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#so don't lose hope
ruershrimo · 4 months
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like it’s the old love. | part 1 FINALE: section a | "merry christmas"
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features albedo (literally just him this time lol)
warnings: like in every other chapter the reader is fem!reader, there's a little bit of swearing, lots of cringe, perhaps a bit of angst and this chapter is COMPLTELY TEXT (sorry!!), but it's mostly okay in terms of not having anything that bad (please lmk if there's anything that warrants any warnings, though!)
notes: merry (extremely late) christmas, everyone! I meant to finish this before christmas so I could time it all together, but between writing for the event, travelling overseas and my poor planning, I wasn't able to finish it in time. I'm so sorry if it feels rushed! (this was also probably the chapter that I struggled with the most-- you'll understand once you read it, haha.)
summary: you finally want for things so passionately that you'd run for them instead of holding yourself in place again, and he's what you're running for. now you know for sure that you won't let go.
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For the next few days everyone eagerly prepares for Christmas. Every few days Alice takes chunks of time out of her schedule to shop for gifts with Klee, while you and Albedo stay in spending time with each other, watching movies, doing housework or adding more decorations around the house, or spend time outside instead, eating at restaurants or cafes. 
“Do you think there’s anything else we should add?” you ask him with your hands in your pockets, the two of you standing before the front gate. Compared to the densely packed apartments or bleak streets back at home, their house is an idyllic thing, like something from a Christmas movie. Like always there’s snow piling up on the sidewalk and the porch— which was an extremely rare occurrence back at home— and all the other houses on the block are caked with snow like frosting on a cake. The sun has begun to set, and the lines of lights on every picket fence and every door brighten up the street like glowing fairies. You anticipate the glow of the stars from behind the chimney overlooking the roof and the porch, clusters of falling snowflakes flanking each side. 
“Not really,” he replies, “This is alright.” 
“I think we did a pretty good job,” you say, hands rested on your waist in a mix of satisfaction and jadedness, “I don’t think we’ve ever really done everything on our own, so I thought it wouldn’t go as well as other Christmases, but I think I’ll just say that this’ll be one of the best Christmases ever. —Okay, I know that sounded over-confident, but— it’s not over-confidence or anything, it’s a fact!” 
He’s staring at you with mirth in his eyes, and there’s nothing you can do but do the same to him, like there’s forces pulling you together and it’s so simple, you wonder why you hadn’t realised you weren’t in love with him before. 
You really want to be selfish— you’d already done it before, roping him into this arrangement. To demand more time from him, more loving gentleness and tender care in each gaze and hand. But how could you? Even if he loves you too, would he ever say it? If he knew would he ever tell you, and if he’d known why hadn’t he? Was he scared like you? Had you made him wait? 
Could you really risk telling him that, aloud, if it could ruin things like it did before? 
On Christmas Eve, he takes you out for a walk on the beach. 
It sounds a little silly, really. In the past it would just be a simple hangout, but now that you were together, it was a date he could take you for. 
The change was so simple, and although nothing really changed on a superficial level— not the jokes, or the conversations, or the giggles or the calm unchangingness of his tone— things still felt different, somehow. (Or maybe it was just you.) You were a couple, now. It was silly that you were still trying to wrap your head around it, even if you were the one who suggested it: the two of you went on dates sometimes yet still continued on with rituals like hot chocolate and winter beach walks that you had before, so now everything's at once different and the same. 
It was confusing, to say the least. As if you were crossing a tiny little bridge from Point A to B, but you weren’t quite there yet, and you were still considering if you should go back to Point A or whether Point B truly was supposed to be the destination for the both of you. 
“Merry Christmas,” you cheer as he stops the car, “Woo!” 
He opens the car door for you. What a gentleman, really— so you’d really been this lucky knowing someone like this for so long, and not realising you’d fallen in love with him? 
Or were you just too scared to? If so, what changed?
“Merry Christmas,” he chuckles. 
The two of you walk side by side as the wind blows through our hair again. You can feel the chill of winter again, tickling your ears and every time you try to face the cold again you’re only hit full-force by its numbingness, sliding your face back into the collar of your fully zipped jacket for a sliver of warmth. When you take your hands out of your pockets for a while, you feel like you’re soaking them in iced water. 
