#played by a young child actor. like. that’s a real child as far as i’m concerned. | Explore Tumblr Posts and Blogs

denimbex1986 · 1 month

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'On a recent winter day in New York when the sun was shining, Andrew Scott rushed into a coffee shop between recording sessions for an upcoming series.

“I’m scheduled tighter than a teenage pop star,” he said, beaming.

The interview had been postponed once, and the location was switched at the last minute to save Scott some time in traffic. But he sat down fully engaged and eager to start talking. Immediately, though, a passerby tapped on the storefront glass and asked for a photo. Scott, without a grumble, sprinted out to oblige, even though the gesture seemed more like a command (“You’re under arrest,” joked Scott) than a polite request.

Scott, the 47-year-old Irish actor, is in demand like never before. That’s partly due to accrued good will. A regular presence on stage in the West End, Scott is known to many as the “Hot Priest” of “Fleabag” or the cunning Moriarty of “Sherlock.” Soon, he’ll play Tom Ripley in the Netflix series “Ripley,” adapted from the Patricia Highsmith novel.

But the real reason Scott’s time is short right now is Andrew Haigh’s new film, “All of Us Strangers.” In it, Scott plays a screenwriter working on a script about his childhood. The film is gently poised in a metaphysical realm; when Adam (Scott) returns to his childhood home, he finds his parents (Claire Foy, Jamie Bell) as they were before they died many years earlier.

At the same time, the movie, loosely adapted from Taichi Yamada’s 1987 book “Strangers,” balances a budding romance with a neighbor ( Paul Mescal ), a relationship that unfolds with profound reverberations of family, intimacy and queer life. In a dreamy, longing ghost story, Scott is its aching, shimmering soul.

“The challenge of it was to try to go to that place but not gild the lily too much,” Scott says. “As an actor, I have to be in touch with that playful side of myself and that part of you that’s childish. I was actually quite struck by how vulnerable I looked in the film.”

Scott’s acutely tender performance has made him a contender for the Academy Awards. He was named best actor by the National Society of Film Critics. At the Golden Globes on Sunday (Scott wore a white tux and t-shirt), he was nominated for best actor in a drama.

Scott has long admired actors like Anthony Hopkins, Judi Dench and Meryl Streep — performers with a sense of humor who, he says, “are able to understand what you feel and what you present.” Scott, too, is often funny on screen (see Lena Dunham’s medieval romp “Catherine Called Birdy” ). And even in quiet moments, he seems to be buzzing inside at some discreet frequency. Something is always going on under the surface.

He’s been acting since he was young; drama classes were initially a way to get over shyness. Scott’s first film role came at age 17. He has often spoken about seeking to maintain a childlike perspective in acting. In that way, “All of Us Strangers” is particularly fitting. On Adam’s trips home, he sort of morphs back into the child he was. In one scene, he wears his old pajamas and crawls into bed with his parents.

“So many of the things that are required of you as an actor are a sense of humor and some ability to be able to put yourself in a situation. Because it’s all down to imagination,” says Scott. “For me, that’s the thing you need to keep. That’s the thing — because I started out when I was young — I don’t want to move too far away from. Like when kids go, ‘OK, you be this and I’ll be this.’ That ability doesn’t leave us. What does leave us is a lack of self-consciousness. Our job is to hold on to that.”

Haigh, the British filmmaker of “45 Years” and “Weekend,” began thinking of Scott for the role early on. They met and talked through the script for a few hours.

“He’s a similar generation to me. He’s a tiny bit younger than me, but he’s from the same generation,” says Haigh. “He understands that experience.”

Scott came out publicly in 2013, but his natural inclination is to be private. “I feel like I’ve given so much of myself in the film, you think you don’t want to give it all away,” he says. He describes “All of Us Strangers” — which Haigh shot partly in his childhood home — as personal, but not autobiographical in its depiction of the alienation that can linger after coming out.

“Mercifully, I feel very comfortable for the most part. But it stays with you that pain, and it actually makes you more compassionate, I think. Because we shot in Andrew’s childhood home, that sort of threw down the gauntlet in relation to how much of his own personality he was giving,” says Scott. “I wanted it to be sort of unadorned, unarmored and raw. That’s why I think there’s such tenderness in the film.”

Scott has sometimes recoiled from how sexuality is talked about the media and in Hollywood. He recently said the phrase “openly gay” should be done away with. As of late December, Scott hadn’t yet watched “All of Us Strangers” with his parents, though he planned to.

“The best way to express it is to say I’ll be very sensitive to how they watch it and how they feel about it, and how it makes me feel them watching it,” Scott says.

The tenderness in the film is also owed in part to Scott’s chemistry with Mescal. On-screen chemistry is an amorphous quality that the film industry has long tried to turn into a science with camera tests and marketing that flirts with real-life romance.

But for Scott, it’s something different. He and Phoebe Waller-Bridge had chemistry, overwhelmingly, in “Fleabag,” but that didn’t have anything to do with sexual attraction. Pinpointing that quality is something Scott pondered during Simon Stephens and Sam Yates’ recent staging of Chekhov’s “Uncle Vanya” at the National Theater. Scott played all eight roles, meaning he essentially had to have chemistry with himself.

“Chemistry isn’t just about sexual chemistry. It’s something to do with listening, and I think it’s something to do with playfulness,” Scott says. “Your ability to listen to someone and take note of what someone is doing is chemistry. You have to wait and see what the other actor is doing.”

A few moments later, Scott will have to rush out just as quickly as he arrived. But before that, he leaned back, naturally lit by the winter sun, and pondered whether “All of Us Strangers,” in the nakedness of his performance, had taken him somewhere he hadn’t before been as an actor.

“Yeah, I think so,” said Scott. “Or else to return to something that perhaps I’ve been before.”'

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pumpkinpie59 · 4 months

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i think i’m enjoying the fontaine story now that i’m playing genshin again so here’s my thoughts on the new characters

-furina. i feel bad for her but i’m not a fan of her va. but i normally turn my sound off when i play so looking at just her writing,,,,,, i think she’s a fine character. the twist was interesting and i don’t fault furina for anything that happened. her being a drama queen but it being entirely a mask she puts on is fascinating. i don’t like focalors tho. she did furina so dirty

-neuvillette is kinda just vibin. he’s fine he’s likable. he doesn’t rlly stand out to me much except that i’m convinced he’s gay. i don’t ship him with anyone tho (most other characters are wayyyyy too young for him so i dislike seeing any ship art of him). i like to think of him as furina’s older brother.

-lyney. um. meh? he’s a good big brother but that’s all i rlly care about him. also he dresses like a slut? and his va is kinda annoying to me idk fjdksk

-lynette. kinda same as her twin. i appreciate that the twins are separate characters bc the trope where twins act exactly the same is a pet peeve of mine. i like that lynette is an introvert. idk that’s all i have to say.

-freminet. i don’t like his design. i’m so tired of the shorter guy characters wearing shorts and being treated like children. but as for his writing. it’s cool. i like that he’s the twins’ younger brother. i like how the plot actually addresses how much danger he was put in.

-charlotte. YOOOO NEWS REPORTER CHARACTER LETS GOOO!! she reminds me sm of april o’neil i love her.

-wriothesley. at first sight i thought he was a basic bad boy werewolf lookin weirdo (my demi butt can’t ever find thirst trap characters attractive lmao). but then i heard him talk,,,, and yeah his voice actor is genuinely a good actor???? i don’t like most of the anime-esque voice acting in this game, and the dramatic dialogue doesn’t help, but wriothesley’s voice actor actually tries to make it believable that his character is a person. and i respect that. and yeah um his backstory is darker than i expected,,,,

-arlecchino. she’s neat i like her aesthetic.

-clorinde. …….. finally a genshin character who doesn’t speak multiple paragraphs at a time LMAO. i like her so far. i kinda ship her with wriothesley tbh ,,, 👉👈 idk i like how often they work together.

-sigewinne. um. i don’t rlly like the child characters. also they were cowards for making her look human and not tHE LITERAL SPECIES SHE IS UGH-

-navia. SAVING THE BEST CHARACTER FOR LAST. bro i was blown away with how much respect and care they put into navia’s writing. her grief felt so real and i could not believe they put her through that much. she’s also so pretty and her design is so aesthetically pleasing. and tbh i hate seeing sm ship art under her name bc she’s too good for everyone lmaooo she’s great. i’m in love. she’s the best fontaine character (and maybe the best genshin character).

also i wanna say i did not expect for this chapter to have this much death and other dark themes. ik fontaine is the land of justice and court cases but man,,,,, tragic,,,,,

#pumpkin stuff #genshin impact #genshin navia #sigewinne #clorinde #arleccino genshin #wriothesley #genshin charlotte #freminet #lynette #lyney #neuvillette #furina #focalors

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man-down-in-hatchet-town · 8 months

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Hook

Spoilers for The Case of the Greater Gatsby Episode 5, "Hook," below the cut!

I want to be a fly on the wall at the Hammermeister estate. I mean, seriously, what are those people like when just sitting at their own dinner table? Is TD capable of asking Mel to pass the salt? That night, do they brush their teeth at the same sink? Who knows!

But the real question is, do we believe that Mel has no interest in producing The Greater Gatsby? That would certainly end a lot of the theories I've tossed around. And if we can believe her, is she protecting her employees or herself? And what is her relationship with Mo in all of this? The way she said "heart attack," implies she may know more about Fitzgerald's death than she's willing to straight-up say. Assuming she's not the killer, Mo would almost certainly be her first source of information, since we know they talk. We could guess that he works for her on the side, but that would make Mel hiring Fig and Ford a little redundant, unless she has reason to distrust Mo. Which would be fair. Still, I think it's more likely that Mo’s playing his own game—maybe he went to her with the truth about Fitzy's death in order to wring some extra cash out of the situation? Or maybe she wanted to ask him, the investigating officer, for the script and he had to tell her that its missing. This something big he’s working on to earn his promotion has to be related to F. Scott—though whether he’s investigating the murder (then why all the secrecy and lies?) or ensuring its coverup remains to be seen.

But back with Mel at Fig’s and Ford’s office, the other big takeaway is that Ford has some big secret he is desperate to protect, to the point of abandoning his deeply-held principles and working for Mel (!!!!!!!!!!!). What the hell could that be? He abandoned Hollywood as a child--seemingly too young to pick up any secrets shameful for him as opposed to the adults who were making all of his choices for him. Was there some additional, secret trauma besides the typical Hollywood exploitation? From the sound of it, Ford knows exactly what is on the line, and Mel knew that Ford would know. So he other obvious question is, did Fitzgerald really put anything about Ford in his script? What could he possibly have known? Or is Mel just 100% playing/blackmailing him, returning him to the helpless pawn he was as a child actor?

Speaking of helpless pawns, Dash Gunfire is a perfect little idiot who may be the only person less suited to his job than I am to mine. Bless him. I’m also deeply intrigued by the concept of Gunfire family drama. Or are they even called the Gunfires? If so, who the hell are they? Circus folk? Do they not approve of his profession? Dash is such a bad P.I.--how has he been surviving without additional family support. And why was he listening at Ford's new door?

And that brings us to the end. Barnaby getting a death threat is certainly a plot twist—he’s neither an actor nor, as far as we know, involved with The Grapes of Wrath or a potential Greater Gatsby film. Perhaps someone wants to shut him and his paper up about something? But what does he have in common with Willie and Cliff? They are all connected to Hollywood, they all had access to F. Scott, they are now all in contact with Fig and Ford, and they all know Vivian...

Unless Barnaby's letter was actually meant for her?

Color me hooked.

