vincent’s eyes meet his, unerringly. He shuts the book, sets it down on the bedside table.
“It’s a little boring,” Vincent says. “How’s the fever?”
Before Yves can answer, Vincent leans forward and presses the back of his hand to Yves’s forehead. His touch is unerringly gentle, and Yves allows himself to look. 
Vincent’s eyebrows are furrowed, his eyes narrowed slightly in concentration, and Yves wonders, suddenly, if he’s been this worried for awhile, now. If he’s been this worried ever since he’d walked them both back into the hotel room last night.
“I’m fine,” Yves says. 
It has the opposite effect he intends it to.
Vincent’s expression shutters. “The last time you said that, you passed out in front of me,” he says, withdrawing his hand with a frown. “So forgive me if I don’t entirely believe you.”
Yves sighs, rubbing a hand over his face. It’s a fair point. “I’m usually more reliable whed it comes to these things.”
“What things?”
“Kdowing my limits.”
Vincent says, “I think you knew your limits. I think you just didn’t want to honor them, because you decided the wedding took precedence.”
He’s… frustrated, Yves realizes. Still. He’s sure he can guess why. Their fake relationship does not extend to Vincent having to look after him, to Vincent having to drop everything in the middle of a wedding, of all things, to take him home. To Vincent having to worry about all this—the fever Yves knows he has, now, and the bed he’s currently taking up—on top of everything else. As if being in a foreign country, surrounded by people he knows almost exclusively through Yves, who, for the most part, converse in a language he barely speaks, wasn’t already enough work on its own.
And Yves gets it. He hadn’t wanted this to happen, either. He’d told himself that if this—this pretend relationship, this pretense—is contingent upon both of them playing their part, the least he can do is be self-sufficient outside of it.
But now—because Vincent is here with him, and because they share a hotel room—all of this is now Vincent’s problem, too, by extension.
“Did you sleep at all last night?” he asks.
Vincent smiles at him, a little wryly, as if the answer is evident. 
“You gave up your bed just for me to steal it,” Yves says, in an attempt to lighten the mood. “It’s really comfortable, and all, but I’mb pretty sure they make these kinds of beds for two.”
“Is that a proposition?” Vincent says.
“Maybe.” Yves thinks it through. “Realistically, probably ndot, until I have a chance to shower.” He’s still dressed in his dress shirt and slacks from yesterday, a little embarrassingly—he should probably get changed. “Speaking of which, I should do that soon, so you don’t feel the need to stay up all night reading—” Yves leans forward, squints at the book cover on the nightstand. “—Hemingway? Somehow, I didn’t expect you to be the type.”
“I’m not,” Vincent says. “Victoire lent it to me.”
“Oh,” Yves says, trying to think of when Vincent would’ve had time to ask her for a recommendation. “Yeah. She’s—” He twists aside, ducking into his elbow. “hHEH’IIDzschh-EEW! snf-! She’s quite the literary reader. Is it really that boring?”
“I can see why people think the transparency of his prose is appealing,” Vincent says. “But I’m fifty pages in, and nothing has happened.”
“Isd’t that the sort of thing Hemingway can get away with, since he’s straightforward about it?”
“In a short story, maybe,” Vincent says. Then: “You are trying to make me feel better.”
Ah.
Yves laughs. “Where in the world did you get that idea?”
Vincent just sighs. “I would be exceptionally unobservant not to notice when I’ve seen you do the same thing all this week.”
“What?”
“Telling people that you’re fine,” Vincent says. “And distracting them when they don’t believe you.”
Yves doesn’t think that’s entirely accurate. It’s not like he was trying to be dishonest. It’s just that it was never the most important thing to address.
“Distracting is a bit disingenuous.”
“I don’t get it,” Vincent says, with a frown. “You’re so insistent on putting yourself last, even when you were obviously—” He sighs. There it is—that expression again, the one that makes itself evident through the furrowed eyebrows, the tense set of his jaw—frustration, and maybe something else. “You’re surrounded by people who care about you, so why not just—”
“There are plenty of things more important than how I’mb feeling,” Yves says.
“I don’t think that’s true.”
But of course it is, Yves thinks. A wedding is a once in a lifetime occurrence. An illness is nothing, in the face of that.
