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#soft launching my oc
liebgottsjumpwings · 3 months
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"I'm not one to ever pray for mercy, or to wish on pennies, in the fountain or the shrine. But that day, you know, I left my money. And I thought of you only, all that copper glowing fine. And I wonder what became of you."
RHONA "RO" IRVINE | MASTERS OF THE AIR
Born under the gloomy light of the working lighthouse of Rosehearty, Scotland, Rhona Irvine is a hard headed and intensely dedicated navigator in the 100th Bombardment Group. Having moved to Oregon, United States at age nine, not long after her mother’s death, followed by Rhona’s first experience with ongoing mental health issues. Being seen as an outsider by her new American classmates, struggling with her own mental health and having no outlet, Rhona learned to keep a hard exterior. These struggles caused her to drop out of school several times, never fully finishing her education. Instead, Rhona focused on the Girl Scouts, finding refuge in being in the wilderness and learning how to live off the land.
It was the knowledge and skills she gained in the Girl Scouts that eventually made her find herself among planes, hangars and maps in the army of the United States. She wasn’t even sure on how she got accepted. To her father, upon asking Rhona on why the hell she would even apply, she had answered, with a half-formed smile, “I guess I like maps”.
Now, sitting against the bricked wall of her sleeping quarters in Thorpe Abbots, England, Rhona wondered if the penny she’d left, 13 years ago, at the well in her garden back in Rosehearty, was finally going to grant her that luck.
BIOGRAPHICAL INFORMATION
Name: Rhona Carol Darlene Irvine
Age: 22 (as of May 1943)
Date of birth: January 28, 1921 at 20:36
Place of birth: Rosehearty, Aberdeenshire, Scotland, United Kingdom
Hometown: Newport, Lincoln County, Oregon, United States of America
Occupation:  United States Army Air Force navigator
Affiliation: Eight Air Force; 100th Bombardment Group
PLAYLIST ONE | PLAYLIST TWO | PINTEREST
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spaghetti-aldente · 1 month
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Cricket, dragonslayer, wandering mech-knight
I did this for a zine my buddies @rat-on-string and @nighttimetapestry organized! Thank you again for the opportunity, I had a blast making this piece.
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crypticdesire · 20 days
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cw: suggestive, possessive behavior, mention of blood
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yandere!vampire who spends his immortal life as an artist, but has never encountered a muse as beautiful as you. It’s not just your appearance that draws him in but the ethereal essence that radiates from you, spilling out through your animated expressions, soft gaze, and carefree laughter they listen for even when you’re out of sight. you walk in dark alleys with the gentle demeanor of someone who has not encountered the beasts that lie in wait in the shadows of mankind’s smile. beasts with sharper teeth than he could ever have. the urge to preserve that essence is overwhelming, fingers twitching at their side. beauty is fleeting and he has to ensure that yours stays intact to create the art someone like you deserves.
yandere!vampire who longs to see the sun illuminate your features but has to settle for the moonlight softly veiling your sleeping face. he carefully sketches the lines of the blanket that is draped over your form, hand quivering in excitement when you shift to a position that reveals your bare neck. they don’t know what they crave more. to mix colors to perfectly depict your wide, innocent eyes or to depict the specific crimson shade of your blood, which he fantasizes about trickling down your neck. neither are available to him now, and with each passing second there is a greater pulsing sensation coming from somewhere within him that desires to see more of you. to see all of you. 
yandere!vampire who feels time slipping through their fingers for the first time. what are they to do if your beauty becomes tainted, altering the delicate essence he is still trying to capture through paintings. he can’t risk losing you as a perfect muse. they convince themselves the only option is to hide you from the world. they must preserve your being in order to have the time needed to perfectly immortalize you through their art. one might suggest that he makes your being immortal himself, but they couldn’t bear to siphon the warm light from your features. he’ll just have to keep you somewhere safe. some place where the only creature that could reach you would be himself.
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“ you have to stay here with me, my darling muse. i’m afraid even a thousand paintings wouldn’t be enough to capture all your beauty “
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tanoraqui · 23 days
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Eldamar!Buzzfeed’s Top 5 Maglor Fëanorion Songs
9/26/422 Fo.A
[read on AO3]
The votes are in and the people have spoken! Thanks to our poll last week, Elf!Buzzfeed is excited to present our and your Top 5 Maglor Fëanorion compositions, with commentary from experts—including the infamous Singer himself!