#the greater gatsby #the case of the greater gatsby #fig and ford #shipwrecked comedy #mel hammermeister #TD hammermeister #ford phillips #dash gunfire #fig wineshin #barnaby nightingale #mo beats

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hiddenwashington · 10 months

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neverafter meme pt. 2

a meme made months ago but submitted for clue 12 !!!

“behind you are two geese. one of them is good and one of them is evil.”

“everyone stand on the girl child with broken bones”

“sister– what gives?”

“you got it, dad!”

“hey! be careful who you’re talking to! i’m a really nice pre-teen!”

“great, gender reveal crow”

“two brilliant actors. you guys are going to get into the school play this year, for sure.”

“they’re not dirty here, they’re unnatural.”

“i’m going to do a courageous act of cowardice.”

“i mean, as someone who just ate one, it was great for me.”

“are you also a cusping pre-teen?”

“i gotta get you on the garnish train.”

“we’re all on our own in the dark, little boy!”

“[blank]’s become metal as hell!”

“you were special when you were young, and then you fucking went through puberty, and now you’re just ugly!”

“hey, i’ll trade bites in the name of girl bonding”

“am i always supposed to be scared?”

“and sometimes, i think, you also have to be a little bit scary in scary times.”

“deep in your heart, do you feel that you are a man or a frog?”

“answer however you feel, you’re allowed to grow.”

“and now here they are, hardcore thrashing at a party”

“relax you’ve been at a sleepover party.”

“roll for gaslight” - this is so unusable as an rp starter but im losing it

“it was an adult sleepover! a non-sexual adult sleepover.”

“can i help because i have a keen eye for authority?”

“this kid knows where to tell on people.”

“you’re the man to stand up and say ‘adult sleepover gone wrong, my bad, but we’ll get through this as a community.”

“there is a lot of intuitive knowledge in this little body of yours”

“you gotta accept it before you embrace it”

“you’re not a monster.”

“true love isn’t real! don’t worry about it! i’m going to die alone, and so is everybody else, isn’t that great?”

“i’ll think about it, i’ll give it a good noodle.”

“wet, nude spiders on your 12, your 10, your 11,, your 1, your 2.”

“leave me to the ladies.”

“you’re nodding at me like i’m supposed to get something.”

“meow baby, meow meow– okay.”

“you see the smile of a devil you never believed in”

“the most fairy tale shit we’ve done so far is subject kids to shit they absolutely do not deserve.”

“it feels kinda rude to just start throwing fire around but i’m down.”

“i just like little guys.”

“everyone loves a fucking underdog, but i’m a fucking actual dog.”

“you’re about to get your ass kicked, man.”

“don’t need it, but thanks babe! *kisses on both cheeks*”

“look, there’s two kinds of people. there’s scratches people and there’s deeper into the ink people.”

“you’re nothing more than scratches of ink on someone else’s paper”

“oh god dammit are we an acapella group now?”

“i think this makes me want to disobey my elders, when i hear this.”

“it’s not fun to tell the truth! it’s much funner to lie.”

“if i sing it maybe it’ll be better.”

“from man to man, you need to chill.”

“do you pick the bits before, or do we just– find them?”

“there’s a lot of mean moms around, huh?”

“sometimes you say things in the heat of the moment because you want to protect somebody”

“i feel like a lot of children, the entire moral of their story, they’re just a tool to tell some stupid moral, and the morals are fucking wrong. the adults are wrong, like, so often.”

“ugh! i’m so sick of adults!”

“you just didn’t say anything! not saying anything sometimes is just as bad as a lie, or maybe it’s even worse!”

“can i say? i don’t fucking know you.”

“[blank], that’s torture, right? that’s, like, fucked up shit, right?”

“i guess, sort of, how?”

“i followed a caterpillar that was chasing a butterfly”

“so what it was my grandma’s time, but not my time?”

“i met death, and death wants me to live!”

“i literally can’t believe what you kids have been through.”

“i don’t think you can be a prick when you’re ten.. you’re just ten.”

“us talking is fucking them over– everyone kiss each other!”

“it’s been kind of hard, but good lessons to learn.”

“don’t learn lessons from my torment!”

#meme day

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kanyniablue · 1 year

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watched newsies (1992); thought i might’ve seen it as a kid but i didn’t remember it at all.

it’s bad. did i like it? i’m not sure. i kinda want to watch it again just to figure out if i did or not.

if i’d watched it 100 times as an eight year old it’d probably be a comfort movie for me. i didn’t dislike it and i can tell that because i actually watched all 2 hours of it plus the ‘blood drips on newsies square’ movie the cast made (i genuinely laughed a few times and there was overwhelming nostalgia for the stupid movies my friends & i made as kids...if ‘stupid kids making a stupid horror movie’ is something you’d find entertaining, watch that). i did have to pause repeatedly just because the cringe was too strong, but like i said, i started it again and kept watching; i can’t say the same thing about movies i genuinely dislike.

i like the songs. i love the choreography, even if at times the sudden musical numbers and crowd dances broke even my musical-theater-loving suspension of disbelief. king of new york was my favorite part of the movie despite the fact it’s one of the most random scenes.

i was going to praise some of the child actors but actually a lot of them were in their late teens-mid 20s so that’s past my cutoff for “you did a good job buddy! get yourself an ice cream cup.” (there’s looking young for your age and then there’s being cursed by a witch to be forever trapped in the body of a 6th grader; max casella, blink twice if we need to destroy any amulets or chant some latin before we throw water on the old hag.) the actual adults playing actual adults are the worst actors by far; if you just took their scenes and compiled them you’d have a so-bad-it’s-hilarious movie. the love interest girl was clearly shoved in at the last minute to be Love Interest Girl and even she doesn’t seem to want to be there.

the story’s a hot mess but there’s so much going on that it distracts from how much is going on. the historical accuracy isn’t. i found it interesting that no one in 1899 Child Labor City asked whether child labor is itself unethical, both because a) there were real anti-child labor movements at the time yet the characters in this story very clearly weren’t against child labor, just pro-child laborers having rights, and b) it’s a disney movie made in 1992, you’d expect some Very Upstanding Citizen character to bring it up just to mention that of course disney knows it’s wrong to profit off child labor!!!ignore those sweatshops, hail mickey and pass the novelty coke cup. (sudden thought: if it came out a few years later there’d have been a newsies game on CD-ROM...)

the technical aspects of like...putting a movie together are just all over the place; the sets and costumes clearly had love put in them (santa fe was one of the points i had to stop bc the cringe was overpowering but in terms of background details/’the show in the character’s mind’ it’s wonderful) but the actual shots have terrible continuity throughout the whole movie (especially the crowd shots, but like, that’s at least understandable--what about details like whether someone has already got a pile of newspapers in their hands when there’s a newspaper strike going on and they are supposedly waiting to decide if they’re going to buy any papers or not?) and there’s several points where they just picked the worst angle (”sleeper!” and yet you can’t actually see the guy they’re talking about until the end of the next shot...) or they play the same visual in reverse/repeat the same audio/very clearly dub audio over someone who’s not speaking...

it didn’t need to be 2 hours long. no further comment on that.

there were missed opportunities i feel for things like...which newspapers aren’t being boycotted? (the fact the sun is publishing stories about the newspaper strike means that at least the newsboys for the sun aren’t striking, yeah? so what does that mean for the kids who are going without pay because they usually sell the world; why don’t they switch publishers, is that not actually an option before the sun stops as well?) are the customers complaining about not getting the papers they want? are the printers getting paid less because there’s less demand? what do the other child laborers think about the newsboys’ strike affecting them (obviously everybody shows up for a triumphant climactic crowd scene, but like, you could’ve had them ask some questions in the first place, and also why would pulitzer have any authority over the non-newspaper strikers?) 90% of these questions came from me trying to justify Love Interest Girl’s presence beyond just being Love Interest Girl: her brothers are out of school selling newspapers to support the family but are now striking and not getting paid; she mentions that she works as well but we never get an opinion on workers’ rights from her; she only shows up to the strike because...Love Interest (technically she helps print the flyer at the end, although mostly it’s just her being in the same room as everyone else).

anyway. i know this one has a rabid fanbase so i’m not even touching that tag.

#reviews of old movies that no one cares about except the extremely dedicated fanbase that will not take kindly to this review

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westeroswisdom · 4 months

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Bella Ramsey's portrayal of Lyanna Mormont, blunt in a refreshing way, is not far off from the actor's IRL persona.

Here's part of an article featuring them by The Independent's Louis Chilton. I thought the section on neurodivergence was especially interesting

"I want to play a villain. A real dark, evil, nasty human being. Someone like Hannibal Lecter in Silence of the Lambs,” says Bella Ramsey in a voice as sweet as piped icing. The ambition may seem incongruous emerging from the mouth of the 20-year-old British actor, but they’ve got the range, I don’t doubt. [ ... ] Ramsey has a truly great face: moonish and dark-eyed, somehow both shrewd and unguarded at once, yet unmistakably young-seeming. They’ve already been knocking around the industry for more than six years, since first being cast in Game of Thrones as the spiky Lyanna Mormont. As a child on set, Ramsey was precocious. “Being a kid actor, I didn’t like the separation,” they say. “The thing I hated the most was being patronised. I didn’t like the fact that I could only be on set for a certain amount of time, and had to go and do tutoring. I get why the hours protections for child actors are phenomenally important – but I hated feeling like I was lesser or separate from the adult cast.” They explain that they always “got along better” with adults as a child. (They left school at 12, taking online classes and being tutored instead.) “I wasn’t intimidated by going onto a set with a load of people twice, three times my age,” Ramsey says. “As I’ve grown up, I’ve learnt that I have autonomy to stand up for myself and for other younger people that I work with now. I want to enable them to advocate for themselves in the way that people older than me taught me to advocate for myself!” A relevant factor in all this: Ramsey is neurodivergent. (It’s common for neurodivergent children to relate more to adults than their peers.) For Ramsey, it’s something of a two-way street. Firstly, they say, the rigour and structure of a film shoot is “incredibly beneficial for my brain”. This extends to the catering, to knowing they will have the same breakfast each day. “This is exactly what I need, to not really have to make many decisions,” Ramsey explains. “When I’m on set I really thrive. When I leave sets, especially when I’ve been in that bubble for so long… it’s quite an intense pressure, which can be scary.” But Ramsey says the way their mind works has proved just as advantageous for their acting craft. “I wouldn’t be an actor if it wasn’t for my neurodivergence,” they say. “It’s just a part of me and it’s incredibly helpful in terms of acting. One of my things is that I have insane levels of visual perception compared to all the other things. I’ve been watching people and absorbing everything since I was really young… all these characters that I play, there’s an element of them that’s already inside me because I’ve seen someone be that before.”

By coincidence, Bella Ramsey was one of eight people in the arts featured in a New York Times article by Maya Salam a few days ago called The Breakout Stars of 2023.

“The Last of Us,” HBO’s stunningly heartfelt zombie apocalypse thriller. Given that its source material was a beloved, acclaimed 2013 video game that has sold over 20 million copies, the bar was extraordinarily high. The show’s debut season delivered, in large part because of the synergy between the duo at its center: Pedro Pascal as Joel and Bella Ramsey as Ellie, two characters who find themselves on a cross-country quest, dodging reanimated corpses to (hopefully) save the world. Ramsey, 20, who was born and raised in central England, offered a layered, tenacious, haunting performance as a teenager who is coming-of-age while being humanity’s possible last hope. They have been a working actor since they signed on to “Game of Thrones” at age 11, as the scene-stealing giant slayer Lyanna Mormont, and went on to have celebrated turns in the BBC/HBO adaptation of “His Dark Materials” and Lena Dunham’s 2022 period comedy, “Catherine Called Birdy.” For “The Last of Us,” Ramsey nailed a specific combination of contradictions — funny and quirky, but violent and rough — that Craig Mazin and Neil Druckmann, its creators, were looking for. “There are few people better between the words ‘action’ and ‘cut,’” Mazin told The New York Times. Ramsey’s performance earned them an Emmy nomination, for outstanding lead actress in a drama, joining the likes of established stars such as Keri Russell and Elisabeth Moss. “It’s only recently that I’ve accepted I am Ellie, and I can do it, and I am a good actor,” Ramsey told us.

