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#there's at least nothing in canon disproving this
felixfathom · 2 years
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"freedom is something you make, adrien" still has to be the most on-the-nose shit that's ever been said by felix but i'm still eating it up idc ! and it's soo powerful and scary and sad when taking into account what felix's arc has been building up until now . he wasn't only subtly hinting at the truth about both of them, but in a way he was deeply projecting onto him and while the original goal was to take advantage of him, there's a part of felix that truly meant what he said about standing up to his dad, and really wished he'd go down the same road as him, either out of genuine care for his cousin or bc he didn't want to feel alone in this, and be assured that he wasn't alien, or wasn't fighting just for himself, and feel any sort connection with someone who would understand him if they just Knew .
or maybe he was just fucking with him idk
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junkdrawernoggin · 9 months
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Welcome Home, Frank?
So I know I just posted but I have another thought. So, we know Frank is our lil bug dude. His whole scheme is butterflies and bugs and gardening. We also know he is the straight-man to pretty much all of the other characters. He is the only one who doesn’t seem to be in on the type of humor the show rewards and the other characters understand. He is also the only character we don’t have an origin for which is specifically called out in his intro card. Much like Wally, he seems a little out of place for the show minus his connection with Julie and Eddie. 
That makes it extra interesting that the audio clips are found by collecting bugs. Could it be that Wally is not actually the only character capable of breaking the 4th wall? Is it possible Frank is trying to communicate with the viewer?
My only real doubt for this theory is that through the audio we know that Frank likes Wally, or at least gets along with him well enough. So if he is trying to somehow warn the viewer, who is he warning the viewer about? 
However we do know he does *not* like Barnaby. Doesn’t understand him. And it’s implied that Wally has done *something* to Barnaby. Obviously Clown’s website is not canon, but it can inform us on maybe some original ideas. Well there’s the big photo of Wally puppeteering Barnaby’s decapitated body. There’s a lot of odd little details about Wally controlling/changing Barnaby. SO here’s where I’m gonna go a little crazy with this theory
Maybe Welcome Home is a wreck-it-ralph turbo type story. This isn’t the first time this theory has been brought up, but It’s maybe the first time it’s been suggested that FRANK was the one who was replaced as the main character. We don’t have an origin, maybe because Frank was the first one to live in the neighborhood? He’s the odd one out to all the other characters, down to his color scheme. I think a children’s show about a grumpy guy living in this fun town and learning how to open up and have fun would be awesome. Basically if Sesame Street was about Oscar. 
So we know that somehow Home has some level of control over Wally. So whatever power Home has/was created by on the real world side of things destroys any old content (black paint/goo) because Wally isn’t the main character of those. It inserts Wally into this TV show for whatever purpose. Frank is relegated to just another neighbor. The power works on Frank, convinces him that Wally has always been here, or has always been the heart of the neighborhood. 
BUT, it doesn’t convince him that Barnaby is right. Maybe in the original show Barnaby and FRANK were actually the main dynamic duo as opposites. Wally is new, so there’s nothing for Frank to compare to. But maybe some part of Frank remembers a different Barnaby. One that wasn’t best friends with Wally. And since I guess in this theory the characters have some level of consciousness, Frank turns to the only people who might listen to him, the viewers! He gives them what hints and clues he can that *something* is wrong. He may not even be sure what. 
So yeah that is my real far end crazy theory. There’s probably a bunch of things that disprove it, but it was fun to think about since I do adore Frank as a character. If you take away anything from this, let it be my theory that Frank at least has some ability to break the 4th wall and is the one helping us uncover the secrets. 
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bottombaron · 8 months
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theory #2 
Nandor was on the balcony the whole time.
So I'm not going to waste time trying to convince anyone that Nandor Knows. Basically you do or you don't. For me it could go either way. I don't think there's necessarily enough proof in the text that he knows, just that 1. The show writers are clever enough to not actively disprove it (they do this all the time with things, it's something I admire. wwdits loves nothing more than its red herrings) 2. Im 97.3% sure Kayvan Novak was playing Nandor, post The Baron being fried part 2 electric boogaloo, as knowing Guillermo is a vampire - and that he was never coming back after fleeing. Not to get into actor objectives, etc. here, but that doesn't have to be supported by the text or something he's been told to do. As an actor you basically come up with these choices on your own by your own interpretations and what you feel would be the most interesting choice. I know a lot of people who have theories and will point to an actor's choices as proof of something that probably isn't in the text of the scripts themselves and those choices don't really have as much connection to the intent of the author as you might think. Although, I personally find an actor's choices more compelling than what’s in the text, especially if it’s an interesting one that makes for a compelling emotional arc for the character.
tldr; my gut says that Kayvan is playing Nandor like he knows; at least in the last half of this episode. But even if he is, that doesn't necessarily make it canon. 
So, moving to the meat of the theory, a small thing that got me thinking is - we don't see (or hear) Nandor for a very long time during Guillermo’s confession. We don't hear him crashing around in the background, comically trying to set up a platter of blood, no insert shots of a camera spying on him while Guillermo’s voice carries over in order to give an extra weight of guilt to the words confessing his betrayal…there’s nothing. Now, again, this isn't proof. I just find it unsettling whenever characters talk about someone and you can't see where the subject of their conversation is, and yet you know that they're close by. It’s such a classic set up for the ‘oh no they were right behind you all along’. (ngl I was certain that Nandor was going to be right behind The Guide the whole time because her blocking put her hiding most of the hall from view and that had my palms itchy with suspicion). Of course tho all these things could have perfectly innocent explanations for them. That's again a big strength of wwdits that gets often overlooked: They know the tropes and either lean so heavily on them to the point of absurdity or more commonly subvert them in some way. Wwdits isn’t a sitcom, it's a satire of a sitcom. They want you to be thinking “where is Nandor?” during this scene, subconsciously, in the back of your mind. Even if it does nothing more than just to fuck with us. 
A final third thing that tickled my spidey-sense is that we never see the full balcony after Nandor goes to fetch the drinks. Here is the shot set up right before, during (Nandor’s absence), and after:
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Most of the set up here before Nandor leaves is in a wide shot that shows majority of the stairs and balcony. Which makes sense, it’s the best way to fit everyone, including Colin on the left of the stairs and Nadja on the right, into the same shot. But once Nandor walks down the hall that shot is replaced with mid shots and shot-reverse-shots between Guillermo and The Baron. Even at the ‘During’ point, where The Guide is speaking and we get the widest shot of the foyer - we only just barely reach over the middle of the balcony, and by then Guillermo had already confessed.
Right when Nandor comes back tho? We’re back to the wide shots that include the balcony. 
Now, the hardest part of such a simple theory was understanding the house layout better in order to know how/if Nandor could get to the balcony from the back of the hallway (and not the front staircase) without being seen, since all we know is that he heads down the hall when he announces he will go get a “carafe of blood”. Logically I thought that he would head to the kitchen.
Which then got me thinking…where the fuck is the kitchen??  
Sadly the floor plans released by the set designer aren't actually that helpful in answering this because it shows that kitchen on the first floor, the first door on the right. But we know that the first door on the right isn’t the kitchen due to the pilot and Go Flip Yourself episodes. The pilot shows a smaller, dimly lit area with different fixtures that is probably either a storage area or a restroom. In Go Flip Yourself, we know that the wall would have been taken out in order to extend Guillermo’s alcove into a proper room, which they wouldn’t have done if it was adjacent to the kitchen since they were ment to renovate that area too. Plus there was septic sewage seeping in under his floor which lends more to it being a first story bathroom (also because I don’t think that there is anywhere else to put a bathroom on the fist floor according the floor plans). The other doors on the left are Nandors room and the other room on that side probably leads to the basement since Guillermo exits that way from the cage he was held in season 3. On the other side we have one more door that I have no idea where it goes to but if I had to guess I would think it’s maybe Nadja’s and Laszlo’s room. Then there’s a little adjacent alcove/hallway at the very end. Here we have a lamp, a clock, and either a chair or a giant feather thing on one side. And on the other side there is a blue door.
