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#thing is if i did it as a proper au I'd have to kill off 80% of the cast and that seems harsh
cansoc · 1 year
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For various reasons I am currently trying to patch together the logistics of a zukka Fistful of Dynamite AU and currently it's held together by the concept of Zuko turning to Sokka with a sly smile and saying "Duck, you sucker!" before he blows something up.
Which is a good concept to start with, I think.
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darqx · 5 months
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Some BP/HH/General asks
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That mood when you want to share all the things but also want to keep it under wraps for the actual thing haha! Thanks very much anon!
As for your questions, I can't actually be specific cos there's no definitive number I have in mind for either. Basically there are a number of sectors (you can consider them their equivalent of countries - they have less than what we do though), and a number of species of demon of which I've designed about seven of. The ones I've shown before are these guys (and do you think I could find this pic again? No, I had to recreate it cos for the life of me I couldn't remember what ask I'd previously stuck it in lol):
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One day when i have enough species and stuff out there I want to make a proper field guide \o/
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Thank you very much for the interest! ∠( ᐛ 」∠)_ I would actually love to for BP, but before I jump the gun there I have to get the comic out first lol. That being said I have made mini-games before featuring the HH versions and some other characs alas they are all lost at the moment to the sands of Flash becoming obsolete 😩
Me and Gato do still collab sometimes (and send each other Xmas presents)! °˖✧◝(⁰▿⁰)◜✧˖°
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I have been working on one off and on for a while actually! Hopefully I'll have some pages to post next year or so*, I've been doing a bit of thumbnailing recently :D
*that is the plan but i also don't know where people find the time to do anything with a full time job lol.
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Hullo! Glad you are enjoying the snippets of BP I've got here and there :D Here is an older ref on Izm back when i first got the idea (at that time i didn't really plan to do anything with it, it was just an AU. Now it's my main project haha. Anyway the ref is a little bit out of date in that regard.)
I used to have a "field guide" which was also made quite a while ago, unfortunately the death of Flash kinda killed it. Here's a screenshot of some relevant info from it though.
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That's an interesting one as it's questionable how sentient souls are after removal 🤔 In my mind its only form is the smoke light, it can "see" to some degree and MIGHT be able to talk (but in a very no one can hear them sort of way, a la i have no mouth and i must scream. So i guess it can think "aloud"). The more time passes the less sentience it has.
It could try, though it wouldn't really get anywhere if it's in Rire's collection. He might just eat it lol.
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.D: Good with kids, will be fine in all aspects.
Izm: The fun dad however needs a partner that knows what they're doing to ensure the child safety during shenanigans.
Marcus and Zeke: Also would be good parents though might be more helicopter out of protectiveness/worry when first starting out.
Ren: Geek parent very good for homework help. Some Asian parent tendencies eg "ah see, i told you not to do that right? Now you see what happened."
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They are similar to our known society for this! So basically, there are some good families out there (eg Zeke - who is a demon - is from a pretty average loving family), and there are some bad families out there who only care about power or having an heir or whatever.
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HH Rire is a human. I differentiate between him and Demon Rire because they are two different characters...even though they are also technically the same character lol. You can consider them as alternate universe iterations of a base "Rire" concept.
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I actually half jested this in an old comic lol
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I am sorry to inform you that a HH webcomic doesn't actually exist 😅 I did a lot of art, animations and one shots (such as the HHJ comics) with them, but nothing actually planned or serialised or anything. Whatever's currently on my DA or here is basically what exists.
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Bringing this image back cos it's relevant lol.
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You spelled it correct there though! XD
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thebibliosphere · 7 months
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What are your thoughts on authors writing and posting fanfiction of their own work? Do you think being self published vs traditionally published makes a difference? I tried searching around about the topic before but found nothing conclusive, other than the statement, "if you're the owner of the work, you might as well make more money off of it," which doesn't sit right with me.
I mean, I'm quite (in)famously writing an AU fic of my own work (Sugar Vladdy) purely for fun and because Tumblr has a unique ability to pilot my lack of impulse control like the ADHD version of Ratatouille.
Numerous people have told me they'd buy Sugar Vladdy if I ever decided to make it into a proper book. Frankly, I'm not interested in that because my motives for writing Hunger Pangs vs. Sugar Vladdy were different.
Writing for profit vs writing for fandom occupy different spaces in my brain. They scratch different itches. Yes, I'm playing around with the same characters. But I'm sort of just treating it like enrichment in my enclosure. It lets my brain throw around all the ideas that wouldn't work for those characters within the canon universe but still likes to go, "Oh, but what if..."
Honestly. No idea how much of that is my ADHD or what, but that's the only way I can explain it. They're the same, but they're not. They're fun in different ways. And I can get away with it because I'm self-pub. I haven't sold the rights to anyone. The world and characters are mine. I can put my blorbos into situations if I want to.
Now, if I were trad-pub, there would probably be a lot of restrictions about what I can and cannot do surrounding my own characters because I've sold the rights for X amount of time. I couldn't just give things away. It might be considered a breach of contract if I did. It'd definitely be something I'd need to run by an agent first just to make sure.
As for not liking the "might as well make money off it" mindset, as a literal struggling writer who lives paycheck to paycheck, I'm not going to judge anyone who keeps their official work as for profit only. People deserve to be paid for their labor. If they/we want to create stuff away for free, that's up to us.
Would I personally find it stifling and joy-killing to only ever write for profit? Yes. But that's a me thing. Not a universal thing.
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AITA for telling someone that roleplays are a two-way street and refusing to re-engage with them?
Occasionally, if I'm in the mood to write but I don't really know what, I'll browse ship tags on Omegle. Its become synonymous for roleplays, and I've found its (typically) pretty fun.
As with every social thing, there's the odd... Less than pleasant experience. Last night was one such experience. I connected to someone on a ship tag, they sent a prompt, and it was actually a pretty interesting one, so I responded.
It was an AU prompt, but I generally kept my characterisation as close to the character's canon as I could, while still matching it to roughly what someone's personality in that profession and location would be.
(E.g; if the character was a proper old-country style cowboy, or a socially awkward secretary, ect.)
It became very clear, very fast, that the other person had very, very specific ideas about the roleplay, what happens, what my character was supposed to say/do, ect. To the point where (as I later told them) they should've just written fanfic so they had complete control.
Near enough every time I responded, they'd "correct" it or argue against it both in character and in brackets as themselves. For example if I noted something about the background or story of my character, theirs would immediately say "no that's not what happened" or they'd say [hey actually can you change that, it doesn't fit/I don't like it/its not what I envisioned].
After about fifteen minutes of this I got incredibly vexed and decided I was done. I don't mind a roleplay having certain goals/main points/guidelines, but they were literally trying to control every tiny aspect of what I did. So I sent them this:
[I'm sorry, the RP sounded interesting in the prompt you sent, but its rapidly becoming clear you don't actually want a roleplay, you want to be the sole one dictating everything that happens. Honestly I think its best you turn this idea into a fanfic and not a roleplay. It kills off any enjoyment of the roleplay when I have you contradicting every tiny detail I include or dictating what I'm allowed to do or say. I'm not going to sit there waiting for you to approve of everything I intend to say. Thank you for your time, but good night.]
I disconnected, and decided I'd spend another fifteen minutes browsing the tag before I did something else. Well apparently, the other person decided they were going to spend fifteen minutes stalking the tag trying to find me again, spamming every connection with messages ranging from extreme insults and threats to demands I 'speak up again, bitch, I wanna talk' and so forth. After connecting to them for the tenth time, I sent:
[I'm not going to re-engage with you. I said what I did, and frankly, it was a valid statement. If you can't handle the fact that roleplaying means a 50/50 creative allowance with someone else, and that you can't micro-manage or bulldoze every single detail, then you shouldn't roleplay. Frankly, knowing how vile you can be from simple criticism, I'm glad I disconnected. Take a breather and re-evaluate yourself. I'd be embarrassed.]
Well. This morning I logged onto Tumblr and after some browsing, I actually came across them again. Here. By means of a post where they included screenshots of everything and are even going so far as threatening to stalk Tumblr and AO3 to 'match up the writing' so they can find me and presumably say their piece or whatever.
I talked to a friend about it, and surprisingly, they think I'm an asshole. Not for what I said in the first place, but for not re-approaching the other person (through DMs) so they'll stop filling the ship's tag with negative stuff. (They've made 3 posts about it all so far.)
I don't want to do that because it means opening up my private social media to this obviously unhinged individual. I know I can expect to be spammed, sent hate mail, have them try to track down my other socials, ect. I could make an alt account for it, but honestly that's effort I don't see the point in making. If they can't let this go, its not my problem.
AITA? Should I make an alt account just to let them get it out of their system? I don't know how to proceed with this.
What are these acronyms?
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spacerangersam · 4 months
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Tell me more about your BBC Ghosts character swap AU please?
(like I wanna know from you about the other BH ghosts you didn't draw in their character swap AU version yet on what their character swap would be, for example Thomas, Mary & Robin please?)
Thanks!
I'd be happy to!
Thomas is a caveman, tricked into a fight by his cousin (with less of the dramatics though, since Francis couldn't have forged a letter)  who either got stabbed with a spear or bonked on the head with a club. Regardless, he was killed and in death, gets to carry around a spear. It‘s big, cumbersome and annoying, and I just think it’s funny. He can give the living bruises with it.
To blabber on a bit: his name is actually To, but Julian thought that was stupid so renamed him Thomas, and he did originally come from Scotland. Though it wasn't called Scotland when he was there, obviously.
He struggles a lot with modern English - he’s lived through the rise and fall and change of so many languages that he really struggles to keep up. He slips between using new English and old English, French, old Brythonic languages etc, especially when he’s upset. That's what really kick-started his friendship with Patrick- Pat was the first one really willing to just stop and try to understand what Thomas was saying, and the first one to really sit down and help Thomas with his English. They have lessons every Thursday evening. 