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mattzinaacting · 1 year

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I love Christmas for so many reasons. But most of all because of the smile it puts on my son Sebby’s face. But there’s another great thing about Christmas. School performances. Primary school nativities. High school concert extravaganzas. Even just singing a few carols. All of these things can spark something inside a young person. School plays are often where some of the biggest stars of our screens first discovered their love of acting. So if you (or your child, if you’re a parent) have had a part in a play and found that you enjoyed it, why not take it further? There are so many reasons for a young person to get into acting. It builds those characteristics that are so highly prized. Personal qualities such as confidence, resilience, empathy and work ethic. But also life skills that’ll help you no matter what route you go down later in life - things like communication, presentation, creative and critical thinking, and responding to feedback. It’s something to focus on, something that makes you special and helps you discover who you are as you explore different characters and stories. And yes, IT IS a viable career option. Of course, I’m not saying everyone who’s been in a school play will become a professional actor, BUT… …with the growth of new forms of media, it’s never been easier to make a good living from acting. And even if you don’t get that far with it. IT’S FUN. It’s DEFINITELY a better way to spend your evenings than sitting on your sofa playing Roblox. So give it a go? A real go. Not just in your Christmas performances. Because I’m giving you the chance to try out a REAL acting class in January. And it won’t cost you a penny. You have nothing to lose and lots to gain. There will be no pressure and it’s designed to give you an enjoyable taste of what life’s like as an actor. Reply to this email and let me know which session you’d like to attend. 9th Leeds Carriageworks Theatre. JUNIOR 6-7pm and ADULT 7-8pm 10th Halifax RUFC JUNIOR 6-7pm and ADULT 7-8pm 10th Online Zoom. JUNIOR 6-7pm and ADULT 7-8pm 11th Bradford Playhouse. JUNIOR 6-7pm and ADULT 7-8pm 12th York Steiner School. JUNIOR 6-7pm and ADULTS 7-8pm 14th London Just ADULTs 9am-12pm https://www.instagram.com/p/CmYrpzmtzPQ/?igshid=NGJjMDIxMWI=

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4-horsemen-of-the-riordanverse · 3 years

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Why The Percy Jackson Adaptation Should Be Animated

We can have Heroes of Olympus/Trials of Apollo/Magnus Chase series

Percy shows up in four of Rick’s five (at this time) mythology series, those four series have eighteen books spanning six years

Even if Disney could crank out say three in two years, that’s still twelve years, the actors playing Percy, and Annabeth, and Grover, and Thalia, and Clarisse, and many more will be in their twenties when all the books are covered and that’s on a sped up timeline that is unlikely to work in reality

The reality is, we probably won’t get a Heroes of Olympus television series and we definitely won’t get a Trials of Apollo or Magnus Chase series, which is sad as many favorite characters won’t be seen

Grover, Thalia Chiron, and the Gods won’t age

Yes, technically Grover does age, so that title is a bit of a misnomer, but he ages slower than the others, either the whole he’s actually twenty-eight, but satyrs age slower will need to be axed, or he will have to be played by an adult so that he doesn’t age, which will look strange since he’s suppose to look fourteen/fifteen for the entire series

Grover is only a small problem though, how are they going to deal with Artemis or Hestia, both of whom are portrayed as very young ages, the twelve year old playing Artemis will be fourteen, minimum (though, if we want good cgi, she’ll be more likely around sixteen) by the time the show reaches The Last Olympian

Plus, Thalia is suppose to stop aging at fifteen, again, I suppose an adult could play her, it isn’t unheard of for adults to play fifteen/sixteen year olds, but unless they get an actor with a serious baby face, she’ll stand out amongst the children and teens playing the other characters

It’ll be bearable to watch in ten years

Cgi is improving everyday, which is great....until you watch something that’s more that a few years old, when we have newer and better cgi, the monsters and action of Percy Jackson is going to look....well we’ll remember that it looked good once

That is, if they pay attention to details, skimming over detail, especially when making living things with cgi, you risk falling into the uncanny valley (I’m most of us have seen at least a clip of Lion King 2019), if something is off, we will notice, even if we can’t place why

We can have it sooner

Animation for animated series are easier to make than animation for live action series, they don’t have to worry about matching the lighting and shadows because they get to choose the lighting and shadows, no need to worry how the actors are interacting with the animated monster (ex. the Percy actor bumps into Mrs. O’Leary, then goes to pet her, but moves his hand too far forward and now that has to be accounted for)

The battles will probably cause the most delays, anyone watch Game of Thrones? remember how long the final season took to get out? that was because of the major battles spanning multiple episodes, which is exactly what The Last Olympian will be

They wouldn’t have to use child actors

This isn’t a bash on child actors, there are some good ones out there, what I’m concerned about is the children’s well being

Ever read or watch an interview from an ex child actor, especially Disney child actors, it’s brutal and takes a toll on their mental health, there’s even instances where the child doesn’t want to act, their parents are forcing them to

If on the extremely rare chance someone from the Percy Jackson crew is reading this please: let the kids play when they aren’t filming, don’t make them feel guilty for eating, shield them from the inevitable criticism that always comes with an adaption, take care of them, very few people do these things and kids get messed up from that

It’ll be easier to relate to the characters

Acting just doesn’t doesn’t have the same feel as animation, especially when the actors are new to acting

Acting is obvious, we ignore that it is because that’s how you watch live action, but rarely will it ever not feel like people repeating back lines they memorized, that the expressions are calculated and filmed 20 times over to get it right

Animation doesn’t have that, characters feel real, not like they’re acting because they aren’t, making it a lot easier to relate to them

None of the fight scenes will have to be cut

These are children playing these characters, obviously fights scenes are going to be cut and the ones kept are going to be simplified, these kids will probably have limited fighting experience and even if they don’t, they can’t hire children to play stunt doubles for safety reasons, so they won’t do anything too risky

Just imagine the fight scene between Ares and Percy in The Lightning Thief, they’ll probably hire a bigger guy to play Ares, comparing that to tiny Percy, the battle is probably going to look more like a dance number with every movement scripted as to keep Percy’s actor safe

It supports social distancing

Social distancing is still important and animation is easier to do social distanced

We could see every part of camp, not just the parts they built sets of

Camp is big and fantastical and probably will be barely shown, that’s a lot of set to build, so they probably won’t see it all

The big house, interior of the Poseidon, Athena, and Hermes cabins, and the mess hall will most likely be made, but the lava wall? the forge? doubtful

It’s easier to replace actors

Like I mentioned before, there are 18 books if they were willing to make them all, even if /magnus Chase and Kane Chronicles were made along side instead of in between, a lot of actors, especially child actors, don’t want to be stuck playing a character for that long

while no one shows up in ever book, some characters get dropped and brought back, which when being adapted causes actors to be replaced, the actor playing Will in The Last Olympian will probably not be the actor playing Will in Blood of Olympus (that is, if they even make Heroes of Olympus)

They won’t have to sacrifice the small details

Wouldn’t it be cool to have a Nico and Bianca cameo in the Lotus scene? won’t happen, what about characters slowly getting more scars after each battle to symbolize the trauma half-bloods carry with them? Luke will probably be the only character with a scar, see a background character that resembles minor characters like Drew or Kayla or Castor and Pollux? that’s not going to happen

Small details that make the story will be tossed to the side, mostly because it isn’t feasible in live action, I think the Lotus scene is the best example, seeing Nico and Bianca there in the background would be so cool, but they don’t age in the Lotus hotel, and it’ll take probably 14 to 18 months to make a season, let’s say 14 months for now, that’s over two years between their cameo and they’re actual appearance, a very obvious difference when discussing 10 and 12 year olds

All in all, this is just in my opinion and preference

Will I still watch if it’s live action, of course, it’s Percy Jackson

It won’t be as good as something animated and I’m sad I’ll never see some of my favorite characters on the big screen, but at least we’ll be getting a decent adaptation

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defdaily · 3 years

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‪[TRANSLATION] Arena Homme+ Magazine April 2021 Issue featuring JAY B

Translated by defdaily.

JAY B is free and starting again from scratch. That is what JAY B has in mind. GOT7’s leader announced that he would be leaving JYPE as the group stays together. JAY B is preparing to debut as a solo musician while planning to also release mixtapes and hold exhibitions as Def. We had a chat with JAY B, who has gained more freedom and strength, at the swimming pool about courage, depression, literature and aspirations.

Did you come here alone?

Yes. I took a taxi here. I was the type to go around freely even when I was in JYPE but catching the taxi to work this time around felt new.

All GOT7 members decided to leave JYP but stay together as a group. As a leader, you needed to make a decision, right?

Although we ended up leaving JYPE, we wanted to continue as GOT7. We all agreed to leave [JYPE] and try it between ourselves.The product made from me taking responsibility/taking charge was the single 'Encore’ that was released not too long ago. I was involved in the whole process with a new record label. I was happy to see a good response [to the single]. It was lacking in some areas but I was just very proud that we were able to show a different step. Since we showed through this single that “we did not disband”, what’s next is more important. When we left JYPE, Director Jung Wook mentioned "Your role as a leader starts now." I'm realizing it now.

”I wanted to learn everything about the process of releasing an album and how difficult it is. I wanted to start again from scratch.”

Your role as a leader actually starts now.

I used to find the role of a leader burdensome at times but now I feel a greater sense of responsibility. While supporting each person’s journey, I thought I needed to be the one to step up once we got back together. We also talk regularly in our group chat. Not long ago, Jackson went to China. When Mark went to the USA, I could see him off but when Jackson was leaving, we couldn’t be together because of a schedule. So I told him to have a safe flight, apologised for not being able to see him off and thanked him too. He replied saying he’ll take care and be back.

What motivated you to leave the large agency you've been working with for a long time?

The thought came to mind suddenly as we were promoting as GOT7. Am I taking all these benefits I get for granted? When a schedule is released I just do it, and when they ask me to confirm things I do, but what kind of long process has it gone through before it came to me? Who sends a request and how is it processed? Why am I only waiting until it reaches me and simply watching it unfold? I wanted to be directly involved in that process. I wanted to learn everything about the process of releasing an album and how difficult it is. I want to be humble and start from the bottom again.

Didn't you need the courage?

Of course I did. I was also afraid. My position has risen to all the way up here, but when it comes to my actual knowledge, I think I'm only down there. I was afraid that the difference would feel too big once I left the company. But I think I would have been more afraid if I stayed at JYPE. Since that difference would have grown bigger and bigger. My real self is here, so I should face it head-on a little faster. That's what I thought.

As JAY B or as Def. who releases mixtapes and holds exhibitions, you must have had the desire to do something new.

I want to do research and build it up step by step without haste. JAY B will show hip hop and RnB music that appeals to the general public and Def. will do activities that Def. wants to do. It could be mixtapes or exhibitions, or other different kinds of fictions. Def. is the nickname I used as a bboy before I became a trainee. It’s like air floating about freely. It could be house or soul or acoustic or even modern rock. In a way, you can say that Def. is close to my “main self” but since I debuted as JAY B, I’ll also show a devoted side of myself through JAY B. I want to be a person who can do both what he has to do and what he wants to do freely.

