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#slight character analysis
call-me-strega · 4 months
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The idea of Jason Todd being a caretaker is so important to me for so many reasons:
It’s about the dichotomy of the violence of his character vs. the goals and sentiments he represents
It’s about how tough and masculine figures are still capable of caring deeply about the people around them in a way that is inherently viewed as feminine.
It’s about a child who didn’t receive enough care in a proper way growing up to be the one who can provide it for others and finding a sense of healing in it.
It’s about the depth and complexity of a young boy who wanted to help people changing, but at the same time growing into himself and finding different ways to do it.
It’s about how at his core, Jason is an incredibly sensitive and feeling person who craves forming deep bonds with others.
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shadowsageingempress · 2 months
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thing I've noticed consistently with Vince is that he's always compassionate when someone is at their lowest. he reassures Regina at the end of the QB sidequest; he empathizes with fiends during the lament of the damned sidequest
feels like one of those cruel irony things that the one person he'll give no compassion to for their mistakes is himself (and calling 'working as a bodyguard for an amoral company with no real control over stopping the JENOVA Project' a mistake could definitely be argued as a massive overstatement on his part)
It really says a lot about who Vincent that even after everything that happened to him, he’s still kind and empathetic to others. He might not be the most social or even approachable person, but he still has a genuinely good heart. He’s probably one of the nicest members of the main cast.
I’m sure that he can and will eventually start to forgive himself if he is given the proper support and care, something I plan on including on my future projects.
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wowowzersss · 10 days
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back on my toshi ranting for a sec here! ^_^ can we tell the hyperfix is kicking my ass…
rewatching the kyoto goodwill event simply bc i missed him badly 😓 and i got to the ep where we get his backstory and when i tell you i GASPED.
so when it switches to older him having that conversation with whoever that woman is, he asks why the kamo clan took him in and she says bc his father’s ACTUAL wife (cuz yk toshi’s mom was just a concubine) gave birth to a child that didn’t have a technique.
DO WE REALIZE WHAT THAT MEANS 😭😭😭 HE HAS ANOTHER HALF SIBLING…who we can assume is male based on how these clans function
personally i believe this child is older than noritoshi by at least a year for 1) the narrative and 2) the amount of sense it makes??? techniques usually kick in around 5-6 y/o and there’s no exact date for when it happens. could happen when you turn 5 or your last day as 6. so they could’ve most likely waited to be sure, but i feel like they already knew…
(unsure if kid straight up had no curse energy or simply didn’t have an innate technique; either way i don’t think it mattered to the clan)
but this kid doesn’t have the technique and toshi is brought in as the new heir. when i tell you the ideas started FLOWING. little noritoshi wanting to get along with his older sibling because they were family, but doesn’t realize his entire existence is an insult to this child. an insult to everything they knew at this point. THEY should be the heir, not serving tea to some bastard child who got lucky.
AND ARGHHHHHH THEIR RELATIONSHIP KINDA MAKES ME SICK??? IM SO NORMAL???
and then don’t even get me started on when he finds out abt his mother’s second son, his younger half-brother and he’s transported back to his youth and he feels so SICK. he now feels that exact feeling of being replaced and he just can’t actually go up to them. he can’t make that connection (NOT YET ANYWAYS!) and reach out…
he wants to hate that little boy for having a childhood with his mother, something HE never got. but god he can’t. his kid brother would be around the same age he was, wouldn’t he? he’s just a kid…so when toshi finally meets him, he refuses to continue the cycle. he loves that little boy and does his best at being a great older brother
…ARGHHHHHHHHH IM GONNA KMS 😹😹😹
noritoshi kamo…and ur relationship with siblingism and replacement…mmmmm i love u, u traumatized lil guy…
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Chucky/Child’s Play info dump :D
tiny little disclaimer :]
*these were compiled from a bunch of old separate/individual Chucky rants of mine *
a majority of this is just be gushing about behind the scene details and character quirks with SOME synopses about some of the movies (mostly focusing on my favorites,curse and cult)also i learned a lot of this info from dead meats yt channel,they do kill counts and go in depth about horror movie productions n stuff!!if you like my little ramble and wanna hear a more concise in depth summary of the story with added behind the scenes info I’d suggest checking out their Chucky franchise recounts !! I do paraphrase some cool parts that I noticed only after watching dead meats kill count so again,highly recommend checking out their video if you want a better in depth look at the Chucky/childs play series!!!
(also fyi not beta read ,pretty much word vomiting about my favorite horror franchise)
Chucky ramble ⬇️ : D
(Spoiler warning and tw for canon typical violence/violent scene mentions)
Offshooting from a Scream tangent discussing favorite horror movies,Chucky (for me atleast) just handles the characters much better. the way that they never stray away from the main antagonists and also manage to introduce new protagonists in a way that they relate the the ever growing franchise lore/plot just amazes me not even to mention the way that Don Mancini directs the franchise and continues to integrate the same actors in a way that i havent seen a lot of horror franchises do. EX: using Jennifer Tilly to play the non doll Tiffany Valentine,using her voice after her character's normal human self dies,and using her as a full actor again to play herself in the later Chucky movies i just adore how Don finds as many ways as possible to give the actors that have been loyal to him and his franchise new roles/work also it really helps out with the franchises actual story too Also i just think it’s cool that Nica Pierce is played by Fiona Dourif,daughter of Brad Dourif (Charles lee ray's actor + Chucky's voice actor) I can go on for hours about Cult and Curse of Chucky :v
When Nica Pierce,a traditionally fem presenting person,gets possessed by Charles lee ray/Chucky,a visceral traditionally masculine serial killer,the way her mannerisms change to reflect that change in mindset and personality makes me go fucking wild genuinely most of my favorite parts of the franchise is when she's possessed by Chucky Also Devon Sawa has appeared so much in the Chucky franchise and he plays different characters almost every time(since the characters he plays keeps on dying) and when he appeared in the 2nd season of the Chucky franchise he makes a reference to his earlier horror comedy work (Idle Hands) and i hshdjajdnkkajs makes me so happy cause i love that movie so much Also the way that all the movies vary tonally makes me so happy.its like sampling a little bit from each horror genre. from horror comedy,to the traditional slasher esc moments,to the utter suspense of the cult and curse movies,then not even to mention how it (in my opinion) works so well when being integrated to the tv it just works so well for me also just i love the gore effects so much Dr.Foley's death was genuinely one of my favorite parts of the franchise like the way his head gets bashed in with Nica's stiletto heel was really well executed,I love the practical effects used !!!