He still likes poetry, but because of all that he’s even worse at it. He also still hates Byron, just for less personal reasons.
With the whole having being around for thousands of years and watched people come and go, he's terrified of the other ghosts moving on without him. He doesn't like to sleep alone because of it, likes being able to keep an eye on at least one ghosts during the night. He tends to spend the night with Pat or Kitty, curled up on the foot of their beds, but he’ll stay with someone else now and then
Mary is a Girl Guide leader from the 80s. She's a timid woman to begin with, raised in a strict Catholic household, who works in a farm shop-come-cafe. She was encouraged to take up the Guide role by her husband to give her more confidence, and she stayed with it after his death. It didn't really make her more confident though, and her Guides quickly learned that they could walk all over her. She died while camping out on the Button grounds - some of the girls set a fire that quickly got out of control. Mary couldn't get out of her tent and died of asphyxiation (suspend your disbelief if you wouldn't mind). She still was close to Annie (and depending on how much you want to play around with the au, Annie could still be around, era switched with the plagues) and learned to be more confident through her.
She insists on doing grace at mealtimes, even though she can't eat, tells people off for blasphemy, and prays on Sundays in lieu of going to mass. The longer she's with the ghosts though, the less she does it. She has a few handy survival tools in her pockets, and like Pat, knows a thing or two about using a bow and arrow.
Robin is from the Georgian era, a nobleman's son who was sent to live with his uncle in hopes he'd straighten Robin out and turn him into a proper gentleman. Robin hated that idea. He planned to make a getaway and start a new life, one where he could just be himself, only to get struck by lightning before he ever made it off the grounds.
It's hard think of a Robin with ‘perfect’ speech, so I like to imagine he came over from North Wales, Welsh being his first language. He does speak English, albeit reluctantly, and has no desire to be fluent in it.
He's still outdoorsy and cares a lot about animals - his parents never had much time for him so he spent most of his time chasing around mice in the manor and sneaking into the stables to pet the horses. He can also still muck around with electricity.    
I don't think I've talked about Julian either, but he's the headless Tudor. Much like in canon, he didn't pay much attention to his wife or child, which was ultimately his downfall when he unknowingly partied with people who were plotting to kill the queen and was damned by association. He got his head lobbed off, and the head can appear in photographs. He makes so many jokes about it.
I can't really think of much else to say at the moment but yeah, that's them
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sionisjaune · 8 months
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#NEED to write more about him but what to write… 👀 👀 👀 ayk I am an avid cneu enjoyer i'm on my knees oh more food would be excellent,,, what i think is great about your au is how it's this exploration of how nico, given his upbringing, would've ended up if f1 was out of the picture (tho of course it's quite an extreme case. my little pampered blond polyglot with a cosmopolitan background lost at sea after losing the one thing that anchored him down (proper racing) 🥺
with that being said if u are possibly thinking about writing more (not trying to pressure you ofc) I'd love to see more of his background. perhaps even a snippet of some (non-)interaction with keke?? alternatively i think a jenson pov would be sickening and delicious
This is NOT what you asked for, but I have been turning over the idea of Nico and his father in my mind, and I don't think he is ready to talk about it with any honesty! Anyway, have this:
The sun is rising after a long night, a molten blaze on the water. Nico’s cigarette smells awful, but the comedown from the race was too intense to handle alone. Lewis spotted him at an afterparty in Cannes, and then Nico dragged him to Jenson Button’s party on a rented yacht. Now Lewis is reclined on the empty seats in the bow, and Nico is halfway on his lap recovering from his own vices. 
“Do you follow the races? Is that it?” Lewis says. Nico stamps out the cigarette on the arm of Jenson’s sofa. He's always around. It's not as if Lewis goes to seedy clubs looking for him.
“No,” says Nico, repulsed. “But Monaco… I like to be on the periphery. Good parties.” 
“Sure,” says Lewis. “If this is your idea of a good party.” He gestures loosely at the vague shape of a woman passed out on the teak deck some fifteen feet away. 
Nico flicks his crumpled cigarette overboard and snorts. “If that were me, you would be on your knees already. That’s your idea of a good time.” He shoots Lewis an almost sober glare. “Don’t argue. You know I’m right.” 
“If you weren’t such a mess all of the time, I wouldn’t have to do it,” says Lewis. It feels important to point out. 
“You don’t have to do anything,” says Nico.
“I kind of do,” says Lewis, staring across the water, letting the rising sun etch itself into his retinas. “When you’re fucking wasted and trying to kill yourself.” 
“It’s my life,” says Nico. He drops his head onto Lewis’s shoulder, all of his silky hair rubbing against Lewis’s cheek. His breath smells like tequila, hot on the shell of Lewis’s ear, like it did when Lewis was furiously jerking him off in the cramped bunks below deck. “You’re the one following me everywhere. Like a fucking guardian angel. You just can’t stand the fact that I’m free. You couldn’t let yourself go if you tried.” 
“You don’t know what you’re talking about,” says Lewis. He reaches around Nico to scrape his hair back and away from Lewis’s face. “I saw your apartment.” Lewis pictures Nico’s Monaco penthouse—the plush carpets, the golden faucets, the view of the water. It sits empty most of the year.
“The apartment,” says Nico, with a dry laugh. “A gift from my father. Fuck him, right?"
“What?” says Lewis. “Fuck him?" It's not—it's a vile thing to say, Lewis thinks. Nico is a vile person, except for when he isn't. "You know, I slept on my dad’s sofa growing up. He was the only person who believed in me. I didn't have a single friend at the karting track. Not one.” 
“So we’re having this conversation,” says Nico. 
Lewis curls his hand into a fist, digging blunt nails into his palm. “Actually, we’re not.”
Nico blows out another breath on the side of Lewis’s face. “If you hate me so fucking much, then quit me. I could have anyone fuck me. Better than you can—easily. You're so fucking repressed that you're impossible to be with.” 
“What is your problem?” says Lewis. He uncurls his fingers and watches the crescent-shaped indents on his palm fill with blood and disappear. 
“What’s yours,” says Nico, bored. 
Lewis sighs—a strangled, frustrated gust of breath. The sun is most of the way risen now, a fiery ball of orange wavering a few metres above the horizon. It looks like the party is still raging on another boat on the other side of the harbour, bodies on bodies crammed on the upper deck, the quiet pounding of distant music floating on the breeze. 
Nico lifts his wrist to point limply at the outline of the other boat. 
“I raced the son of the man who owns that boat this weekend,” he says. Like he didn't just rip Lewis to shreds. “I don’t have to tell you who won. He brought some modified Mustang to the track and tried to wager it. You know, winner keeps the car.” He scrapes his fingers through his own hair and resettles his neck on Lewis’s shoulder. Lewis wraps one arm around him because it’s not possible to deny himself when the wound that is Nico is so raw. “Anyway, he lost by thirty seconds, and when he realized I was high, he tried to swing at me.”
Lewis winces. “So you took the Mustang?” 
“No. I don’t play those games anymore.” Nico wrinkles his nose. “American muscle isn’t my style anyway.”
“Funny,” says Lewis. “You were playing those games when we met.” 
“I’ll take your garage any day,” says Nico, easily. “I want to get inside that LaFerrari.” 
“I know you do,” says Lewis. “Buy one. You can obviously afford it.” 
Nico shuffles impossibly closer to Lewis, draping his legs over Lewis’s lap. In moments like these, Lewis could convince himself that Nico is sober, that he and Nico are just regular people in a regular boat, bobbing in a regular harbour. He imagines what it would have been like if he'd had a friend like Nico when he was younger, but stops just short of imagining Nico at sixteen, sober and starry-eyed.
“Killjoy. Like I said,” says Nico into Lewis’s neck. 
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forgwater · 2 years
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Bambi's DAD!?
Demon AU -Vargas- Crackfic
Demon AU by @jackplushie
initial idea by @simpingseafood
summary: you're drunk and accidentally summon Vargas
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"STAY BACK, FOUL DEMON!" you shout as you throw the empty bottle at the disturbing entity.
All the while, still in your drunken stupor you fall to the floor, hitting the ground with a loud thud. And while horrified, you still decide to look up at the monstrosity before you.
You have never seen something so grotesque in your whole entire life before!
....and you've seen some things.....
This has to an alcohol induced hallucination! There's no other explanation!
....Well... there is another explanation... but you'd rather not think of that one.
Your thoughts are suddenly interrupted by the creature opening it's mouth.
Oh...
OH NO!
Is it going to kill you?! Is it going to let out the most horrific screech you have ever heard before lounging at you!?
record scratch freeze frame Yup, that's you, and since you're still drunk you're probably wondering how you ended up in this situation. But back to you! unfreeze the frame boys!
"The only foul thing in this room are the alcohol bottles you've emptied! This stuff's not good for you! Your muscles are weeping at your blatant disrespect towards them! Now give me 50 push-ups!" it demands.
Oh, god...
Oh.... god....
IT SPOKE!?
This is worse. You'd rather take the demonic screech and presumably quick death over this.
Then, the entity grabs your arm in an effort to lift you up, making you look straight at it's face.
"On your feet! How am I supposed to train you if you keep sitting on the fl-" but in your disoriented state you cut the demon off.
"Bambi's DAD!?!??!" Damn... Bambi's dad had a downgrade.
"...." the creature was too stunned to speak.
"....Did I say something wrong...?" you question.
With a heavy sigh and an exasperated expression, the demon begins explaining:
"I do not want your soul. You will pay me for my services by following my training regime. Is that understood?"
"...Did no one in hell want to follow your training regime...?"
"That- that's not true!!!!" the demon rebuffs.
"Ooh?~ Did I hit a nerve?~" you jeer.
"THAT'S IT! 100 PUSHUPS AND 100 SQUATS! AND I WILL NOT HEAR ANOTHER WORD FROM YOU!"
"And what do I get by following your orders?! We haven't even made a proper deal!" you scream at the entity.
"I will not leave until I am satisfied with your progress! I am the best personal trainer you could ever ask for!"
