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#only wolfgang would do this
I found a poorly translated Japanese to English spelling and it automatically made me think of this picture, so I made this
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Grimmer is Immune to Johan
Probably a stretch and my reasoning definitely boils down to “because I think that would be interesting and will analyse text based on this premise” so don’t take me too seriously lol (but I’m right)
I mostly wanted to write this because I lament the fact that Johan and Grimmer never really get any proper interactions together despite being, in my opinion, much better narrative foils to each other than Johan is to Tenma. They were made of the same building blocks, but turned out as total opposition to one another. We do get a faint taste of this through Milosz, and that’s actually part of what makes me argue this point: Milosz was saved.
Before really getting into Grimmer vs. Johan, it’s important to draw another distinction. Grimmer and Roberto are the ones often compared, given their ties to one another. They both went to Kinderheim, and both were similarly broken down to hollow human husks, then left the orphanage and began different lives. It’s here, once they moved on, that an important distinction is made.
While little is known about Roberto and so there’s not much to go on here, he indicates while talking to Lunge that he lived as an impersonal mercenary, with no connections to anyone or anything. Because he never speaks on having had any connection of any kind, my assumption here is this has always been the case for him.
Grimmer on the other hand became very much connected to people. While, yes, it was a facade - he didn’t care about them, he was performing a role as a spy - he did still have a grounded existence in which people were familiar with him, treated him like a friend, a husband, a father. Even if it was false, Grimmer had grounded himself by living a life. Roberto was transient, with no other person to validate his existence.
In a way, I connect Grimmer to Nina; both have little to no memory of their childhood, and both were “given” a new name, living their lives under this new persona and growing into a person of their own, holding that new name as a part of themselves. Basically, Grimmer has an identity. He started developing into a proper person, and allowed himself to move forward with his life as that person. And after losing the people that had become his family, he set his sights on a goal to unearth the organization that had put him through everything he endured. While he is contemplating his past here, he’s doing so through the lens of a forward-moving goal; he can’t achieve it if he’s only looking back. Achieving his goal means he has to keep moving forward.
The reason that Johan was able to get to Roberto, and to sway him to perfect loyalty, was because Roberto had nothing to ground him in the present, and nothing to look for in the future. He was stuck in the past, and having someone validate those feelings gave him ground to stand on. He finally had a connection, but that connection was fixing him into his past, rather than pulling him forward. He’s trapped by Johan and sees no future except “the end”.
Overall this is how Johan works; he himself is unable to let go of the past, and sympathizes with people who in turn have traumas they’re unable to let go of, helping them to embrace that part of themselves instead of moving on. Convincing people to kill themselves isn’t that hard when all that exists for them is their past, and the future has no meaning.
This brings us back to the pseudo-conflict between Grimmer and Johan over Milosz. Indeed, Johan is able to break Milosz down and trap him into his past - the trauma of knowing his mother abandoned him. Rationally, if he were able to look forward, he would know that he has a new family now, in the boys that befriended him. But because he was caught in Johan’s trap, the present doesn’t matter. Grimmer, though, was able to break through with one important assertion: that someone wanted him. True his mother may have abandoned him (or died, we don’t even know!) but so long as he looks forward instead of back, there will be people in the world he will meet that do want him, that do love him, that need him in their lives. He gives Milosz a goal: to find the people that can become his new family, instead of wallowing in the despair of not having his mother.
While I do think that Johan would have had the power to reach and break down Grimmer when he was younger, still more freshly out of Kinderheim and barely established as a person, the Grimmer of now is too grounded in his existence and forward-looking for Johan to be able to ensnare him. The only way I think he might have an angle on Grimmer is through Steiner, as Grimmer still expresses visible vulnerability about not being able to control that other side to himself, but I don’t think it would be enough to convince him that the world is full of despair. His connection to the world, even if manufactured some of the time, is too strong for Johan to crack.
I would have loved to see them have a proper discussion in the show, I think it could have been very insightful.
As an aside, I think it’s interesting to consider both Johan and Grimmer’s dialogues with Milosz as being somewhat self-reflective; Johan feels abandoned by his mother, and therefore unwanted in the world, while Grimmer holds onto the necessary belief that someone somewhere in the world wanted him to exist.
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schadenfreudich · 8 months
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We looked up what museums there are in Weimar and Franz saw 3 he's interested in and now he keeps saying "They're so mean to me!"
The three museums about the Weimar Republic, bees and trains. (My boy is so very predictable)
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arolesbianism · 9 months
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Untreated dst dynamic of the century is Wendy and Wurt they are so delightful to me. Yes this is 65% because of Wurt's walking stick dialogue but also I'm correct
#rat rambles#also wurt gets the gift of being one of like 3 ppl that gets a unique greeting from wendy#ok technically maxwell and walter do too but only sort of#and for maxwel its probably not a good thing lol#for walter its just a hello along with the typical how do you do so I count it as more friendly by wendy standards#wurt just gets a flat hello which may not seem that friendly on its own but considering how wendy greets most of the others its noteworthy#the other two that are the main exceptions of the trademark how do you do are webber and wortox btw#oh and also wolfgang but idk if I can completely confidently say it implies much?#like idk wendy does mention wanting to play with him but thats not completely unique to him#I do think wolfgang is someone wendy is generally more friendly with tho#its just hard to say how much more or less wolfgang ranks on the ppl wendy likes scale compared to everyone else#Im not enough of a wurt expert to speak as much on her but she generally seems to like most of the survivors well enough#she seem to be concerned abt wendy to some extent tho which is smth that cant be said abt some other characters lol#she also seems to like webber a lot which is smth the two have in common at least fkfndjd#I like to imagine wendy and wurt have a sibling like dynamic#I would elaborate on my hcs for them but its 2 am so. another time <3#oh also in regards to wendy and maxwell wendy seems to be distrustful but not activelt distainful towards him#like willing to allow him to hang around but more than willing to punish him in petty ways#kiddo simply has bigger fish to fry (having tea parties with webber)
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gunthermunch · 9 months
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[Transcript under the cut]
Gunther: OHMYGOD Lilith: had a nightmare? don't worry. Lilith: you'll get used to them Gunther: n-no.. i just- it's the horror of it all Gunther: i miss the kids too much. and im so worried there is only worst case scenarios in my head like a- Gunther: meteorite precisely falling on top of them Lilith: i can only imagine what you're gonna be like when Bluma hits her teens Gunther: h-her what Lilith: i miss them too, okay? but the're in good hands, Wolfgang does the part. so, would you relax? i swear you're always anxious or in the middle of a stress peak Gunther: i was brought into this world like this and there's nothing to be done. Lilith: bet Gunther: bet? Lilith: there. Gunther oh. Gunther: you're like a bag of ice Lilith: they say ice baths are soothing, and stuff. Gunther: Lilith, you're a genius Gunther: …do you think little Garry is causing any trouble? Lilith: of course, he's my son. now shut up or i'll need to tighten my grip Gunther: you know, i told Maggie to take care of them but i fear she's as reckless and nap adoring as Garry and Bluma. Respectively. Gunther: oh, god. Lilith: Gunther. Lilith: shut. up.
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omegalomania · 9 months
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face in my hands. listen to me. no just. just listen. like. i think on the whole fandom tends to heavily mythologize what certain songs are "about" despite this never being solidly confirmed to be the case and fob (pete in particular) generally try not to say without question What Songs Are About because they want people to take whatever meaning they can from it. but from now on we are enemies is one of the exceptions to this rule to a very limited extent and by that i mean that on two separate occasions, during the hiatus, patrick and pete shared a little bit of what the song was about on twitter, independent of one another.