“I promised I’d be there,” he says, because when it really comes down to it, it’s true. He had no intention of going back on his word. “I didn’t want to be the one to let them down. Is that so hard to believe?” He reaches up with a hand to massage his temples. His head aches, even though he’s slept for long enough that he feels like it ought to feel a little better, by now. “It’s already bad enough that I had to drag you into this.” 
“You didn’t drag me into this,” Vincent says. “I came on my own volition.”
Yves tries a laugh, but it’s humorless. “I made you leave halfway through the wedding dinner.”
“I’d already finished eating.”
“Ndot to mention, you practically had to carry me upstairs.”
“Because you’re ill.”
“That’s no excuse.” Yves wants to say more, but he finds himself beholden to a tickle in the back of his throat—irritatingly present, until he concedes to it by ducking into his elbow to cough, and cough.
When he looks up, blinking tears out of his vision, Vincent isn’t looking at him.
“You should get some rest,” he says, simply.
Yves can tell—just by the way he says it—that there is no argument to him, anymore. Just like that, Vincent is back to being closed off—poised and perfectly, infuriatingly unreadable, just like he is at work, his face so carefully a mask of indifference, even in the most stressful presentations, the most frustrating disagreements. Yves wants none of it.
 “Hey,” he says. A part of him itches to crack a joke, to change the subject—anything to take away this air of seriousness. A part of him wants to reach out, again—to take Vincent’s hand, entwine their fingers; to reassure him, again, that he’s really fine.
“I’m sorry,” he says, instead. Maybe it’s the fever that loosens his tongue. Maybe it’s just a combination of everything.
He can feel Vincent’s eyes on him, still. Vincent has always held a sort of intensity to him, a quiet sort of perceptiveness. “I’m not sure I follow,” Vincent says.
“This visit was supposed to be fun for you,” he says. “And now you’re here, stuck in the hotel room because of me, even though today was supposed to be for sightseeing.”
It doesn’t feel like enough. What can he say to make it enough? There’s a strange ache in his chest, a strange, crushing pressure. Yves is horrified to find his eyes stinging. He’s held it together for so long, he thinks. Why now? Why, when Vincent is right here?
But a part of him knows, too. Of course traveling to a different country would be more involved than going to a party, or spending an evening at a stranger’s house. But there was a time when he thought this could really just be a fun excursion for the both of them—half a week in his family’s home country, with someone who he thoroughly enjoys spending time with. 
And now, because of this untimely illness—or because of his own short-sightedness in managing it—it isn’t. He didn’t get to stay through dinner, didn’t get to wish Aimee and Genevieve a good rest of their night, like he’d planned to. He has no idea if things went smoothly in his absence. To make matters worse, Vincent is here, having endured a sleepless night, instead of anywhere else.
And really, when he thinks about it, who does have to blame for all of this, except himself?
“I didn’t mean for it to turn out like this,” he says. “So I’m sorry.” He resists the urge to swipe a hand over his eyes—surely, he thinks, that would give him away.
He turns away. It’s convenient, he thinks, that the embarrassing sniffle that follows could be attributed to something else. 
“You’ve been nothing but accommodating to me, this whole visit,” Vincent says. “If anything, I should’ve insisted that you take the bed earlier. You haven’t been sleeping well, have you?”
He says it with such certainty. Yves opens his mouth to protest this—or to apologize, for all the times he must’ve kept Vincent up, including but not limited to last night—but Vincent presses on.
“You spent all of yesterday morning helping everyone get ready, and when I got back, you apologized for not being around—as if the reason why you weren’t around wasn’t that you were so busy making sure everything was fine for everyone else.” Vincent pauses, takes in a slow, measured breath. Yves is surprised to hear that he sounds… distinctly angry, in a way that Yves is not used to hearing.
“And then you showed up to the rehearsal and the wedding, even though you weren’t feeling well. And you still think you have something to apologize for? Are you even hearing yourself?” Yves hears the creak of the chair as he stands, the sound of quiet footsteps. Feels the dip of the bed as Vincent takes a seat at the edge of it. 
“You know, after you left the dinner table, Genevieve was talking about how much she liked your speech? Do you know that yesterday morning, Solaine told me how grateful she was that you helped her with fixing her dress? Do you know that when I got lunch with Leon and Victoire, they told me how much time you spent preparing for everything—the speech, and the wedding, both?”