And I only had to find all that out by rewatching several episodes and freeze-framing multiple times to the point of agony.
Making my best guess as to where the kitchen is: it’s probably at the very, very end of the hallway, past all the bedrooms and main hallway, to the blue door on the right side of the alcove. I figured this by the blue door having a similar door handle and that it opens in from the left instead of the right like all the others on the same floor. 
So. The most logical thought is that Nandor went into the kitchen in order to get the drinks, right? But how does this get him to the balcony? 
In the Local News episode, Guillermo makes towards down the hall with his dinner but Colin Robinson stops him and tells him not to go that way. Here we see Guillermo put his hand on the left stair banister to indicate that he is going to take the stairs up and head to the dining room on the second floor.
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If Guillermo goes to the dining room from upstairs then we can make the leap that the dining room was the intended location to begin with when he was going down the hall. So - there must be a way to do that, right? In the little tag at the end of the episode Guillermo finishes his dinner and goes right instead of left like he did when he was running away from The Baron.
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He then takes these little stone stairs to the first floor but right before that we have a small little peak of horizontal subway tile.
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Which is the exact subway tile that we see in the kitchen.
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So the kitchen connects to the staircase to the second floor in the hallway of the dining room. And, because we have just seen Guillermo run down that same hallway and take a left, crashing into the wooden frame and onto the first floor…
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… if Nandor took those same stairs up, went down the hall, past the dining room, and took a left….he would be right on the balcony. 
Looking down on Guillermo's confession.
And, since nothing happens in wwdits without being filmed the next question would be: well ok but was it filmed? Because if it wasn’t filmed then it didn’t happen. You can’t have the reveal. Now wwdits doesn’t exactly play fair all the time with its film crew. There’s several times when a shot is impossible by virtue of it supposedly being filmed in real time. And really, that’s just going to happen. You can’t use a lot of film language already with how wwdits is filmed and making sure every shot is in accordance to roughly 4-5 in-universe apparently human people with no reshoots is impossible. But we have been a little bit more trained to think about the film crew this season, what with them actually participating more into what we’re shown - the set up of shots, hearing them ask questions and push Guillermo to talk about his turning with Derek, the crew that followed Guillermo to talk to his mother is actually pointed out to be two people, when his aunt asks them if they're hungry. From that we can also start thinking about how there are probably two people per plot (a plot and b plot), one for camera and another most likely a producer or sound guy. And we know that just about everyone is downstairs in this intervention, with the exception of Laszlo, who is catatonic and easily visible in the library on everyone’s right. So if just about everyone is in one place you would only need two people here. The other two would follow the ‘b’ plot: Nandor. But we don’t see anyone follow him down the hall. 
Well, again keeping in mind impossible shots happen all the time, I don’t think it’s a stretch to give a little weight to this shot here:
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Right after Guillermo and The Baron part ways and Guillermo opens the door, frying the Baron for the second time, that shot is caught from the balcony, but it would have been ‘impossible’ considering none of the crew were seen going upstairs. Even if they had left with Nadja or Nandor when the camera had turned to close in on the The Baron and Guillermo’s conversation, both of them had gone down the hall on the first floor (most likely to their rooms) while The Guide went across, away from the stairs, probably to the library with Laszlo. So there would have been no reason for them to be upstairs if they were following the vampires like they’re supposed to.  
Unless, they were already upstairs to begin with. 
Conclusion:
So we have the opportunity and means for both part of the camera crew and Nandor to have been up on the balcony while Guillermo confessed:
A part of the crew, probably stuck upstairs after Guillermo had run away from The Baron, stayed up there for any number of various reasons. Damage to their equipment, resetting equipment, etc. but either way, they’re not necessary to film the gang downstairs since they are all together at the moment. 
Nandor, going down the hall, to the very end, and then to the right puts him into the kitchen. From there he either can’t find a platter, cups, blood, becomes curious, who the hell knows, and decides to go upstairs using the tiny stone staircase hidden there. (maybe he is looking for a fancy platter to put the drinks on and they would be all upstairs in the dining room since they were just hosting a party). 
Maybe hearing his name or anything else to spark his curiosity he walks down the hall and towards the balcony that Guillermo was just running down a few minutes earlier. There he watches Guillermo talk about being turned by Derek. 
The other half of the crew that were left upstairs get lucky enough to catch it on tape and then lucky again to get a perfect shot of The Baron being fried for a second time when that happens later. 
Nandor returns to the group with his platter of drinks, knowing that Guillermo went behind his back to be turned by Derek. No one but the crew knows he was ever up there.
And that is how (I think) Nandor was on the balcony the whole time.
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saltywinteradult · 23 days
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I know you’ve suffered from a lot of rude anons but can I just say you’re a breath of fresh air in the Rhaenicent fandom. It’s bombarded with Rhaenyra stans whose only concern is having Alicent reduced to nothing more than Rhaenyra’s cheerleader, who exists solely to worship the ground she walks on.
It’s great to see an Alicent stan who appreciates the ship for what it is but also acknowledges it can never become canon because it will destroy Alicent’s character.
Thank you so much anon, that's really sweet of you to say. It does get a little lonely, doesn't it - being in the minority of Rhaenicent shippers who don't want to ruin Alicent's character for the sake of the ship. At this point I can't blame Rhaenicent antis for disliking the ship, with how most of the shippers - at least the loudest ones - treat Alicent's character as a prop for their Girlboss Kween. I'm sure there are more people like you and I in the fandom, just as I'm sure there are plenty of nice Rhaenicent shippers who lean toward Team Black but don't feel compelled to send people anon hate for caring about Alicent. The loudest people in any fandom tend to also be the dumbest, in my experience, and the anons I've been receiving recently certainly don't disprove that lol.
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jennandblitz · 1 year
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Borderline!Sirius Black
I’ve been meaning to write a post about Borderline Sirius for the longest time, but this is partly inspired by my posting a snippet of a BPD!Sirius fic a while ago and the fact I’ve had this headcanon for over two years now. My Sirius is often written as being Borderline, whether explicit or not. Borderline Sirius is something I’ve become increasingly attached to recently. The more I look at his personality and actions in canon, the more I can see him attached to the criteria of BPD/EUPD. A lot of my feelings about Sirius are from my own personal canon, especially during the First War where the pressure pot of existential dread is an untold stress on all members of the Order, but I think especially Sirius struggled under this pressure due to his personality disorder. 
I think the easiest and most structured way to talk about Sirius’ Borderline—which is a complex and deep set of characteristics rooted in trauma and a consistently disrupted childhood, as all Borderline is—is through the diagnostic criteria from the DSM V. To be diagnosed with BPD, one needs to show at least five of the criteria. For ease of reading and to avoid a 3k word text post, I’m going to expand on the ones I think Sirius shows the most and leave others as a few lines. 
This should go without saying but here we are, these opinions are my own and do not invalidate or disprove any other headcanons anyone else may have—everyone’s Sirius and their interpretations of him are all valid! If you don’t like my headcanons, DNI and move on!
A note on Bipolar Disorder v Borderline Personality Disorder: I’ve seen both use the same acronym and for ease I’ve taken to saying Borderline rather than BPD, or using the new acronym of EUPD (Emotionally Unstable Personality Disorder). This post is also partly inspired by seeing @soloorganaas’ posts on Bipolar Sirius on my dash in that we need more psychological deep-dives into these characters, looking at their mental illnesses and neurodivergencies outwith canon. That is to say I love Natasha’s posts on Bipolar Sirius and you should all go and read them! Bipolar and Borderline aren’t mutually exclusive and, of course all headcanons exist at once, but in my own experience both Bipolar and Borderline have many overlaps, especially in Sirius’ character.
