lmao buck didnt ditch tommy last episode, he just made a pit stop before going to spend the night with tommy, like do you think he spent the whole night there? and yeah, this episode, if he does leave tommy to go help eddie, that's what friends do ?? like what do you expect him to do, just ignore his friends life completely falling apart? buck is an adult relationship and adults respect the fact that they arent always going to be no 1 first priority ALL of the time. tommy respects that, especially because eddie is actively in a spiral, and honestly it's really refreshing to see such a healthy depiction of the balance between romantic/platonic relationships. i mean how many times have other couples been interrupted by similar emergencies, this is literally the emergency show like. yeah obviously when there is an emergency, the characters are going to drop everything and go to it. I swear you people have never had adult relationships, romantic or platonic, because you see a normal healthy relationship and are incapable of enjoying it. "not anti bi buck, just anti tommy kinard" not anti bi buck, just anti any relationship buck has with a man that isn't eddie
wow what did i say?? that was quick!
if you think buck left eddie’s house after hearing eddie say the words “yeah me too” in reference to being worried about him, then you do not know buck at all.
also when have we seen tommy respecting anything with buck? you all live in these made up scenarios that lou blabs on cameo when in reality all we have seen is tommy constantly be dismissive towards buck unless buck is actively paying sole attention to him. that is not a perfect and healthy relationship.
tommy is constantly speaking down to buck, calling him “kid” and refusing to call buck by the name he chose for himself. that is not the sign of someone who cares about buck to me.
as for being against any relationship buck is in with s man…. give me a man who actually shows that he gives a flying fuck about buck. give me a man who isn’t constantly being condescending and rude. give me a man who’s whole backstory wasn’t as a tool to put hen and chimney through hell at the 118. if buck was dating literally any other guy i wouldn’t be anywhere near as fed up with this plotline; but the fact of the matter is we have BARELY seen anything between them that isn’t tommy being a dick to buck unless buck is kissing him. that doesn’t read as a positive and healthy relationship to me. you all claim to care about buck so much, but then actively defend everything tommy does that is rude and condescending to buck as if buck somehow deserves it.
i am capable of enjoying normal healthy adult relationships because i have watched this show for seven years. i have seen these characters drop things for emergencies. i have picked up on the patterns they have laid down in previous storylines. i have experience working in filmmaking and know how to read into things.
normally i look at these asks and laugh because i don’t like to give a platform to people like you who hide begind anon to try and make buddie shippers out to be monsters but the fact that that post hasn’t even been up for ten minutes and you already felt the need to type a whole anon ask about how wrong i am when none of what you’ve pointed out has any canonical evidence of living in the truth? i have to laugh.
the block button is free. filtering out the anti tags is free. if you’re one of my followers…. when have i ever posted anything that would make you think i was pro tommy in any way that got you to follow me in the first place?
since you sent the ask on anon and i have no way of doing it myself, i invite you to go to my page and press the block button… the anti tags exist for a reason and if you don’t wanna see anti tommy content, either filter out the tags or block my blog. simple as that.
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to love a friend - gojo satoru
synopsis: Thanks for looking at the cherry blossoms with me Satoru.
character: Gojo Satoru
tags: gojo satoru x reader, gn! reader, one sided crush, angst, no happy ending, use of y/n, no curses au!
a/n: apologies in advance for any mistakes, english is not my first language, curse you gege this is all your fault, not proofread it's like 1 am y'all I'm just sad and stressed lmao
a/n 2: took some inspo from the song: 8 Letters by Why Don't We.
You are the one who knows me best and the one who hurts me most, yet here we are seeing each other.
“Why do I pull you close but then ask you for space?”
“Am I just hurting myself?”
“Why is it so difficult to tell you that I love you?”
Isn't it amazing?
Like every day we meet without missing a beat, days where we love and hate each other.
“Are we going to change it?”
We don't know yet.
“Can I touch your heart?”
