#set design saga

[pastelcheckereddreams]

我做梦都想回去... Even in my dreams, I want to go back… The Untamed locations: Lotus Pier 莲花坞/Liánhuā Wù

It’s finally here! The third installment in my ongoing Chén Qíng Lìng drafting saga, Lotus Pier! As the residence of the Yúnmèng Jiāng Sect, Lotus Pier (莲花坞/Liánhuā Wù) is arguably one of the most important locations in the narrative of Mó Dào Zǔ Shī. Built among sprawling lotus ponds in the lazy shallows of a vast, meandering river, Lotus Pier shapes the halcyon days of the Jiāng siblings’ youth. It is a warm and lively place, its people welcoming and carefree. 

The complete diagram:

(Full set details/meta below.)

Part 1: The Jingshi Part 2: The Hanshi

Prints now available at ✨ INPRNT! ✨ You can also support me on Ko-fi ☕

Honestly, the few gifs I have used do not come close to showing you the huge scale, or the level of detail and care that has evidently been put into this set by the CQL production team.

Before I attempt to describe the place that shaped much of our main characters’ lives, let me first share with you the set layout with reference to some aspects of traditional Chinese architecture (and please bear in mind, I’m not an authority on the subject. Links to sources/appropriate references are provided).

Understanding the set layout:

The main compound of Lotus Pier is set out loosely following the typical, traditional layout for residences containing a courtyard.* Rooms are placed at the four cardinal points, creating a central axis and a secondary horizontal axis. With the courtyard facing south, the most important buildings are placed to the rear (north), such as the parents and grandparents’ bedrooms and the ancestral hall, while the siderooms (typically for the sons’ families) are placed to the east and west according to auspicious philosophies (like fēng shuǐ) and social hierarchy:

* At least, in the northern regions of China. Although Héngdiàn World Studios, where most historical and xiānxiá dramas are filmed, is located in Zhèjiāng, it seems a lot of the sets at Hengdian are based on northern designs.

In true “courtyard houses” (sìhéyuàn or sānhéyuàn, depending on whether the courtyard is fully enclosed), this quadrangle layout would then repeat along the central (N-S) axis if the residence contains one or more ‘inner courtyards’ (Fig.3 below):

However, I would not call Lotus Pier a true “courtyard house” as it is freer and more spacious in form than, say, the Hanshi’s courtyard design** and both sets are part of a larger compound anyway, rather than a standalone residence for a single family - so the comparison may be redundant. For instance, Lotus Pier’s stilt foundation and large, sloping roofs also bear an interesting resemblence to the wooden storied houses of Yúnnán, which is a completely different type of vernacular architecture.

** That being said, there is a wealth of research on the different variations in this type of vernacular architecture [x] [x], which does include differences in siheyuan design based on climate (wherein the buildings are quite generously spaced apart, and the courtyard much larger, to deal with the warmer climate in southern regions of China). 

Nevertheless, we can see the cultural and cosmic philosophies which influence these courtyard homes used at times in the design of Lotus Pier.

For instance, we see in episodes 14 and 18 that first Jiāng Chéng, and then Wèi Wúxiàn lived in the eastern room - both seperately and together - in their childhoods. (We can assume that Yànlí would have lived in a room nearer her parents, located in the back of the residence so as to lessen her appearance in public as an unwed daughter.)

(Although the two rooms have been dressed differently, the raised platform, reused props, and WWX’s running shot from the inside to the outside in episode 14 show that it is the same building. Additionally, you can head here for some ramblings on the interior of WWX’s room and some analysis on camera angles.)

You may also be able to see from these gifs that these siderooms are divided into three sections, which relates to the construction of traditional buildings in three or five ‘bay’ structures:

A ‘bay’ is the space between columns of a building. An even number of bays, or jiān/間, was thought to be unlucky, therefore the three bay structure was the basic layout of a commoner’s home, with additional bays added based on the need for space or the wealth of a family.

Interestingly, the room on the west side of the courtyard is shown to be Jiāng Fēngmián’s study, rather than another bedroom as I originally assumed - one that may have been for an older Jiang Cheng, although as the son and heir of the Jiang famly, his room would traditionally remain on the eastern side of the house (where WWX’s is). Then again, the main courtyard is an odd place for a bedroom in the first place, so perhaps we might be looking at a conflation of public and private spaces due to constraints on the set designers.

As a sidenote, JFM’s study appears to back onto a private lake, seen through the rear viewing window. I think this must be CGI, however, as I can find no angle of the set that shows this exists as part of the structure.

With all this said, let’s not forget that this is a xiānxiá drama: historical accuracy is not the goal. Instead, the producers took their time finding a ‘cultural location’ for each Sect, through which they could develop a more artistic aesthetic by drawing on the atmosphere and charm of their desired location. This brings us to the set’s design, and what it may represent about the people of MDZS’s Yunmeng.

The set’s design:

For the Yunmeng Jiang, producer Yáng Xià states in the link above that the showrunners drew inspiration from Húběi province, particularly the Jiānghàn plain that now lies in the heart of Wǔhàn. It is here the Hàn river joins the vast flow of the Yangtze as it meanders its way through the eastern provinces of Central China.

Just as Wuhan has been a major port city since the earliest dynasties of Imperial China, it’s fair to assume that the river that flows through MDZS’s Yunmeng has likewise influenced those living on its banks:

One of our first, and repeated, impressions of Lotus Pier and Yunmeng is how lively and welcoming this busy harbor and its people are. A major transport hub in its own right, with links to Lánlíng, Yumeng people are at home on the water.

The Jiang are unrestrained and easy-going, open-minded and generous. To reflect this, Lotus Pier was likewise built to be “broad and open”, the easy curves of the roofs and the wide, open walkways creating a sense of transparency and openness; the fluttering gauze curtains soften and compliment what otherwise might be an imposingly broad structure of warm-coloured wood:

The marketplace that sprawls from the main landing likewise tells us that Lotus Pier and the wider Yunmeng area is a place of trade and craftsmanship.

We see lotus seeds and pods harvested frequently, and as strong swimmers and talented fishermen, we might assume that the Yunmeng people are also skilled at weaving fishing nets and other such tools from the abundance of natural materials the fertile floodplains afford them.

As an aside, I do wonder why JFM decided to decorate his seat of power with rolls of reed matting/blinds.

I like to think they’re wares from the market, to display his peoples’ craftsmanship. You have to admit, the effect is impressive, immitating an unfurling lotus:

The one area that intrigues me the most in this main courtyard, however, is the kitchen. The private dock in the kitchen really exemplifies how the river has had such a huge influence on the design of Lotus Pier, by virtue of the waterborne livelihood it has curated among the Yunmeng people: 

I like to imagine that fresh produce from the market would arrive by boat early in the morning, and Yanli would be there to help unload the goods while she prepares breakfast for her family...

What struck me most, though, during the course of this whole study was the dreamy, almost fantastical quality to the set. As I said above, the xianxia genre allows much more creative license with the aesthetic of the Sects and their domains, as the genre does not need to replicate a time or place with rigid historical accuracy. As such, much care and ingenuinty has been taken by the show’s designers to merge the Pier with the river, giving the impression that, like the lotus flowers that give it its name, the Pier also floats on the water itself.

To that end, let’s lastly think about the lotus imagery we see around the set, and how it applies to the role of Lotus Pier as a place in the narrative.

The symbolism of the lotus

Revered for its beauty and much loved for its versitility in Asian cuisine and traditional Chinese medicine, the lotus holds significance in Chinese culture for many reasons. As one of the 'Flowers of the Four Seaons' (四季名花, Sìjì Mínghuā), the lotus flower represents summer, blooming through the season in the shallows of slow-moving rivers and river deltas. 