Listening to your mixtapes, and hearing that you like the styles of D’Angelo and Ray Charles, you seem to be attached to the Southern US rhythm and blues and soul music.

I do like them a lot. I like the entire hip-hop culture that originated from there. That culture also includes DJing, graffiti and even bboying. Since I started as a bboy, I would look up older videos to watch, study the culture and also look into what each dance move symbolizes, with my bboying crew and that's how I became fascinated. What captivated me the most was their obstinacy. I felt respect towards the conviction and obstinacy they carried with their culture.

Is that mood still incorporated in your music and dance?

Yes. For example, I don’t think choreography is dance. I think dancing is when music plays and you like the rhythm and start humming and bobbing your head and moving your body. I think dancing is a free act you do out of enjoyment.

What was the reason you joined an idol group after starting out as a bboy?

I gained an interest in music too, not just dancing. When I was young, I listened to D’Angelo’s music and wanted to become a singer like him. But I was rebellious when I first joined JYPE. Haha. I was even suspended for a month once as a trainee. I definitely said hello but they said I didn’t so they said "If you're going to be stubborn, then go home" and me with my young heart replied “Then I shall head home.” and left. Then I met up with my bboying crew after a long time, and in just a few months it turned into a different world. The crew members were above me and I was worried because I could feel myself far away by myself. Should I go back to bboying? Should I continue as a trainee? In the end, I wanted to do my very best in whatever I chose so I decided to focus on becoming a singer. Since I wanted to do music, it was a choice I made with no regrets.

You started as a dancer and ended up as a main vocalist. What was music to you back then?

It was a challenge. Trainees are divided into singing and dancing. I joined as a dancer but what I wanted to do was become a singer and not just do dance. But since I was put into the dancing division, I worked even harder with singing to break that prejudice. I often felt defeated. I still feel defeated with singing. Haha. But music is about endless research. Now it’s more about research than studying.

You grew up as an only child to your parents who did farming?

I was an ordinary kid. I enjoyed Haruki’s Colorless Tsukuru Tazaki and His Years of Pilgrimage and thought the “colourless” kid was just like me. I was a calm kid who helped his parents with their farm work. I don’t know if it’s because I don’t have any older siblings but they said I used to talk to myself a lot. My mother said there was a way she would know if I was home or not. If I was home, she would hear me talk to myself and be like “Oh really?” “Yes really” haha.

It’s extraordinary to read Haruki at that age.

There was an older friend that I knew and he was really cool. He looked really cool reading on the bus with his legs crossed. He said “Hey, Read a book and build up some knowledge.” As I was trying to be cool like him, I gained a favourite author and started reading more since I enjoyed it.

What kind of books do you like?

When I was a teenager I often read Kafka On The Shore. It felt like Kafka was just like me, and so while reading it, I even cried. The style of Murakami Radio was also interesting. The ending phrase “But I like that more…” was very witty. I’m collecting books from secondhand bookstores from authors who won the Young Author awards. I like Lee Jang-wook's short story Byeon Hee-bong. The main character knows the actor Byun Hee-bong, but the world doesn't know him. He would ask "Don't you know Byun Hee-bong from the movie The Host?" But no one knows. I like stories that don’t intend to be funny but they end up making me giggle.

What do you read these days?

I try to read poetry. I purchased and read the first volume that appeared on Moonji’s Poetry Collection, but it has too many Hanja characters. Haha. I started with Munhwak’s Poetry Collection. I have volumes 1 to 85. I also read poet Park Joon's collection of poems and poet Lee Eun-gyu's Affectionate Name. I even underlined and wrote things down.

Among the idols and musicians I’ve met, I think you are the most extensive reader.

We went on tours often and we would have a lot of time in my hotel room. When I went out I took pictures and when I stayed in my hotel room I read books. When I go on an overseas tour, I pack around 30 books in my suitcase. Then I bring back the books that left an impression on me, and those that didn’t sometimes I dispose of them there. These days, I look for independent publications too. I often look for independent publishing bookstores in Nakseongdae or Haebangchon. There are many books that contain honest stories that are not refined, and the power of those sentences is great.

How does reading influence your work?

The poetic expressions with poetic license help when writing lyrics. You read a new sentence and think “What is this expressing?” You receive inspiration from that image being expressed in a new way. I think of lyrics as poetry too. There are times I write how I feel honestly, but when I want to include a certain meaning I’d want to write the lyrics like poetry.

In your photo exhibition <ALONE> last year, you took pictures of objects and signs in the middle of the road.

Wouldn't it feel very lonely if you think about it from an object’s point of view? The camera captures just an instance but the object will stay there. I think each person has an insatiable loneliness. I like the artist Seonglib’s works, and I feel loneliness in his drawings. I don't know why I keep talking about loneliness, I guess I’m familiar with loneliness.

Seems like you take more pictures of objects and landscapes than people.

I don’t really like taking pictures of people. You can clearly see a person’s emotions in their eyes. I prefer hiding things rather than revealing them too much. I prefer objects, backgrounds, and natural objects rather than subjects that openly express 'It's me!'. Tranquil things, I like when you go past something and go “that’s how it was.” I try my best since my job requires being presented to people but that’s also how I am.

Who do you like as a movie director?

I like Woody Allen’s directing. My favourite is Match Point. It's a love story that goes beyond taboos, and it's electrifying. The face of the actor who secretly asks the reunited lover to give him her number remains in my memory for a long time. How could he direct such a real-looking, raw look in their eyes? When I was a theater and film major, I used to take directing classes rather than acting. If I were to direct a film, I would like to shoot an eccentric witty romantic comedy like Love Fiction directed by Jeon Gye-soo.

Are you self-conscious as an artist?

I’m interested in a variety of genres, and interact with crews often, but I think goofing off just because they are an artist is an arrogant attitude. Everyone is their own artist, no matter what they do, right? I'm not trying to be pretentious, I just think there's a difference in expression, and people who work in the office are also doing their own art. That’s why I’m a little shy about the title “artist.” Is there a need to be puffed up with pride because I’m an artist? I’m just a person.

While filming for “What's in my bag” and revealed your medications for depression and panic disorder. When did you face your depression?

I didn’t know I had depression. I thought I was being weak for a short while and let it pass. But on an occasion I got examined and found out I had depression. They asked how I lived by without going to the psychiatrist. I said I just thought I was the type to feel blue. Haha. I’m the type that doesn’t show [what is wrong] but they said I was in a state where I needed treatment. After going to counselling and taking medications, I’m much better now.

“I just wanted to talk about it. It may not show, but depression is both a common and dangerous illness.”

I think you’re cool for having the courage to talk about this.

I got diagnosed and looked at the people around me. There are friends who are ashamed of it and try to hide it, and there are friends who talk about it as if it’s insignificant. I just wanted to talk about it. It may not show, but it’s both a common and dangerous illness. A mental illness is an illness too. Among my fans, or those who read this interview, if there is someone who feels depressed, don’t be ashamed of it and I hope you receive treatment and overcome it. It’s not an embarrassing thing and it doesn’t need to be hidden. And I was filming content where I show what’s inside my bag; I can’t lie. I wish everyone would be healthy.

Are you bad at lying?

Yes. If I have to tell a lie, I think it’s just better to not say anything. Since I’m the type that’s honest and straightforward, I also don’t like beating around the bush.

Can you share a way one can take a step forward towards recovering from depression?

Look at the world in a broad view. Know that there are many places you haven’t been to yet and there are many things you haven’t felt yet. It's also good to take a walk and go off your usual route and take a path you've never been on. Small adventures can also be of great help. Just by leaving the house you’re already halfway there. I think there are more ways you can refresh yourself outside rather than inside. Also, I thought I was an honest person but after being diagnosed with depression, I thought I should be more honest with myself and more faithful to myself. At times like this, think of yourself before others.

What do you believe in?

I just believe in god. I don’t have a religion. I don’t know what kind of existence god is but I do believe that there is a god. When I’m thankful or am having a hard time, I pray. “Thank you.” “Please let me get through this wisely.”

What is the greatest motivation that moves you?

As long as I’m alive, I want to continue doing work that will leave a message. I believe that there is no next life. I think I should live this time diligently to the fullest. To have no regrets.

Translated by defdaily.

#jaebeom #def.#lim jaebeom #jay b #GOT7 jb #interviewtrans #jb trans #jb interview #defdaily:trans

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mgsapphire · 3 years

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My K-drama recommendation master list Part 2

You can find part 1 here

Look, you gave us relatively new recommendations, what about ones older than 10 years? I'll give you my top 5

Princess Hours (2006) Is a modern Cinderella story. It's 24 episodes long. Available on Viki.

Personal Taste (2010) Honestly, problematic plot if you put your mind into it, but entertaining nonetheless. It's 16 episodes long, each one lasting a little over an hour, available on Viki.

Cinderella's Sister (2010) You hate every character, but there's still something that makes you watch it. Available on Viki.

Thank You (2007) was ahead of its time, it's about a single mother with a daughter who has an HIV+ diagnosis. 16 episodes long, each one lasting a little over an hour. Available on Viki.

Stairway to Heaven (2003) for a good melodrama.

What about romantic fantasies involving fantastic beings?

Guardian: The lonely and Great God(2016) A classic of the genre. It tells the story of a God who was once a man, and is being punished by immortality, unless he meets his bride, who just so happens to be a high schooler centuries later. Available on viki. 16 episodes long with 3 specials, all lasting about 75 minutes.

Hotel Del Luna (2019) it would be unfair to talk about Goblin, without talking about this other masterpiece about a being cursed into immortality and granted special availabilities along with it, but a curse is still a curse, and she must run a hotel meant for ghosts, where after centuries of being, meets a young man who is alive. Availability on Viki, 16 episodes long and each one lastz about 75 minutes.

Tale of the Nine Tailed (2020) You get to see Lee Dong Wook as another mystical being, and Kim Bum is his half brother. 16 episodes long and one special, each one lasting about 65 minutes. Available on Viki.

My roommate is a Gumiho (2021) what's up with gumihos? It's still airing. The title is self explanatory. Available on Viki and Qiyi.

Angel's last mission: Love (2019) is a cute and sad story about an angel who is about to ascend and a ballerina who has a cynical view of the world. Available on Viki. Each episode averages 30 minutes, with 32 episodes.

Doom at your service (2021) About to finish airing. It tells the story of a dying woman who wishes doom upon the world, and the doom who answers her plea. Available on viki, 16 episodes long, each one lasting about an hour.

The Scholar Who walks the night (2015) another Lee Joon Gi entry, but I swear all of his works are great, it's a period drama that tells the story of a scholar who is a vampire and the young bookseller he meets. It's 20 episodes long, each one lasting about an hour. Available on viki. Also, if you've liked Lee Soo Hyuk in Doom at Your Service, I advise you check this one out.

Tale of Arang (2012) two Lee Joon Gi entries in a row? Girl, you have to stop. Anyways, this one is another period piece of a magistrate who can see ghosts and the ghost of a young woman who doesn't remember her life, nor the cause of her death. Available on viki, it's 20 episodes long, each one lasting a little over an hour.

Look, those are fine or whatever, but I started as a K-pop fan, where can I see some idol dramas? Don't worry, I came prepared

Full House (2004) with Rain as the main character is the og idol drama in my opinion. Available on Viki. 16 episodes long, each one lasting about 73 minutes.

Imitation (2021) is currently airing, and it's literally an idol drama about idols. You can find a looot of idols too: Jeong Yun Ho and Park Seong Hwa from Ateez, Chani and Hwi Young from SF9, Park Ji Yeon from T-ara, Lim Na Young from I.O.I and Pristin, and although Jeong Ji So is not an idol, she is the main lead, and I absolutely love her, she's also in Doom at your service. Available on Viki.