“How can I get closer to you?”
Surely I won't be able to, knowing how you are like with a heart that's as hard as stone and cold as ice. Yet, you made mine fragile like glass I am at my limit and anything can easily break it.
“Will the day that I deserve you come by?”
Let me be your love.
It's always you, you're always the one who hurts me, you make an impact in my life.
“Why can't I make an impact in your life?”
I know that if I curse at you it won't hurt, I know that if I yell at you it won't matter and I know that if I leave you won't miss me.
I know you don't love me and I still want to keep trying to win you over even if it's in vain.
“Could you do me a favor, Satoru?” Although I wanted to look into your eyes at that moment, mine only focused on the cherry blossoms and the soft pink petals that fall softly and delicately touch the ground.
I know he doesn't care about me but I still want him to do one last thing for me, I know I've bothered him too much but this is the last thing I ask of you my friend.
“What do you want me to do idiot?”
“Could you take me outside to see the cherry blossoms?”
I know I'm asking a lot of you, but please just do this for me. I fell for you many years ago and I want to be in your arms this time once and for all.
“Sure, I'll take you right now if that's okay.”
“Perfect.”
Every look, every touch makes me want to give you all of me, but I can't and I never will be able to, I know, I know that I don't deserve you and that I'm not enough for you, but at least my dream will come true.
You took me by the hand to the backyard of my house, helped me go down the stairs and stopped every time I felt a sharp pain in my chest. I'm sorry to give you so much work for this last favor.
We walked to the other side of the garden and sat under the cherry tree, as always sitting next to each other. I didn't like it but since this is the last favor I ask of you, I might as well change things. With some effort I got up from my place and let myself fall gently between your legs sensing that you were startled by how sudden everything was, I took your arms and put them around my shoulders so that you could give me a hug.
“Sometimes I wonder, what would happen if I found a soul like mine?”
“What do you mean dumbass?” Those ways you call me don't hurt me anymore Gojo, nothing hurts me anymore.
“I would like to find someone who loves me like I love that person, I want someone who loves me for who I am and not for what I do or what I can give them, I want someone who understands me and is there for me when needed, I would have loved to meet someone like that.”
“You and your love things.”
I know you don't understand them because you don't feel it the way I feel it for you Satoru, I know you don't feel it and you won't.
The sky was painted in dark colors and the clouds looked even more beautiful than before. I adore sunsets and even more so if it's with someone I love, even if that someone doesn't love me like I love them.
I wanted to tell you what I felt at that moment but I know that if I do you will live with that guilt that you did nothing to love me more and I don't like when you feel guilty, I wanted us to have a future in which we continued playing and being side by side like we've done since we were children but Satoru I can't do it anymore.
If I could be half of what you think of me, I could learn to do anything and maybe then you could love me for who I am.
I always thought I was bad but look at you, you are the best, how much I adore you and how much I love you.
Thank you for all these years my faithful friend, my confidant and my love, I will never be able to thank you for everything you have done for me, but at least I enjoyed all these years by your side my beloved, but it is time to go, maybe it hurts you that I'm leaving or maybe not, but I want to think that I am special to you and that at least in some way you love me, even if it's just as a friend.
Thank you for letting yourself be loved without knowing it.
“Thank you for seeing the cherry blossoms with me Satoru, thank you.”
“No problem, I don't mind doing this with you Y/N.”
You very rarely called me by my name, thank you for doing it in the end Satoru
“Satoru, I adore you.”
For the last time I felt my face get wet from the hot tears that I shed for the last time and for the last time I was able to see the cherry blossoms.
Closing my eyes along with the last beats of this sick heart.
Thank you Gojo Satoru, I love you.
The white haired boy felt his friend's body go limp in his arms, tightening the hug on the other body to feel its warmth.
“Did you fall asleep Y/N?”
His friend was finally in eternal slumber, it's a shame that the blue eyed boy didn't notice and slept next to his already dead friend.