「出淤泥而不染 / chū yūní ér bù rǎn」, an idiom meaning “growing out of mud, but remaining untainted”, is often attributed to a poem by controversial Confucian and Neo-Confucian scholar Zhōu Dūnyí called 'On the Love of the Lotus' ( 爱莲说, Ài Lián Shuō). Zhou calls the lotus flower a "gentleman among flowers" (not to be confused with the Four Gentlemen) as, rising dignified from the mud, it exemplifies the cosmic and spiritual harmony all humans should aspire to achieve. As such, it represents a moral ideal of dignity and integrity for a Confucian gentleman. As Zhou writes, “I love only the lotus, for rising from the mud yet remaining unstained; bathed by pure currents and yet not seductive.”

We cannot wholly attribute this idiom to Zhou, however, as this metaphor of the lotus flower, symbollic of purity of mind and body as it rises out of the muddy waters of worldly affairs, actually has its roots in the religious teachings of Buddhism and the Lotus Sutra. In it, the sacred lotus symbolises spiritual enlightenment and self-actualisation, where one is able to detach themselves from worldly affairs and overcome personal sufferings.

N.B. 18/04/2023 Edits have been made to reflect more accurate context regarding the prevailance of Buddhist thought in China since its introduction in the Han dynasty, and how Zhou’s ‘On the Love of the Lotus’ drew upon its teachings. See here for the original text and a review of its inaccuracies, as well as further resources.

How can we relate this back to the setting, Lotus Pier, and the Yunmeng Jiang? I think the most obvious parallel has to be the burning of Lotus Pier.

The event is the catalyst for a number of tragedies that occur throughout the narrative, and the Jiang siblings' attempts to reconcile the many layers of guilt, blame and grief they each feel with the enormity of losing their entire Sect, their home, their bonds with each other - the lotus emblem of their Sect is perhaps a reminder that there is no happiness without hardship.

Of course, more important than its cosmic symbolism, for these siblings lotus ponds represent home, and are a way the three siblings can remain connected as they travel seperate paths in life, forming new families after the tragedy of their own:

In the scene pictured above - where WWX, after many months in self-imposed exile, succeeds in cultivating his lotus pond in the Burial Mounds - the pond represents his longing for Lotus Pier while also bringing him some comfort and connection to what he has lost. Just as Jīn Zixuān seeks to bring comfort to Yanli by planting a lotus pond for her, too:

(Bonus gif of a different type of "gentlemen rising from the mud”):

But as an aside, it's also interesting to note that WWX tells A-Yuan in that above scene, that the lotus seeds are not to be eaten because they are grown in the soil of the Burial Mounds. Instead, they are 'the perfect thing to protect from evil spirits'. This may be a simple child’s tale for WWX to discourage A-Yuan from eating the tainted seeds, or it may refer to the spiritual purity the lotus symbolises. But as an interesting coincidence, lotus plants actually have the potential to filter nitrogen, phosphorous, and heavy metals from watersources, so it’s possible they taste bad because they are literally cleansing the soil of the Burial Mounds.

It seems appropriate, then, that WWX is tied closely to this lotus motif, perhaps even moreso than Jiang Yanli and Jiang Cheng. This is especially poignant when we consider that the lotus is also symbollic of resurrection and rebirth: the blooms, closing and opening with the sun in a daily cycle, can be compared to the cycle of reincarnation.

A great deal of the narrative focuses upon WWX’s decision to forge his own path through life, a ‘single-log bridge’ that sweeps him away from convention and propriety that governs the rest of the cultivation world as he struggles to maintain his own integrity and compassion. He suffers for this choice, especially once he gives up his golden core and is thought to be actively choosing an ‘evil’ path. Yanli even dreams of him floating away from Lotus Pier, carried on the rapid current of the river:

After his resurrection, however, it seems WWX has been able to finally rise above the Sects’ biases and political machinations. Once the Yin Iron has finally been sealed away, and the mystery of the Fierce Corpse solved, he no longer has any obligation to stay in those muddy waters of the cultivation world. He is free to wander, as his parents did - the single log bride widening to encompass the whole world.

Although still tied to the world by his love for his family and friends, we could say that WWX is close to that enlightenment the lotus represents. He has risen from the mud and, despite all his suffering, has remained untainted.  

Bonus details!

If you’ve made it this far, congratulations! This got... so long... But of course, I had to do Lotus Pier justice as such a beautiful and thematic set. As a final point, here are some small details you may have missed or that I couldn’t fit in the main analysis!

Here is a cute interior shot of WWX’s room, and a view of the rear courtyard that shows the moon gate entrance, which presumably provides access for boats to dock in the kitchen:

Also join me in appreciating how detailed the design on the door panels is! So much so that I couldn’t do the finer details justice in my sketch:

Special mention to the fish doorhandles on the main hall, as well. As a Pisces, this brings me joy.

And finally, some reference shots for the gate:

As always, thank you everyone for your continued support and encouragement - and your patience! Lotus Pier was a massive project, that has taken me over a year to complete. I am so proud to finally present it to you, and bring you the news that I have finally opened a print shop! As always, you can also buy me a coffee on kofi to show you support.

#nikkidraws #lotus pier #set design saga #cql set design #the untamed set design #lianhua wu #yunmeng jiang sect #yunmeng jiang #jiang cheng #jiang yanli #wei wuxian #yunmeng siblings #yunmeng brothers #twin prides #twin prides of yunmeng #set design #cql fanart #cql fan art #the untamed fanart #the untamed fan art #cql meta #the untamed meta #set analysis #character analysis #wwx analysis #cql wwx #chinese architecture #fantasy architecture #fantasy map #fantasy set design

[brainrot-stitch]

Yall....

#i had a vision #wow! a horse! #:3 #favremysabre steve saga #favremysabre #steve saga #the steve saga #centaur lucas #lucas horse!! #the lucas spike #lucas #rainbow steve #doodles #art #ibispaint doodle #they besties yr honor #avian sabre #currently basic ahh rainbow bc i dont have a set design for him yet #(i also dont have a set design for lucas but shhh) #theyre so silly #goofs!!! #stitch art

[greekandmusicals]

I had a set design for epic the musical, what if the set was designed like a map from the city of troy to Ithaca 

Before the show starts, there could be a projector showing the map that goes away when the show starts, like the one in the wicked. 

And you’ll see the sets are all designed like they are part of the map that was on the projector.

Or instead of that the theater curtains could be sequin-toned to match the design instead of red curtains

So all the sets are all designed like they are part of the map that was on the projector.

Like there would be blocks of words placed on the stage  to describe the locations, like the city’s, the name of an ocean, a kingdom or the underworld and with each translation, the cast takes them off with every change. 

Like when Aleous says if I had to guess your heading for the land of the giants, she takes the ocean sign off while the land of the giants block emerges on stage.

#epic the musical #epic the troy saga #epic the ocean saga #epic the circe saga #epic the underworld saga #epic the cyclops saga #odysseus #athena #posideon #greek mythology #greek gods #the odyssey #ithaca #trojan war #classical mythology #set design #This is not specific to epic I just think this would be a neat set design? Idk #aeolus #ares #hermes #dionysus #zeus #tiresias #polites

[sun-5h1ne]

Okay so I love Epic the Musical. But I do wonder if Jorge has put thought into how this musical is gonna be staged.

Like bros fighting Cyclopes, Gods, Water and other shit I’m not remembering. They spend so much time on a boat and fight on said boat. Like I have ideas but they are expensive as fuck.

#honestly I love that for him #but my passion for set and production design is screaming. #like goddamn is it gonna be so expensive #epic the musical #epic the underworld saga #jorge rivera herrans

[elixs-mythology-corner]

For a school project we were told to create a set design for any musical/play of our choice.

We chose EPIC, of course!!