Miss Panda and Mr. Hedgehog (2012) features Donghae from Super Junior, and if I'm going to recommend a Super Junior drama, I would rather recommend one featuring him over Siwon.

At a Distance the Spring is Green (2021) is currently airing too, and only has four released episodes, but I've liked it so far. Featuring Park Ji Hoon, and Kwon Dun Bin. Also, I have a lot of opinions about this show. Available on Viki.

I was going to put an IU drama but, all her dramas are good, so go and watch them all, the woman has range.

Dream High (2011) is the king of idol dramas, in my opinion. It talksa about a high school for people who want to be idols. Another one with a long line up of idols, so let me start: Suzy, IU, Taecyeon, Nichkhun and Wooyoung from 2PM, Ham Eun Jung from T-ara. Leeteuk (SuJu and Chansung (2PM) make cameos. Similarly to Imitation, Kim Soo Hyun is not an idol, but he's the main lead. It's 16 episodes long, each one lasting about 65 minutes. Available on Viki.

Wow, quite a few, but they all seem rather popular, do you have some underrated gems? I'm going to have to go down memory lane, but I do

The Queen's Classroom (2013) This one feels like a fever dream, because I'm aware it exists, I watched it back when it first aired, but I can't find it anywhere now. It's based on a Japanese drama of the same name. It's about a strict but warm hearted teacher and her students' lives and struggles. 16 episodes long. DM me if you find anywhere to watch it.

1% of Something (2016) is a really cute drama, the chemistry is off the charts, and if you're looking for skinship, this one is the one for you, underrated arranged marriage kdrama, I'm telling you. It's 16 episodes long, averaging 45 minutes, and it's on Viki.

I'm not a Robot (2017) has a really cute plot, not underrated per se, but not hyped enough. It's 32 episodes long, each one averaging 30 minutes. Available on Viki.

Do you like Brahms? (2020) is a music themed kdrama, really cute and wholesome. If you like 2setviolin and watched their critique on their YouTube channel, let me tell you, the cast actually knows how to play violin and stuff, and there's an actual child prodigy in there. It got so much hate bc of that one yt video. It's 16 episode long, each one lasting about an hour. Available on Viki.

Solomon's Perjury (2016) a good reflection on youth and the pressure society has. 12 episodes long, lasting about 63 minutes each. Available on Viki.

The Greatest Love (2011) is a super entertaining TV show, and just supper funny and cute. 16 episodes long, each one lasting around 65 minutes. Available on Viki.

Two Cops (2017) if you like Kim Seon Ho, I think this was his TV acting debut. It's a hilarious action comedy TV show. 32 episodes long, lasting around 30 minutes. Available on viki.

Do you have any recommendations where time traveling or time is central to the story?

Alice (2020) look, I can't give you a full explanation because it's too mind bending. Let's leave it at detective meets his mother. Available on Viki.

Signal (2016) The premise is similar to that of the movie Frequency (2000) in which there's communication between the past and the present via technology. The plot is based on the real Hwaseong serial murders. Really interesting. Available on Netflix. If you like the premise of communicating with the past via technology Call (2020) is a Korean thriller movie available on Netflix.

Chicago Typewriter (2017) this one is about reincarnation but we get to see both timelines. Available on Netflix.

Tomorrow with you (2017) Time-traveling but make it ✨depressing ✨. The story of a man who time travels, and how that ability messes with his marriage. Available on Netflix.

What about historical dramas? I don't really watch those, but here are some I liked

The Moon Embracing the Sun (2012) is one of the few I've finished. It's really good, it follows the love story of a king. Available on viki. 20 episodes long, each one lasting about an hour.

Gunman in Joseon (2014) Am I recommending you this one because of Lee Joon Gi? Maybe. It has 22 episodes, each one lasting about an hour. Available on Viki.

The Crowned Clown (2019) a story of the Prince and the Pauper if I must give you a description that is relatable, but if you know the book titled Skogland, it's closer to that. It's 16 episodes long, each one lasting about 80 minutes. Available on Viki.

I'm a little ashamed to say this, but do you have any BL? I do, I do

To My Star (2021) is a story about an actor and a chef, and how they learn to cohabit after the actor is forced into hiding. You can watch either the movie version or the drama version, both available on viki.

Color Rush (2020) is a modern romance fantasy about people called Monos who can't see any color unless they meet their Probes, however this may turn dangerous as the Monos may experience obsessive behavior, so what happens when a young high schooler meets his probe?. You can either watch it on its drama or movie version. Both available on viki. By the way, if you're a long time deobi and was wandering what happened to Hwall, he's one of the main leads.

You Make Me Dance (2021) follows the story of a university dancer who is in debt and his debt collector. Available on viki in both versions. The movie is 107 minutes long.

Just Friends (2009) is a short film, but ahead of its time, if you can't tell by the year it was released on. It's a cute story about a man who visits his boyfriend in the military. I found it in dramacool.

That's all from me, if you have any specific genre or them you felt I didn't add in, do feel free to tell me.

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wizkiddx · 3 years

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the worst case scenario

okay so this is possibly part 1 of a v v angsty dad!tom fic!!

WARNING: the section under the cut of this is v v v dark with mentions of death and some graphic descriptions of blood etc - please please don't read if any of these things may affect you <3

the part above the cut (the keep reading bit) is completely fluffy (a bit of childbirth but not graphic) so you could read only that first bit as a stand alone if anybody wanted to

dad!tomholland x reader

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“Stop laughing at me!!!” Y/n exclaimed in mock anger before bursting out laughing, knowing she did look pretty ridiculous.

“I can’t help it you just…. You look like an elephant!” Tom cackled from his reclined position lying on the couch, whilst his 8 month pregnant fiancé struggled to get up from her seated position on the floor - where she had spent the last half an hour wrapping presents for her nephews birthday.

“You know a supportive soon to be father would’ve helped me up!” Replying with a scowl that didn’t last long, Y/n finally standing up took the three steps to the couch before uncerimoniously collapsing into it.

Grinning with this absolute sparkle in his eye, Tom leant forward and slid up to Y/n to pull her into his side. His hand came to rest upon her massive bump - at this point it was almost a rule that if he were touching Y/n he also had to be touching the bump. Tom claimed it to be skin to skin contact and although Y/n were pretty sure that didn’t come into effect until after the baby was born, she wasn’t complaining either.

“It’s a shame your stuck with me then huh?” He murmured into the top of Y/n’s head, pressing a kiss to the crown of her head while tracing meaningless patterns on her shirt over the bump. Tom was beyond excited to become a Dad, family had always meant everything to him growing up (and now). There was nothing he wanted more , therefore, to call them a family of three - or more accurately four, not forgetting Tess of course.

“Oh how I regret ever taking up that extra shift at the club” She mused sarcastically, enjoying how he feigned offence in return.

The way the two had met was so incredibly cliche that it was almost painful, whenever anyone asked how they met she always winced internally. But it was their truth, Y/n had been a caddy at the golf course Tom frequented with his brothers. The nature of his ‘reputation’ meant the caddies always had to sign NDA’s to be paired with Tom’s group and the chosen few were those personally recommended by the golf course. She’d always stuck out to him, mainly because she seemed to be biting her tongue as they worked their way round the course. Caddies, also by job description, were not to speak unless spoken to; to be polite and courteous but not chatty. So, given how professioial she was, had taken some convincing for Tom to drag it out why she looked in physical pain whenever they played the 13th hole.

“Look somethings on your mind I can tell! If you hate me I can arrange another caddy I just -“ He followed her march to back from the hole toward the little buggy, ahead of his brothers and Dad who were making small talk from behind.

“FINE! Okay fine.” Reaching the end of her tether, Y/n snapped, whipping her body round to face him. “It’s your grip! On this hole especially you always play the driver with you pinky too far down the shaft, it’s why you always end up in the bunker on the 13th! It’s bloody infuriating because them I’m the one that has to clean the buggy you’ve trampled sand into!”

“Oh…. I-I … I wasn’t expecting that” Tom had spoken quietly, in an unfamiliar tone to Y/n. Over hours she’d spent on the course with them over the months, Y/n had gotten used to his storytelling voice when recounting an insane experience to his family that he’d had in the world of Hollywood; his grumpy voice when he played badly, which was often; and then his gloating voice - most definitely the worst and intolerable. This voice though, was different.

“I-I’m so sorry I have no right, I just-“ She’d out her foot in it …. badly. The young actor was one of the most clubs most prestigious and valued members; and she’d just insulted him. Clearly, she was also about to be in search of another job.

“No no I appreciate your tip… I didn’t even realise you play?” His gracious smile calmed her nerves a little, though Y/n still wrung her hands together as she replied.

“Well we aren’t supposed to talk about it but the club let us employees loose after hours… I practice quite a bit”

“Seeing as you think my game is so shitty, you fancy a round next time?”

Flash forward 3 and half years and a proposal, they were now taking their next massive leaps in the world together. Bringing a whole new life into it. It was bloody terrifying, they both openly admitted. But it was also exciting, new, incredible and… and made them even closer. Now they had to be in each others lives forever, no escaping.

“How many days left?” Craning her neck back on his shoulder so Y/n could meet his brown eyes, she knew the answer would be immediate.

“15 till the due date and the app said they’re the size of a rhubarb but I don’t really know what that means.” He knew more about the pregnancy and birth than she did. He had about a dozen different apps on his phone (including one pointlessly comparing the size of the baby to carrots/ watermelons/ onions), had read 4 different books (which for Tom was the equivalent to reading Newton’s book ‘philisphica Mathematica’.)

Ever since she’d told him about the pregnancy Tom had excelled every expectation Y/n had of him… massively. Without even having a conversation surrounding it, he had explicitly cancelled all major work commitments within 2 months of the due date and until around a year after. He had flown back and fourth across the world so he could pop in and check on you. He’d also set his whole family on becoming your minders when he was away - Y/n wouldn’t have been able to go a day avoiding a Holland (or Osterfield) if she had tried.

The pregnancy thus far hadn’t been the easiest though, hence why Y/n still appreciated to constant worrying texts and calls. During the first trimester the morning sickness had been literal hell; and then you’d had a little bit of a scare with pre-eclampsia during the second. It landed you a 3 day stay in hospital and a very very panicked Tom rushing back from New York on the first possible flight.

So now? Y/n wanted the baby out. She wanted family life as parents. (At which point hopefully Tom would stop comparing the size of your child to an assortment of different fruit and veg)

“You know, you really are going to be the best dad in the world Thomas Stanely Holland.”

“And you Y/f/n y/m/n y/l/n are already a pretty impressive mum.”

||||||||||||||||||||||||||||||||||||||

It was 3 o’clock the next morning when Y/n awoke with a sudden groan instinctively rubbing her stomach in an attempt to get them easing up. Now too familiar with Braxton-Hicks contractions, the weird cramping that waxes and wanes but never letting her get any rest - Y/n knew she was in for a long night. With a muted sigh she carefully lifted Tom’s arm off her side, cautious not to disturb him. The poor boy had been up most nights with her, just because baby wasn’t letting her sleep, it didn’t mean Tom wasn’t deserving of rest either.

So making furtive movements at a snails pace, she attempted to tip toe out the room - yet as Tom had pointed out before, she looked almost like an elephant, so everything was relative. Surprisingly though, she was successful, escaping onto the soft cream carpet of their hallway before choosing to venture into the room opposite theirs. It had once been a spare room, though more correctly termed the ‘shit room’ because that’s where all the accumulated shit they got was thrown. Now however, Tom and his brothers had taken on the mammoth task of clearing it out and redecorating - creating the most beautiful nursery one could ever see. Complete with a rocking chair which Y/n made a beeline for, now allowing herself to audible groan at the tight sensation deep inside her.

