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#thank you for reading! <33
tinartss Β· 7 months
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you can hear it in the silence
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jackshiccup Β· 4 months
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affectionate chin tilts my beloved.. (perhaps in the same universe as my college/long distance au)
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itsmariejanel Β· 2 days
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happy three years, to this found family, and to us 🌡
to those who've been with me, reading, commenting, thank you mwah πŸ’—
special thank u to ai @gunthermunch for making the pose for me, from the art she also did
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miiukkaa Β· 1 year
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theyre either taunting an enemy or competing against the other two brothers (or my personal favorite, the secret third option: both)
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inkly-heart Β· 2 months
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Under blue moon, I saw you πŸ¦‡
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aimer-arts Β· 1 year
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On the Beach at DuskΒ β˜€οΈ
Gift for @/PrimalDialga493 on twitter, featuring their explorers team!
This was my way of saying thanks for all of the pmd stuff they mailed me, including prints of my own team!
Go check out their art, it’s genuinely beautiful and criminally underrated too :]
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mondaymelon Β· 1 year
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βŒ— . . . 𝐀𝐑𝐀𝐁𝐄𝐒𝐐𝐔𝐄 .. *ΰ©ˆπ‘ΰΌ˜β‹†
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melon」 he/they」 intp」 β™Œγ€ likely needs therapy」 fandom writer + artist」 student」
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β€· ar 58 xiao main (i like him a normal amount i swear) β€· yes... a normal amount... β€· english + δΈ­ζ–‡ βœ“ est timezone!! β€· layout + pfp art by @/DonaldAkron on twitter, edited by me!
-> dont forget your daily click !! <-
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➀ πƒππˆ + ππ˜π… !! ( please read this pleasepleasepleas )
βŒ— . . . πŒπ€π’π“π„π‘π‹πˆπ’π“π’ . ( + other )
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❀ 𝐒𝐓𝐀𝐓𝐔𝐒: ... BYE this theme is such a downgrade compared to the previous one but.. xiao.. sniffles
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❀ 𝐈𝐌 π‹πˆπ’π“π„ππˆππ† π“πŽβ€¦ hunger - mafumafu β™«
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❀ πˆπ“'𝐒 π‘π€ππƒπŽπŒ π’π‡πˆπ“ π€ππŽπ”π“ πŒπ„π‹πŽπ πŒπŽππƒπ€π˜ (π‡πŽπŽπ‘π€π˜!!) i just fucking realized ive been on this hellsite for a full year and my little pea brain is going to pop into many little bits and pieces
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β€· sideblog~ @tuesdaytangerine
β€· only art blog: @meloodle
β€· joint blog w/ @whats-it-mean: @shitsngigglesallaround
β™‘β™‘ @cienxpidity !!
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⸝⸝⸝ do not repost, translate, plagiarize, adapt, or use for ai related purposes any of my works without permission.
⌞ all of my fanfics are sfw!! ⌝
⸝⸝⸝ member of @astronetwrk and @favonius-library β‚ŠβΊ
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Β©mondaymelon
βŒ— only on tumblr and wattpad !! [ blog started 2/28/23 ]
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angelcasendgame Β· 2 years
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Ecclesiastes 9:7 // Chuck won theory
happy birthday @angelfishofthelord πŸ’œ
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kyouka-supremacy Β· 11 months
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Thoughts on akutagawa being drawn with no highlights in his eyes, hair, coat, or on rashomon,,,like everything is drawn pure black? I like when he's drawn a little bit like not-human--contrasts real well with Atsushi's dilemma of being a tiger, personally thinking. Also like when he's drawn like a void. Little bit like the cryptid creachur he is. I think you wrote something about it in the tags on panels in his introduction in the Manga. I like to think other characters also see him the way we see him so his void ass scares the fuck out of others too. Man's skeevin and tweakin even in his design
I'm OBSESSED with Akutagawa's design. Look at him. This is what he looks like on a white background:
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And this is what he looks like on a black background:
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It's BRILLIANT. He literally disappears in the black. He's the ultimate monster. In his appearance, he embodies what above all is most scary for the human psyche: the darkness, the unknown. The way Harukawa took advantage of the the art rule of never using pure black by breaking it in the most clever way! No light gets reflected on him, because his form absorbs everything– is absolute darkness. Visually, his figure itself is Rashomon eating everything it encounters, and it's genius.