#epic the underworld saga #epic the musical #school project #musical theater #set design #you’ll get updates once we get started #i swear

[epicblenderartiste]

Ocean saga was next, but wouldn't be released for months! (I didn't know exactly how many yet) but I had this clear idea that I wanted Poseidon's shadow to reach up as if to pluck Odysseus off the deck of his ship...

#epic the musical #blender3d #set design #concept #ocean saga

[dobercorgis]

I did say before that I didn’t really want a dlc prequel and after playing fr I still do kind of think that. Even just thematically an epilogue seemed more fitting, but I guess not.

It did have some good parts! I think I understand N some more now (tbh I didn’t care for him in the main game) and family angst/drama is always spicy. Loved seeing Shulk and Rex again and I loved the interactions with them and their kids. Esp Shulk and Nikol just nerding out together. Also did not expect Rex to have that kind of parenting style haha. They really did go all out on the fanservice which I adored and found funny at the same time. And some of them were references to side quests or just lore which I appreciated so it wasn’t just all surface level references. Also they mentioned how Melia has been captured several times and Shulk never comments on it which is an interesting choice.

But I feel like overall it didn’t answer a lot of my questions about the main game and left me with more questions instead. Also it was much shorter than I expected. Even with the forced community padding in torna… it still feels like fr was much shorter. When I was fighting Alpha I was like this feels like a final boss but it feels like I haven’t been even playing for that long. Pacing was fine don’t get me wrong, it just felt… lacking. Also with how xc3 and to an extent fr was supposed to be the ending for the klaus trilogy, it doesn’t really feel like one? It’s not that there’s loose ends, I don’t really think there are any, it’s just that it doesn’t really feel “complete” ig and just leaves a lot of things unanswered. And while I don’t rlly like info dumps, xc does a decent job at them and is sometimes crucial for understanding the lore, and we just don’t really get one in xc3. I was kind of expecting a few scenes or maybe just a glimpse of the post-merge world of the xc3 or fr cast but didn’t get that. Which I get, but I still would’ve liked to see it.

I’m not really sure how to feel about how they handled Alvis. Man really did lose his melanin when he split but you never really see him in proper lighting so it’s not as obvious as in the art ig… Honestly with all the xc1 fanservice I expected more interactions with Shulk and A but uh nothing much happened other than Shulk calling A Alvis at the end. I get that he’s a computer and the logic behind how he became that way makes sense but it just seems so contradictory towards xc1 Alvis where he understood yes humanity shapes future with their own will, etc. Ik that part of Alvis became A but idk it’s complicated.

I saw ppl saying how Shulk and Rex overshadowed the rest of the cast when they were introduced, and I think I’m the only one that didn’t feel that way. I think the narrative just shifted course to focusing on those characters to focusing on the lore and world. And a lot of those were references to xc1 and xc2 which did give those two some more screen time since they’re one of the very few that remember those worlds. That being said, I do think Matthew is the weakest protag in the series. He just didn’t have a lot of time to shine and the story’s focus isn’t really on him. Glimmer and esp Nikol also felt lacking in the character department. They weren’t bad characters but they didn’t have much presence. At least they had connections to Rex and Shulk to work with.

The exploration was great though. Have a fully connected open world was cool, and I loved the little things you could look for like the ether, containers, relics, etc. Didn’t play X, but I think fr had the best exploration so far.

OH and the xc1 parallels! Like the zoom in on A’s eye at the end! And how you warped to the final boss similar to how you went to memory space after beating Dickson. And apparently it was intentional??? Like Alvis Alpha what are you cooking???

While the credits song isn’t my favorite, seeing scenes from all 3 games just made me feel stuff esp after seeing older Shulk and Rex. Like yes look at how they used to be, look at how they and we have come. And it was just AGH

Maybe I just need some time to sit on it, but I think it’s my least favorite dlc story so far. I think my expectations for both xc3 and fr were a bit too high which might be why I feel this way. Overall, I think I could’ve been satisfied which just watching the cutscenes or a let’s play.

#I’m sorry for this huge ass essay but I needed to spit out some thoughts #thing my dlc preferences go torna >>>>> fc > fr #fc wasn’t that great but the ending cutscene saved it #I loved the fanservice in fr and the story isn’t bad but it’s just… idk if we needed a prequel #or at least a prequel that started at that point in time like maybe a prequel set a bit earlier could’ve been better #torna set too high a bar for me I think #and honestly I’m sad I feel disappointed or a bit lacking #gameplay-wise… it’s fine #two keves tanks that can’t draw aggro well is definitely a design choice #I don’t really like how shulk’s playstyle revolves around awakening but it’s fine #nikol was easily my least fav to play as #I think my favorites were glimmer and rex (for quick fights) #also didn’t play x or gears/saga so the radio didn’t really leave much impact on me but I saw that ppl were freaking out over Dimitri #it was rlly nice seeing Shulk again tho! #especially seeing him talk abt the past and the areas of colony 9… I wanted to cry #kinda wish we started a bit further in the past like Shulk and Rex meeting and then fighting alpha for the first time #Alvis… so many thoughts and no conclusions… #also how tf the Malos’s core crystal survive and how did it even get to n #I’m pretty sure all of these were hot takes oopsie #misu.txt

[lxndonorris]

racing surprise for Lando - Lando Norris (SFS24)

fem!reader x Lando Norris Theme: Smut (you've been warned) in the midst of pre-season testing, Mclaren invited you to surprise Lando x word count: 2710+ taglist: @game-set-canet another edition to the suit fitting saga 2024 (SFS24). Quite similar but I hope you like the added twist. Oh and I needed that picture so dont blame me. Next one will hopefully be este, and if you have any request, for SFS24, testing or simply something else, dont be shy and hit me up!

The air crackles with anticipation as the new season of Formula 1 looms on the horizon, heralding a fresh chapter in Lando Norris's illustrious career as a professional racing driver. With the promise of new gear, a state-of-the-art racing suit, a meticulously crafted helmet, and a gleaming Mclaren race car awaiting him, excitement pulses through his veins like the roar of an engine.

Amidst the flurry of activity in the Mclaren garage, you stand, a silent observer disguised as one of the team members. Dressed in the team's iconic orange shirt, dark pants, a cap, and sporting a headset, you blend seamlessly into the backdrop, your heart aflutter with anticipation as you await Lando's arrival.

He initially invited you himself to join him here, but you had to decline. Unbeknownst to him, his team has already reached out to you, preparing a surprise for your boyfriend. 

And then, like a whirlwind of energy and charisma, he enters the scene. Clad in his new racing suit, adorned with sponsor logos, he cuts a stroking figure. The fabric hugs his form in all the right places, accentuating his athletic build with precision and care. His curly locks framed his face, adding a touch of boyish charm to his rugged allure.

As Lando moves through the garage, his presence commands attention. There is confidence in his stride, a swagger in his step that speaks volumes about his self-assurance. He greets everyone with a warm smile and a handshake; his enthusiasm infectious. There is a genuine camaraderie between them, a sense of unity forged by their shared passion for racing.

With the assistance of two friendly mechanics who shield you from view, you watch as Lando prepares for his testing session. The air is thick with excitement and tension, a tangible buzz of anticipation that electrifies the atmosphere. The scent of his cologne lingers in the air, a subtle reminder of his proximity that sends shivers down your spine.

Each step Lando takes seems to echo purpose, his eyes alight with a belnd of determination and curiosity.

You watch from your vantage point, hidden in plain sight among the team members. As a conversation turns to the upcoming training session, Lando's demeanor shifts slightly. A curious, shy smile played on his lips as he listens closely. With a hand on his hip, he leans in slightly, his posture relaxed yet attentive.

There is a quiet determination in his gaze, a hunger to extract every ounce of potential from the testing session. He understands the importance of these moments, recognizing them as opportunities to fine-tune his skills and familiarize himself with the nuances of the new car.