Normally they would ease after a half an hour or so, yet this time, after what was surely more like an hour and a half they started to…. ramp up. What was a tight pressure sensation quickly became one more forceful volatile and full of pain. She put it off for about 3 or 4 cycles of these, pursing her lips and breathing deeply as she tried to convince herself they’d just simply fizzle away. This couldn’t be the real thing could it? It was too soon - as Tom had said she wasn’t due for another 15 days. It wasn’t happening… was it?

The answer was pretty comprehensively and cohesively given when Y/n tried to stand up, in the hope of walking the ache off, she felt an incredibly tight crunch as her insides seemed to wring themselves together. Oh … and a surge of water soaked her pyjama bottoms.

“Fuckfuckfuckfuck FUCKKKK TOMMMM!! TOM-ah shit- MY WATERS!!! TOOOMMMM”The pain had amped up to a very very impressive levels, forcing Y/n to clutch her sides as she kept bending and straightening back up… as if that would help. Her lonesome agony didn’t last long though, a flustered Tom hurtled in the room - his hair sticking up all over the place and although his eyes were puffy from sleep he still had them glued open impressively wide.

“No its-its too- its too early!” In pure disbelief, Tom shook his head staring across at her face, contorted in pain.

“Yeh because-“ She gulped and exhaled in as much of a controlled manner she could through pursed lips; before answering his stupid statement. “Because I can just HOLD IT IN FOR ANOTHER 2 WEEKS SHALL I?” It took a while for Tom to process, looking down at the puddle of clear fluid on the floor and damp patch on her plaid bottoms while it was Y/n’s turn to look upon his it utter disbelief at his stupidity.

“Oh shit shitshitshitshitshitshit!!!!” His words grew with increased volume and place whilst he stayed frozen, his arms reaching out lightly toward Y/n without touching her though. “What do we do?!”

He of course had revised repeatedly and extensively what he was supposed to do when this happened - yet in the moment all knowledge and planning evaporated from his mind. Now wasn’t the time for taking the mick of her terrified fiancé though, Y/n was too blinded by pain as she leaned on the dresser.

“Get the-ah FUCKING hell - phone we need to time them and phone the … the-MIDWIFE.” It was hard to direct a frantic and terrified man when one feels as though her insides are collapsing in on themselves.

Tom gulped, nodding shakily, whilst trying to take deep breaths because although he was fucking terrified it wasn’t him that was giving birth. He had to step up now.

It took barely 10 minutes from the midwife picking up to a frantic Tom for her to assess that they needed to get into the hospital asap. During the pregnancy, all of Tom’s rich friends had recommended paying for a private hospital like the ‘Portland hospital’. The idea was it was a much more luxurious and private experience - of course coming with a heavy price tag. For Tom money was not an issue, so he’d suggested to Y/n and met the strongest rejection of all his life. The NHS was by far the only choice in Y/n’s mind - of course it busier, a lot less serene and not as private; but if god forbid something did happen, that was where all the experts and resources were. The idea of being able to pay for better access to healthcare actually repulsed Y/n and everything she stood for… so in short Tom was met with a very blunt refusal.

Once they arrived on the ward, all it took was one look at Y/n’s inflated belly and the way her body was squirming in the wheelchair Tom was pushing, whilst laden with the baby bags they’d had packed and prepared for weeks, for the pair to be rushed into a side room. After an intense 20 minutes of getting Y/n settled, getting her full medical history and inspection of her vagina the hmidwife’s head popped up from between her legs with a kind smile. She explained in a calming and gentle tone that Y/n was 5 cms dilated and had got to that point fast, yet now things looked to be slowing down a bit. With final words of advice of try to relax she left the pair to it.

They both looked at each other, a matching expression of confusion and relative terror blatantly clear in both their eyes. It had them both burst out laughing, if Y/n then scowled at the pain that shot through her side.

“This is really happening huh?” Tom murmured as he rounded the bed to gently run his hands through her sticky hair.

“I don’t know unless you really do want me to postpone their arrival for a short while?” Tom rolled his eyes and shook his head, although not really able to surpress the chuckle at his finances humour - even if it was at his expense.

“Glad to see you can still be as sarcastic as ever.” He laughed but before she could reply another wave of contractions hit making her instead just scream - grabbing his hand so tightly Tom was certain a bone or two were crushed in the process.

It was another hour or two of the same traumatic sight of watching the women he loved more than anything in the world be in such extreme pain. God knows how his appreciate for his mother grew in that moment - she had had four kids overall, two of them twins! Tom dared to think of the scenes in that room of twin brothers birth. Having to deal with both Sam and Harrys large heads…

Harrison had arrived in the meantime, he was to be the child’s godfather and Y/n was more than happy to have him there - even if it was more of a support to Tom than Y/n. Quite expectantly though, he was just as terrified and useless as Tom - so instead of having one idiot to deal with, the midwives now had double trouble of terrified men.

And yet after another 1 hour or so Y/n was being told to make one final push. Baring down on the gas and air tube, Y/n squeezed her eyes shut together whilst simultaneously contracting every muscle in her body with what little energy she had left. Hearing Tom and Harrisons words of encouragement; the midwifes orders and her own long and continuous scream, Y/n pushed with all she had. It was excruciating and torturous yet she kept going until the most beautiful sound was the only thing left reverberating round the room.

Her babies cry.

Tom looked at the scene in awe, feeling an almost out of body experience as the midwife unfolded from her position leant over the bed looking up to Tom.

“Do you want to cut the cord Dad?” Releasing a breathy laugh, tears collecting in his eyes he looked down at Y/n. She looked a mess - hair flying all over the place; sweaty sheen and a ruined look on her face; panting hard as she caught her breath. But to Tom? Never had he seen her look more beautiful, especially when she managed a small smile, nodding encouragingly at him. So he moved round to the end of the bed as the nurse motioned, while Harrison squeezed Y/n’s shoulder with the proudest look on his face.

It was the first time Tom had ever seen his child. And really, seeing a wrinkly little pink thing covered in all sorts of gunge - it shouldn’t be such a magical moment. But here he was, a single tear escaping over his lower lashes at the sight of them wriggling about. The midwife gave him a second, before gently handing him the medical scissors and directing him as to what to do. Once done, the lady announced the room it was a beautiful baby girl.

The next hour or so was a bit of a blur, the whole situation felt extremely surreal to everyone - but perhaps most to Y/n. Although the baby was premature the doctors had checked and were confident was perfectly healthy, so after both Y/n and Tom having their turn holding her (Tom finally got his real skin to skin time) they brought in a little incubator where she could rest while Y/n was recovering. Due to her prematurity, as a safety net, the doctors did want to keep the baby girl in overnight for observation, which meant the whole party would be staying too.

Y/n loved nothing more than watching Tom and Haz with their baby. The way they delicately cradled her in their strong arms and the way their eyes softened so inexplicably. Y/n swore that had she not just pushed a watermelon sized human out her vagina, the way Tom looked while holding their daughter would make her pregnant all over again.

“I still can’t believe you two created a real life human.” Harrison mused while standing with the baby girl in his arms, shifting his weight from foot to foot as he watched her sleep soundly.

“To be fair it was mainly Y/n” Tom laughed as he squeezed Y/n’s hand (wincing internally as it hurt his already injured hand - Y/n had an almost death grip)

“Oh no credit where credits due… he was involved for a whole 3 minutes or so.” Harrison snorted and Tom scowled at her, yet her cheeky if exhausted grin instantly erased any annoyance.

“Don’t make sexual jokes in front of our child!” He retorted, Harrison still laughing at his friend. Haz loved Y/n too - she made Tom a better version of himself. And now, she’d made him a dad.

**triggering part starts here

After all the excitement of the early morning it was more than fair to say Y/n was shattered, Tom not doing much better. So after a little bit, Tom joined Y/n on the bed and they instantly fell asleep to the light beeping of their babies heart monitor. Harrison stayed in the arm chair in the corner of the room, wheeling the little incubator right in front of him to just stare at the little girl. He had been texting Tom’s family too, giving them details of when they’d be allowed to come and meet the little one, who had just woken up to all Tom’s frantic texts from the night before.

Eventually though he was ped ousnapt of his happy daze, looking over to the bed and seeing Tom groan as he shifted on the mattress that was technically only spacious enough for one.

“You good mate?” Harrison spoke in a low voice, keen not to disturb either the baby of Y/n - she had earned a bit of peace. Tom just mumbled in response, rubbing his eyes as he sat up before letting out a deeper groan.

“-hat the fuck” Tom lifted up the blanket covering them both as Harrison looked on inquisitively. But then Tom leapt off the bed, started violently shouting Y/n as he shook her in a look of desperation. It was violent and harsh, Harrison was horrified as he immediately stood up in an action to pull Tom off her.

“Tom what are you-“

“Get help Haz.” Tom turned around to look at Haz, only at which point could the blonde haired boy make out why Tom looked so insane. Because his trousers, and the bedsheets that were now not hidden by the blankets, was covered in a red sticky substance. Jaw dropping, Haz slalomed round the incubator to stand at the foot of the bed.

It honestly looked like a horror scene. Y/n’s lower half was completely saturated in a bright red liquid that slowly was creeping further and further through the sheets. Her face looked pale, Haz cursing himself for not noticing earlier and her breathing… it looked so slow it was barely noticeable. The silence was only endured for a few moments, before Tom turned back to violently shaking the dead weight below him yelling her name repeatedly and frantically.

As soon as the alarm was raised more and more staff piled into the room, each one carrying a new level of importance and seniority - instantly taking control of the room and shouting orders. Tom had long since been pulled away from the bed by a nurse, who was trying to speak to him and calm him down, but was completely ignored as he focused on the scene over their shoulder.

“Looking like a primary PP bleed but she’s lost at least 3 pints already…. Somone bleep the aenestists and lets get moving to the OR please!.. We’ll need bloods crossmatch 5 units….”

Tom heard to the controlled sense of urgency in the lead doctors voice and he felt as though his heart was being torn straight from his chest. Harrison took over from the nurse, half restraining - half hugging him as the nurse ushered them completely out the room. Shouting over Tom’s desperate pleas to let the doctors do their thing. He fought hard against Harrison but ultimately his hold was enough to keep him back, the two watching from he corridor as Y/n’s bed was wheeled rapidly out the room - what seemed like at least 12 staff members bustling after it.

Harrison knew it was hopeless to try and talk to Tom, as he paced up and down the ‘relatives room’ the two had been confined to. They didn’t have a clue what was going on, no-one seemed to want to tell them - making the worst case option appear the most likeliest in Harrison’s head. A nurse had said the baby, as yet unnamed, had been taken down the neonatal unit so that it was one thing less for them to worry about ; but refused to say anything about Y/n, saying a doctor would come and explain soon.

It must’ve been 20 mins, even if to the two men it felt like a lifetime, when a round and short, greying man with big black rimmed rectangular glasses entered the room. Tom was too in his own head to even notice, pacing up and down the room while constantly running a hand through his hair as he tried to keep his breath in regular time - even if his brain was on overdrive. It took Harrison calling his name twice to make him snap out of it, looking up with desperate pleading eyes to notice the stout man, a sympathetic smile on his face.

“Are you Mrs y/L/n’s husband?”

“Fiance”

“I’m Dr Webber the consultant gynaecologist, shall we take a seat sir?” Tom stayed rigid, standing opposite him in an offensive manner.

“She’s dead isn’t she?” At Tom’s cold words, Haz’s breath halted in his chest. It had been what they’d both been thinking, of course, it was natural when you see someone with more blood out their body than inside it. The doctor seemed a little shocked at his frankness, pressing his lips together as he let out a sigh.