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if you haven't seen the film amadeus it's about a rivalry between two historical composers, wolfgang amadeus mozart and antonio salieri. salieri loathes mozart and finds him supremely childish and annoying...but also irritatingly brilliant beyond words. salieri obsesses over wanting to see mozart fail and even plans on killing him, but they do eventually form a friendship. then mozart gets sick and dies. salieri essentially breaks and loses his mind and years down the line will claim that he murdered him.
the name of the song, "from now on we are enemies," is a direct quote from the film. but it's not talking about mozart. it's a furious diatribe that salieri flings at god himself. he's so wildly and deliriously envious of mozart that he feels like this is divine punishment and so he declares god his mortal enemy for bestowing mozart with such brilliance. from now on we are enemies, you and i.
this is, i should note, one of the last songs fall out boy wrote before the hiatus. this and "alpha dog" were considered "new" for the believers never die greatest hits compendium, but alpha dog was technically debuted before folie released, on the welcome to the new administration mixtape. then fall out boy went on hiatus and there was no guarantee of return.
like i dont know what to say about this song that hasnt already been said. its fucking deranged as all get out ill tell you that much. its fucking unhinged that this song, this song with this central thesis statement, is one of the last songs you wrote together as a band before going your separate ways without any guarantee that you would reform again. and it's THIS. IT'S THIS SONG. a song that laments about whether anyone will remember you when you're gone (reminds me of flu game, reminds me of so much (for) stardust the title track, reminds me of .... so many of the themes inherent to their eighth studio album. actually.), and a song that practically lays out its inspiration for all to see. for a band that seldom if ever discloses with actual intent the Meaning behind their songs, this is a song that discusses a HIGHLY FRAUGHT ARTISTIC RELATIONSHIP and it's hard, it's real damn hard, to see anything but what is clearly all on display. composer but never composed (patrick has always considered himself a composer first and foremost). singing the symphonies of the overdosed (pete played a song that was named after the drug he tried to overdose on with his band mere nights earlier). i'm just a man on a balcony singing no one will ever remember me (again there's the fear and dread about the legacy you leave behind just before the band goes their separate ways).
can't fucking lay out the sheer psychological damage this does to my soul just thinking about this. they played MISS MISSING YOU the night before. just, you know, one of the other Songs that's so hard to disentangle from the hiatus because of the way it was written (patrick wrote the music while making soul punk, felt like it wasn't for him, and set it aside...despite there being, again, NO guarantee that the band would ever reform at this point, and then the song was only completed once fall out boy decided to come back, with joe and andy adding instrumentation and pete adding the lyrics) and whose music video features patrick and pete literally KILLING EACH OTHER. from now on we are enemies. i need to walk into the ocean. i need to lie down. im inconsolable.
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a big german newspaper (die zeit) recently published a more critical article on the so called „verrichtungsboxen“ (literally: boxes of execution; boxes on the street where prostituted women and sex buyers can go to consummate the sexual acts; anyone who knows german will know this is a gross terminology, fitting for a gross concept).
while the fact these boxes exist is in itself a tragedy, the letters to the editor are giving me hope that there are sane people left in this country - even though from their names and writing style i would guess they are of the older generation, pension age.
heinz wohner: „if you dont get a visceral reaction of disgust and shame looking at these obfuscating boxes called ‚eco toilets‘ and the image of what is going on in them, you have to be extremely cold. calling what is being done to these women for little money ‚work like any other‘ is sugarcoating the issue.“
wolfgang wendling: „maybe there are women who voluntarily prostitute themselves, but the majority is doing it out of necessity and under pressure. calling the oldest trade in history a profession like any other is pure mockery. its not an honor to call our country europe‘s biggest brothel. but it‘s true. we should be ashamed that women are being exploited, humiliated and abused before our eyes. the more severe the poverty is in the country of origin, the cheaper you can have them. we should finally stop this, which is the only appropriate action for a civilised country.“
brigitte kosfeld: „the photo of these boxes alone speaks volumes on the inhumane practices hidden behind the liberalisation of prostitution. when the law was introduced, there were convinced social democratic women who were holding speeches on ‚prostitution as a profession‘. the intentions behind the law might have been honorable, but the reality has always been deeply anti-woman.“
professor claudia reuter, phd: „the liberalisation of prostitution in germany has failed in all regards. according to a french study, the average life expectancy of a prostitute is 33 years. babbling about self-determination in this case is inhumane. the state is not supporting prostitutes’ workers rights and their health, but their economic and sexual exploitation. its about time for the swedish model: protection for women and consistent punishment for sex buyers and pimps.“
joachim kasten: „social democrat august bebel already wrote in 1879 (…) that ‚honorable family men‘ were contributing to uphold the system prostitution with their money. according to him, they were generously let off their responsibility to disappear in anonymity. apparently today we are still where we were at the end of the 19th century.“
sabine moehler: „the description [in the article] of typical injuries prostitutes have reminded me very much of those women in physically abusive relationships show as well. a man who abuses, humiliates and demeans a prostitute in any way will do the same to his partner, wife or lover as soon as he doesnt like her behavior. (…) even reading about this is upsetting me a lot.“
and of course the one sex buyer who just had to write to the editors, peter müller: „its one sided to use the misery in berlin street prostitution with sex on public toilets as a reason to debate the liberalisation of prostitution. there are many brothels were the ladies are treated with respect. of course working as a prostitute harbors certain risks - but there are women who freely choose this job, and in my experience, some of them are doing it with passion and love. the regular prices are not the dumping prices you mentioned (5-10 euros) [note: which is indeed normal in street prostitution] but actually 80-100 euros for half an hour - not to mention those dont include extras and humiliating sex practices. i met women who earn better in prostitution than some employees in germany.“
loose translation and highlights by me.
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ataraxiaspainting · 5 months
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Hier Encore IV.
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Yan Chrollo x F Reader.
[Hier Encore III.]
Synopsis: Yorknew Police Department Headquarters, 1995, April 10th. You are a director of public safety. The Phantom Troupe attacks the headquarters and takes you under the guise of a hostage situation. Even when the ransom is paid, you are never returned and assumed to be dead. After thirteen months of captivity, in 1996, on May 9th, you escape and try to learn how to live again somewhere far away from your captor. The payment of freedom comes with a steep cost, one that stains your hands so much that even if you drown them in bleach, the stain will remain there for the rest of your life.
Warnings: Yandere themes, kidnapping, the reader is described as AFAB and uses she/her pronouns respectively, not SFW implications, misogynistic undertones (not from Chrollo), unhealthy relationships, manipulation o’clock, body transformation (not on the reader), references to religion, violence/gore, minor character death, and stalking.
Word Count: 5.9k.
Ten Songs Like This Piece:
Lacrimosa by Wolfgang Amadeus Mozart
4:00 A.M. by Taeko Onuki
My Girlfriend Is a Witch by October Country
Michelle by Sir Chloe
Sonne by Rammstein
Enemy by Imagine Dragons
Venus Fly Trap by MARINA
Maneater by Nelly Furtado
cult leader by KiNG MALA
Teacher’s Pet by Melanie Martinez 
“She looked like a vixen, and that’s what she was; she had all the instincts of a female fox. She was the proverbial predatory female. She had what she wanted, now, and she was content. There was just the getting completely away with it that counted.” – Gil Brewer, Sin for Me
iv. “I must be cruel, only to be kind.”
“Greetings.”
One emotion comes after another on Sebastian's face: confusion, fear, distrust, and many more.
“Hello.” His voice is tight. “Do you need something?” He asks, putting his hands on the doorframe as a precaution.
“I have just come to ask you a few questions.” Chrollo answers, his voice as calm and collected as always. He isn’t even looking at Sebaste, his focus is placed on the inside of the cottage. He knows that you are here.
“Like what?” Sebaste asks, his body tensing up.
“My dear, come out.” He calls out to you, his voice as soft as it usually is.
“I’m sorry?” Sebaste questions, his shoulders strained upwards. “I’m right here.”
Chrollo pays him no mind, instead still looking over Sebastian's shoulder. He hums, looking at one object in the living room at a time. The black sofa by the television was old with the bottom left corner of it torn, white stuffing no longer being covered there in that spot. The carpet below Sebastian’s feet, the colors fading because of age. The creaky poplar floorboards. The pots of plants where the kitchen’s checkered tiles and the living room’s wooden planks meet, where you are hiding. Your eyes meet and his eyes are as empty as ever, perhaps even emptier, like black holes in the ground that aim to swallow you whole.
“Come out, my love.” He repeats himself, his tone sickeningly sweet to the point of mockery.
“Excuse me?” Sebaste asks, his voice slightly cracking.
“Dearest.” His gaze is still on you. It is intense and you feel a pressure on your neck like you are being strangled by him. You can’t breathe.