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saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:
First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.
The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.
If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?
At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.
In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.
One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.
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A little bit of a rant but I really don't like it when non-Captain Boomerang try to portray Captain Boomerang as this like cold hearted, stone cold killer. I understand why it could possibly appear that way to someone who knows absolutely nothing about Captain Boomerang, outside of this one character in 2 different comics, but like as a fan of him, it's getting annoying to see people act like he goes around murdering people on purpose. Hero or not. Presumably he'd probably be more uncomfortable with killing children or teenagers.
"But what about Hack???" I hear no one yelling but just to cover all of my bases... HE CANONICALLY FELT LIKE SHIT AFTER THAT!!! He literally states "I can't believe I just did that" with a clear look of shock, and possibly horror, on his face. He literally cannot believe he killed someone. But he feels that he has to because he's "the bad guy." And bad guys kill people. That's what they do so he feels that in order to be a good criminal, he has to kill, even if he fuckin hates it. Even if he feels bad about it.
And not too much longer after this, Harley notices that it's eating away at him. She doesn't know what specific, but she knows he's distressed about something. So she asked if he was okay.
His response is very telling, "... I did a bad thing, Quinn." He looks so guilty about the whole thing. It's also clearly meant to sound like he genuinely feels bad about what he's done.
"What about Jack Drake" I hear probably no one asking still, but just in case, again, covering all my bases here. This is a bit more of a complicated thing. Especially considering the fact that the comics was written 15 years ago by this point but it's recently come to people's attention as a result of a new comic called Robin: Knight Terrors, where issue 5 of Identity Crisis is referenced in issue 1 of Knight Terrors: Robin.
I want to make something very clear. Knight Terrors isn't meant to be taken absolutely literally. It is simply exploring character's fears through the lense of a character's nightmares while at the same time trying to tie it to this new villain, Insomnia or whatever his name is.
These aren't meant to be taken as what literal canon events. These don't accurately portray what happened in the slightest. These are just Tim's perspective on the events, combined with the trauma that Tim Drake received because of his father being murdered.
First thing I'd like to point out, no words were said at all. Captain Boomerang literally didn't even see it coming until it was too late. He was only really there to break in, steal stuff, and leave. Still not necessarily something Captain Boomerang would do, he's more of a bank robber kind of guy. This is something well established but I don't want to waste everyone's time showing every single time he's robbed a bank or a jewelry store or convenience stor. Cuz that's what Captain Boomerang does. He steals from establishments, not individuals.
In Identity Crisis, Captain Boomerang is literally falling over after being shot 3 times in the chest as he's throwing the boomerang at Jack Drake. Jack Drake fired first. It was not Captain Boomerang's intention to kill anyone here. Cuz that's not what Captain Boomerang does. He doesn't kill unless he's trying to defend himself or he feels like he has to. He's not a killer.
To add to this, in issue 6 of Identity Crisis, Tim literally did not get there until after his father was dead for some time. He did not witness the events that took place at all. Knight Terrors: Robin is based on how Tim would view the situation though a nightmarish lense by having his father die essentially on loop.
In short, Captain Boomerang is a thief, not a killer. He doesn't kill unless he feels it's necessary for one reason or another. He's still a bad guy, I understand that, but he's not murdering people at random and I'm kinda tired of hearing people thinking that that's his thing. Cuz believe it or not, Hack and Jack Drake are literally the only 2 examples I have for Captain Boomerang that aren't specifically part of a Suicide Squad assassination mission. Which if you don't know anything about the Suicide Squad, they literally have to do so or their head gets blown off. I guess technically Hack was killed cuz Harcourt and Captain Boomerang are working for The People, an organization trying to be just like the Suicide Squad, so presumably, the brain bomb situation still applies here, but on the other hand it established that I guess he volunteered or something like that? But my point still stands. He's existed since at least December of 1960, the publication date of his first appearance.