"Well, are you going to pay rent then?!"
"... My 'rent' is me not eating your pitiful, muscle-missing soul."
"You know what? I think I'd rather die by alcohol poisoning."
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princeescaluswords · 1 year
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I have an idea for a story and although I don't want to give away a lot because I do still plan to write it. I have a question I'm not sure if you ever answered already. And, if not I'd like to hear your take. What would you think the difference to the story would be if The McCalls were hunters? And, like Allison, Scott wasn't inducted into the lifestyle because of reasons. How do you think the police station scene would have played out? How do you think his dad's return would have played out?
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What an interesting idea! I've always been impressed while also being intimidated with AUs that change things before the beginning of the show in a significant way. As someone who respects both nature and nurture in the creation of a personality, I'm always worried about altering things too much so the characters no longer match their backstories. It's not aesthetically pleasing to me. (As an aside, it's why few tropes take me out of a Teen Wolf fanfiction more then when Stiles tries to minimize the impact of Rafael being gone on Scott, "because at least he's still alive" in order to claim that Derek would understand him better, because Stiles knows what it is like to have a living parent who no longer acts like it.)
You didn't specify in your ask, but I'm assuming the Argent backstory does not change, which to me is vitally important. Many members of the fandom try to dismiss Scott's relationship with Allison as a boring teen obsession, but they miss the underlying thematic statement. Allison is an Argent. She was unknowingly trained to be a hunter. She has been raised to have the proper mindset to be a hunter: "Imagine how strong that makes you!" But she is not just a hunter. At the core of Scott's heroic journey is the ability to see people beyond their circumstances, and that is embodied -- in both the series and in the movie -- in his conviction that Allison is an independent person worthy of value regardless of her last name or what's been done to her. Scott, in contrast to Derek's brutal hyper-masculine tribalism, knows that it is not necessarily preordained that she will eventually and always hunt and kill werewolves. And guess what? Scott is right. Repeatedly.
So, the McCalls as hunters. I'm not sure what your take would be, but if I did it, I might approach it like this. Rafael and Melissa were both government agents, working for a secret branch of the FBI that identified and neutralized supernatural creatures, including werewolves. Think of them as Mulder and Scully in a less benign version of the X-Files. They get married and have Scott, and eventually they come to Beacon Hills to investigate the Hale Fire. Faced with that carnage, Melissa has had enough and wishes to leave the agency. While the staircase incident might still have happened, the couple really divorces because she looked at a family of werewolves burned alive and said "I don't want my son a part of this" while Rafael remained devoted to his work.
In this way, very little would have to change until the scene in the jail, though Melissa could be a doctor as she should have been. Her statement of "we're better off with him out of their lives" would take on a different meaning of course. At the jail, she could still react in horror, not because she doesn't understand what is happening, but because she does understand what's happening. She's seen what happens to werewolves who come to the attention of the government and that is the last thing she wanted for her son. But she's also seen what happens when werewolves go out of control (the hunter's bias). She's still the same person who cares, but now she's paralyzed by what to do, torn between the demands of the outside world and still wanting to protect her son.
Not much would have to change in Season 2, but Season 3A would change a lot. Melissa would not be anywhere near as passive. She would confront Derek on his behavior. She would take over the investigation into the Darach. She would deliberately, I think, try to thwart Rafael's involvement. After all, he chose his job over his family once before. She could still be a source of inspiration and support for Scott, but she'd pull a damn gun in The Overlooked (3x10) and start blasting. When Jennifer snidely implied a threat to Scott in Alpha Pact (3x11), "well, most of them" Melissa would get a speech of her own, where she underlines what's wrong with Jennifer's "that's why they call it a sacrifice" bullshit. "I used to be like you, thinking that depriving people different than me of their rights and their lives was simply acting for the greater good. All I was doing was acting on my own fear."
Melissa and Rafael's relationship would change from Melissa running interference between Scott and Rafael in order to encourage Rafael to reconnect with Scott and more into Melissa in direct conflict with Rafael during 3B and 4, as she works to hide Scott's lycanthropy from him and get him to leave.
Oh. I would have been very happy with this version. And, in fact, as I was writing this out, I really want to see this version. Maybe I will write it. But I would love to see yours.
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armpirate · 1 year
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UNDER YOUR SKIN || JJK || Ch. 40
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Pairings: tattoist!jk x fem!reader
Genre: smut, angst, friends to lovers, tattoo au, virgin reader.
Summary: You were awful on anything related to flirting, guys and sex. He was the perfect ladies man. You wanted to get rid of your virginity. And he was there to help you with everything you needed. You didn't have the best start, but that didn't mean you wouldn't have the best of the endings.
<<Previous
MASTERLIST
One year later
I walk around with the dress in one hand, trying to find my panties somewhere in the living room -and constantly thinking that now I'll have to redo my makeup because somebody thought it'd be a good idea to have some fun before the wedding.
—Here! —Jungkook celebrates, raising my white panties and waving them in the air.
I sigh in relief, snatching the fabric away from his fingers as if he had just found my most precious thing. I run to the bathroom, closing myself in there, just to hear his voice from the other side.
—Why did you make that big fuss over those panties?
—I bought these especially for this dress —I say, while I start getting ready.
White is a good color to wear with any dress, thin fabric... It probably took me longer to find a proper underwear I'd be happy wearing than the dress itself. Yeah, I couldn't picture myself wearing one of my colorful cotton panties under it either. Finding those panties, after that quickie, was more a matter of pride and logic -after spending forty dollars on a whole set, just to wear the lower part of it.
—I can't believe you closed the door —he complains, and it's almost immediate the way I picture his pouty face as he says that.
—I know you too well —I finally open the door, when I'm done with my make up—. Help me with the dress —I turn on my feet, my exposed back facing him.
Jungkook traces my spine with the reverse of his finger, making my whole body squirm and forcing me to call him out -and me indirectly.
—We'll be late —I try to sound serious, but I end up giggling when I feel his lips on my neck—. And your parents will kill us if we don't make it on time.
Jungkook finally gives in, giving one final kiss on my shoulder to go and get the keys of his car. I still remember how much he insisted on not buying it three months ago. And thank god he finally gave in and decided to buy it, so he'd stop sharing the same car with Soo and Mark.
When we get there, I'm relieved to see we made it on time. A lot of people are waiting in the hall of the venue, I can even spot Tammy with her plus one -a man I haven't seen in my life, but I've probably heard of.
I feel him holding my hand, intertwining our fingers in a tight grip as we head inside completely. It doesn't take us too long to head where our group of friends are, as soon as we spot them. I know Jungkook can be easygoing in general, but he tends to have a bad time when he's surrounded by a lot of people he doesn't know. While I grew to get more used to it because of my job, and the several parties and events I had to attend to get to know extravagant artists, and even more extravagant customers.
—We really thought you wouldn't make it —Hobi mentions when we finally stand in front of them.
—We were just five minutes late —Jungkook replies, trying to minimize the fact that we could've missed the ceremony because we were too busy fucking.
—I expected it from Jaykay, but you Y/n, you're supposed to be the responsible one —Namjoon points it out to me.
—That's what I told him —I try to defend myself—. But he's stubborn as fuck.
—Wait, why is everyone attacking me now? —he looks at all of us.
I pinch his cheek when the rest of us just laugh it off. The conversation switches from us to the wedding almost right after. Soo and Mark were so excited for this party, and it's obvious they've put their hearts and efforts into it by the way everything has been treated with such delicacy and dedication.
During the ceremony, I catch Jungkook looking at his sister and Mark with a tiny smile and bright eyes. The same eyes that look down at me whenever he feels I'm looking at him, leading that lovely look with a kiss on my temple and a tight grip on my hand. And that same excitement only seems to grow bigger when both Soo and Mark read their vows. My eyes travel from the sweet couple to Jungkook, finding him trying to hold back his tears as much as he's able to. I pull him closer to me, making him bend over so I can hug him as he finally gives in and lets the teardrops run.
In this whole year of dating -especially after moving in together-, I found out his real nature. Not that I didn't know it before, but I got to know it in a deeper way. The more times I spent with him, the more contrast I found between his facade and his real self. And I'm in love with every tiny bit of him and that cute man that gets excited with the intro of his favorite show. With this man that simply loves life and enjoys the smallest things.
During the reception, we part ways several times. He stays at the table, although he sporadically joins us on the dance floor -either because I insist, he feels the song or his mom invites him for a dance.
It's probably around the sixth song I'm dancing to in a row with Tammy that I'm aware of how tired I am, and how bad I actually need a drink.
I support my body on my elbows resting on the counter, while I wait for the bartender to hand me the Mojito I asked for. My plan of sitting next to Jungkook for a few minutes gets interrupted by a male voice on my left. And I'm surprised to see that it's actually Seokwoo, greeting me with a wide smile before he asks for a drink as well.
—I didn't know you'd come —I say first.
—I couldn't miss Soo's big day —he answers, pointing at his cousin.
We chat for a few minutes. We ask each other how life has been going, since we haven't seen each other since that birthday party in Seneca, which he actually brings up at some point.
—I would've never thought you were dating Jungkook when we went on that trip —he casually mentions—. Although it makes sense, because you were hiding.
—Huh? —I frown— What do you mean?
—On that trip to Seneca, I asked Jungkook if you were dating someone. And he told me you two were dating, but nobody knew yet.
—He told you that? —I raise my eyebrow.
That little shit.
—Yeah, it's good to see you aren't hiding anymore —I nod, raising my glass to his statement.
Seokwoo chats with me a bit more, until he finally decides to go back to his girlfriend. And I do the same, stopping mid way because Jungkook is already walking in my direction with a twisted lip -because he's probably biting the inside of his cheek-, one hand in his pocket while the other takes the glass and puts it back on the counter so he can hold my hand.
Once we are on the dance floor again, both of his hands hold me by my waist to keep me close to his body, while my arms wrap around his neck, dancing to the ballad that the DJ is playing now.
—What did Seokwoo want?