If you have things you want to add to this post, please feel free to reblog. Though I would kindly discourage any Borderline-bashing, if you have nothing nice to add, DNI. My dream would be to open a discussion about Borderline Sirius and other Black family members who we may headcanon as having BPD—because let’s be real, it’s a family heirloom.
***
Frantic efforts to avoid real or imagined abandonment. 
I think this is the most painful thing to think about because of all the abandonment Sirius has suffered throughout canon. What I think of first are the two-way mirrors; Sirius and James are so very intertwined that they want the ability to communicate at any given moment, even during school. Frantic efforts to avoid abandonment can be demonstrated in several ways, both in clinging to the person, or abandoning the person first in order to paradoxically avoid the hurt of eventual abandonment. I think this is part of Sirius’ reaction during OotP, when he pulls away from everyone due to their perceived abandonment of him—he is alone in the house of his childhood and his friends are leaving to go and do the work he wishes he could do.
2.    A pattern of unstable and intense interpersonal relationships characterized by alternating between extremes of idealization and devaluation.
For me, this is the peak of explaining Sirius’ behaviour throughout canon. 
I hesitate to call it the Prank because that word isn’t used during canon at all, but for ease of understanding, I will. Borderline patients can have episodes of hypomania, and I do think an episode of mania contributed to Sirius’ actions here, but I also think Sirius split on Remus—ie, his perception of Remus switched from idealised to demonised and devalued. This could be over something so seemingly trivial to an outsider, even something like choosing to sit next to James and not Sirius at the dinner table, or not replying to a note Sirius passed to him. I can see Remus doing something that makes Sirius devalue him to the point of Sirius not seeing how the following events will affect his friend and he sends Snape to the Shack in a moment of impulsivity (more on that later), without truly being cognisant of the consequences of his actions, because he, in that moment, did not see Remus as a person of value. 
He absolutely idealises and idolises James Potter (he is Sirius’ Favourite Person—something I could write a whole other post on) and Sirius’ idealisation blinds him to any more sensible actions especially regarding the Fidelius charm. He will go above and beyond to protect James and his family by extension. Peter, and also Remus, are so idealised by Sirius that they are able to do no wrong—perhaps this is why Sirius is able to overlook any slight clues as to Peter’s true allegiances and entrust him as the Secret Keeper. 
Harry, by extension, is hugely idealised by his Godfather. Sirius believes he is perfect and that Harry can accomplish anything. When Harry sends his letter in GoF saying his scar hurts, Sirius immediately flies back to protect him, and also breaks into a Wizarding house to use the fire to communicate with Harry. Harry is not above being devalued by Sirius, however: in the Floo-call in OotP, Sirius tells Harry ‘you’re less like your father than I thought’, and to me it’s clear in that moment that Sirius sees Harry as having fundamentally missed the bar of high standards Sirius holds him to.
3. Identity disturbance: markedly and persistently unstable self-image or sense of self.
As we know, Sirius was the first Black not to be sorted into Slytherin. I think part of that comes from Sirius’ unstable sense of self, which, according to several studies, comes from the inability to integrate positive and negative traits. Sirius was simultaneously idealised by his parents and family as the scion of the House Black, and then, when he began to not meet their standards, was devalued as a blood traitor. I believe that Sirius developed some dissatisfaction with his life before he was sorted into Gryffindor, which was only heightened by his sorting and then devaluation by his family. This gives Sirius a markedly disturbed sense of self, which I think we can see during PoA where Sirius’ entire personality becomes getting revenge on Peter, then swiftly switches to being Harry’s Godfather once Peter has been caught.
4. Impulsivity in at least 2 areas that are potentially self-damaging. (e.g., spending, sex, substance abuse, reckless driving, binge eating)
Sirius’ recklessness is well characterised in canon, imo. Simply put, he spends recklessly—the Firebolt for Harry—and we are well aware of his substance abuse during OotP. We see his recklessness during PoA also, where he comes to Hogwarts despite knowing that there are Dementors and Aurors looking for him, because he wants to find Peter. He also breaks into a Wizarding house during GoF in order to Floo-call Harry, which obviously could potentially end badly. 
As above, I also think The Prank is a symptom of Sirius’ impulsivity. Borderlines often say and do things in the heat of those splitting moments which can be self-damaging in more than the physical ways listed above, such as ending friendships or starting arguments, and I do think the Prank is damaging to Sirius’ view of himself, his position within the friend group of the Marauders and especially his view in James’ eyes, regardless of whether the Marauders forgave Sirius quickly or not.
5. Recurrent suicidal behaviour, gestures or threats, or self-mutilating behaviour.
Okay, this isn’t explicit in canon, but I do think Sirius’ actions at the Department of Mysteries are part and parcel of his suicidal ideation. This passive devaluation of his own life leads him to put himself in danger for Harry—who becomes his FP in James’ absence—and his recklessness goes beyond the above criteria. His escape from Azkaban in PoA is similarly reckless. No one has escaped Azkaban yet Sirius, who has spent twelve years punishing himself for the death of his FP, is willing to try, such that he values his life so little.
Admittedly, this criteria is also largely based around my own headcanons especially during the First War. I believe Sirius’ recklessness with his own life is marked during this time, especially if anything should happen to the other Marauders, Sirius’ internal monologue may often turn to suicidal ideation.
6. Affective instability due to a marked reactivity of mood (e.g., intense episodic dysphoria, irritability or anxiety usually lasting a few hours and only rarely more than a few days).
Ooh, this is a big one. I instantly think of Sirius’ immediate, marked happiness when Harry says he would like to come and live with him at the end of PoA—everything else is immediately unimportant when Sirius’ Godson (and Favourite Person) is talking to him. When Harry first arrives at Grimmauld Place in OotP, Sirius is jovial if a little concerned about Harry, but playful nonetheless. This changes very abruptly when Molly raises concerns about Harry being brought up to speed about Voldemort. We also see Sirius in a depressive state when he is told not to accompany Harry to his hearing.
7. Chronic feelings of emptiness.
How else would he survive the emptiness of Azkaban if he didn’t already know how that emptiness felt? Welp, I’m giving myself feelings.
8. Inappropriate, intense anger or difficulty controlling anger (e.g., frequent displays of temper, constant anger, recurrent physical fights).
*gestures vaguely at the whole Shrieking Shack scene* 
Beyond that, Sirius’ fury during OotP when he and Molly argue is also important here. I want to note also the difference between hot anger and cold anger, in that I think Sirius is very much feeling cold anger in this moment when he is arguing with Molly. Although I largely headcanon Sirius as experiencing a lot of ‘hot’ anger—that is to say, shouting and yelling, red-faced and furious—especially during the First War, I do think that being in Grimmauld Place in OotP makes Sirius lean towards ‘cold’ anger—more calculating, more biting and sharp—like his anger when Harry questions him about the Family Tree and when he and Snape argue over Harry’s Occlumency lessons. Perhaps we don’t see ‘hot’ anger from Sirius often during OotP, but we do see plenty of ‘cold’ anger from him, as well as a healthy dose of resentment and bitterness.
9. Transient, stress-related paranoid ideation or severe dissociative symptoms.
Sirius’ actions and reactions in OotP are classic, imo, dissociative symptoms, specifically being back in the house where large amounts of his childhood trauma and the seat of his personality disorder took root. 
***
Overall, I think looking at our favourite characters through these psychological lenses really changes how we interact with them, both in canon and fandom settings. There are so many great takes about what it means for these characters to be neurodivergent in many different ways, and I’m sure there is a whole host more to say about Sirius’ mental health, whether he be Borderline or not, that I won’t cover here because this is going to be over 2k words. 