“I’m here.” Sebaste moves his hands downwards on the doorframe. “I’m right here.” His eyebrows furrow. “I’m right here. Don’t ignore me.” He’s upset.
“Hmm.” He leans in slightly. “She hasn’t told you anything, has she?”
You can see Sebastian's feet through the leaves of the tall plants take a step or two back at Chrollo’s question. “What?”
He still is not making eye contact with Sebaste. “Honestly, I expected that you would have left her by now, or at the very least be on your knees begging for mercy from me. Little liar.” Once more, a gentle hum escapes his lips as he leans in, drawing himself nearer. “But that is alright.”
Sebastian's feet move backward yet again. “What?” He knows. “Hello? What are you talking about?”
Remaining composed, Chrollo gradually advances towards Sebaste. “My dear, aren’t you going to greet me? I missed you.”
As an innate response to his words, your muscles contract, causing your entire body to become rigid.
“Come on out,” Chrollo continues, his smile getting wider. “We haven’t seen each other for more than a year. It feels like a millennia since I saw you last. My heart still beats for you, though, and always will.”
“Leave,” You finally say, your voice almost as shaky as you are. “Go away.”
Sebaste and Chrollo are now both looking at you, but their gazes are different. Chrollo looks at you like a hunter looks at a slain doe or rabbit they are about to eat, while Sebaste looks at you with confusion and fear, for he knows what you are; a liar. “Come closer. Let me see you.”
You shake your head from side to side until your neck cramps and you feel slightly dizzy. “Leave, go away.” You repeat, your voice still shuddering. 
“I would take you more seriously if your voice was not quivering, beloved.”  You can perceive the mocking tone in his voice. “I want to see your beautiful face not covered by the foliage of a dying plant.” His smile is getting bigger and bigger by the second, you swear to yourself. “Come on now.”
Once more, you vigorously shake your head, refusing to comply. “Leave.”
Sebaste continues to call out, desperately trying to catch his attention, but he remains unfazed, humming to himself. Fear is evident in his expression and the urgency of his voice. Concern grips you, for both Sebaste and yourself.
“Come closer, please. Come greet me.”
You squirm behind the tall plant. “No, go away, leave.”
“I won’t.” His smile fades as he looks down at Sebastian's arms still holding onto the doorframe like it was their lifeline. It is actually, you realize.
Sebastian's face contorts into a frown, while he straightens his posture even further, assuming a defensive stance. “If all you are going to do is bother my girlfriend and not talk to me, you have to leave.”
“No.” Sebaste is finally acknowledged by him, but this time his voice lacks warmth, sounding firm and icy. “Step aside.”
The urge to run engulfs you. You want to run into the forest. You want to run until your feet bleed and your ankles are twisted and bruised.
“Why would I do that?” Sebaste hisses angrily. “Leave. All you are doing is being a creep to my girlfriend. Leave or I’ll call the police. Now.”
Chrollo simply leans in closer to Sebastian's ear. “Step aside. Please.”
Sebaste scowls. “Leave. Now.”
Run, run, run. Despite your determination to hold your ground, you start to relent under Chrollo's unrelenting gaze, eventually taking a step forward as instructed. “Ah, that’s better. Good.” As Chrollo's stare intensifies, you find yourself averting your gaze towards the ground, towards your bare feet. “Look at you, my poor thing. You have nothing more to say, don’t you?” He coos like a parent watching their baby take their first steps.
“I’m calling the police.”
Sebaste delves into the depths of his hoodie pocket, where his phone resides, leaving a portion of the doorway unguarded by his arm. The urge to plead with Sebaste, to convey the futility of it all, arises within you. However, you find yourself incapable of doing so. 
In one swift motion, Chrollo grabs the cell phone away from Sebastian’s hand and throws it on the ground, a loud smashing sound reaching your ears. It’s only more pronounced by a boot stomping and crushing it like it was some sort of bug.
“Come closer, dearest.” He says, and your feet move, your mind compliant. You move closer and closer, until you are a few feet behind Sebaste, who looks both fearful and confused.
“Call the police,” Sebaste tells you, the stress in his voice is more than obvious.
You just stare, emptily. There is no point in running over to the kitchen to grab your phone, because Chrollo is quick and thus would run quicker, quicker than you ever could. You, poor you, would fall in vain in the Spider’s hunt for the fly that made it out of the web alive.
“Call the police. [First], call the police.” You would love to appear as a saint, but bright crimson stains your hands and eats at your very being. The floorboards creak and crack beneath you as you walk closer and you hope that the planks will simply break and let you fall into an infinite void where you will never be sentenced for your crimes. 
“My lady of sorrows, as beautiful as ever.”
You should have hidden your tracks better.
“Call the police, [First].” You should have watched out for any targets on your back.
You should have watched out more for the eyes looking at you in the night because you only caught one pair. “Your love is like a warm summer’s day, and it will always be mine, all mine.”
You wanted a normal human life. You wanted a normal human death.
But you are caught in the Spider’s web and encased in silk yet again, so you can’t have either of those things. Now, all that you can have that you want is to cry.
“Call the police.” Sebastian's trembling voice echoes once more, filled with fear. Desperate to find solace, he reaches out for your hand, only to be met with the unexpected rejection of a slap. 
You’re so stupid. So, so stupid. Your brain feels numb like it is rotting away inside of you, slowly but surely.
“Call the police. [First]. Go get your phone and call the police.”
“All I want is to hold you in my arms and know that you are mine.” You hold everything Chrollo has ever said to you inside of you where your heart used to be. It weighs you down more than a broken heart ever would.
“[First]. Call the police. What’s wrong?”
The world is now monochrome once more. You feel the place where warmth used to be within you. But now all there is is ashes. There is nothing but ashes. Your lungs hurt from all the filth.
“Stop it.” Disgusting, you are disgusting, Chrollo is disgusting.
You wanted to see the whole world. But you are now back to being trapped in the spider’s web and you cannot do any of those things now. A butterfly with a hole in its wing caught in its web. 
“What’s wrong? Call the police. Go. Now.” Disgusting. “[First]?” Disgusting. “[First], why aren’t you doing anything?”
“Stop it.” Your voice cracks like how you wanted the floorboards to. “Just stop it.”
“Go get your phone.” Sebaste continues, deaf to what you are trying to tell him. “Go. Now. Go.”
Your head hurts. Your stomach hurts. You want your pajamas on. You want to sleep. You wish you never ran away because now hell will be unleashed on Sebaste and you as punishment. You wish you would have just made a pit stop in this town and continued being on the move. You wish you were more tactical. You wish you had never been born at all. Disgusting. You’re so disgusting and stupid and tired.
You find yourself uttering every part of it, stammering through the words, pausing to catch your breath, pleading for Sebastian's survival, hoping to just return to whatever luxurious penthouse or hotel room Chrollo is currently staying at, imploring to have a private conversation with Chrollo about this matter in his car, away from Sebaste.
As soon as you finish begging for Sebastian's life and open your eyes, you see the book in Chrollo’s hand. With the realization of what is about to happen, tears finally fall from your eyes onto your bare feet. 
The cry that escapes your lips is a unique one, unlike any other. It is choked, desperate, animalistic, raw, and undeniably genuine.
“Don’t! Please! Wait! Chrollo!”
Chrollo looks at you and you immediately shut up.
“What are you doing?” Sebaste asks, stepping away, his entire body shaking. “Answer me. What are you doing?”
Chrollo's gaze turns towards him, bearing a facial expression that ranks among the most dreadful you've ever witnessed.
He doesn’t respond with anything more than a hum and a quick turn of the pages.
You’re too afraid to speak.
You look at the floor and close your eyes again as you continue to cry.
You hate the book. He has never used it on you, but you know what it can do. Perhaps if Chrollo is in a good mood at the moment, Sebaste will merely have a curse placed upon him and he will go out the door with poor, wailing you, his grip on your wrist strong enough to almost break it. 
A foolish thought, you remind yourself.
Chrollo wasn’t known for his mercy, after all.
Sebaste is as good as dead.
Perhaps he is even worse than dead.
He could be tortured. Starved, eaten alive, poisoned, or has all of his bones broken bit by bit.
You are scared to open your eyes. But you are also scared to have them remain closed.
As you look at what is in front of you and ignore the noises around you, you deprive yourself of any mercy.