Your hands bump against each other apprehensively with touches so faint you can barely feel them on your numbed skin, but you can tell that, though it may just be an illusion due to humans’ innate body heat and how cold everything feels, his hands feel warm, and it’s as if they get warmer with every light graze against your hand that there is. You’re not looking— if you did, your chest would constrict ever so slightly, yet in the most comfortable way possible. If you had a tail like a dog’s, looking at the proximity of both of your hands would cause it to wag uncontrollably. 
It’s not like how it felt before with everyone else, when you’d constantly be red-faced and you could sense your emotions slipping so painfully yet so easily out of your control like sand from the gaps between your fingers. Being with Albedo isn’t masochistically thrilling like that— it’s comfortable, even if a part of you feels as if you could fall from the gap between Point A and Point B at any moment. Because although it seems scary, there’s something like a harness that secures you in the end and tells you that you’ll be fine, even though you know there’s a high chance you won’t be; even though you know that some few eight letters and your own insecurity can be enough to end things and send you plummeting down into an unforgiving torrent of snow as seventeen or so years of friendship and closeness can only crumble. So as scary as it feels, a part of you wants to hold on to that harness— hold on to him— and survive. 
Then like puzzle pieces your right slips into his, and he doesn’t let go. 
His hand is warm, so unbelievably warm. 
This is the happiest you’ve felt in your entire life. The past few days of your life have been the happiest you’ve ever been no matter how bleak you know things will be once you’ll be back at home in Liyue. 
This is the simplest (though maybe the edgiest as well) way you could put it: every year you’d live feeling like you were a shell of a person watching another’s life through the screen, putting on masks and switching them for others with every door you closed and every day that passed, no matter how many people you’d known from school: if you feared being hurt by envy or your own love for them, they would never come close, or at least not close enough. The only end to it was winter and your holidays spent with Albedo, Alice and Klee. Whenever you stepped into their house, despite how cold everything would feel, you’d feel invigorated, like you were living your own life again. 
“So why the sudden date?” you question, your face warm and the sand devoid of anything besides seashells and prints of the two of your shoes’ soles, “This is probably our first official one.” 
“Actually, I wanted to talk to you about something.” 
About something good? Or something bad? 
You hope it’s something good. You don’t want this moment to end. 
“...what is it?” 
“I…” he pauses. So he’s nervous, which means it’s either something terribly good or terribly bad. “I wanted to ask if this could be permanent. …or if we could solidify things, I suppose. I mean that we could try to be a couple, an actual couple— like one that isn’t bound by a one-year arrangement. But then again, it’s hard to define this when there was never that much of a difference to how actual couples are like, anyway. 
“I think it’s just that…” he says, voice uncharacteristically abashed, and it takes every bit of strength and control in yourself to dart your eyes to the ground in avoidance, “I think I’ve loved you for quite a while and realised that I should finally say it.” 
At that moment it’s like your heart stops, almost flatlining. And now you’re scared and you don’t know what to do, you want to think but you want to answer, you’re going to regret what you say next but you’ll say it regardless even though you know what you need to say isn’t want you will say, oh god— 
You suppose it’s in your inborn nature to ruin everything, because as he continues to stare intently at you, you open your mouth and say words that were already filled with regret long before they were uttered. 
“… I don’t think I can do that.” 
“…you don’t? I… I understand, I’m sorry. But…—but please just think again, [name], I’ve always wanted to say this. 
“I think I’m going to go back in the car for a while.” 
Damnit. You ruined it. You ruined it all. 
Thank god there wasn’t anyone else there, because you don’t think you’ll be able to handle this without the absolute lack of any other’s presence. 
He heads back to the car on the same path that the two of you came from, and as you watch his quick footsteps and how unrelentingly fast his back— the only thing that’s facing you— fades into a smaller and smaller silhouette, you feel like all you can do is stand there and cry and watch him leave like everyone else. 
Like there’s a phantom force holding you by the legs, never letting you walk, never letting you change this for once. 
In all your years alive, you’d fallen in love with countless people, had your heart broken countless times without them realising, never wanting to take a single step for others because you were scared. Because you didn’t think you could do anything at all. And you hated it. You hated those feelings, hated how you tried all you could only for your efforts to go unnoticed in the faces of people who only truly recognised the best. 