—We were just chatting —I shrug—. It was good having a conversation with him without running away.
—Oh really? —he lifts both of his eyebrows.
—Really —I nod—. He told me he moved from Korea to Chicago and found a job quite fast —I start summing up what we talked about—. Oh, and I also learned we were dating back in the Seneca trip.
When I mention that, his rough expression slowly evolves to one of a little kid that has just been caught red handed, pressing his lips together as he tries to think of the next answer.
—Mind you explain how I was in a relationship without knowing?
—It was the morning after —he starts—. He started asking about you, and I don't know why I said you were my girlfriend.
I play with his hair, nodding to his explanation.
—You were jealous —I sing.
—I wasn't —he scoffs—. It just pissed me off how he had the audacity of trying to hook up with you when we were celebrating Mel's birthday. It's... —he stops when his eyes land on me, and he knows I'm not buying a single word he says— Okay, I was jealous —he finally accepts—. But I wasn't far fetched, look where we are now.
—Are you trying to say you predicted it?
—Hmm —Jungkook nods—. And if I were you, I'd be ready. Because I'm thinking of starting to tell everyone you're my wife.
I giggle at his comment, hiding my face on his neck as we keep dancing in tune with the song that's playing. And finding myself too into the idea of that possible future.
The rest of the party goes on with the same vibe. Jokes, laughs, lovey looks that slowly evolve into tired and sleepy gazes -begging for the party to end so we can go back home.
When we finally leave and get back home, we rush to change into some comfy clothes so we can lie on the couch. Appreciating and enjoying the fact that we are back home.
Jungkook leaves our room first, or at least I make sure of that so I can get his birthday gift out of my drawer and walk to him with them behind my back. He looks at me suspiciously, but he's either too tired or knows I'll show him what's up eventually.
A naughty smile draws on his face when I straddle him without saying a word -just wearing some shorts and one of his oversized t-shirts.
—I know your birthday is in a week, but I'm awful at hiding surprises.
I move my hands up in the air, showing him the plane tickets for Seoul. His eyes widen when he starts reading the flight information, and looks at me unbelieving of what I've done.
—Babe, you didn't have to do it —he hugs me tight—. I bet it was fucking expensive.
I peck his lips, smiling in his mouth. I'm just happy to see he liked my surprise.
—You've kept saying you wanted to go —I shrug—. So when Jin cleared one week in October from schedules, so I could have some off time, I booked the flight and the hotel.
—I seriously don't deserve you —he hugs me tight—. You have no idea how bad I love you, cocktease.
—I love you, too.
If a year ago someone had told me I'd be madly in love with the same person I made a deal with to end up giving him all of my first times, I would've thought that person was tripping. Where in the world would anything between us work? But I'm glad everything turned out this way, I'm glad I managed to meet such a beautiful person and be allowed to share these moments with him.
I'm glad that, just like those tattoos he made, he got under my skin so deep I won't be able -nor I want to- get rid of him and everything I feel.
Thank you all so much for all the support and love you've given to this work. I will forever be grateful for all the asks, comments and likes it's received (because it's genuinely been crazy, and I didn't think it'd get the amount of love and attention it got).
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emo-emu64 · 1 year
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Where the Angels Fall
Isaac "Zack" Foster x Reader
Demon AU
"As I walked into my run-down apartment I expected to be greeted by my loving house cat and the hole in the wall left by the previous residents. Instead I found a lost-looking, extraordinarily tall, inhuman, beast of a "man" wandering around, and mumbling something about "fucking humans"."
CW: Blood, gore, murder, severe injury, canon typical violence, language
The Devil is Real and he's in my Apartment
The keys jingled in the door as I stepped through the threshold of my apartment, soaked head to toe from the heavy sleet. There was a noticeable drop in temperature. Which was impressive considering how cold it already was.
'Guess I'll have to call the landlord. Again.'
The maintenance team had already been here three times that month, but they couldn't seem to figure out why the heat kept kicking off. It had been annoying as all hell with how cold it already was.
"Fucking humans, never home anymore. Who the hell do they think they are?"
My muscles instantly seized and my bag, also drenched from the elements, dropped to the floor with a heavy thud. 
The man in the kitchen abruptly stopped talking, and panic flooded through my body. My feet stuck to the floor, and my breathing became shallow and fast. I'd always heard about scary men breaking into young girls' apartments and doing horrible things. But I had taken every precaution to avoid it, the proper locks on my windows and door, I'd made sure the apartment was in a decent neighborhood with decent people. So how, pray tell, did this happen to me?
"There ya are." 
A large man stepped into my line of vision. He had to be well over 6 feet, he was covered in what appeared to be dried blood, and a large, also bloodied, scythe rested over his shoulder.  The hood of his sweatshirt was pulled up, ominously shadowing his face. 
I wanted to move, throw the door open, start running, and never look back. But my body refused to. My muscles felt tense, like they were made of stone. He was medusa and I had made the awful mistake of looking him in the face. I swallowed thickly as we continued to stare at each other. 
I noticed how bruised and cut-up what little I could see of his face was, my eyes wandered to his abdomen where he held a hand loosely over a bleeding wound.
I swallowed once again, opening my mouth to speak. Surprisingly, I was able to form actual sentences.
"Do you need help?" I paused, pursing my lips, "You look hurt. Do you need me to call someone?" it came out quieter than I would have liked, but I needed to seem unsuspecting. For all knew he was an innocent and injured man who had wandered into my apartment looking for help. The longer I stalled, the better.
He chuckled. Low and dark. Coughs scattered in between quiet laughter.
"Playin' nice won't get ya much of anywhere right now, sweetheart," his voice was even darker than his laughter. 
"But...If you help me out here, I might consider letting you live."
"Might consider isn't really good enough for me right now, buddy. I've got exams to study for, and I'm not wasting time helping you out if I'm going to die anyways." 
His eyes widened before he descended into laughter. It wasn't intimidating or menacing like before. It was a genuine laugh, like I had cracked a joke.
"Ballsy, aren't we?" He mocked.
Honestly, I was just as surprised as he was, but shock is known to do strange things to the brain.
He stared at me for awhile before speaking again, "Alright, alright. You've got a deal, you patch me up and I won't kill ya. Promise."
I didn't quite know why, but his promise seemed just as sincere as his laughter. Maybe it was just that I was desperate, grasping on to any sense of hope that maybe I would escape this with my life, but I couldn't sense a hint of deceit. 
I nodded slowly, " You can sit at the table, I'll go see if the first aid kit has anything useful."
He eyed me suspiciously. Understandably, I guess.
"I can leave my phone at the table with you or something, if that makes you feel better?" I proposed. 
I was still baffled at how calm I had remained, maybe studying to be an ER doctor as a college student without a penny to your name does that to a person. Or maybe it was just the adrenaline, and as soon as it wore off I would break down into the heaving sobs and hyper-ventilation of a panic attack. Who could tell?
He shook his head, "Nah, you seem smart enough. Just don't try anything funny or I'll have to gut ya, and we'll both be fucked," the corner of his mouth turned upwards into a teasing smirk.
I nodded once again before turning on my heels and swiftly making my way to the bedroom where the 'Be Ready Bag' was stored. I don't think this is what the firefighters in my elementary classes meant when they said 'in case of emergency', but it is what it is.
I rooted through the bag and pulled out the first aid kit. I checked over the contents and decided that they would do.
When I entered the kitchen I avoided all eye contact. I made my way to the sink and scrubbed my hands under the warm water. I could feel his gaze at my back, like there was something that made me interesting. I've never really liked it when people looked at me, but considering he's also a strange and threatening man, who had to be over twice the size of me, I'd say caution was entirely expected. Encouraged, even.  
When I was done I carefully grabbed the kit, and made my way over to the man who sat at my kitchen table. His legs were extended and sprawled out across the floor as if it were his own home. I wasn't about to say anything, though. After all his weapon sat just behind him, and I'm sure whoever's remains he left on the blade would tell me he was not at all afraid to use it.
We sat in silence as I fixed him up to the best of my abilities. Strangely, it wasn't awkward or tense. Just silent.
"This might hurt a bit," 
I poured the disinfectant onto some gauze and pressed it to the wound. He hissed and made a bit of a face, but otherwise, no reaction.
Shortly after, there was a soft padding of feet and a faint meow from behind me.
"That your cat?" He questioned from above me.
"Yeah, his name is Zero."
The man then lowered his hand and outstretched his fingers. To which the black feline, surprisingly, met and began to purr.
He wasn't an aggressive or shy cat, but he was never one to interact with new people. He'd only ever really been friendly with me.
I also really hadn't expected the dangerous and wounded man who had seemingly broken into my apartment to be a cat person. Speaking of which-
"If you don't mind me asking, how exactly did you get in here?" I finished the bandages and began to pack away what was left of the first aid kit 
"Why the hell do you wanna know?"
"Because I'd like to know if I need to get better locks on my doors and windows."
He chuckled again, "I'm a demon, sweetheart, pretty sure your locks've got nothing to do with it."
Dangerous, wounded, and delusional. Wonderful.
However, I figured playing along was my safest bet for now, so I nodded giving nothing but a simple "Oh."
He inspected my face closely as he stood, "Don't believe me, do ya?"
"I never said that."
"Good thing you didn't have to then, huh?"
He made his way towards me and bent his head low enough to be eye to eye with me.
Holy shit, was he tall.
"Need me to prove it to ya?"
His eyes, I was now realizing, were two very different, yet equally mesmerizing, shades. The right was a deep black lacking any color or depth. The left was the complete opposite, a vibrant gold with flecks of deep browns. Maybe even a few greens
He also had what appeared to be old burn scars trailing up his neck and jaw, there was a single stretch of one in particular that reached just above his mouth, but that was all the farther they went. They were a pale reddish pink, and their texture rose just above the rest of his face.
Before I could answer I saw his golden and black eyes morph into a glowing and deep crimson shade. His sharp k-9s bared with a sickening grin.
