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#spw morioh
softlimefluff · 5 months
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Rohan and I have been thinking about how to improve or expand the Morioh SPW foundation museum area, and we think the next step is to add a small movie theater so we can host new animated films, have premieres, serve themed food and sell official merch.
We also want to do free movie nights for students on Saturday nights so they have a safe place to come hang out and have fun!
We’re meeting with the SPW board soon to get the addition approved and then figuring out what we’ll need for getting movie showing approval, etc.
Rohan and I are looking forward to finding more new ways we can serve the Morioh art and animation community 💞
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spw-stand-log · 1 year
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Standlogy Two
The history of Stands is also the transition of bows and arrows. We will explain the history of the "bow and arrow," which is an item that is as important as or even more than the "stone mask" that appeared during the eras of Jonathan and Joseph Joestar.
-below this is the Journey of the Bow and Arrow diagram-
-the first image in the entry is a box of arrowheads, one grasped by Diavolo's hand. The caption reads "it all started with the encounter between Diavolo and the "Arrow."-
An Unknown Virus Brought by a Meteorite
To talk about the history of the bow and arrow, we must first talk about a meteorite that is said to have fallen to earth about 50,000 years ago.
The crater where this meteor is said to have fallen was located in Cape York on the Greenland frontier, inaccessible to anyone but the local Inuit.
However, in 1978, when eleven workers entered the mine to investigate mineral resources, two of them were infected with an unknown virus and died.
According to the medical team's appraisal, it seems that the two who died were infected with a virus that was dormant in the fallen "meteorite." The symptoms were blisters all over the body, liquefying the skin inside the pustule until it looked like tomato sauce. It was terrifying.
-image two is of the stand user Enya holding her staff, a bow, and one of the stand arrows. The caption reads "Baba Enya, who created many stand users. What made you want to buy the "bow and arrow?"-
Discovery of the "Bow and Arrow"
The exact date of the meteorite's discovery cannot be traced. But shortly after human civilization began, a person, perhaps someone we could call a genius, realized the power of the meteorites and created a "bow and arrow."
He must have wished for power that rivaled that of a god and knew that the virus sleeping in this rock would make it possible.
He made the "bow and arrow," but what he did with it is unknown (although it is almost certain that he was aware of the relationship between the "bow and arrow" and the Stand).
Then, in 1986, Diavolo (the Naples mob boss during Giorno Giovanna's childhood and early teen years), who was accompanying a part-time worker on an archaeological excavation in Egypt, discovered six "arrows." He kept one.
With one arrow in his possession, Diavolo sold the remaining five arrows to Enya at a high price.
After using the "arrows" to make DIO and many others stand users, Enya-Baba handed over two "arrows" to Keicho Nijimura and Yoshikage Kira's father.
After Jean-Pierre Polnareff's journey to destroy DIO, he obtained one "arrow" during his own investigation (the remaining two arrows that should have remained with Enya-Baba remain unlocated).
In this way, the "arrows" scattered to Diavolo, Polnareff, Keicho, and Kira's father, went through their own transitions (as depicted by the Journey diagram), and eventually ended up being managed by the SPW Foundation and Giorno Giovanna. The whereabouts of the arrow that Kira's father had remains unknown.
-the final image is of Golden Experience Requiem with the caption "Bow and Arrow" promotes stand evolution!"-
[This report is property of the Speedwagon Foundation. Translation work done by A. Kishibe, Morioh Branch]
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poorly-drawn-akira · 5 months
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Arden has returned to the Morioh Facility, completely sleep deprived, and paler than a sheet of paper. (ask-saw-mercenary)
Cross also paled when she saw how Arden looked, "What happened?"
(( @ask-spw-mercenary ))
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dongiovannaswife · 10 months
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underworld's royalty.
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Impera’s part 2!!   •  part 1
cw: medical settings, talk about trauma and past accidents, brief talk about grief.
collab with the lovely @softlimefluff​
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Soft music and fresh air fill Melmoth's senses as the automatic doors open. He's never been here —the sight of the SPW Naples lobby is nothing he could have ever imagined, but it does look like the TV sets he's seen in shows like The Good Doctor but… fancier. 
Stepping in, his eyes scan all over the place: the empty waiting room, the front desk and the screen above it announcing the doctors and their current occupation: three of them, he notes, are free except for one. 
Dr. Bocelli Enzo: not available.
The name's familiar and he already knows the doctor is busy with his boss. Nodding to himself, he walks up to the front desk with the lady there already looking at him. Her lips are curved up into a kind, practiced but not fake smile and as her mouth opens the doors slide open and someone steps in. Still, he stays focused on her: 
“Buona notte, signore. How may I help you?” 
Raising a finger in a 'wait' gesture, he pulls out a small notebook and a pen, starting to write down.
‘Hello, miss. I am mute so I use this notebook to communicate.’ 
Turning the notebook to the lady, he waits patiently as she reads over it. Her eyes shine for a second, almost as if she's not sure how to handle the situation. Assuming she's already read his message, he turns the notebook back to him, writing down next: 
‘I am here to visit a close friend: Helena Giovanna, she should be here under Dr. Bocelli's care.' 
The presence behind him makes him look back from the lady: behind him, someone he's known from reports and security cameras shows up. 
Kishibe Rohan. 
The mangaka stands in line behind Melmoth, glancing around the waiting area and over the screens, then pulls out his phone impatiently and taps on the touchscreen, waiting for his turn.
Melmoth waits, intrigued by the artist, but turns back to finish his conversation first, finding out which room Helena is in. Rohan looks up at the name “Helena Giovanna” and raises an eyebrow, speaking up. “That’s actually who I’m here to see as well.”
Holding up a finger, Melmoth scribbles on a new page, holding the notebook up for Rohan to read. “Romaji or English?”
Surprised, Rohan tilts his head. “Either is fine. Whichever you’re most comfortable with.”
Melmoth nods, scribbling another question, this time in english. “If you like, we can walk to Helena’s room together?”
Rohan nods, but questions him further. “I don’t believe we’ve met before, how do you know the Giovannas? For that matter, are you familiar with me? You had this look when I walked through the door… ”
Writing again, he holds up another message, hurriedly getting his thoughts out. “As someone who works under the Don, I’ve seen your file.” He writes further, drawing a line to separate where the new thought begins. “I can tell you more as we walk, if you’re interested.”
Nodding again, Rohan looks up at the front desk attendant, reaching into his pocket to show her his SPW clearance badge from the Morioh branch. Grabbing a scanner, she logs Rohan in, registering his visit.
“Welcome to the Naples branch, Signore Kishibe. Enjoy your stay here. Please come scan out when you’re ready to leave.”
Melmoth turns around, walking into the hall with Rohan following close. As they walk, Melmoth slows down to write, showing it to Rohan as they reach the elevator. 
“I was once a firefighter but, fortunately or not, fate had other plans for me. As bizarre as it might sound, Death took it upon herself to protect me for her own mission." 
As they get into the elevator and Rohan finishes reading the message, he blinks twice, trying to parse out Melmoth’s words, though his curiosity gets the best of him and he blurts out: 
“You’re using feminine pronouns to refer to Death. Does that mean… Have you seen her? Seen Death?" 
Melmoth shakes his head, taking the notebook from him to keep writing. Rohan watches as he writes, taking note of his gray skin and the dark circles under his eyes, so deep they look like craters in his cheeks. When Melmoth raises the notebook back up to show him, Rohan leans close to get a better look.
“I am not allowed to see her. But I do know she's taken after a woman, a beautiful one, to present herself." 
“That’s…” He muses a second, pressing Melmoth for more. “Is there a reason why?” 
Melmoth pauses, thinking about a way to explain the whole situation in a few words —twenty words or less, as Akashi would always request— then, slowly, he dips his head down to write, taking more time now. When the elevator stops at their destination floor, Rohan exits, waiting for Melmoth to join him while the masked man hurriedly finishes writing his sentence.
As they stand in the hall. Melmoth’s eyes have taken after a darker look, a sad one, as he holds up the notebook. “Love between a human and a deity is forbidden.” 
Rohan’s mouth hands open in a perfect ‘o’, taken aback slightly by the sudden confession. Still, Melmoth writes a new message, walking towards Helena’s room with Rohan.
“I am here to meet my future student. Don Giovanna will tell you more later, likely. There’s a waiting room close by with refreshments. I want a private word first.”
He raises a hand in a 'wait' motion, writing another message and hands it over, this one folded, like he wants Rohan to read it later. The mangaka takes the note, leaning closer to inspect the other one.   
Rohan reads it over, then nods. “I’m glad we were able to meet. I’ll see you around, I’m sure.” Giving a small bow, Rohan walks off to find the waiting area, pulling out his phone as he looks around for a second. Melmoth watches him leave and turns to Helena’s room, putting his hand on the doorknob and instantly feeling a stand presence guarding the door. 
The door swings open. There stands Westwood, brows arched down before his eyes roam over Melmoth and a flash of recognition softens his features. The presence disappears and he stands aside with a small gesture. While he waits for him to come in, West looks around the hall, quickly glancing at the camera at the far corner across from him. Fugo must be watching, he thinks.   
Leaving his phone aside, Rohan unfolds the piece of paper, frowning as he goes over the message over and over again. 
'Isn't it interesting? In Spanish, death has a 'e' at the end: muerte. The 'e' makes it a completely neutral word, and yet, Spanish speakers still use female pronouns but with a connotation of thing or event. How come we all associate said event, a part of the cycle of life and reincarnation, with the same pronouns? 
What do you think, Kishibe-sensei?'
Rohan looks back, straight to the door leading to the hall where Melmoth was, confusion written all over his face —what even was that? Walking over to the Lavazza machine, Rohan sets up a cup of coffee, musing over the cryptic letter.
God is a woman, so they say, but perhaps death is as well?
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Melmoth de Angelis is not good with introductions. He's clumsy, always has been. The mere thought of making a fool of himself before new people has always been a fear of his; back when he was a firefighter, he was not the one doing most of the talk in the field. 
Giorno knows this. As soon as he comes in and spots him, the Don stands up from the chair by Lena's bed, walking up to him. 
“She's okay," he says, turning to Lena and gesturing at her with sad and equally hopeful eyes, “Dr. Bocelli is really happy with her process.” 
Nodding, Melmoth looks around, spotting Abel there as well —Rome's Capo looks upset, eyes drifting all over Giorno. Upon this, Melmoth looks back, studying the Don's appearance as well. 
His clothes are slightly out of place: his tie nowhere to be seen, shirt out of his pants when it usually is perfectly tucked, uneven buttons and wrinkles all over the fabric. His lips are dry, eyes red and his hair pushed back messily. He's a literal mess. Even the way he moves is slow, a proof of his lack of sleep and maybe food and drink as well. 
Looking back at Abel with a questioning look, the Capo nods back, sighing and running a palm down his face: 
“Yeah, Corvo, this man is fucking crazy. He won't listen, please tell him some— actually, he won't listen to you, get it?” the Capo laughs at his own joke, the sound vague and on edge, barely hiding back his worry behind moodiness.
Giorno sighs and Melmoth looks back, expecting a comeback from him; all he gets, though, is just one tired sigh and a: “I get it, Abel. I know she wouldn't like seeing me like this.” 
Abel shifts in his seat, taking after a rather aggressive stance when he leans forward, pointing an accusatory finger at Giorno, “Then why are you doing exactly what you know she wouldn't like?! She could wake up anytime now and what'll she see? Go on, guess!" 
Melmoth steps in, hands up and palms facing each man, as if putting an imaginary wall between them.
Giorno sighs and when speaks, he sounds defeated and angry at once: “Because I can't stand leaving her. Not here. No like this.” 
Abel stands up now, taking a step forward before Melmoth's presence blocks his path. He peeks around the man at the Don, staring intently.  “What do you mean like this? What don’t you understand about “she's progressing well! What are you so worried about? —Is it Esme? You know she's under that old man's protection, too! Why the hell can't you stop overworking yourself for just one second?!"
Giorno sighs, though this time the sound comes out mixed with a low growl from the back of his throat. Melmoth watches his eyes flash golden for a second before the Don speaks, frustrated with the barrage of accusations. “You wouldn't understand, Agreste.” 
“Oh?" Abel grins, rage surfacing. When he tries to dodge Melmoth, his hand shuts up to block his path again, the other coming up with a note that he sticks forcefully to his forehead. 
The Capo stumbles back, sitting back on the couch with a huff. Taking the note off his forehead, he reads over it with a frown that slowly fades. 
“We are in a medical facility, Abel. I suggest you keep to yourself. I am sure the Don will eventually leave to rest now that Kishibe Rohan is here, who is waiting outside." 
Abel looks up, relief washing over his features for a second before he stands up and leaves, wishing to greet the mangaka and let him know about Akashi's situation, hoping to get his help. 
As the Capo leaves, Melmoth turns to Giorno, stealing a quick look at his drawn out face and then glancing down and back at his notebook to write. 
Holding it up, he watches Giorno's green eyes dart between the words, catching his rapid blinking.
“I am here to meet my future student.” 
Giorno's eyes light up and a grin spreads across his face slowly. He turns to the crib he had been standing over before, blocking the view with his body, and Melmoth's eyes widen. He walks up slowly, trailing behind his boss with cautious yet firm steps. 
Giorno stands by the side of the crib, a hand coming to lift the blanket draped over it. Looking back at him, the Don's face has lit up with pure joy: “Corvo, this is Esme.” 
The blanket reveals the tiny being inside. By now, she's wearing a white onesie with a duck drawn on the front. Her mouth is slightly open as she sleeps on her side —cheeks pink and her tiny nose slightly crunched up. Long red lashes caress her cheeks and there's a tiny bit of equally fierce red hair at the top of her head. She's deeply asleep, worn out and resting soundly after the tiring process of birth. 
Melmoth's mouth hangs open for a second before he looks back at Giorno, eyes filled with tears. Trembling, he pulls his notebook out, messily writing: 
“She's beautiful. Congratulations.” 
Giorno laughs and the baby sighs, dreamily, like the sound of her father's laugh brings warmth and comfort to her: “Thank you. I suppose her hair is like that because of one of Lena's aunts.” 
Melmoth nods, finding his own words lost somewhere else. He writes another message then, 
“Like a Phoenix. Even if that sounds edgy.” 
Giorno nods, appreciating the sweet comparison, “I was thinking more of a cherry, but yeah. She's a mini Lena, too.” 
Melmoth nods, reaching a trembling hand out to place his finger over Esme's fist. Nudging at her fingers gently, it doesn't take too long before she's grasping at it, stirring awake for a second and then settling down back again. 
He looks around, then, finding a chair by the crib —one set before the crib and the stretcher— and sits down, glancing over as the hospital room door opens.
Abel peeks in, his expression neutral. “Giovanna, Kishibe Rohan is here.” 
Giorno nods, still on edge after their confrontation, holding onto Esme a little tighter. 
“Let him in, then.” 
Nodding, Abel disappears for a moment, the room quiet with only the sounds of Esme smacking her lips in her sleep. She must be hungry. It took a lot of energy for her to arrive… as much as Lena bringing her into the world.
Looking around, Giorno searches for the bottles of donated breastmilk, finding the small fridge in the room.