But not now, not again, not when this is the happiest you’ve ever felt; when this makes years of unrequited feelings from others and school years spent with that inexplicable, unmoving loneliness that never left even when you’d befriended those people all worth it. Even if you were blessed with a good background, with a brother who cared despite not understanding you, with parents who were busy but only so that you and your brother could have good futures, this felt like one of the only things that really did make you happy. This felt like a blessing you’d claimed yourself; one that you had to chase after, and maybe that was what made it all worth it. 
So you run after him, leaving sole marks on the sand again, telling your legs to move no matter how much you wanted to fall back, head giddy with all sorts of emotions that screamed for you to just sprint after the one good thing you wanted to keep as the strands of your hair flailed about and you felt the wind howl viciously at you, at your face, everything. 
You know you’re a coward. You know you have a life that sucks. You know you’re too scared of changing it. But you’ll stop; you hope to whatever god who exists that they’ll let you keep this. You hope to yourself that you can have this because now you know even if you’re a coward you’d fight tooth and nail to have it always, to have someone love you the way he does. 
When you’re there his tone has changed, slightly less controlled, slightly more helpless and your heart twinges in so much pain when you hear it: 
“I’ve loved you for so long, but you run away from everything you’re scared of,” he says, and the sadness tugging on his tone is almost tangible, but it’s full of conviction and you’re not sure what makes it hurt more: you being forced to hear the truth you denied and refused to believe from the one person you expected not to hear it from, or you being fine with it if he’s the one telling you this? 
“You run away from not being the best, you run away from things that you want because you’re scared of failure and rejection and change. 
“Please, [name]— rejection and failure aren’t as horrible as they sound. You think of the life you have after all of this as death, and you don’t question whether you can have a future you enjoy or not because you’ve hammered into your own head that your only two options are trying things which can only lead to inevitable failure, or sticking to what you think you have to do to survive, no matter how much you hate it you’d rather stick to it out of your own fear.” 
His words hurt and feel comforting at the same time, inundating your senses to no end like sweltering hot chocolate burning your throat and tongue, or like an embrace that chokes you and only makes you want to dissipate into it and cry. You barely even notice your quivering lips and the tears running down your cheeks the same way rain falls when the sky opens up and weeps uninhibitedly. It feels like the pot that’s had water in it for about all of your life has boiled over and overflowed. 
“Please, just say something. I don’t know if I was wrong, but if I were then maybe I never knew you at all, and I’m sorry if that’s the case.” 
You shake your head and scramble for words only to find none for you to say. 
“Please just be selfish. Please, for once, stick to the things you want. Please just hold onto things no matter how scared of them you are.” 
You squint your eyes in pain and even more tears flow down to your chin. 
“...please, do it out of love.” 
Then you snatch your hand away from his and jump to him, your arms wrapped desperately around his head. Even they don’t want him to go while every part of you is pressed flush against him without a second thought and ignoring how there’ll be an ache in your upper arms if you’re ever pulled apart after comes as easy to you as breathing. 
“…no— I’m sorry, Albedo, I’m so so sorry! You’re right, you’re fucking right, I’m just a coward, I—” you ramble, the words pouring out of you like gushing water without a single moment of respite for you to catch your breath— “I wasted all of your time, I played with your feelings even though I knew how you felt but I was selfish all along for that because I never wanted to ask if we could be anything more, I was just— I was too scared of it all so I took advantage of you like that, but—!” 
He holds the back of your head and pulls you nearer to him as if you weren’t ever near enough. 
“Every year, Albedo, every year when I stayed here because I had no one else to spend time with, it was with you! And every year, god, every year, I cried to you and wasted your kindness as I only kept crying about my own problems and never helped take care of yours, I just kept viewing each year as one hell after another, I—” 
In your slight haze you notice how he’s crying, too, ever so quietly, you can barely hear it as his low cries reach your ears. 
“—I love you, Albedo, I love you so much. Sometimes it hurts so much and that makes me scared. And my life sucks so much but even trying to change it makes me scared. So I’m useless, just useless and selfish, I—” you gasp for air. 
“—so be selfish, why don’t you? Don’t worry about me, don’t worry about being a burden,” he almost shouts, then gets softer again, “Because you are, at times. But you’ll never be some stain on my life like the way you view yourself as. I’ll listen to you cry each time— don’t care about me like that, put yourself before me, please,” he pleads, “It’s better for the both of us if you put yourself before me. And try to be “useless” in that sense for once since you never were in the first place, why don’t you—” he says between tears and shaky inhales, “Be selfish and feel what you want to feel, feel what you have to feel. If you need to, use me as what you can lay your back on after everything. It’s horrible but I’ll do it regardless, so just let me help, please, I don’t want to watch you continue to hate yourself and your life like this!” 
