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sonamytrash · 12 hours

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Bad, bad boy.

Underground Levi x F! Reader

An: With bad boy out in less than four days, I felt inspired to write some sexy underground Levi.

Warnings: S3x, semi public s3x, dirty talk, alcohol drinking mentioned, smoking mentioned, reader has big tiddies, underground Levi, fem reader, female anatomy described, vaginal fingering, multiple org@sms, creampie, unprotected s3x.

The dimly lit bar, nestled deep within the labyrinthine underground, was a haven for those seeking solace from the harsh realities of their world. The warm glow of amber lights danced across the rough-hewn walls with a haze of cigarette smoke hanging in the air like a thin veil.

He'd been nursing his drink for the better part of an hour, lost in thought, when you walked in. Levi glanced up as he felt a familiar presence. Something about you had caught his eye weeks ago - the way you moved, the confidence in your step, your curvaceous figure that seemed to demand attention.

The beautiful woman who had been frequenting his thoughts, and this bar as often as he. Your hair fell in waves down your back, and your eyes seemed to glow in the low light. You were dressed in a form-fitting black dress that hugged your body tightly. You were always a striking contrast to the drab surroundings of the underground. He could feel his heart race as your eyes met, the connection between the two of you almost tangible.

Your eyes adjusted to the light, scanning the crowd for his familiar face. You spotted him almost immediately; Levi, the short, brooding man with piercing blue eyes and a body that could make even the most jaded of women weak at the knees. His gaze was locked on you, and you could feel it like a physical touch, sending shivers down your spine.

You smiled to yourself, taking a step forward. The sound of your high-heeled shoes clicking on the floor seemed to echo through the bar, drawing everyone's attention to you. Levi's gaze never wavered as you sauntered to towards him, feeling more and more confident with each step.

It was true that your mere presence demanded the gaze of everyone in the room. And as often as other regulars tried to court you, it was all in vain. Very rarely did you bother to give them the time of day. Most of these men were filthy, obnoxious, and rude. But there was something about Levi, something you decided was becoming too much to ignore. He was always so well kempt, so aloof. Why not indulge your curiosity? for just tonight.

Finally, you reached the bar and leaned down, your breasts grazing the surface. "Whiskey, please." You purred to the bartender, your voice low and sultry.

Without another word, you slid onto the bar stool next to him as the man behind the counter poured your drink, your knees brushed against each other as you crossed your legs, sending a wave of desire coursing through the both if you.

Levi glanced at you, his expression unreadable. He took a sip of his drink, and then another, as if to steady his nerves. "You come here often, don't you?" he asked, his voice low and gravelly. "But you never seem to leave with anyone." He comments.

You smirked, taking a sip of your own drink, "About as often as you." You reply, "and I could say the same, I leave whenever I can manage to slip away, can't a woman enjoy a drink without having to go home with someone?." you continued, raising an eyebrow, your own voice equally husky. He shrugs in response "I'm not judging you, there's fuck all else to do in this shit hole." He says, taking another drink.

"You're Levi, right?" You asked. You weren't sure why you were asking; you already knew who he was. You had seen him here every other night, alone at the corner of the bar. He'd drink a few whiskeys and leave, much like yourself.

The handsome, brooding man in the corner had caught your attention weeks ago, and you knew he was trouble. You had thoroughly enjoyed watching him effortlessly wipe the floor with the owner of the establishment in an arm wrestle. Each and every time you saw one another, there was an exchange of glances from across the room. An unspoken longing that was evident in his gaze.

He nodded, still not taking his eyes off you. "And you must be y/n." he said, his voice rough with desire. "I've seen you here, watching me. I didn't know if you were interested, or just curious...either way, you never try to hide the fact." He smirked.

"Well, I've heard stories about you," you admitted playfully, taking another sip of whiskey. "You're quite the legend, you and your friends, you know that? So I suppose you could say I'm both curious and interested." You tease.

Levi raised an eyebrow. "Oh, really?" he drawled, his voice laced with skepticism. "And what have you heard?"

You leaned closer to him, your breath fanning his cheek. "Well, I've heard you're strong, fearless, and loyal to a fault," you said, your voice lowering even further. "They say you're reckless, but I think it's just that you don't know how to back down from a fight." You trail your fingers gently over his knee and slowly up his leg, your face closer still until your lips were millimetres away from his ear. "They say you're nothing but trouble,"

Levi shot you a sidelong glance, his expression unreadable. "Funny, they say the same about you." he replies, another sip.

