He brings the flashlight closer so he can read the names. James Fleamont Potter, is carved on one side, and Lily Jane Evans Potter on the other. Before Remus could begin to contemplate what Sirius’s relationship was to these people, he noticed the dates etched right under the names.
The first date that catches his attention is the date of their death: the same day, Halloween, two years ago.
Remus can remember what he was doing that night; He was with Marlene at a bar downtown, dressed up as Sherlock Holmes while she was pretending to be Watson. At the same exact time he was downing his third vodka shot of the night, these two people, two people Sirius cared about, were dying.
from The ghosts we both see
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was just thinking about how amazing it is that weird wonderful world and ghost files exist at the same time from the same company. you have the same minds, the same hosts, the same team and yet the shows are like day and night. www reminds us of the wonder and whimsy and joy all around us while ghost files showcases the world's darker side in its tragedies and horrors. and that they're able to execute both shows each with its own finely-tuned aesthetic and its own little universe is really a beautiful display of how much Talent and Love exists at watcher and it's so so special.
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“Your cheeks,” Sirius said. “They’ve got a bit more color I’ve noticed.”
“Yeah?” Remus asked. His hands were soapy from the sink, a plate in his hands. “Maybe you’re right.”
“I am,” Sirius said. “I do spend an awful lot of time looking at you, you know. Practically an expert, I am.”
It was the closest thing to a joke he’d heard from Sirius’s mouth in weeks.
“Well, then,” Remus said, and left it at that.
a sneak peak of the next chapter of The ghosts we both see
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“...That’s another reason why this Soap and Ghost relationship works, right--is that, for whatever reason, y’know--that doesn’t need to be talked abut now...but--Ghost has, well it’s clear that Ghost has a huge amount of respect for Soap, right? And he wouldn’t let anybody--in fact, for anybody else to talk to him the way Soap does would mean a different thing--but they’ve been through a lot together. But what’s great about that moment--and I’m glad you brought it up Neil-- it that [Ghost and Soap] are pushing each other to evolve without even realizing it. And for Soap to say something like that costs something for him. And for Ghost to correct the record and say what he says, that costs something too. And I think, again, that’s why this game is so satisfying is these characters--they’re going to places they’ve not been before. But they help each other get there. And I think that’s a good theme that’s come out from this game is that, you know, they need each other.”
-Samuel Roukin on Ghost and Soap in MWII (x)
Honestly, one of my favorite parts of that interview from yesterday. Not even from a shipping stand point, but Samuel just like seems to get it when it comes to what makes Ghost and Soap scratch at everyone’s brains and I think that’s awesome.
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dan thoughts!!
since a lot of people headcanon one of danny’s obsessions to be space driven, i think it would be cool if dan’s secondary obsession was the complete opposite: the ocean
space is a thing of dreams. it’s beautiful, bright, colorful, and people look at it with awe, admiration and respect, there’s reverence in the way people look at the starry night sky, and to some it brings them joy to think “the stars i gaze at tonight are the same my ancestors did as well”. it connects the past to the present, the memories of the living to the dead.
the ocean is terrifying. it remains mostly unexplored, and the dark depths hide horrid creatures, disfigured predators. there’s no light in the lower zones, only eternal darkness interrupted by whatever luminescence the creatures down there give off. the ocean invokes fear, fear of the unknown, fear of nature’s might. to brave the open seas is to welcome danger and defy death. numerous tragedies took place at sea, and to many, that’s enough to deter them from ever getting too close.
if danny is like the universe, seemingly infinite, full of wonder and ethereal otherness, a symbol of progress and comfort and the creation of life, then dan must be like the ocean, regarded with caution, associated with fear, capable of immeasurable destruction with its volatile will, depicted as an incomprehensible horror synonymous to death-
that despite all odds, harbors life even in its harshest conditions.
i like to think that dan’s creation was a symptom of grief, a consequence of losing yourself, of drowning, and that his redemption could only happen through love, through having something to hold onto, through someone who won’t let you sink.
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sorry to keep talking about homestuck music but like
do y'all know about that 'Longest Joke in the World' thing? it's like a 50k word story about a guy who gets lost in a desert and it goes on and on, it's so long but it's interesting, and when you get to the end it ends on a punchline that's legitimately funny but part of what makes it so funny is the fact that you had to get through this entire lengthy story to get there. like, you can find a short summary and it won't make it sound funny; forcing yourself through the long narrative gives you certain context to make the thing funny?
anyway, Homestuck is like the emotional reverse of that. all of Homestuck is a lengthy narrative giving you the context to make you ugly cry like a baby at Do You Remem8er Me. Remem8er is the emotional climax of the story and everything else is just wind down. it will be decades later and I will never be over Remem8er
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