And then you cry and cry and cry for what seems like an eternity, as if years and years of feeling like you aren’t living your life, of feeling useless and unnoticed to the people around you, just spill out so simply and turbulently. He just continues crying, crying for you despite how lonely he must feel from his own experiences, from a mother who never cared much for him unless when he was impressive or could keep up with her in all things related to the sciences she loved more than her own son; from the impossibility of him ever being able to be on the same playing field as him in terms of intelligence and curious thinking in the same way the mother who left him did. 
You don’t know how you’d never thought of it before, that small child the same size as you being sent to live with his aunt his whole life when his mother who could have taken care of him merely chose not to due to her work. But then the two of you weren’t so different, no? Yet he was so different, so wonderfully different, an inspiration to you that you envied yet placed on a pedestal more and more through the years. Did it ever make him feel lonely, then? Did he feel as happy as you did for the past few days you were together, partly because both of you rarely mentioned how he was “perfect” and how you weren’t? Did he ever look at you and wonder if he could be like you, the same way you wanted so much to be amazing like he was, did he ever look at you with envy? 
How could he ever envy you, though? He was so good, so blindingly, painfully good. A good son, a good friend, a good person. 
…why are you so good, Albedo? You choke out through tears after a while, “Why do you have to be so good to me? Why, why? Why do you do this to yourself?” 
“I don’t even know,” he replies, softly, his mouth buried into your hair as if he’s using your head to muffle himself, “I’ve been doing it for years and I want to do it forever. I don’t know anyone who can know you like I do and not want to do the same.” 
“I’m so sorry. I love you so much. I’m so, so sorry. I’ll try to be selfish from now on. I’ll try to learn to want to have things for myself again.” Just let me have this. 
You hold him tight and cry into his shoulder. 
Everything’s quiet. The grey exterior of his car seems so serene when illuminated by the stars that twinkle despite the tarry, black colour of the sky, and so is he, his moonlit blonde hair in your peripheral vision, the relaxing slothfulness of his breaths, the droopiness of your eyelids as you rest your chin on his shoulder. Everything’s calm. 
Yeah. You’ll be alright, you think. You’ll be able to have this, to keep this. 
You’ll be just fine if he holds your hand through it. And then maybe you can hold his, too. 
“I’m happy,” you whisper on the drive back. It just felt natural to head back home after, anyway. And maybe sleep in the car once it was parked in the driveway instead of coming back inside. Then maybe tomorrow you could go on for real this time, watching movies and making hot chocolate and having conversations at the foot of his bed, and at that moment you think that’ll be all you need to be content for your whole life. 
“Hm?” His head turns to you for a moment before turning back to face the wheel. 
“I’m happy I have this,” you say, “Even if my eyes are going to be swollen on Christmas Day.” 
One of the numbers on his satnav’s digital clock changed. 12:00, it read. 
“At least you’re not alone in that aspect,” he smiles, and you lean your head against his so that it’s touching him ever so slightly. “Merry Christmas, [name].” 
“Merry Christmas,” you say back, “I love you.” You really, really do, and you’ll say it every chance you get to do so now as compensation for all the times you hadn’t said it before. 
“I love you too.” 
You close your eyes and sleep. 
(When he returns to that sleeping neighbourhood, he turns off the engine, but doesn’t leave the car. The next morning, when the sun’s rising and you open your eyes to lines of houses adorned with reds and greens, you hold his hand and snap a picture of his sleeping figure again. You hope he won’t mind when he wakes up.)
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end notes: and that's the start of part 1's wrap-up! the next chapter will probably be mostly fluff that'll take place during new years, and that one will probably be really short, too. I hope that that way, we can end this series and this year on a high note! part 2 of litol will be coming out in the first half of next year :).
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taglist: @sn1perz , @n3r0-1417, @kika-a, @chalksdreams
(please send in an ask if you’d like to be in the taglist <3!!)