“Corvo, I hate to impose, but could you help me out? We have to put a bottle in the heater before–”
“Giovanna, not even ready to greet your best friend?~~”
Turning around to meet the voice, Gio sees Rohan, coffee in hand, grinning from the hospital room doorway. Breaking into a tired smile, he gestures Rohan over with his head, still holding onto Esme carefully.
“You’re just in time. Put one of those bottles into the heater, will you Kishibe?? Or have you forgotten how, since your Ellie is almost two, hmmmm??”
Rolling his eyes, Rohan reaches into the fridge and grabs the bottle, slipping it into the warming device. “I’m not completely incompetent with children, you know.”
“Oh, really? So that one legendary Rock Paper Scissors fight was all a lie??”
Rohan scoffs, crossing his arms. “You know I was a lot younger then, Giogio. I should never have told you that story…”
Sniffing out a laugh, Giorno grins. “All in good fun, Han-han~ Speaking of your daughter…” The Don looks around, searching for Ari and Ellie. “Are the others coming, or?”
“Mmmh. In about half an hour. Ellie needed a little more time for a bath and lunch. I wanted to come check in first and make sure our visit was alright.”
“Yes, of course. Well. Helena is not awake yet, but. They are more than welcome to come meet the newest member of the family.” Giorno relaxes his arms a bit, showing off Esme to Rohan with a proud smile.
“Oh.” Rohan’s mouth opens softly, staring down at the tiny girl in Gio’s massive arms. “She’s. So small, Gioigio. I forgot how tiny they were when…” Glancing away, Rohan blinks rapidly, trying to clear the tears building in his eyes. 
“It’s alright, Kishibe. Do you want to hold her?” 
He nods slowly, opening his arms and holding her like he’s held Eliana so many times before. Giorno grabs the warmed bottle, putting the nipple on and shaking it gently. Esme wakes slowly, beginning to fuss as she realizes how hungry she really is.
From the side, Melmoth watches curiously as the two men work together, finally getting the tiny girl, his protégé, settled and eating. Even now, he can see how curious and intelligent Esmeralda already is, her tiny hand grasping Rohan’s finger and staring up at him with wide green eyes. Most babies were still getting a handle on the world at this age –eyes adjusting, brain updating, just getting to experience the world. But Esme…
Chuckling silently to himself, Melmoth mused that not all children were the progeny of two powerful stand users with enormous potential. 
“So, Kishibe,” Giorno starts, interrupting himself to turn around and let out a long yawn. Rohan frowns when Giorno turns back around to face him again, noting how that made his eyes tear up—an evident sign of exhaustion. Still, the mangaka waits until Giorno keeps going, wanting nothing more but to listen to him. 
“Sorry,” he says, blinking away the tiredness, “Lena and I would want to talk to you and Ari once she’s here and, well, once Lena wakes up.”
Rohan nods, not quite understanding what’s so important to let him know beforehand, but he still nods, shielding Esme from the light when he feels her slowly drift off, “Sure, Giovanna. You should worry about getting some sleep, though.” he lowers his voice to a whisper, looking down at his unkempt clothes, “You look like shit.” 
Giorno laughs, “Can’t you tell? It’s fashion.” 
Rohan grimaces, playing along. “Josuke dresses better.” 
Giorno’s laughter grows and he leans back, the sound slowly dying in his throat until he’s reduced to a tired smile. “I’ve heard that exact same line about ten times today.” 
Rohan’s eyebrow arches, “The Josuke one or the get some sleep thing?”
Giorno sighs, “The sleep part.”
Rohan grins, mischievous, about to come up with a better comeback when Abel interrupts them, meddling in: 
“Of course, dumbass,” he says, from his spot in the door. “We’re all worried about you. We want only the best for you so,” he gestures around, “Seeing you like this doesn’t help.” 
The mangaka nods, “You should go and get some sleep. Food. All that.” 
Abel speaks up again, almost desperate. “If it makes you feel better, I can stay the night. I’m sure Kishibe will stay too, as long as he can. I know it’s only close to lunch, but. You need more than 30 second naps where you sleep standing, boss.” 
Looking between them, Giorno seems at a loss for words. While it’s not the first time this has happened, he doesn’t think he’ll ever get used to being taken care of so openly. 
“Alright,” he says, standing up and walking to Lena, he leans in, pressing a kiss to her forehead. His eyes remain closed for a moment as he leans his forehead against hers —he knows she’s doing better now, that she’ll be up and ready to leave soon. But… 
He’s so used to her presence on a daily basis, everywhere and anywhere, that these moments of absence hurt. 
He leans back, looking between Abel and Rohan again. “I’ll come back later. Maybe tomorrow morning, but you need to text me immediately if anything changes. I need to look after the twins, too… Do we have a nurse on hand too? Just to look over Esme if someone needs a break??” 
“I’ll ask Westwood to go home with you and check in with the medical team before I come back.” Abel says, not expecting a reply, already walking out the door. Giogio sees him leave, sighing under his breath. At this, Rohan elbows Giogio in the back, a little bit hard, but nothing that could be misinterpreted or hurtful.
“Relax,” he says, holding Esme carefully and her almost-empty bottle. “Listen to them. They care about you. They really do. Let yourself be taken care of.” 
Giorno looks back and down at him, eyebrow curled up in amusement, but eyes shining with gratefulness. “Quite the poet, hm?” 
Rohan chuckles, “Oh c’mon Giovanna, get your ass out of here.” 
Giorno chuckles, too, leaning down to pass a warm hand over Esme’s head as she unlatches from the bottle, smacking her lips with a satisfied sigh. Looking at her one last time before walking up to the door, where he finally leaves with a final: “Language.” 
Rohan sighs, shaking his head. “Fine. Get your butt out of here. Leave. Depart. Au revoir. Arrivederci. Adiós.”
Giogio grins, shaking his head. “Don’t forget to burp her too.”
“I know!”
Giorno shuts the door, leaving Rohan behind with a wave.
Looking down at the bundle in his arms, Rohan’s hand, now free from the bottle, pokes out from underneath Esme, using a single finger to trace her features. She stirs awake for a second, then settles back down, comfortable and warm.
Pulling her up to his shoulder, Rohan pats Esme’s back, firm but gentle, making sure she can still breathe while he gets her to burp. Melmoth, still sitting quietly, stands and grabs one of the burp cloths, tapping Rohan’s shoulder and holding up the fabric.
“Ah! Thank you.” Nodding slightly, Rohan lifts Esme up, allowing Melmoth to put the cloth down. “You can never be too careful. Babies and Gucci cashmere don’t really mix~”
Melmoth nods, looking up and around the room, seeming to notice the lack of something there, and pulling his notebook out, he quickly scribbles down, showing the message to Rohan. 
‘I will come back later, I need to run some errands.’ 
Quickly reading over it, Rohan nods, humming and looking back at Corvo. “Okay, see you later, then.” 
With a wave, Corvo walks up to the door, then comes back, taking big strides to Lena’s bed. There he stops and Rohan watches in silent curiosity as the man struggles for a moment with his own thoughts, before he writes something down in a tiny sheet of paper. Then, he folds it, placing it atop her hand. The former firefighter turns to him with a silent plea of ‘please, keep this between us’ before he goes back to the door, waving at him goodbye as the door closes behind him.
Minutes pass and Rohan’s eyes drift around the room, still patting Esme’s back gently. The white walls lay bare except for a single painting by the bed: The Ice Floes by Monet. He ponders it for a second, eyes scanning over the piece, deciding that, maybe, the art had been chosen to soothe the mind of patients and families alike. Imposing nature and color as a way to ground people.
The door opens suddenly and he snaps out of his thoughts, looking back just in time to see Abel walk past him and sit by Lena’s bed. “Don Giovanna just left.” 
Rohan hums. “Good.” 
Silence settles in and Abel gazes off into the room, nowhere in particular, in a daze. Rohan stays where he is, eyes boring into Abel the more the Capo fidgets with his fingers and looks down at his feet. By the time Abel finally looks up, Rohan is already there, ready to listen to whatever he had been thinking about.
“Kishibe, I need your help.” 
Rohan stays silent, not sure how to reply. He doesn’t really know Abel well, except for a few idle chats in passing. Logically, the only reason someone would request his help would be the use of his stand powers…
Abel cuts through the silence, speaking up again. “I’m sure you’ve already met Akashi. The short, pink haired guy, remember?” 
Rohan nods slowly, thinking back to the man, remembering his story about Nobunaga and the only thing he could associate with him–his katana that he seemed to carry around proudly. “The swordsman who was at the Giovanna’s residence when the twins were ill?” 
Abel nods, leaning his elbows on his thighs and tugs at his black turtleneck, scratching his skin furiously like his anxiety has started to grow. “I’m sure you already know about his stand and a part of his past, but that’s exactly what’s so worrying about him.” He looks back, taking a moment to observe Esme, who’s still asleep in Rohan’s arms, then looks back at Rohan’s face, unable to get a read on how he’s feeling. “Akashi doesn’t even know if his name is really that. Bocelli says he could be suffering of dissociative amnesia, but—”
Rohan cuts him off, “You can get him a psychotherapist. I’ve heard the newest techniques are quite advanced. Surely they can work with him to–” 
Abel frowns, sharp canines visible when he snarls, biting back immediately: still on edge after his confrontation with Giorno. “That’s what I’m trying to explain! It’s not possible! You’d know that if you were patient enough to listen.” 
Rohan almost, —almost— rolls his eyes, but he prevails, sitting there without the heart to put down Esme now that she’s made herself comfortable in his arms. Newborns were notoriously sensitive and he remembered how clingy Ellie was when she finally arrived. Plus holding them was good for development, he reasoned.
“His brain is damaged,” Abel starts once again, desperation clear in his voice when he keeps going, crudely explaining. “Fucked up, that thing could be rotting inside that little skull of his and the dude wouldn’t even realize until the smell got to him, or if his nose got all runny.”
Rohan grimaces,“No need to get so graphic.” 
Abel imitates him, though almost comically: “Then don’t make me.” Sighing, he crosses his arms, leaning back into the chair. “He’s been trying to give you clues so you read him and tell him his real name.”
“So that’s why he was so insistent with his stories?”
Abel nods silently, arms still folded, glaring at the mangaka with a frown.
Rohan frowns in return, anger flaring: remembering the tiny being in his arms, however, calms and grounds him enough to reply. “What makes you think that information is still in there, if his brain is damaged?” 
“That’s a tricky question. But your stand works reading a person’s soul, not their brain or heart. Correct?”
Touché. 
Rohan sighs, nodding. “Alright, then. I’ll discuss this with Giovanna later.” 
Abel stands up, looking down at the artist. “Giovanna’s not the one asking for help, it’s me.” 
“I meant the details. The place and time for that. Don’t get ahead of yourself.” 
Abel sighs–exasperated, worried and upset. Heading for the door, he gives Rohan a half-hearted “Need’a smoke” and exits, leaving the room quiet again. 
Standing slowly, Rohan walks over to the hospital crib and gently lays down Esme, watching as she fusses, then immediately settles down. Letting out a relieved sigh, Rohan takes a few steps back, glancing over at Helena’s sleeping form. 
Had Akashi been the matter Giorno and Helena wanted to discuss with him later? 
It didn’t seem like it, because if it was, Rohan thinks, Giorno would have been there and Abel wouldn’t have said anything until Giorno was there. It had to be something else.
Feeling his phone vibrate in his pocket, Rohan slips it out, finding a text from Ari: “just scanned in with Ellie. Be up in a minute or two 💖”
He smiles, heart beating slightly faster, and likes the message, sending back “see you soon.”
Pacing around the room as he waits, Rohan glances over at Esme, watching as she already brings a tiny thumb to her mouth, sucking gently and scrunching up her eyes. Letting out a quiet chuckle, Rohan smiles and walks to the door, watching out the window for his wife and daughter. 
As soon as they show up, Ari’s waving silently through the glass and holding up Ellie, who smushes her hands onto the glass, giggling as she sees her dad and yelling out to him.
“Papa! We came to see you!”
Ari shushes her gently and sets her down, kneeling to talk on her level. “Ellie, this is a healing area. We need to be reeeeealllly quiet so the people here can rest, okay?”
Slapping both hands over her mouth, she nods, looking up with big, sad eyes. Ari reaches out to hug her, rubbing her back. “No, no, it’s okay. Shhhh. You didn’t know yet, you’re not in trouble.”
Grabbing onto her mom’s neck, she buries her face in Ari’s shoulder, waiting as they get permission to enter the room from the door guards and finally see Rohan. 
“She’s being a little shy, just give her a minute.” Ari smiles, stealing a kiss from her husband. He nods, smoothing his hand over Ellie’s hair.
“She has to learn certain protocols, it’s alright.”
Turning to look at Lena, Ari gasps a little, seeing her best friend asleep, in a comatose state. “It never gets any easier to see her like this…”
“I know.” Rohan reaches out, squeezing her shoulder gently. “But you should come meet Esme. She just went down after feeding, so we may need to change her soon but. She’s…” He pauses, choking up slightly. “She’s beautiful.”
Finding the nearest couch, Ari sets Ellie down gently, letting her adjust to the new setting and walks over to the crib, beaming when she sees the tiny being inside.
“She’s perfect!” Ari whispers excitedly to Rohan, reaching out for his hand. “I don’t want to wake her, so we’ll wait until she lets us know she wants to get changed.”
“Mmmmh.” Agreeing, Rohan squeezes Ari’s hand, then goes over to Ellie, picking her up and setting her on his shoulders. “Come over and see, Ellie. It’s your new cousin, Esme.”
Holding tight, Ellie peers down at the sleeping baby, repeating “Esme.” quietly to herself.
“Abel will be back soon and then we can grab a late lunch together. They have a nice cafe on the main floor. And good coffee too from what I hear~” He glances over at Ari, grinning.
Ari grins back, nodding enthusiastically. “Nature’s ADHD meds~” Laughing softly at her own joke, she walks over and places a soft kiss on Esme’s forehead, then does the same to Lena. 
“We’ll be back. Sleep well.”
‘Don’t let hope become a memory.’ 
Those had been the words he wrote for Lena in that small, meaningful note. Those words were the first she spoke to him after learning his story, back when he was unable to recover after losing his job and his whole life —the one he was used to, at least, he was still, indeed, alive— and career in the incident, and with it, losing all his hope and dreams. Those words had meant, and still did, everything. In times when desperation came over his incapacity to talk, those words always came to him like a mantra. 
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In times of turmoil, like these, he always thought back to that. Maybe he should have said them to Giogio, too, but the way he and Giorno communicated was different, more into the silent agreement of understanding and respect. 
“That’s exactly what’s so wrong with society labeling people as heroes: once those heroes get ill, age or can’t do their job anymore, they forget about them. And if they have physical marks left from their ‘hero’ days, they’ll be judged by the very people who shoved that role into them.” Giorno’s words had been harsh back then, when West mentioned some rude tourists poking fun over Corvo’s scarred lips. To this day, he’s not sure where those words came from: if hatred, disappointment, sadness or his own rage still left from the life he had to endure. 
Corvo blinks twice, noticing how he’s now standing before the store he had been walking to. The front of it was painted in pastel tones —purple, green, blue, pink, yellow,— and from his position he could see the variety of accessories for babies. Slowly, he makes his way inside, not exactly sure what he’s looking for, but still willing to get something for his future student. After this, he’d go to the closest florist and pick a bouquet of flowers, wishing to take something back for Lena as well. 
