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#property damage
jaubaius · 1 year
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madametamma · 2 years
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I havent seen everything for ur disabled danny au, so idk if someone’s already suggested it, but just wanted to pitch in a little thought
Maybe danny’s explanation for why he disappears during ghost attacks is that ghost attacks are pretty much synonymous with property damage, and he’d rather keep his wheelchair in one piece. Repairs and replacements are extremely expensive, and i know I wouldn’t want the fentons messing with what is essentially my legs!
I can imagine that being something Wes brings up.
Wes: “Pretty interesting FENTON that when Phantom showed up to fight that ghost YOU were nowhere to be seen! Explain THAT!”
Danny: “ghost destroyed the ramp.”
Wes: “ Well… IV’E GOT MY EYE ON YOU!”
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theomnicode · 1 year
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Benefits of being unknown
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Saitama vies for some good publicity, but there are certain benefits in being an unknown hero, such as not ending up in the news as soon as you do something impressive and getting hounded by the press, fans or publicity alike.
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In the massive heist of getting Psykos, Fubuki has not actually taken into account Saitama's not-so secret involvement as it's supposed to stay more or less a secret that random A-rank hero was even involved, but it could come back to bite Saitama's ass because his involvement in the matter is not at all that secret. Fubuki group knows, they are trying to tell other people that a single a-rank hero did this and there were cameras in place, and the visitation lobby put his name down too. Then Child Emperor is in the known too, after checking the video feeds himself and Forte and his gang knows the earthquakes are due from Tatsumaki versus Saitama.
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If it turns out that Saitama was part of the Tatsumaki rampage, he could be the one who gets penalized instead, with nobody to protect him because he has nobody to blackmail for him.
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It is fortunate then that Saitama's quick thinking stops Genos from informing anybody of his involvement, especially the press, which could quickly turn really bad for Saitama. So he ends up staying out of the limelight.
Being an unknown hero has it's disadvantages, but here, being an unknown definitely works to his advantage so he does not have to pay back with indentured service to the association if someone with less that pure intentions like McCoy got wind of his involvement and tried to implicate him in being responsible for any of the damages, unlike Tatsumaki who is left off the hook.
There is time to shine for Saitama, but that time is not right yet. He barely avoids yet another massive bill in this arc.
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It's good thing Saitama thinks about property damages; so he doesn't have to pay for them from his own wallet or worse. Chances are he's had a poor experience with needing to pay for something in the past too, from punching something. Maybe one of the reasons why continued to live in the abandoned Z-city, nobody to complain or file charges about property damage, with him being so strong, there's no doubt he just accidentally causes damage if he gets attacked.
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HI I AM HERE TO TALK ABOUT SOME TBSAP !
So as probably my 0.5 fans know I am a pretty big fan of towel studios’ (Spamton’s) “The Big Shot Autos Project” (TBSAP for short) as I’ve done a ton of art and other things, it really blows me away. Anyhoo! Spamton and another very talented soundcloud user by the name Puff worked and made Property Damage 2023 edition, which adds on to the already amazing song, from Spamton’s “I think this is a holiday album” album. Now it’s a stellar track, but I noticed a few things that now makes me have a theory: Realtor or a version of him will be a future secret boss in tbsap!
Now you may be thinking why I think this, well let me lay it all out for you!
First off: Vocals, can you hear them? kinda! they are distorted but if you use a vocal isolator you can hear them better!
it’s hard to make out but what we can understand is that these aren’t just stock voices, because we can hear “Follow the royalties Spamton, However, (Have more honor??), I will kill (or hear) you in broadway”
Let’s dissect this! Follow the royalties huh? due to it being the reator the most likely explanation is he is telling Spamton that he should pay for using his space, or area, or work. note this. if spamton would follow what the Realtor does, which in a sense is most likely sales, then this could explain spamton actually becoming a salesmen in the first place.
but doesn’t the christmas album take place after tbsap most likely due to the thumbnails? well here is the thing…
“Have more honor”
I think the Realtor, in a sense is a ghost of christmas past to spamton, this fact is supported by Pipineezer Scrooge song, referring to spamton.
I think then yeah that makes sense! case closed! Realtor is a representation of a sort of christmas ghost to spamton! well… what if?