okay actually getting to each movie (and a little bit of the TV series)
The 1st movie was just a cult classic and it deserves all its recognition and it's premise and plot has still held up pretty well to present day the 2nd movie does so well letting the audience see how the events of the 1st film plauged the young Andy Barclay into his late childhood,it's also excellent when introducing his new foster sister Kyle (best character in the first 3 movies ong) can't say too much on the 3rd movie,it's not bad by any means,it still excels at practical gore effects and the characters and pretty solid but it's nothing compared to the movies that follow it Bride of Chucky. LORD
Don Mancini's turn in directors chair after overseeing the franchise since the first movie, and he does not disappoint I've seen a lot of people claim that Bride is the worst in the franchise because of its overly silly tone but that's one of my favorite parts about this era of the franchise The way that Don isn't afraid to play around with the characters and plot makes way for so many outlandish moments in the franchise that help it out so much overall Anyways god i adore Jennifer Tilly Bride being the first film that i had ever seen her act in,it was like a whole experience the way she played Tiffany Valentine just stuck with me,then her voice acting as Tiff in doll form is so well performed,and Bride has some of the most iconic/best lines and line deliveries i have ever seen!! Btw im trying to speed run talking about the earlier films because i really want to talk about Curse and Cult but i think that Bride is such an interesting movie when you step back and compare it to the ones the come and the ones that came before it
Anyways any film with Jennifer Tilly is a win and im so glad that she remained a mainstay in the Chucky franchise because her acting skills and her character are so much of the reason that im infatuated with this series Okay but anyways Seed of Chucky! Putting aside the lovely queer representation (something that will become a running theme in Mancini's work with the franchise) I lovelovelove Glen/Glenda's character(s) so much as a juxtaposition to Tiff and Chucky's.Their strange family-esc dynamic allow for so many comedic moments that let me just relax and genuinely enjoy the movie so much. Also the fact that Glen/Glenda's voice actor is the same one that played a hobbit in lord of the rings/hobbit (i forget which) just adds a bit of silliness to them OOO And the scene when Tiff calls a help hotline is a masterpiece on its own The concept of a killer doll calling a help hotline because she feels like shes goiing to relapse on killing already has such a comedic premise to it but the way the movie plays it dead serious always amuses me,it adds a layer to her character that's so entertainingly nuanced
OKAY NOW ONTO CURSE + CULT Okay so Curse of Chucky is one of my favorite movies of all time (no surprise) starting out with the mere fact that Fiona Dourif is in it AND she plays Nica Pierce.Fiona Dourif being the daughter of Brad Dourif,the actor and voice actor for Chucky/Charles lee ray,is already fantastic but Nica's character by herself serves as an astoundingly well written and complex figure in the Chucky franchise She's strong,witty,kind,resourceful,and downright badass at times and i adore her to bits The way her character is portrayed in Curse and Cult makes for such an interesting viewing She's a woman whos been looked down on/pitied for all of he life,on account of the fact that she's handicapped and wheelchair bound,despite that she still manages to carry herself with a sense of self confidence that doesn't make her come off as arrogant but headstrong When shit hits the fan she's downright distraught when her sister dies at the hands of Chucky,showing that although she has a sarcastic attitude she's still very much a well fleshed out character
Throughout the movie she's shown to be compassionate but still not taking anyone's shit and she makes for a really interesting character to nitpick Despite her horrid situation she still manages to (almost) best Chucky at his own gritty game,she's shown to be able to both take and throw punches,even against someone/thing that's killed the rest of her family (except for alice,niece,but well get to her later) The end of the movie is bittersweet in the sense that while Nica does manage to survive Chucky,she's left to take the blame for the massacre he left behind. Her screaming "i'm still alive" to an unmoving chucky while in court at her own sentencing is a scene that never gets old to me Also i cant talk about curse without mentioning the Andy Barclay cameo end credit scene because when i say i went absolutely feral to see his character come back into the franchise,still played my a now grown Alex Vincent anyways CULT OF CHUCKY!!!
This movie take so many stylistic liberties which i dont mind,heavily reminds me of experimental artistic late 70s-early 90s european films It also fully brings back Andy Barclay as a mainstay character + a cameo from Kyle!!!
This film taking place a few years (i believe) from the last movie,still following Nica Pierce The whole premise is that she's thrown into a mental/psyche ward and after a while accepted the false truth that she was insane and hallucinated the whole Chucky is alive thing.Eventually Dr.Foley,the main doctor at the ward overlooking Nica brings in a Chucky doll as a sort of exposure therapy and Chucky shenanigans ensue All while Andy Barclay is trying to kill all the Chuckys (because theres more then one because of voodoo soul splitting across multiple vessles) and Nica is just trying to survive The movie ends with Chucky shoving part of his soul in Nica Pierce,possessing her and the possesed Nica runs away from the asylum with Tiff I could go on and on for hours about the practical gore/sfx/effects,and the great stylistic choices in the movie but i'd just be rambling more at that point than i already have But like lord The one scene when Dr Foley's head gets bashed beneath Nica's heel is one of my favorite parts of the franchise,both because of Fiona Dourifs and the awesome practical effects !!! anyways
Can you tell i really like the chucky franchise- I just realize i didnt even mention the practical Chucky animatronic effects Throughout the whole Curse and especially Cult movie the amazing work of the puppeteers really shines through in the scenes with multiple chucky dolls! Also how Brad Dourif decides to voice the different chucky dolls makes me so happy,like he makes the newer created Chucky's have voice cracks and a slightly pitched voice to indicate the new life brought to it and its just so well done in the movie(noticed this after it was pointed out in the Chucky recount/kill count on yt :D) also also the multiple chucky shenanigans makes me so happy lord I could go on about the practical effects in the franchise,i havent mentioned it a lot but the puppeteering and animatronics and effects have been spectacular since the beginning,and the way that the animatronics evolve with the innovation with technology and also the bigger budgets with the movies
Rahh also also if anyone ever wants me to go into the filmography and special effects of the Chucky franchise just tell me because i will go crazzyyyyy i really need to find a clip of the scene when Nica bashes Foleys head in underneath her heel because it will never get old for me trust i could write a whole essay on the complexities and nuances of dynamics and the strained relationship between so many of the characters 🙏 Tiff (especially in Bride) really encapsulates a lot of what I love about the series,I just adore how she’s written Omg and don’t get me started on Brad Dourif. He plays Chucky so well and his character both as the human Charles lee ray and in doll form as Chucky is so amusing More on the actual franchise,i have so much to say about the tv show but i still havent finished it yet (on season 2) Mini ramble abt Nica and Tiff,their dynamic in the show and plot wise has always interested me The strained dynamic between Nica and Charles/Chucky in Curse ultimately culminating in Nica being possessed by Chucky in Cult,the on and off relation between Chucky and Tiff,and the absolute infatuation between Nica and Tiffs (or well at least Tiff’s infatuation with Nica)carries so much of the character driven plot in a way i wouldn't have expected initially,in something i thought was going to be a silly slasher series
Wooooo okay mini mini rant on the tv series because its so good even though i havent finished it yet As mentioned prior i adore how the franchise handles introducing new characters to the ever growing plot and lore or the series,one amazing example of this is how they bring a new generation of protagonists into the show while not throwing aside Andy Barclay's character Jake serves as a great stand in for Don Mancini himself (admitted as much in interview) and the striking conflict that he has with his sexuality mirrors Don's own personal experiences with his own life.While Jakes sexuality is a part of his character it isnt the only thing about him (which i adore,i dont like when a characters whole personality is just being queer) but his sexuality creates great context and depth to his character and his struggles anyways the way that the characters keep on evolving as the series progresses is highlighted in Nica and Tiff's relationship compared to them at the end of cult to them in the ending of season 1
Oml and not even mentioning the sapphic twist on the traditional killer couple,the interactions between Chucknica (Chucky possessed Nica) + Tiff and Tiff + normal Nica make for some of my personal favorite scenes in the series,having the characters written and interacting in such a way allows for so much more comedic and sometimes downright suspenseful scenes !! i.e. the scene when Nica overcomes the possession for a bit,gaining control of her body,but she's still in a room with Tiff,Chucky's girlfriend,being forced to play cards with her to make sure Tiff doesn't notice its Nica in control Tiff’s giddy psychotic personality really creates the sense that Nica is in genuine danger when around her,like when she giggles about her murders with a smile while nica has to act like she's still possessed by chucky WHILE playing cards with her.