It is what you deserve.
“[First]?”
“Don’t.”
“[First], what is happening?” Sebaste points to Chrollo with a look of pure fear, his eyes looking like they are about to burst from their sockets. “What is he talking about?”
“I said don’t. Just stop.”
Sebaste stops in his place, his body shaking so much it looks like he is about to fall. “What?”
“I’m sorry.” It is a genuine apology. “But speaking will only make the pain worse for both of us.”
Chrollo hums again and nods at you, still flipping through the pages. Engaging in acts of rebellion will only exacerbate the situation.
The book stops turning and Chrollo points to a page. “I found it.”
His words are barely audible, drowned out by the piercing cries of anguish. Flashing lights; magenta, red, teal, and black.
Sable scales are sprouting from Sebastian's alabaster skin, each one covered in blood and pierced flesh.
His scleras are a shade of light coral. His eyelids are getting smaller and smaller by the second.
His irises get darker, almost to the hue of ink, matching the scales that are all over his body covered in little bits of torn skin. His knees collapse on themselves as you stand still, looking with both disgust and fear. His elbows fold as his arms lessen in length, his hands bonding with his clavicles. 
He is still screaming.
You want to tell him to stop, that there was no point. It’s already too late for either of you.
But you can’t.
You refuse to look at Chrollo, who is no doubt smiling at the horrifying tragedy unfolding in front of you two.
You just look at Sebaste with pitying, guilty eyes.
He does not look at you.
You deserve it, and he deserves to at least have that choice in the matter.
Whatever Chrollo is doing to him, there is no doubt in your mind that you deserve at least twice as bad of a fate.
But you don’t fear death. Not anymore. You know Chrollo does not plan to kill you, that death is not in the cards he is holding. He would never let go of his favorite toy. So, you fear the unknown. You fear whatever harrowing methods Chrollo is going to use on you. There is no doubt that they will be far more psychological than physical.
You sit and stay, like a good dog does, even though every fiber of your being is telling you to run out the back door and into the forest. So, you wait. You wait until he is done. You won’t speak or move unless you are told to. You give up all control and pretend to want to be dragged by a leash instead. You hide your true feelings behind a mask and not overplay your hand. That is how you become a dog.
Good girl.
Chrollo takes out a few Polaroid photographs from his suit pocket and lays them out on the table. One of them is the gore-stained walls of James’ apartment, his lower half the only part that is still whole. The second is Victor’s collapsed, untouched body on the wooden floorboards. The third is of your stalker’s rotting corpse in your abandoned shed, his head lowered and his partially gouged eyes swinging in the cool breeze. You can’t pretend to be better anymore. You can’t hide what you have done anymore. He knows.
You reach for the photos, grabbing them off the table then crumble them into balls, tearing them apart into shreds and watching them fall onto the ground.
Chrollo doesn’t stop you. He simply stares at the torn pieces that lay at your bare feet. He hums. It’s the most horrific sound you have ever heard. It is a mix of hilarity and hunger. When he smiles, his teeth look like a shark's. They are razorlike and look sharp enough to cut flesh, though they appear the same as yours. Although his appearance may deceive others into perceiving him as angelic, you are aware that he is anything but, just like yourself.
He knows. He knows.
Chrollo takes a step forward toward you but stops abruptly. He hums again. He looks upward towards your face and you make eye contact. Your brain starts screaming signals to run.
He knows of the lies that are the foundation of the makeup used to cover your hideous, real face. He knows of your sticky, sticky red hands, stained with crimson sin. He knows of the devil that lurks within the deepest confines of your heart. He knows that no exorcism or priest would be able to get rid of it. He knows that it will stay inside you until your last breath. He knows of the hidden transgressions within your soul, the deeds you committed to survive. The actions you took to elevate yourself above all others and everything else in this world.
He knows everything. He knows what you have done.
The stars twinkle no more. The moon has lost its luster. The night sky has broken apart. You cannot hide your wrongdoings from the scorching beams of the sun. Your skin burns. Everything hurts.
He knows.
He looks down at you like he is a king. Arrogant. Tenacious. He is not even a star to you. He is less than the small pieces of meteorites floating in the vast Milky Way, fading away more and more by the second. This life was too good to be true. You have failed and as a result, you have lost everything. 
You cover your head with your arms and run, tackling Chrollo to the ground. He falls onto the kitchen floor with a hard thump. You punch him, but your knuckle hurts as you do so, Chrollo’s face like an iron wall. You yelp in pain and withdraw your fist, using your other hand to pull out the knife from your sweatpants. You haven’t even made a dent into him, did he even feel anything?
Chrollo's laughter resonates as if he finds your actions incredibly amusing. He proceeds to articulate the harsh reality, a truth that is both unpleasant and acrid. “So, you were the one that committed those murders. As expected.”
No. No. No. No.
As you falter, Chrollo’s hands firmly grab the upper parts of your arms and push you off, the amount of power used being nearly enough to throw you against the glass cupboards of dishware and decorations. Instead, the back of your head collides with the wall next to the wooden back door, the paring knife flying out of your hand and landing a few inches away. A pained cry escapes your lips as your vision blurs for a second. He’s on top of you in an instant, his eyes dark and predatory, and your positions suddenly reversed. 
The blade, you have to get it back.
As you try to reach out for it, Chrollo grabs your wrist with an abnormal amount of strength. “I wouldn’t pick that up if I were you. It would only prove a point for me.”
Run. Run. Run. You have to run, like a small child running up the stairs when the lights are off, fearing what could be lurking in the dark. 
Life. Death. Free. Cage. Run. 
No, this can’t be happening, this is just a bad dream.
“Struggle all you like, we both know how this will end.”
“Shut up. I’m not going anywhere–”
“You are. You will stay wherever I place you because I am not falling for your tricks a second time, my little witch.”
No. This is just a bad dream. You close your eyes and try to wake up, shaking your head and begging for Chrollo to be just a figment of your imagination. You try and try, but you can still feel the crushing feeling of Chrollo’s grip on your bruised wrist and the weight of his body on top of yours. This is real, and this is happening.
Your mind goes blank as you open your eyes, your body being directed by raw, pure fear. Your forehead crashes into Chrollo’s, making him back up a few centimeters and let go of your wrist. Your torso crawls toward the blade like an animal whose legs are caught under a boulder or a bear trap. Your elbows bend and you try to move forward. You are just about to grab the knife when there is a yanking of your hair backward. You holler out as your spine is twisted peculiarly, your upper body facing downwards towards the knife while your lower body is facing upwards towards Chrollo. 
“Let go!”
“You certainly are stubborn.”
Your fist smacks him square in the jaw and he lets go. Your hand grips the knife, and you start swinging it around, blinded by emotion. You manage to cut into his right cheek as he spits out some blood from your punch. You try to gouge out one of his eyes, but his dexterity causes his head to duck just in time. Your body shakes with a mix of alarm and hate. You try to aim for the space between his eyes, but he grabs your wrist with one hand and your tricep with the other and starts twisting them in two different directions, making you wail. There is a sudden snap that is louder than your cries. You scream as you drop the knife and caress your broken arm. Chrollo grabs the blade and throws it far across the room. 
Chrollo’s body seems to relax a little, so you kick him in the face and try to clamber away from him. His nose bleeds, but it does not look broken. You are as desperate as a doe trying to escape the bullets of a hunter’s shotgun. 
Run. Run. Run. 
“You’re not being good. You’re not being good at all.”
Run. Run.
With the last bits of strength you have, you withstand the agonizing pain in your arm and kick Chrollo in the stomach with both of your legs, so hard that even you wince. He backs up as he chokes on his saliva. Some of the blood from his nose jumps onto your face and you can taste the flavor of metal. He falls backward and hugs his abdomen. He is off of you at long last. For the quick moment he is in pain, you stand up quickly, clutching your unusable limb. You run as fast as you can towards the paring knife. You bend down and grab it in a rush of panic. 
Run, rabbit. Run.
Chrollo pushes you down onto your stomach, your back facing him. He grabs your broken arm and pulls it, his foot on your spine to keep you there. It bends like rubber or bubblegum. You start to flail around like a fish out of water. You gasp for air as you cry out in pain. His other hand grabs the back of your head, raising it slightly before pushing it down hard onto the wooden planks. The life you have built for yourself, everything you have worked towards, the colorful, sweet world you have made, all shatters into splinters before your very eyes.