“No sir she’s not but she is very very unwell. Please, let’s sit down so we can talk about it because I understand it’s a lot to take in.” It took a couple of movements of Tom stood frozen staring but Dr Webber held firm, waiting until Tom took a seat next to Haz before he moved - drawing a chair from across the room so he could face both men.

“First off I’m sorry you were removed from the room and put in here for so long but these situations are incredibly hard and to get Y/n the best care we needed the whole room.”

“Doctor I just… I just need to know what’s going on.” He couldn’t deal with the state of unknowing, Tom was going insane, he didn’t care for the small talk.

“Sorry right, so what we think happened was your fiancé developed a condition called ‘placental accreta’. In simple terms, a bit of the placenta is stuck in the uterus and causes bleeding.”

“That much bleeding?” Haz couldn’t help himself from butting in, he knew this wasn’t really his place, that he was just being there for Tom. But at the same time that was his godchilds mum, it mattered.

“Honestly? Usually not, Y/n had very severe bleed… So she has been taken in for surgery, where the very talented surgeons are trying patch up the affected blood vessels. I’m afraid at this point that’s all I can really say.”

“So… she’s going to be okay?” It was desperate plea for something that, even if Tom wouldn’t admit, he didn’t really believe - it seemed as if none of the three in the room did.

“It’s not that easy I’m afraid. Assuming the surgeons can stabilise the bleeding and fix it…. with blood loss like she has suffered we… we don’t know what the effects of that will be. We tried to prevent as much damage to her brain and body as possible with transfusing blood into her and it was good that she was in hospital so could get treatment almost immediately…. But I’m afraid it’s simply too early to say. The first hurdle is going to be getting her out of surgery safely, only then can we deal with whatever happens next.”

Tom had so many emotions flashing through his head. He knew the doctor was trying to go slow to make the information a little more digestible but it was all so bloody incomprehensible. So when the greying man asked both men if they had any questions, neither took up his offer. Surely they both would after hours of processing and analysing but for right now? They were stunned into silence.

“Okay sir, now I hope you don’t mind me saying this but it really is important for you to hear. You are now a father, as Y/n is a mother. This situation is never easy but as a first time dad I need you to be aware that now your fiancé can’t be your only priority. We are all here to support you but please, just remember that.”

Harrison was so glad the doctor had said that, it was so completely true - yet Haz knew he didn’t have enough power to have said it to Tom. The whole thing was impossible and at the centre was an innocent, beautiful but totally dependant baby.

“What happens now then?” Haz had to ask on behalf of his friend, who was now completely overwhelmed. Dr Webber sighed, leaning back and rubbing his knees before answering.

“If the surgery is successful it’ll be at a best estimate two hours before we will have news for you , then she will be taken into intensive care where everything else would be assessed and further investigations would happen. You can both stay here or go get food, maybe go down and see the baby in the neonatal ICU? I personally promise that as soon as any of us get any news you will be the first to know.”

He was met with the sort of silence that makes you shiver. Sighing heavily, the doctor rubbed his knees, apparently preparing to leave. “This possibly one of the worst case scenarios that could’ve happened but Y/n is in the best hands and we will do everything for her. If you do think of anything you want clarification on, grab one of the nurses and they’ll come and find me.”

And then he left.

The room was deathly silent. Harrison couldn’t dare to look over at Tom - he knew what he would see and honestly seeing Tom like that would only make it worse. God knows how long they sat in those plastic lined, lightly padded hospital chairs. Both in silence. Just thinking… or more like worrying… or more like dreading. It was Tom who actually broke the silence first, his voice barely audible but still the meaning was crisp and clear.

“I can’t do it Haz” For the first time since the doctor was with them, Harrison looked at Tom, catching him directly in the eye. That hurt… Tom’s eyes looked so, so… hopeless. He knew what his broken friend was saying, but honestly Haz didn’t want to hear it so he did not respond. That didn’t stop Tom though, he continued. “I can’t do it. … I-I can’t be a dad without her… I just can’t.”

What the hell was Harrison supposed to say? There wasn’t really a guidebook to this situation. He was clueless. So, cautiously Harrison just leaned over, wrapping his arms round Tom as he all but collapsed into his friends chest. Tom was sobbing harshly as Harrison looked up at the ageing ceiling tiles, trying to surpress his own emotions because now clearly wasn’t about him.

“You can Tom… you have to.” His friend didn’t respond, well apart from harsh sobs that racked his frame. And so Harrison just let Tom cry, folded awkwardly and uncomfortably over the arm rest of the chairs, occasionally yelling into his chest at the unjustness of the situation.

It wasn’t fair. But it had still happened. And there was still a baby girl by herself downstairs.

//////

is this okay or too much? I won't write another part if generally people think its a bit too dark!!!!

#tom holland #tom holland x reader #dad!tom #tom holland x y/n #Tom Holland angst #angsty

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night-unfurls-its-splendour · 3 years

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Every Emma Woodhouse Ranked and Rated

With all my reviews of all the period-set adaptations now finished, I'm beginning my series in which I rate and rank each interpretation of all the principle characters, starting with our girl Emma!

Now I wanna be clear--I am not rating the actresses that played Emma. I am rating how the character was handled in general in each adaptation. The actresses are a factor, but they're not the sole factor, since the writer and director have as much, if not more, to do with how the character ends up in the finished product. So without futher ado, let's rank...

“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her….

“The real evils indeed of Emma’s situation were the power of having rather too much of her own way, and a disposition to think a little too well of herself; these were the disadvantages that threatened alloy to her many enjoyments.”

NUMBER 5: 1972

Portrayed by: Doran Godwin

Age at time of filming: 28

Clocking in as the oldest actress to play Austen’s famously TWENTY-ONE year old heroine (at the ripe age of 28), Doran Godwin also snags the coveted position as inhabiting the worst portrayal of the character (in my personal estimation) to date.

Just about everything about this interpretation of Emma Woodhouse is bad, from her seemingly automated recital of her lines to her all-too-intense, wide-eyed, hypnotic stare. The 1972 portrayal of Emma highlights all the character’s worst qualities while also failing to convincingly communicate her good qualities, such as her caring nature. The script is equally to blame for the awfulness of this interpretation, adding unnecessarily cruel and condescending lines, including one where she negs Harriet for being sad after Elton’s marriage, and then forces Harriet to come with her to meet the new Mrs. Elton, when Emma in the book did her best to shield Harriet from exactly that kind of situation.

Godwin couldn’t pass for 21 if her life had depended on it, and the worst part is that the script actually states Emma’s age, so she seems like a bit of a crazy spinster, preying on the naïve Harriet. Whether it’s her intent to bathe in Harriet’s blood to keep herself young, or to bake her into a pie is up for debate.

Rating: 1/5 Half-finished portraits

NUMBER 4: 2020

Portrayed by: Anya Taylor Joy

Age at time of filming: 23

I thought long and hard about this. This movie is a modern period drama phenomenon. It’s gotten so many people into Jane Austen and satisfied long-time Austen fans by giving them an interpretation they never dared hope to see. It’s a gorgeous film.

But I don’t like this interpretation of Emma Woodhouse. Though Anya Taylor Joy is one of the youngest actresses to play Emma (only two years older than the character) she’s played with a careful stiffness that perhaps shows us a glimpse of the Lady Catherine she might turn into without swift intervention. That’s not necessarily a bad thing, and this isn’t a commentary on Anya Taylor Joy either—her appearance or her acting ability—but I just don’t like her as Emma. And she’s not the sole problem, she turns in a solid performance, she’s a good actress, but something about this characterization is just off-color to me. Anya Taylor Joy plays a great mean-girl; but I think that’s one of the reasons why they thought she’d be a good choice for this role, and it’s one of the prime reasons I don’t think she wasright for it. Emma is a deeply flawed character and, of course, the biggest turning point in her story comes as a result of a thoughtlessly mean remark to someone who has only ever shown her deference, hospitality and gratitude.

All that said, Emma is not, at her core, a cruel person. Emma has gone all her life thinking condescending things about Miss Bates but it’s only when Frank comes along and validates her less kind commentaries that she actually starts to voice them in search of validation from a peer.

The problem with this in the context of 2020’s Emma Woodhouse is that Frank hardly gets a look-in in this adaptation. Emma’s relationship with him is severely underdeveloped and the actors don’t have enough chemistry to pull it off in the limited time they’re given. The result is that Emma appears to cross a line just to cross it, and it pushes Emma’s character from thoughtless to out-and-out frigid.

Still better than Doran Godwin, since she's identifiably human.

Rating: 2 1/2 / 5 Half-finished portraits

NUMBER 3: 1996 (MIRAMAX)

Portrayed by: Gwyneth Paltrow

Age at time of filming: 24

Despite the fact that Gwyneth Paltrow was an appalling casing choice for Emma Woodhouse (I will be forever salty that they passed over Joely Richardson), and I know there are some who will think me, at best, crazy (sacrilegious, at worst) for ranking 1996’s interpretation of Emma higher than 2020, I actually feel that solidly in the middle is right where this version of the character belongs.

There’s so much wrong with this Emma: she swings from mature to bizarrely infantile at the drop of a hat, much of her script is genuinely tragic, Gwyneth can’t convincingly portray Emma's social naiveté, her accent is overwhelmingly nasal and impossible to listen to, just for starters.

And yet… I don’t hate her. I don’t like her particularly either, but even though much of the dialogue re-working butchered Austen’s prose, there are a lot of things McGrath seems to have gotten right about Emma’s character. Her relationship with Knightley feels comfortable and playful, and, while Emma of the book probably doesn’t really care for Harriet Smith in the spirit of true bosom friendship, I believe she does care about her and wishes to spare her (further) pain. She shows exasperation with Harriet while still being patient with her, which is very much in the spirit of the book. Her concern for Harriet at the ball feels real, and her contrition at Box Hill following Knightley’s rebuke, while not profound, at least feels like contrition and not self-pity.

Perhaps, given the soft-take that the Miramax version is, it shouldn’t be surprising that the biggest faults in characterization rest on awkward writing and the biggest triumphs highlight Emma’s better side. It’s not a very in-depth take on the character, but it at least, is an adequate one.

Rating: 3/5 Half-finished portraits

NUMBER 2: 1996/97 (ITV)

Portrayed by: Kate Beckinsale

Age at time of filming: 23

Those who’ve read my reviews of each adaptation of Emma might be surprised to see ITV’s portrayal of the title character sitting so high on my list. To be frank, it’s a distant second, and she may have stolen the number two spot only because she’s played by Kate Beckinsale and not Gwyneth Paltrow.

In truth, I see a lot of parallels between 1997’s Emma and 2020’s. Both actresses were 23 (or thereabouts) when they played the role, both have extremely childish moments, and both crumple down and burst into tears that don’t feel entirely genuine after Box Hill.

So why is 1997 on the good side of the number 3 spot and 2020 isn’t? I’m not precisely sure. I think it may be because Andrew Davies (and/or Diarmuid Lawrence) at least understood the scale of Emma Woodhouse’s wealth and status. This Emma feels sufficiently self-important, a bit haughty, sure—but she’s also believably naïve. You feel her isolation, you understand her caring relationship with her father, and she’s not as patently rude to Robert Martin compared to the 2020 version (she at least acknowledges his presence when he meets Emma and Harriet in the lane).

Grudging though this favorable placement may be, I can at least acknowledge that Emma herself is the least of my problems with this version, and even though Beckinsale’s acting is a bit sketchy at certain points, she also has some truly great moments, especially her interaction with Robert Martin at the end of the film. This portrayal is consistent, and Emma’s better qualities aren’t overpowered by her negative ones.