You smiled, feeling a thrill run through you at his words. "They say I'm trouble," you admit, your voice low and sultry. "That I'm always up to something, and that you should stay away from me if you know what's good for you." You rest your head in your hand, tilting it innocently. A playful smile painted accross your lips.

Levi chuckled darkly, the sound vibrating against your ear. "Well, it seems we've both been given some interesting reputations," he said, his gaze locked on you. "I have to admit, I'm curious. What do you think we should do about that?"

You leaned even closer, your breath tickling his neck. "I think," you whispered, "we should see just how much trouble we can get into together." Your fingers traced circles on his thigh, and he could feel the heat emanating from your body. "Don't you agree, Levi?"

He smirked, knocking back the last of his drink and then set it down on the bar. "I think," he growled, his voice rough with desire, "that we've danced around whatever this is long enough. "

You didn't seem the least bit intimidated, which only served to fuel his curiosity and arousal further as you smirked, standing up and gesturing towards the door.

Without another word, he slid off his stool and followed you out of the bar. The cool night air hit you like a wave as you stepped onto the street. You lit up a cigarette, cupping your hands around it to shield the flickering light. Levi stood beside you, close enough that he could feel the heat from your body, the tip of the glowing red stick illuminating your face in the darkness. Levi took a deep breath, trying to calm his racing heart as he watched you exhale smoke into the air.

After some moments, Levi followed your gaze, taking in the darkened alleyway to the left. He grabs your arm, leading you down the alleyway, dropping your cigarette in the process. "What a waste." You complain, your lips curling into a wicked grin as he presses you against the rough brick wall. He reaches out and trails his fingers down your cheek, feeling the softness of your skin beneath his touch. "Finally." He purrs before your your lips meet in a hungry, desperate kiss. Your body pressed against his, hands tangled in his hair, your tongues intertwined, mixing the tastes of alcohol and nicotine. Levi revelles in the curve of your breast against his chest. He pushes you harder against the wall, your lips still locked, bodies grinding together in a frenzy of desire.

A low, guttural groan rumbles in his chest as he presses his body flush against yours, his fingers trailing up your sides. His tongue sweeps in and out of your mouth, urgently exploring, as his kisses grow more demanding. Pulling away slightly, he murmurs against your lips, "Fuck, I've wanted this for so long..." His hands slide down to grip and lift your plush thighs, silently urging you to wrap your legs around him.

Levi lets out a shuddered groan as you wrap your legs around his waist and press yourself against his hardness. His grip tightens on your thighs, his fingers digging into the soft flesh. "Fucking tease," he growls, grinding his hips against you. His lips capture yours in another searing kiss, all tongue and teeth.

One hand slides up your body to cup your breast, kneading the supple flesh as his thumb teases your nipple through the thin fabric. "You have no idea what you do to me," he mutters against your lips, his voice a low, rumbling rasp.

"Oh, I do, Levi...." You moan in between kisses, taking his face into your hands, biting hip lip seductively. "I've seen the way you look at me." A moan escapes you as he tweaks your hard nipple through your dress. "You like these, don't you?" You tease breathlessly.

Levi's eyes darken with desire as he hears your seductive words. "You have no idea," he growls, his fingers kneading your breast with more fervour. His hips grind against your core, the hardness in his pants pressing deliciously against you.

With a low, rumbling chuckle, his hot breath caressing your neck. "These tits drive me wild," he murmurs, nipping at the sensitive skin on your neck. He yanks the dress down, baring your upper body to his hungry gaze. A low, guttural groan rumbles in his chest as he drinks in the sight of your ample breasts. "I'm going to enjoy every inch of you." His teeth graze your neck again, eliciting a whimper of pleasure from your lips. His other hand slides down to grip your rear, pulling you up tighter against him. "But you know what I want even more?"

You throw your head back against the wall and moan as you feel his hard cock through his trousers rubbing against your dampened cunt. "Mmmph, I can take a pretty good guess." you say, rolling your hips again against him suggestively, tightening your legs around his waist.