5. First Age Northern Beleriandrin Songs of Warding and Warning
After the sheer number and variety of write-ins, we decided to credit Maglor with the whole genre of Songs of Warding and Warning of Siege-Era Northern Beleriand. Top write-ins included “Campfire Warding Song”, “Wind in the Grass” and “Song of the Gap.”
Expert Opinions:
Eglatarwen Lindambar, a Court Minstrel of Üdoriath: This is an insult to Queen Melian. The Noldor did naught but modify and build upon pre-existing Songs, and all or nearly all the popular Songs of Warding in Beleriand were taught or inspired by Melian, even before she created the Great Girdle. I will concede their effectiveness—against most things pettier than dragons, at least—but to credit him with the genre? So much for journalistic neutrality.
Timpenindë Cuilemë, preeminent bard among the Noldor: Oh, I don’t know if I’m qualified for this one—I was only in Beleriand for a few decades for the War. But I did recognize Maglor’s work when I found it, and we found it in quite a few places. I think he deserves more credit for the endurance of Himring, actually—I saw that immediately. It may be Maedhros’s will sunk deep into those stones, so deep that neither Morgoth not Ulmo could wear them down. But it’s Maglor’s classic Songs, all love and faith and bloody-minded stubbornness, that served as the final mortar.
Maglor: I’m flattered, but I really don’t think I should be taking credit for this. I did compose my first warding-Song entirely organically, to keep annoying younger brothers out of my bedroom. But everything— almost everything in the First Age was collaborative. “Campfire Warding Song” is ancient—I learned it in my youth from my father, who learned it from his, who Sang it in Cuivienen and during the Great Journey. All I did was modify it to be more attuned to the enemies we faced later, as orcs and such were new and rare for our forefathers. “Song of the Gap” is a call-and-response with constant improvisation—I did compose the basic melody and rhythm, but it varies every time it’s Sung! Likewise “Wind in the Grass”, “Lullaby for Foes”, “Tread Thee Not (or Suffer our Wrath Resplendent)”…I’m not saying we didn’t compose some good Music, but it was all very collaborative!
4. Noldolantë (Full)
The complete story of the Fall of the Noldor: the prologue of Finwë’s first visit to Aman, then the tragedy of Miriel, the division of the Noldor and the slaughter of Finwë, the Oath, the First Kinslaying, the Burning of the Ships, the Siege, the Breaking of the Siege, the Nirnaeth Arnoediad, the Falls of Gondolin and Nargothrond, the Second Kinslaying, the Third Kinslaying, the War of Wrath and final theft of the Silmarils, the suicide of Maedhros and the lone Singer himself wandering remorseful forevermore; with a postscript for the forging of the One Ring, the deaths of Celebrimbor and Gil-Galad, and the Fall of Númenor. It isn’t pure grief—there are bright spots in the Rescue of Maedhros, the Tale of Beren and Lúthien (borrowing melodically and lyrically from the Lay of Leithien), the rise of Gil-Estel. However, its wide range of tragedies is famously able to reduce even the stoniest heart to tears at least once.
Composed in pieces mostly over the course of the First Age, and refined into a single piece over the course of the Second and Third Ages, as the singer wandered alone and repentant on the shores of mortal Arda. Takes six and a half days to sing all the way through, unstopping.
Expert Opinions:
Timpenindë: This is not Maglor’s best work. I don’t even think it’s his fourth-best work, honestly. It is impressive that he maintains the intensity of emotion throughout—deftly waxing and waning, but mostly waxing—and maybe only Maglor could do that for six and a half straight days! But even if it's strong throughout, the whole 'throughout' is just...too much. Even a powerful Singer has to half-kill themselves to perform this, and it's not much more gentle on the audience. Admittedly, I'm not sure what he could possibly cut, but... It is what it is, but it's just not his best work. Also, the lyrics could use work—more poetry in a couple places, less in others, and I know the faltering meter and rhyme represents his descent into madness but... Well, it suffers from the fact that he was genuinely descending into madness.