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ruporas · 2 days
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your love returns in tragedy (ID in alt)
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knifearo · 5 months
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being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one
#aromantic people are just sexy i'm not making the decisions here it's just facts#course ur hot as fuck. it came free with the aromanticism#being sexy is just default settings for aromantic people 👍#hope this all helps. anyway i'm on my 'i hope i die alone <3 i can't wait to die alone <3' kick rn#i think the existential fear that people have of Not Partnering specifically is so. well.#obviously that shit is strong and it is SO awesome to be free of it.#realizing you're aro and you don't Want a partner can be such a hit to the solar plexus#cause society says that's the only thing that'll make you happy. so either you go without that thing or you force yourself#into doing something you don't want which would make you unhappy anyway.#so you think it's a lose lose situation and you have to come to terms with what amatonormativity presents as the worst possible situation#but then! whoa! turns out personhood is inherently valuable in and of itself and romantic partnering is just a construct!#and that nightmare is now your life to do with as you please... define as you will... structure as you want...#best case scenario. is what i'm saying.#every day i wake up ready to spit all that amatonormative rhetoric back in life's teeth by being alone and being happy#and it's so fucking satisfying. every day.#fucking JUBILANT being by myself. and i love being a living breathing 'fuck you' to the romantic system#you need a partner to be happy? oh that's sooo fucking crazy guess i'll go be miserable then. in my perfect fucking dream life lmao#yeah obviously it's the worst possible outcome on earth to die without a partner. so terrible. can't wait for it :)#aromantic#aromanticism#aro positivity#aroace#arospec#sorry to bitches who are sad about not having a partner. i could not give a fuck though get better soon#you couldn't EVER pay me enough to go back to a mindset in which my inherent value wasn't enough by myself.#FUCK that shit. absolutely miserable and a bad life outlook in general. like genuinely do the work w/ amatonormativity and get better#life is something that can be so fulfilling whether someone wants to kiss you or whatever or not#i'm on antidepressants and i have people i care deeply about. what the fuck would i need a partner for lmao
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stil-lindigo · 1 year
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the parade.
a short comic about when love dies slow.
support me on patreon
Things you may have missed:
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scrunkly-cherry · 7 months
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LETS GO BONEHEADS
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rauzagel · 6 months
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I love how both Hope and Haarlep immediately identify us as Raphaels "little mouse". That's just what Raphael calls us. They know exactly who we are, which isn't really surprising since we're the final piece in his plan to get the crown, something he has planned for centuries. He probably can't shut up about it. I like to imagine Raphael pacing through the hallways telling all his debtors and anyone who can't run away fast enough about our adventures and what we're up to, basically bragging about his favourite racehorse that he put all his money on in this game he created. (bets with Korilla are canon, and he puts his money on us). Or maybe it's like a daily movie night thing. Raphael forces the entire House of Hope to gather in the portal chamber to watch our adventures through one of those portal mirrors, which he uses to stalk his prey according to Hope. Can you imagine how insufferable he must be if he gets the player to sign the contract?
Haarlep might know all about us anyway since his entire purpose in the House of Hope consists of spying for Mephistopheles, and preventing Raph from scheming to get the crown of Karsus by distracting him. It's all job relevant information and since so much depends on us, and the crown used to belong to Mephistopheles, it's likely not just Raph who has taken an interested in us. Haarlep probably passes all of Raphaels intel on right away. Meeting us must be quite exciting for him. Raphael has been watching and following this one person for such a long time and then one day they just walk into Raphs bedchamber. So many possibilites, but he also knows you're an actual threat, so he proposes the game to take you out. By killing Tav, he can stick it to Raphael by messing up his plans AND steal your soul from right under his nose, which is probably the ultimate insult in devil culture. Maybe he makes good on his threats and offers Raphael your soulless body as a plaything to put more salt into the wound, gifting him the shell of the asset he was cultivating for so long. If you're strong enough to resist, Haarlep won't risk attacking you and helps you instead. If nothing else, you're at least a chance of putting an end to this tedious spy mission by taking out Raphael and you might even save the world on top of it, which would also be in his interest. If he even believes that you can take on Raphael.
So he basically has the chance to kill two birds with one stone. He harbors contempt for Raphael so spiting him would be gratifying enough, but on top of it he's also just carrying out the orders of Mephistopheles, his real master.
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radiantaerynsvn · 1 month
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johnaeryn: to build a home
happy 25th anniversary to farscape and to these two
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narsh-poptarts · 12 days
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Do people like wips? idk, i like my wips. have some wips <3
they're all for class but it's an excuse to work on my oc stories <333
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deatmat · 1 year
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They break my heart every time.