He smirks as his grip on your hips tightens further, his eyes narrowing with predatory hunger. "I want to feel your tight little pussy wrapped around my cock, milking me dry." He hikes up your dress as his fingers hook into the waistband of your panties, tugging them aside. "Can you handle that?" he growls, his voice thick with desire. His lips crash against yours again, his tongue plundering your mouth as his hands roam your body.

You nod breathlessly. "Even if I can't, don't stop...." You purr.

Levi's eyes flash with dark desire at your breathless response. His fingers tease your slick folds, coaxing a soft whimper from your lips. "Good girl," he murmurs against your skin, nipping at your neck and travelling diwn to take one of your nipples into his mouth. Without warning, he plunges two digits deep into your quivering heat, curling them to stroke your most sensitive spot. His thumb presses against your swollen clit, rubbing in firm, tantalizing circles. "You're so fucking wet for me, I can't wait to bury my cock in this tight little pussy."

You didn't make a habit of hooking up with men in bars, but something about him made you weak in the knees and you were right to follow your intuition. You bit your lip in an effort to suppress a moan.

Levi's eyes flash with wicked delight at your muffled moans. "Don't be shy now y/n, let me hear you," he growls, his fingers picking up pace as they pump in and out of your slick heat. His thumb presses harder against your swollen nub, drawing out more delicious whimpers. Leaning in close again, he captures your lips in another hungry kiss, swallowing your cries of pleasure. "You feel so fucking good. I'm going to make you come so hard on my fingers before I split you open on my cock."

"W-what a dirty mouth." You hiss, your eyes rolling upwards blissfully, fingers gripping the undercut at the back of his head harder. He really is as strong as they say, gripping your ass effortlessly and pinning you against the wall while finger fucking you, what a fucking treat.

Levi's lips curve into a devious smirk at your breathless taunt. "Looks to me like you love it," he growls, his fingers curling and thrusting with renewed fervor. "You're fucking soaked. Now come for me, nice and hard." He grinds his palm against your sensitive clit, his piercing gaze fixed intently on your face as he works to bring you to the edge. A man had never made you cum so fast before, Levi's fingers curl and stroke relentlessly as your orgasm crashes over you, your entire body shuddering against him. He swallows your desperate moans with a searing kiss, drinking in every quiver and twitch of your pussy around his digits. "That's it, let it all out," he murmurs roughly against your lips. When your climax finally begins to ebb, he slowly withdraws his hand, bringing his glistening fingers to his mouth to suck them clean. "Delicious," he growls, his eyes smoldering with dark desire.

Levi's eyes are fixated on you as he watches you guide his hand to your lips before you lick and suck his fingers clean. A low, guttural sound rumbles in his chest. "Fuck, you're insatiable," he growls, pressing his body flush against yours. His hands grip your hips again, pulling you snug against his straining erection.

"I need to be inside you," he rasps, his hands gripping your hips possessively. In one swift motion, his fingers deftly work to unfasten his pants, freeing his aching hardness. "Hold onto me," he growls, guiding the tip of his cock to your slick, quivering entrance. With a sharp thrust, he buries himself to the hilt, a guttural moan tearing from his throat. His eyes fluttering shut as your tight, soaking pussy envelops his aching length. A strangled groan tumbles from his lips as he stills for a moment, allowing you to adjust to his impressive cock, "So fucking tight..."

Levi's hips begin piston relentlessly, driving his thick cock into your sopping pussy with bruising force. Each powerful thrust punched the breath from your lungs, his cock plumbing your depths. The cold brick wall pressed against your back, but it only seemed to heighten the sensation of being so close to him. He grunted and growled with primal satisfaction, his fingers leaving bruises on your hips. "That's it, fucking take it all," he rasped, his voice dripping with lust. "Your greedy cunt is loving this...." His pace grew more erratic as he neared the edge, desperate to find his own release.

Levi's grip on your hips remains tight, pounding into you with deep, relentless thrusts. His breath comes in ragged gasps, mingling with your desperate moans.

Levi's calloused hands grip your thighs, holding you in place as he fucks you relentlessly, the sound of flesh slapping against flesh echoing through the alleyway. His steel-gray eyes blaze with primal hunger, locked on your face as he drinks in every pleasured moan and gasp that tumbles from your lips.

"Cum all over my cock, I want to feel you dripping down my thighs." He states as his fingers find your clit, rubbing it in circles with just the right amount of pressure.