The scene comes to a somewhat sudden shift in conversation when Tiff reveals that she's known Nica was there since she first regained control of her body.She knew it was her since she stabbed Nica in the thigh and Nica didn't feel a thing (paralysed by the waist down) then comes the shocking notion announced to Nica from tiff,being that Tiff actually likes her more that she likes Chucky.All of Nica's cunning acting,trying to seem like Chucky in front of Tiff was for nothing because Tiff was just playing with her all along the dynamic between the 3 is so interesting to analyze and it gets even stranger in the 2nd season
Since Tiff is still a psycho and a killer at heart,she can't handle the idea of letting Nica go,but, since Chucky's soul is still in Nica's body Tiff had to find a way to "disarm" Chucky The most heart wrenching scenes in the tv show,to me at least,is the one at the ending of season 1.It reveals that Tiff drugged Nica and cut off her limbs,making it so that Chucky cant harm Tiff in Nica's body Nica is one of my favorite characters and to see her headstrong resolve shatter when she realized what had happen to her is so unnerving Her character doesn't disappear from the show though,she's kept alive in Tiffany's house,captive the beggining of season 2 reveals that tiff had been keeping Nica and taking care of her for the better part of a year Nica still keeping with her character of sarcastically witty even in the face of insanity,she suprisingly still has the energy to keep her bitterness towards Tiff despite the horrid things she'd been put through Thankfully Nica gets back on her feet (pun intended) when Tiff's kid,Glen (in human form since should transfer to human body + Glenda's there too) breaks Nica out of Tiffs house and gives her her wheel chair back with the addition of prosthetic arms to help her use her wheelchair
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elliebitesthedust · 11 months
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Naruto is such a funny character because he can gaslight better than anyone else in the fucking world. i wont say who because spoilers but he gaslighted a redhead into killing himself and a certain black haired fellow into.. killing himself. bro has to stop lmao (+ some sketches)
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watermelonsloth · 2 months
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I think the reason why Naruto fans get so passionate and upset about the series is because of how real it can be. Naruto isn’t about paragon heroes outdoing dastardly villains. It’s about human beings fighting tooth and nail to survive in a world surrounded by death. It’s about broken systems made and perpetuated by broken people.
The Hyuga clan isn’t just antagonistic or pretentious, they practice slavery.
The Uchiha clan weren’t just killed by some raging psychopath, they were systematically massacred.
Itachi isn’t just cruel to Sasuke because he’s a bad brother, he’s cruel because he’d been told time and time again that you can only survive by being cruel and he wants nothing more than for Sasuke to survive.
Nagato isn’t trying to take over the world just for the sake of power, he’s trying to take over the world because it beat him down to the point of believing that the only chance at peace there is is the world being forced into compliance through fear.
Iruka isn’t hard on Naruto just because he’s a strict teacher, he’s hard on Naruto because he knows from experience how unforgiving the world is towards orphans.
Kakashi isn’t just some silly and slightly lazy teacher, he’s a contract killer still grieving his loved ones and struggling to do better without knowing how he’s supposed to.
Sakura isn’t just a fangirl, she’s a normal girl in a very dangerous and abnormal world constantly being made to choose between what she’s supposed to do and what she feels.
Sasuke isn’t just some edgelord, he’s a survivor who lost everything then gets repeatedly told that he has to choose between keeping what he’s gained and doing better than his brother.
Naruto isn’t just trying to be the best Hokage there ever was, he’s trying to prove his worth to a society that abandoned him just for existing and, in a way, confirm his worth to himself.
The Naruto story is about humans trying to force themselves into the role of weapons because that’s what they were told they had to be. It’s a story where everyone is a perpetrator but no one is trying to do wrong. It’s a story where everyone is a victim but no one is a perfect victim.
The world and the characters aren’t simple and trying to simplify them only takes away from them. So of course we get passionate about showing off all the reasons why they shouldn’t be simplified and all of the ways they’re complicated. Of course we get upset when we see others simplifying them or selling certain aspects of their characters short. Of course we get upset when the series itself simplifies them. Of course we get upset when the series chooses to abandon them. Because it not only feels like the characters are giving up, it feels like the series is betraying anyone who chose to get invested in its complexities.
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loosescrewslefty · 2 years
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I feel like some people within this fandom have forgotten this fact, so this is a super friendly reminder that Hunter has higher-than-average observation skills, especially with other people.
He is able to make quick and accurate assessments of Luz and Amity's personalities in Hunting Palismen and Eclipse Lake, despite both episodes being the first time he spends any significant amount of time with either of them (Because threatening Luz for two minutes in Separate Tides doesn't really count as a meaningful conversation)
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Hunter is powerless, with a weapon pointed at his face, and is still able to maintain his composure and clearly and confidently lay out the fact that he knows Luz is bluffing here.
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Likewise, he's able to quickly get a read on Amity in Eclipse Lake, and relate her insecurities about her relationship with Luz to his own struggles with his Uncle in order to gain Amity's sympathy and trust while also being the one who was most knowledgeable about their surroundings and keeping them alive, in spite of Eda and King's antics.
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This continues into the end of the episode. Even when he's in the middle of a mental breakdown, Hunter is STILL able to keep his observation skills sharp and realize that; 1.) He has come into this fight already pretty spent after fighting off the other Coven Scouts 2.) He's using a new weapon he isn't used to yet, which differs enough from his former staff to throw him off 3.) Amity has allies in the form of King (who kept jumping in and making the fight more difficult for him) and Eda (who he knows is probably on her way) 4.) Amity's not a slouch, so all of these disadvantages will probably NOT work in his favor if he keeps trying what he's doing and doesn't change tactics.
The fact that he's got her at a stalemate is already pretty impressive, given the fact that the fight is heavily weighted in Amity's favor here. But, rather than continue combat, Hunter goes for what he knows to be Amity's weakness in order to secure what he needs, and reminds her that if she keeps the key, Luz WILL be in danger.
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Then we have my personal favorite example of this, where we watch Hunter look at Willow and go from "Wow, she's awesome (neutral)" to "Wow. She's awesome (affectionate)"
Right off the bat, Hunter clocks Willow's talents. Her strengths with both magic and her physical skills, as well as her courage. But then she does something no one else ever did before.
She proves that his skills of observation, which he is obviously VERY proud of, are not infallible.
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Hunter wrote off the rest of the Emerald Entrails as lost causes when he first laid eyes on them and nearly walked away from what ended up being one of the best things to ever happen to him, but Willow stopped him and proved his first impressions of the others to be wrong.