Thirty minutes later, he leaves the store, carrying a couple of bags: one contains a fuzzy blanket and the other a stuffed animal, a bunny, that he had liked the second he saw it. Walking down the street, he sighs, suddenly hit with the warm weather. For a moment he ponders on taking his tactical scarf down, but the memory of the scars across his lips and jaw stops him from doing so. 
He takes another sharp breath in, deciding to ignore the heat as he keeps walking down the street: in the distance, he can recognize a flower shop. There are multiple bouquets outside, made of flowers that can handle the sun, and around those, tiny trees in their pots, each with a ribbon around the pot.
Corvo comes in, eyes roaming everywhere in search of the owner or at least an employee: anyone who can help.
“Welcome!” someone calls from the side, cheerful and brilliant, and he turns, following the sound of their voice. 
The young man must be around twenty three years old: blonde hair swept up into a low bun, dirt on his clothes and apron, tinted glasses resting on his hair and a succulent held firmly yet delicately in his left hand. 
Corvo also notices it immediately: his prosthetic left arm. 
His eyes flicker from the succulent, to the prosthetic, then to the young man’s face. He looks calm, like his eyes don’t have any effect on him. 
Instead, he asks: “How may I help you, sir?” 
Corvo raises a finger up, setting down the bags —making sure they don’t get dirty— and pulls his notebook out, starting to write the same introduction from always: 
‘Good evening. My name is Melmoth and I am mute so this is how I communicate.’ 
The young man leans in, squinting to read, then leans back and slides the glasses that had been resting at the top of his head to the bridge of his nose: leaning back in, this time he gets to read over Corvo’s words. His eyes sparkle when he looks back, and he grins:
“Oh, don’t worry, sir! I am more than happy to help. My name is Noah, by the way!” 
Melmoth nods, smiling: he knows Noah can’t see him smile, but maybe he does notice the way the gesture makes his eyes have that certain glow from kindness. The man moves, leaving the succulent aside —and Melmoth notices the way he so carefully sets it down, even going as far as to pet it slightly with the pad of his prosthetic finger. 
“So, Melmoth,” Noah, starts, turning to face him. “Is there something you’re looking for specifically? Any special occasion?” 
Melmoth ponders his reply for a moment, eyes drifting around the different types of flowers around them. Then, he slowly writes down a response. 
‘A friend is recovering from childbirth.’
Noah reads over the words, then, immediately lights up: his baby blue eyes shine bright along the rest of his face, and he leans back: “Oh, that’s— I take it she and her baby are okay, no?” 
Melmoth nods, slowly. 
Noah then keeps going, eyes scanning around. “Okay, so, I can put something together for her. Any flowers she might like? I can also add some pink tulips to wish her well, or maybe some yellow roses to represent your friendship…” 
By the time he’s done, Melmoth shows another note to Noah. 
‘She likes sunflowers.’ 
Noah nods, grinning from ear to ear. “Oh! Then that works out just right, sunflowers mean loyalty!” Turning around, he picks up some sheets of craft paper, scissors and a small bag with different colors of ribbon rolls inside. “Alright,” he says, and Melmoth doesn’t hear any more of it as he watches Noah work effortlessly, without a care or worry over his prosthetic arm. He watches the limb shine under the sun, the light blue painting of it reflects the sun beautifully, making his eyes sting. 
It must be nice, Melmoth thinks, to not feel ashamed of that. How does he do it? 
Noah picks some tulips in his hand, setting them aside. And looking over his shoulder, he says, quiet now, like all his energy has been pushed back and replaced with a sad expression. “Are you an amputee too?” 
And Melmoth jumps, startled, eyes wide. For a second, he looks so frightened he might compare to a five year old who just took their mom’s makeup to mess around. After a moment, he recovers, barely, and shakes his head. Slowly, he lifts his notebook up, writing down his thoughts. 
‘I am sorry for staring. I am just unable to understand how you handle all the glances and looks around you. I say this because I suffered from serious burns along my face and don’t feel comfortable going around without hiding my scars.” 
Noah sets down his scissors, forgetting about the half-ready bouquet. His blue eyes have taken after a rather sad smile and his tone has changed to one of pure understanding. “Do you want to know how I do it? How can I go around without caring?” 
Melmoth nods, solemnly. 
Noah nods, turning to him fully, his left arm stretched before him, where both can see it: like he’s appreciating it. “I accept it as part of me. Of my story.” his eyes stare into Melmoth’s. “Accept your scars as part of yourself, of your story and who you are. I don’t know what happened, but I’m sure you must have been strong to recover. If you can, accept this piece of advice: accept your scars as a sign of your bravery. Sometimes darkness can show you the light.” 
He turns around, back to his work, leaving his words hanging there, like he’s sure Melmoth needs a moment to take all in, to understand and go over his words over and over again until the full meaning behind sinks deep into his brain. 
And Noah laughs, adding after a moment: “That last part, my brother used to say it a lot to me during recovery. He plays the tough guy out of us but he’s actually a sweetheart…” 
The sad tone underneath makes Melmoth turn back, squinting his eyes, and his ears pick on every word Noah says after: 
“He’s always been like that, you know? Always trying to protect me. It’s cute. He was the one who got the Speedwagon Foundation to help with my prosthetic, ever heard of them? They’re amazing.” 
The SPW Foundation, of course. Melmoth is not surprised, actually: said foundation had been there since—Wait, his brother got the Foundation to help? It was not a rare case, but the wording sounded different, like he had been trying to hide something, or to keep himself from saying too much. 
Tilting his head to the side, Melmoth scribbles something quickly, showing it to Noah. 
‘My friend is actually the Naples branch boss.’
Noah reads over it once, twice —then, slowly, his mouth hangs open: “You mean your friend who just gave birth?” 
Melmoth nods and Noah laughs, throwing his head back.
“Oh, man, what a small world! She must know him then. His name is Sebastian Worsnop, he’s a technician there.”
 He’s probably not a normal technician, he thinks, but pushes the thought aside and shakes his head, then looks down to write another note that he soon holds to Noah. 
‘I don’t think I have the pleasure of knowing him, but she for sure does.’
Noah nods, still chuckling under his breath. “Okay, then, let me send something to her. Let her know it was me, please, I am forever grateful for all the help. This bad boy,” he taps at the metallic prosthetic, grinning when the sound of his fingers tapping against it produces a ’clink clink’ sound. “—My brother says it is the latest technology.”
Melmoth nods, again: accepting his request, understanding his feelings and approving of the fact that it is, indeed, the latest technology. 
The foundation never stops working and trying to innovate and, judging by the cyberpunk aesthetic and the neon lights underneath the metallic plates and accentuating the bicep and running around to the circumference of his forearm, disappearing under the plate that unites his forearm to his wrist, Corvo can tell this was Paolo’s work. 
He watches as Noah finishes wrapping the bouquet he asked for, and then, he starts working on another one, this one only made of another different flower he doesn’t know the name of. 
“Hydrangeas,” Noah says, giving him the bouquet, “They mean gratefulness.” 
Melmoth softens visibly, shoulders relaxing as he takes the bouquet. He takes his wallet out, then, and Noah stops him: 
“It’s okay, it’s on me.” 
Shaking his head, the man still leaves more money that he knows would be necessary to pay, and before Noah can protest, he gives him a silent, playful look of ‘Don’t you dare.’ 
“Alright,” Noah says, raising his arms in defeat, playing along. “I’ll take it.” 
Forty minutes later, Corvo is back at the SPW Foundation, bouquets and bags held securely in his arms as he walks through the main doors, greeting the lady at the front desk with a curt nod, to which she stands up with a polite smile and a: 
“Welcome back, Mister Angelis! Our visit hours policies say we can only have two persons per room, so… I’m afraid you can’t stay tonight…” 
He nods, taking a quick glance at the clock in the wall behind her: 6:45 PM. He stops before the desk, setting the bouquets on the desk and the bags on the floor. Taking his notebook out, he writes down, showing the message to her: 
‘Don’t worry, I just want to leave these presents and then I’ll be on my way.’ 
She reads over the message quickly, sending him a nod and a small, shy smile. “Okay, thank you for your understanding.” 
He nods, again, and taking the bag and bouquets, he makes his way to the hall and to the elevator. The cubicle arrives empty, and when he gets in, his eyes drift around the walls: there’s a mirror by the right, perfectly clean. 
His reflection catches his eye. Grey skin, bags under his dark brown eyes, his mohawk kept perfectly: and his tactical scarf still there, covering his nose, mouth, chin and jaw all the way to his neck, where the fabric pools around his shoulders. Noah’s words come back, then, and his hand twitches: tempted to try and go around without the piece of clothing. 
A haze surrounds him, and he snaps out of his thoughts, heart skipping a beat as the scent of roses and smoke fills his nostrils. 
“Mistress…” he whispers, a wanton whisper of her title, eyes eagerly seeking her out. 
She, Death, appears behind him, arms wrapped around his shoulders and eyes staring into his through the mirror. The black veiled bride, his Mistress, reaches out with her arms still around his shoulders, fingers grazing his jaw as her eyes peek from underneath the fabric before her face, leaning down to mumble into his ear: 
“The boy is right, my dearest.” She rubs at his shoulders, “And I know what you’re thinking: no, Melmoth, your beauty never ever scared me.”
The haze is gone, then, and as he realizes, the elevator doors open. 
Stepping out, his legs feel like jelly after seeing her —like always, he is wholly devoted to her, to her very wish and command, hands aching to hold her, eyes yearning to finally get a glimpse of her from underneath the veil that covers her head to toe. If he could, he would make amends and sin enough to get a glimpse of her. But he knows her and knows she wouldn’t want that. 
Silently, he makes his way to Lena’s room and, setting a bag down, he knocks twice, picking back the bag, thoughts clouding his senses. 
Her words… What did she mean? beauty —his beauty? What even was that? What is beauty? Is it to be tall, short? to have clean skin? Who can define beauty without insulting others? Was his Mistress aware of how confusing her words could be? 
The door swings open after that: Abel’s standing by the other side with a grin and a:
“We were expecting you.” 
Arching an eyebrow, he comes in, but soon realizes why Abel used that playful tone. 
A woman and a little girl look back at him from Kishibe’s Rohan side, and Melmoth nods, walking up to set both bouquets by Lena’s bedside and then, turning to leave the bag with Esme’s presents by her crib. He walks back to the bouquets, taking a couple of flowers from them and turning to them, Melmoth does a small reverence, hoping to not scare the little girl in the woman’s arms. 
“His name is Melmoth,” Kishibe starts while he writes, “He works for Giogio.” 
Just when Ariel looks back to greet him, Melmoth already has a note extended out to her. 
‘My name is Melmoth and I am mute, so this is how I communicate. It’s nice to meet you, Mrs. Kishibe. I take it this is little Eliana?” 
When Ari looks back Melmoth is already kneeling before Ellie, offering the flower he had taken from the bouquet with a gentle look in his eyes —he’s always had a soft spot for kids: they hold a special innocence and, back to his days as a firefighter, kids used to come up to him with lots of questions regarding his job. Now, sadly, kids are scared of him. 
Ariel nods, smiling at her daughter as the girl looks back at her with confusion written all over her features: upon this, the little girl turns to Melmoth with a rather shy smile. 
“It’s okay, Ellie, he’s friends with uncle Giogio and aunt Lena.”
Melmoth waves, then, and offers the flower to Ellie. She takes it from him with a quick nod and then, suddenly shy, she turns around, hiding into Ariel’s legs. 
“Don’t worry,” Ari says, nodding towards Melmoth, “She’s always a little shy around new people, especially when traveling. We’re getting her more used to new places and people. She’ll warm up fast.”
Acknowledging her with a nod, Melmoth writes a new note, holding it up to read.
“Of course. I understand.”
Writing once more, Melmoth holds the note up.
“I’m sure our paths will cross again on this trip. For now, I have other matters to attend to. I just wanted to drop those gifts off for Lena and Esme.”
Nodding, Ari bows her head slightly towards him. “Please come back any time.”
April 19th, Giovanna household: 6:23 AM. 
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Sighing, reality crashes over him. Right, she and Esme are still at the Foundation. He came back home yesterday to take care of the twins, shower, have dinner and sleep. Despite getting all those done and drinking some oral electrolyte solution Giorno couldn’t find an explanation to his exhaustion. 
His back hurts. Terribly. His birthmark stings like hell. His hair is a mess and his eyes sting. It’s been a rough night. As he sits up in bed, his eyes squint to take a look at the clock by the wall as his right hand reaches out to find only a cold bed. 
Running a hand down his face, he sighs, grunting as he stands up and walks up to the bathroom. 
Taking a quick shower, the cold water seems to soothe his aching muscles and bring a sense of calm to his troubled and worried mind: as he stands before the mirror, electric razor in hand, his eyes drift to his shoulder, where the birthmark is: it hasn’t stopped stinging since the twins’ stands awoke and it only got worse during Esme’s birth. Soon, he thinks, as he makes sure to get rid of the stubble on his jaw, he’d have to tell Lena about this. 
After shaving and hydrating his tattoos, Giorno steps into their closet, retrieving the outfit he had put together the night before. Dressing goes fast and by the time he’s putting his shoes on, the twins come in with wide grins and sleepy eyes. 
“Good morning, boys.” He greets, straightening to open his arms as the boys run up to him, throwing themselves into his arms. 
“Is mommy coming home, daddy?” One of them asks, and he feels his heart sink. He makes a sound, something like a hum, and replies:
“I will go see how she’s doing, I’m not sure either.”
 This time Jovi pouts, “And Esme?” 
“She needs mommy, Jojo!” Dante replies now, turning to his twin with a knowing look —it had been something Westwood had said in hopes of soothing their curiosity. Giorno makes a small note to thank him for that: because then, both boys calm down and instead of asking more questions, they settle down in bed while Giorno goes to the bathroom to fix his hair. It had grown too much by now and it was hard to comb and style the way he liked it. Soon, aside from telling Lena about the sting on his birthmark, he’d have to get a haircut: maybe a nape undercut to try something new. 
Closing the bathroom door, Giorno comes back to the twins, waiting until both are distracted to lift them in his arms with a warm laugh, “You’ve been caught, boys! What will you do?” 
Giggling, both boys trash in his hold as he throws them into the bed, making sure to do it from a close distance to minimize accidents: then, he makes a disgruntled sound, flopping down in the mattress with a: “What have you done to me!! I can’t stand up!” 
Jovi giggles, standing up as Dante takes the sheets, bringing them closer to Giorno, “We’ve caught you, dad!” 
Between giggles, the twins throw the sheets on Giorno, pretending to tie him up with them. 
“We won, dad!” Dante screams, grinning from ear to ear, Jovi by his side with the same expression. 
Giorno stays under the sheets, though, silent and biting back his laughter. 
“Dad? Jovi asks, hand reaching out before Giorno reaches out from underneath, catching his leg and tugging gently, but making an overemphasized growl similar to those one would hear in cartoons, earning a squeal from the boys before he lets him go and the three burst into a fit of laughter, with Giorno sitting up and getting the sheets off him and the twins sitting each by his side. 
“Okay,” Giogio says, running a hand to fix his hair again, taking a deep breath to calm down, “It’s too early for you to be awake, is there something bothering you?” 