"Levi," You moan breathlessly, arching your back as your body tensed, ready to explode.

Levi felt your muscles clench around him, your walls rippling as they contracted, your breath hitching in your throat. He thrust deeper, harder, faster as he felt the hot rush of your release, the tightening of your inner muscles around him. He groaned into your neck, feeling your body shudder with the force of your orgasm.

Levi's eyes are fixated on you as you convulse around his throbbing length, your desperate cries of pleasure sending a jolt of primal satisfaction through him. With a feral growl, he redoubles his efforts, slamming his hips against yours at a punishing pace as he chases his own release.

Levi leans in, claiming your lips in a bruising kiss as his rhythm begins to falter, his muscles tensing as the thick ropes of his release spill deep inside you. "Fuck... Levi!" you whimper against his lips, his hips grinding into you as he empties himself completely.

Levi's taut frame shudders, his fingers digging into your hips as he rides out the aftershocks of his release. His steel-gray eyes are molten with satisfaction, his usually stoic features etched with unbridled bliss.

You both remained there for a moment, panting, your chests heaving as you tried to catch your breath. The alleyway seemed to swirl around you as you came to your senses. You leaned your head back against the rough brick wall, feeling the coolness seep into your flushed skin.

"So," mischievous glint in your eye, "you ready for more trouble?"

Levi grinned, his gaze travelling up and down your body. "Only if it comes in the form of you."

You smirk playfully, feeling a thrill of excitement run through you. "My place, it's not far from here." You managed to say between ragged breaths. "Lead the way," he said, his voice rough with desire.

You laughed the sound low and husky. You leaned in, your lips brushing against his ear. "Come on then, you bad, bad boy. Let's go."

#levi ackerman #levi x reader #levi aot #levi x y/n #captain levi x reader #levi attack on titan #levi smut #levi ackerman x reader #fanfiction smut #aot smut #underground levi #underground levi x reader

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soxcietyy · 2 days

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Temptation

Chapter 7

Your dad is tired of you bringing home these unworthy men. None of them being fit to take care of you or to be given the family business since you are the only daughter. He decides to find you someone fit to be your husband and receive help from the father of the church. That’s when you meet Yuta, though just because he goes to church doesn’t mean he’s much of a saint

Mafia, murder, violence, mentions of religion, (will contain other things in the next chapters)

The rest of the week he spent as far away from you as he could. He would come home late, sleep in a spare room or sometimes he wouldn't come home at all. Ever since that day he couldn't help but maintain his distance. He was scared, he didn't want to frighten you like that again. Not only did that cause him fear but also the fact that he cared about that.

He was Yuta Okkotsu, one of Gojos most important business partners that worked under him. Everyone was supposed to be terrified of him. But just the single though oh you being scared of him gave him an itch.

He tried to convince himself multiple times that maybe it was because this was all new to him. The concept of marriage and now having to care for Someone else other than him. Yea that sounds about right. This will soon pass and he'll be back to his normal self.

He's been away from you for a good length of time that he kinda felt prepared to face you again. Putting his foot down and putting you in your place. A women shouldn't be walking over a men. Maybe his actions were justifiable last week. He told you to stay put and you did not listen which created consequences.

Yea that's it, you deserved what you got and he will not let it slide.

"Yu?" He hears a soft feminine voice speak. He snaps his head from the paper he held to the door way where you stood in a sun dress.

"Darling you know well you're not allowed in my offic..." as he spoke to you he noticed the bruises on your neck that he left last week. That delicate skin of your being harmed by his own hands. He couldnt bare to see the injury's he caused so he looked back down at his paper.

"Yes I know but I'm worried. We haven't been able to sit down and relax. You're always busy or coming home late. We haven't even slept in the same bed. Im worried about us." you say

About us? what a joke, with the way he's been treating you he was surprised you thought that way.

"I don't think what in doing should concern you. Go back to bed and get some rest." Yuta says as he scans the paper he's been rereading over and over again. To him it seemed like a never ending paper. Everytime he read it he would space out on it having to make him reread it over and over again.

“Can I least go out for some fresh air?” you ask him “of course.” He says as he begins writing his thoughts.