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I feel like people underestimate just how much this exchange impacted Hunter, in many different ways. THIS was the turning point that made him take notice of Willow as more than just a potential Emperor's Coven scout. Here, she proved herself not only to be a capable leader, but even better then HIM at observing and assessing the talents of others. With Luz and Amity, Hunter was able to observe them in about the same amount of time, assess them accurately, and apply what he observes to get the outcome HE wants. But with Willow, right from the second he meets her, he's caught off guard, and swept up in HER energy. She's constantly surprising him, and effortlessly has him marching to the beat of her drum.
And even after he insulted her team and tried to blow them off, she gave him a second chance. Second chances are NEVER offered in the Emperor's Coven. There, failure is final. Which is probably a big reason why upsetting Willow impacted Hunter as much as it did.
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And even at the end of the episode, Willow is still surprising Hunter. It's clear as day he didn't expect her to give him another chance, after he tried to have them indoctrinated into the Coven. He thought there was no coming back from that. He wasn't doing it to be forgiven. He was doing it because he cared about the team, realized he made a mistake, and wanted to save them from that mistake before it was too late to do so. Even though he obviously thought that Willow would never want anything to do with him ever again. But, just like before, Willow proved that he thought wrong.
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So yeah, Hunter is NOT the naive, sheltered, inexperienced abuse victim that's completely ignorant of how to interact with others that some people like to portray him as. Not only does Hunter possess the power of observation and the ability to quickly assess someone's strengths, weaknesses, goals, and capabilities, but he's used to being quick and accurate in doing so even in extreme situations, and takes a great deal of pride in this ability. And he is NOT walking into his crush on Willow blind. He's been observing her, and his respect and affection for her has grown with every new side of her that he sees.
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skallyeen · 1 year
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GLaDOS's insults are interesting. Because they're so clearly prejudiced, right? She's making fun of Chell for being fat and adopted. These are scummy things to make fun of someone for, and things that would realistically be punching bags for prejudiced people interacting with this character.
But I don't think GLaDOS actually holds the sentiments she's expressing. Rather, they're a means to an end.
I get this mostly from her lines in co-op on the subject:
"Did you know humans frown on weight variances? If you want to upset a human, just say their weight variance is above or below the norm."
She calls Chell fat not because she thinks she's fat or that she personally finds anything wrong with weight variances, but because she knows calling humans fat makes them feel bad, and she's bitter about being killed and wants to make Chell feel bad.
Same goes with her being adopted. As soon as it doesn't emotionally or pragmatically benefit GLaDOS to make fun of Chell for being fat or adopted, she actively refutes Wheatley's attempt at bullying her for these things:
"And...? What, exactly, is wrong with being adopted?" "Also: Look at her, you moron. She's not fat."
She walks back her previous derogatory assertions as if they don't mean anything to her, because they don't. She never believed them in the first place.
She treats Rattmann's schizophrenia much the same way. She uses it to try and manipulate him, to make him doubt himself enough to come out of hiding where she can kill him, the same way she tries to make Chell doubt herself and turn back when she's escaping the facility back in Portal 1. The ableism she expresses is not a genuinely held belief, but a means to an end that she has no qualms about using.
Whether that makes it better or worse, I have no idea! I'd say worse on account of the intention to cause doubt or hurt to the target. But it's a very unique combination of values, isn't it? You're much more used to seeing the inverse: people being insulting, with no actual malicious intent, as a result of unchecked biases. Like, for instance, friendly little Wheatley unintentionally being super condescending about Chell's brain damage and muteness.
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messiahzzz · 2 months
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while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.
bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:
Fear of abandonment
Unstable or changing relationships
Unstable self-image; struggles with identity or sense of self
Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).
Suicidal behavior or self-injury
Varied or random mood swings
Constant feelings of worthlessness or sadness
Problems with anger, including frequent loss of temper or physical fights
Stress-related paranoia or loss of contact with reality
source: [x]
i highlighted the criteria that do apply to gale in one way or another in a pretty purple.
i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.
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gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.
gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.
gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.
gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.
he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.
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gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.
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gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?
gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]
the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.
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gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.
neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.
gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.
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(taken from tumblr user galedekarios's post.)
there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.
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player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.
this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.
gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.
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player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.
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gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.
gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.
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gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.
there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.
i personally believe that part of the beauty of gale’s story is him realizing just how ���little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.
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gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.
even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.
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devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.
to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]
gale may be many things to many people, but he is no entitled narcissist.
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possamble · 14 days
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do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
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okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
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she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
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so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
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"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
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Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
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And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
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Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
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and look at how exasperated and resigned she looks
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And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
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In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
#asks#dungeon meshi manga spoilers#marcille donato#manga panel analysis#this is probably riddled with typos sorry#readmore cut bc it got long lmao#i ended up babbling about it bc it's such an important character detail to me#bc like... wow. she's so normal about it. she's literally just chilling.#the only thing that really bothers her is the material reality of it and how people treat her#the stereotypes the stigma etc. etc.#otherwise it just..#literally doesn't factor into her criteria for self-worth at all#the basic truth is that marcille likes herself on a fundamental level#she's not plagued by a deep and festering self-loathing the way a lot of characters in her archetype are#she likes herself and is proud of her successes and accomplishments#its just that shes terrified of failure and can have *episodes* of self-loathing when she fucks up#but who doesn't yknow#i know its a very slight nuance that makes very little difference in how her 'overachiever' problems manifest but its there#the sword of abandonment issues that hangs over her head has nothing to do with her self-worth or self-esteem or meeting her own standards#it has to do with the fear of not living up to *other* people's expectations and not being useful enough to be worth keeping around#she's good enough for herself but she's always so so so scared that she's not good enough for other people#i wont say much about what ryoko kui is saying using this as an allegory for real world racial biases but#dungeon meshi's treatment of marcille's relationship with her being half-elf is so incredibly important to me because it gets it so right.#a trauma about inferiority or being a half-being isn't inherent to the experience of being 'of two worlds' at all#that's something that's unfairly drilled into people by their environment#the *inherent* anguish is the loneliness. the constant longing. the fact that you are always homesick no matter where you are#always just a little bit of an outsider and never fully at home#and dungeon meshi gets that.#edit: cleaned it up a little
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the-director · 4 months
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My Tav Calder! He is a half drow bard.
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Bonus info specifically: (contain spoilers for the endings and epilogues.)
Gale: when I started playing Calder (he is my second playthrough) I had the intention of romancing Gale. So I pursued him hard. And then... oh and then karlach came onto me. And I fell. Hard. Had to break up with gale. I think that. In the story of this playthrough, this breakup is the reason why I wasn't able to convince him to give up the crown.
