House's problem isn't that he lacks empathy. It's that he has too much. He cares to the point that it's self-destructive. That's why he avoids interacting with patients like the plague because he knows that he'll care. He knows that he'll get attached, and he can't cope with that kind of vulnerability. House can empathize with and understand people so well that if he didn't constantly fight against it, he'd lose himself. He insults people and hurts people, and pushes them away as a survival tactic. Nobody spends that much time trying to convince people they don't care when they actually don't care. He has experienced so much heartbreak and abuse that he's learned his only way to survive is to push people away. He's not just trying to convince others he doesn't care. He's trying to convince himself, too. And he fails every single time. Because Gregory House loves people. He relates to them, he cares about them, and he feels vast amounts of empathy for them. He never gives up on patients, and he'll try to convince you that it's just because he loves puzzles, and while he does, it also is because he cares. When you experience that much empathy for people, it saturates every single part of your life. Every interaction you have becomes painful and overstimulating. You start to lose yourself. House is desperately trying not to drown in the minds of others. His ability to understand and care about people is what makes him a great doctor, but it's a blessing and curse. So he bites and claws and avoids and fights because it's all he can do to stay afloat. He's trying to constantly battle experiencing the emotions of others, on top of his own emotions, all at the same time.
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
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Keep thinking about that old old post about mine inspector elections with this ad:
And somebody responded like "they obviously meant vampire bats but the mistake makes it so funny" but like... it's so clearly somebody having fun with a relatively low stakes local government election.
Do not ascribe to incompetence what can be explained by somebody doing a funny joke on purpose....
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I honestly am going to try giving up on talking about antisemitism in any context except private convos with other Jewish people. The truth is that virtually no one outside of Jewish communities cares. No one. They didn't care before, they don't care now, and they won't care after. Some of the smartest people I know on here and in life do not care, have never cared, and will only pretend to care the next time there's a "punching Nazis" meme on the dash. They do not care about this deeply embedded bigotry because the truth is that antisemitism is a central pillar of, well, virtually everything everywhere, and to interrogate that is to interrogate a foundational aspect of their culture, religion, and society, which no one is interested in doing, even on a website where the majority of people at least pay lip service to deconstructing societal biases and institutional oppression. It is much simpler and more convenient to not care. So, keep on not caring, I guess. I'm not going to forget it. Neither will the other Jewish people around you.
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Jem Castlereagh and Being the "Other"
The other night, I got into a discussion about Joe's racial and queer identity, and how these two things must have brought on a sense of guilt when he used to be Jem. It was such a fascinating topic to discuss that I want to share it here.
Joe is a white-passing biracial man. His mother is white, his father is Chinese. I want to specifically talk about Jem, since in that life, Jem was able to rise up to a high position with substantial power: The House of Lords.
On the topic of racial identity, Jem chose to be like other racialized white men, which in turn might have caused him to develop identity issues and guilt along the way. It's only speculation on our part whether or not he was gently persuaded/pushed/forced into this role, but this type of action brings about a sense of betrayal. He felt like he was betraying everything his family stood for.
Let's say his mother really did choose to go ahead and elope with a Chinese man. Jem's family history in of itself is already a betrayal to the fundamental order of things. His parents being a mixed race couple in the 19th century raising two sons, it couldn't have been easy for them. Toby (I don't think Jem mentioned an older brother but let's say Toby is also consistent with every Joe in every timeline) isn't white passing, so we can assume he's had his hardship of discrimination. So Jem knowing that he's "other" and that his family is "other", chooses to masquerade as a person who looks and sounds and fits right in with the group of people who would hurt his mother and father and brother for less than nothing just because they're a family. His family must be proud of him for being able to get opportunites they never would, but Jem carries that guilt because he knows he has to abandon his culture, his race, and inevitably his family just so that he can keep them all safe (him included). Jem choosing to use his mother's maiden name too is fact of this. Throwing away your true family name to fit in/to become somebody new is a reoccuring theme within the Kingdoms---Kite does it to appease to the English Navy, Agatha does it because she doesn't want to be connected to Lawrence anymore.
On top of that, he's a queer man. It's evident that he has a fondness for Madeline, but at the core of it, it wasn't a satisfying marriage because he's still playing the role of a heterosexual man to fit in. His queer identity basically ties in with what I'm saying about him betraying his family. I can't really imagine them being, you know, acceptable of gay people given they are a product of their time. At least with Jem's racial identity, he isn't alone. He has his brother. He has his father. He has a support system when it comes to being a racial minority. But being queer goes even deeper than that, because he's alone with all of that. You don't go to the asylum for being half-Chinese, but you can for being gay. Can you imagine how deep he must have suppressed that when he marries Madeline? How utterly alone? That is, until he meets Kite, another deeply repressed gay man. In his head, Jem must have had his reservations. His guilt, this time, is not only directed towards his mother and father and brother, but as well as to his wife and son. On paper, he's the ideal Englishman and they have given him everything to hold up that ideal. Yet the minute he finds somebody who understands what it means to be "other", he throws away everything his family had given him and goes with Kite to be "other" with him. My explanation here makes Jem wanting to go back home and be with his son even more symbolic and even sadder, because once he has thrown away everything to be the "other" there was never a world where he could have gone back unscathed, where he could have had his son and Kite too. So he loses everything when the timeline shifts. I think he knew that too, somewhere deep, deep inside, and so we can't even begin to fathom how deep his guilt goes regarding his racial and queer identity.
Of course, all of this is still speculation and we know nothing about Jem, Jem's family, and Madeline except from Kite's POV and the letters. However, all of this places even more importance on just how essential Kite is to Joe/Jem's person. He was willing to share his real name with Kite, willing to reveal his biracial heritage to him (I can't imagine that he shared that information with Madeline or his son Edward in his rise to power). At the intersection of Joe's character, between his race and his queerness, is just a man who wants to keep everybody he loves safe---whether that means having to hide who he really is, or joining the side of the "other" despite everything.
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