Dante pulls at his sleeve, replying once he has his dad’s attention, “Uncle West said he’s taking us to the park!” 
Jovi, by his other side, hums. “We said we’ll get to see the cats that live there!”
Giorno frowns, looking forward… Cats living in a park— oh, right. The park in the center of the city, the one close to Mister’s Belluci gelato store, the park he and West used to hang out after complicated meetings and hard days. 
“Oh,” he says, turning to his sons with a soft grin. “Then, let’s get you breakfast and get ready for that, hm?”
Both boys nod in unison, jumping off the bed and running up to the door. Too much energy, he thinks, amused, as he follows them out.  
Two hours later, Giogio walks into the garage, playing with the keys to the Biugatti Veyron Grand Sport that he had requested to get ready thirty minutes prior. He twirls the keychain around, his walking slower, relaxed —much more calmer than when he woke up. The twins had that effect on him, always reminding him of the good side of life. They had that calming effect on him with all their questions, grins and kindness. He believed they’d grow up to be strong, kind men. Hopefully they would not get involved in the underworld life like him. Maybe they’d pursue different careers: whatever they wanted, but not this. Anything they wanted to choose, he’d make sure to support them all the way: and he knew Lena would do it too. Their family was something both treasured deeply. 
Getting in, he rolls his shoulders, taking a second to glance around and make sure everything he needs for the day is there: keys, jacket, his thermal mug tucked safely in its cup holder by his right. 
The engine roars to life and he sighs hoping that when he comes back home, his wife and daughter come back with him. 
10:27 AM. April 19th. SPW foundation, medical bay. 
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Abel can't stand hospitals. Any medical facility, in fact. Any place where pain and sadness lingers in the air: he can't stand the picture of someone lying in bed, sick or attached to any device. 
For a mercenary that makes millions chasing after people who earn Don Giovanna's rage he's really extremely empathic. A coward under his own judgment. 
And it's funny, really, because he's an assassin. Has been all his life. Just because he's labeled himself mercenary doesn't make it less of a fact. 
He's been in the room for a few hours —all night,— sitting on the couch by his boss's side, stealing lingering looks at her and tearing up in silence. 
Memories come to him as another tear slides down his cheek and falls to his pants. When they met, Giorno and Lena had been dating for around two months: his first impression still makes him laugh. 
When Giorno walked up to him holding her hand he did not expect the difference of aesthetics: though her style was more alternative-oriented and his more like the usual office look and the colors they wore were similar, it was the fact they seemed so different that took him by surprise. 
He remembers the way she so kindly took his hand into a handshake and complimented his eyes. 
Now, as he looks back and she's still laying there asleep, his eyes fill with tears and he sighs, reaching a shaking hand out to place it over her hand. 
“C'mon, Lena, don't make me cry.” 
Looking off through the window, he keeps going despite the lump on his throat. “Giogio left yesterday to shower and get some sleep." He chuckles, “He's crazy, you know? Man got bored of getting his usual boiling coffee: he switched to iced coffees. All because he didn't want to leave your side.” 
Looking back and noticing he feels calmer now, his smile grows and he laughs genuinely: “But I guess you're just as crazy as him. You're both insane.”
Someone else speaks up from the door and he jumps —his heart almost bursts through his chest, too.
“Son, I don't think Giogio will appreciate those words.” 
Turning to the man in the doorway, Abel grins, wiping the remains of his tears with the back of his hand, eyes shining as he spots Dr. Bocelli there. 
The old man has a habit of calling everyone son, almost like he's trying to make up for the lack of his own. Still, he doesn't mind: his care brings familiarity. 
“Sorry Doc, I just, you know. Miss her.” 
Dr. Bocelli comes in, stopping to close the door behind his back with a soft click and then, leaning on his cane, he walks up to the bed, his smile turning into one of sadness: “We all do.” 
Doctor Bocelli leans in: checks the monitors and the IV, everything he does, Abel notes, is done with practiced care and simplicity. He has a vibe of wisdom within his mere presence that makes Abel wonder if he’ll ever be like him when he grows older. If he’s been blessed with wisdom or he has gained it through his path on earth. 
Bocelli’s voice snaps him out of his thoughts, immediately focusing on him:
“It seems she’s recovering faster than before. Not at the rate I was expecting, though.”
Abel leans back, eyebrow arched. “What do you mean?” 
Bocelli sits down on the couch before Abel, setting his cane between his legs and leaning on it, he looks back at Lena for a moment, pondering his reply and trying to figure out what’s going on. From the looks of it, Abel could consider this was not something written in those medical books, guides or articles. He turns back and Abel frowns, waiting for his response. 
“Do you know the date?” 
Abel’s frown deepens and he opens his mouth to reply, exasperated and offended, when Bocelli keeps going, “It’s April 19th, right? According to my calculations, she should have been in her current state on the 22nd.” 
Abel’s frown disappears and slowly his eyebrows arch up, “But… I take it you’re basing that off the twins' labor, aren't you? This was just one baby.” 
“Son, even if it was just one… It’s too soon. This time labor took more time. There was no way she could be like this by now. Unless…” Bocelli turns back to Lena again, thinking back to a certain someone. 
“Unless…?” 
Bocelli turns to him, his hypothesis just a mere vague thought; a possibility. “Unless Giogio’s healing her. Aware or not.” 
Abel frowns again, turning to Lena and then standing back again, walking up to the door: he’s confused and worried. Facing him, Blinding Lights’ user almost chokes on his spit when he asks, “Does that put her at risk?”
“It does not.” Bocelli pauses, taking a moment to think about it, “It’s just a thought, I still have to ask Giogio.” 
Abel sits back down, elbows on his thighs as he leans over, restless and anxious. “But he would have told you before…” 
Bocelli shrugs, “Maybe he doesn’t want to say it or doesn’t know he’s been doing it this whole time. We'll have to wait until he's back." 
 The man in the SPW lobby walks in fast, showing his ID to the lady in the front desk and waiting until she scans it and gives him a short nod to walk around and into the hall, getting into the elevator. 
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As the metal cubicle moves, Giorno looks at himself in the mirror. White dress pants, navy blue shirt perfectly smooth and tucked in. He pushes the dark shades off the bridge of his nose to his hair, rubbing at his eyes with a soft sigh. 
He’s better now that he’s slept –tired, but definitely better. The twins are home with Mista waiting for West to arrive so he can take them to the park, as they mentioned earlier: though they’re calmer now that they’ve seen their mom, they still ask when she’ll be back home: when will Esme come home so they can show her their toys and her bedroom? Or introduce her to Ares? 
The solution? Sticking to a soft and reassuring smile, all relaxed shoulders and dimples, and a brief explanation of ‘mama’s still getting some stuff done.’ 
Out of everything he could have prepared himself for, their questions and glances were not something he would have ever felt prepared for. Maybe it’s because of that fact —that they’re conscious and old enough to ask about their mother— that he finds the situation so hard to deal with. On one hand he doesn’t want to lie to them and on the other, he knows he can't blurt out the situation to them. They’re still young to understand. 
It’s because of this, their questions, that dealing with the whole situation has felt like he’s lying to his sons and betraying their trust. He feels like a hypocrite. At least the thought of Westwood taking them to the park close to the gelato store eases his worries: he knows he will take care of them, distract them for a while…
Sighing, he feels his chest expand as he exits the elevator and walks down the hall, eyes roaming around and spotting a few members of his team guarding the door to his wife’s room. 
“Good morning, Giogio.” Marco greets him first, hands behind his back as he stands by the right side of the door, a small smile lifting the corners of his lips. “How are you feeling?” 
“Good morning, Marco,” He replies, stopping there to greet his friend properly: he smiles, gentle. “I'm okay. Thank you for staying here, I'll get someone to cover for you so you can go home.” 
Marco waves it off, “‘S okay, Abel’s inside with Dr. Bocelli. C’mon, get there.” 
Patting him in the back, Gio steps in, turning the knob and coming inside. 
Abel and Dr. Bocelli turn to him. The first eyes him suspiciously and the latter greets him a wave and a smile. 
Gio stands there, looking back at the both of them, expecting something from them, but not quite sure what: was his choice of clothes too much for the occasion? Did something happen? 
Dr. Bocelli speaks up first, gesturing him forward. “Giogio, Lena's making great progress.” 
"I'm glad," Giorno smiles, walking up to the bed and sitting on the edge of it, reaching his hand out to Lena, talking without turning to the man, eyes glued to the sleeping figure before him. “You need a break too, Bocelli.” 
Abel frowns, turning to Dr. Bocelli. The man nods and Giorno notices the interaction: before he can ask, Bocelli turns to him.
“Is your stand fully under your control, Gio?" 
Giorno frowns, confusion written all over his face as he turns to the both of them. “All the time.” He turns to him now, eyebrows furrowed in confusion, “Why?”
Bocelli shifts in his seat, offering an explanation shortly after. “Lena’s healing process has been faster this time. I expected it beforehand, but it’s… Different.” 
Giorno hums, eyes darting down as he thinks about it. He’s been tired after all the time he’s spent up and watching over her… 
But he’s not sure. He can’t reply to that: anything he says could play against him. Not because he wants to keep secrets, but… Denying such an event and getting a positive response right after would not be of help: confirming such a thing without being able to explain would also backfire. Maybe not the worst of consequences, but it wouldn’t be of help certainly. 
“I don’t know.” He confesses, turning to Dr. Bocelli with furrowed brows. Taking his glasses off his hair and setting them on the table, he turns back to the old man with an almost shy expression, “Only Goldie can reply to that. If he did, then it must be a matter of… I don’t know, a leak?” 
As he talks, the smell of honey and flowers starts to surround the golden being materializing aside him. Gold Experience Requiem’s silhouette stands there. The stand doesn’t acknowledge Abel and Bocelli’s presence, instead turning to Lena and approaching her fast. “Mistress?” 
Abel moves to stop him when Bocelli raises a hand to stop him, watching over the stand’s interaction with the woman. Goldie’s hand shines when he touches her and the monitors pick up on their pace, registering a sudden peak on vitals and then, seconds later, parameters come back to their normal rates, steadying themselves. 
Bocelli’s Type O Negative team pops out from behind the monitors, climbing up the bed and around Lena and Goldie. The nurse closest to Bocelli nods up at its user, giving a firm thumbs up with both its tiny, green hands. 
Esme stirs awake in her crib, getting a bit fussy over the new presence, almost like she can already sense her father’s stand. 
“Oh?” Bocelli mumbles, eyes the size of dinner plates as he sees Gio approach her crib and cradle her close to his heart, rubbing her back while she starts to calm down. “I think we have a special case here.” 
Giorno sits down by Abel’s side, letting Esme sleep on his chest with his hand spread across her back and the other keeping her in her place, his voice is firm but gentle at the same time when he calls, “Goldie, have you been healing her?”
The stand straightens his back, turning to his user with wide pink eyes and, pulling his hand back, he nods. “I am, Master. Is that wrong?” 
Giorno’s voice turns cold unexpectedly, silent rage flaring up underneath the surface, “When did I give you permission to do so?” 
The stand stares back at his user coldly, and before any of them can say anything else, Bocelli steps in. “Let’s calm down, yeah? She’s not at risk, but we could have used some warning from any of you.” 
Giorno sighs, feeling the tension leave his body slowly. His green eyes have a darker shade to them, clearly troubled as his mind keeps running faster than he can process his thoughts, “Please run all the tests you need to ensure her safety.” He turns to his stand, eyes turning darker for a millisecond when he addresses the powerful being, “Goldie, get back. Now.” 
Gold Experience Requiem dissipates into thin air, leaving behind a stronger scent of honey, like the confrontation arised its presence somehow. It was obvious they wouldn’t fight physically… It was Giorno’s own guilt shining through. 
Dr. Bocelli stands up, letting his stand approach Lena. “I’m certain nothing is wrong, Type runs tests constantly so, anything out of place would have been already reported to me.” 
Abel, still tense, sighs. It’s shaky and clearly intentioned, forced: an attempt to make himself know everything is okay. He shifts in his seat, mumbling out. “We should ask Paolo about this.” 
“Later.” Giorno says, eyes drifting to Lena’s form as Bocelli keeps himself busy with some papers. 
The old man hums, and when he looks back, the light behind his eyes makes Giorno know of impending good news. “I think we can keep the healing process with her awake. If everything goes well, she should be home tomorrow’s evening.” 
His heart skips a bit and unconsciously, he straightens his back, holding his daughter closer to him: the ghost of a grin curling his lips up for the first time in days, making his dimples stand out: his eyes, that had been darkened, go back to their usual tone. “Can we have Ariel and Rohan here all day, then? Can she receive longer visits now?” 
Dr. Bocelli thinks about it for a moment, pausing to think for a second. “Yeah, just remember newborns are fragile so make sure she’s not in constant contact with them: her immune system is still adapting.” 
Giorno nods, quietly going through every word. Bocelli walks up to the door, then, and before he leaves, the old man turns to Giorno: 
“I believe your souls are connected, Giogio. That’s why your stand was healing her without you noticing. To put it simply: it’s what others describe as soulmates.” 
His breath hitches right as the door closes behind Bocelli. Abel, still there, stands up slowly, a grin curling up his lips. “That’s cheesy, but he’s right.” He says, “I’m sure Paolo would say the same —I wouldn’t be surprised if you could share your stand abilities somehow.” The Capo walks closer to Lena, noticing the nurses working to calculate new lower dosages. He ignores it, though, not wanting to see furthermore and instead, he turns to the bouquet of flowers, pointing at each of them: 
“So. Corvo got these for Lena. The one with tulips and sunflowers is his, and the other comes from a grateful patient.” 
Giorno’s attention drifts to the other bouquet, recognizing the flowers: hydrangeas. Gratefulness. His eyebrow arches and he looks at the Capo with a curious look. 
“Does the names Noah and Sebastian Worsnop ring any bells?” Abel asks, grinning now. 
Giorno squints, as if the action would be enough to bring back those memories —the names do sound familiar, but he’s not sure how to explain it. “Kinda,” he ends up saying, shifting his hold on Esme when she sighs, settling down against him. “Why?” 
Abel hums, “Corvo met a florist, turns out his brother works for the Foundation and got direct help from her to get him a prosthetic. Not sure when, but I assume it’s been a few months, maybe a year. He said the boy looks healthy and recovered.” 
Giorno hums, thoughtful. “Well, I don’t remember. But maybe Fugo can find something related or I can ask Lena once she wakes up and sees the flowers.” 
The door opens, then, and silent footsteps are met with curious glances from both Giorno and Abel. 
“Good morning.” Akashi greets them, a wide smile across his face and eyes soft as he glances at the bundle in Giorno’s chest, “Is the little princess asleep?” 
“Yeah,” he says, letting him see her face. “Are you going home?” 
Akashi nods, eyelids heavy with sleep. “Mhm. Alma’s here to cover for me.” 
“Good,” Giorno says, “Who’s gonna cover for Marco?”
Akashi looks up into the ceiling, taking a moment to remember the schedule sent by Fugo to the group chat: after a moment, he looks back: “Paolo.” 
“Excellent. Go get some sleep, you look like shit.” 
Akashi laughs, walking to the door and quoting him: “No swearing in front of kids, remember?”
Giorno shrugs, biting back laughter as he waves him off. “Adiós, kid.”  