Lae'zel: despite being a bard, Calder does enjoy a good fight as I picked college of swords for him. But that is not the reason why they are friends, they are friends because they relate to their pasts. Calder does have a noble background, but he was also sold into slavery (long story short he is in a bit of a zuko situation. But instead of finding the avatar, he got sold and is told to "work to earn his place among his family") so. They both understand the weight of high expectations. But also I like their dynamic due to what lae'zel says to you in the epilogue if she goes with Orpheus. That you taught her diplomacy, and I think that's very fitting for her and Calder (or rlly with her and a bard/high charisma/pacifist tav)
Shadowheart: honestly I feel like shadowheart is so... older sister? The way that she tries to be above everyone, the way she is so sparky to you, but also becomes loyal and trusting of you. Idk it reminds me of older sisters in like early 2000s movies. As a result, when I'm not romancing her. I tend to view her and my tav as feeling a kinship to eachother. I think this is also because of both of them being half elves.
Wyll: I actually have a lot of thoughts about Calder and wyll, specifically because of Calder growing up in this rich upperclass family, they probably met eachother while they were younger, or at least both of them are aware of their families (I'm still deciding how old I want Calder to be, and how long he was a slave) so there's like. Both of them know eachothers childhoods, but then both have to wonder "what happened to you for you to wind up here" I imagine they have a heart to heart with wyll talking about the pact and getting sent away by his father, and Calder talking about his wild magic that got him rejected by his family and then further being betrayed by them.
Another component of this relationship is the "karlach protection squad" I feel like it's basically canon that wyll and karlach, whether or not they romance eachother, will be very close and have a friendship together. And so especially with karlachs infernal engine, they both feel this need to protect her, to find a way to save her life. Which is just. So neat yknow? This strong durable character who is yet so vulnerable due to this replacement for a heart she has, something imposed against her. That she tried to make work for her, and it did, for a bit. Until when she finally thinks she can get her life back. She instead finds she's a dead girl walking.
Anyways. Both wyll and Calder are devoted to her in this way. And so even though they're kind of in that space of "so similar to eachother that we hate eachother since we can see every fault and flaw that we hate about ourselves in the other" they put aside their similarities and work towards this goal.
Astarion: Calder is, ngl, highly morally dubious. He is. Incredibly two-faced, or more precisely 6 faced. He's very much a people pleaser, a liar one may call him. He breaks every law for his own gain. Which astarion can get behind. Calder reads astarion like a book moreso than anyone else, which is why Calder trusts him. Astarion may be seen as "untrustworthy" but Calder trusts because he knows what he does, he can rely on that. I'm thinking this is especially in the early game. Where Calder might not have been too sure about the other ones and their true intentions.
I think, perhaps this trust is also due to their shared background. Of course I made calders backstory specifically so that it could parallel everyone else's and deal with the similar themes of "lack of autonomy" and "authority" and so on. But I think other than wyll, calders background is the most like astarions. And so since he is familiar to this. Desperation and fear for safety that astarion feels all the time. That is why he *knows*
Halsin: Remember how there was that glitch where gales approval was super easy to get, and as a result he would hit on every single tav regardless of how much you talked to him and as a result he came off as a huge creep and people hated him? That's how I feel about halsin.
Jaheira: similar to shadowheart, but in this one I JUST. LOOK AT JAHEIRA AND I HEAR MY MIND GO. "PLEASE ADOPT ME" if she adopted me everything would be right with the world (it wouldn't but) my mommy issues. Just. (I have three moms, which one would think would mean I have no mommy issues. No I just have three different types of mommy issues)
Anyways. Seriously. I think that at first Calder would kind of have the karlach fangirl moment, he wouldn't externalize it. But it would definitely happen. Overtime though they develop the bond of cub and crow. And I think. The definitive good ending for Calder is one where he joins the harpers. (I'm just now realizing that then he would be Chris pines character in dnd and karlach would be that one barbarian lady)
Karlach: she snuck into my heart, and I think she snuck her way into calders too. I think at first, it starts with passion, it starts with warmth and comfort in eeachothers arms. Then it evolves into late-night talks around the campfire. Of him singing her favorite songs, telling her favorite tales. Maybe they do it together. Him on his lute and just her singing. Or them acting scenes together. I imagine them fighting together, him inspiring her, healing her maybe, her defending him and beating anything that hurts him into a pulp. I imagine them entering the city together. He took the tadpole, she is so worried for him. She tries not to let it show. His ego is bruised. He's hurting inside. They open up though, they find solace in eachothers arms again. That one scene happens, they talk about the future they'll never get. The cabin, with the goat. Oh how he wished he could perform for her forever.
I finished the game before patch 5, before going to hell meant finding a cure. And even then, I think Calder wouldn't force her to go. I think Calder always gets wyll out of the contract and wyll decides to be Duke. And so she dies. On the docks.
And Calder is ruined.
But he develops a plan. Undo timeline.
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atla-recluse · 1 month
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It's crazy to think that Ozai...
...might be the first (proto-?) feminist of the Fire Nation.
Now wait, hold on. Hear me out.
Ozai IN-SHOW (and in written media):
Favors his second-born daughter over his first-born son.
Does not care enough about having a first-born son to succeed him to keep that son with him in the Fire Nation or create another son to succeed him.
Allows that second-born daughter, for a time, to be his new heir/successor.
Allows that daughter to be in charge of very important , gender non-conforming duties, including controlling her own personal army on her journey.
Allows said daughter to be in charge of capturing the first-born son and his first-born uncle (Ozai's brother and rightful heir). An uncle who, mind you, is more well-renowned than her due to past accomplishments and likely in part due to gender, because of the "hyper-masculine" expectations of their culture.
Allows other females besides his daughter to join his military. Sees no issue with allowing women to fight for what is also their homeland (in other words, no issue with female warriors here, Pakku).
Doesn't baby or coddle his first-born son AT ALL and is at least somewhat likely to not be responsible for any sense of entitlement that the son grew to have.
Believes in power, ability and prestige above all else when it comes to judging others. Thinks these traits are what rulers truly need to possess to be able to rule. Everything else is of lesser or no importance, including gender. This does not contradict the tenants of most brands of feminism, and actually mostly or fully supports them.
Keeps his daughter at his right (or left)-hand side when they are actually together.
Clearly greatly respects his daughters skills and insight as both a fighter and heir to the throne.
(Although he still kept a higher position) Gives his daughter his title, throne and crowning headpiece so that she may now rule in his place.
Is implied to have given his wife a lot of agency in raising and disciplining their two children, as opposed to doing it all himself with the help of docile servants and refusing her any say in that regard.
Knowing that all this happens, it's very telling in my view, that the show goes on to make both him and his daughter the "pure evil" super villains of the show. No acknowledgment of feelings, understanding (giving or getting), military/personal rights or sympathy are allowed to either by the narrative, even at times when we see the opposite on screen.
Makes me wonder what message the creators/writers were really trying to send to young viewers. Maybe it was "You should always be the bigger person by being at one with yourself, kind and considerate AND pro-traditional roles and anti-gender apathy! (Unless it leads to a man on your side getting laid by his ex! Then you can bend the gender/tradition rules a bit for your and especially his sake!)
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masterchef901 · 9 months
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Something that caught my attention while reading Lackadaisy
Consider the Savoys: Brutal, threatening antagonists with a voodoo mystique. Solid foils in their own way to both Rocky and Mordecai and probably others, worth examining elsewhere. But what really gets me about them is how the narrative lens that surrounds them helps set them up as villains you love to see lose.