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He is so nightmare coded. I love his big, inscrutable eyes that look like two voids, two black holes. I love how oftentimes you can't tell where Rashomon ends and where he starts, I love how sick and unhealthy he looks. I love how he looks scruffy like an abandoned dog. I love how young he looks– way younger than he is. It gives the impression of a ghost, someone who was killed before growing up and is now stuck with his young appearance no matter how many centuries pass.
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I adore everything about these chapter 33 pages. The way he initially appears as just a single black shape, hardly resembling a human. His crunched, unnatural stance. The staggering. The way you can feel with your senses the thick and sticky blood. The top picture is the left page of the manga, so just imagine the visual impact of turning the page to be hit with an almost full-black page- it's meant to impress, it's meant to shake. The way he's one with the darkness: no textures on him, only white making out his outlines. The way you can't tell where his coat ends. His left arm hanging numb, limp, lifeless, inhuman. The spurts of blood on his face. His smile, how you won't notice it at first and how that makes it all the more disquieting; its juxtaposition with the violence that surrounds him and that he is the cause of. The way he covers his face, the impressions of hiding and looming. His face being split, which only adds to the horror elements. Akutagawa's character design as a whole is an ode to the gothic and grotesque.
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And then this. Hello??????????????? The progression from how Akutagawa used to be to the last time we saw him alive is astonishing. It's upsetting. It really makes me wanna cry from a technical execution standpoint alone (imagine from a plot related standpoint). All the black is now replaced with predominant white, everywhere. His shirt is white and candid and pure, emphasizing contrast with the splash of blood in a way that almost results sickening. The blood on him is his this time. His face looks rounder, and healthier, and he overall looks more mature. His smile is sincere and genuine, it's light, it's affectionate. This scene is the culmination of Akutagawa's character both visually and thematically: the monster, Akutagawa, too, can be good, and arguably had good within him since the very start. Does it really matter if he lives after this? His character already developed to be the best version of himselfβ€š and this panel here is the proof.
Further readings: (1) (2) (3) (4) (5) (6)
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non-un-topo Β· 8 months
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He, Dreamless by nizzuto
Part 1 of I don't see the sun (I know it's there)
Through the tear-away of waves and the vastness of oceans and the separation of the three of them, there remains the legend of true love and the infinite fight to get back to it.
A gift for the incredibly talented @guarncre, whose gorgeous fic (and every single fic since) I adore so much. Few fics have so effectively simultaneously ripped me apart and put me back together, and swallowed me up with every word. These drawings have been a long time coming, but I really wanted to show my love for the fic by attempting to capture its evocative storytelling and imagery. And this is my call to everyone to go read it, now! Right now!
[Image description under cut]
[I.D.] Two digital drawings of Joe and Nicky, respectively, depicting scenes from nizzuto's fic He, Dreamless.
Joe is standing alone in a dark brick tower, visible down to his waist. His head is tilted down, his eyes closed, and he has a melancholy expression on his face. Only one of his arms is visible, his hand gently curled over his chest. His hair is long and loose, a few curls lit by moonlight. A deep red garment is draped over his shoulders. Behind him is a small arched window with bars, where a bright moon attempts to shine through. He is half-lit and half in shadow. A small signature in the bottom left corner reads, "Siggy, '23".
Nicky is sitting with his knees pulled up to his chest and his head tilted up and painted with bright, almost heavenly moonlight. He is in a hole underground, and the dark ground can be seen surrounding him. He is wearing a tattered uniform, the details of his clothes mostly hidden in shadow. His hair has been cut short and uneven, as has his beard. He is reaching up with one hand, the tip of his finger poking through the bars above his head. He wears an expression of longing. The moonlight is casting streaks through his fingers onto his face. He's looking at the same moon as Joe. The same signature as the first image is written on the bottom right corner.