Finrod Felagund, High Prince of the Noldor, etc etc: I think this might be ranking so high based on name recognition, honestly. I usually start crying within the first hour, and don't stop... But laced through all my grief for...everything...is the question: if Maglor could produce this sustained tidal wave of craft and raw emotion while wandering lost for 6,000 years, what could he have done if he'd been found instead? It makes me dream wistfully of what greater, kinder marvels he could have wrought... Which only ties into the themes of the song, of course—what could the Noldor have been, if we hadn't gone down the roads we did? What could Arda have been? So, all the more credit to the composer for so thoroughly manifesting this masterpiece!
Maglor: I believe this piece speaks for itself, and for myself.
3. Noldolantë (Original/Standard)
Written in the style of a traditional Noldorin history-song, the original Noldolantë is an accounting of the events of the Darkening through the death of Fëanor, with references at the end to early First Age events including the Rescue of Maedhros and the Dagor Aglareb. Focus is primarily on the Kinslaying at Alqualondë, and secondarily on the Burning of the Ships. Though Maglor originally composed it in Quenya during his brief reign as King of the Noldor and added events throughout the First Age (see: "4. Noldolantë (Full)", this translation into Sindarin, first performed publicly in 68 FA, is the version that was widespread and popular throughout First Age Beleriand and thereafter, and remains most identifiable as "Noldolantë."
Major themes include loss of life and loss of innocence; grief, regret and repentance over the same; and determination to take all this hurt, and all the hurt in Arda, and throw it back at the Enemy tenfold, with sword, Song and fire. Takes about four hours to sing in full, though individual sections were often excerpted as marching chants or battle hymns.
Expert Opinions:
Eglatarwen: The Noldolantë is an undeniably impressive work of technical song-craft, engaging and well-paced narrative, heart-wrenching passion...and propaganda. To not treat it as propaganda would be to do it a disservice, because it's also a very impressive work of propaganda! It takes betrayal and atrocity and turns it into...not 'necessity', to be fair, and nor does it shirk the fault of the Noldor—though it certainly blames Morgoth as well. But it takes the irredeemable and almost inexorably turns it redeemable. Horrors and darkness which can and will be moved on from. Terrible mistakes which can and will be learned from. If only that had been true.
Eärwen Olwiel, Princess of the Teleri, High Queen-Consort of the Noldor: Surprisingly factual and earnestly apologetic, I think, for all its spin.
Finrod: I still hum it sometimes. I still hum parts about Alqualondë sometimes. I hate how good at this he is.
Maglor: Of course it's propaganda. It was propaganda just for me, first, when I needed to make some reassuring sense of everything or I would shatter like a wedding glass. Then I sang it to buck up my people, not least my younger brothers, and keep us going through some of the worst years of my life. Then word came of Thingol's Ban and we needed a response of equal—though not directly contradictory, you'll note!—social impact—and, appropriately, I had this piece that only really needed to be translated into Sindarin in order to serve. Though of course I did need to rewrite every single word and note in subtle, crafty ways to accommodate the new language, and sometimes in very obvious ways. I still miss the original recursive arpeggios... Shoutout to Glauriel of the Plains for thrice saving my life: once from an orc arrow, once from dragonfire, and once for not killing me herself when I recruited her to help me with the translations, said I only needed a quick Sindarin-native judgement on a few scattered verses, and then made her help me rewrite the first bridge alone six times in six days.
2. “The Song That Never Ends”
Infamously annoying short tune which loops both lyrically and melodically, sung most often by children. Composed pre-Darkening. No true potency save, it is rumored, as a means of tormenting enemy prisoners.
Expert Opinions:
Eglatarwen: This song is a malicious attack.
Timpenindë: This is in second place? Stars, I can't believe I was ever engaged to that elf.
Finrod: [staring into the unseen distance as one haunted by memories of torment] The Edain learned this, somehow. The thing about the children of Men, you know, is that they're only children for a very short amount of time relative to us... But there are always more of them...
Maglor: I genuinely regret this one. I’m not sure I even remember why I wrote it. I think to annoy my parents, or maybe Nelyo—hey, Nelyo! [to his brother, passing by] Do you remember when or why I came up with that annoying looping song?