My first thought was that I was dreaming. That I really had spiraled into a gut-wrenching panic attack while trying to acquire the supplies and simply blacked out. 
It soon became very clear to me that, unfortunately, that was not the case. 
That it simply couldn't have been because I could feel  my nails digging into the heels of my hands. Nearly drawing blood while I desperately tried to ground myself.
He then straightened his back and sighed, "Believe me now?"
I nodded once more.
"Good, now that that's out of the way. I need a place to crash tonight, but tomorrow I'll be out of here, and you can go back to your boring little human life, yeah?"
I had the feeling that although it was worded like a question, he was not really asking, "Yeah, you can sleep on the couch if you'd like." 
He nodded, "You got a name?"
"y/n."
"Zack."
'Zack...he looks like a Zack'
"Are you hungry? I was going to make dinner before I started homework."
"Depends, what do ya got?"
"I was just going to make a grilled cheese, or something?"
"That'll work."
It was late by now, I had already eaten and finished homework, and I handed Zack a blanket and pillow.
"If you need anything my room's down the hall to the left. I'd prefer if you knocked, though."
He nodded and tossed down the pillow, as I began to make my way towards my bedroom.
"Hey, y/n"
"Hm?"
"Thanks."
I nodded quietly, "It's no problem," and with that I trekked down the hallway.
This story is also on Wattpad under the same title. I plan to move it to AO3 at some point as well.
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overlyimmersed · 7 months
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So, about my AU... Lets do this a little differently this time...
So, in light of having to rewrite my entire AU almost from scratch, I've decided I'll post parts of the timeline in chunks by season of the show as I get them rewritten. Maybe that'll make it a little more digestible over all, though it'll still be compiled on timeline page, of course.
So I guess I should probably talk a little bit about this AU, actually. I haven't really said much. That's kinda just how things have always been before. I just kind of toss the information into the void and hope someone finds it. But this fandom, this community, it's different. There's a lot more...talking, then other fandoms I've been in. So lets talk.
I suppose we'll start with the name? Some of you may have seen me use it a few times. Years ago I got into the habit of using alphanumeric designations for my AUs, mainly as shorthand to help me keep track of the media the au is from, how it's altered from canon and what year I started it in, to help me keep track of time. Though this AU lacks the dating component...which was not a great idea on my part... that's a flaw that came about form my previous hyperfixation. I created too many AUs for that one, which I usually don't, so I started using a symbol system as a subcategory and it fricked the whole system...
ANYWAY
This AU is designated "SDS-RBF-215*" SDS = Seven Deadly Sins, RBF = Reborn Fairy, and 215 is my numeric signature. The asterisk is from the symbol system mentioned above. Which is technically necessary, as I do have off-shoot AUs from this primary one. But those are private cuz they're dumb...
So I suppose if this AU were going to have a title rather than a designation it would be "Reborn Fairy".
It's called that because the POV character, a self-insert OC, is reincarnated from another universe.
And on that note I'd like the record to show that I made this choice before I knew about Elizabeth. Reincarnation is one of my most used tropes. I'd also like to mention that I didn't know the word "isekai" until very recently...
So besides this new MC, what exactly is different between this AU and canon?
Well, not including the story consequences of the MC's existence, I did add some lore and stuff. Primarily the concept of "The Bard to the Fairy King"
Each Fairy King has had a bard alongside him to serve as a history keeper, moral guide, and any other role the Fairy King requires. These bards are always born in the Fairy King's Forest, rather than in the Fairy Realm proper like other fairies. The primary mission of The Bard to The Fairy King- or Fairy King’s Bard, sometimes shortened to just Fairy Bard- is to keep the history of the Fairy Race. They write books, tell stories, sing songs and create works of art keeping track of history as it passes. Like how each Fairy King has the magical ability “Disaster”, Fairy Bards always have “Starlight” giving them a flawless memory and the ability to generate and manipulate silvery light. It's primarily used to project records of memories, though it can be used offensively if needed. They also share a single special technique that’s passed from one to the next, a song called “Song of the Fairy King” which will increase the Fairy King’s power in an act of desperation. It can also be used to save the Fairy King’s life if need be. The use of this spell expends the Bard’s life force, and thus can only be used once. So the Bard must act wisely. As time went on and more unfortunate events tarnished Fairy history, the Bards became more and more high strung and anxious, plagued by their perfect recall of tragic and violent events. Fairy Bards Morvydd - The Bard to Fairy King Gloxinia. Primarily a poet. She, and her twin brother Owain, were killed in the raid on Stigma headquarters during the first Holy War. Camellia - The Bard to Fairy King Dahlia. Primarily a dancer. When Dahlia disappeared, Camellia went with him, at some point she used “Song of the Fairy King” to save Dahlia’s life. Maranwe - The Bard to Fairy King Harlequin. Primarily a harpist. A very unusual fairy with a complicated history. She left with a group of other fairies to meet with humans and was thought dead for 700 years before she, along with her missing Fairy King, returned just before the second Holy War. 
I've also applied my various headcanons, of course. Which can be read here. I'm not going to list them on this post cuz I don't want to have keep more than one post updated everytime I add a headcanon. The one linked will always be kept up-to-date.
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idk if you watch/read jjk but if you do,what do you think abt jjk!fits au where the Higuchis are related to the Gojo clan?I'd pity them for having to endure Gojo's bs but i admit that watching Ayame interact with him would be 10/10 entertainment
i don't read or watch jjk but my friends do and i know a fair bit about it through osmosis and wiki pages. not nearly enough to be able to make one proper au, but here's some musings from someone who only knows jjk on the periphery!
AYAME AND SATORU ARE COUSINS + SAME AGE AU
- from what i know of satoru...... poor ayame
- ayame is someone who puts a lot of pressure on herself to be calm and composed. she forces herself to remain humble, and as a result, she tends to look down on her own achievements a lot. we all know our sweet girl has low self-esteem, what can we do?
- satoru is..... basically the opposite. he's the strongest sorcerer and he knows it. it's an undisputed fact, no one else can lay claim to that title as long as he's alive.
- the higuchis are basically an off-shoot of the gojo clan. powerful enough to remain jujutsu sorcerors, but never powerful enough to be part of the big three. they split off some time in the meiji - or maybe taisho - era, although they still have close ties with the gojo clan.
- one thing about the higuchi family is that they're a family, not a clan. there has only ever been one branch in the higuchi family that can utilise cursed techniques.
in a way, you can say that it's like the universe itself makes it so. anytime there is more than one higuchi sibling who can utilise cursed energy, only one will ever be able to carry the lineage.
the history of the higuchi-family-as-cursed-energy-users is short, but the lineage can be traced back relatively easily back to the gojo clan
- ayame and satoru are cousins, but also not really. that's just because they can trace their ancestry back to one particular ancestor - and that's all.
- satoru still happily calls ayame his cousin. she's pretty much the only person in the whole world who is both unimpressed and unfazed by his abilities
- i still don't know enough about jjk to be able to give the higuchi family an inherited technique with a name, but they should have one. it should be visual-based - or maybe sensory-based that manifests as visual.
ayame is... she's not a genius at using their inherited technique. that was akihiko, but he's gone now
- (sorry for always killing you in almost every au, akihiko.......)
- if the higuchi family was a clan, ayame is the undisputed head of the clan. after akihiko, she's the most proficient in their family's inherited technique. she even surpasses her father, even at her current level
- fast forward to jjk present, where ayame is also a teacher at jujutsu high. she's teachers with the jjk sensei squad, but also tanjirou, zenitsu and inosuke
- and of course with satoru
- ayame never gets annoyed with satoru, although she does find him annoying. they've played together since they were children, when they attended gojo clan meetings together and had nothing else to amuse themselves
- surprisingly, she doesn't have an inferiority complex with satoru. she knows that they're in different leagues - satoru, as the inheritor of limitless and the six eyes; ayame as a somewhat proficient user of her family's inherited technique. they aren't the same, and that's fine. she'll do well as she is, and satoru will reign as the head of the gojo clan
- she wishes he did take his duties as the clan head a little more seriously though.....
- ayame is pretty much the only person satoru can be satoru - not gojo satoru, strongest jujutsu sorcerer, but satoru, who's kinda annoying and very ridiculous
- they're cousins, for all that the blood shared between them is as thin as air
- ayame is one of the people who uses megumi how to use weapons! her specialty is the katana, and she's the kind of person who teaches through hard work and perseverance
- also megumi using ayame's "hn" is just cute
- megumi calling ayame "obasan" will murder me actually what the heck i'm pinching his cheeks
- outwardly, it looks like he respects ayame more than he does satoru, but he actually respects them the same. they're both strong in different ways and he wants to learn as much from them as possible
- also tol satoru and tinie ayame just standing together or walking together is such a nice image. best buddies, bros just walking while ayame scolds satoru about something or another
- (if u ask satoru, he would actually admit that ayame is more like a sister than a cousin. he'll protect her with everything he's got - mostly emotionally, cos he has a lot of faith in her own strength and capabilities as a jujutsu sorcerer)
- yes there's tanyame in this. satoru ships it. nanami ships it. shoko ships it. hell, megumi, yuuji and nobara ship it! it's hard to find someone who doesn't ship tanyame. goddamn when are those two idiots going to get together already?!?!???! (satoru has screamed that phrase too many times to count)
- zenitsu, having known tanjirou and ayame since their high school days, is simply resigned to the fact that the only way they'll get together is through some superbly stupid circumstances. he just needs satoru to understand this (satoru will never understand this)
AYAME AND SQUAD AS THE SAME AGE AS THE MAIN TRIO
- the lore still applies as before, but this time ayame is infinitely more annoyed by satoru-nii
- like who wouldn't be, right? lmao
- this time, ayame grows up alongside megumi, which means that megumi and ayame share a few moves since they trained together for so long
- u know that scene where megumi and maki switch weapons? that's ayame and megumi like all the time. you don't want to double-team against those two since they've been training together since idk middle school or something
- also zenitsu senpai tickles me something fierce
- i think zenitsu would have a crush on maki. he likes strong girls and he admires the way she doesn't let her weakness stop her from becoming an amazing jujutsu sorcerer
- ayame supports this (in the hopes that zenitsu will also not let his own fear stop him from doing... well, anything, really)
- also i think tanjirou deserves to be a little jealous about ayame's and megumi's closeness. as a treat. yuuji, stop teasing ayame and megumi about what a cute couple they'd make! it isn't funny! (stop messing with tanjirou's poor heart like that!)