With a playful scowl, Akashi leaves and with him, Marco and the rest of the team. The others settle in their positions, ready to work. 
Right when the door closes behind Akashi’s back, Abel blurts out, like he couldn’t hold it in anymore: “I told Kishibe about his situation. He should be talking to you about it today.” 
Giorno’s eyes scan over Abel’s face —back and forth, calculating and knowing. His lips part, and slowly, he speaks. “Are you aware we won’t get that done today, or tomorrow? We need to see his schedule, he’s busy. He has work and a family to attend first.” 
Abel hums, arms crossed over his broad chest. “Of course I know.” 
Giorno nods, silent, lips pressed into a line as they settle in silence. Then, his honeyed voice can be heard as a whisper. “You should go home too, Abel. I’m thankful for your stay here, but you need to rest too.” 
Rome’s Capo shakes his head no, sitting down beside Lena’s bed, hopeful eyes darting to her and back to Giorno. “I want to see her awake first.” 
“Don’t wanna be a killjoy, but you can go home now, Abel.” A tiny voice cuts through, makes both men whip their heads back to the stretcher where Lena lays awake, hazy eyes and a tired smile: the braid Giorno had made to preserve her curls falling over her shoulder as she takes a deep breath in, senses slowly coming back to their best, as analgesics are still working. 
“Lena.” Giogio whispers, mouth open for a second before he stands up, clutching Esme closer to him. He sits by her side, legs like jelly and eyes filled with tears: he leans in, careful with the baby in his arms, and presses a soft, long kiss to her forehead, paired up with a whisper of: “Missed you.” 
“Missed you too.” She whispers, weakly: the type of voice one has after an unexpected nap at five in the evening on the couch after coming home from a long day outside. 
“Make room,” Abel calls, voice shaky as he runs to the other side of the stretcher, coming into Lena’s sight with a wide grin and tears already falling down his cheeks. “Missed you, Lena!” he leans in, pulling her in for a short, friendly hug. Pulling back, his grin and tears a contradiction but a solid, carefree expression. "How long have you been awake?" 
She replies in a whisper, voice tiny and hands coming up to rub at her husband's arm, "Was gaining consciousness when I heard Giogio tell someone to rest." 
Gio sighs, laughing under his breath, with Abel scoffing and replying instead; "Silly. Take care of yourself first, I'm all good." 
This time, Giorno looks back at him, eyebrow quirked and an amused smile tugging at his lips, "Good enough to be considered a corpse." 
Both men laugh and Lena grins, soft brown eyes drifting around them and noticing the bundle in Giorno's arms. She taps at his arm and he turns, exchanging a look so he relaxes his hold around the baby. 
Looking at Esme, Lena's eyes fill with tears once again as she glances at her, deeply asleep in her father's arms and dressed in a white onesie with a character's face she can't make out from her unfocused eyes. "She's really daddy's girl, huh?" 
"Of course," Abel says, wishing to pay back: "This man will soon wear a tiara and all." 
The couple chuckles and Abel finally gives in, rubbing a hand down his face, "Alright, Imma head out. See ya' later, hm?"
"Of course, thank you." Giorno's reply comes out easier: a weight has been taken off his shoulders, effectively making him appear genuinely calm now. Happy. 
Again, the door closes and Giorno stands up to set Esme down in her crib with Lena's eyes fixated on him. Making sure she's properly tucked in with the blanket Corvo got her, the Don turns to his wife, eyes soft and an equally softer smile thrown her way. 
"It's been hard without you, you know?" He steps closer, sitting in the stretcher by her side, his hand brushing hers. 
"I can imagine." She whispers, moving over. "C'mere?" 
Giorno hums, turning to lean back against the pillows and then, sets a leg up, careful not to put most of his way in the stretcher in case it can't hold up. His arm, the one closest to Lena, reaches out, wrapping itself around her shoulders and serving as a pillow for her once she settles by his side, cuddled up against him. 
“There is so much we need to talk about, but I don't want to bug you with all of it." 
She hums, appreciatively, "We can start slowly, from the things that can’t wait and we can actually do something about, to the ones out of our control.” 
He sighs, laughing right after: the sound soft and more like a puff of air leaving him: “What would I do without you?”
She hums, taking a deep breath to take into his cologne and shampoo, as well as the smell of fabric softener. “You’d carry on for our children.” 
He hums, the sound sudden but hiding an affirmative undertone to it, like it had taken a moment for him to accept it. Moving on, he starts to think and possibly categorize everything that has happened —Akashi and Rohan, the twins, the florist Corvo had met, Rohan and Ariel and the proposal they wanted to make, his birthday… 
The first one: one of the ones they can do something about. 
“So,” he starts, tone lighter now. “Do you still want to ask Rohan and Ariel to be Esme’s godparents?” 
She doesn’t stay silent for so long, replying right away: “Yeah.” 
He hums, nodding to himself. “Good. Dan and Jojo have been asking about you nonstop: West had to take them to the park to get them to relax.” 
She stays silent, seeming to think about it: Giorno doesn’t need to look at her to know she’s trying to find something to say, or maybe she’s trying to find a reason for their behavior even if it’s obvious. 
“They’re stressed.” 
Giorno hums, eyes slowly closing and opening again. “Bocelli said you could go home soon, seeing you back will soothe the—.” A tiny tug to his shirt and he looks down, finding one of Type O Negative’s nurses pulling at the fabric of his shirt: as soon as the stand senses it has his attention, it points to the door: 
“Dr. Bocelli will come to check in, please get off the stretcher as you are not in need of it.” 
Grumpy little shit. He thinks, trying not to laugh as he stands and throws his arms up in a gesture of surrender. Lena laughs, too, sitting up as the nurses keep working around her and her eyes take a look around the room, staying on the flowers by her bedside. 
Noticing this, Giorno steps in, pointing at each bouquet he’s referring to; “Corvo got you these bouquets: the one with sunflowers is his, the other… Do you remember someone called Noah and Sebastian Worsnop?” 
It takes a moment but Lena nods, slowly, and after a moment of contemplative silence she speaks up. “The first case I took after getting appointed director of the branch was the case of a boy who had lost his arm in an accident. My team had told me about it, but then his brother came to my office and was willing to stay the night just to get a talk with me. So I let him in and we talked. I know he should have waited like everyone, because the Foundation would have gotten to their case eventually, but… I don't know.”
Giorno stands before her now, watching the nurses walk around her, but still replying: “Compassion.”
“Yeah…” she trails off, looking to the side. “After that, I asked Paolo for help and he took the case along with the rest of the team.”
Giorno nods, not willing to ask why he didn’t know —sometimes both were too tired to talk about work, and if he remembered right, that must have been around the time he had to leave in order to fix the mess he had caused with Rohan. Back when they had that ugly confrontation. “It’s okay, I was just not sure. The names did sound familiar, but I’m not exactly sure where.” 
She looks back, a small smile in her lips, “Gio, one of your interns took the case: Noah’s car was severely damaged and they had to get it solved in court. You just happened to help your interns with that case.” 
He blinks, once, twice: and unable to remember, he shrugs, “Honestly, too many cases go by my hands every day. Can’t remember every single one. Oh, by the way…” he trails off, seeming to pick on someone coming over: 
And so, the door cracks open and Dr. Bocelli comes in, lighting up when his eyes meet Lena’s: the grin that breaks through his face makes his eyes smile too, a rare view. 
“Mrs. Giovanna,” he says, with a playful tone to it, “How are you feeling? I didn’t expect you to wake up so soon.” his tone shifts to one of seriousness, like he genuinely wasn’t expecting for her to wake up after the reduction of dosages on both painkillers and benzodiazepines because, technically, it should have taken more time for her system to process the reduction of said drugs and then it would also mean her body would have to take out all the reminders of the higher dosages, making room for the newer ones: it made sense but it also didn’t. Still, he doesn’t say anything, waiting for her response —like she’s taking time to think and feel, to find out what she’s feeling and name it. 
“Good,” she says, shifting to lay on her side so she can talk to Bocelli, “Just sore, but overall, everything seems just right.” 
“Mhm.” Bocelli closes the door behind him, pen and clipboard held under his arm as he starts with a small questionnaire: “Dizziness? Nausea? Pain?” 
She shakes her head, “Nope.” 
Bocelli nods, writing down her replies, and, coming into the room, he gestures at Giogio to sit down as he takes the chair besides the stretcher to set it by the foot of the bed, where he can see both of them. “I’m glad. So, while you were unconscious and Giogio was here, it seems like your souls have bonded —further— somehow. Gold Experience sped up your recovery.” 
She frowns, sitting up slowly. Leaning against the headboard, she looks at her husband, then Bocelli with a confused pout, “But… Goldie can’t deal with pain?” 
Bocelli nods, and Giorno speaks up before him. “That was Type, both stands managed to work together somehow, am I right?” 
The old man nods, sighing under his breath. “It’s an enigma. But,” he turns to her, soft eyes and an even softer smile: “Type has confirmed you’re out of danger. We just have to wait until you’re fully healed, which should be around this evening.” 
Giorno grins —a wide, happy and excited smile, one that makes him look hopeful again. “Really?” 
Dr. Bocelli nods, slowly, smiling at Giorno’s evident happiness. “I wouldn’t lie about something so important as this.” He stads up, slowly, and walks up to the door, where he waits before opening it, “Your friends are here.” 
“Please let them come in.” Giorno asks, and when Bocelli nods, he speaks again, making the old man stop on his tracks so he can listen to whatever he has to say: “And Bocelli: thank you.” 
Dr. Bocelli Enzo hums, turning to look him in the eye, then at Lena: and with a soft smile, he replies: “Of course, son.” 
The door closes behind him and Giorno smiles, sighing: things are getting better, it seems. 
That evening he’ll get to see his sons smile and rest after seeing their mother come home, and he won't have to worry about her staying behind with their daughter–
And oh, the kids would get to show Esme her room and toys: and Ares would probably try to sleep with her in her crib: and he'll have to teach him not to…
It would be a nice view. To see his wife and kids happy at home, healthy and reunited. His family…
“What’ya thinking about, baby?” Lena asks, laying in the stretcher with a soft smile and tired eyes: but awake and alive: there with him. 
Giorno blinks, snapping out of his thoughts. “I’m just happy to know you’ll come back home. The boys and I miss you. Dan and Jojo want to show Esme her room.” 
She grins: it’s soft and full of hope. Full of life. “They’re so sweet. They… will be amazing.” 
He nods, standing up slowly. “While we wait for the visits to show up, I found something you might like.” Pulling his phone out, Giorno walks up to the TV in the wall, turning it on and connecting it to his phone: Netflix’s main menu shows up and Lena sits up, leaning her head against the pillows: and as he looks for whatever he wants to show her, her eyes drift down his back, noticing how he keeps flinching. It's a small, almost unnoticeable flinching: like he’s shaking his shoulder like one would do to get rid of a mosquito…
“Does your arm hurt?” She asks, and he freezes. The loading screen darkens the image for a second, before Netflix’s intro starts with its usual sound, then the screen goes dark again. 
And in that single moment of silence, Giorno replies, eyes looking down at his phone. “My birthmark has been… Feeling weird since Dan and Jojo’s stands awakened.” 
The first credits starts, and Lena speaks up: “Do you think this has to do with Dio Brando?” 
Giorno pauses the show. The image on the screen displays a valkyrie: but none of them care about it right now. Not when Giorno takes longer to reply, head held down for a long second before he turns to her, eyes troubled. “I don’t know.” 
Lena remains silent, then, her eyes flick to the screen, noticing and recognizing the character on screen: then, she looks back at her husband, a determined look in her eyes. “Then we might have to ask him directly. Sounds like that sensation Jotaro described when the Cairo incident happened.” 
The group of five; a journey of fifty days. The source of Mr. Polnareff’s concerns regarding the stand arrow, the mere thing that brought him to Diavolo, who had obtained the arrowhead from Enyaba, who was under Dio’s orders. It makes sense, somehow. He hadn’t wanted to think too much of it: because no matter how much he wants to reunite with Dio Brando, he’s still human: he fears. 
Giorno nods, “You’re not… Mad?” Walking back to her, he still doesn’t mind the paused chapter, wanting to hear her answer. 
She shakes her head, waiting until he’s close enough to reach out for his hand, “I take it you didn’t want to bug me?” 
This time, Giorno breaks into a small laugh, nodding his head. “Yeah. You were pregnant and we had more to worry about: the twins were… Too ill for us to focus on something else.” 
“That doesn’t mean you don’t matter, hm? We could have found out sooner. Have you noticed any change of texture, shape or size on your birthmark?” 
He shakes his head, “Not really.” 
“Then… We’ll have to see what’s going on and request a meeting with him.” 
Giorno sighs, sitting down by her side in the stretcher, letting the show play: as the recap of the latest rounds goes on, he dips his head down to reply in a whisper: “Agreed.” 
She hums back, a silent agreement to contact Dio Brando soon: arrange a meeting and find out. And, at the same time, ending the cycle that had started back then when Sunnie and Catherine had asked for their help with the Board. 
Soon, their attention drifts to the show on the screen: shuumatsu no valkyrie’s second season, episode one. The fourth round of the ragnarok, where gods and humans fight for the extermination of the human race, or the salvation of it.
The door opens and Rohan steps in, eyes darting to the screen, then to the couple: he has to take a second look to confirm Lena’s awake and waving at him. 
“When did you wake up?” 
Giorno pauses the show, standing up to open the door and let Ari and Ellie in. “Welcome. Lena woke up around… Ten minutes ago?” 
“Oh my god, you’re awake!” Ari’s excited, cheerful voice comes in as she rushes inside, leaving Rohan —who’s carrying Ellie still in her pajamas— by the door. She rushes to Lena’s side, giving Giogio a quick nod as a salute, before wrapping her arms around her friend. Both women laugh as they embrace, with Ari pulling back shortly after. 
“We’ve missed you so much! How are you feeling?” 
Lena grins, softly: like she wants to let her friend know she’s okay. Like she’s still, somehow, not used to this kind of attention, To be cared for so deeply and attentively. “I’m good, still sore and sleepy, but Bocelli says I should be good enough to go today.” 
“That’s such good news!. You’ll have to get home and rest more there.” Ari smiles, softly, relieved to hear the news. Her eyes drift to the crib, hands clasped in front of her, curious but quiet.
Following her sight, Lena smiles, turning to Gio and then to Ariel and Rohan, who’s now inside the room. “Ari, do you want to hold her?” 
Ari looks back with a soft blush spreading through her cheeks and wide eyes, nodding–she had been there earlier and seen Esme, but had let her rest, settling for slipping a finger into Esme’s tiny palm, not wanting to interrupt her slumber.
Giogio stands up, walking up to Rohan. “Rohan, could you..?” 
Rohan met her first: and if they get to hold her together, then it would be the perfect moment to ask. 
“Sure, Giovanna.” Rohan gives the taller man a nod, letting Ellie go with him. Then, as Ellie settles down in Giorno’s arms, Rohan walks up to Ariel, taking her hand and guiding her to the crib. 
He gives his wife a short look before he reaches for the baby inside the crib, gently cradling her in his arms. Ari gets closer, looking down at the tiny being in her husband’s arms. And she gasps, eyes filled with tears: when she looks back, Giorno and Helena smile back at them, with Giogio holding Ellie and speaking up: 
“Ari, this is Esme.”
