List of Small Things™ I enjoy about Fullmetal Alchemist in no particular order
Everyone in FMAB/manga is just Some Guy™ and very human and I love that so here goes:
Falman getting stuck with a serial-killing suit of armor in his appartment for days and his reaction to it. It may have been weeks. He's been on sick leave the entire time. He's a guy in his early thirties with a flock of early-greying hair because being in a dead-end-role in the military is stressfull, ok. He gets stuck at home with a funny little serial killer (and eventually some foreign body guards, and a foreign prince?? lighting signal fires in his backyard?? like man what a week)
The whole military ambush against the Devil's Nest was yes, kind of kickstarted by the gang kidnapping Al for Greed, but it was mostly kickstarted because Ed was down south to do his yearly official report and Bradley and Armstrong just happened to be present when he was informed Al had gone missing. Greed's entire operation was done in by a teen doing his paperwork
on that note, Greed really decided to spend his immortality wisely by pursuing absolutely none of his supposed ambitions and just decided to settle down with a bunch of buddies. An offshot of the buddies he was initially made to guard, too. I don't think Greed is aware of this either
everyone on that radio building. The radio host 100% down to get some coup-shenanigans into his station to drive engagement. The guys sympathising with Mrs Bradley and taking care of her. Breda taking control of the narrative with a perpetual frown by the skin of his teeth.
I know the story of how the Bradleys met is technically not canon(?) but Mrs Bradley slapping her future husband upon their first meeting because he got his flirting tips from his siblings will never not be funny. Idiots. All of them.
EVERYTHING about Darius and Heinkel. They lost their jobs and became wanted criminals upon helping out some scrawny 15 year old. They have families they miss dearly. They haven't looked back since. "You guys don't HAVE to help me save the world" - "It's not like we have anything better to do"
i was going to say the Ice Cream Truck, because it's iconic, but actually, when told to disguise a vehicle, 15-year-old pinacle of edgelord fashion Edward Elric turned it into a colourful nightmare of spikes that barely resembled a car but might be closely related to the worlds deadliest parade float. None of this was necessary. Ed is just like that.
Hawkeye growing her hair out after meeting Winry, and Winry getting piercings after seeing Hawkeye's
Denny Brosh bursting into tears when he sees Maria Ross is still alive. Dude managed to not quit his job despite working in the same city (department?) where his best friend's killer was his supervisor. They were also very real for showing us that this is a guy who oversleeps and is older brother to at least three younger siblings. There was no need to give us more on Denny Brosh but every little detail hit so hard when they reunited.
okay so remember that time Ed and Ling ate Ed's shoe. Remember that Ed spend some time on a "deserted island" as a kid. Gluttony's stomach had nothing on him. Izumi raised some anime-ass boy-scouts. 100% Farm boy behaviour. These kids are so 15 it makes me want to bite things
immortal, soul-spliced dwarf in a flask got rid of his Sloth and still managed to procrastinate on his world domination plan until the last minute. Most Human disaster.
the entire half-episode they spend on Dr. Knox and his regrets and family. FMA is so good about humanising everyone.
everyone bullied Yoki because he was a small town fraud exploiting workers for his own benefit. Simply a jerk. He also hit Pride with a car in an epic rescue, and cried and screamed the whole way through
that one shot of a kid curiously poking a soldier they found bound on the ground with a stick
(I know it's technically not canon, but-) "I'm trying to save your life, asshole!"
Edward Elric
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Do you think any of the Gendy bends have the tsim?
(Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet,Harriet)
Well there are!
Harriet, Elizabeth, Seth, Noelle, Trin, Alejandra, Bryson and Evan are autistic!
Trin also has OCD.
Jody, Lincoln, Taylor, Issac, Danika and Ginnifer are ADHD
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You know, an interesting tumblr transformation that's happened gradually, and which I've seen no one talk about: ask-culture has essentially dropped off to nothing.
By which I mean, asks used to be WAY more of the tumblr economy. They used to be more common to send, and receive, and see. They were integral to the collaborative, forum-like behavior of old tumblr communities, not even to speak on the HUGE number of ask-blogs that used to exist to only be interacted with in ask-form.