Oh. Yves hadn’t known any of those things, and he knows Vincent isn’t the kind of person who would lie about this sort of thing.
“I don’t get it,” Vincent says, sounding distinctly pained to say it. “How could you possibly think that you haven’t done enough?”
Yves finds himself taken aback—by the frustration in his voice, by the fact that Vincent has noticed these things in the first place, by the fact that he’s deemed them important enough to take stock of. He makes it sound so simple. 
“I don’t know,” Yves says, at last. He shuts his eyes. “If it was enough.”
“I’m telling you that it was,” Vincent says.
But Yves knows that he could have done more, if the circumstances were different. If he hadn’t been so out of it during the wedding. If he’d taken the necessary precautions to avoid coming down with this in the first place. If he’d been able to stay through dinner, at least; if he hadn’t needed Vincent to accompany him home. 
“You don’t believe me,” Vincent says, with a sigh.
Yves doesn’t say anything, to that.
“I can’t speak for anyone else,” Vincent says. There’s the slight rustling of the covers as he shifts, rearranging one of the pillows at the headboard. “But I had fun.”
Yves’s heart twists.
It’s sweet, unexpectedly. “You don’t have to say that just to make me feel better,” Yves says.
“When have I ever said anything just to make you feel better?” Vincent says, with a short laugh. When Yves chances a look at him, he’s smiling down at himself. “I mean it. Meeting your family has been a lot of fun. It’s not often that I get the chance to be a part of something like this.”
Whether he’s referring to France, or the wedding and the festivities, or being surrounded by Yves’s large extended family, Yves isn’t sure. But if Vincent is trying to cheer him up, it’s working.
“I can see why you like France so much,” he says, turning his gaze out the window, though the view outside is filtered through the semi-translucent curtains. “It’s beautiful.”
“Today was supposed to be the last day for sightseeing,” Yves says, a little regretful. “But you’re stuck here.”
“In a sunny, luxurious hotel room, with a view of the pool and the garden?” Vincent says, with a scoff. “I could think of worse places to be.”
Staying up all night, just to check up on Yves, more accurately. Vincent must be tired, too—yesterday was already tiring enough. And now it’s morning already, and he hasn’t gotten any sleep. 
“Reading Hemingway,” Yves adds.
Vincent looks a little surprised. Then he laughs. “Yes. I guess you’re right. Perhaps it’s an agonizing experience after all.”
The yawn he stifles into his hand, after that isn’t half as subtle as he tries to make it.
Yves feels his eyebrows creep up. “Are you sure you don’t want to get some sleep? There’s plenty of room.” He scoots a little closer to the edge of the bed, just to make a point.
Vincent peers down at the space beside him, a little hesitant. “At 10am?”
“It’d be, what, 4am, back in Eastern time?” Yves says. “By Ndew York standards, you’re supposed to already be asleep.”
“That’s not how it works,” Vincent says, but he dutifully moves a little closer to Yves anyways. He’s changed out of yesterday’s wedding attire, more sensibly, but now he’s wearing a knitted cardigan which Yves thinks looks unfairly, terribly good on him. Yves finds himself marveling at the unfairness of it all. How can someone look so good wearing something so casual?
Vincent smells good, up close. When he lays down next to Yves, pulling the covers gingerly over himself—leaving a careful amount of room between them, but still dangerously, intoxicatingly close—Yves feels his breath catch in his throat.
Vincent is right there, less than an arm’s length away from him, closer than he’s ever been, and Yves—Yves is—
“See,” Yves says, as evenly as he can manage to, in his current state, as if his heart isn’t practically beating out of his chest. He swallows. His throat feels dry. “This bed definitely fits two.”
“I suppose it does,” Vincent says. “Now you can tell me if I’m a terrible person to share a bed with.”
“After everything I’ve put you through,” Yves says, “I think I’d honestly feel reassured if you were.”
Vincent smiles, again, as if he finds this humorous. “Are you sure you’re going to be fine?”
“Positive,” Yves says. “You should sleep. I’ll wake you if I ndeed anything.”
“Okay. If you’re sure.” Vincent shuts his eyes.