She nods, making the gentle transfer from Rohan’s arms to hers, supporting Esme’s head and rubbing her thumb in gentle circles at the crown of her head. Marveling quietly at her tiny eyelashes and sleepy yawn, Giorno interrupts her reverie with a question:
“We were wondering… Would you two like to be her godparents?” 
Kishibe’s mouth hangs open at the question, and Ari’s eyes have widened impossibly more: the couple stays in silence for a minute, with Ellie giggling over the sight of her parents so out of their usual expressions.  
“Of course,” Ari mumbles, tears in her eyes and a grin on her face. “We would be more than happy to be her godparents.” She trails off by the end, staring for a moment at the soft, sleepy face of the baby in her arms.
Giorno grins, bowing. “Thank you, really.” 
Rohan sets his hand on Ari’s shoulder, squeezing gently, then kissing her cheek. “You know we’re someone you can always count on, Giovanna.”
7:22 PM. April 19th. Giovanna residence. 
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“Mommy!” Dante yells, eyes wide as he runs up to his mother who’s just coming through the door with her dad trailing behind. The boy stops in his tracks as he notices his dad is holding a tiny bundle in his arms: and he knows that’s his sister. His twin, Jovi, stops by his side too, and both exchange a look, before breaking into wide, stunned grins, hushing each other and deciding to stand there as they watch their mother grin at them. 
Lena sits down on the couch, opening her arms for her sons that upon the sight of their mother’s arms ready to embrace them, run up to her, climbing into the couch by each side of her, and through tears, they melt into her, tiny arms wrapped around her.
“It’s okay,” She whispers, voice loving and filled with warmth; the warmth and comfort only a mother can provide. “I’m here.” she whispers, rubbing their backs as they cry quietly in her hold. 
And he sighs, biting back his laughter as Ares comes in, climbing into the crib already purring. The cat, like he thought, is trying to cuddle with Esme. Howeer, he scoops the Maine Coon, and gets him out of the room, as it’s still too soon for her to be so close to him: Giogio doesn’t want her to get sick. 
Giorno walks upstairs, carrying Esme, and arriving at her room, he sets her down in her crib —a small ritual he’s created for his kids: that once they arrive, the first place they lay down with him watching over them is their crib. Like he’s making a silent promise to them and himself to always watch over them. Because no matter how old they get, or if he grows old and his hair turns all grey: to him, his kids will always be his little ones. 
He hears footsept coming in, and he already knows those are the twins: and soon enough, two blond heads peek in, coming into the door with Lena trailing behind. Scooping both twins in his arms, he lets them peak at the crib, where Esme sleeps peacefully:
“Mommy, why is her hair like a carrot?” Whispers Dante, and the comment makes Lena laugh. 
“Red,” she says, gently correcting him, “Her hair is red. And that’s because she got that from one of my aunts.” 
“Ohhhh.” Dantes nods, finally understanding, and speaks up again: “And why is my hair like daddy’s?” 
“Because you look like him,” she says, looking back at Giorno, who’s watching the whole interaction with soft eyes. Jovi then joins, with a question of his own. “And does she have red eyes too?” 
Giorno replies this time, shaking his head. “No, they are green. Like yours and mine.” 
“Ohhh.” Both twins muse, in unison.  
The family stays there, watching over the new member —later, Giogio would take the boys to bed, promising to help them show Esme their toys and her plushies: and then, he’d set the baby monitor by the crib and let Lena know it was all done. Both would lay down after that, and watch the baby monitors, both the twins’ and Esme’s until sleep overcame them. And in the morning, they would plan a dinner to celebrate his and Lena’s birthdays.
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I've decided to combine the previous fashion charts together so I wouldn't have to go back and forth between charts just to look for outfits to draw, I also took the opportunity to add new outfits and edit some of the original outfits on the chart because I felt that the original felt..."lacking" to put it bluntly.
I did however kept the original versions for documation purposes and because I felt that some of you guys may like the old outfits better.
Originals: Link Link
Outfits:
~Stardust Crusaders 1988 - 89~
- Main outfit: This is what she wears most of the time throughout Part 3, you'd think she look harmless but looks can be deceiving when you're a servant of DIO. The outfit consists of a black and orange baseball cap worn backwards (possibly a San Francisco Giants hat), a light and dark purple hoodie that exposes her shoulders, a black crop-top with white lining, a red belt, bluish-lilac jeans with rolled up legs, light purple socks, and almond colored high-top sneakers.
- Pajamas: This is what she wears to bed during 1987, just a simple baggy t-shirt and sport shorts similar to Asuka Langley's, except for the color changes to blueish gray and white and has a Morro Bay, California logo, she does however mostly forgo it for the next outfit of course for reasons. 
- DIO's servant: While serving DIO during her stay in Egypt, she wears more conservative Egyptian clothing during night time hours whenever he's active at night, even when she goes to bed. This is mostly to avoid DIO "noticing her" like he does with his women but makes up the excuse that Cairo gets cold at night. This is comprised of a long grayish-purple button up gown and dark grayish-purple pants, a gray shawl, and white slip ons, I also added colorful beads and golden bracelets to spice it up and match DIO's other servants.
- First arrival to Egypt: This is what she wore during her first arrival to Egypt after agreeing to join DIO's side, taking place a year before "Stardust Crusaders". I know it looked a little too touristy, but it would make sense since this her first time in Egypt, with the only thing she knew about the country are ancient civilizations, historical monuments, and very hot weather.
- DIO's World: She wears this shortly before and during "DIO's World", the last arc in "Stardust Crusaders", right after she befriended a hospitalized Kakyoin, showing that she's slowly shedding her DIO's slave persona and becoming an unofficial Crusader, the star accessories she wears pretty much shows this. She also wear's Joseph's breathing mask rigged with Hamon to gain the Crusaders' trust, being warned that it will go off if she removes it.
- End of Part 3: This is the same outfit as the previous one, except it's all dirtied up, torn, and bloodied from her last fight with DIO, furious with him for using her and murdering Kakyoin in cold blood. It was during that fight that she lost her arm to him and got as badly injured as Polnareff, putting her out of commission. She would later get a prosthetic arm from the SPW Foundation before taking the plane to Japan with Jotaro and Joseph.
~Diamond Is Unbreakable 1999~
- Wedding dress: The dress that Medea wore for her and Keiji's wedding a few years before "Diamond is Unbreakable" took place. I mean come on, she becomes a wife and mother in Part 4, right? We might as well show off the dress for it... And yes, she wore her glove over her mechanical arm, gotta make your prosthetics look fabulous to. Sorry if it doesn't look fantastical though, that's the best I can come up with.
- School Teacher: This is what she wears during her stay in Morioh, Japan as a History Teacher in Josuke's High School. Medea had noticeably aged and takes on a more mature and feminine look while still maintaining some of her traits from her younger years, her hair also grew longer and straighter down to her lower back. She is seen wearing a orchid purple suit with a black turtle neck underneath, and grayish brown slip ons, she also has her hair tied up in a bun. I also added a white belt to spice it up a little, give it a stylish 90's look.
- Casual outfit: On her off days, she wore a white button up shirt and a pair of bluish-lilac jeans with cuffs rolled to the ankles, her hair is also let down, and wears the same slip ons from her School Teacher attire, you'll also notice that her right arm has been replaced by a mechanical prosthetic after her last fight with DIO, similar to Joseph's last fight with Kars.
- Pajamas (circa 1999): This is what she wears to bed during the 1990's, her pajamas comprised of a grassy green tank top and gray sweats. It's not much but it's a change up from the purple-colored clothing she normally wears.
- Summer time: This is what she would wear during the first few days of Summer, contains a pair of summer shorts and a baggy "Prince" T-shirt, the only downside is that she gets mistaken for a foreign tourist by the residence of Morioh before being recognized by her friends and coworkers. This is inspired by this outfit from Evangelion.
- "Great Days": This is the outfit she wore during the 2nd half of Part 4 after Kira goes into hiding as "Kosaku Kawajiri". It's based on the schoolteacher outfit she wore except she wears her hair's down and forgoes her jacket, revealing that her black sweater is actually a sleeveless turtleneck with removable sleeves. She also wears a star neckless and bracelet to go with it, symbolizing her snapping out of her depression to find and defeat Kira alongside Jotaro Kujo.
~Stone Ocean 2011 - 12~
- Main outfit: This is what she wore for the majority of "Stone Ocean", having grown a lot older and wiser since Part 4. She wears a stylized jacket with pumps and a turtleneck dress underneath instead of flats and trousers, she also wears a band on her arm with a SPW Foundation logo on it, showing that she is now affiliated with the group to bust her daughter Noriko out of prison, save Jotaro's life, and kick Pucci's ass. Her hair has also been cut short into a pixie cut, symbolizing her growth and wisdom. 
~Non-Canon stories~
- "A Date with a Vampire" It's an evening dress that DIO gifts her for her 19th birthday as a way to "express gratitude" for her services, Medea of course doesn't want it because she knows DIO's just finding any excuse to objectify her or flaunt her around like a purebred puppy. The outfit mostly consists of a plum purple dress with long sleeves, short bottoms, and exposed shoulders, light purple footwear, silver braceletes, a fake wedding ring, and a silver necklace with three garnets, she also wears heavy makeup(curtosy of Mariah and Midler). This attire is mostly for RPs and dribbles, not Jojo OC canon, but I'm drawing it anyways because she looks fantastic in it.
OC belongs to me Base belongs to Rainfall-Bases Blank base here: BASE 272 - girl with no boots by Rainfall-Bases on DeviantArt
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shesalewa · 9 months
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Fanfiction or comic idea. Alternative universe where the SDC that live and die are switched and how Abdol, Iggy, and Kakyoin would react to Joseph, Polnareff, and Jotaro's death.
I'm so sorry I took a while. My art style wasn't looking right so if it looks weird then I apologize.
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Now that we're here. Don't ask why Iggy looks weird. Just know that, that's Iggy. (I actually tried so hard to the point I just gave up.)
Okay so. Regarding this.
AVDOL would lose his arms in this process but Polnareff is the one that gets taken.
And because Avdol is fire and vampire's are vulnerable to fire. Ice gets weakened. Causing Avdol to win.
So how does Jotaro and Joseph die?
Well. Joseph and Avdol+Iggy team up to try and corner Dio.
Jotaro and Kakyoin go together.
Kakyoin tells Jotaro his plan on how they can find a way to reveal Dio's ability.
Jotaro finds out first that Dio can stop time. And as Dio tries to punch a hole into Kakyoin's chest/stomach Jotaro leaps and takes the hit instead 😱
Of course they both get thrown to the water tank, Jotaro tells Kakyoin to stay as far from Dio as possible, making star platinum throw Kakyoin off the building. While Jotaro himself breaks his wrist watch. And Kakyoin uses hierophant to go back to that roof top
Of course because Kakyoin cannot stop time. How does he win?
Well. A stand doesn't have an equal just a stand similar. And stands are created through life manifestation, and soul.
So Kakyoin decides to inherit Jotaro's will and desire. Kakyoin's soul becomes similar to Jotaro. And when Kakyoin was at the roof top star platinum. Confuses Kakyoin's soul for Jotaro. Grants Kakyoin the ability to move through time stop. (AHAHHA THIS IS JUST A HEAD CANON AND IT'S BASED OFF A FANFICTION, until I see you again by @blasphemings )
And Kakyoin not realizing that he can move time, stays beside Jotaro's dying body. And so Jotaro holds Kakyoin's hand, and hands him his broken Rolex watch, ofc Jotaro tells Kakyoin to run yet again. But they get interrupted by Joseph and whaddya know, Dio kills him without hesitance. Oof.
But what about Avdol? He lost his arms. And while planning he fainted due to blood loss.
Ofc Kakyoin and Iggy have to work together.
Then Kakyoin who still is clinging to Jotaro's watch, suddenly comes to a realization.
Then he realizes he can move when time stop is activated.
Of course Kakyoin would punch the living 💩 out of Dio. And use hierophant to rip Dio into pieces and let him die in the sun.
Then Kakyoin would call the SPW and wait for them beside Jotaro's dead body.
Ofc when Kakyoin goes back to Japan his parents greet him at the airport.
And as a spw car decides to bring him home Noriaki Kakyoin requests to visit Holly. And then Kakyoin does the Dogeza.
Dogeza (土下座) is an element of traditional Japanese etiquette which involves kneeling directly on the ground and bowing to prostrate oneself while touching one's head to the floor. It is used to show deference to a person of higher status, as a deep apology or to express the desire for a favor from said person.
Ofc Holly knew her father and son were dead. And scolded Kakyoin for apologizing for something he had no control of.
Of course. Polnareff was buried beside his sister.and Iggy and Avdol lived in France. Looking for arrows.
Kakyoin after graduating college. Works for SPW and helps Avdol. Iggy then dies of old age after 6 years.
And then. Morioh happens.
Omg omg omg omg omg. I was actually waiting for someone to ask me this. I've been having this au ever since I finished part 3. Eeeeeeeeeeeeeeeeee—
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moxxiejoestar · 11 months
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history, explaining & stories about stand arrow & requiem arrow
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The stand arrows & requiem arrows are made by meteorites fell on Cape york, greenland since 50,000 B.C.E/B.C.
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Mysterious men/man is the one who created 100 of stand arrow & 50 requiem arrows in this unknown years.
In 1978 two workers died while investigating mineral resources in cape york. Presumed to have been infected with a virus & soldiers finger came zap shot like a teasers gun then he becomes the stand of unknown.
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In 1986 somewhere at the middle of egypt desert, 19 years old diavolo discover the box of 5 mysterious stand arrows & 1 unknown of requiem arrows then he stolen the arrows & selling it to enya (the DIO's minions) then next year, yoshikage kira's father & keicho/okuyassu nijimura's father use to buy one stand arrows & send to morioh-cho, Japan.
In 1999 keicho nijimura want to muder people for his revenge that what happened to his father. Next day he got killed by red hot chili pepper (akira otioshi's stands) & steals the stand arrows. Many days later during summer, josuke higashikata defeat akira otioshi & akira disguised himself as a speedwagon foundation (SPW foundation) then many hours later akira was dead & SPW foundation took the arrows & send to the building of speedwagon foundation.
The next arrow was kira & his father got the stand, killer queen (yoshikage kira's stands) & atomic heart (kiras father's stands) to attack josuke, koichi, okuyassu & my boss, jotaro kujo. Kira accidentally kill his father & it's still unknown that stand arrows missing. Meanwhile at Italy in 1990's unknown. The remaining diavolo's arrow is taking over by polpo.
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In 2001 giorno giovanna & his gang of giorno giovanna destroy the stand arrows after turn gun into polpo's banana to kill himself.
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Then sometime in year of pucci's life he met DIO & he use requiem arrow to send pucci.
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In 2010's jotaro kujo give the stand arrows to his daughter, jolyne cujoh to make her stand, stone free.
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In 1990's my France soldier of stardust crusader, Jean P. Polnareff discover the requiem arrow in somewhere in Europe/Africa.
In 2001 he kept the requiem arrow in colosseum at rome, Italy. At night he met again the diavolo & he got donuted then he got stand, SCR (as known the silver chariot requiem). In morning or day giorno & his gang of giorno giovanna got the requiem arrow to stab their self & becomes the requiem master then send diavolo to infinity endless deaths loop. Then next hour he kept the arrow for his journey.