Picking pumpkins and apples to make decorations and cook into pies, harvesting sunflowers to put into glass vases around your cottage, going into the farmer’s market and smelling freshly roasted corn and baked goods, cookies, fried mushrooms, glazed yams, eggplant parmesan, learning to love someone for the first time.
It was all for nothing. It was all for nothing because Chrollo found you. Chrollo found you and enacted his revenge. You wail a strangled, desperate breath. A raw and real breath. 
You stop struggling at long last, like a toy that has run out of power from its battery. All that fighting and you have hardly made him use his true strength.
You are weak. You cannot go anywhere. You are a rabbit with nowhere to run. Murder. Death. Theft. Crime. Manipulation. Love. Chrollo’s blood is still in your mouth and it’s bitter and dry, like you had just eaten sand in a desert or oceanless beach. It chokes you, both physically and mentally.
No.
The fish that used to be Sebaste looks up at the ceiling, lying on its side. An unblinking, wide eye. Dull. Cloudy. Empty. Unforgiving. Confused. Weak. Its corpse lays before you two and starts to stink like the back of a butcher’s shop. 
I hate you.
That is what its eye tells you.
Traitor. Fool. Devil. Maneater. Tainted. Killer. Freak.
This is all your fault. Why did I have to die? Why are you still alive? You lied to me. You said you loved me. Liar. 
Liar. Liar. Liar.
Pathetic.
Your feet are still cold.
If only you could have died too. If only you could have died beside him. You don’t want to die in whatever hotel room or penthouse Chrollo will shove you in, within four suffocating walls and soft sheets that cost more than your monthly rent. You don’t want to die there, you want to die anywhere else. You are not ready to die. Tunnel vision overtakes you, with only one objective in mind.
Just stay alive.
Just stay alive.
That is your one wish to the stars above.
It hurts.
Everything hurts.
You are being burned alive by your desire to both live and die.
...
You don’t think before you do it.
You don’t try to stop yourself before, without any hesitation, your legs propel you forward, forcefully thrusting the backdoor open with your functioning arm. Anguish, fury, remorse, and sorrow engage in a fierce battle for dominance over your every move. As you dart deeper into the dark and densely packed forest behind your cottage, the only sounds you could hear are your own ragged breaths and pounding heart. It was as if the forest was trying to swallow you up, closing in with every passing step. No moonlight or stars pierced the thick layers of leaves and branches overhead.
The darkness is like a thick fog, blurring your sight and limiting your visibility. You could not see Chrollo behind you, but your instincts told you that he was. There was no hint of a breeze to take some of the edge off, with even the birds and chipmunks being completely silent.
The pain was excruciating. With every jostling step, your broken arm jolted around like a wooden toy, threatening to send you down to the ground any second as it kept getting caught in vines and hitting tree trunks. You could not afford to stop running.
You don’t see anyone following you.
Your feet are starting to bleed and leave a few red drops of blood with every rushed step you take. You don’t care about it because instinct has taken over your mind.
You trip over a large root on the ground and fall sideways right on your broken arm, making you scream from the intense pain shooting up. As you try to get up and caress your broken arm, you stumble downhill into a pile of dead leaves. 
Your mouth is full of them, making you hardly able to breathe as you spit them out. 
If it were any other time, you would have considered it funny.
But not now.
As you rise from the ground, your hand instinctively shields your mouth, preventing any inadvertent sound that may invite unwanted attention. The pursuit of Chrollo, if not already initiated, has undoubtedly commenced.
He’s after you. You know this. He came back into your newly rebuilt life and destroyed it right in front of your very eyes. 
You know he can hear you, but you cannot hear him. You never know of his presence until he is too close, that is how it always has been. That is how it is now. Chrollo has forever possessed superior speed, strength, intelligence, attractiveness, and wealth, making it impossible for anyone to ever match his prowess, even if they desired to do so.
You hate him.
You hate him, and he’s here for you again.
No.
How did he even find you?
Hisoka promised.
He promised you that your location would be undiscovered.
He lied to you, didn’t he?
Maybe lying isn’t the exact word.
Maybe he technically did keep his promise, because the Troupe didn’t show up in a matter of a few hours.
Chrollo showed up in a matter of nearly twenty four.
Your gasps for air and silenced cries are paired with a call of your name.
“Oh, you poor thing. Scared half to death.”
His words are as soft as they are cruel.
“Mater Dolorosa.”
You force yourself onto your feet again to run, sensing the voice behind you up the hill getting louder and louder. But when you move to run, you wince in pain and look down at your swollen red ankle.
It is so dark that you can’t see anything aside from yourself, the world around you being painted monochrome by the black night sky’s palette. 
There is nowhere to run, is there?
You have used up all of your luck getting this far, and have to pay the price.
You are out of time. You cannot dream of sweet escape anymore.
“Do you remember my touch? I touched you so sweetly. My darling girl.”
You would turn if you could, but the pain shooting out from your ankle prevents you doing so and almost makes you fall into the leaves again instead. “You took me away.” 
Moving in a circular motion, Chrollo gradually positions himself in your line of sight, his imposing figure standing tall before you. “It is a thief’s nature. I could not resist the temptation to steal you.”
Chrollo is a prime illustration of the extreme measures some individuals are willing to take in order to have you in their embrace. 
Your beauty has captivated every person you have encountered, evoking reverence from all. It is both a blessing and a curse, a double edged sword, both the thing that worships you and tortures you. 
Your sweatpants are covered in dirt stains and pieces of dried grass and leaves, your hoodie in a similarly horrible condition. Your hair had come undone, cascading in delicate wisps that obscured your vision, reminiscent of a spider's delicate web. There is nowhere to hide.
“Oh, how I love you.” Chrollo smiles and the way it reaches his eyes makes you squirm more. “Shall I enumerate the reasons why?”
The car ride was silent for a while. You would have preferred it if it stayed that way. But Chrollo could never stay quiet for long, even if you asked nicely, so he turned the dial of the radio and began humming along. In all the months you were with him, the only constant presence in your otherwise bleak, depressing life. 
The song he chose felt like yet another kick to the stomach. ABBA’s Lay All Your Love On Me. Of course he would play that.
As much as you hate doing so, you focus on the way your heart beats with each turn and bump along the road. He was calm, still so calm, even after this two year long escape. You are certain that this is the calm before the storm, and it was only a matter of time before everything came crashing down on you. More than what already had fallen. 
To claim that you were on edge would be an understatement. 
“Do you know what will happen now?”
With your heart pounding and mind consumed, you can't help but startle at his words, despite your readiness.
“...No.”
He lets out a small laugh, reducing the music's volume to a slightly muffled level.
It only makes you feel like you are about to go into cardiac arrest.
“You do, don’t you? You have always been a smart one.”
Your broken arm aches under the slight pressure of the seatbelt pressing against it, your ankle being only slightly cushioned by the insulated carpet beneath.
Chrollo has never hurt you before, aside from restraining you in the early days of your capture. Though, you know if you had blamed your ankle on him and told him, he would tell you it was your fault for running barefoot in the dark.
He hopefully will give you a brace or pillow for it when you both arrive back to wherever your temporary location is.
“My freedoms will be taken away.”
As he nods, a smile plays at the corners of his mouth, revealing a slightly sinister undertone that would easily deceive any unfamiliar observer.
“That is a start. But,” Pausing momentarily, he directs his gaze towards you, only to swiftly return his attention to the path that lies ahead. “What particularly? Give me an example, please.”
He is definitely planning something. Maybe you'll inquire about the source of his inquiry, or perhaps you'll force a trembling grin and pretend his question is nonsensical, aware that he's already aware of the freedoms you've gained during your time in confinement. Yet, he would persist then, and repeat his query. You could respond by acknowledging his authority to strip away any privilege he deems appropriate, a fact that both of you know to be true, but deep down, you understand that he desires a real, logical answer.
Whether this is a genuine question or something that will be used to mock you in a moment or two, you have no idea.
“A freedom like…” Your answer will probably be spawned into existence, making you wary of how to respond to his question, but you know you have to because you have no choice in this hell. “Like being able to move freely around.”