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zeldaelmo · 8 months
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Ok, I already reblogged a post and said this but I know the zelink shippers would appreciate an own post about this, so here we go.
This is the German localization of Tears of the Kingdom. It's the last dragon tear, the moment just before Zelda's dragonification.
In English she says just before she gives up herself for (as far as she knows) forever,
"You must..."
In German, she says,
"Für dich..." which means "For you..."
A very, very different meaning and vibe, don't you agree? And the German voice actor, Julia Casper, manages to captivate such a bandwidth of emotions in two words that it still gives me chills. 👌🏻
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ruporas · 1 year
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asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
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[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#it took me so long to post this even after getting clarification about the maturity warning and stuff#bc i am so shy about it. SDGMKDSGMKSD I LIKE THIS COMIC BUT IM ALSO SO LIKE... AUGHHHH....#when i posted this on twitter though it was like... a few days after ep 11? ive always had the thought circling about vash deserving of#asking for things... and getting what he wants bc he never gets both. doesn't get the opportunity to ask and hardly does he get what he want#maybe the results can go in his favor but at some point along the way he'll still lose something bc nothing can ever go perfectly for him...#and he's usually the one begging and pleading with people to not. do something. it's not even asking at that point it's just straight up#please believe me. please trust me. please don't shoot that person. please don't kill anyone. please don't do it.#and wolfwood.... it was not always this lovey dovey ok. he wouldv noticed this habit miles away and they got into a fight about it the first#time they talked about it bc wolfwood is being hypocritical too. as he always is!!!! but i think as they get more intimate#wolfwood finds ways to make vash understand. smth smth insatiable want and love and desire for wolfwood that makes it much easier to ask.#wolfwood can also just be so compliant. sometimes. which is also an issue in of itself that id love to explore at some point#but he also just enjoys giving into vash fully and completely.#bc he loves him a lot. but anyway#i hope the id is comprehendible.... please lmk if there's something wrong with how im doing it asfdgkdsmgs#ruporas art
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somegrumpynerd · 7 months
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More doodles of the new chapter of How Nightmare Became Dadmare by @topazshadowwolf please go read it
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fromtheseventhhell · 18 days
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"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️
#arya stark#sansa stark#house stark#asoiaf#also if it's so normal for siblings to fight then why are you guys losing your minds over us theorizing they won't get along??#the amount of condescending /that's just how siblings act/ takes I see 🙄#sorry I guess? that we read the book and don't just delete parts of the story because we find it convenient?#it's not even like takes about them being enemies is widespread the most I see is that they aren't instantly bffs when they reunite 😭#some people theorize they'll never be close but guess what? that's a completely fair and valid assumption based on their relationship!#personally I think they'll have a sweet reunion before the issues they have inevitably surface again because while they've been through#a lot they haven't fundamentally changed as people or the values they hold#and I think that's going to be very interesting to read about!#I can't figure out why people always take the most boring bland route for how things will play out#mostly because people seem to be unable to swallow the concept that Sansa is a flawed character who isn't perfectly sweet all the time#and the fact that their conflict is instigated by Sansa's classism#which is funny cause in the grand scheme of things her being mean to Arya is such a mild thing that opens the door to a ton of growth#never seen anybody but stansas equating her being a bully to her sister to her being evil/a villain#all we do is point out that it exists in the story...people in this fandom have no concept of nuance I stg 😭#anyways they're both complex characters and their conflict is interesting and I hope we get to see how it plays out#cause it's definitely going to be better then that trash d&d came up with 🙏🏾
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anneapocalypse · 11 months
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"Write for yourself" and "Comments are good" are not mutually exclusive ideas.
"Comments are good" is true! They are good! We like them! It's nice to leave them and it's nice to read them.
"Write for yourself" is how you get through the draft knowing that feedback is not (and it never is) guaranteed.
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missmungoe · 8 months
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“You’re such a pretty man,” Makino sighed, touching her fingertips to his cheek, before rubbing his beard with her thumb. “Your wife is very lucky. Oh—hey.” Her whole expression brightened, her smile entirely cheeky. “That’s me.”
Shanks grinned, delighted. “You are absolutely hammered, aren’t you?”
“Hmm, I think I’m about to be.” She frowned. “Wait—was that not a euphemism?”