All of which is to say: You ever notice how they're just about the only characters with substantial screentime that are not suffering?
The Lackadaisy crew's struggling with loss, poverty, and a half dozen unique layers of fear and trauma each. Mordecai's half-mad trying to deal with Atlas' death in his own way. Wick's hardly got anyone to take him seriously. List continues. The comic feels heavy and tragic and every time one of our characters hits more misfortune, or stoops to some new low, we feel it with them. It's one of the comic's greatest strengths, the degree to which the audience can empathize with the characters as they go through their pain. We're there with them, hoping, wishing things could be better, suffering every individual time it isn't.
But Nicodeme and Serafine Savoy: Thriving. They make effective villains in Lackadaisy specifically because they're excused from that pattern of narrative empathy. Their backstory is perhaps the only moment in any Lackadaisy media where they aren't having an absolute ball. They'll probably die young, and they know it, and laugh at it, and when the end comes they'll probably still be laughing.
It makes me feel an odd sort of jealous, on behalf of the rest of the cast. It's like watching fucking Ferris Bueller, if he was all about sex, drugs, and murder, just dance his way clean through a greek-style tragedy. Like, wait a minute, the world's supposed to be cold, punishing, relentless, but these shitheads are just doing whatever they want and getting away with it. They can't keep getting away with it! Can they???
And because we've got that angle, we've got the perfect recipe for villains here. We get to hate them and hope our heroes give 'em hell, because they're just about the only people around where a dose of comeuppance is going to make us feel good instead of just more sad. They can take it, both as characters and as narrative elements, and I just appreciate the narrative setup involved in setting them up in this way. We get characters, we get bad guys, we get dominoes to knock down guilt free.
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total-drama-brainrot · 4 months
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idk if anyone else had pointed this out but alejandro's manner of speech is so endearing. he's so overly formal sometimes and very rarely abbreviates his words- which is characteristic of people not speaking their native language, sure, but it's so jarring to hear in the context of total drama where characters use all sorts of weird slang.
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amyyythestarry · 3 months
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TBHK CHAPTER 110 ANALYSIS!
Lots to say about this chapter..
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So cool, Tsukasa is always so cool. I like how he threw the piece in the air and disappeared..!
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He was beating his a**.
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He’s still fine even when getting his a** beat.
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Literally whopping him.
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That didn’t do sh** 💀.
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Welp..
And here Akane was saying supernaturals are heartless, only think for themselves.
This is so incredibly sweet of Mirai.
They actually had some attachments, the Clock Keepers actually cared about each other.
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Akane’s traumatized.
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I wonder why it’s a key, why is that so important to them, and why is Mirai carrying it?
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Here comes both of their ugly a**es.
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Wow, look how happy Mitsuba is about seeing Natsuhiko.
Their still brothers y’all.
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Their still brothers y’all.
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Such a shame.
But I wonder why they say he doesn’t have one. The seal is on top of his boundary isn’t it? Does that not count as a yorishiro?
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Bro, Mitsuba stay alive for once, why don’t you?
He does every arc he’s in.
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Does a yorishiro have to be something important to the mystery? I’m guessing so. Kinda unfair that that actually counts.
But I guess Mitsuba was too busy thinking about how he was gonna go down that he didn’t really care if he got a yorishiro or not.
“Always asking for the moon.”
I like that phrase. Especially since there is a certain moon he’s always begging to, always wanting to get his wish granted by that certain moon.
Really, this though, this does kind of ruin my theory.
This could give Mitsuba and even more reason to have a well deserved villain arc, but now he’s not in the proximity of Tsukasa to make him his yorishiro, and Tsukasa hasn’t disappeared yet, but if it does happen then Mitsuba definitely won’t be the one to save him.
So sad, it’s possible both of them will die sooner than expected.
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I wonder if this is what Tsukasa meant by ‘Mitsuba will be dealt with, some how’?
Maybe he was talking about encouraging Mitsuba to get one, at first? Maybe?
Did he know what Natsuhiko was going to do to Mitsuba if he didn’t get a yorishiro?
It does seem like the Broadcast trio has planned everything ahead..
Though, what was all of the wish granting for then?
All the hard work he’s done, willingly, so Mitsuba could get strong and get what he wants. If he already knew, then wouldn’t that have all been a waste of time and efforts?
They planned all of this from the very start, most of it. From the very start, ever since former Mitsuba died, Tsukasa created him so he could have his wish.
Did Tsukasa really know about this? I don’t think so…
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Such a serene face, carefully explaining everything like always, stating that everything will finally be over soon.
He says ‘finally’ like he’s been waiting for this moment, hoping it’s soon, hoping he can finally be destroyed, and disappear.
This would have gone so smoothly too, let’s say, if Nene would have tore off the seals. Only No.1’s and himself. Nene would only have to tear off No.1’s and his seal, or possibly both at the same time too.
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Teru has a point, why didn’t the Clock Keepers do something.
They have powers, why didn’t they use them? They could have stopped Tsukasa’s time for a while, they could have send him back in the past, they could have forwarded his time. They could have been fast enough, right?
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I’m still so surprised that Hanako actually did something to stop his brother.
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Amane did want this. He wanted the yorishiros to disappear so he could get his wish. He knew it was going to come to this, right? He knew he was going have to see his brother disappear in order to get want he wanted.
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On Manga Up they said ‘we’, but I’m glad the official translation says otherwise. It would have opened up a lot of questions for us if they said ‘we’ and ‘us’.
I love how the real Amane is coming through now. He’s actually doing something to stop this from going on, because he knows after all of this, he won’t ever see his little brother again. He can’t be saved this time.
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I love this panel.
I love how Tsukasa doesn’t grasp Hanako’s emotions, he’s just like “So?” Asking Hanako to clarify what’s he’s trying to say.
Or he’s saying ‘so’ as in he doesn’t give two sh**s.
He won the idgaf challenge. He’s been won it actually.
Hanako’s face reminds me of the same expression he had on the rooftop chapter, when he pinned Nene down, or when he met Tsukasa again in the hallways during the whole Mitsuba scene and he looked down, almost about to cry, trying to cover up his face.
This is the face Tsukasa likes. It holds so much emotions that Amane wouldn’t usually outwardly admit.
I ran out of photo, but I also like and hate how Hanako says “I hate you,” at the end.
That also holds so much emotions, so much meanings.
I imagine the next seen or so, Tsukasa will be smiling. He’ll be smiling cause he knows how much Amane hates him. Even though Amane doesn’t actually, Tsukasa can’t tell when ‘I hate you’ actually translates to ‘I love you’.
For Amane right now, that ‘I hate you’ is his way of saying ‘I need you to stay, I love you’.
I knew Hanako/Amane couldn’t live his afterlife knowing Tsukasa would be gone, not even for the cost of a wish. It’s just so lovely to here it in canon.
I wonder when Tsukasa will finally realize Amane just won’t let him go.
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the-bi-space-ace · 7 months
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Daniel Jackson & Why Stargate SG-1 is the Best Show in the World
Here we go again. Listen, my obsession with this show knows no bounds and I’m going to simply have to take you through my thoughts on every character. 
Strap in. It gets long.