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In 2030's during Californian revolution (Soviet Union Republican Californians Mobsters & Gangster of Capone/S.U.R.C.M.&.G.C VS United States of America/USA) after saving avdol's, jotaro's, ponareff's, iggy's & Caesar A. Zepelli's then reverse joseph joestar's age to 33, clone it & foward clones age to same on jjba part 3. Me & my army are went to Egypt to find the new treasure that world countries didn't found new treasure except me.
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After we found the new treasure we just discovered the box of full 100 stand arrows & 50 requiem arrow. That's why I found arrows in Egypt.
The end
Like my post, comment, reblog comment & reblog if you're jojo fans
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sacredpit · 3 months
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    nobody asked but here is the   official timeline   of kakyoin’s work with the speedwagon foundation .   mostly for my own reference ,   but it’s important to know where he’s at in each verse !!
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1989-91 :   BASIC TRAINING .   kakyoin balances going to university full - time with his initiation into spw .   this era includes his orientation   &   a very basic introduction to the mechanisms of the special operations department ,   specifically   stand research ,   since this is his specialty .
1991-93 :   FIELD TRAINING .   with his certifications for lab   &   desk work mostly complete ,   kakyoin begins conditioning to be a field researcher   &   special operations agent ,   choosing to complete the program offered in   south korea .   much of what he endures during this time is   classified ,   but the bulk of it sees him furthering his potential with his stand   &   completing a series of missions   (   solo ,   partner ,   &   group   )   to get a feel for what field work actually entails ,   &   how dangerous it can be .   with a starting class of 105 ,   only 45 students complete the two year program .   kakyoin graduates with the highest rank .
1993-99 :   FIELD RESEARCHER   /   SPECIAL OPS AGENT .   in light of completing all his training ,   kakyoin begins his field career .   he maintains a home base in korea for two years ,   returning to japan in 1995 .   during this era ,   he travels the world extensively for work ,   taking on assignments varying in severity   &   duration ,   but regardless ,   he is away from home for months at a time ,   causing his mother great distress .   in late spring of 1999 ,   he requests to go to morioh to aid in the upcoming investigation .
1999 :   THE MORIOH SAGA .   kakyoin wishes to stay in morioh long - term ,   but as he rises in rank at spw ,   his list of responsibilities grow   &   he is needed for other tasks .   eventually ,   he manages to convince the current department head to allow him to stay full - time ,   finally able to dedicate all of his energy into helping jotaro ,   josuke ,   &   the others uncover the stand - wielding culprit behind the gruesome attacks threatening the women of the town .   he is instrumental in uncovering the secret behind yoshikage kira’s stand ,   as well as unveiling his identity .
2000-02 :   HEAD OF STAND RESEARCH DEPARTMENT .   for his outstanding work in morioh ,   as well as his indispensable contributions to the special ops division during his career thus far ,   kakyoin is promoted to department head .   this sees him doing less field work ;   only set out for major assignments or to assist where things have gone awry in the field .   he spends most of his time overseeing and assigning missions   &   handling domestic affairs ,   such as stand users being held in custody .   he also becomes responsible for all of the foundation’s information on   dio ,   &   virtually anything relating to him as more information   &   remnants come to light .   in 2002 ,   he spends several months in italy following up with the new passione headed by dio’s son ,   giorno giovanna .   in light of their ensuing bond ,   passione   &   spw’s special ops division form an unlikely alliance that is   the first of its kind . 
2002-09 :   DIRECTOR OF SPECIAL OPERATIONS .   following his forging a bond between an organization led by one of   the most powerful known stand users   (   not to mention passione’s existence as a crime organization   ━━━━   forming such a relationship had been   no easy feat   ) ,   kakyoin is promoted once again to a leadership role over the entire special operations department .   at thirty - one years old at the time of his acceptance of the position ,   he is the youngest person at speedwagon in such a powerful role .   his responsibilities have increased tenfold ,   however ,   with infinitely more to oversee   &   weigh in on .   with young child at home ,   kakyoin begins to yearn to spend more time with him   &   his husband ,   but he’s also worked incredibly hard to get to this position   &   is incredibly passionate about his work .   he manages to maintain something of a balance for seven years ,   before ultimately electing to step down from his role in favor of taking a civilian job as a professor .   though sad to see him go ,   his colleagues understand his ambition to put his family first ,   &   his affiliation with the organization is everlasting ,   as well as the respect he has earned   throughout his career .
2011 :   EMERGING FROM RETIREMENT .   with his family   &   life falling apart at the orchestration of dio’s   last remaining lapdog ,   kakyoin makes the choice to temporarily return to his role at spw in order to assist jolyne   &   the others ,   &   to keep watch over jotaro ,   staying by his side as he works from the shadows to supply jolyne with resources   &   support .   his connections also allow him to bring   giorno giovanna   &   josuke higashikata   into the fight to turn the tides to their favor ,   snuffing out what seems to be the last of dio’s ideology for good   &   returning to their normal lives .   for now .  
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nicryukyo · 1 year
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AU where jotapol get married and jolyne is their biological daughter (trans jotaro), instead of green&black hair she's got silver&black hair. (her name is kujoh/cujoh still).
{long AU that barely makes any sense ahead lol}
jotapol became a couple soon after the events of sdc, during the arrow hunting jotaro got pregnant, in 1992 he gave birth to jolyne. during the first months of pregnancy they went on separate ways - to find the arrow(s) -, because Jojo insisted he could take care of himself.
(by the 2nd half of pregnancy) polnareff wanted to take a break from the arrow searching to help jotaro & raise jolyne, so he (or spw foundation) sent someone else to italy to investigate. meaning he didn't get attacked by diavolo. the arrow got to them anyway and whatever. [haven't thought much about this and how to fill in plot holes well,,.]
everything else goes about the same way? maybe? Jotaro goes to morioh in search of his grandfather affair's kid, but this time jolyne and polnareff go w him.
instead of koichi, polnareff goes to italy. mainly because he has important info about diavolo, passione and the arrow. jotaro doesn't go w him because,, well,, he doesn't want to involve jolyne w Italian gangsters. (cuz of that now Jotaro knows giorno's stand powers - and all the other buccigang members too. and the buccigang has all important info from the start n pol's help)
i want josuke and giorno to met too. don't know how tho... maybe both polnareff and josuke go to Italy (maybe because josuke is a "healer" and since pol attracts enemies jotaro wants to make sure his husband won't die.., idk)
that can also change the pt6 events a lot.. but I haven't watched pt6 yet so idk what to mess w.
anyway thank u for reading,, this was a mess... a looong mess.
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bd-wireroses · 2 years
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“I guess I’ll help investigate.” (ask-spw-mercenary)
@ask-spw-mercenary
🍒:Alrighty! I'll put that in the bookings so nobody tries to call you on the clock. mmmm~ Done! Here's the spot!
She hands you a print out of the directions to a small museum near Morioh - has a real lean towards geology and natural history rather than art.
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(bd-wireroses - Mrs. Hayabusa) The orphanage matron calls the head spw office from her hospital room. "My real name is Luisa Sandler. I am suspected in the disappearances of 4 men across multiple US states and more that cannot be tracked or reported. I have recently injured my employee at the orphanage I run - Blackrock Orphanage. My Wound is Butcher Pete and it does not want to listen to me. I am at the Morioh Hospital. Either help me or kill me." She hangs up.
Max would be wiping the windows in Joseph's office as He'd hear the voicemail
"Hmm...curious...maybe I'd best pop by..."
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softlimefluff · 2 years
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SPW Tokyo Briefing - May 31st, 2022
Tagging @sunshine-shitposts @dongiovannaswife <3 (SPW Dallas and SPW Naples)
“Mrs. Kishibe? We’re ready for you now.”
Nodding, I handed Ellie off to Rohan, giving her a forehead kiss as she fussed quietly. “It’s okay, shhhh. I’ll be back soon.”
Squeezing my hand, Rohan nodded. “Ganbatte.”
Reaching down, I grabbed my notes and followed the SPW employee down the tiled hallway, boots clacking on the polished tiles. I had opted for a blend of professional and artsy, with a loose dress, boots, and lots of detailed accessories. 
Through a heavy set of double doors, we walked into a large meeting room. Heads from SPW branches across Japan sat at a board table and I was directed to the podium at the front, setting my notes out and taking the slide show clicker.
“Ohayo Gozaimasu. My name is Ariel Kishibe and I am one of the branch heads at the Morioh Speedwagon Foundation. I personally oversaw the construction and design of the branch, along with our architects, expansion crew, and my husband, Rohan Kishibe.
As you know, Kishibe-sensei donated the grounds to the Foundation, as his grandmother used to own the property as a hotel. We built onto the existing structure, with strict co-operation with historical preservation rules, and then added on a museum, research facility, library, and even a bio dome for growing fresh flowers and food.”
Clicking through the photos of the construction and facilities, I landed on our first statistics slide.
“Ever since our opening in September 2020, we’ve had a consistent stream of guests to the museum. You can see our numbers here on the table, tracking from our opening day until now. Not only do we have education about art materials, light, and color, the branch is also the permanent home to the Kishibe Rohan collection of original Pink Dark Boy works. This attracts a large number of guests on its own, along with exclusive merchandise in the gift shop.”
Taking a short pause, I moved to the next page of notes.
“We’ve also been working to open another gallery so we can have more traveling shows and bring in even more guests with exclusive shows from artists like Takashi Murakami, Yoshitomo Nara, and contemporary manga authors like Tatsuki Fujimoto, Q Hayashida, and Gege Akutami. We think that bringing in new shows from artists similar to Kishibe-sensei would generate even more traffic from visitors who have already experienced the museum.”
Clicking to the next slide, a picture of the cafe and Tonio and Okuyasu popped up. 
“We also have an award winning cafe on site—given accolades by local and international travel websites— and can do official collaborative food and drink items to match with the new gallery shows. Our expert chef, Tonio Trussardi, has been training an apprentice, Okuyasu Nijimura, and together they’re able to brainstorm an impressive range of new culinary delights for the museum.”
Taking a pause, I glanced up at the room momentarily, continuing with the talk.
“The museum and its meeting areas have also become indispensable to the local community, acting as a place for young adults to start clubs, students and adults to try new art techniques through public classes, and even working with the local food banks to make sure any extra food from the cafe is donated back to the community.”
Clicking to the research area, I began the next section of my presentation.
“The museum has worked as the perfect cover for the SPW research going on at the location. Morioh has long been a hotspot for stand activity as a result of the stand arrows. While the arrowheads have now been transported to other locations for analysis and we have less malicious stand activity, we still have a large group of users in the city.”
Flipping to a slide of the many users and their stands, I put both hands on the podium. 
“Many of the abilities that have been unlocked in Morioh have been highly beneficial to the user and to society at large. Healing powers, stands that can use sound as weapons or protection, stands that increase strength, that bring out the truth, or change people’s emotions. We have quite the range in our town and we’re proud of our stand diversity.”
On the next few slides, I had lists of research goals for the future.
“Now that you have some background on Morioh, I would like to address what research we have already completed and what we would like to expand in the future.”
Clicking to the first goal, I stepped to one side of the podium, detailing our Foundation’s mission.
“Our branch’s main focus is stand users and their potential for creation and growth. We’ve been keeping track of stand users who have gotten married and are now having kids, even my husband and myself. We’re curious to know if there’s any difference for users who have been pierced by the arrow versus born stand users—if there’s any impact on the conception and gestation of the child, their development while growing up, and if they also are stand users.”
On the next slide, there was a list called “stages of born stand users.”
“Along with Helena Giovanna from the Naples SPW Branch, we propose a list of stages for born stand users:
-Dormant
-Awakening
-Active
-Growing
-Developed
“We start with the foundational research that stands are the result of the virus found in the rare alien meteorite of Cape York, Greenland. We also know that stand arrows are made from polished meteorite from that same Cape York crater. If a potential user successfully survives the fever from the virus, the mutations unlock the natural ability to manifest and manipulate a stand.”
On the next slide, I had illustrated a diagram for potential combinations for stand user kids. 
“We believe that if both parents have this mutation, then the offspring of the stand users will also have that same mutation, in a way, passing down or allowing the child to ‘inherit’ a stand. We also suppose, then, that every child from two stand users will have a stand ability from birth, even if it isn’t immediately apparent.”
Gesturing to the slide, I made note of other possibilities. 
“We have a few children of two stand users under general observational checkups as they grow. Another stand user child is on the way as well, with a non stand user mother. We’re curious to see how this differs from the two arrow-born parents. In addition, we recently had two stand users get married who are interested in starting a family—one born from the stone mask and the other a stand user from birth.”
Grabbing the next pages of notes, I flicked on the next slide.
“We also have a case of a stand user mutated by Dio’s flesh bud under our care, working on a potential cure for his condition. We’ve been using UV rays along with the users’ own healing abilities to try to kill off the Brando cells, but have only had minimal improvement. Now that Dio has returned and is part of the Foundation, we’d like to have our branch analyze his DNA more and see if we could make progress in healing our patient.”
Bringing up the next to last slide, I steadied myself, thinking about Rohan and Heaven’s Door with a blush and reigning in my happiness to be more professional.
“Finally, we’ve seen the possibility for stand growth in users from Morioh and would like to document that process further—as with the stand users Koichi Hirose and his stand Echoes and Rohan Kishibe and his stand Heaven’s Door.
Furthermore, we have also noticed that if stand users are deeply connected to one another, their stands become more in sync—like souls resonating and bonding with one another. There have been multiple instances of stands from synced users being able to extend range or use each other’s powers to create a more powerful attack.
We would like to explore the implications for training stronger stands AND combination attacks.”
Centering myself at the podium again, I made eye contact with the branch leaders across the room.
“We at the SPW Morioh branch are requesting closer co-operation with other branches, specifically the Dallas branch and Naples branch. We already have personal connections with members there and would like to consult them more frequently for research purposes. 
We hope that the research being done and programs in place are a tribute to the Foundation. We humbly request your continued support as we expand our research to benefit the stand user community. Thank you.”
Picking up my notes as the board members clapped, I bowed politely, then exited the room back through the same doors I had entered. Rohan and Ellie were right outside, waiting for me, and I ran over, pulling Rohan into a hug and burying my face into his shoulder with a grin.
“How did it go, Ari?”
Giggling, I took a second to calm down, holding onto Rohan’s jacket, then pulling away. “Perfect. We said everything we needed to say. Presented the Foundation, our focus, our ideas. I just hope that we have approval on everything and can secure more funding. And… I dunno, I hope Mr. Speedwagon would be proud of what we’re doing. He always wanted to support the Joestar family and. I hope we are too…”
Rohan smiled, kissing my forehead. “I think he would be, Ari.”
Taking my papers, Rohan handed over Ellie and I held her tight, bouncing her and walking down the hall with her on my hip. 
“Mrs. Kishibe?”
Turning around, my heart leapt, seeing the attendant from earlier and worried something had gone wrong.
“Yes?”
“We’d like to present you with this.” Handing over a manilla envelope, the attendant smiled. “The Tokyo board was impressed with your presentation and have completely approved an expanded budget for your branch. We wish you good luck in your research this year and look forward to seeing your branch’s results in updates.”