My masked Zorro, the unbelievably generous and tantalisingly mysterious Cover Anon, sweeps in once more with another gorgeous cover from Shanties, this time for Penelope (aka, the wedding fic, my beloved), by the incredible @sacred_pirate on twitter.
I...don't know how it's possible to capture the way a fic exists in my mind so perfectly it's like the artist reached into my soul, and yet that's what this feels like. This is one of the most beautiful artworks I've ever seen, and I can't believe it's from my fic, and this fic.
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statementlou · 5 months
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So I see folks pointing out that Louis' circle A tattoo is more likely an aesthetic choice than an announcement of a political commitment to anarchism, and saying basically that that maybe makes him a bit of a poser and I mean- I GUESS. But I don't like to look at things that way and I don't think it's useful. As I see it the subversive sexiness of the symbols of resistance have ALWAYS been gateways for people who are drawn to the struggle in vague ways and that's GOOD. Aligning yourself with those values is good no matter the reason, in my book, especially given the wretched options available out there, but also the journey doesn't necessarily stop there. Gatekeeping queerness victimizes people who are just trying things out and starting to discover that it may run deeper than just trying on a new look who should instead be welcomed and helped along their path, and I fail to see how gatekeeping political affiliations is any different (plus how counterproductive to actual movement building is that?)
ANYWAY. What I really want to say about Louis is that while I KNOW that Louis is probably not secretly a theory reading anti-state communalist anarchist, I think that actually Louis' optimism and idealism (and his unwavering commitment to allying himself with the working class and embracing those roots) are a perfect fit for the philosophy and always have been. I know that anarchism is mostly understood as being about throwing molotov cocktails and fighting the state (and the allure of its symbols are that they signify this, a terrific aesthetic for him to choose to sign on with in my book), but that's honestly largely cartoonish stereotyping that comes directly from anti-anarchist state propaganda. That resistance is necessary in this hellscape of oppression we live in and is super important, but in its heart anarchism is only about the state in that the state and capitalism currently stands in the way of its goals. The whole point of anarchism is that it's NOT about the state! It's about being able to imagine something better than a state, it's about how we live and about how we SHOULD live, it's about HOPE and picturing something utopian and something free of the ways capitalism pits us against one another! What could be more Louis than that?
"I need you and you need me and I love that" is as beautiful a way of talking about the cornerstone of anarchism that is mutual aid as any long winded essay I've read (even if what he meant was contextually different), and I think when he talks again and again about how special the space fans have made around him is he is expressing an intuitive understanding of the importance of autonomous zones, places and moments outside of the shitty life imposed on us by the system (also a huge part of anarchist thought). Maybe I'm just being an optimist but I think that Louis DOES understand that caring for people and wanting self-determination and freedom for all and allying himself with the working class involves a certain amount of resistance to and positioning yourself in opposition to the state. Thinking the symbols of smashing that state are cool isn't meaningless; it's a CHOICE. There are other cool symbols out there and I just happen to think that feeling a resonance with certain ones is something in and of itself, even if at this moment he does not choose to start a fight with the media about it all.
#long version of this part maybe later… (orrr maybe here and now oops lol):#I believe we are all born natural anarchists with a desire to live in mutually supportive ways and in freedom#it only gets beaten out of people by the trauma of the system and being forced to struggle to survive#Louis shares with many privileged people a certain immaturity of not understanding those struggles#but I think that 'immaturity' can include- in smart and good people- not having lost sight of that utopianism#because they are able to conceptualize it because they live the way we all should be able to#free of so many of the survival struggles#(I think that in some areas maturity is code for 'beaten down to a good capitalist')#anyway and that's why autonomous zones are important:#because you HAVE to have the experience of freedom sometimes to be able to move towards it#you have to experience wins to be able to keep fighting#it's the candy crush theory of organizing lol like: people will simply give up and lose hope if everything is struggle and despair#and nothing is hope and success#you don't have to win the whole fight to get glimpses but you have to have moments#anyway a song I love that is about that is Saturday Night by the Coup it's a BOP go check her out she feels like winning#boots is a commie but that's okay he Gets It :P#anyway#anarchism#blah blah blah#I love being a louis apologist I should add that to my header what can I say: I love him#also look how many WORDS I can churn out when there's no show😂gotta fil the time somehow#send me questions I beg you we've got a long couple months ahead#comrade louis
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