If Captain Boomerang was an actual killer, you would have definitely heard about it by now.
And I haven't even gotten into the fact that, at least like... 10 years ago or whatever, that Flash Rogues kinda have a code against killing and doing drugs and such. And Captain Boomerang is a Flash Rogue. It's not really physically shown anymore, but he still is. I mean just look at Aquaman and The Flash: Voidsong, issue 1. Right there, he's back with the Rogues.
And even then, this isn't the best interpretation of the Rogues. Because contrary to popular belief, they don't kill Speedsters. This is yet another one of their established rules. They just don't kill. It's not at all what they do.
I feel like a broken record having to explain this time and time again. Because these guys are riddled with writers who just don't understand them. Writers often just use them as Bad Guy Numbers 1 through 15 or whatever, despite the fact that they are Flash's (at least Barry's anyway) main villains. And all they do is rob from banks mostly. Maybe a jewelry store. They don't go out of their way to murder people for no reason, even during a robbery. They don't go out of their way to kill heroes for no reason. I don't even think they've gone out of their way to even fight the Flash for any reason. He just shows up when the commit crimes. That's it. They aren't trying to kill him. They aren't trying to actually put people in danger. It's not what they do. And once again. Captain Boomerang is still one of them. Therefore he's not doing any of those things either.
This honestly wasn't necessary to explain, but I feel the need to share by perspective as a Captain Boomerang fan. There seems to be a Captain Boomerang Misconception™ that I've kinda witnessed within the Captain Boomerang tags alone with a bit of discussion involving Knight Terrors: Robin from Tim Drake fans in particular and Captain Boomerang isn't portrayed very will in comics about Tim Drake.
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Aspect of Order: Primordial & Present-Day
One of the first deities, part of what is known as the Primordial Triad. It created the planes alongside the Aspects of Chaos and the In-Between and held dominion over the Material Plane. It embodied order in the way nature has order: the life cycle, gravity, the tides, the surety that the seasons will change, the patterns that appear in flora and fauna alike, the symmetry of pinecones and butterflies. It was associated with the night as a time of quiet preparation where the world rests, and when one can see the remains of creation in the darkened sky. It is said that the two moons of the Material Plane are its eyes, watching over its creations.
All three members of the Primordial Triad are referred to with "it", so ancient and unfathomable that applying a mortal, transient concept of gender to them seemed almost blasphemous.
Almost.
The modern-day conception of Order is quite different. Though she still reigns over the night and natural laws, her followers have placed her at the forefront of the creation process, reducing the In-Between's role and rejecting Chaos altogether. Though most present-day cultures think of her in this way, many of them do not emphasize her: she is an invisible Over-God, keeping the other deities and forces in line and maintaining cosmic balance from behind the scenes. In places where she is worshipped heavily, however, she is placed at the forefront of the pantheon. In those cases, worship of deities with overlapping domains is either illegal (ex local gods of justice) or considered secondary to her (ex the god of the Wilds). The worship of smaller, local deities is usually discouraged or suppressed over-all in these areas in order to encourage a more structured, uniform religious practice. While both aspects of Order championed paladins, Primordial Order also championed druids and rangers while Modern Order champions clerics.
Ancient theologians debated whether or not Order and Chaos were two aspects of the same being (ironically, there was no question that the In-Between was its own separate force). However, following the iconoclasm that effectively forced Chaos out of the pantheon and created the modern conception of Order, such lines of thought were considered heretical, and then blasphemous.
The iconoclasm did have an unintended consequence, however. Crying motifs appeared in some art of Primordial Order around that time, particularly in the areas that resisted the iconoclasts more intensely. Some scholars believe that it may have been a direct reaction to the event: Order mourning the loss of its counterpart. Others have argued, however, that the lack of such motifs (or equivalents) in depictions of the In-Between prove this wrong. After all, why would it not also be grieving?