- i only know OF the shibuya incident, i don't actually know it. someone who knows about jjk more than me should say something about how ayame would react to it
- oh right. ayame and satoru. let's get back to the real reason we're here
- satoru doesn't try to fill in the big brother role. he might be satoru-nii, but he's still just satoru. he may tease ayame a lot and never let her get in a playful hit, but he'll be one of the first people to hug her if she really needs it. he's watched her grow up and there's something admirable about the way she doesn't let titles or the way the Big Three work stop her from trying her best and fulfilling her duties
- given the chance, he'd be the first to make her the head of the higuchi clan. if it ever became a clan (spoiler: it probably doesn't become a clan)
- i should really start consuming jjk media. After i finish fits
- but my god. what i know of jjk isn't any less sad than whatever happens in fits canon
- i think ayame would eventually be pretty fiercely protective of yuuji. she's a protector at her core, and despite his background and character lore, he'd be one of her closest friends (but seriously, itadori, stop teasing ayame and megumi about being a couple. think of how tanjirou feels!!!)
i don't know much about jjk so i'm always open to more headcanons about these aus!
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undertheknightwing · 1 year
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just finished s2 and finally met Jon-El!
rip to whoever the writer for this season was but I'm different. Au in my head where Jon-El's horrified "I've never killed anyone before" actually mattered in the show, the Kents managed to convince him that he wasn't broken and he didn't have to keep doing things he didn't want to do, and suddenly have triplets instead of twins <3
Even if the show didn't go down that path it's absolutely absurd that Jon-El didn't start poking at Jon's insecurities and all the ways the Kents had failed him to try getting Jon to merge! Especially if Jon-El was manipulating Jon not out of a place of malice, but because he genuinely believed that merging could "heal" both of them. That could have been so interesting to see on screen! And that's just the tip of the iceberg; as an angst writer myself, I can think of so many amazing plotlines and arc ideas for Jon-El and I'm genuinely baffled that the writers didn't try to pursue any of them.
But anyway, love Jon-El, and he can commit all the crimes he wants because he's amazing and has all the rights <3
and on an unrelated note: CLARK LITERALLY LEFT JON DOING *CHORES* WHILE HE AND JORDAN WENT TO WORK ON POWERS??
Taking a billion points of psychic damage from that alone, but then Clark never actually talked to Jon when he was upset about it?? AHFDKJHADSKJFHSAKJFHKSBG. absolutely murdered me. okay. I genuinely cannot get over the way Clois acted, mostly around Jon but there were some bad moments with Jordan too; their lack of parenting skills this season left a really bad taste in my mouth at so many parts. I might have to rewatch s1 to remind myself why I liked them at all in the first place tbh
Anyway, I'm glad that this season gave us sweet moments between Jon, Jordan, and Nat. I'd love to see more of the three of them being chaotic siblings in the future.
You just described the perfect ending 😭
I wanted to see Clark trying to save Jon-El from his self-destruction so badly. He only tried once to get Jon-El to see what he was doing was wrong and it was a lame attempt at that.
And really why should have Jon-El believed Clark? He's currently being manipulated by a cult leader who's so strong she has a hold over thousands of ADULTS, who he sees as a person who truly cares about him, and has most likely been emotionally abused by a man who looks just like Clark. Of course he's not listening or caring about Clark's attempt that was pretty much just "hey you're bad right now, but if join me and you'll be good". But considering Clark can't even talk to or understand his Jon, it's not a surprise he can't reach Jon-El, who's just a darker parallel of his son.
Also I just wanna say that Jon-El's "I never killed anyone before" line reminded me so much of Gar's "I bit him" line AND THAT SHIT HURT.
Jon-El was done so dirty storyline wise, they took this tragic and complex character and turned him into Jordan's villain of the week to beat up. He didn't even get a proper send off, he just got beat up in a school gym and that was it. Never see or hear from him again. Such a waste of a character.
I don't think him wanting to merge was ever out of malice in canon. He did genuinely believe merging would fix him, that's what Ally made him believe. She made him see himself as broken and without purpose, told him he'll only be fixed/healed if he merges with Jon, so he saw Jon as the last thing that would save him and wouldn't let anything or one get in his way. Jon was a lighthouse in a raging storm to him.
And as badly as I think Jon-El wanted to merge, I just want to point out that after rewatching his episodes a few times I noticed there was many times Jon-El could have killed the Kents but he didn't even though they were keeping him from Jon. He never threatens his bizarro family with death either, only tells them to disappear.
I think he has no problem throwing punches as warning or threat to stay out of his way but killing his family? even if they aren't his family. I don't think that's a line he could cross. If did have no problem crossing that line he would have killed Clark with the kryptonite shard but he didn't, he left him there with Lana who he had to know could have saved Clark before he died.
I agree 100% I support Jon-El's rights and wrongs <3 but also want him to go to therapy and heal.
Clois' parenting damaged me in so many ways in season 2. It was such a huge mess. Even the official S&L insta joked about Clark ditching Jon to spend time with Jordan instead which isn't funny. Especially after a scene where it seemed like Jon was hinting at having concerning thoughts.
Such a weird season with an even weirder storyline.
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writingwithcolor · 3 years
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I'm writing an AU of a movie that takes place in the 1880s USA, where a travelling white character and a Jewish character are waylaid by Native Americans, who they befriend. Probably because it was written by and about PoC (Jews) the scene actually avoids the stuff on your Native American Masterpost, but I'd still like to do better than a movie made in the 1980's, and I feel weird cutting them from the plot entirely. I have a Jewish woman reading it for that, but are there any things you (1/1)
2/2 1880s western movie ask--are there things you'd LIKE to see in a movie where a white man and a Jewish man run into Native Americans in the 1880s? I do plan to base them on a real tribe (Ute, probably) and have proper housing/clothes and so forth, but right now I'm just trying to avoid or subvert awful cowboy movie tropes. Any ideas?
White and Jewish Men, Native American interactions in 1880s
I am vaguely concerned with how you only cite one of our posts about Native Americans, that was not written by a Native person, and do not cite any of the posts relating to this time period, or any posts relating to representation in media. 
Sidenote: if you want us to give accurate reflections of the media you’re discussing, please tell us the NAME. I cannot go look up this movie based off this description to give you an idea of what my issues are with this scene, and must instead trust that the representation is good based off your judgement. I cannot make my own judgement. This is a problem. Especially since your whole question boils down to “this scene is good but not great and I want it to be great. How can I do that?”
Your baseline for “good” could very well be my baseline for “terrible hack job”. I can’t give you the proper education required for you to be able to accurately evaluate the media you’re watching for racist stereotypes if you don’t tell me what you’re even working with.
When you’re writing fanfic where the media is directly relevant to the question, please tell us the name of the media. We will not judge your tastes. We need this information in order to properly help you.
Moving on.
I bring up my concern for you citing that one—exceptionally old—post because it is lacking in many of the tropes that don’t exist in the media critique field but exist in the real world. This is an issue I have run into countless times on WWC (hence further concern you did not cite any other posts) and have spoken about at length. 
People look at the media critique world exclusively, assume it is a complete evaluation of how Native Americans are seen in society, and as a result end up ignoring some really toxic stereotypes and then come to the inbox with “these characters aren’t abc trope, so they’re fine, but I want to rubber stamp them anyway. Anything wrong here?”. The answer is pretty much always yes. 
Issue one: “Waylaid” by Native Americans
This wording is extremely loaded for one reason: Native American people are seen as tricksters, liars, and predators. This is the #1 trope that shows up in the real world that does not show up in media critique. It’s also the trope I have talked about the most when it comes to media representation, so you not knowing the trope is a sign you haven’t read the entirety of the Native tag—which is in the FAQ as something we would really prefer you did before coming at us to answer questions. It avoids us having to re-explain ourselves.
Now, hostility is honestly to be expected for the time period the movie is set in. This is in the beginnings (or ramping up) of residential schools in America* and Canada, we have generations upon generations of stolen or killed children, reserves being allocated perhaps hundreds of miles from sacred sites, and various wars with Plains and Southwest peoples are in full force (Wounded Knee would have happened in 1890, in December, and the Dakoa’s mass execution would have been in 1862. Those are just the big-name wars. There absolutely were others). 
*America covers up its residential schools abuse extremely thoroughly, so if you try to research them in the American context you will come up empty. Please research Canada’s schools and apply the same abuse to America, as Canada has had a Truth and Reconciliation Commission about residential schools and therefore is more (but not completely) transparent about the abuse that happened. Please note that America’s history with residential schools is longer than Canada’s history. There is an extremely large trigger warning for mass child death when you do this research.
But just because the hostility is expected does not mean that this hostility would be treated well in the movie. Especially when you consider the sheer amount of tension between any Native actors and white actors, for how Sacheen Littlefeather had just been nearly beaten up by white actors at the 1973 Academy Awards for mentioning Wounded Knee, and the American Indian Religious Freedom Act had only been passed two years prior in 1978. 
These Native actors would not have had the ability to truly consent to how they were shown, and this power dynamic has to be in your mind when you watch this scene over. I don’t care that the writers were from a discriminated-against background. This does not always result in being respectful, and I’ve also spoken about this power imbalance at length (primarily in the cowboy tag).
Documentaries and history specials made in the 2010s (with some degree of academic muster) will still fall into wording that harkens Indigenous people to wolves and settlers as frightened prey animals getting picked off by the mean animalistic Natives. This is not neutral, or good. This is perpetuating the myth that the settlers were helpless, just doing their own thing completely unobtrusively, and then the evil territorial Native Americans didn’t want to share.