Maedhros Fëanorion: [upon further explanation of the question and context] This is in second place? [to Maglor] I should've killed you when I had the chance. When I still did things like that. [upon being told Finrod's comment on the song] 'Mannish children'? Ha! You can give those back to their parents, not like siblings—of which he only had four, I’ll note, and none of them composed this monstrosity. And speaking of Man-ish children, whom you can’t give back to their parents, he should try righteously vengeful, maliciously compliant teenage—
[He cut off as our host, Elrond Peredhel, walked in, whistling a few idle, familiar notes before offering everyone another round of tea. Maglor and Maedhros both winced, though they said nothing save to accept tea.]
1. Ardamirë
Unofficial subtitle: (Father) It's Not Only Ours Anymore
An ode to Gil-Estel—the jewel, the Light, the ship and captain, the Star. Elements composed and gathered over nearly 6,500 years of wandering on mortal shores, including elements of the Noldolantë; arranged into a complete song in the decades after Maglor’s return to Valinor at the start of the Fourth Age. Takes about three hours to sing in full, reducing most listeners to mostly-joyful tears.
Expert Opinions:
Maglor: Good choice, people—this one is the best.
Fëanor Curufinwë, Crafter of the Silmarils: I won't pretend to be as expert in musical composition as my son, in Songs of Power or simply in casual music-craft. However, I'm certain this isn't his best work, technically speaking. Did truly so few people vote for "The Great Journey” or “On the Slopes of Túna"? [shaking his head] The wisdom of the Eldar truly has been diluted... And surely the recency of this composition biases voters in its favor. Are you certain you've balanced your data properly? …But the song is persuasive. And sticks in one's head very effectively. I've been thinking about it.
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fleeting-sanity · 7 months
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Surrounded By Idiots (Rionnic's Version)
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loriane-elmuerto · 17 days
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Inara Daiyu (MK) / Gilriel Reyfaren (BG3) / Carmen Delgado (OP)
got tagged by the dearest @cryptcombat to do this little picrew, thank you so much!!!
gonna tag (taglist to opt in/out for future content if you want!):
@statichvm, @shellibisshe, @rolangf, @ghostfvcker,
@carrionsflower, @queennymeria, @florbelles, @jackiesarch,
@countessrooster, @lucky-107, @unholymilf, @risingsh0t,
@cptcassian, @nightbloodbix, @thedeadthree, @belorage,
@roofgeese, and anyone else who wants to participate!
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robonoba-zorbo · 3 months
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I heard this fucking audio for the first time in forever and was possessed. I awoke (an embarrassing amount of time) later to find this
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llannasvsp · 7 months
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Lloyd in my current WIP is a whole mood.
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smittyw · 4 months
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(dailies 9/25/23)
wait a minute
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bibaybe · 6 months
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OC Halloween Challenge 2023 / Day Thirty: I Can Be Anybody I Wanna Be
ft. jian zhao as camille saroyan, jayda barlowe as angela montenegro, willow lahey as daisy wick, lisha zhao as caroline julian, and grayson bishop as jack hodgins - lisha and jayda spent two weeks arguing about who got to be angela before lisha remembered caroline existed and got super excited to boss everyone around
taglist: @eddysocs @ocappreciationtag @foxesandmagic @wordspin-shares @veetlegeuse @raith-way @oneirataxia-girl
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unfortunate-arrow · 3 months
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Hogwarts Legacy | hp ship eras
Cillian Lynch x Orla O’Rourke
Tadhg Lynch x Niamh Kelly
Brianna O’Rourke x Vincent Fitzroy
Siobhan Llewelyn x Galen Stagg
⤷ @kc-and-co • @cursebreakerfarrier
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juliaswickcrs · 7 months
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When you've been around for 80+ years and some guy starts talking about how Gondor MUST have the ring
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#done
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tf-you · 1 year
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They invited Gus to the cuddle couch to watch him play minecraft and Cedric started backseat gaming
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crypticdesire · 19 days
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cw: mild possessiveness, implied murder
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yandere!knight who grew up inside the castle walls and found themselves always watching the child of the king. they were taught that their training was necessary to protect the royal family, so why wouldn’t they develop an interest in you? knowing details about you was the best way to protect you, so they slowly became obsessed with observing you from an appropriate distance. 