“Without someone following me.” You speak. The number of times they had stopped you his week from walking out was outrageous. Every time you confronted Yuta about it he would ignore you and keep on with his business. “you’re not allowed to go out without anyone accompanying you.”

————————

Your angry thoughts influenced your actions immediately. Storming out of his office you quickly made your way upstairs snatching up his wallet that rested on the nightstand. You couldn’t believe that he had just spoke to you that way. This wasn’t what you imaged being married to him was. You felt like an idiot for actually agreeing to something so dumb like this. Anyone would have seen something like this coming a mile away. You were just so stupid, so gullible to believe every word that fell out of his mouth. After putting your heels on you walk downstairs. You knew well that Yuta had guards stationed right out the doors. You were so sick of being stuck here with an arrogant man. All you did was try and be the best wife but clearly, he could care less about you and your efforts. Opening the door, you see a tall buff man standing with is back facing you. You let out a small huff as you quietly closed the door behind you. Taking a few small steps forward you see him turn around at the slightest sound of your heels hitting the floor. “Go back inside before I throw you like last time. “ That did happen didn’t it. “Yuta said he’ll meet me outside the gates. He seemed to have lost his wallet.” You say trying to get pass him.

He lets out a laugh as he blocks you from going further. “do you think I’m stupid little girl? He would never let you go even a few feet from him.” The guard laughs even harder as he shoves you back making you stumble a bit.

You give the man an innocent smile. “Clearly you don’t know him enough to know that he would let me do that. Let me through before I tell him that you put your hands on me.” You talk back.

“What would people say if Yuta’s wife was being man handled? Clearly you would be forced right away. Knowing him he would easily let you go home before killing someone you love.” You stare into his shocked eyes. He mumbled before letting you get pass him. If you knew it was this easy you would if been escaped this place.

Immediately you started walking to the open gates. Walking with the fear of his possible looking outside his window to see you walking of the property. Once you made it out the gates you turn around and shut them. The guard looked at you confused for a second before booking it towards you. That’s when you quickly lock it with the key Yuta always carried in his wallet. You gave him another innocent smile before you ran down the road. Luckily those gates where as tall as pine trees, that means he had no choice but to get another key from Yuta who should be at a meeting about now. Now i9f he had the guts to interrupt a meeting then that was on him. Running as fast as you could in heels, you cut through people’s property’s so you wouldn’t be found so easily. Eventually after so long of running you made it to the city of New York. Yuta did not live far from the city at all making everything supper close to you guys.

Stopping at a coffee shop you rest by the wall and catch your breath. You haven’t ever ran this much in your life before. The adrenalin in your body was still pumping as you held your chest.

“Oh, darling are you alright?”

Alarm bells ran in your head once you heard them say darling. When you look up your met with blue eyes but not the dark ones you know. They were infused with a light green color making them look really friendly. Moving from his eyes to his face you realize this was a total stranger. This man had blonde short hair, chiseled jaw, he wore such a nice navy-blue suit that complimented him. Your mouth seemed to have dropped, mesmerized by his beauty. “y-yes! I’m fine I just got done with my morning run.” You say

“A run? In heels?” he raises his brow.

“yes...”

“Your quite an interesting girl, how about I invite you to grab a drink with me?” he says holding his hand out. You looked at him not being able to believe him but take his hand either way. He grabbed it firmly and walked out with you in his arm.

“ I know this coffee shop with better drink up the street. I had gone to the one we had left to grab a quick drink to go. The I ran into you, and I just love having drinks with people.” He says as he walks with a fast pace. This man was really tall, to the point where it kind of hurt your neck to look up at him.

When you guys got to the place you couldn’t believe how beautify it looked. Planted where planted in so many spots and it smelled like roses from the pots that surrounded you. This was something you’ve never seen before. As you approached a table, he pulled your seat out and letting you sit before taking his own. A waiter soon came up to you guys and asked if you guys needed time to order.

“No need, I would like Americano and for the lovely lady hmm, what do you want tea or coffee?” he tilts his head making his golden locks fall to the side.

“I uh, I like tea.” You say

“ Hōjicha please! Oh and maybe set of your delicious biscuits.”

As the waiter left, he put his attention back towards you. “so do you usually take strangers on-“ “Coffee dates? No, no I am quite a busy man, I was actually free today and well I couldn’t just ignore you.” He smiles. “Oh well thank you for taking me out uhh.” You say ignoring the fact that he called this a date. “How rude of me! I haven’t introduced myself, haven’t I? The name is Angelo.” He says.