It’s not long before his breathing evens out, not long before he goes perfectly still. He must really be tired, Yves thinks, with a pang.
Yves, for some reason, finds that he can’t get to sleep. He stares up at the ceiling for what feels like minutes on end, shuts his eyes, all to no avail. Maybe it’s because he’s already slept far more than his usual share. Maybe it’s the jetlag. Maybe it’s merely Vincent’s unusual presence—the strangeness of having him so close, in an environment so intimate.
But when he allows himself to look, he sees—
Vincent, his eyes shut, his eyelashes fanning out over his cheeks. From the window, the filtered light gleams unevenly across the crown of dark hair on his head. There’s almost no movement to him at all, aside from the even rise and fall of his shoulders.
And Yves knows what the feeling in his chest is. He’s regrettably, intimately familiar with it.
He just isn’t sure he likes what it means.
Vincent—despite falling asleep so quickly—is up before him. When Yves wakes, next, it’s to a hand to his forehead.
“Hey,” Vincent is saying, softly. “Yves. You have a visitor.”
Yves opens his eyes.
He’s feeling—a little better, remarkably. Still feverish, still a little unsteady, but leagues better as compared to yesterday. When he looks over, he sees—
He doesn’t jolt upright, but it’s a close thing. “Aimee!”
He barely has a chance to ask before she’s crashing into him, encircling him in a tight hug. “Yves!” she exclaims, pulling back from him. “How are you feeling? Oh my gosh, when I heard you left early because you were unwell, I was so worried…”
Yves grimaces, turning away. “Sorry, I had every idtention of staying until the end—”
“You came all the way out with the flu!” she says. “I honestly can’t believe you. The fact that you still took the trouble to attend with a fever—”
“It—” Yves starts, but he finds himself twisting away, lifting an arm to his face. “hhEH-! HEEhD’TTSCHH-iiiEEw! Snf-! It’s fide, snf-! I’mb practically recovered already.”
“I should’ve told you not to push yourself when you told me you were coming down with something,” Aimee says, shaking her head. “And you stayed and gave such a lovely speech, even though you weren’t feeling well? When I was talking to Victoire after, she mentioned that you’ve been sick for days and Genevieve—you should’ve said something.”
“I’ll say somethidg next time,” Yves says, a little sheepishly. “Did the wedding go okay?”
Aimee visibly brightens, at this. “It was more than okay,” she says, her eyes gleaming. “It blew every expectation that I had out of the water.”
Aimee fills him in on everything that happened after he left, last night—dessert, the first dance, the cake-cutting; her favorites out of the photos they’d taken after the ceremony (a shot of Genevieve braiding her hair during the cocktail hour; a shot of them leaning in close, for the dance, tired but smiling; a shot of the cake with its multiple tiers, the frosting strung like banners across it; another where both of them are holding onto the cutting knife together and Genevieve looks like she is trying not to laugh; a shot of the bouquet toss, the flowers suspended in mid-air). She tells him about the conversations she and Genevieve had with others about marriage and their futures and their plans for their honeymoon.
Then she lectures him on how he should worry about his health first, next time. She tells him, in no uncertain terms, that she’s fully prepared to give him a piece of her mind the next time he tries to pull something like this. She insists that his health is more important than anything. Vincent stands off to the side the entire time, his arms crossed, passively listening in, but when Yves looks over helplessly, mid-lecture, he definitely looks a little smug. 
All in all, she doesn’t seem disappointed in him at all. And, more importantly, she seems happy. Yves finds himself relieved, at this.
Genevieve stops by, too, a little later, to thank him for the advice he’d given her the day before the wedding. She hugs him too, and she leaves him a bag of tea that she promises “is practically a cure to anything—I hope it makes your flight home tomorrow a little more tolerable.” Victoire stops by, with Leon, and Yves resigns himself to more lecturing from the both of them. It’s humbling, a little, to be lectured by his younger sister and his younger brother, though he concedes that perhaps this time, it might be at least partially warranted.
Then Leon opens their hotel fridge to show him the two creme brulees he and Vincent had missed out on, packaged nicely in small paper containers. (“Vincent told me you were interested in these,” he says, and Yves finds himself slightly mortified—but perhaps also a little endeared—that whatever it was that he’d said last night, offhandedly, Vincent had deemed it important enough to text Leon about.)