If you made it to the end, I salute you! Thank you for listening to me ramble about Borderline!Sirius and how dear he is to me! 🖤
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wildissylupus · 1 year
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Here's another rant for you, Kiriko isn't a poorly written character or contradictory or unnecessary, people just generally don't understand the meaning of her lore.
The Age Gap
First thing I want to address is the age thing, more specifically people saying that it doesn't make sense that Kiriko and Genji could be close with Genji being 35 and Kiriko being in her early 20s.
As someone who has their dynamic with my cousins who I have the same kind of age gap, I (obviously) find this incorrect.
I've seen people act as though Genji took her to parties and stuff, but realistically, they most likely only interacted while Genji was at the Shimada house or while training. Also its been shown that both Genji and Kiriko didn't have personal connections outside of they're families or the clan until after the Shimada clan fell. So of course they would be close, they literally only had each other.
Not only that but as I'm writing this I'm reading the Yokai short story and on the first page it is shown that the Shimada brothers obviously treated her like a younger cousin/sibling.
That and her young age is actually a big part of her story, growing up being a main theme in her cinematic, and her age actually influencing a lot of her views. Which I will get into later.
Her Personality
I've seen people say that Kiriko's personality in game contradicts what we were shown in her cinematic. The thing people forget is that the ideviduals she interacts with are people she is close to, her mum and her neighbours which she either learned sign language for or she was just generally close to.
This is important to recognise because she doesn't know most of the cast of Overwatch. So of course she's not going to treat them the same way that she treats people she considers family.
Not only that but Overwatch specially did nothing to help with the power vacuum they created. They are literally the reason the Hashimoto have so much control now, of course she's not going to be overtly nice to its members.
Not only that but the three members of Yokai that we know are stated to be younger then Kiriko, teenagers. She's leader and she needs to act like it because if she doesn't, kids could die.
I think this is most shown in her interaction with Ana;
Ana: You remind me of myself when I was younger.
Kiriko: That a compliment?
Ana: You be the judge.
Kiriko: Okay, thanks for the compliment.
Her Interactions and Relationships
"I won't say the Shimada were perfect, especially at the end..." - Kiriko, Yokai short story
I've seen people say that Kiriko defends the Shimada clan while also being "too hostile" towards Hanzo. The line above disproves the first claim, Kiriko just sees the Shimadas as the lesser evil of the "Shimada vs Hashimoto". Not only that but the whole being "too hostile" with Hanzo thing can be justified by one thing, canonically Kiriko doesn't know the finer details on what happened to Genji.
The most she could know is that Hanzo killed Genji, that's it. And we don't even know if she knows that, all she could know would be that Genji is dead and Hanzo skipped town.
Not only that but because she doesn't know the finer details she most likely believes that Hanzo abandoned her family and Kanesaka, either for no reason or he abandoned the post he killed his own brother for.
I hate how people act like everyone would be fine with Hanzo, like, Kiriko has a right to be mad at him and be openly hostile.
As for her other interactions I do think that some are brought down by poor line delivery, that's it.
But as I mentioned before, Kiriko has no reason to be nice to an organisation who didn't help fix a problem they caused.
Her Role in the Story
I believe Kiriko was introduced in order to cause conflict in the Shimada storyline, because I'm tired of people believing that Hanzo's redemption would be an easy road. Realistically Kiriko, Angela and Cassidy, along with other Overwatch agents, would at the very least not trust him and at most despise him.
Just because Genji has forgiven Hanzo doesn't mean his actions still didn't have consequences and I think Kiriko will be an example of that.
I also think that she will be a driving point for both Ana and Cassidy's opinion that sometimes Overwatch did more harm then good.
Essentially I think her character is going to be a driving point for other characters until she gets her own arc, maybe in a mini/separate story campaign.
(I honestly love the idea of her getting an anime)
Her Voice (this is more of a theory/headcannon)
Personally I think her having an American accent is a result of her having to go into hiding after the Shimada clan fell. I believe she had to learn how to do an American accent so the Hashimoto wouldn't hurt her. Because they didn't really seem to know Kiriko in the cinematic and her having an American accent would throw people off of gaining the suspicion she was related to the Shimadas or her mother in any way.
It a reasonable assumption considering the Hashimoto literally kidnapped her dad and is forcing her mum to work for them.
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keef-a-corn · 1 year
Text
Dat’s right, People, it’s time for ‘Keef watches TFP and you just get the notes!’
This is for season 1, episode 22: Stronger, Faster
Please reblog or comment on this with your thoughts! I really want to know what your opinion of the episode was!
I write down the timestamps, but I watch Transformers Prime on Stan (an Australian streaming service) so they may be slightly off.
ALSO! I try my best to note points for every character, but tend to get a little caught up by Bee (although I think I do a pretty good job with the notes regardless) so do be warned.
~~~~Transition~~~~
00:03 - Said no one to a transformers fan ever.
00:15 - I don’t know what happened to Ratchet’s lip-sync.
00:26 - *throws to the Ratchet fans* FEAST!
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00:33 - Raf’s a smart character, wouldn’t he know that Ratchet needs to test it a few times to make sure it’s stable? …Or does Raf want to put Bee’s life at risk?. O-Ó
00:58 - I get the other shots, but why the Cliffjumper one? His death didn’t have a negative effect on the energon supply.
01:41 - It’s like listening to your parents discussing the taxes.
01:59 - aww.. baby no! I wanna put him in a blanket.
02:08 - could you imagine being a parent in the early 2010s, thinking your child’s just watching an innocent show, then walking in and watching this scene? The episode is honest to goodness about drug addiction and there’s nothing anyone can say that would disprove it.
02:19 - Imagine if that had actually killed him? Like everyone returning after a mission to find Ratchet dead on the floor.
~intro~
03:12 - an amusing sight
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03:24 - Ratchet’s first move to check if he was better than fine was to rotate his arm/check his shoulder. For anyone who theorises hidden, long-term injuries on the bots, there’s one for ya.
03:28 - I’m sad that his energon was so low… but which one belongs to the others? A possible consideration would be that Optimus is the bottom, then Bulkhead’s above Ratchet, then Arcee, then Bee, from their frame sizes and such. Where Bulkhead and Optimus use up more energon due to their larger sizes.
03:56 - that’s so strategically cruel.
04:49 - Oh Damn.. Optimus ain’t playing around (obviously) but he doesn’t use that tone at any other point. It’s so… uncharacteristically in character of that makes sense.
05:08 - way too high risk. Slim odds of reward. Arcee has a bad habit on taking on too much during fieldwork. It’s incredible how she hasn’t been held back more often.
05:53 - Mm.. there’s not enough appreciation for the way vehicon’s prepare to land.
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06:10 - why would he put the ground bridge up there?? HOW ARE THEY SUPPOSED TO GET BACK? + could you just imagine Bee, Bulk and Optimus waiting behind the rocks, trying to make small talk.
06:18 - Slay Ratchet. Damn.
06:50 - so that idea from before… still imagine that. Just because it doesn’t work in canon, doesn’t mean it shouldn’t be pictured.
07:16 - now I wouldn’t be doing my job if I didn’t say that the fact that they included this shot could’ve meant something important, especially how the camera lingered on Bee for a second before the zoom (he’s the focus point in the shot. He’s the least blurry in the zoom). This will not be the last comment I make that’s probably me just thinking too hard.
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07:22 - the side eye.
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07:23 - That sounds familiar..
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HA CALLBACK.
07:32 - *cri* He looks so proud. Good.
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07:36 - Oh n o ✨ he’s now become aware of the size difference in a way that isn’t making him worried for the safety of the children (also Ratchet’s canonically called Raf ‘little fella’ I will now abuse this fact.)
07:46 - ‘no secret’ then proceeds to reveal that he’s on drugs.
07:48 - you can see the shift in the other bots features.