Second off: Leitmotifs
during this new run of Property Damage, tbsap might notice a piece of music hidden in the background, is that…? TBSAP FREEDOM MOTIF?!
If you’ve listened to Heaven is Calling (Storgsly’s theme) you’d know that the freedom motif is the ending motif of the song, according to a comment by Spamton on the song, and that motif reappears in Property Damage 2023, well what does this mean? let’s get back to the last part of the vocals!
“I will kill (or hear) you in broadway”
Now the obvious meaning is the legit way this is said, the Realtor will hurt or hear spamton in broad day light, possibly as a punishment, makes sense makes sense, but what if you consider the chapters of tbsap?
in a question on the tbsap tumblr page (and on their twitter with an image), it was said one of the chapters of tbsap is theater themed, now what is this have to do? well the obvious: broadway. where in new york the first big hit theater shows where showed. now this seems far fetched, but go back to the original Property Damage song, where it is talked about the history of broadway and radio transportation, so there does seem to be a theme with theater, and with a theater chapter, this feels likely.
Now with an update, spamton told me themselves that there is something important about the songs rebooted
out the songs in the album, 3 where rebooted: Oink goes the egg, Property Damage, and Snow.
Oink goes the egg to me doesn’t feel like much importance, though that could be drastically wrong, but personally idk
Snow’s original lyrics was spamton singing about snow being everywhere, like his dumpster and in his hair, this could connect with the scrooge idea, but I’m not sure…
The order of the songs! wait.. Oink goes the egg is first, while Snow is the finale song. and property damage is also a final song, right now idk exactly what to do with this info, but it could be a christmas ghosts idea.
That’s all I have right now!! I love TBSAP and everything they do!!! so go follow those suckers and yeah! once I figure out more stuff I’ll make sure to update this post, or reblog it!
EDIT: This is my theory for now..
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TBSAP Tumblrs
@tbsap @towelstudios (They are so cool)
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eiqgot · 6 months
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[TWST] Stage In Playful Land: The Dancing Puppet And The Fabled Amusemen...
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Part 9! IDK why everyone surprised about Ortho... It's Ortho! Huge gamer android! Lol Jade is made for billiards and bartending <3 The next one with Leona and Jack is going to be kinda cute but funny. Look forward to it!
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duple-man · 2 years
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I SWEAR TO GOD I WILL HOLLOW OUT A BAGGETT AND FILL IT WITH GUNPOWDER IF IT MEANS WEAPONIZING THE FRENCH AGENST THE FRENCH.
I'm going to use the French to destroy the French.
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whats-in-a-sentence · 8 months
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The door had been wrenched off its hinges and broken to bits. Inside, the cave was dark and cold and had the damp feel and smell of a place that had not been lived in for several days.
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"The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" - C. S. Lewis
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collamusica · 3 months
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🚨🚨🚨🚨🚨🚨We have been contacted by a Snack Sack mom who is bravely leaving an abusive relationship. Unfortunately, she has suffered significant loss and damage to her property during this difficult time.
🚨🚨🚨🚨🚨🚨 As part of our support efforts, we kindly ask that you consider providing this family with store gift cards (Target, Walmart, grocery stores etc.,) so that she can purchase necessary replacements and upgrades within the safety of her new environment.
Please message me if your have gift cards and I will forward them to mom.
🚨🚨🚨🚨🚨🚨 I’m begging you all to take this very serious as not everyone has the tools and the resources to leave abusive situations. Let’s support this mama.
Here’s how to support. PLEASE give what you can:
1. https://donorbox.org/snack-sack-donations
2. @Chamieka on Venmo
3. $ChamiekaSH
For Cash App and Venmo ONLY, please write “mom” in the notes in an effort to maintain accurate and transparent records.
Link directly to the Snack Shack
https://www.facebook.com/share/p/VQnoUa8SrokoArDz/?mibextid=TrneLp
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gangviolets · 1 year
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milonator · 8 months
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I suck at science
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I think if one of those shitty street interview TikTokers approached me on the street, I would grab their shitty little microphone and frisbee it into traffic.