You can't help but admire the way the fabric hugs his body tightly, emphasizing the curves of his backside and the strength of his arms. His movements are fluid and purposeful, each gesture imbued with quiet confidence.

With each glance, your eyes trace the lines of his suit, lingering on the subtle details that hint at the layers beneath. You know that beneath the sleek exterior lies a network of tight undergarments—fireproofs designed to protect him.

This knowledge adds an extra layer of allure to his already magnetic presence, heightening the intensity of your admiration.

As the conversation draws to a close, Lando offers a grateful nod to his mechanics. With a sense of purpose, he turns his attention toward the track, eager to put their plans into action and unleash the full extent of his talents.

With practiced ease, Lando slips into the remaining racing gear—his gloves and a tight balaclava—each movement deliberate and precise. The helmet, adorned with beautiful colors and logos, completes his ensemble, its glossy surface reflecting the glow of excitement in his eyes.

With a playful twirl, he settles into the driver's seat, his grin widening as he prepares to start testing. With a loud roar, the engine comes to life, and slowly but steadily, he makes his way out of the garage. Your stomach tightens in a mixture of anticipation and pride.

Through the crackle of the radio, his voice rings out, a symphony of exhilaration as he tackles each corner with precision and finesse. You listen intently, your heart swelling with joy as he pushes the limits of his Mclaren. You know he is so happy to be back, and you can actually see him smiling when you close your eyes. His voice is a little rougher, yet it carries his joy and passion through the radio.

Once his session is over, he returns to the garage. As Lando emerges from the cockpit of his Mclaren, he lets out a jubilant cheer with a triumphant flex of his arms. Shaking your head, you can't believe him actually doing that. Licking your lips, you still can't tear your eyes away from his arse, filling his suit fully.

The testing had been a success, and he surpassed all expectations. Running a hand across his chest, he can't help but revel in the rush of adrenaline that still courses through his veins. The fabric of his racing suit clings to him, damp with sweat from the intensity of the session—a sensational sight that you missed during the winter break.

In one swift movement, he reaches up to remove his helmet and balaclava, revealing a mop of tousled curls and a flushed complexion beneath. His lips part slightly with a satsified smirk, a hint of mischief dancing in his eyes as he licks his lips, sending shivers down your spine. He looks so happy and excited, and you smile seeing him like that.

As he moves through the garage, shaking hands with his team members, he can't contain his joy. His tongue darts out playfully, a gesture of exuberance that shows his satisfaction with the achievements so far.

Lando chats with a few mechanics for a while, and you can tell the residual excitement from the testing session continues to surge through his veins, pulsating with every beat of his heart. He keeps stroking his chest, touching his arms, and subconsciously, he touches himself through his suit—just barely, yet it catches your attention. 

It is as if the adrenaline of the track has infused his very being, filling him with an exhilarating energy that seems to amplify with each passing moment.

Entranced by his every move, the sound of his voice, and his cologne's scent still hovering all around you, you miss the opportunity to reveal yourself—Lando has already left for his private quarters.

Leaving your headset and cap behind, you rush after him and spot him strolling through the paddock. Unable to tear your eyes away from him, captivated by the effortless grace with which he moved, you follow him. Every step seems to exude confidence, joy, and self-confidence.

As he runs a hand through his messy curls, you can't help but notice the way his hair fell in disarray, framing his face in a way that is both endearing and alluring. There is a rawness to his appearance—a sense of vulnerability—that makes your heart flutter in your chest.

And then, as if sensing your gaze, he runs a hand across his chest, a subtle gesture that speaks volumes about the excitement still running through his body. You can almost feel the electric energy radiating off him, a tangible reminder of the thrill of driving an F1 car.

In this moment, you are struck by the sheer magnetism of his presence, even though you're just looking at his beautiful back. And as he disappears into his quarters, leaving you to ponder the whirlwind of emitions he had stirred within you, you can't help but feel a sense of awe and admiration.

As you knock on his door, a nervous anticipation grips you, your heart pounding with uncertainty—how is he going to react?

"Coming." Lando's voice echoes through the door before it swings open, revealing your boyfriend standing right in front of you. With an almost shocked expression, your breath catches in your throat.

"Y/N?" He asks, and in an instant, his entire face lit up with a radiant smile that reaches his eyes, filling you with warmth and joy. 

"Hi." You smile shyly, your face flushing with heat. 

Without hesitation, he pulls you into a tight embrace, his arms enveloping you closely. You melt into him, running your hands across his firm back.

"What are you doing here?" Lando smiles, separating himself just enough for his face to be mere inches away from yours. He places a hand on your cheek, tracing your skin with his fingertips.

"Surprising you." You motion for a few Mclaren team members to film the two of you from afar. 

Both of you turn your heads and wave toward the camera. 

"They offered to get me here; we just needed a few clips for their channel." You shrug, and he nods in agreement and curiousity.

"This is great," he leans into you, kissing you gently. You lock eyes with him for what feels like an eternity.

The film crew gives you a thumbs up, telling you that it's now time for some alone time. 

As Lando welcomes you into his private quarters, a rush of excitement surges through you, mingling with the lingering traces of adrenaline from his testing session. Your gaze is drawn irresistibly to the contours of his chest, the fabric of his racing suit accentuating every curve and sinew.

He meets your gaze with a knowing smile, a spark of amusement dancing in his eyes as he senses the admiration and desire in your gaze. There is confidence in his demeanor, a quiet assurance that speaks of his comfort in his own skin.

"So, how was I?" With a playful grin, he steps closer, closing the distance between you until the warmth of his presence envelops you.

"Amazing." You lift your chin slightly, meeting his confidence with your own. "And you look the part too." Smirking, you lick your lips.

Without a word, he takes your hand and guides it to the fabric of his suit, allowing you to feel the sleek material beneath your fingertips.

"I know how much you like this on me," Lando breathes, locking his eyes with your own. However, you're unable to withstand his burning gaze and lower your eyes, following the movements of your hands instead.

As your hand traces the lines of his chest and arms, you can't help but marvel at the strength and resilience that lie beneath the surface. The fabric is cool to the touch, yet it seems to hum with the energy of the track, a tangible reminder of the passion and dedication that fuel his every movement.

"This feels so good." You breathe deeply while you keep stroking his chest, feeling his biceps, and watch his chest move with every breath he takes, eliciting a low rumble of pleasure deep down his throat.

"Fuck," Lando can't hold back a low moan, his hand now following yours closely, his body yearning for so much more. He leans his head back, embracing both of your hands now on his chest.

You know how much he loves to be teased, touched, and stroked. Effortlessly, you push all of his buttons and his most sensitive spots—his nipples, pecs, arms, and most importantly, his member filling his suit.

"Good." You whisper, leaning in to him, tracing the outlines of his stubble just above his lips. A shiver races down your spine, the rough texture of his beard contrasting with the softness of your touch. There is something undeniably alluring about the way his beard frames his lips, adding a touch of raw sensuality to his appearance. 

With each passing moment, the desire to feel the roughness of his stubble against your skin grows stronger—a primal urge that threatens to consume you completely. You lean in, brushing your lips against his in a tender caress. The sensation of his beard against your skin sends waves of pleasure coursing through your body.

With your hand on his crotch, he moans softly against your lips. Lost in the heat of the moment, you surrender yourself to the heady rush of emotions. Your lips meet in a fervent kiss, craving his delicious taste.

"Y/N." Lando murmurs, his hands now steady on your waist, holding you close.

"Care to give me a show?" You bite his lower lip teasingly, causing him to chuckle. "I want to see all of you in that." Tugging at the zipper of his racing suit, you stroke him firmer, encouraging him to show off.