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Daniel Jackson. Linguist and ancient aliens believer (Daniel. It really is your worst quality. Even worse that YOU WERE RIGHT HOLY MOLY) and he figured out how to dial the Stargate and get it to work. A character known for his intelligence and empathy, his moral compass and being petty as fuck. A man who pushes those around him to be better people, and to think outside of themselves. Also he has allergies which plays into a very cute intro to his character in the show where Jack literally tosses a tissue box into the Stargate to make contact with Jackson. Let’s get into it. 
We open season one with the SGC traveling back to Abydos where they left Daniel Jackson in the og movie after disaster struck (that disaster you may ask??? ….. I have no clue I haven’t watched it yet BUT I DIGRESS). There’s a problem. Aliens came through the Stargate and took one of their own. They need to talk to Daniel, to the Abydonians, and what follows is unfortunate. 
You see, they defeated Ra in the movie, a parasite pretending to be a god, and thought they were done with this villain. Unfortunately they’re facing a new one, same shit different name: Apophis - brother of Ra. And it turns out they aren’t finished with stealing and enslaving people. Now, the genre of villain they’re against is swift, cunning, technologically advanced, and ruthless. The Goa’uld. They attack Abydos and take a young boy named Skaara and Sha’re, Daniel’s wife, captive along with the SG team member. 
Ugh. Sha’re. Daniel is so sweet to her. They’re so clearly in love. Daniel Jackson has my favorite quality in a man which is that one of his primary personality traits is that he loves his wife. Ugh. It kills me that the Goa’uld took her away and he spends the next few years desperately tracking her down. The Goa’uld end up possessing both Sha’re and Skaara and it leads to Daniel Jackson rejoining the SGC and joining Jack O’Neill and Sam in SG-1. 
It’s important to note a few things about Daniel here that inform me about why he is the way that he is. He was orphaned as a child, he lost his wife whom he loved very much, and he is extremely empathetic. He basically imprints on every being he comes across that doesn’t have a family and that kills me. He’s desperate for connection and he tries to understand the motives and meaning behind everything. He cares about people. He cares about culture. He cares about respecting things you don’t understand. 
While we’re on the subject of imprinting, let's talk about Daniel and his friendships. We’ll start with Sam and Daniel. True science besties. I love every interaction between these two. It's like they found their platonic soulmate that they’ve spent their lives looking for. They info dump with each other, bask in each other’s intelligence and value it even when they have zero clue what the other is on about. Their friendship is pure and quick and beautiful and I can’t talk about Daniel without touching on how he quickly latches onto his friends and makes them important and how it makes his life fuller to have them. He does the same with Jack. They clearly care deeply for each other and Daniel finds a safe space in Jack. A space where he can push and be angry and ask questions and share how he feels and never receive rejection from Jack. Yes, they fight and argue and disagree but it is (typically) a safe disagreement where they’ll mend anything they hurt. Then there’s Teal’c. Teal’c, the man who is… kind of responsible for taking Sha’re from him. A man that Daniel wants to hate but can’t. Because Teal’c is a changed man. A man who had little choice. A man who Daniel has come to recognize as a friend and ally. This. This is big for Daniel. 
Imagine. Your wife is taken from you. The man responsible for choosing her to take is now saying he is going to help you defeat your enemies. He lives on earth with you. He is treated as an honorable man and warrior. He is part of your team. Your everyday life. And you forgive him. You forgive because it’s the right thing. You forgive because you know it’s not his fault. You forgive because your heart is big enough to do so. To not assign blame where it’s unfair. That is Daniel Jackson. That is who he is. And fuck do I admire this in him. If it were my partner taken, life stolen from them, parasites taken over their body and using them to harm people. If I had to look at the man who chose her every day I might not be so forgiving. I might not have it in me to see a difference. This quality is something I admire because it is something that would be excruciating for me. 
Speaking of excruciating things: watching Daniel’s face when someone he loves is in danger is like getting stabbed through the heart. One of the moments that sticks out in my mind is when Jack and Teal’c are trapped on a submarine that is being overrun by Replicators. Their only hope at not letting these bastards take over the earth is to blow it up, with both of them on it. Jack tells them to prepare to do it and Daniel is immediately against it. Jack takes his helmet off so he can hold the camera up so Daniel can see his face, can talk directly to him, and tells him to do it. When Daniel, in desperation, pushes again Jack reiterates that he does not want to die by the replicators. He doesn’t want his life to be over that way. Daniel has to let him and Teal’c go. Daniel eventually gives in but he refuses to look away while two of his friends die. (Spoiler alert is that they get saved at the last minute, thank fuck.) 
We watch this despair each and every time one of his loved ones is in danger. We watch his expression, his heartbreak, his feelings of powerlessness. He’s desperately done everything he can to keep them safe. Daniel is not a soldier. He is an academic. He doesn’t have the training that the rest of them do. He hasn’t been taught how to handle battlefields and death and loss like they have. Watching his friends get hurt or die is so devastating for him. They are his family. Losing them is like losing everything he has left, especially since losing Sha’re and leaving everyone on Abydos. His heart holds all of them so dear. 
We know he values his friendships, but what about the times he makes friends with beings from other planets? One of my favorite times is with an Unas who kidnaps him to sacrifice him. Now, Daniel spends a lot of time trying to communicate with this Unas. He shares food with him, talks, they play games. All while he’s being dragged through the wilderness to be slaughtered. He starts to understand the Unas, to learn that he has a connection with this one. Eventually this connection is what saves him in the end. Daniel even goes on a rescue mission to save this Unas when he gets captured in a later season. 
Then we have Reese. Oh, Reese. I liked her. She was an android responsible for creating the Replicators, a dangerous villain in later seasons of SG-1. Daniel spends time bonding with her, learning about her, and figuring out why she made the Replicators. She was lonely. She spent her life being told she was ‘made wrong’ and that she needed to be ‘fixed’. She was sad and emotionally uncontrolled. I’m about to be annoying about this but this is why Daniel bonds so well with her. She was lonely. She wanted friends. She wanted kinship. Daniel so desperately wants these things. He’s so lonely, has been since childhood. He sees himself in her. And when she dies he’s heartbroken. It’s the first time you hear him cuss at Jack, a line that will live in my head forever: You stupid son of a bitch. Now, Jack isn’t stupid. Daniel knows this. Daniel is angry. But Jack was just trying to protect him, doing the thing he does to show his love, and it was rejected. This moment stings. It stings because of the context. It stings because of when it happens. It stings because of what happens only a few episodes later. 
Daniel dies. Daniel dies because of his empathy and action. He dies protecting people. He dies. And it’s heartbreaking. Watching everyone say goodbye to him is one of the most tear-inducing moments so far. (I cried for… a long time.) Teal’c honors him in a way culturally significant to him with tears in his eyes. A man that is usually stoic and a strong silent type letting himself mourn a friend he’s grown to love. Sam cries and reminds him that she loves him and she wishes she could do more for him. He can’t even respond to her at that point but she sits with him and takes in what little time they have left. And Jack, well, he makes a joke. He tries to be serious about it but it’s too uncomfortably close to talking outright about his feelings so he makes some joke about how Daniel has been a pain in his ass for five years and despite all of that he has grown to admire the man that Daniel has become. It’s so painfully Jack O’Neill that it’s charming and gets Daniel to smile. (CAVEAT Daniel is not like… dead dead… I’ve been informed that he returns and my sadness over it is only temporary since the character will be back soon… and yet I still cried for over an hour over him.) 