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snomston-hale · 8 months
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_/\_
cc 🔥|_____\ *A snom lands rather violently, destroying a building* PROPERTY DAAAAAAMAGE!
_/\_
cc ^ |_____\ Ah, hello mate. I’m Snomston Hale
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oasis1022 · 1 year
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just two best friends plotting a murder while the other plans property damage
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leftfield-fm · 11 months
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Blackpool was something else. It was a Scots holiday weekend. The sweltering ballroom was packed with sweating Glaswegians, many of them drunk. Despite a heavy force of security men and policemen - who were not allowed inside the hall and stayed backstage out of sight - there was an atmosphere of impending violence from the moment we took the stage. We began with our usual show, but Brian seemed to enjoy teasing the more demonstrative members of the crowd near the stage. Roy Carr, a musician who preceded us on stage and who later wrote for New Musical Express, asserts that Brian had been attempting to upstage Mick's theatricality. "Someone at the very front of the stage suddenly took exception to Brian's effete posturing," says Roy. "So did his cronies. As Brian nervously bounced closer to the edge of the stage, this gang of sodden louts began a contest to see which one of them could spit on the Stone. Not one of them missed their target."
Keith was livid. He moved over to where Brian was being abused and gave the ringleader a warning between songs. Minutes later, Keith was spat on. Outraged, he retaliated by jamming the heel of his boot down on the knuckles of the spitting troublemaker who had been leaning with his hands and chin resting on the lip of the stage. Nor did he end it there; after taking one step backwards, he plunged the toe of his boot into the lout's nose.
In the ensuing riot, we would have been slaughtered if the stage hadn't been about six feet high. Stu recalled later: "It was very nearly the date on my gravestone. There were no cops, no bouncers, just a couple of old retainers in uniform at each corner of the stage. They had only one final number to do at the end of the second set and I thought: 'They'll be off, if they're lucky.' Then one guy in the front spat at Keith, and Keith kicked him in the head. And that was it. Good night. The whole place erupted. Keith still thought he was God and that he could kick one of these guys and get away with it. The rest of the band had already turned, realizing they'd got to get off the stage. I pushed Keith and said: 'For fuck's sake, get out of here while you're still alive.' And I went off as well."
We were smuggled out of the building over a roof and guided to a back door, where a police van was waiting and they drove us away quickly to the station, where our own car picked us up. But for the police, one of us would almost certainly have been killed. There was a lull in the ballroom for a few seconds when it was thought we would return, then the riot started in earnest. The angry mob of teenagers began breaking up the place. Hundreds of youths stormed the stage. Some were thrown bodily back into the crowd. Amplifiers, drum kits and other equipment worth about £2,000 were kicked off the stage and smashed. Pieces were hurled at policemen and attendants. Red-and-gold curtains had been ripped down, chairs and heavy plush ten-feet-long seating forms wrenched apart, with pieces crashing against stage lighting. Clocks were smashed and a bottle was hurled through the huge chandelier. There was a hail of shoes, bottles, coins and other missiles. Before police and staff could restore order, running fights broke out all over the ballroom. Cymbals went through the air and people thumped each other as all the amplifiers were smashed up. Then there was the most glorious crash of all time: a Steinway grand piano was pushed off stage, smashing into pieces. Charlie hadn't been using his drums that night; he'd borrowed a kit from a guy who was sitting there crying over his lovely Ludwig kit. He got one cymbal back. They didn't steal the drums, they just smashed them. Of the amps, only bits of wood were left and I think we got one loudspeaker chassis without any cone in it. That was all. Everything else was totally mangled. One mob, chanting "Scotland, Scotland!" challenged the police to a fight. During the riot, scores of police reinforcements were called in. Wielding batons, they charged straight into the mob and eventually broke up the riot. Two policemen and about thirty members of the audience had their injuries treated at Blackpool's Victoria Hospital, which resembled a casualty clearing center. One had been hit by a microphone. A number of arrests were made and several youths were hustled into a police van outside. At eleven o'clock, the recorded pop music, which had been played throughout the riot, was switched off as police escorted the last dancers outside.
excerpt from Bill Wyman's memoir, Stone Alone
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2ndaryprotocol · 1 year
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Every. Single. Time. 🖤
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