"Of course." He giggles, and you settle onto the sofa, anticipation tingling in the air, thick with the electricity of the moment. With a mischievous glint in his eyes, Lando takes center stage, spreading your legs to make some space. His movements are fluid and confident as he begins his private show.

With each flex of his muscles, his form seems to come alive, the contours of his body highlighted by the sleek fabric of his racing suit. He lets you feel his muscles tense, letting out more guttural growls.

"Very good." You smile, and with a playful smirk dancing on his lips, he turns around, giving you a tantalizing glimpse of his firm back and arse. He bends to show off his butt even more, much to your amusement. 

And then, with a sudden burst of energy, he begins to dance, his movements a mesmerizing combination of grace and athleticism. His hips sway to an invisible rhythm, and his body moves with a natural ease that shows off his innate charisma and confidence.

As he twirls and turns, the fabric of his suit seems to come alive as well, clinging to his form as he moves with effortless grace. With a slow and deliberate motion, he reaches for the zipper, his fingers tracing the line with teasing slowness.

As Lando slowly unzips his suit, his eyes never leave yours; their intensity like a flame igniting the air between you. His gaze is electric, a silnt invitation that sends shivers down your entire back. Hidden beneath his beautiful eyes lies hunger—a raw desire that mirrors the heat pulsating through your veins.

With each inch of fabric that melts away, inch by inch, he reveals the tight garments—a glimpse of the tight fireproofs. Easily, he slips out of the upper half of his suit, giving you a good look at his chest. His defined muscles barely conceiled, he flexes again, straining the fabric even more. 

Lando closes the distance between you until you feel the warmth of his body radiating against your skin. His gaze is never wavering, pulling you so much closer.

"Fuck." You reach for his chest, tracing the tangible outlines of his abs, as he licks his lips. With the sleeves of his suit dangling down his waist, he stands before you, his form outlined against the soft glow of the room, a vision of strength and sensuality that takes your breath away.

In that moment, as you drink in the sight of him, you know you want him. 

You motion for him to sit down right next to you, and right away, you lean in, kissing him passionately.

Lando embraces your body against his, and at the same time, your hand slips underneath his suit. His skin is warm and tight; all of the tension is showing its effect on his body.

"Mhmmm." He purrs into your mouth, one of his hands firmly on his length, bulging against his clothes.

In one swift motion, you manage to get into his pants and pull his member out of his clothes, causing him to moan in agreement.

"That would be so good, Y/N." Fully aware of what you're about to do, you keep kissing him while simultaneously running your hand up and down his length.

With every breath he takes, Lando lets out guttural groans before leaning his head back against the sofa cushions.

Looking into his eyes, you bend down and take him into your mouth. 

"That's what I meant." He swallows hard, running a hand through your hair.

Together, you easily catch up to each other's rhythm, moving as one. His husky, rough voice echoes through your mind as more and more drops of his taste cover your tongue. 

Then, his body gets stiff and rigid, and he holds his breath before letting go of all this tension, pressure, and desire. It feels so good. Letting out a long, breathless moan, he relaxes quickly, leaning back even more. You let go of him, licking your lips to savor the taste.

Lando fondles with himself for a while while you catch your breath.

"This was so good." You sigh deeply before a chuckle leaves your wet lips. He smirks, leans in, and kisses you.

"Thank you for being here." Lando rubs his nose against yours gently.

#lando norris x reader #lando norris imagine #lando norris x you #lando norris x y/n #lando norris fanfic #Lando norris fanfiction #Lando norris smut #lando x reader #f1 x reader #f1 fanfic #f1 imagine #f1 fic #f1 x you #formula 1 x reader #formula 1 imagine #formula 1 fanfic #formula 1 x you #formula 1 fic #Suit fitting saga 2024 #Sfs24

[markrosewater]

Some thoughts on "Holy Cow":

I don't think it's specifically an issue with Holy Cow in a vacuum.

Instead, it's more about the massive increase in proliferation of "meme cards" and "joke cards", cards that make references to real life idioms, seek to break the 4th wall in some way, make puns or jokes that pander to everyone, naming cards after a ubiquitous a turn of phrase in pop culture, etc.

Sometimes it's cute and whimsical but when it misses, it can feel pretty cringe. I don't want my favorite game to have a bunch of cringe references which becomes a possibility when Magic makes dozens of "joke cards". It also makes the Magic world and universe feel less bespoke and more like a series of existing references. For what it's worth, I think the Holy Cow reference would have been funnier if it weren't so obvious (i.e. design the card as is with the same art but name it something different).

Years ago, I made this card:

I love puns, so much so that I wove this one into the story (this was the Weatherlight Saga that Michael and I created). Very, very few players got it. (The pun is "squeeze toy", the squeezable rubber toy that makes noise when you squeeze it, like you would give a dog.) Every time I explain this, I get more people say, "I never got that."

I have nothing against the subtle joke now and then (and there are some pretty subtle jokes in the Un-sets), but I would rather do jokes that the majority of players get. If the trade of is some people roll their eyes and say "that's not my style of humor", but many others laugh and enjoy it, I'll gladly take that. A joke more people get is "funnier" in the aggregate.

[saga-jihen]

Brand new artwork of Franchouchou & Kotaro Tatsumi revealed for the upcoming collaboration products between Zombieland Saga & Ureshino Tea beginning on October 2nd, 2023. The collaboration will feature 3 different flavours of Ureshino Tea Extract Powder with JA Saga's original design of Franchouchou on the packaging, with the 3-piece set including 1 randomly selected limited edition acrylic keychain of the characters.

#Zombieland Saga #Zombie Land Saga #ZLS #Sakura Minamoto #Kotaro Tatsumi #Ai Mizuno #Junko Konno #Lily Hoshikawa #Tae Yamada #Yugiri #Yuugiri #official art

[enchanterium-fan-account]

Boys and girls of every age. Would you like to see something strange??

In breathless anticipation of whatever spooky tricks Barb and Alex will pull out of their witches hats this year, I’m reaching back to Halloween 2021 for the second installment of their dark winx club mini series. So while awaiting their next video which will probably be Libra, step into my way back machine and witness the underwater MAJESTY of dark Layla/Aisha!

Fate: the winx saga did our girls, especially our resident Fairy of Tides, so dirty and Alex and Barb have no patience for it lol.

“At the beginning of this year, fate: the winx saga came out on Netflix, and it wanted to portray winx characters in a darker setting. But I don’t think it succeeded.”

“I want our dark Layla to be spooky but with a lot of colors and bright features because that’s the vibe of the original winx cartoon. Colorful fashion and magical designs. I just want to show that you can make a darker rendition of a character and still use light colors and have fun with the design.”

“Layla is a fairy of water and our version will be an evil underwater creature. That’s why we don’t need her wonky loose legs.” *saws Clawdeen doll apart at the torso*

“We need to spookify her design a bit more. Skeletons are spooky right?”

“She looks great so far, but to be honest she doesn’t look like Layla with straight hair like this. So let’s fix it with plastic straws and bobby pins.”

If you are an enjoyer of the original cartoon in any capacity, if you occasionally rewatch today or just remember it fondly, this video is for you! Alex and Barb seamlessly fix the hatchet job Fate did to the Princess of Andros, and give us a colorful, fashionable, morphix-powered evil mermaid. All in the Halloween spirit of course!

If you like the video consider going to subscribe to the enchanterium YouTube channel!

#winx club #winx club Layla #winx club aisha #doll customization #dollblr #enchanterium

[pastelcheckereddreams]

Four Seasons Manor (四季山庄): Set Layout!