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07:57 - … what. Did. He. Say?. W H Y A R E T H E R E N O H I N T S ? !
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08:04 - this one’s a quick translation.. *concerned husband noises* + that slight glare though.
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08:09 - Now kids remember, don’t do drugs. And if Arcee suggests it’s a good idea. It isn’t.
08:20 - Optimus probably has some history with drug addiction/abuse (might not have been him, but a friend *cough cough* Megatron)
08:26 - Damn, Optimus really on edge this episode.
08:43 - expressive story telling.
08:46 - Under influence or not, Ratchet still called Bulkhead ‘Bulk’. He must’ve done so before, but still.
08:50 - Bulkhead’s more likely to respond with a nickname if he gets addressed with a nickname.
08:51 - Ratchet just bitch-slapped Bulk. Damn.
09:16 - oh hells no. Ratchet’s fist should never be that close to Bee’s face like that. + From experience, when someone air punches so close so your face, once you recognise that you’re not actually going to be punched, you relax, but if you still believe you're in danger you're going to remain on edge. Bee keeps himself tilted away, meaning he still sees Ratchet as a threat.
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09:22 - *cri*
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09:25 - Bee’s eyebrows raise higher after Ratchet insults him.
09:29 - pretend he was straight? Yeah. But seriously, what an uncomfortable situation for all of them.
09:42 - that’s a dependency. It’s never a good thing.
09:52 - Arcee’s tone indicates she’s still upset, otherwise she would’ve been a bit higher pitched.
09:57 - There’s something about the way Optimus reactions (physically) when Bulkhead stops him that’s really interesting. I cannot work out what though.
10:05 - that’s how Knockout stands.
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10:10 - I very seriously doubt that Ratchet chose Bumblebee to stay back as a randomised choice. If he had called him ‘Bee’, maybe, but he didn’t. He said ‘Bumblebee’. It was intentional. Considering that Ratchet’s still very strategic, despite being under influence, he would’ve been more likely to put Arcee on the sidelines (she goes against orders, makes unnecessary risks and is not as good at fighting compared to the others + the others are a bit more durable.). There are a few reasons why he might’ve chosen Bee. Although I want to say that it’s super unlikely, I cannot rule out the idea that a drugged up Ratchet could be a bit ableist, explaining why he’d first remove the disabled bot- but, as I said, highly unlikely. What’s more likely is that he’s putting Bee on the sidelines because he sees him as the weakest after he immediately backed down from a challenge. Then you also have the idea that there’s still apart of Ratchet that would put himself in the face of danger to protect Bee.
10:13 - WHAT DID HE SAY?! THE SYLLABLES RARELY MEAN ANYTHING WHEN IT COMES TO BEE’S DIALOGUE SO THERE’S NO HINTS!
11:01 - He’s an ass, but he’s got a point.
11:47 - what was gonna be the plan?
12:03 - this is a serious part, why would they include something so comedic? + he do be having a really good aim tho.
12:29 - Torture for the location of something important… the irony. (IYKYK)
12:41 - Optimus’s reaction shot is like every animal reaction to a loud noise in the distance.
12:44 - Really reflects on how often Autobots torture someone from the way everyone reacts.
12:47 - the shot would’ve been more impactful had Ratchet been kneeling, rather than leaning over.
12:57 - Nothing can stop the indestructible force that is Optimus putting his hand on someone’s arm/shoulder to make them calm down.
13:02 - Bulkhead and Arcee standing in the back watching them.
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13:08 - Miner vs Minor. Both make a lot of sense before the rest of the dialogue.
13:11 - ‘servant class, not warrior class’, I need to do my research, damn. Are there classes between Servant and warrior? I imagine there’s probably ones below Servant and above warrior, so the lowest class the autobots would fight is warrior. Are the classes the same for the autobots? *
13:14 - his headlights weren’t coloured properly.
13:17 - with each shot the camera gets closer to them. + Optimus’s really fed up.
13:20 - he got the Lego mouth.
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13:33 - I refuse to believe that the nemesis isn’t moving every five minutes.
14:24 - OH. WOW. Low blow.
14:59 - That was quick. Especially considering that that was not the original coordinates.
15:18 - they established early on that Ratchet could do that.
15:23 - ..where is he going?
15:34 - they either removed a scene or there’s a giant error. Bee wasn’t with them.
16:11 - domineering: asserting one's will over another in an arrogant way.
16:34 - I stand corrected, Megatron isn’t on the ship… for some reason.
16:51 - Knockout hasn’t fought Ratchet before.
17:16 - underrated line + delivery.
17:20 - Megatron’s got a big hand.
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17:23 - that’s what it feels like to loose an arm wrestle.
17:31 - Knockout immediately suggesting drugs.
17:37 - WTFRaG.
17:49 - …Okay but like I know he doesn’t mean it this way, but I prefer to imagine that Megatron’s witness Ratchet sitting in Optimus’s lap.
17:53 - dude wants to drug a whole army.
17:56 - first move. Call out husband’s name.
17:58 - second move. Admit to wrong-doings.
18:05 - Optimus grabbing onto the handrails (I wasn't able to get a clear shot)
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18:08 - He’s so concerned.
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18:10 - FRAGGIN FINALLY I CAN GUESS. ‘Yeah? -on it.’
18:14 - Optimus didn’t even finish his sentence before running to the rescue.
18:23 - her legs are moving faster than she is.
18:26 - NOTHING CAN STOP HIM NOOOOW.
18:32 - he won’t stop moving. It’s beautiful.
18:38 - Oh dear.. oh Ratchy no!
18:44 - Knockout’s had like a 0% success rate with that saw.
19:35 - his eyes are blue
19:50 - THAT LINE DELIVERY!
20:07 - he k n e e l s
20:12 - that pool of energon wasn’t there before and he wasn’t actively bleeding.
20:14 - smexy scenery.
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20:21 - babes has been by his side the whole time.
20:24 - ‘you bled out’ >:)
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20:31 - Aww! But also.. he punched Bulkhead.
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12:32 - shut up. You’re crying.
20:35 - he finished his sentence.
20:41 - AAAAAAAAA
20:52 - so energon is a blue crystal that needs to be mined, where it’s then turned into glowing light blue cubes where it becomes a dark blue liquid and is injected into the arm? But if it’s purple it’s dark energon. If it’s green it’s Synth-en. But dark energon stays in crystal form and doesn’t need to be replaced, while normal energon needs to be stocked up and can burn.
21:24 - this is just the plot of Hercules (the Disney movie)
———————
And that was Stronger, Faster
A lot lighter and darker than I remembered it. A very good watch and even if it’s just known for being the drug addiction episode, I’m glad that it’s known.
It’s a very dark topic, but I think it was addressed well. 10/10 would watch in a binge and when being selective about episodes.
*so this touches on my question
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ruthlesslistener · 1 year
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If we consider the separate corpse dumping pits in a vacuum yes soul master would be worse, but PK was the one who created a kingdom with a class divide that allowed soul master to snatch up folks without being noticed. Whether he intended it or not, PK ended up enabling soul master. I'm not phrasing this right, I know PK once aware of soul master's actions disproved of them but that doesn't change that every flaw in hallownest's structure, from social to economic, is a result of his negligence.
I dunno at least that's how I felt playing the game. At every misfortune I met from bosses to the structural issues with the caverns (crumbly floors, thorns, spikes, why is there so many spikes???) I cursed the creator of this kingdom, so I personally view the sins of his people as his own sins, or at least view him as partially responsible
Anyways all of this could have been avoided if PK just used his small form to become a civil engineer instead of a god king
... actually the structural issues with the caverns might have been worse if he did that nevermind
(branching away from the main topic I Do wonder what a mortal disguised PK would be like. The only god we seen in HK attempt something like that is Grimm and even then all he does is simply not advertise himself as a god, he very much does not attempt to blend in into the mortal populace, perhaps aware of how his eerie aura would prevent him from doing so. Would any of the higher beings be able to truly blend with mortals if they wished? Or would that be impossible?)