The worst part is that there is a chance for him to be saved. But he stops them so he can ‘ascend’ and ‘do more’. And how does he stop them? Well, he talks to the one person he knows will respect his decision, the one person he knows will let him go, the one person he knows he can trust to have the responsibility to take care of it. Jack. He tells Jack to let him go, to make them stop, to let Daniel move on. And Jack, despondent and unhappy as he is to do it, does. It is horrible to watch. Daniel standing in front of Jack, crying, telling him he’ll miss everyone while Jack says ‘yeah. Me too.’ and lets Daniel go. Ugh. It kills me. He says at some point during the episode that his life is worth no more than anyone else’s. That he hasn’t done much. He’s not done enough to help. Oh boy. He’s so wrong. He’s so unbelievably wrong it hurts. He’s an idiot. Not enough? Daniel, sweetie, you’ve given your life to this. You’ve saved civilizations, saved earth, saved Skaara, what more do you need to know that you have done miraculous things? His low self esteem hurts me here. He doesn’t believe he’s done good, that he is good. How does a man who has given his life to this cause think so little of himself? Well, I think it stems back to his parents. 
Goodness. I believe his parents loved him more than the moon and all the stars. I believe they raised that boy with attention and affection and love and care and it is a damn shame that they died. It’s a damn shame they died at the same time. It’s bullshit that Daniel watched it. He watched both of his parents die when he was around 10-12 years old. He became an orphan in an instant. He went from two loving parents to the foster system in seconds. Now, he didn’t have to go to the system. He had a grandfather that could have adopted him but the man didn’t. He had a career more important than Daniel. I wouldn’t make the same choice if it were me. Hell, this little baby lost everything in a day and he needed someone. He needed love. He needed a home that was familiar. And instead of taking on the responsibility, instead of working through his anger and helping him cope you left him. My sympathies lie with Daniel here because I love him so deeply so I get angry when I think about little Daniel having a family member that could take him and instead being given up because of… what? A career? Some things are more important. (Sidenote that I am not condemning people for prioritizing themselves instead of having children… I am not ever going to have children and that is completely of my own free will and choice and wants and needs. What I am saying is that Daniel’s grandfather chose to leave him for the sake of himself and I think this rejection is where Daniel’s low self esteem comes from.)
His grandfather’s rejection is the start in a long line of rejections. Rejection from his peers, rejection from superiors, rejection from society. He finally finds somewhere he feels he belongs (Abydos) and that is gone too. In the blink of an eye. He thinks he isn’t good enough. And I think that blows. (Another side note that I think Daniel has at least ADHD if not also Autism and since I have both of those things I get really fiery about Daniel so… I’M BIASED OKAY.) He spends the rest of his life searching for connection, community, love. Hell, he even tries to infodump to Jack in episode one and faces yet another rejection of his skills and interests and I can’t help but feel like that hurts. Now, Jack does this song and dance often throughout the show with Daniel but it starts to feel more like they’re purposefully winding each other up and not like Jack is trying to hurt him. But… a different post for a different day. 
Now, I won’t lie. I am super drawn to characters like this. I had a huge crush on Milo from Atlantis as a kid and Daniel is very very close to that character in a lot of ways. The floppy hair, the glasses, the nerdiness, the excitable way he talks. So… I’m a little biased… but this character… this character rules. He’s sweet and kind and sometimes so petty it makes me laugh. He’s funny and charming and GOSH I JUST LOVE HIM OKAY. HE’S STUPID CUTE IT MAKES ME MAD. But. He has flaws. Flaws that make me like him even more but flaws nonetheless. He can be one track minded. He takes things into his own hands and puts himself in danger and puts his team in uncomfortable positions because of it. He lets his emotions get the better of him. He compartmentalizes by throwing his all into things like working and solving something. He’s a great man. But he’s confused and scared and has such low self-esteem it hurts. 
His flaws are on full display when he puts himself in immediate danger to stop Jack from destroying a ship that is about to wipe out a civilization that they helped get a new home for. Daniel has talked to this person, knows that he can prevent two civilizations from being destroyed, but Jack is focused on helping the one they’ve already connected with. Daniel disobeys Jack’s order. He puts himself in the path of an explosive in order to convince the other person to cease unintentionally destroying the planet in order to find another solution. While Daniel does succeed and it is the right thing he still puts Jack in a situation where he has to choose to sacrifice Daniel if he is to complete their mission and save a whole group of people. It isn’t fair. It hurts Jack, pisses him off, but Daniel isn’t putting that piece of it as his top priority. He’s putting saving two whole civilizations of history, art, and passion as his top priority. He doesn’t think past the consequences of what he’s doing. 
Another case like this is in season one, The Torment of Tantalus, where they find a device that contains information well beyond our wildest dreams. ‘Meaning of life stuff’ as he likes to say. He values this preservation of history and knowledge. Even more than his own life. His one track mindedness here almost gets him killed. Jack begs him to go, tries to force him, but Daniel refuses and again forces Jack to make the choice to leave him behind and get everyone else to safety. Now, Daniel does end up following and getting out of there but it does take him a little bit of time to come to the conclusion that he does have to leave. He can’t just give up his life to stay behind on a planet about to be destroyed by a storm. 
I want to touch on his pettiness for a moment because it is damn entertaining to watch him get… petulant for lack of a better word. I have never seen a man more willing to mouth off to high ranking government officials or question his bosses or down right taunt someone holding him captive. He will say some stupid joke in the driest tone I’ve ever heard and all I’m thinking is: yep this is the day he gets punched in the face. This is it. They’re going to do it. This man does not know when to shut up. My dear, sweet boy sometimes you have to SHUT UP!!! Self preservation, Daniel! Ever heard of it?!?! By far the best part of his pettiness is the looks him and Sam share when someone says something stupid. Some high ranking officer saying something stupid or derogatory? Sam and Daniel are sharing a ‘do you hear this guy?’ look. Someone being a bit too mouthy for their liking? They’re side-eyeing each other. They are true best friends. Having silent conversations with one another while everyone else in the room argues. I love their very first meeting. Sam geeking out over the dialing device while Daniel watches her like ‘who is this and why is she literally the most amazing person I’ve ever met’. Them interacting that whole first episode is just the most beautiful thing I’ve ever seen. They are best friends, your honor. I cherish them.
Daniel, above all, is the definition of what it means to have a found family. His was taken from him and he spends his life finding a family again. The great thing is that he does find it. He finds it and he holds on so tight. I’m still working through the seasons of Stargate but Daniel is an interesting and beautiful character. He’s traumatized and sad but he’s also wonderfully complex and still learning. 
If you haven’t watched Stargate consider this: the found family trope runs rampant here. There’s plenty of content to watch, plenty of relationships to explore, and plenty of things to be said about this show. Plus, you could write some damn good fic about it if you wanted to :)
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