yandere!knight who finally became directly assigned to guard you when you're both adults. there was another knight being considered, but they were unfortunately killed by a thief during a trip to a nearby town. they were more suitable for the job anyway, understanding the needs of the royal heir more than any other knight, surely. who would be more attentive than them? 
yandere!knight who notices that you’ve become more curious about what lies outside the castle walls, overhearing your persistent questions directed at your parents, tutor, and other palace staff. they wonder why you’ve never directed one of your questions towards them. they probably wouldn’t have the answers you were looking for, growing up within the castle’s walls themselves, but they yearned for you to speak more than a few passing words to them. to look into their eyes and see how deeply they cared for you. to see how dedicated they were to serving you. to see how eagerly they would fulfill any of your requests. they wanted to know you felt comforted by their presence in the same way they were comforted by yours.
yandere!knight who becomes desperate enough to bridge the gap between you two that they offer to sneak you into town one night. the excitement that flashes onto your face creates a feeling within them akin to drinking a sip of cool water after going without it for days. that sip turns into a long chug when your hands finally touch, their skin making contact with your skin, as they help you onto the horse that will take you from the stables to the outskirts of the town. now that they’ve felt your hands on their waist, the normal distance placed between you feels too far. surely this feeling means they are destined to always be by your side, right?
yandere!knight who feels drunk on your laughter as they sit with you in a local tavern. a cloak hides most of your face, but your face would be recognized by few anyway with the only commoners to know your appearance being those that work in the palace. they’re sure they are in a dream when you grasp their hand pulling them with you to join the group of lively impromptu people dancing. they can’t help but think how they are the reason for your bright eyes and wide smile. it confirms that no one could know you better than they do. no one could tend to your needs better than they could. 
yandere!knight who wished they didn’t have to sneak you back into your room to have a wall separating you once again. but the giddiness of growing closer to you would linger, making them determined to take you into town again. the trips into town would be a secret they shared with you, which is why they couldn’t ignore the eyes that saw you two walking back from the stables to the castle. surely, one of the insignificant grounds keepers wouldn’t think that the knight tasked with protecting the royal heir wouldn’t notice their presence. the grounds keeper was predictably naive, being easily found alone in the stables. to ensure you could sneak into town again, they couldn’t risk someone exposing your secret. threatening your happiness. ruining the knight’s chances of being someone you relied on for protection and happiness. the grounds keeper should be happy to be given the opportunity to serve the royal family even after death as fertilizer for their expansive garden. they couldn’t pose any threat then. washing the blood off their hands a couple hours later, they wondered if the sight of them would cause you to be appalled or pleased by the evidence of their deep devotion to you. one couldn’t ask for a more dedicated knight, right?
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" i'm not leaving. my life has been dedicated to serving you, so please use me "
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you can check out the other yandere characters i'm developing in my pinned post !
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blujaydoodles · 1 year
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💋 for June, 🧸 for mel, 👃for felix!!!
💋 : Is your OC a good kisser? How do they do it? June is not at all a bad kisser, but she is a bit nervous, and very out of practice, so she's currently a little hesitant-- but even with more confidence, her kisses are gentle and soft; following, rather than leading. She also likes to softly touch the other person's face/ cup her cheek 😌
🧸 : Into public displays of affection or are they more reserved? Melliwyk wouldn't shut down PDA, but she wouldn't initiate it, either; it doesn't bother or embarrass her or anything (unless it's, like, outlandishly over the top I guess lol), she's just not very naturally inclined to being physically affectionate, herself
👃 : Does your OC smell good? Do they have a signature scent? Whether Felix smells good depends so much on what he's been up to recently and what time of day it is, lol. I know he doesn't wear any scents, but he does prefer to keep himself clean; in general he smells good, in a Clean Natural Smell kinda way, but he does spend a lot of time clambering through back alleys or down coal chutes and has probably gotten beat up and hurled in the garbage more than once, so, you know ¯\_(ツ)_/¯
ask about my OCs 👀
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lezbijski · 1 year
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your very own e-angel! [ID in alt]
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