?? Anon, PK had little to no influence on the society of Hallownest beyond the most basic shit like 'throw your entire self into your purpose until you die'. Like yeah I think he encouraged learning about the soul arts and engineering, bc thats kinda his whole thing, but what's even MORE his thing is just..not participating in the society of Hallownest at all, to the point where people speculated about what he looked like because they just straight-up never saw their king. Hallownest's society and social class systems is something that likely was inherent to the beetle tribe before he became their god, which is something that I assumed because a.) There are multiple tribes in Hallownest with their own unique cultures that aren't entirely because of their gods, b.) He's the polar opposite of the Radiance, who obsessively exerts control, c.) He actively formed treaties with tribes that his own populace considered uncivilized savages and beasts (the mantises and spiders), and d.) His own Great Knights are formed of social rejects like Ogrim and foreigners like Ze'mer. Pair that with the fact that the retainers in the White Palace are clearly noblebugs that lend nothing but empty minds and inane chatter who are only useful if exploited for soul or killed, and it paints a very clear picture that PK was not at all involved in the social structure of his own kingdom. In fact, he's probably the exact opposite. And that's not neglect, per se- though he is neglectful- that's just more proof that the people of Hallownest are much more than which faction are aligned with which other god. PK had nothing to do with it. To gods, mortals are pretty much livestock, so I assumed that he paid about as much attention to the social ills of Hallownest as a farmer would for a chicken's pecking order- sure, maybe it seems alarming and like something you should fix, but really they're just gonna keep going at it, so why bother if it doesn't affect the quality of the food you're getting out of them? The Beetle Tribe had a pretty clear hierarchy that resulted in a lot of social ills, but considering the fact that the bugs of Hallownest canonically worshipped the Void before the Radiance came around, I think its safe to say that the hierarchy there was around for centuries before the Pale King took over. He just built the city that they lived in- and if the donations fountain is anything to go by, he did try to siphon off the economic issues at least a bit. He had very, very little influence on their social life
I'm not exactly defending the dead baby pit here, but PK didn't enable the Soul Master at all- he actively opposed him, bc again, he's losing chickens. Contrasting the horror of the Soul Master's slaughter to the dead baby pit is supposed to make you wonder whether mass murder for salvation is really any better than mass murder for power, and the fact that PK was horrified and disgusted by the Soul Master's body count while piling up his own also gives us more context on how he must have felt about the vessel pit- aka, terrible. It highlights the disconnect between the two while also pointing out that both were terrible no matter what their intentions were.
He might have tried to make it seem like he had everything under control, but he very much did not, so pinning all the blame on him when he was only one facet of all the shit going wrong in a very divided world just seems kinda, idk...shitty to me. It takes blame away from the Soul Master, who was the pinnacle of a powerful rich man throwing others under the bus to get what he wanted, to pin it on PK. I certainly am not trying to defend PK here- everyone knows he fucked up- but pinning all of the ills of Hallownest onto only one guy takes away a lot of the nuance and character of the people he was trying to protect, people who were already reduced to livestock and body counts in the war between him and the Radiance, so personally for me that's really :/. He's an important part of Hallownest's downfall, but he's really not that important
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animeomegas · 2 years
Note
Regarding your camping prompt...
Who out of Naruto boys would be the most eager for some action during missions? Or maybe not eager, but at least open to the idea of possible audience while camping?
Hmm, I don't think many of them would fuck on a mission because of the dangers it would bring, but... I think canon Itachi would, just because he doesn't really have a comfortable place to return to as an alternative.
He feels equally as comfortable in his room at base as he does in the middle of the woods. Actually, I think he would probably feel more comfortable in the middle of the woods.
Although Itachi doesn't use tents while on missions, so it would be very exposed 😅 You could persuade him though, I think.
Let me write something for him!
"There's no one out here," you murmured against Itachi's lips, rubbing your thumbs in circles on his still covered hips. "We can... take a break, no one would know."
"Until we get ambushed and murdered," Itachi countered, but he didn't pull away.
"As if there's anyone out there that could defeat both of us, even if we were knotted together during the fight."
Your crude words pushed the stoic Itachi into blushing a pretty pink, his eyebrows furrowed in disproval.
"Thats-!"
"Hot as fuck?"
"No!" he denied, pulling away and turning his back on you, a tiny pout on his lips. His façade was cracking, so despite his protests, he also truly believed that you were both alone. He was so cute when he let himself react to things.
"Come on, 'tachi," you pulled him down to sit with you on a stray log before eagerly kissing the pout off of his lips. "We're completely alone, omega, let me show you how much I love you..."
Itachi scanned the treeline with his sharigan and when he obviously found nothing, he sighed and leant into your arms.
"Okay, okay, but not for long, it's too dangerous," he whispered. "But-But no, no-"
"No knotting you?"
"Yes," he blushed, voice grumpy. "This is not the time or place."
A bird suddenly flew out from a nearby bush, startling you both and pushing Itachi's mask back onto his face. It was really scary how quickly he could change to completely emotionless.
"Hey," you tugged off his headband and let some of his hair fall into his face, just the way you liked it. "I know you're tense, we don't have to do anything, but... people don't really come out this far and I wanted to show you some love."
Itachi took a deep breath before he suddenly straddled your lap like he couldn't believe he was doing this.
"Let's celebrate being alone," he said eventually. "I want to."
"Of course, my love, let me show you how loved you are."
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quibbs126 · 1 year
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So today I decided to redraw my versions of the North and South Dragons as Cookies, whom I call Choco Creme and Milk Creme respectively
Yeah I basically completely redesigned them, but to be honest I quite like these new designs. I also like the old ones too, but I think I’m gonna more retool them for their normal Cookie disguises. Also I may or may not have stolen the diamonds in the eye thing from @deadshadowcreature ‘s designs of the dragons, which I found recently and really like
With the hair, I was planning on giving them the same hair, but I had two different ideas and I wasn’t sure which one I liked more, so I just gave them each different ones. They’re supposed to just be me trying to interpret their hair/scales/whatever as actual hair
I wanted to draw these guys again because of the Might of the Ancients thing in the recent update mentioning them again, and giving us a bit of lore surrounding them and Dark Cacao, as well as confirming their powers. From what I can gather, their powers are black lightning and the snow/cold, though it’s not entirely clear which controls what. I assume though it’s the North Dragon with lightning and the South Dragon with the snow, just given the corresponding colors. Funny enough, I actually headcanoned that one of them had power over snow, so I was surprised to have actually gotten that right. I said the other one controlled ice since I thought they’d both have a “cold” motif, but eh, I still got one of them, so that’s something
If you want to hear my personal headcanons for these guys, I’ll just tell you here, since I’ve thought about it a bit more since I last talked about them
So Choco Creme and Milk Creme are twins dragons, both being born from the same egg. Their parent was whom I call the Cookie Creme Dragon, a gargantuan dragon who laid to rest on the northeastern part of Crispia, and their body eventually became the Giant Icing Ridge (this was mostly due to me misinterpreting something about Dark Cacao splitting the two apart as being literal and they were once one dragon, then me just working with that idea). Thankfully they are nowhere near the Cookie Creme’s size (at least not yet). Originally I said that Choco Creme was older, but given they hatched from the same egg, I’m pretty sure they’re the exact same age. But Choco Creme still acts like the older one. Also, Choco Creme is a girl while Milk Creme is a boy
I said before that I headcanon the two dragons as being Dark Cacao’s older siblings. Now granted, nothing in the new Might of the Ancients implies that Dark Cacao knew the dragons prior to the story (I feel like it’s supposed to be when he stopped their fighting and founded the Dark Cacao Kingdom, but at the same time I’m pretty sure he had the Grapejam Chocoblade at that point, and as we see in the flashback, Dark Cacao doesn’t have that yet, so I’m not entirely sure when it’s supposed to take place). However, technically there’s nothing that disproves it, so screw it I’m still sticking with it. Basically at some point when the two were young, they were exploring the wilds of the land during a blizzard, when they found this thing lying in the snow, which was a very young Dark Cacao Cookie, unconscious. They were curious about it, so they picked it up and took it back with them. Eventually it woke up and after that point, as it didn’t seem to want to leave, they decided to keep it, eventually becoming their youngest brother, as well as their smallest (when taking on Cookie form, they intentionally make themselves at least slightly taller than Dark Cacao, just to be petty)
Edit: about the whole Might of the Ancients, I watched a collection of the cutscenes, and okay no it seems to all be just before they did the thing that ended up founding their kingdoms, and watching Dark Cacao’s cutscene, yeah I’m pretty sure he’s never seen them before this. So what I say here is kind of invalid by canon standards, but eh. Maybe this is an au or something. Or I’ll tweak the backstory to fit canon better. Or I’ll just stretch things and keep it how I have them
As for whether or not Dark Cacao is a dragon or just a normal Cookie, I’m still not sure, and no one here really knows, all they know is that he and his siblings aren’t syrup related
As for the dragons themselves, Choco Creme is a rather cold individual, known for never smiling. She’s kind of the one Dark Cacao inherited the grumpy attitude from. In contrast to her brothers she is not one for violence, preferring to settle things with words (mostly because she just doesn’t see the point in all that effort). However that’s not to say there isn’t an end to her patience, and when she reaches that, all hell breaks loose. As for Milk Creme, he’s probably the most upbeat of the three, but that isn’t really saying much as the bar for that is that he actually smiles semi-regularly (young Dark Choco had them all beat). But he also can be pretty friendly and looks for excitement. He’s also one of the quickest to violence, whether it’s out of anger or he just wants to. He probably taught Dark Cacao about the usefulness of violence, something he toned down but still definitely finds use in.