Rating: 4/5 Half-finished portraits

Number 1: 2009

Portrayed by: Romola Garai

Age at time of filming: 26

And in a shocking twist—I’m kidding this is neither shocking nor unexpected to anyone who knows me or has read my blog/reviews of the Emma adaptations. Am I totally biased? Probably. I don’t care, this is a completely subjective list. Here, finally—my first and true love as Emma Woodhouse—is Romola Garai. I suppose it’s also not surprising that the first actress I ever saw in the role would still be my favorite a decade on. I just love everything about this interpretation of the character. She rides the very difficult line of being bright, caring and intelligent, while also being completely naïve and lacking in social savvy (in her own age-group at least), coddled, and painfully sure of her own self-importance.

Even though Garai was 25 or 26 at the time (far too old for the character—almost as old as Doran Godwin) her energy and charisma are enough that she’s able to carry it off convincingly. Everything about this Emma screams youth, and when Emma’s child-like social ignorance is her most prominent characteristic, it feels authentic and natural. Equally authentic are her emotions—her love for her family, her dynamic with Knightley, he exasperation, patience, and concern with Harriet. Most of all though, this Emma seems to experience the most maturation in the last quarter of the story. Box Hill really feels like a turning point—not just a chastened young woman, but a true coming-of-age moment. Emma faces a reckoning here that begins a chain reaction culminating in her realization of her feelings for Knightley, and everything from the writing to Garai’s performance conveys the magnitude of this shift in Emma’s life.

This version of the character seems the most… complete to me. Somehow, between Romola Garai’s vibrancy, Sandy Welch’s screenplay and Jim O’Hanlon’s direction, this interpretation takes an extremely divisive character and helps the viewer understand just why everyone in Highbury loves Emma Woodhouse.

Rating: 5/5 Half-finished portraits

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If you liked this, check out my rankings of Mr. and Mrs. Weston

#emma woodhouse #jane austen emma #jane austen #period drama #emma 2020 #emma 2009 #emma 1996 #emma 1972 #romola garai #kate beckinsale #anya taylor joy #gwyneth paltrow

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joshjacksons · 3 years

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Joshua Jackson interview with "Mr Porter" (2021)

Minutes before Mr Joshua Jackson joins me in a booth for a Friday afternoon drink at a vibey hotel bar in Santa Monica, he’s confronted by his past. Or rather, a woman in her early twenties who is binge-watching Dawson’s Creek, the teen show about a close-knit group of high-school friends coming of age in a sleepy American town, which made Jackson incredibly famous between 1998 and 2003. The series, which also made household names of Ms Michelle Williams and Ms Katie Holmes, went off air 18 years ago, but is now streaming on Netflix, to the bemusement of Jackson, who played lovable rogue Pacey Witter. “This girl was like, ‘Are you...?’ And I’m like, ‘Yes, I am. He got old. I’m sorry to break it to you,’” he says, before ordering an iced tea and a charcuterie board to tide him over until dinner time. “It always surprises me when young people say they’ve just got into Dawson’s Creek. I’m like, ‘Is it a costume drama to you? Do you feel like you’re watching a historical documentary?’”

The idea of a Friends-style reunion episode or a Sex And The City revival feels equally far-fetched to Canadian-born Jackson, now 43 and wearing it well in a pale green linen shirt and tailored linen trousers by Oliver Spencer that complement his fading brown hair and Cali-tanned skin.

“I don’t know why you’d want to [bring it back],” he says. “Nobody needs to know what those characters are doing in middle age. We left them in a nice place. Nobody needs to see that Pacey’s back hurts. I don’t think we need that update.”

And Jackson doesn’t need Dawson’s Creek. From Mr JJ Abrams’ sci-fi series Fringe (2008-2013) to the Golden Globe award-winning The Affair (2014-2019), from Ms Ava DuVernay’s ground-breaking true-crime drama When They See Us (2019) to the recent Ms Reese Witherspoon and Ms Kerry Washington-produced Little Fires Everywhere (2020), he has commanded the small screen – with a collection of dynamic and diverse work – ever since.

His latest role as Mr Christopher Duntsch, the Texas surgeon convicted of gross malpractice when 33 of his patients were left seriously injured after he operated on them and two of them died, in chilling Peacock crime drama Dr Death, is only stepping his career up another gear.

“I’ve never played anyone irredeemable before,” says Jackson, who is joined in the eight-part series (based on the 2018 Wondery podcast of the same name) by Messrs Christian Slater and Alec Baldwin. “He is charming, gregarious and has a high-level intellect, but he’s also a misogynist, probably a sociopath, certainly a narcissist and a complete incompetent who is incapable of seeing himself.”

If Duntsch is terrifying, then Jackson’s portrayal is even more so. The artist formerly known as Pacey is virtually unrecognisable (thanks to prosthetics) in the opening scene, but the real challenge for Jackson was allowing himself to view someone who is so “spectacularly evil” as a human being in order to walk in his shoes. “It’s a more damning portrayal of the man to make him into a human being, rather than just make him the bad guy,” he says. “He really believes he’s the hero, he’s the genius and that he’s the victim, so once I got past my own judgment, all the other things fell into place.”

Jackson might have his pick of stellar roles – and challenges – now, but it has not happened by accident. Take it from someone who has been in the business since landing his first job aged 14 in Disney’s live-action movie series The Mighty Ducks, opposite Brat Pack alumnus Mr Emilio Estevez.

“You try to make it look like it happens accidentally,” he says, “but there is no way to do this and not be ambitious. I’d say I’m extremely ambitious because I’ve been doing this cutthroat job for nearly 30 years. I’m in the pay-off phase of my career now. One of the benefits of surviving for as long as I have is you get to learn from your own mistakes.”

Such as? “I wouldn’t say, ‘I wish I hadn’t done that,’ because it all becomes bricks in a path, but [after Dawson’s Creek] I was not choosy enough about the things I was doing. You get stuck. You start trying to perform the performance you think people are hoping to see you do. I was so used to working all the time that I just worked all the time. There was definitely a conscious moment in my mid-twenties when I realised I wasn’t really enjoying the work that I was doing. My manager at the time just said, ‘Take a breath. You’re burnt out.’”

The turning point came in 2005, when Jackson was offered a role in the two-hander Mr David Mamet play A Life In The Theatre, opposite Sir Patrick Stewart. “God bless him, Patrick could have made my life miserable because I had no idea what I was doing, ” he says. “I hadn’t been on stage since I was a kid and now I was in the West End in over my head. But it reminded me that I actually enjoyed being an actor, that it’s not about the red carpet or travelling around the world. What I really enjoy is working on good material with good people.”

It’s no surprise Jackson’s time on Dawson’s Creek led to a career crisis. From the ages of 19 to 24, he lived with his fellow cast mates in Wilmington, North Carolina, filming day in, day out, in an arrangement he likens to college. “You get to the end and they’re like, ‘Here’s your degree. Go live now. You’re an adult. Go out into the world,’” he says.

But most graduates don’t have to deal with global fame. “It’s transitory. You’re only ever cool for a moment and then you become much less cool. I was always pretty dubious about flatterers,” he says, recalling a time he was stung in London in the mid-2000s. “I went on a date in Hyde Park with a woman whose name I will not use – she was socialite-famous – and she was acting completely bizarre, looking over her shoulder the whole time. I came to find out that she had hired a photographer to follow us through the park and gave a whole story to the tabloids about how I was going to meet her family.”

It was his growing fortune, rather than fame, that caused Jackson the most anxiety. “Suddenly, at 19 years old, I was making more in a week than most of my friends’ parents would make in a year,” he says. “It was lovely to have the money, but it was that feeling of nobody is worth that kind of money. You feel like a fraud and it took me a long time to forgive myself for not being the thing that I was perceived as.”

Born in Vancouver, but raised in Topanga, California, until he was eight (before moving back to Vancouver following his parents’ divorce), Jackson bought his childhood home in 2001 and lives in it today with his wife, British Queen & Slim actor Ms Jodie Turner-Smith, and their 15-month-old daughter.

“My father unfortunately was not a good father or a husband and exited the scene, but that house in Topanga was where everything felt simple, so it was a very healing thing for me to do,” he says. Fast-forward to 2021 and his baby daughter now sleeps in her father’s childhood bedroom. “There was a mural of a dragon on the wall in that room that I couldn’t believe was still there, years later. The owner [who sold him the house] said, ‘I knew it meant a lot to somebody and that they were going to come back for it some day.’”

Becoming a first-time parent during a pandemic sounds stressful, but it afforded Jackson months at home with his wife and child that his normal work schedule wouldn’t have allowed.

“I now recognise how perverse the way that we have set up our society is,” he says. “There is not a father I know who works a regular job who didn’t go back to the office a week later. It’s robbing that man of the opportunity to bond with his child and spend time with his partner.”

Despite his obvious career ambitions, fatherhood has changed Jackson’s priorities in “every possible way”, he says. “It’s 100 per cent changed how I approach my work and my life. That has been made so clear to me in this past year. For me to feel good about what I’m doing day to day, my family has to be the central focus.

“There are plenty of things left for me to do, but now the thing that gets me excited is experiencing the world through my daughter’s eyes. I can’t wait to take her scuba diving. I can’t wait to take her skiing. I can’t wait to read a great book with her. I’m not worried at all she’ll be a wallflower. She’s been a character from the word go.”

Jackson met Turner-Smith, 34, two days after his 40th birthday. He had been single since his 10-year relationship with German actress Ms Diane Kruger ended in 2016. “I was not looking to fall in love again or meet the mother of my child, but life has other plans for you,” he says.

The couple met at a party. Turner-Smith was wearing the same The Future Is Female Ejaculation T-shirt Ms Tessa Thompson’s character, Detroit, wears in the 2018 film Sorry To Bother You. “That’s what I used to break the ice. I shouted, ‘Detroit!’ across the room. Not the smoothest thing I’ve ever done, but it worked. We were pretty much inseparable from the word go. It was a whirlwind romance and I can tell my daughter I literally saw her mother across a room and thought, ‘I have to be next to this woman.’”

A self-confessed “useless” shopper, Jackson gives his wife full credit for his current wardrobe. He is jewellery-free, apart from a wedding band and a gold signet “JJ” ring on his little finger (a present from his wife), and discovered tailored sweatsuits (by Stampd and Reigning Champ) in the pandemic.

“Jodie has influence in the way that a wonderful wife encourages you, through love, to dress well. She was like, ‘We’re going to throw away all the sweatpants from your past and I’m going to get you some that actually make you look like an adult male and you will still feel comfortable around the house,’ and I’m like, ‘What an amazing idea!’ Who knew you could get sweatsuits that actually look good on your body?”

Jackson’s style has evolved, he says, “from slovenly teen to it’s-nice-when-your-clothes-actually-fit-you”. The penny dropped after he auditioned for his former co-star Estevez, who was directing the 2006 Mr Robert Kennedy biopic Bobby. He said to me, ‘You only got this job because I know you. You came in here to play a very well-put together 1960s political operative and you’re wearing jeans and a hoodie.’

“I had to grow up a little bit. We are very much raised in Canada to never, ever show off, so it took me a while to recognise it’s OK to look good when you go out.”

Still, when you’ve grown up in front of the camera, “every pimple literally documented”, and lived (very successfully) to tell the tale, you can probably be forgiven for the odd fashion faux pas.

“I wore a silk Ascot to an event once in Paris and I still have nightmares about it,” he says. “I looked like Fred from Scooby Doo, but you live and learn.”

#joshua jackson #interviews #jodie turner smith #dawson's creek #dr death #fringe #emilio estevez #mr porter #patrick stewart #michelle williams #katie holmes

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