If you’ve been following my descent into madness my research progress for my next set design project, you’ll know that it immediately became impossible for me to work out the layout of Siji Manor from screenshot studies of the show alone. To backtrack to about a year ago: it quickly became clear that the exterior shots of the manor’s first courtyard and the birdseye view we see in episode 24 is not located in the same set, or possibly even film base, as the “interior set”. Unfortunately, that secondary set is where many of the indoor scenes take place (with significant rooms, such as Wen Kexing’s bedroom being redressed to be used for other scenes in the show), and is where the secondary courtyard is located.  I soon realised that I had to do three things in order to create a Four Seasons Manor for my project that feels as authentic as possible to the one we are presented with in the show. First, find the full film base on Google Earth (which has the most up-to-date satalite imagery I can find); second, identify all the buildings to create a “complete” Manor and confirm the secondary set isn’t just another part of the first; and third, find the secondary set in order to correctly map its layout and marry it with the birdseye view. Friends, I have achieved two of those three things. The second set still evades me. But so far, I have finally managed to correctly and completely identify the film base that is presented to us as Four Seasons Manor:

(Full research breakdown under the cut.)

This is one of two full manor sets on Hengdian World Studio’s No.1 Mountain in the ‘Spring and Autumn Tang Park’ filmbase. In anticipation for the birdseye plan in my set design project, I’ve gone ahead and mapped it out faithfully to the satalite image:

As you can see, there's five distinct areas that make up this manor: three courtyards (labelled 1,2,4) and two gardens (3,5). The first courtyard will be familiar to everyone who has watched Word of Honor:

It is the main courtyard of Four Seasons Manor. Likewise, the fifth area will also be familiar to you all, although you may not realise it yet. It's Sanbai Manor:*

*With the exception of the main gate. The main gate of Sanbai Manor is actually from another set in the Spring and Autumn Park filmbase - the Tang Palace. There is fantastic drone footage of that set here. The Sanbai Manor gate is at the rear of the set, but you may recognise the opening shot of this clip as another place we see in the very first episode of WOH 🤫 Edit: I forgot I had a second douyin clip for the Tang Palace set.

These are the main two areas used in WOH of this set. Confirmation of the rest of the set comes from drama New Life Begins and various douyin videos and tourist photos on the internet. I won't bore you with a breakdown because Tumblr has eaten too many drafts of this post and I am Tired, but here is a snapshot of my confirmation process:

Find the difference between these two pictures

Edit: On rewatch, I can confirm that are 4 is also used in WOH. We see it in the very first scene of episode 1, dressed as the Military Governer Li’s Manor:

Here is a daylight photograph (source here) of that same building:

You may be wondering though, about the alternate layout I have detailed in my map:

Friends, this is where I would like to hear your ideas.

After scouring many clips and photographs trying to confirm whether these photos are part of this same set or a later development, I've found that since the satalite picture of this site was taken by Google Earth in 2020, corresponding to what we see in WOH, Hengdian has remodeled this part of the set. You can see a wonderful walkthrough of areas 4 and 5 here, in which you can see the remodelled layout:

This douyin video was the last confirmation I needed to place the photographs from the article. This photograph in particular feels very much like Siji Manor to me, and so I will be trying to include this remodelled layout in my project design:

But.

Despite not having located the secondary set yet, I have been thinking over which area would be best to remodel myself, to try and incoporate the kitchen space and the two rooms it sits between, which I have confirmed to be WKX and ZZS's rooms:

Reminder of that early process here.

There are two options that I see right now:

1) I use area 4 as this second courtyard. I remove the gate, make the main room ZZS's room, remove the side halls, drop in a kitchen, put WKX's room where the gate was. Chengling's training dummies then get dropped whereabouts the hexagonal pavillion is in the alternate layout, and I tweak a random building here or there:

However, somewhat crucially - the view from WKX's moon widow would be blocked by the big building that is the centerpiece of area 5. I don't like that. Past the first courtyard, there's a certain sprawl and lack of uniformity to Siji Manor created in part by this CGI shot. I think that's why the above photo appealed so much to me.

So, 2) I remodel area 3. It's pretty sparse. I was thinking of making courtyard #2's main hall into a private study or meeting room, with the sidehalls being ZZS's "medicine room" and the "first night room" - the Cold River Room, as @minnarr​ called it in their stellar sleuthing post (I hope you don't mind that I'm using the name? And may continue to use it? Also, I'm still searching for this set and your sleuthing is going to be so much help.) - they could later become Chengling's room (and Han Ying's. For hanwenzhou headcanon rights).

Area 4 could then be used as a training courtyard and lecture hall perhaps? Meanwhile area 3 can be completely redone, to have ZZS's room at the bottom facing north, WKX's facing south:

The "training area" is then still technically past a covered walkway to the left of their courtyard. The spirit remains. However, crucially: The dotted line between areas 3 and 4 is indicative of a drop in elevation. The whole set is on a slope, with areas 1,2 and 3 at a higher elevation to 4 and 5. So. If the moon window in WKX's room did face west across the garden and down the mountain, it would actually be true to the CGI we see out of his window in the show: Especially because you see part of a roof. That could totally be the roof of the building that sits against the dotted line.

But additionally, there's also this alternate orientation:

It makes the kitchen feel more tucked away, and the additional screened walkway would give ZZS and WKX their privacy. But the view from the moon window would be blocked, and there's no reason to not have the rooms central to the courtyard the way they are here.

...Does any of that make sense? I bypassed Normal about this show a solid year ago. I'm leaning towards option 2 right now, but I will continue my hunt through cdrama for this other set. What's irritating is that I can see its style in lots of other places, including Lotus Pier, and I just can't find the real world setting for it...

ANYWAY, as always, thank you for joining me on my research adventures. Supporting me through ko-fi, and checking out my previous CQL projects here and on inprnt, would be greatly appreciated. 

Part One | Part Two | Part Three

#nikkidraws #nikkispeaks #my neurodivergance is showing #but more importantly #also my epic sleuthing skills #true to form i will now yeet this post from me because my brain is DONE with it #woh set design #set design saga #word of honor #four seasons manor #siji manor #wenzhou #my hanwenzhou agenda #shan he ling #hengdian world studios #spring and autumn tang park #spring and autumn tang garden

[utilitycaster]

Regarding Editing and Innovating in the space, 2 people who get a Fraction of the credit they deserve are Ivan Van Norman & Marisha Ray. I mean, they created and developed one of the original mixed media cinematic interactive actual plays, Sagas of Sundry: Dread, and then Sagas of Sundry: Madness, and Marisha (later hiring Ivan as well) has continued that trajectory in some of the more intriguingly edited mixed format Actual plays at CR, like Call of Cthulhu, Undeadwood, and others, and being Instrumental in the developments at CR. Like, when you do watch the interviews you get a sense of just how Much of CR's current content designs, ttrpg intentions, and series are marisha's brainchilds, and it sucks that she doesnt get the credit others involved in similar projects, and even those projects, do.

This is a great point. I've mentioned this before w/r/t the fandom - Marisha, perhaps more than anyone, gets reduced even by many fans to "she's pretty and her characters are like what if a girlboss were a girlfailure" and her creative direction goes unheralded. It feels like this has gotten worse in recent years; I was baffled at how many people seemingly resented Calamity or Candela for taking up space they felt should go only to the main campaign when those were not only showcases for Marisha as a performer but also clearly something in which she had a strong hand in designing. Whenever people whine about there only being two main campaign episodes in a month because of Candela Obscura, I do think "You realize this was probably Marisha's call?"