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personasintro Β· 1 year
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llondonfog Β· 8 months
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YOU
YOU GET IT
i don't mean to ramble but i am so emotional!! about them!! how much lilia truly loved him at first sight that it manifested beyond a simple blessing to physically alter his appearance!!
i'm just consumed at the thought that lilia's love overcame the knight of dawn's raging genetics and punted them out of the way to ensure that while silver may never carry fangs nor pointed ears, he will never doubt his father's love for him when he looks in a mirror from now on and sees the blessing of the night, of moonlight, woven into his very hair.
the knowledge that silver is love made visibleβ€” the love of his parents to care for and protect their child from a world of war and suffering; the love of his father, a true love so powerful to leave an indelible mark on both their hearts so much so that we're traversing what should be the greatest agonies of lilia's life.... only to realize that they were all necessary, that he accepts them even, if it meant finding his greatest joy imaginable, that he would relive them all to cherish the memory of finding silver; the love of one of the greatest mages to have lived, the fae prince himself, who sought to halt time to stop the tears of the human closest to his heart; the love of his childhood friend, who would have stopped at nothing to save him and whose happiest dream was not complete without silver's presence.
he's the glue of this silly little family, the symbol that unconditional true love can come from your greatest enemies and be the mercy you need to finally welcome peace into your heart.
yana toboso what the genuine fuck have you done to me
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axolotlclown Β· 2 months
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I have a lot of followers that don't give a shit about MCYT and especially anyone related to the DSMP.
But I do hope that you might take the time to hear Shubble's story all the same. She talks about domestic abuse that may seem more subtle. She also discusses warning signs and manipulation. I feel that she has a very important story to share, and there is a lot of value in hearing it.
Here's the vod on YouTube. She begins talking at 1:45. I unfortunately could not find it on Twitch, but here is her Twitch in case you wanted to support her.
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kuroosdarling Β· 8 months
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hello friendz !! i am packing my bags and moving to @tetzoro !!! please come join me if ya want ^_^
back to navi.
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nyehilismwriting Β· 3 months
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helloooo! i've been following your writing/coding journey since the early days of sentinel and it's been so nice watching your story-telling blossom into a masterpiece. i love project hadea a lot and the characters are all so compelling i always have trouble choosing who to romance (rohan refuses to kiss me lmao). forgive me if you've been asked this question a million times already, but i was wondering what are some of your literary inspirations? what sort of writing shaped your style? it's one that i wish i could achieve one day tbh!!
WAH this is so kind of you πŸ₯Ί
i'm sure i've spoke before about some of my inspirations but i am always happy to do it again:)
my writing style tends to go through phases- i feel like i write hadea slightly differently to some of my other projects, particularly the shorter ones. often, when I'm going for something poetic, i can't maintain that for as long, or i feel like it gets effortful; some authors seem able to maintain a really lovely style for long-form works. i'd say max gladstone (and there's no way you've followed me this long without seeing me talk about him before lmfao), julia armfield (who wrote our wives under the sea), louise erdrich (the painted drum, the antelope wife) are all authors whose prose particularly sticks out to me as something i'd like to emulate.
i'll also have to shout out adrian tchaikovsky and peter watts as scifi authors who manage to maintain a very effortless, easy to read style while writing hard scifi; it's not easy to do, but they pull it off, often with clarity and humour i really admire. and their work is not without poetry! i also really like adrian tchaikovsky's tendency to skew sharply into and out of horror: he's got such a knack for atmosphere and tone, something that really stands out to me whenever i read his work.
i'm trying to read more nonfiction/autobiography type stuff, as well: i recently finished billy-ray belcourt's 'a history of my brief body', and in the summer i read ocean vuong's 'on earth we're briefly gorgeous' (which is fiction, but in a similar vein); I'm hoping to read more joan didion this year, as well. i think reading stuff like this is a good way to develop both empathy and also an interesting study in tackling highly personal emotional stuff, and in a lot of cases i do feel i can learn a lot from the prose of these works.
i also read quite a bit of poetry, in itself, which i think helps; i like my writing to have a rhythm to it, and i tend to find that reading poetry helps a lot with that.
finally, as i think i've mentioned before, i love the magnus archives and the writing in that: i think that writing stuff that's meant to be read out loud/performed is a really interesting exercise, even if that's not the final goal, and it really helps to develop a sense of rhythm for your prose.
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