He only taps his fingers on the steering wheel in a melody unlike the one playing from the car’s speakers. “How so?” Welcome once again to the realm of eternal damnation.
You contemplate turning away from him and looking out the window instead. But that would cause you more physical pain from your arm moving against the car seat and more mental pain from you knowing you will not be able to go outside again for at least a while. That is, if you are ever allowed to go outside again. If you can ever escape again. He wants another answer. He is not satisfied. But, then again, when is he ever?
You don’t dare look away from him as he stares at you, not at the road, at you. You practically feel like your stomach is dropping out of your body and onto the insulated carpet, staining parts of it crimson red from the blood and a discolored version of its once licorice color from the stomach acid. 
“Go on,” You could imagine the feeling of his fingers and yours intertwining and starting to squeeze your throat. 
Thum, thum, thum. Bum, bum, bum. Dun, dun, dun.
“...Restraints.” You wish you could just dissolve like seafoam in the sea. “I’m not sure which ones you want to use. The metal ones or silk ones most likely.” The sensation of suffocation creeps in, as if the air itself has turned putrid and malevolent, weighing heavily on your chest. Your vocal cords are raspy, resembling the aftermath of regurgitating and subjecting them to the corrosive effects of gastric acid. “Maybe gag me or tie my legs together too. Or both, it depends on if you are in a good mood right now or not, right?”
He nods slowly, never taking his eyes off of you. His gaze feels unsettling, for there is no trace of anger in his eyes, yet you can sense his fury.
“That is one, yes. What else do you think will happen when we get back, my dear?”
The road is empty. There are no deer or geese or ducks crossing, only you and Chrollo. Animals have always had better judgment of human character, after all.
You hope that the place you are going to at least has a nice view.
“Tell me.”
107 notes · View notes
natimiles · 3 months
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RANDOM HEADCANONS ABOUT MOZART
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Platonic/General:
♪ He would go insane if he saw this chocolate cello (or anything this guy does, honestly).
♪ He is possessive and overprotective with his friends too. He will clean your hands if Arthur someone touches you and he will glare at random people who look at you. He does the same things with Jean.
♪ He likes meaty dishes, so I love the idea of him not liking vegetables. “What’s that green thing doing on my plate?” He then puts it in the corner of his plate while grimacing.
♪ If you miss listening to any modern music, he’ll try to learn it to play for you. You hum the melody and the lyrics, and he arranges a version. It's not 100% accurate, but it makes you happy — and makes him happy as a consequence.
♪ He will give you tickets to all the concerts he performs. If you don’t go for whatever reason, he will give you the cold shoulder for at least one week.
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Romantic:
♪ He’d go to the future with you in a heartbeat; he just needs you and a piano to be happy. He has been in the mansion for only one year when he met you, and his only friend is Jean.
♪ He’d be wary of cars, but would end up liking that they don’t shake as much as carriages. You can’t make him board an airplane unless he’s doped up with sleeping pills though.
♪ It would be hard for him to use his full real name, but he doesn’t care (as a fact, real Mozart changed his name a lot). He could probably use Wolfgang without any problems.
♪ For his love language, I’d put words of affirmation, physical touch, and quality time in a jar and shake it real good. He likes to give and receive them all, honestly. However, words of affirmation are probably the strongest. Once he starts saying how much he loves you, he won’t stop — and he makes sure you know he likes to hear it too.
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Countdown to Wolf’s Birthday: random hcs | 1 day! IT’S TOMORROW!
101 notes · View notes
feelbokkie · 1 year
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🐺How he would react to you being a werewolf🐺
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☀️Feelbokkie M.list☀️
genre: werewolf au, crack, some fluff
pov: 2nd person
description: you're a werewolf and this is how each skz would react (gifs have nothing to do with the writing)
pairing: bf!skz x gn!werewolf!reader
warnings: lycanthropy(?), fluff, suggestive, swearing, let me know if I missed anything
word count: 1,222
©feelbokkie (2023) — all rights reserved. reposting/modification of any kind is not tolerated.
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방 찬 (Bang Chan)
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Would almost definitely try to get you to howl in the soundbooth for a song
Has fun testing your hearing by playing frequencies only dogs can hear and adding them to songs like an easter egg for you
If you're going to a concert he'll make sure you aren't in a crowded spot, you have noise canceling protection headphones, and if there are going to be any fireworks he will warn you
Wolfgang is unironically your favorite skz song
It started off as a joke, because of course your favorite song would be the one where your boyfriend is barking in your ear
You are in possession of the chain collar necklace that he wears in the Kingdom performance and you wear it religiously
Is in the studio almost every day but if it's a full moon he'll make sure to leave early or take the day off so he can keep you company
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이 민 호 (Lee Min-Ho)
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Has a spray bottle and will use it on you
Like an actual dog
"Get off the couch!" *Spray*
He's joking but he has too much fun with the spray bottle
One time you annoyed him so much that he bought a dog bed
As a joke he served your dinner in a dog bowl and put it on the floor
He slept in the dog bed that night
Got you a pup cup from Starbucks one time as a joke, but you loved it so much that it confused him bc it's literally just whipped cream in a small cup
Keeps small cups and whipped cream at his dorm just for you
Found out by accident that you don't like thunderstorms
Will just swaddle you with a weighted blanket and shove noise canceling headphones on your ears either with music or a drama playing
Will feed you snacks in your anti thunder cocoon
Doesn't hug you often but will pat your butt or head frequently
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서 창 빈 (Seo Chang-Bin)
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He's naturally loud but speaks quietly around you because of your dog like hearing
Bought you those ear protection noise cancelling headphones, like the ones they give babies, so you can go to their concerts
Will immediately go take a shower when he comes back from the gym and you're hanging out at his dorm because your sense of smell is also like a dog's
Takes you with him to the gym sometimes so you can be a little stronger physically and be affected by the change a little less
You mostly do cardio
Has fun with it
"Are these dog treats?" "They're good for your teeth and will keep your coat silky smooth."
"Binnie, did you buy me shampoo?" "Yeah, here." "... This is dog shampoo." "Human shampoo isn't good for dogs." "Pissing me off isn't good for your health."
"I love you and that stuffed animal is cute but if it squeaks, I'm going to lose my shit." "I've got a few returns to make..."
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황 현 진 (Hwang Hyun-Jin)
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You're basically a giant dog to him
Makes him sad that Kkami loves you better than him
"We have a bond that you can't understand." "Can you talk to dogs?" "No." "Then what do you--" "We have to put up with you."
Pouted for an hour
His hands always find their way in your hair, petting you
Refers to your full moon days as your time of the month
"It's almost your time of the month, do you have everything you need?" "Please, for the love of fuck, stop calling it that." "What else would I call it?" "Literally anything else."
Still calls it your time of the month
It's okay, you tease him back harder
"I know Stay joking calls you a dog kisser but I think they're going to have to start calling you a dog fucker." "Why is that your first thought after we just had sex?"
Your nails are always long so he offers to paint them
Your hair grows long and fast so he has fun playing with it and trying new styles
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한 지 성 (Han Ji-Sung)
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So unserious
"So, it would technically be politically correct if I referred to you as my bitch?" "I guess?" "Perfect."
Would have fun referring to you as his bitch until Chan, who doesn't know you're a werewolf, smacked and lectured him for being disrespectful
"Does we just or count as beastiality?" "Jisung, what the actual fuck?" "I'm serious!" "No! I was in my human form the whole time."
You can tell he's going to have a panic attack before he even knows
You can literally hear it
A lot of the time, you'll gently pull him to the couch or the floor and put your head in his lap so he can calm down
If you two are in public, you try to find a quiet place and sit with him and try to calm him down
Emotional support pet partner
This doesn't mean you can fly for free, you already tried that
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이 용 복 (Lee Felix Yong-Bok)
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"Wait, like a Twilight, Teen Wolf, or Harry Potter werewolf?" "Are those the only fictional werewolves that you know?" "Yes, now answer the question."
The answer is a Twilight wolf but you change monthly and go through 3 days of pain and hell
Will sit and give you head pats and belly scratches once you're comfortable in your wolf form
"I baked these for you!" "Have one with me?" "I'm good." "..." "..." "Lix, did you bake me dog treats?" "Taste it first before you get mad!"