I was focused in my response much more on Daggerheart, and so on the game design side (quick side note - reviews of A Familiar Problem, which Marisha worked on, were pretty positive; I wonder if something's happened in the past 2 years since that's when I've really felt this Damn Critical Role energy among actual play journalists), but I had been thinking about Sagas of Sundry and Undeadwood! I think I mentioned Sagas of Sundry in one of my posts about how Kollok isn't, in my mind, impressive. I loved Dread but never finished Madness before Alpha folded, but actually I was imagining something like Madness - fully on a set, people walking around like it's a play - for Kollok! When I saw everyone at a table with that rotating rock I was like "is this...it?" And, you know, Sagas: Madness wasn't entirely for me, but you can't fault the innovation. Similarly, when I think about the (baffling) criticism from one of the prominent actual play journalists I've had in mind while writing this, that Candela Obscura the show did not fully teach people Candela Obscura the game, I think about how Ivan Van Norman did straight up teach Savage Worlds during Undeadwood. Whenever people gush over the shadow puppets in Burrow's End I think it's deserved, but when they claim it's utterly new? Nah. Call of Cthulhu: Shadow of the Crystal Palace did it first. And Marisha had a guiding hand in the creative direction of all of these.

I think this is sort of elaboration on one of my points in my original post: I think a lot of the journalists are really out of their depth. I don't remember seeing their names when I first started watching CR in 2018, or when I got deeper into the fandom in 2019. My first actual play was TAZ, which I binged in late 2017. I really think a lot of the journalists flat-out don't know Sagas of Sundry or Undeadwood because they didn't show up until after Alpha folded. I've mentioned this elsewhere but so much of the claims of novelty and innovation are completely incorrect and not even terribly obscure. Look, I've seen/listened to most or all of 9 actual plays (this is counting D20 and CR each as one single unit, by the way - I've seen all but scattered one-offs from either), and seen or heard an episode or two of many more. I think that simply by doing that? I know more than a lot of these journalists.

Again: Worlds Beyond Number? The innovation is with the Witch class and the Wizard of the Citadel subclasses, and the allowance of extremely long downtime, but: longform podcast actual play with sound design? RQG did it starting in 2015. Griffin McElroy and Emily Axford have been composing their own music since 2017 or 2018 for their respective shows, both of which are also longform podcast actual plays. Again, Brennan pretty explicitly said "I don't think D20 is new, nor longform" in a quote and the article that quotes him argues that Fantasy High is new and longform...and that article also talks about how before D20 most AP video was livestreamed before talking about how boundary-breaking D20 was for having a livestreamed second season (you know, the thing that they just called old hat a paragraph earlier) that quickly pivoted to remote (even though remote livestreaming was actually quite common in smaller productions well before the pandemic, since you don't need anything but laptop cameras to produce it). I don't even keep up with much in the really indie AP scene, but those people I know who do are even less impressed by the state of Actual Play journalism than I, because D20 executes a lot of things extremely well, has a very talented roster of performers, and a budget most productions cannot hope to match, but a good deal of what it's credited for inventing (and which, again, it never claims to have invented. I want to be clear that the journalists decided to be like this for no clear reason) already existed. And, by placing this heavy emphasis on production, they are automatically making it hard for indie productions to impress them. For all they claim to be going after the 700 lb gorilla, they are simply cozying up to the 600 lb gorilla. It's real "um, why don't you try this little indie game called Pathfinder" hours.

I am fairly sure a lot of the people in prominent journalistic positions in the actual play sphere today came in only after the collapse of Geek and Sundry, is my point, and so I think they literally do not realize how much the medium owes to, for example, Marisha Ray and Ivan Van Norman, because they weren't watching in 2016 nor even skipping through the G&S archives, as I did as a new CR fan. I think they're absolutely out of their depth, and most of them don't even realize it.

#answered #Anonymous #long post #cr tag

[txttletale]

having thoughts about your point that players/the gm shouldn’t have to design anything for a good ttrpg and wondering if i’m thinking of the gm’s role using inaccurate terms. what would you call the gm’s responses to uncertain mechanical situations in a given game (e.g. a mixed success in pbta - the onus is on the gm to come up with what that means, following some guidance from the rules.)

it seems like something that people find comforting about d&d is that even though the rules are overly complex (and often confusing), many of the common mechanics have clearcut (and boring) outcomes (such as save or suck, hit or miss, etc), meaning the gm doesn’t have to produce/interpret a result themselves. is the other approach (i.e. rules-light) putting more “design” weight on the gm? or is that thinking of it too formally?

otherwise, good design being the gm’s responsibility seems like it just falls under the umbrella of playing in good faith - whatever the situation, it’s bad faith to create untenable/insoluble scenarios that the players can’t meaningfully navigate

yeah, i mean--PBtA games have a list of GM moves, right? when a player has a mixed success, usually that means they succeed and the GM makes a GM move. and obviously those moves have choices and stuff the GM needs to come up with -- something like Monster of the Week's "Put someone in trouble" or "Separate them" definitely require the GM to think of how that works in the fiction -- but that isn't game design, right? the mechanical aspect of that has been handled by the game's rules text. so i think that if there's more weight on the GM i think it's strictly creative weight rather than design weight, unlike the 5e GM who is forced to mechanize anything they might want to make up and is often left without any mechanical guidance

and i mean, i think in general 5e (and dnd more broadly) give the GM absolutely fucking nothing to work with. there are literally no GM-facing mechanical levels other than enemy statblocks (which also, unlike something like Lancer or even fucking 4th Edition, come with no guidance on how to use them or how to assemble combat encounters with them). it's much, much easier to GM a game with GM moves, because then you have an actual set of mechanical levers available to you--and of course, like the aforementioned "Separate them", these levers automatically lend themselves to telling the sort of stories the game advertise for their genre. here's some GM moves from other PBtA systems that, just by seeing them as a mechanical lever, can push the story into the genre and tone directions the game wants to emulate:

Put innocents in danger (Masks, teenage superhero drama)

Reveal an unwelcome truth (Fellowship, high fantasy adventure)

Make honour and shame real (Sagas of the Icelanders, saga-era viking drama)

Bring their gender into it (Night Witches, Soviet airwomen war story)

Make them teach a class (Pigsmoke, magic-school cutthroat academia)

and one of the absolute best things about GM moves (and similar mechanics, like BitD's consequences, or BOB's setting sheet moves) is that because they are clearly delineated and restricted, there's no self-policing. because a dnd 5th edition DM can, rules as written, say at any point "100 ogres appear and beat you to death", they always have to be navigating a series of unspoken social contracts, creating threats but never threats which can win, introducing problems and consequences at a rate that keeps stakes up but is also fundamentally winnable, make everythign feel 'fair'. and dnd players have learned to accept this all as just the table stakes of a GM role, but it doesn't have to be. because all that is game design, and in a better game, that design is taken care of. GM moves say 'look, we've already thought about pacing and fairness, here's the levers we've pre-designed for you to pull, go nuts and tell a story with them'.

so in my opinion PBtA mixed successes represent a lot less onus on the GM to design the game for the designers than anything that happens in 5th edition outside of individual clearly resolvable combat actions--and it's one of the reasons i started having much more fun with TTRPGs once i stopped GMing 5e and realized that other games gave me actual tools and support to work with instead of expecting me to do all that bull shit

#ask #ttrpg

[izpira-se-zlato]

Bootleg Hojan Merch

I know Nace shared part of the story in an interview a couple days ago, but I was planning on doing a write-up before I knew that, so here you go 😂 Also contains the continuation of the saga in Finland :D

Putting this under a cut because it's gonna be a bit of a read (plus a few more pictures). Yeah, I hope no one here is surprised that I suck at keeping things short 😂

So I have done a fair bit of clownery this year, and the most recent bit (before the shirt project) was attending two of the Polish gigs, Wrocław and Poznań.

I was wearing my Cha Cha Cha shirt to the Poznań gig, and when taking pictures with Bojan and Nace after the show, I opened my jacket so the shirt was visible. When stepping back after the pic, Nace spied the shirt and was kinda excited about seeing Käärijä merch – though he prefers the Häärijä merch, as he told us, because he's a "big fan" (his words, not mine).