Later, after Yves showers and gets changed—when he and Vincent eat the creme brulees at the table in the living room, and Vincent tells him that he’s finished the book, perhaps a little masochistically (“it doesn’t get any better,” he says, sounding a little spiteful)—Yves finds himself smiling.
He’s happy, he realizes, despite everything that’s happened. Even with the slight headache, and the lingering congestion, the fever that hasn’t quite gone away entirely. The revelation comes as a surprise to him, at first. But when he thinks about the people he’s surrounded with, he thinks perhaps it isn’t all that surprising.
EPILOGUE
“Are you sure you’re feeling alright?” Vincent asks.
“Yes,” Yves says. It’s not a lie.
This time, he’s seated right next to the window, and Vincent is in the middle seat. Yves had offered to take the middle seat instead, but Vincent had insisted(“If you wanted to sleep, you could lean against the window,” he’d said, and Yves had accepted only because it would be better to fall asleep against the window than do something embarrassing, like fall asleep on Vincent’s shoulder).
“It’s just the annoyidg residual symptoms, now,” he says. “I—”
God. He always has the worst timing. He veers away, muffling a tightly contained sneeze into his shoulder.
“hHEH-’IIDDZschH-yyEW! Snf-! I’mb — hHhEHh’DjjsSHH-iEW! Ugh, I’m fine. I feel better thad I sound.”
“Bless you,” Vincent says, leaning over to press his hand against Yves’s forehead. “No fever,” he says. “That’s good. But you should take another day off when we get back.”
Yves doesn’t think taking another day off is necessary. “I spedt the entirety of yesterday sleeping,” he says. “I think I’ve rested enough.”
Vincent just raises an eyebrow at him. “Need I remind you that someone very wise told you to take it easy?”
“Since when has Aimee been your spokesperson?”
“She made a lot of good points,” Vincent says, deceptively unassuming. “I think you should consider taking notes.”
Yves looks at him for a moment. “You’re laughing at me.”
This time, Vincent smiles. “Maybe.”
Yves leans back in his seat, reaching up with one hand to massage his temples. The changing cabin pressure is not exactly comfortable—his head still hurts a little, but he’s flown enough times to know that it won’t be as much of a problem once they finish their ascent. 
“Thadks again for coming,” he says, unwrapping one of the small, packaged pillows the airline has left on their seats. 
“You invited me,” Vincent says, blinking. “All I did was show up.”
But that isn’t true at all, Yves thinks. Vincent is the one who spent time learning basic French, who met Yves’s family and who spoke with everyone with genuine interest, who bought Yves medicine and water, all while being careful to not be overbearing. Vincent is the one who left the wedding early to walk Yves back to the hotel, who stayed with him the entire day afterwards.
“That’s such a huge understatement I don’t even kdow where to get started,” Yves says. “Thanks for meetidg my family—they love you, by the way. They’re going to be askidg about you every summer from now on, I just know it.”
He can already picture it—June, this year, after busy season is over, if their fake relationship lasts that long. Another flight where they’re next to each other. Another dozen conversations about how they’d met, about what it’s like dating a coworker, about what their plans for the future are.
Perhaps it’s wishful thinking. This was never meant to be a long-term arrangement in the first place. But something about this—about being here with Vincent—just feels so unthinkingly easy.
“It’s no problem,” Vincent says. “The feeling is mutual. I’m glad I got to meet them.”
“Thanks for looking after me, too,” Yves says, with another apologetic smile. “I’mb sure being stuck in a hotel room all day wasn’t how you were planning on spending your last day of vacation.”
“I don’t mind,” Vincent says, sounding strangely like he means it. “I like spending time with you.”
Yves nearly drops the pillow he’s holding. 
When he looks back at Vincent, Vincent looks faintly amused. “Is that so surprising? I think I’d be a terrible fake boyfriend if I didn’t.”
“You make a really good one, as it stands,” Yves tells him, sincerely, and Vincent smiles.
Yves looks out the window—where the city beneath them begins to resolve itself into miniature, where the sky stretches where he can see Vincent reflected faintly back at him, from the glass—and finds that he feels impossibly light.
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aramblingjay · 2 years
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#it's okay, geralt, the word you’re looking for is husband
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