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five's character suddenly makes a lot more sense when you look at it as a metaphor for a kid indoctrinated into an abusive evangelical church, who has been convinced that hell is real.
[longpost, talk of religious abuse--mainly the evangelical christian variety--after the cut.]
he's convinced that everyone who doesn't comply with the church's rules will go there; that leaving won't save you, because hell will be waiting for you in the end; and that everyone who claims to believe differently is lying and knows better, they're just pretending they don't because they don't like the idea of acknowledging authority in the time they have before hell catches up to them. and as much as he's been taught to be self-righteous and unsympathetic about people who '''choose''' hell, in practice he's the kid who goes around trying to have the 'so have you accepted jesus into your heart' speech with everyone he even remotely cares about, and won't back off about it even though it goes over Absolutely Fucking Terribly and he's being an asshole, because if he doesn't get them to convert when (he thinks) there's any chance they might have done so they will go to hell and it will be his fault.
and like, this adds a lot of layers to his hatred of nine and what he thinks (and in some ways is correct 🙃) that he stands for. but one of the big ones is that as far as he's concerned, nine can and will snipe people to send them to hell out of spite for converting to save themselves. one of the things that made him hate him so much--decide he Needs and Deserves to Die--is that he was told sandor made the decision to comply with the mogs because it was the Smart Thing to Do... and that nine punished him for it by murdering him brutally. and that given half the chance nine would do it to him.
for all he's been indoctrinated to value Having Power Over Other People and Deserving It Because You're Special, at heart five has major just world fallacy going on because he desperately wants to believe that everyone can be safe, and happy, and understand each other. that all that needs to happen for them to have that is to make the right choice. he doesn't actually believe the mogs are inherently Superior; he thinks they have the same fair shot as everyone else and that the only difference is that they will take that shot, and are honest that they're doing so.
whereas what is one of the other big things he hates nine for? the one that fills him with so much rage he has to stop reading about him? the idea that nine is inherently superior to him and the others, and deserves a better life, regardless of any choice they ever could have made.
he's told that the elders saved nine for last because he was strongest, and that the earlier numbers were cannon fodder because they were weak. he's told that he and the lower numbers were forced into hiding, made to suffer, to buy nine a little more time. and he's told that in the event he managed to survive that far, he would be nine's inferior--his servant--because he's a lower number.
five talks about how he's superior and deserves to rule everyone else because he has 'potential,' but it's not about how powerful he is because of his legacies; it's that he thinks he's willing to make the right choice. he thinks the idea of treating someone like they don't have a right to that choice because they're inherently worth less than others is absolutely fucking repugnant. and where the mogs get him is by twisting his idea of what constitutes Everyone Being Happy so far that they convince him their cause, which is doing exactly what he hates most, is the one that's fair.
add onto that that he's terrified of the idea that you can in fact just be completely fucked no matter what choices you make, and just gets more and more invested in coping via denial the clearer it becomes that he is the one who is utterly royally fucked no matter what he does, and... well, you get some real unfortunate end results to say the least. but like, that's where he's coming from.
so to wrap this back around to the evangelism metaphor: if you believe what five believes, the idea of someone being willing and able to do what nine does by sending someone to hell regardless of their own choice would be Existentially Horrifying to begin with! but it also goes against one of five's deepest core beliefs, both reasonable and Unfortunate Coping with Trauma. and when you pile that on top of the immense suffering he's gone through over it, the result is going to be visceral burning hatred.
anyway this post is already Long and i've got a lot more thoughts in me about it, but suffice it to say five absolutely is a metaphor for evangelical trauma, and how victims get weaponized into extensions of their church's abuse. and it's an evangelical survivor's nightmare, because the version of hell he's been taught to base his entire worldview around fearing is objectively real. 🥲
(the real smoking gun here? not only is the Great Book a really obvious analogy for the bible, but the name is a retcon. what was it called before that, while he's evangelizing about it no less?)
(the Good Book.)
(welp.)
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