So back at the hotel, I told @braveheart1418, "God, I'm so tempted to try to procure an actual Häärijä shirt. Tell me that's a stupid idea." Of course she did no such thing and so we looked into how much it would cost (too much) and how long it would take (too long), and so I was like, "bummer. And I'm not comfortable making bootleg official merch. Although, omg – it would be hilarious of we did Hojan merch!"

And the longer I thought about it, the more I fell in love with the idea. Again, I told friends, "tell me that would be a stupid idea," and again, they were filthy enablers, and so I started looking into the matter semi-seriously once I was back home (that was Wednesday the 22nd, so almost exactly a week before I left on a business trip leading into a stay at my parents' place leading into the gig).

The first thought was to get a big HOJAN in the Häärijä lettering on foil to iron onto a black shirt, though @braveheart1418 had commented that the design with a picture Häärijä on is much more memorable. That was a very valid point, except that there were no Hojan pics in suitable resolution that were in the right pose.

Thus, things I needed to solve:

get a plotter to cut out "Hojan" for the chest -> my mom said my cousin had a friend with a plotter. Contact was established

get a picture similar to the official merch of Hojan -> I reached out to Dean, who was absolutely lovely and set me up with a picture I could use

clip Hojan from the picture -> I had @submariini as well as another dear friend help me there because they are both much better at photoshop than me and were kind enough to offer their help, and decided to add the yellow border because the best picture Dean had sent me was black & white

get transfer paper -> easy: amazon (loathe as I am to use it)

find a copy shop to print Hojan for me -> tricky bc I got Inkjet-Printer transfer paper and most copy shops have laserjets, if they allow using your own paper at all -> I got laserjet transfer paper and once again had my cousin come to the rescue and helped me print it :D

find t-shirts in the right sizes -> I solved this by eyeballing and taking pics of my dad in the various sizes to check with @submariini. While nerve-wrecking, I am astonished just how well the sizing worked out in the end!

Despite the limited time (limited further by me getting sick Monday/Tuesday before my business trip), it all came together beautifully: I did a test-print Friday evening and picked up the foil cuts, went shirt shopping with my parents on Saturday (shout out to them for letting their adult kid drag them through three different clothes stores and especially to my dad for gamely trying on half a dozen shirts and waiting while I yelled at ed about which to take 😂), finished the test shirt (mine) that evening and adjusted the colours on the outline to be closer to the foil, printed three more copies of Hojan Sunday morning, and got them ready just in time for leaving for the gig!

Which was yet again nerve-wrecking because of the unprecedented amounts of snow happening in Bavaria, but it stood no chance against our determination!

Unfortunately, the snow situation meant that JO couldn't come out after the show, so I passed the shirt to Nace during it and received a pick in return, which made me bluescreen as I hadn't expected an exchange 😂 He put the shirt down without having looked at it, which was a bit unfortunate because I would have loved to have seen his reaction, but it was still a pretty cool moment.

They did get a lot of gifts this close to St. Nikolaus (which is also celebrated in Germany, or at least was in my youth), most of which they left on the stage for the crew to gather up, so I bluescreened even worse when Nace bee-lined over to me as they came back on stage for the SSOL-encore to thank me again for the shirt – others told me later he'd taken it backstage after Carpe Diem with him, which I'd missed 😅

After the show, I met @mogoce-nocoj and ended up talking to her for quite a while outside the venue because neither of us wanted to split off into different directions, and so it wasn't until we were on our way back to @braveheart1418's hotel room (finally accepting that we wouldn't manage to say goodbye quite so soon and might as well talk somewhere warm 😅) that I saw that Bojan had posted the story to his Instagram 😂. Let me just say that it was very fortunate we were still out-doors and not near normal flats, because I don't think I was quiet when I saw 😂

I actually ended up making four shirts including my trial one – one for Nace, one for Häärijä himself because it felt fitting, and one for @submariini because he's such a Häärijä fan :D

The latter two, I took with me to Rovaniemi (which was ed's fault, because (and I quote), "come to Rollo! It'll be fun!"), where a bunch of friends and I met up for a birthday party slash Käärijä gig (over 20 clowns in one place, it was amazing, 10/10 would do again (genuinely)). The weather and means of transport tried to keep us apart (train strikes and ice rains on my end, though I still had better luck than Joker Out), but we actually all made it and by now all made it back again, too :D

As I mentioned in a different post, I actually managed to hand over the shirt to Häärijä before the gig, and he told me he would wear it on stage, which he did! I also got a picture with him, ed, and me all in our shirts, which was also pretty great :D

So, yeah! The Process™ of project 1.

Thank you so so much to everyone who helped and encouraged me along the way -- my parents and my cousin, the gift to our fandom that is Dean Grainger (none of whom will hopefully ever read this specific post), @braveheart1418, @submariini, @alephai, my dearest friend K who's been an enabler for so so many shenanigans, and xia!bf for bearing with my insanity (both where the shirts are concerned and the general Käärijä/JO brainrot) and helping me make this project a reality 💛

#käärijä #häärijä #hojan #hojan merch #project 1 #bojan cvjetićanin #bojan cvjeticanin #nace jordan #joker out #joker out nordic tour #jo nordic tour #jo nordic tour 2023 #fucking Rovaniemi

[berrypockets]

Voiceless | Threads of Eternity

Tommy Shelby x Reader

The True End

In the tranquil moments that followed, the Shelby family embraced the serenity of their newfound life. The twins, mischief dancing in their eyes, grew up amidst the rhythm of sewing machines and the warmth of a loving home. Y/N, ever the creative soul, found solace in her craft, designing intricate patterns that mirrored the tapestry of their family's journey.

As the Shelby legacy expanded, so did the bonds that tied them together. The twins, each with a unique spark inherited from their parents, ventured into their own paths, leaving imprints of the Shelby resilience in every endeavor.

The echoes of the past, though softened by time, lingered in the Shelby family's collective memory. They bore witness to a love that defied odds, a tale of redemption, and the resilience that defined the Shelby name.

Tommy, now a patriarch with a mantle of wisdom, navigated the challenges of the legitimate world with the same cunning that once ruled the streets of Small Heath. His gaze, however, always returned to Y/N, the woman whose love had transformed the trajectory of his life.In the dimly lit corners of the sewing shop, Y/N continued to weave dreams into reality. Her hands, seasoned by time and marked by the stitches of countless tales, crafted garments that whispered stories of love, loss, and triumph.

The Shelby family, their journey etched into the fabric of time, stood as a testament to the enduring power of love. As the sun set on Small Heath, casting golden hues upon the cobbled streets, the Shelby's found comfort in the threads of eternity that bound them together.

And so, in the tapestry of life, the Shelby saga continued – a tale woven with threads of resilience, love, and the indomitable spirit that defined the legacy of the Peaky Blinders.

Voiceless: Threads of Eternity Masterlist

A glimpse of Y/N and Tommy's earlier life.

A Chance Encounter

Woven Destinies

Faded Unwoven Threads

The Entwined Threads of Destiny

The True and Final End: A Shelby Tale

Voiceless Masterlist | Previous Chapter

#peaky blinders #tommy shelby x reader #tommy shelby #tommy shelby imagine #thomas shelby #peaky blinders imagine #thomas shelby x reader #thomas shelby imagine #tommy shelby imagines #cillian murphy #thomas shelby imagines #thomas shelby fanfic #thomas shelby angst #peaky blinders imagines #peaky blinders fanfiction #peaky blinders fanfic #peaky blinder fanfic #peaky blinder imagine #peaky blinders x reader #peaky fucking blinders #peaky fookin blinders #tommy shelby fanfic #tommy shelby angst #tommy shelby x you #cillian murphy x reader #cillian murphy imagine #cillian murphy fanfiction #cillian x reader #cillian x fem!reader