To paraphrase Batman: if I had a week I couldn’t explain all the reasons that’s wrong.
How were these characters waylaid by the Native population? Because that answer—which I cannot get because you did not name the media—will determine how good the framing is. But based on the time period this movie was made alone, I do not trust it was done respectfully.
Issue 2: “Befriending”
I mentioned this was in an intense period of residential schools and land wars all in that area. The Ute themselves had just been massacred by Mormons in the Grass Valley Massacre in 1865, with ten men and an unknown number of women and children killed thanks to a case of assumed association with a war chief (Antonga Black Hawk) currently at war with Utah. The Paiute had been massacred in 1866. Over 100 Timpanogo men had been killed, with an unknown number of women and children enslaved by Brigham Young in Salt Lake City in 1850, with many of the enslaved people dying in captivity (those numbers were not tracked, but I would assume at least two hundred were enslaved— that’s simply assuming one woman/wife and one child for every man, and the numbers could have very well been higher if any war-widows and their children were in the group, not to mention families with multiple children). This is after an unknown group of Indigenous people had been killed by Governor Brigham Young the year prior, to “permanently stop cattle theft” from settlers. 
The number of Native Americans killed in Utah in the 1800s—just the number of dead counted (since women and children weren’t counted)—in massacres not tied to war (because there was at least one war) is over 130. The actual number of random murders is much higher; between the uncounted deaths and how the Governor had issued orders to “deal with” the problem of cattle theft permanently. I doubt you would have been tried or convicted if you murdered Indigenous peoples on “your” land. This is why it’s called state sanctioned genocide.
This is not counting the Black Hawk War in Utah (1865-1872), which the Ute were absolutely a part of (the wiki articles I read were contradictory if Antonga Black Hawk was Ute or Timpanogo, but the Ute were part of it). The first official massacre tied to the war—the Bear River Massacre, ordered by the US Military—places the death count of just that singular massacre at over five hundred Shoshone, including elders, women, and children. It would not be unreasonable to assume that the number of Indigenous people killed in Utah from 1850, onward, is over a thousand, perhaps two or three.
Pardon me for not reading beyond that point to list more massacres and simply ballparking a number; the source will be linked for you to get an accurate number of dead.
So how did they befriend the Native population? Let alone see them as fully human considering the racism of the time period? Natives were absolutely not seen as fully human so long as they were tied to their culture, and assimilation equalling some sliver of respect was already a stick being waved around as a threat. This lack of humanity continues to the present day.
I’m not saying friendship is impossible. I am saying the sheer levels of mistrust that would exist between random wandering groups of white/pale men and Indigenous communities wouldn’t exactly make that friendship easy. Having the scene end be a genuine friendship feels ignorant and hollow and flattening of ongoing genocide, because settlers lied about their intentions and then lined you up for slauther (that’s how the Timpanogo were killed and enslaved).
Utah had already done most of its mass killing by this point. The era of trusting them was over. There was an active open hunting season, and the acceptable targets were the Indigenous populations of Utah.
(sources for the numbers: 
List of Indian Massacres in North America Black Hawk War (1865-1872))
Issue 3: “Proper housing/clothes and so forth”
Do you mean Western style settlements and jeans? If yes, congratulations you have written a reservation which means the land-ripped-away wounds are going to be fresh, painful, and sore.
You do not codify what you mean by “proper”, and proper is another one of those deeply loaded colonial words that can mean “like a white man” or “appropriate for their tribe.” For the time period, it would be the former. Without specifying which direction you’re going for, I have no idea what you’re imagining. And without the name of the media, I don’t know what the basis of this is.
The reservation history of this time period seems to maybe have some wiggle room; there were two reservations allocated for the Ute at this time, one made in 1861 and another made in 1882 (they were combined into the Uintah and Ouray Indian Reservation in 1886). This is all at the surface level of a google and wikipedia search, so I have no idea how many lived in the bush and how many lived on the reserve. 
There were certainly land defenders trying to tell Utah the land did not belong to them, so holdouts that avoided getting rounded up were certainly possible. But these holdouts would be far, far more hostile to anyone non-Native.
The Ute seemed to be some degree of lucky in that the reserve is on some of their ancestral territory, but any loss of land that large is going to leave huge scars. 
It should be noted that reserves would mean the traditional clothing and housing would likely be forbidden, because assimilation logic was in full force and absolutely vicious at this time. 
It’s a large reserve, so the possibility exists they could have accidentally ended up within the borders of it. I’m not sure how hostile the state government was for rounding up all the Ute, so I don’t know if there would have been pockets of them hiding out. In present day, half of the Ute tribe lives on the reserve, but this wasn’t necessarily true historically—it could have been a much higher percentage in either direction.
It’s up to you if you want to make them be reservation-bound or not. Regardless, the above mentioned genocide would have been pretty fresh, the land theft in negotiations or already having happened, and generally, the Ute would be well on their way to every assimilation attempt made from either residential schools, missionaries, and/or the forced settlement and pre-fab homes.
To Answer Your Question
I don’t want another flattened, sanitized portrayal of genocide.
Look at the number of dead above, the amount of land lost above, the amount of executive orders above. And try to tell me that these people would be anything less than completely and totally devastated. Beyond traumatized. Beyond broken hearted. Absolutely grief stricken with almost no soul left.
Their religion would have been illegal. Their children would have been stolen. Their land was taken away. A saying about post-apocalyptic fiction is how settler-based it is, because Indigenous people have already lived through their own apocalypse.
It would have all just happened at the time period this story is set in. All of the grief you feel now at the environment changing so drastically that you aren’t sure how you’ll survive? Take that, magnify it by an exponential amount because it happened, and you have the mindset of these Native characters.
This is not a topic to tread lightly. This is not a topic to read one masterpost and treat it as a golden rule when there is too much history buried in unmarked, overfull graves of school grounds and cities and battlefields. I doubt the movie you’re using is good representation if it doesn’t even hint at the amount of trauma these Native characters would have been through in thirty years.
A single generation, and the life that they had spent millennia living was gone. Despite massive losses of life trying to fight to preserve their culture and land.
Learn some history. That’s all I can tell you. Learn it, process it, and look outside of checklists. Look outside of media. 
And let us have our grief.
~ Mod Lesya
On Question Framing
Please allow me the opportunity to comment on “are there things you'd LIKE to see in a movie where a white man and a Jewish man run into Native Americans in the 1880s?” That strikes me as the same type of question as asking what color food I’d like for lunch. I don’t see how the cultural backgrounds of characters I have literally no other information about is supposed to make me want anything in particular about them. I don’t know anything about their personalities or if they have anything in common.
Compare the following questions:
“Are there things you’d like to see in a movie where two American women, one from a Nordic background and one Jewish, are interacting?” I struggle to see how our backgrounds are going to yield any further inspiration. It certainly doesn’t tell you that we’re both queer and cling to each other’s support in a scary world; it doesn’t tell you that we uplift each other through mental illness; it doesn’t go into our 30 years of endless bizarre inside jokes related to everything from mustelids to bad subtitles.
Because: “white”, “Jewish”, and “Native American” aren’t personality words. You can ask me what kind of interaction I’d like to see from a high-strung overachieving woman and a happy-go-lucky Manic Pixie Dream Girl, and I’ll tell you I’d want fluffy f/f romance. Someone else might want conflict ultimately resolving in friendship. A third person might want them slowly getting on each other’s nerves more and more until one becomes a supervillain and the other must thwart her. But the same question about a cultural demographic? That told me nothing about the people involved.
Also, the first time I meet a new person from a very different culture, it might take weeks before discussion of our specific cultural differences comes up. As a consequence, my first deep conversations with a Costa Rican American gentile friend were not about Costa Rica or my Jewishness but about things we had in common: classical music and coping with breakups--which are obviously conversations I could have had if we were both Jewish, both Costa Rican gentiles, or both something else. So in other words, I’m having trouble seeing how knowing so little about these characters is supposed to give me something to want to see on the page.
Thank you for understanding.
(And yes, I agree with Lesya, what’s with this trend of people trying to explain their fandom in a roundabout way instead of mentioning it by name? It makes it harder to give meaningful help….)
--Shira
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HELLO FELLOW P2 CORE ENJOYERS
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I bring to you: Our Guys :) and their headcanons I have for them. Did you know they're all Honduran I know because I'm Honduran too
ANYWAYS this is a sort of spoof AU where Everything Is Fine Actually and the cores are androids but also humans working at Aperture. Because I know that we need an excuse for Rick to justifiably fight a raccoon in the middle of a park on saturday calling this bad boy the Guy Quartet
General Headcanons
All of them work in completely separate departments. It's dubious if anyone actually likes Wheatley (/J). Rick got put in the fucking basement. BUT they all kept getting sifted into the same assignments that now they just talk to each other frequently. But that was preceded by SO MANY awkward overlapping lunch breaks
Once they all start hanging out they drop into each other's jobs spontaneously. They keep getting BORED and Tomas (Fact) all you do is WATCH PEOPLE TEST can I Please skateboard in your office. Thomas keeps a little tally (Milo (Space) visits the most and Rick gets visited the most GO AWAY THIS IS TOP SECRET)
Aperture constantly wants to fire them So Bad because none of them do much work. But Milo also says they are simply Having Fun :) and Tomas keeps either A) vouching for everyone or B) getting someone else fired
The only ones genuinely happy to be at Aperture are Milo and Rick. Milo has gone to college AND university to pursue a higher degree in astrology-related fields and Rick Just Fuckin Loves Danger
Rick keeps bringing in rabid animals he finds in the parking lot and it scares the living hell out of Wheatley. Coincidentally, Milo and Tomas are unaware of this habit Rick has
The individual headcanons will be under the cut :)
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I THINK SPACE SHOULD STOP BEING DEPICTED AS A CHILD FOR ONCE SO HE'S GOING FIRST
Out of the four of them he's the smartest by a longshot. Started taking college classes in Highschool, and hasn't broken a sweat since third grade multiplication tables. He's the head of Aperture's Space Department (but usually doesn't stick around for busywork...)