I'm not saying this in a vying-for-attention way but instead in an observational way: I used to get way way more asks in like 2015, even with a fraction of my follower count. I wonder if it's due to the homogenization of social media sites? There's a lot more of this divide between "content creator" and "consumer" instead of just a bunch of peer blogs who would talk to each other. "Asks" aren't really a thing on twitter, are they? And as I understand it, the closest thing to an "ask" on instagram or tiktok would be a creator screenshotting some comment and responding to it in a new reel or video or whatever those content mediums are. Are asks just too tumblr-specific? Is that aspect of the site culture dying out as more and more people converge to using all their social media sites in the same way?
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frankly, the people whose kneejerk reaction to bisan asking for a global strike form the 21st-28th is to say that it takes years to organize a general strike are really unhelpful! no one is saying otherwise, but palestine will be a smoking crater if we all wait for years to do anything - bisan is asking us to do something now. Like are we only supposed to do something if we can do it perfectly??? At some point it’s a valid critique about the work that goes into social movement, and at another point I feel like some people are just trying to absolve themselves from not putting any effort into observing a week of economic inaction.
like idk! I get it, okay! People have bills to pay that don’t magically go away for a strike, we don’t have nearly enough social infrastructure in place to support people to fully stop going to work for a week. But fuck, dude! Stop immediately responding in such a defeatist way! Cut out unnecessary purchases! Try to shop local! Put more effort into promoting Palestinian voices online! Attend a protest, call a local rep, do something!
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I love first-person because it’s about what the narrator chooses to tell. What do they focus on? What do they leave out? What can you learn from reading between the lines? Are they lying to you? Are they lying to themself? It’s great for unreliable narrators and for epistolary storytelling! It’s intimate but there’s still a distance because you aren’t really seeing the narrator’s thoughts--you’re just seeing the story that they’ve constructed.
I love second-person because it’s a conversation. Does “you” mean a broad, indefinite “you”? Does “you” really mean “I” but with plausible deniability? Does “you” mean one specific person? Can they hear the narrator? Do they know the narrator? What is the relationship here? Who’s talking? Who’s listening?
I love third-person limited because it’s focused and intimate. What does the world look like from inside this character’s head? What are they seeing? What are they feeling? It doesn’t grant them the privacy that first-person does; the narrative isn’t something they’ve chosen, it’s invisible and inescapable. As a reader you’re not watching so much as astral projecting.
(I love singular point of view because of how much it leans into that limitation. You’re not getting the whole story; you’re not seeing anything unless this character sees it. How do you embrace that? What do you do with the gaps around the edges? How does that define--or warp--the events that they’re experiencing?
I love multiple points of view because of how it broadens your understanding of the story and the world. If two point-of-view characters react in opposite ways to the same thing, what does that tell you about them? About the world? How does it feel to spend time inside a character’s head and then see them from someone’s else’s point of view? How do all of these viewpoints work together?)
I love third-person omniscient because the narrative is a character. It’s great for stories that know they’re stories! It allows for a camaraderie between the narrator and the reader! It allows for wider and more cinematic descriptions because you’re not limited to what a specific person can see! It lets you look at the characters from outside while still giving you the option to delve into their heads because you have full control over what you’re focusing on!
And I love authors who can combine viewpoints in ways you wouldn’t think would work but manage to pull it off! Stories with multiple point-of-view characters where one is first-person and the others are third! Stories that combine first- and second-person! Stories where the omniscient narrator suddenly refers to themself in the first person! Stories where you realize halfway through that you were wrong about who was narrating it!
Isn’t it fantastic that there are so many different ways to tell stories!!!!
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I think it's funniest if Luke and Anakin have completely opposite opinions on sand actually
Anakin: I don't like sand, it's course and rough and irritating and it gets everywhere UGH
Luke: I like sand. Reminds me of home. The good old days when all I had to worry about was not being allowed to go to tosche station to pick up some power converters :') I would happily take a sand bath
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