They were good
Fed some to the boys to see if they noticed
They did not
Loves cuddling with you, you're like a heater with feelings
Hates seeing you in pain but will at least sit with you on full moon days and the days before and after because that shit is not a one day thing
Tries to calm you down when you get the zoomies
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김 승 민 (Kim Seung-Min)
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Surprisingly chill with it
Suspiciously chill with it 🤨
"I kinda figured already." "How?" "You were way too happy playing frisbee. When you said you were a werewolf, it all made sense."
Gives you space the week of the full moon
He knows that you're going through enough mentally and physically, he doesn't want to add to your stress
Will go on walks with you
A lot of the time it's because you were overstimulated and he's trying to tire you out
"If you don't like it, you don't have to eat it." "How do you know I don't like it?" "Your ears went down a little." "My ears did what?"
Alternately, your ears wiggle slightly when you're happy or excited, which Min learned early on
Your ears always happy wiggle when he sings
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양 정 인 (Yang Jeong-In)
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A partner and a pet, all in one! He wins
Would overthink a lot about it
"I was going to buy you a necklace but I didn't know if you'd prefer a collar instead so I came home empty handed." "The necklace would have been fine, Jeongin."
Compromised and bought you a choker
"Are... are you shedding?" "I literally can't help it. I'll clean it up, don't worry." "It just threw me off. I thought only animals shed." "Please stop talking, I get it."
"So, when you get sick, do you go to the vet or a doctor?" "Are you being serious?" "Kinda of..." "I'm still a human, In."
Will lean on you like a pillow in your wolf form to keep you company
Buy me a coffee?
322 notes · View notes
Text
Ikemen Vampire reaction to MC wanting a hug from them
1. Napoleon Bonaparte
He'd rub his eye open and give you a sleepy half hug but then his arms would fall on the small of your back and Napoleon would instantly pull you inside the covers with him. He then shows you a naughty smirk as he tickles your sides -
"Lay with me for awhile Nunuche"
2. Wolfgang Amadeus Mozart
He hugs you grumpily saying that he was busy composing pieces and kisses your head. You giggle at your cute boyfriend and tiptoe to kiss him but he moves away and inspects your face -
"What's with the sudden affection are you feeling unwell?"
3. Leonardo Da Vinci
He chuckles when you ask him that and still picks you up in his arms and places playful kisses across your shoulder and collarbones. You two then end up making out only to find Sebastian looking at you wide-eyed-
"I guess they found out about our little secret cara mia"
4. Arthur Conan Doyle
He moves side to side and plays hard to get so you two end up chasing each other in the garden and at last you spring out from a bush and tackle him down and give him a nice and long smooch-
"Luv, if you wanted me that bad you could've just said so."
5. Isaac Newton
Surprisingly Isaac smiles at you and pulls you to his chest his exhaustion long forgotten. He strokes the sides of your face and goes to sleep hugging you like that.
"Sleep well my darling"
6. Jean D' Arc
Jean wasn't a big fan of cuddles early on in the relationship but now he'll paractically melt if you hug him. Your lovely smell relaxing him.
"Don't tell this to anyone but I find your hugs very comforting."
7. Comte De Saint Germain
He smiles at you and hugs you tight. Maybe he'll procrastinate his paper work for a while and snuggle with you. *Wink wonk*
"You know you don't have to ask for a hug right, cherie?"
8. Sebastian/ Akihiko Satou
He's a busy man so he'll give you a quick hug and place a soft kiss on your brow showing you a guilty smile. You can't blame him though, it sure is hard taking care of a mansion full of vampires.
"Allow me 5 more minutes my love, I'll attend to you shortly."
9. William Shakespeare
He knew you were under the weather so it doesn't take much time for him to spread his arms wide for you and cradles your face in his hands placing a chaste kiss on your forehead.
"Fair maiden of mine, do tell what is the reason behind all your worries."
10. Vincent Van Gogh
He puts down his paintbrush and gives you a bright smile. He kisses you on the cheek and hugs you tight, still giving light kisses on your nape and ears.
"Would you like to see me paint my Schatje ?"
11. Theodorous Van Gogh
He blushes and grumbles how you shouldn't be doing things like this and just hug him whenever you like. Lets you sit on his lap and play with his hair.
"Don't mess up my hair too much Hondje, or I'll have to tickle you down."
12. Dazai Osamu
The writer picks you up spins you around as sounds of pure joy erupt from both of you. He sets you down and gives you an adorable bear hug, his hugs sure are the best.
"You're real adorable, you know that right?"
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Tenma kissing Grimmer while he’s sitting down so that the height difference is reversed supremacy
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schadenfreudich · 8 months
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Franz was talking about reading a proposed law early in the morning and went "Yes, I love doing that" while putting his hands into what was almost the Merkel Raute, just not on purpose.
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xxsycamore · 4 months
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Catboy!Mozart headcanons
╰┈➤ 😼 What if Mozart was a catboy? Meowzart, if you will?
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Wolfgang Amadeus Mozart x MC • rating:G • wordcount: 920 • masterlist
a/n: First it was Nyapoleon and now I'm presenting you with... Meowzart. Thank you TheCarmineWanker on AO3 for proposing this idea, hope you enjoy!
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When Mozart took his chance at afterlife, accepting the offer of the mysterious gentleman standing at his deathbed, he had no idea he'll be incarnated as a vampire… much less as a catboy vampire. He blames it on his own strange antics during his former life.
Strangely enough, Mozart feels at home in his new body. After all, he's always had that catboy in himself. Back in the day, despite being a member of the elite society of his time, he couldn't help his bursts of quirkiness when bored, and could be seen leaping over tables and chairs… He hopes noone would remember him for that.
The first thing he does upon waking up in the 19th century in the mansion of Comte de Saint-Germain is to… look for a mirror. Not just to observe the curios new attributes of what once was a human body, but to groom himself. It comes so naturally to him that he cannot find peace until he's thoroughly taken care of himself.
The pristine white fur on his cat ears and tail is short, but much like his human hair, it tends to get a little wild unless groomed and kept in order. The first request he extends towards the master of the house is not for enhancements of the piano room, but rather for top-quality hairbrushes and toilette products.
It's such a burden, to be reborn with the intention to devote yet another lifetime to music yet to still face obstacles in the way. Not that he can complain much. Having a near-immortal form that needs less sleep is a delight, if the price he has to pay is distracting himself for a portion of rouge every now and then, then so be it. But god, his catboy genes. They're a gift and a curse.
For one, he finds it harder to fight boredom. Which is funny because that's exactly how this side of himself manifested back in the day, when he reached his relatively low threshold of boredom.
Much like how cats need constant entertainment, Mozart needs something besides music in order for his brain to produce dopamine. He's never been the kind to move around much, and would prefer it if he never has to leave the mansion at all. Especially not via carriage. He claws at the carriage doors when someone tries to put him in one.
But catboy Mozart gets the zoomies every now and then, and he can't do anything about it. It often happens at night. It starts with the strange urge to trash his hand along the row of piano keys, pressing them in a random, chaotic order, creating a godawful cacophony of noises.
It feels good to do that. He has no explanation for it. It'd normally feel like nails on a chalkboard for him, yet bringing disorder after hours and hours of precise work feels so refreshing to him.
Then he exits the piano room to exhaust his pent-up energy elsewhere. He runs in the halls. Jumps over the long dining table and various other pieces of furniture. Thank god everyone else is fast asleep. Or are they?
He's a clean freak, so he cleans after himself. It's just a part of his routine at this point. He feels equal parts of satisfaction wreaking havoc and then bringing order afterwards.
As for the positive aspects of having this new form, Mozart is astonished to find his hearing greatly enhanced. He hears everything. It's all a musician like him can ask for.
You know how Mozart becomes chatty and giggly when he's drunk? It's only worse if we're talking about a drunk catboy Mozart.
He meows at people. Loudly. You can't have a normal conversation with him; to every question, he'll tilt his head with a curious "miau". The others are forced to meow back in some dire attempt to communicate with him to get down from the chandelier.
Upon the arrival of MC in the mansion, Mozart doesn't play around showing his "beast" side to her, being more than sure that she won't be able to put up with him. Her futile efforts at making friends with him are laughable and she needs to know exactly who she's trying to domesticate. He warns her about getting her face clawed at if she enters his room at the wrong time.