I’m thinking now that the two do from time to time take on normal Cookie forms, just to see how things are going in the kingdom. They don’t have that much interest in the prosperity of the kingdom itself, but they like to see how their brother’s running it. Unfortunately recently they haven’t felt much want to. I’ll draw those normal forms at a later date, but I’m thinking they either choose to closer resemble Dark Cacao or they choose to look more like regular citizens of the kingdom, being chocolate and milk based respectively. I’ll try it out and see what works
But yeah, I think that’s it. Hope you like them!
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books-and-dragons · 3 months
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hi, i saw your post about grigori angels and was wondering why this disproves the kokabiel and baraquiel!crowley theories? sorry if this has been asked before, or it's obvious!
hey anon, nothing to be sorry about!!
i wouldn't necessarily say the fact kokabiel and baraquiel are grigori disproves the theory, if only because we don't know how the grigori story fits into the good omens canon- and playing fast and loose with the bible stories is always an option so it's still a possibility, just an unlikely one if we follow the orginal biblical canon; as the grigori arrive much later on, and their 'fall' is not the same one as we see with 'lucifer's angels'
regardless, the grigori are fascinating to consider- especially in the gomens universe! they're unique amongst angels, and still vastly different from demons- the only ones who well and truly get humans
i'll start by quickly sharing the grigori lore, then bring it back to crowley
The Grigori
the grigori are detailed in the book of enoch, and their time is after eden, after the beginning. with sin now being an option for humans, the grigori were created and sent to earth to understand human behaviour
their name translates to 'the watchers'. an apt title for their role: watchers over humanity. the reason for this is debated, but fundamentally we come down to the important fact that the grigori, with their unique position as Watchers, understood humans better than any other angel- which was the whole point. why humans sinned, and how to influence them towards virtue and faith while still allowing humans to maintain their free will.
then, things began to change. the grigori started to interact with humans, taught us of technology and knowledge that we would soon discover ourselves. they later began to marry humans. they copulated with humans- from this, we had the nephilim. i don't need to reiterate how that particular tale ends. at least, not for the nephilim.
The Second Fall
here's the fun part. at least, in the context of talking about 'Fallen Angels'
in the eyes of god, the grigori had left their place of belonging, heaven, in favour of humans and earth. for this act, they were to fall.
except, the grigori didn't fall. at least, not in the sense we tend to define falling.
jude, verse six, outlines as much. 'and the angels that kept not with their first estate but left with their own habitation, he hath reserved in everlasting chains under darkness unto the judgement of the great day'
it would be more accurate to say the grigori were cast out, that they are in 'time out'- for they were not stripped of their grace, nor did they fall to hell/become demons as lucifer's angels did. instead their punishment is to spend the rest of their years on earth, until the day of judgement. for all intents and purposes they are still angels, just not yet allowed back into heaven.
(when we consider that the grigori had already been living on earth, amongst humans, there's something to be said for wondering if this is really a punishment at all. god really fumbled the bag on that one, or maybe it was intentional. the grigori tale is full of interesting debates!)
from what i gathered, this event is [colloquially] referred to as 'the second fall'. it happens after the original fall, the better known one. a long time after- given the grigori are after eden.
the important takeaways about the grigori come down to this: they are unique amongst angels for understanding humans, they are the parents of the nephilim, and they 'fell' from heaven- but not in the same way
Fitting with Good Omens/Angel!Crowley theories
if we're following the biblical canon here, crowley couldn't have been kokabiel or baraqiel for they are both grigori. they didn't fall with lucifer, not as the-angel-that-crowley-was did. by the time of kokabiel and baraquiel, crowley the demon already existed.
the grigori came after the beginning, once humans had already left eden. their 'fall' is referred to as the 'second fall', nevermind the fact that they didn't really fall at all. the grigori aren't in hell, they aren't demons- they're still angels. contrastingly, crowley fell, and very much is a demon- he's part of the first [real] fall, one of lucifer's angels. let's also remember that a very important part of the grigori story is how they fell for, and into bed with, humans- and procreated with them. somehow, this isn't something i envision for the-angel-that-was-crowley
this said, crowley (and aziraphale) were definitely about on earth during the time this was happening. they witnessed the flood themselves (the incident designed for the purpose of destroying the nephilim, the offspring of grigori and humans), and i'm sure at least aziraphale would have heard about the 'second fall', if not also crowley along with the rest of hell (also, imagine how pissed you'd be if you took a million-light-year dive into sulphur, came out a demon of hell, only for these 'watcher angels' to also be called fallen, when all they did was get put in time out for several millenia. the unfairness has to sting)
i like to imagine crowley had a form of healthy tolerance-bordering-appreciation for grigori angels- they value humanity's free will, shared knowledge with humans that often centred on creative and technological developments, even when this meant punishment by god
what makes the grigori so interestingly unique is their understanding of humans and what may drive them to sin. it's a skill that even aziraphale, with his appreciation for humanity, hasn't quite grasped yet
i don't think we'll ever actually see the grigori in good omens, since they're not too widely known of, but they fit so perfect to the good omens theme of discussing human morality and behaviour that we see debated by crowley and aziraphale. they'd both have very different, very strong, feelings about the grigori and their fate- which is fun to think about
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bowlofmeat · 1 year
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I mean there’s nothing in canon that disproves that the Core is super goofy. so why not
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...
In Amphibia episode "the Beginning of the End" Darcy captures Anne and others and intends to "do what [Andrias] could not: kill Anne." This is easily the scariest Darcymoment to me, because of the ease of which Darcy does that and because Darcy makes this face:
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This is not a Marcy expression. This is about as far from Marcy as you could possibly get. Marcy would never make this expression in this context. Why?