“T-thank you!” Eyes wide, I took the packet, handing it over to Rohan. “Are we cleared to return home??”
“Yes. All your responsibilities are fulfilled here. The board simply wanted to know about the costs of the project in Morioh and why we had spent so much, but now they see the reasons and possibilities. You’ve won them over~”
Shoulders relaxing, a wave of relief washed over me. “Thank goodness.”
“We hope to see you again, Mrs. Kishibe, perhaps under less stressful circumstances.”
Nodding, I bowed politely, turning to walk with Rohan out of the branch. 
“I didn’t get to hear any of it, but I know you nailed that~” Rohan grinned, waving the envelope. “I’m proud of you, babe.”
“Mama??” Ellie looked up, then snuggled under my chin. “Hungry.”
“Mmmm, yeah me too, sweetie. Let’s get some lunch.”
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spw-stand-log · 2 years
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Standlogy One
Definition of Stand
This project considers various topics related to stand. First of all, I would like to examine the definition of the stand itself and the conditions common to all stands (this article is just a hypothesis based on analogy from my research).
The Fourth Theory
(Regardless of life or death) stands always have a main body.
Stands are one person.
Stands' range and power are inversely proportional (however, the "effects" of stands are not limited to this).
The stand can only be touched by the stand (unless the stand is fused with a substance).
[translators note, which will be referred to as t/n from now on: we have seen instances of stands interacting with its user or other stand users, so more research or potential updating may be necessary for this point]
Stand Definition
A "stand" is a manifestation of "life energy" (t/n: sometimes interchangeable with "soul") that manifests with a clear appearance and ability.
As it was written as "yuhamon" in the very early days, it can be posited as a developmental existence of "hamon" that appeared during the era of Jonathan Joestar and Dio Brando.
Also, stands are linked to the owners' fighting instincts and strength of mind, and in fact, if they appear in someone who doesn't like fighting, they will harm the owner (example: Holly Joestar-Kujo).
However, as time progressed, things like the non-combat type Pearl Jam also appeared, but this is due to the strength of the owner's (Tonio Trussardi's) mental power (quest for food).
Explanation of the Stands Four Great Theorems
All stands are roughly divided into four conditions (see "The Fourth Theory" above).
First, the first theorem, as is clear from Notorius B.I.G., even if the main body is of the type that appears "after death," it does not contradict this theorem, in the sense that it always has a main body.
Also, Requiem, which is the only one without a clear (t/n: manifested) body, can be said to be owned by Polnareff in a broad sense, considering it as an evolved form of Silver Chariot (although it was uncontrollable).
Then the second theorem. For example, Harvest seems to have multiple stands, but even with multiple bodies, the directivity of its abilities is basically one, so their body can be interpreted as "one body."
The third theorem seems to contradict the autopilot type / remote control type stand (Sheer Heart Attack), but it can be considered as an extension of the stand's "effect."
For example, Empress's tumor continues to grow independently of the main body, and Sheer Hear Attack continues to pursue without losing power.
As for the fourth theorem, the existence in parenthesis (t/n: i.e. what departs from the theme) corresponds to Yellow Temperance, the surface, etc. Which used the body and material as catalyst.
Based on this theorem, it should be easy to understand, how Oingo (God Khnum) who transformed in to Jotaro, was damaged by the bomb on their trip.
-3 pictures are above the main body of text -
the first is of the stand "Harvest" with it's user Shigechi and the caption reads "Harvest as a whole can be interpreted as "one ability".
the second is of the stand "Lovers" from the mission Joseph, Jotaro, and the others embarked on in the 80's with the caption "the third theorem is associated with Lovers. The stand is extremely small because it is a long-distance model".
the third is of Josuke Higashikata and his classmate Toshikazu Hazamada with the caption "Surface transformed into Josuke. The wooden doll is a catalyst, so even ordinary humans can see it".
[This report is property of the Speedwagon Foundation. Translation work done by A. Kishibe, Morioh Branch]
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tomboyjessie13 · 11 months
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A sequel to this: "Now, let the Fun Begin!" — ~Tachibana residence, Morioh~ (tumblr.com)
Higashikata residence, Morioh 6 PM
Jotaro's car arrives at the house, two car doors open, revealing Medea and Noriko leaving the car and walk to the door. Medea rings the doorbell.
Tomoko: *Inside* Comiiiing! *Opens the door* Oh hey, Med-Chan! *Hugs her*
Medea: *Hugs back* Hey, Tomoko. Thank you for looking after my kid.
Tomoko: It's no problem at all. *Turns back* Hey Josuke, your teacher and Dr. Kujo are here.
Josuke: *Comes out* S'up, Mrs. Tachibana.
Medea: Evening, Higashikata. *To Noriko* Alright, you be on your best behavior while Mommy's gone alright?
Noriko: *Pouting*
Josuke: Still sore from today, huh?
Medea: Come on, I promise that I'll take you to S-City some other time. Ok?
Noriko: Ok...
Medea: *Kisses forehead* I love you, baby. *Stands up* Alright, let's get the show on the road. *Goes to the car*
Josuke: See ya, Mom.
Tomoko: You be safe out there, and you better behave when you're with Tachibana.
Josuke: I know. *Goes in the car* Hey, Dr. Kujo.
Jotaro: *Nods up before starting the car* Glad that both of you are here... Tonight... I'm kind of lonely... I welcome the company. *Drives off the property*
Josuke and Medea: *Confused* ?????
Medea: Wow dude, you actually welcome company? That's a bit out of character of you.
Jotaro: .... *Sighs deeply* I guess it's been over a decade now since we left Egypt... I've been trying to clean up the mess DIO made, but it's proven to be more difficult than I thought. Also doesn't help that grandpa's becoming senile.
Medea: *Rests her head on her hand* I feel you, Jojo. I'm trying to take care of things here in Kakyoin's place, but things have been getting unstable lately... Dangerous Stand users popping up every day, and there's been women disappearing left and right... Who's doing it, I don't know...
Josuke: I'm not sure if this helps, but Koichi said that there's been a serial killer who's been roaming around Morioh for years, which might explain the disappearances. We also have the sneaking suspicion that this asshole is a Stand user as well.
Jotaro: There does seem to be a connection between the two.
Medea: I agree ....*To Jotaro* Say, what are the guys at the SPW saying about a Mafia in Italy? I thought they're all about the supernatural and stuff.
Jotaro: True, but there's a reason why they piqued the Foundation's interests: there's been rumors suggesting that the arrows Enyaba got her hands on were from that particular Mafia, but that's what Polnareff's been trying to figure out since that group doesn't seem to like drawing attention to themselves.
Josuke: Who's Polnareff?
Jotaro: *To Josuke* Remember when I said that only 4 of us survived our fight with DIO?
Josuke: Yeah, you, Dad, and Tachibana are one of them.
Jotaro: *Takes out a photo of the group and gives it to Medea* Yes, and Jean Pierre Polnareff is the 4th one.
Medea: *Gives the Photo to Josuke* He's the one with the white hair and the black tube top, he's a dear friend of ours from France, like Dr. Kujo, Polnareff's a Tarot Stand user represented by the card of "the Chariot". He's a goofball, a hopeless romantic, and a bit reckless at times, but he was never afraid to risk his life to help out the Joestars. He also never gave up on me no matter how stubborn, or angry, or how fucked up I was while working for DIO... he became like an older brother to me...
Josuke: Sounds like a cool guy, I wish I could meet him. *Gives the Photo back to Medea*
Jotaro: ...I was wishing that to, but I lost track of him after he went to investigate that group in Italy. *To Medea* When was the last time you saw him, Medea?
Medea: 5 years ago, he was visiting Morioh to be my best man at my wedding and left shortly after I gave birth to Noriko.
Jotaro: I see... I hope he's alright.
Medea: Me to...
- Medea, Jotaro, and Josuke having a serious discussion in the car during their trip to S-City, loosely inspired by Majora's Mask
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Sorry for the long wait, I was really distracted and tired that I couldn't draw for a while. That being said, I decided to draw out Medea's ex-boyfriend Jason, the man himself(hurk) inspired by Greek Myth, and her future husband Keiji, who is a total sweetheart. 
I kept talking about Medea's love life during Part 3 and 4, so why not give them an appearance?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Jason Lennon (ジェイソン レノン Jeison Renon), was a tertiary antagonist during "Stardust Crusaders". Jason was born in New York City to a fairly wealthy family. 
He and his parents moved to California for a fresh start and became best friends and later childhood sweethearts with Medea King. But despite his well off life, he was secretly jealous of Joseph Joestar for being more wealthy and influential than him, eventually transforming into envy, and would do just about anything to be in the old man's position. 
Medea protests that he didn't need Joseph's position to be happy and should be grateful with what he had, although claiming that she's right, he began to secretly resent Medea, believing that she doesn't understand his insecurities and started to slowly distance himself from her, even going as far as to cheat on her with his classmate Glauce Ono behind her back.
The fallout upon discovering this transgression resulted in Jason getting battered by Medea and her Stand, as well as her being forced to live with her grandparents in Cork, Ireland to escape his and his family's wrath. 
A year later, he physically recovered and joined the SPW Foundation as an intern, he soon joins the Joestar group at Hong Kong as a sailor for hire in hopes of finding a way to kill Joseph, he was the only sailor to survive the group's encounter with [Strength] but was traumatized by the experience. 
It was during the group's stay in Malaysia's capital that his ex-lover Medea, now one of DIO's servants, tracks him down and finally had her revenge with him by humiliating and almost killing him in front of Joseph with her Stand's poison, damaging one of his kidneys and getting him arrested by the SPW Foundation, this ruined his chances of ever overthrowing Joseph for his money. He was last seen being disowned by his parents for his crimes.
His current whereabouts are unknown.
~Name~ Japanese Name: ジェイソン レノン Romanized Name: Jeison Renon Namesake: Jason(Character of Greek Myth and Euripides' play) John Lennon(British singer and songwriter)
~Profile~ Age: 18-19 Birthday: 1969 Chinese Zodiac: Dog Gender: Male Height: 167 cm (5 ft 6 in) Weight: Unknown Blood Type: AB Nationality: American Occupation: High Schooler (pre-Part 3) SPW Foundation intern (Part 3) (fired)
~Favorites~ Color: Cobalt blue Movie: The Good, the Bad, and the Ugly Food: Cheeseburgers Band: Van Halen Hobbies: Reading
~Other Information~ Hair Color: Medium blonde Eye Color: Amber Goals: Overthrow Joseph Joestar for his money and influence (failed) Academic Major: Science Relationships: Unnamed parents (disowned) Medea King (ex-girlfriend) Glauce Ono (mistress)
Status: Unknown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Keiji Tachibana (橘圭司 Tachibana Keiji), is a secondary protagonist during "Diamond is Unbreakable". He's an easygoing and cheery young man who works at the Sun Mart as an employee. 
He was born and raised in a Shinto household along with his older sister Yuna to his mother Sachiko Tachibana, his father, who used to be Morioh's most renowned Priest, died of a rare form of Cancer while Keiji was just a teenager.
In late-January 1989, he meets a depressed and guilt-ridden Medea King who had recently arrived to Japan after the events of "Stardust Crusaders". After hearing her story, he felt pity for the young woman and convinced his mother to give her shelter, Sachiko accepted under the condition that Medea pulls her weight around the house. 
At some point he learned that Medea has a Stand and welcomes them into the family.
Over the next few years, the two became close friends and later lovers(much to Sachiko's irritation due to Medea being a foreigner). Eventually they got married and sired a daughter named "Noriko" after Medea's late friend(whom Keiji later found out was the Kakyoins' deceased son Noriaki). 
In 1999, the mart he worked at got held up by a man being possessed by Angelo's Stand, [Aqua Necklace], with one of his co-workers getting held hostage. Thankfully he and the employee were rescued by Josuke Higashikata and his Stand, [Crazy Diamond]. 
He and his family would soon get caught up in more events caused by various Stand users, one of them being the infamous serial killer: Yoshikage Kira and his Stand, [Killer Queen].
He's one of the few non-Stand users to be aware of the Stands' existance and purpose, seeing them as gifts by the gods due to his family's spiritual background.
~Name~ Japanese Name: 橘圭司 Romanized Name: Tachibana Keiji
~Profile~ Age: 31 Birthday: 1968 Chinese Zodiac: Monkey Gender: Male Height: 170 cm (5 ft 7 in) Weight: Unknown Blood Type: O Nationality: Japanese Religion: Shintoism Occupation: Sun Mart employee
~Favorites~ Color: Orange Movie: Lupin III: Castle Of Cagliostro Food: Omurice Musician: Tatsuro Yamashita Hobbies: Painting
~Other Information~ Hair Color: Dark brown Eye Color: Brown (eyes closed when normal, opened when upset or surprised) Academic Major: Linguistics and language Relationships: Sachiko Tachibana (mother) Morioh's Shinto Priest (father) (deceased) Yuna Tachibana (older sister) Medea King/Tachibana (wife) Noriko Tachibana (daughter)
Status: Alive ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Trivia: *I tried my best not to make Jason look like his Greek Myth counterpart as depicted by "Overly Sarcastic Productions" because I wanted to do my own take on him, be a little original. Except for the thick eyebrows and sideburns, they can stay lol. Here's what I'm talking about: https://www.youtube.com/watch?v=b7WH30_8vos
*The reason Keiji knows about the Kakyoin family is because, while not confirmed by canon, i'm now under the firm belief that Noriaki is from Morioh after hearing about "Crazy Diamond's Demonic Heartbreak" and him being named after a building in Araki's hometown(whom he renames it to Morioh as to not piss off the locals).
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OCs belongs to me
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shesalewa · 11 months
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So another question about Kakyoin having a family. But what kinda dad/husband would he be to his family? I personally think it would depend if his family are stand users as if they are he will spend more time with them but if they aren't it would be another Jotaro situation. So how would you view Kakyoin as a dad? (BTW I hope these questions aren't annoying or anything.)
(I actually enjoy answering questions)
So regarding Kakyoin having a family I think he would only have 1 kid because that's actually how Japanese households go, of course. Kakyoin is a very VERY cautious man. [Proof is in death 13 arc] so Kakyoin would definitely not marry a stand user, plus I think that Kakyoin doesn't want his kids to be like him[when saying this it means that Kakyoin doesn't want his kids to grow up with no friends like he did] and regarding the fact that for 17 years nobody was able to see hierophant green means that most of the bad luck is just stuck to the joestar jojo's like the roots of their hair, so that means Kakyoin won't be able to get into TOO much danger nor his family, and in death 13 people keep saying that Kakyoin hates babies. NO. Kakyoin does not hate babies. He actually was in a situation between the life and death of his friends, plus he even said that death 13 needed to be returned to its mother, actually he's a very gentle person, so I think he'd be a very good father and Uncle. He'd also probably have been there to help Jotaro's ex-wife when Jolyne got sick. And Kakyoin would also be the type who would scold Jotaro for not spending enough time with his daughter(he probably secretly brought both Jolyne and his son to Morioh).
And if Kakyoin married a stand user I really can't see it happening (unless it's Jotaro[after Jotaro's divorce] because I'm a very bigger jotakak fan I hope this doesn't come off as weird) because that would mean he won't have kids because both him and his wife will be working at SPW foundation and tracking down arrows and possibly put his wife in danger and they won't have time for children.
(I'm sorry if this is too long)
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