Despite the bumpy start, she naturally doesn't give up trying to get closer to him… until her patience and genuine care pass the test of time and acquaintanceship blooms into love.
Mozart becomes more willing to be himself infront of her, and in turn, MC helps him out by keeping him company when he gets the zoomies. She practically plays with him, makes sure he's not breaking any expensive mansion relics, chases after him and gets chased by him…
MC notices how important is for Mozart to be well-groomed, and begins to frequently brush his hair and cat ears for him.
The first time Mozart's tongue swaps across her cheek, it's shocking for both parties. For Mozart because he didn't even realize he's doing it, and for MC because it hits her what a special brand of affection this equals to.
MC gifts him a collar with a little bell on it, a very elegant one. She knows Mozart's love for certain noises, and he truly falls inlove with it - though he makes it clear that he'll only wear it in front of her. He might be a catboy but he's a catboy with dignity.
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Taglist: @arsnovacadenza @ale-teodora @kimi00twin @otomelady @privilegedpancake @g-kleran    @pumpumnnnp @thesirenwashere @ravenarld @kimmy-banana @devonares @galaxyprison @sadshaxk @starshards26 @thewitchofbooks @acethephoenix256 @ikevamp-shrine-2 @nad-zeta @crystal13unny @lordsister @ikemen-banshou   @themysticalbeing @otome-scribbles @rhodolitesrose @coornn @kpop-and-otome @queen-dahlia @kisara-16 @chaosangel767 @ikemenlibrary @queengiuliettafirstlady @aurora-morning @aquagirl1978 ​ @ikemenlover24 @mcofthemansion @joy-the-reader @katriniac @ikemen-writer @tele86 @lovely-bubb1es @aria-chikage @babyblue0t7 @rhodoliteschaos @shrimpy-kitsune @nightghoul381 @xbalayage @lucyw260 @kittygrimm88 @lokis-laugh @judejazza Let me know if you want to be tagged/untagged!
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mayabunny23 · 5 months
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Cringe ass Headcanons about the Don't Starve Together Gang's gender and sexuality
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Wilson - Aroace He cares more about science and being a smart ass than he does romance or sex.
Willow - Lesbian She seems like the type of girl that scares men away on purpose... Gremlin woman.
Wolfgang - Aroace He would rather settle down with a friend than a lover. The man also sees most of the people in the group as friends.
Wendy - Aroace She is a kid but even if she was an adult, her grief for her sister is stronger than any love for someone (be is romantic or what not)
WX-78 - Non-binary & Aroace They are canonically non-binary so the obvious is obvious. They don't feel romantic feelings but they can feel many other forms of love... they are not truly emotionless.
Wickerbottom - Asexual Biromantic She wouldn't mind a partner to help her at her library but she might not go with any of the people here... except maybe Wanda.
Woodie - Pansexual More like axe-sexual... Wait wouldn't that make every ship with him a polycule? He loves Lucy but if he was to love someone that wasn't a talking axe, he wouldn't care what gender they are.
Wes - Demiboy & Asexual Wes feels like the type to be referred to with he / them... Be it because of the character he plays or because that's what they refers to themself as.
Maxwell - Bisexual "I miss my wife, Wilson... I miss her a lot... I'll be back." he swings both ways but uh... who wants this pathetic man outside of Charlie?
Wigfrid - Demigirl & Bisexual This queen of theater (Sorry Charlie) uses she / them much the same way Wes does... that and she is just cool like that. Oh and she likes people.
Webber - Demiboy & Aroace His reasoning for being demiboy is because he is literally two beings and the spider is a they / it... also same thing as Wendy, his fixation on bugs and critters is stronger than dumb romantic love. (If he was like an adult)
Winona - Butch [Lesbian] Obvious thing is obvious, she has a girlfriend back on Earth that thinks she's dead. Also like look at her, she is straight up very butch leaning.
Warly - Gay The other side of the spectrum, Warly is probably gay... Totally not because Waokevale and another person influenced me with Warly x Woodie...
Wortox - Aroace Mortal concepts as "love" and "sex" doesn't interest this imp, he is only after chaos and fun.... Also Wortox gives zero DAMNs what pronouns you use on Wortox.
Wormwood - Non-Binary & Aroace The lad doesn't know or really feel that type of stuff [And it's not because he is a "kid", he is an adult.], Wormwood only uses he / him pronouns on himself because they sound nice but he doesn't mind any pronouns really.
Wurt - Aroace Wurt is a kid and she's more focus on creating a merm kingdom and learning to really care.
Walter - Aroace Kid doesn't care about romance but probably had a crush at some point.
Wanda - Asexual Lesbian Wanda doesn't have time to have sex with your mother, she is trying not to turn into dust.
Wonkey - Literally not even a real character.
If you scrolled down this far or read this, thanks! this is probably hell to read for people with like... reading issues (I have some form of it, don't worry)
I might do the DLC characters from Don't Starve next but uh... maybe never, just need to remember they exist.
ALSO!!!!!!! If none of the headcanons suit you then be happy knowing they are HEADcanons and are not real...
ALSO Also... sorry for no art bros, been doodling ocs shit for discord server and no one would be interested in that.
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yanderepuck · 6 months
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Kinktober Day 24
WELCOME BACK SLUTS. It's that time of the year you've been looking forward to. As always, Kinktober is hosted by your local Napoleon simp @xxsycamore
If you would like to read Kinktober 2021 and 2022 they are here
Remember to reblog and tell me what you thought about it
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Day 24 -  Against the wall | Bent Over a Table/Desk
You wouldn't have guessed Mozart would have been okay with this, but maybe he's just caught up in the moment. Really caught up in the moment.
He has you bent over his piano, cock deep inside you. You're only wearing your bra due to Mozart getting handsy earlier. He did have you up against the piano, kissing you and groping you.
It wasn't like him to get horny like this in the middle of the day, but you were going to take it. Your hot breath hit against the piano, you could see it fogging under you where your skin was touching it.
Mozart held onto your hips as he thrust into you. His one hand moved around to rub against your clit. You let out a yelp of surprise and pleasure. All he had to do was used his hands and you'd melt into him.
For now you pressed your body against the body of the piano. You pushed your ass into him as much as you could. You pushed back as he was thrusting in and met him in the middle, getting you to moan loudly.
"Stay still," his voice was like a low growl. His fingers rubbed you the right way to get your body to tremble.
You shuffle your feet, your toes trying to curl. You had nothing to hold onto and just dug your fingers into the wood.
His thrusting got harder, if the sweat from your body wasn't causing you to stick to the piano you would be jerking forward with each thrust.
"Ahh...ahh Wolfgang..!" You reach your limit and cum on him.
He moans as he feels your walls clench around him but he isn't done yet. His fingers dig into your skin as he gets rougher. His other hand is still playing with you.
You press your forehead against the piano and begin panting between your moans.
"Your moans sound so beautiful in here, meine liebe. Be a little louder."
His voice that time was soft, like it was two different people. He made you raise your hips just enough so that when he thrust in he was hitting a new spot.
Just as he wanted, your moans got louder. "W-Wolfgang!" You felt yourself getting close again already.
After pushing your hair to one side, Mozart leans down and bites into your shoulder, not able to control his thirst any longer
You moan and the pleasure from his gets you to cum again, in turn leading to Mozart filling you with his.
He moans into your shoulder, drawing out blood to help him relax. He pulls his mouth away and pants with you. Once he pulls out of you he leans against the piano to fix his pants.
After giving yourself a moment you pry your body off of the piano. Not the most pleasant feeling. You lean against it to catch your breath as Mozart picks up your clothes for you.
He catches a glimpse of the surface from the corner rod his eye and turns to look better. There's a rough outline of fog where your body was.
"That needs cleaned now," he carefully sets your clothes on the piano, not caring since it's already going to need a good scrubbing.
"I'm surprised you let it happen in the first place," you step back into your underwear and get your skirt back on.
"Maybe you shouldn't have started kissing me here then," he teased.
"So now it's my fault?" You pout at him as you put your shirt on
"Because I find you irresistible," he kisses you on the lips, helping you button up your shirt. "Meine liebe," he smiles softly.
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