Even if he's incredibly intelligent, he actually loves having fun! He's the one who coaxed the CEO into having various 'Bring your ____ to Work' days. Mostly because he needed an excuse to let random animals lounge around without getting in trouble.
He also does tours of Aperture for students! Because he likes teaching :)
But also has a very bad habit of giving kids his I.D so they can go look at cooler stuff off the tour under the pretense "Milo let us do it" and they can't just Fire Him
Milo is known as more of an enigma than a higher up by most. While he gladly reminds people of just exactly where he stands in the company by showing his I.D, he also likes to give into the rumors often
YOU KNOW THAT ONE MEME THAT'S LIKE "They'll never believe you" THAT'S MILO FUCKING WITH APERTURE EMPLOYEES
The reason he went for any other company is because his father used to work here, but as an astronaut. One trip up to the moon, he never came back down. Milo plans to find out just what happened to him, no matter what.
Rick Cambeiro - 37 - He/Him
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Rick is one of the few people in Aperture that would Kill for this job. Even when it starts going to shit.
And that job is being a security guard: he can fuck around and join lots of experiments unprompted! LET HIM TOUCH THE UNUSUALLY COLORED JELLY
He's loud and constantly bugs any woman within a ten feet radius, but actually reads frequently! His favorite is fiction and poetry, and usually takes his breaks quietly with a book.
He wants to fist fight three tigers at once to impress women BUT APPARENTLY THEY ALSO LIKE INTELLIGENT MEN SO.
Rick considers a bro bond stronger than anything else. Everyone calls it pretty gay but he SWEARS it's brotherly. He's like 90% sure. Wheatley frequently reaches the brink of death in hugs and Milo leaps onto Rick as a "challenge"
He's got a bit of practice with makeup, but SPECIFICALLY so he could draw on some fake scars. He had five different stories for each, all depending on who asked.
But after something happened, it seems like he's cut out that habit...
Rick loves wandering around for various odd jobs for a security guard, but it nets him a lot of moments where he's seeing what he shouldn't. While Rick has the most information that could easily be used for the legal downfall of Aperture, it's a double-edged sword. It's only a matter of time until he's called in to be a proper test subject.
Fact / Tomas Decastros - 26 - He/Him
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I'd rather die than use Craig for Fact. Also don't look at the art actually I misspelt his name ANYWAYS
Tomas works as one of the head supervisors for testing, generally watching over tests with the Aperture Handheld Portal Device. Lots of people flip between calling it the most boring job ("Glorified people-watching" - Wheatley) or the most fun one ("I told a guy a turret was supposed to be helpful one time" - Rick, moments before getting mauled)
Compared to the other people in the department, Tomas is easily the best at the job. Specifically because he actually remembers things! There's countless rules overlooked, and even then, did none of you try to read up on what we're testing!?
He's surprised he hasn't grown grey hairs.
While Milo has a lot of leeway in what he does because he's so high up, Tomas gets away with things like breaking dress code and taking triple the lunch breaks he's legally allowed to have by letting all the mishaps in testing slide.
Generally Tomas just tells people he took this job because it was all that was available, but in reality, he just can't stand how many deaths have been totaled up due to testing. He's only here because he wants to prevent as many as he can.
A habit he's well known for is spontaneously stating facts related to tests in the middle of them. Nobody ever seems to realize why he's doing it, or calls him out for being a hypocrite since he doesn't let anyone else talk to the test subjects. Outright stating a solution is against the rules, but merely mentioning a fact isn't, right?
Wheatley [REDACTED] - 34 - He/Him
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Yeah that's right Wheatley's last. I know he's my no. 1 but also you WILL read about the other cores. Unless you skipped in which case </3
Anyways, my favorite fact about him: Wheatley is his first name. Nobody knows his last name. It's dubious if he even has one. Everyone just calls him Wheatley.
He's well known around the entirety of Aperture because he used to work at the front desk. It was the """"perfect job for him""" (- Wheatley) but it also started making employees use different entrances because he talked so much. And loudly too.
The pay was pretty good since his ACTUAL job was making sure various health and safety workers didn't get past the front (It seems the constant talking and making people go away DID work out!)
Eventually he gets promoted out of nowhere to be a scientist, even though he has no education awards/diplomas/certificates/literally anything to back himself up. It also happened to be about three hours after he typed in this pretty big number for something... Had to do something with the moon. Maybe a percentage of how much he liked it?
Well, he LOVES the moon. Which is why he put about 95%. Not sure what that did.
He's completely clueless, but all of his scientist coworkers actually hate him. He's got no reason to be here, and he keeps messing experiments up! It drives them up the wall! So their best course of action...
Signing Wheatley up for a week's work on the GLaDOS project.
He seemed a bit antsy, but with reassurance from his coworkers, it seemed fine. He came out of there three days earlier than planned because he had to be hospitalized for severe wounds.
Wheatley still works in the same department, and unfortunately didn't get a paid leave... But at least these scars look cool, eh?
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cursed-saphire-hart · 2 years
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Im sorry if you ever get tired of Eddsworld stuff considering you're getting back into homestuck. I'd participate in more of that but I don't know anything about it so ive come to bother you with 2 things on my mind
1: Is it weird to imagine that if Anya's social circle was a little bigger when she was a kid (including teen years), she could have gotten by a little better??? I mean ofc it was bad regardless of exactly what happened to her because abuse and neglect are just bad but like. I think about how if given the option, some tend to stay away from home as long as they can. Give the fact her parents just don't care, I don't think it be that big a problem if Anya left the house for a while, perhaps staying with a friend. If she had friends who knew what was happening to her, they could try to work to get her out of that situation or at least try and give her what her parents wouldn't (Proper sustenance, support, etc.). I think if she'd been around a bit more positive influence, she'd have a better understanding of how she deserves to be treated, rather than boiling things down to "we can coexist without them trying to kill me its fine"
I know she had Jenny, but other than her, Anya didn't have a lot of real people (and by that i mean people who arent faker than plastic, like her exes) in her life. And while no doubt Jenny did all she could, and one person's actions can mean a lot, Jenny is, as stated, just one person
Anywho on a much lighter note
I remembered Purple Perfume and recalled seeing aesthetic attraction described as "wow that exists" and I just
👏👏👏
Don't worry, I don't mind still talking about Eddsworld stuff, it's still alotta fun, I'm just a little burned on it after my insta and tumblr feed being a wall of drama for a bit (anxiety likes to kick ya in the crotch)
Gonna put a read more here, cuz this is another long one.
I do wanna confirm that Anya did have friends as a child, they just sadly weren't very close. I said in a very early post that Anya couldn't speak very good english when moving to the UK when she was 10 (I dont remember if that changed in said post, I'm just going off my most current notes) but as a younger girl when she was still in Russia she was actually very social. But when moving to a new place, and having her only barrier of safety gone, that drastically changed, and it wasn't helped by the fact she couldn't speak the same language very well.
While I know there are good teachers and people out there who would jump at the chance to help a child out of a bad situation, sadly during the time Anya was a child/ teen, less people knew how to handle this kinda thing, and found it easier to just not get involved.
I can at least confirm there were friends and nicer kids in her school that helped out best they could by sharing lunches with her, but kids can only do so much, and with her parents labeling Anya as "a slow learner" to her teachers to excuse why she could speak clearer English yet, and having "Eating problems" to doctors, a lot when unnoticed. She literally couldn't speak up for herself due to her parents neglect to put effort into helping her learn a second language she suddenly NEEDED.
To her, Anya was truely alone. If it wasn't for her instant reaction to physical pain, she might not have survived as long as she had, or at least she never would have broken up with her 3rd boyfriend (the first to abuse her physically)
On that note, to turn to a lighter topic.
Purple Purfume is one of my favorite minor AUs. When reading up on poly relations, I found it pretty interesting to read about situations like Matt, Amanda and Marks with that au, where a straight woman, a bi man, and a gay man could have a very healthy poly relationship.
Like every relationship, it doesn't have to be based solely on physical or emotional, so long as there is understanding and communication between all parties, it can work with many dynamics.
In this case, they all love each other, but for different reasons and attractions. Matt is attracted to both partners, and he loves the, dearly. Amanda and Mark have a good relationship, but can be described mainly as friends, they love each other and find each other attractive in an objective way, they're just not "in love". Amanda understands Mark is gay, which means he's not sexually attracted to her, and she's ok with that, being a asexual and poly romantic woman.
Mark can find woman aesthetically attractive, meaning if he sees a woman who is in fact cute or pretty, he can recognize her as such, but that doesn't mean he's sexually attracted to her. Him and Amanda get along, and he apricates her as a close friend who he shares a boyfriend with, as well as personal interests. She makes him feel loved and comfortable, but doesn't push the boundaries of his sexuality (which yes, even in todays world some people find surprisingly hard) Which is what makes it work between them, since its not about sexual attraction, it's just about having a shared bond.
Matt loves them both and is happy so see them get along. For him, it's just about being with the ones he loves, seeing them happy, and knowing he's provided a safe place for them. He's fully aware of Amanda's asexuality, and doesn't overstep as much as he can, if he does, he apologizes and steps back if or when needed. With Mark he's fully aware Mark is not inlove with Amanda, but they obviously get along without Matt always in the middle. He doesn't feel the need to make them get along better, or that the relationship would 'be better' if they were in love, because he feels loved by both, and even if it's not the same kind of love, he knows they have a bond.
Poly relations can be a bit messy, and yes, sometimes unhealthy for a big number of reasons just like monogamous relationships, or relationships that float on other dynamics. Story and character building wise, they can be very interesting to explore the different dynamics, the reasons each character has, heck even how the era would effect such relationships. Hopefully I can keep making interesting topics for all of you to read and enjoy :33
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