Well, know that Darcy has all of Marcy's memories. Marcy has known Anne since they were toddlers, and they hung out after school every day. She probably knew Anne's favorite foods and Anne's favorite color. They probably watched movies together, huddled under a blanket with moonlight streaming in from the window. Do you know what it takes to know all of that and still wear this expression? You'd have to be a special kind of fucked up to do that, and I don't believe that Marcy is that fucked up.
So. This image would singlehandedly convince me that Darcy really, really, isn't Marcy, and isn't influenced by Marcy in this way at least. Because if Marcy had any amount of say in this - the Core wouldn't be able to kill Anne. At least not with this expression.
Sidenote I actually kinda like that Marcy is completely powerless in controlling Darcy's actions. It makes her slapping away Aldrich's hand all the more meaningful because Aldrich takes away everything afterwards, leaves her in a dark room with nothing, just herself, some lonely little girl in her school uniform and not Marcy the chief ranger of the Newtopian Knight Guard. And she still rejects him.
Anyway. Where does Darcy's quirkyness come from? Well, Darcy says it might've "inherited some of [Marcy's] quirks" but it clearly doesn't get influenced that much from Marcy (see the above). From what I can identify "inherited some of her quirks" might mean that ol' Darce here enjoys Marcy's favorite foods more and falls over a bunch. I can't say anything conclusive on like, personality changes because the Core doesn't have a canon personality that isn't Darcy to compare and contrast to, which is honestly such a shame.
But. There is one thing the Core does when it has yet to become Aldrich-as-the-Core or Darcy-as-the-Core. And that is this:
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It gets really close to people just to mess with their heads. This is a consistent character trait displayed both as the Core and as Darcy. This does imply that it has a consistent personality.
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Besides, the Core literally named itself “Dark Marcy” because “the name appeals to us,” implying that that thing is canon goofy I refuse to believe otherwise!!
EDIT: Also the Core's first reaction to meeting Marcy is to demand Andrias kill her. Immediately. It's first reactions as Darcy to meeting Anne is to 1. mock her, 2. declare the rebellion over, 3. fecking kill her!? That's a very short path to killing, displayed both as the Core and as Darcy. Darcy is extremely hardcore and has no chill dot png.
Again, the Core doesn't have much of a personality, so I'm afraid the analysis has to end here. Sorry guys.
also this consistent character trait
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staystillgregory · 9 months
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(Alright, addressing Ruin here and how I’m handling it on this blog. Obviously, spoilers under the cut.
I will be largely non-Ruin compliant - my verses will continue to be treated as timelines due to Gregory’s actions (Princess Quest, Van, my main ‘golden’ route verse, etc.) and not as scenarios Gregory drew out, as suggested by the comic book pages Cassie finds. So nothing’s changing there.
Likewise, Ruin will be handled as its own verse, and will not be considered anymore canon than the rest of them. It’s likely the only verse I’ll consider the Mimic having any effect in, at least not until we learn more about it and get some actual answers to match all those questions Ruin so helpfully bombarded us with. In any verse following base-game Security Breach (pretty much any of the endings), I’ll likely only be writing with the context of what we knew at the time instead - Vanny, Burntrap, Glitchtrap. The Mimic will not come into play in those verses unless my Rp partner has an idea for it we both like. Additionally, I don’t plan on changing Gregory’s backstory, at least not for his non-Ruin verses (Jury’s still out on Ruin itself), meaning for the majority of them he was not ever under Glitchtrap’s control. He was simply a homeless kid seeking shelter/warmth/food when he snuck in the Pizzaplex.
In my Gregory’s Ruin verse for the neutral ending, he did not drop the elevator/betray Cassie. It was not him speaking, whether Cassie realizes it or not. Even if canon ends up disproving this, I’ll likely diverge, because I’m gonna be honest, my heart hurts too much thinking about it. I don’t enjoy portraying Gregory as a villain. He may be a troubled kid, but he wouldn’t do that to his friend.
I am absolutely fine with Gregory and Cassie being friends, even outside of my Ruin verse! Their backstory as to how they met can be the same, or we can change it to our own whims. c: They make me happy. Please let them be happy. They both deserve it.
I also may play around with the setting of Ruin without the Mimic (Gregory actually being trapped) - it’ll be treated as an AU of the Ruin verse with its own tag.
Of course, I’ll work with my Rp partners if they have something specific they want to do. I’ll likely pin this for a while, since it’s relevant.)
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lena-in-a-red-dress · 2 years
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Dyslexic Kara?
I mean, it's totally justifiable. And there's nothing that disproves it in canon. So. Sure.
Maybe Kara's watching Lena reading one night on the couch, and her expression turns a little sad. When Lena refuses to let her brush it off, Kara explains how she's always wished she could enjoy books the way others do. The way Lena does.
She wishes she could curl up with her coffee and a blanket and be engrossed in a world different from the one she's in. One where her planet didn't die and she isn't alone. One where she'll face challenges, but at least have the near-guarantee of a happy ending.
Lena looks at her softly, then instructs her settle in and get comfortable. Kara does, then waits. Now what?
"Close your eyes."
With her eyes obediently shut, Kara hears the creak of the couch under Lena as she shifts back to her spot, and the rustle of turning pages.
"Dear You, The body you are wearing used to be mine..."
Behind her eyelids Kara is transported to a rainy night in the park and the world of Myfanwy Thomas and Her Royal Majesty's Secret Service.
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cloudinterlude · 1 year
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howard really fascinates me! specially since i keep trying to match the fun, bubbly 40s howard with the serious, detached howard from the 80s/90s. like what happened that changed him so much??
also the fact that bucky ends up killing him also captivates me cause bucky is steve's best friend, howard even helped him rescue him in the first movie, howard was obsessed with steve.... like his whole life AND death ended up being connected to steve
Same! I mean, of course the grief/mourning/regret/guilt Howard feels over Steve is a large part of his initial descent, but I suspect building and being in SHIELD took a heavy toll. Mildly long post incoming, probably incoherent, probably off topic, and it might end as the most disjointed character analysis I've ever done, but walk with me here 🤝🏿
Howard is such a fractured character. Like, he knows when he's doing something wrong, and he feels a seemingly significant (although hidden) amount of guilt when it goes wrong and he works to rectify it...but he just doesn't stop, especially if the outcome is worth it. He's a very "the ends justify the means" kind of guy I suspect. And there's nothing worse when the ends end up having a horrible outcome and the means were done in vain.
A normal person would say, "Hm, maybe I shouldn't do xyz anymore, or at least not the the degree I've been doing it, if it all ends in shit." Howard goes, "Actually let me keep all my bad ideas as proof of what I can do and shouldn't do and then go experiment more because I know I can do better." And then it doesn't go better and just gets added to a vault. And then, separate from his internal issues, the world around him is shifting too and to bring some stability, he needs to make some sacrifices. Someone needs to get their hands dirty - if not him, then who? And then all that mixed with the ghost of Steve hovering over him, knowing he'd disprove, but Steve isn't here so oh well.
I don't want to paint Howard as an altruist. He isn't, not in the slightest, in fact. All of his motivations are deeply personal and most likely not done for some abstract greater good. I don't think Howard is some kind of heartless monster - actually he decisively isn't heartless judging by MCU canon. He wants to do good (and he has!), but he doesn't let that desire to be good take him away from his desire to be free to do whatever he wants.
I have more to say about him (specifically about his upbringing - the reveal that he came from a poor family and feels compelled to make up for that was huge to me) but I'm losing words rn LOL and nothing else will make sense. I wish there was a voice note feature...I could probably just yap about it....Anyways, yes, Howard is one of my favorite trash gremlin characters.
And you are ALSO so right about not only his life, but his death being wrapped up in Steve too!! And wasn't he also keeping an attempted replica of the serum in his car for transfer? Or did I make that up lol. Either way, fully agree - you kinda blew my mind a little with bringing that to attention.
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