“Oh, I’m y/k Okkotsu.”

His eyes seemed to have lighten up once you told him your name.

“Magnificent.” “Do you work Angelo?”

you ask him curious to know his profession if he could afford to go to such a coffee shop.

“I own many restaurants and coffee shops around here, including the one were at. Its quite new actually.” He says as he looks around admiring his work.

“Really? Wow I really love what you did with the place. I is so stunning and it feels like I’m in the middle of a flower field.” You say surprised.

“I’m glad you’re enjoying it darling.

“um currently nothing I’m just home all the time but I’m want to get into my husbands business. I want to feel useful you know? But how can I do that when I’m not even allowed to know anything about it.” You look down at the wooden table “oh sorry I started venting without realizing it.” You say embarrassed.

“No need to feel bad I enjoy giving advice to people.” He says as he receives the drink from the waiter that you didn’t even notice. He set your drink in front of you as he took a sip of his. Letting out a satisfied sigh come out as he tasted the drink.

“What does your husband work in” he asks as he licks his lips.

“Trading under a company.” You say as you also took a sip out of your drink. Your eyes brightened the second your tastebuds made contact with the liquid. This was really good, this man kept of surprising you by the second.

“What is this? It’s so good I’ve never had such a flavorful tea.” You bring the cup up to your lips once again.

“Ha, I knew it would be your taste. It’s a Japanese’s tea that has roasted green tea leaves. Its naturally sweet yet has a hint of a smokey flavor in it.” He lifts his hand up in the air to get a waiter’s attention.

The man quickly runs to him and ask him if everything is okay. Angelo reassures him everything is good and that he just wanted to know if he had a bag of the tea you were currently drinking.

“oh you don’t have to do that! I can always come on my own, I want to support the business.” You say.

“oh sweety but what if you can’t go out when you crave it? You already know how husband can be, ugh so bitter for no reason, Speaking of.” He brings his drink to his mouth. “Y- your husband how is he like?”

For a second you thought he was going to say your husband’s name. Then again, he shouldn’t even know him.

“well, he’s…nothing like I expected him to be like.” You say with a sense of sadness. You had no idea why you held such high expectations for him in the first place. You didn’t even know him for that long and here you thought he was going to be the best husband ever. “I just wish he was more caring, kind, and well just loving in general.”

You had no idea what had happened, when you first met him, he was the most kindest person ever now he was something else.

“Sorry to hear that,” Angelo crosses his legs as he stretches them out. “Something like that must not be easy to through, I trust your strong enough to pull through, right?” Angelo looks own at his watch and raises his brows. “it’s near noon, do you need a ride?”

Ride, but to where? You couldn’t possibly go back to Yuta’s. He was going furious when he finds out you escaped. If you ran back home, you feared your dad would call Yuta since apparently, they were buddy’s now. You could get a hotel room, but they would be able to track you right? At this point he must have already called everyone he knew to look for you. At your wedding the kinds of people that came up to him were unexpected, bank tellers, police, business people, doctors, and more. They all probably had all eyes and ears out for you. You couldn’t held but fiddle with your wedding ring to ease your thoughts.

“Or you could come to work for me, you can be my secretary for the day.” He offers with a genuine smile.

“really?! But I’m a women, wouldn’t people look down on you?” You say feeling a bit excited for the opportunity.

“You think I care about other opinion? Is that the way your husband thinks? Such a childish mindset. Common let’s go to my company building.” He says as he helps you get up.

AN: Guys I wrote this on my laptop on word during my finals. I typed 5 pages of fanfic and thought I out did myself and once I pasted it onto here I screamed. YOUR TELLING ME THIS IS HOW 5 PAGES LOOK LIKE.

#yuta okkotsu #yuta okkotsu x you #yuta okkotsu x reader #jjk second years #jujutsu kaisen #jjk x y/n #yuta okkotsu x y/n #jjk yuuta #yuta okkotsu smut #yuuta okkotsu #yuuta x you #yuuta x y/n #yuuta headcanons #yuuta smut #okkotsu yuuta x reader #okkotsu yuuta #yuta x y/n #yuta x reader #yuuta x reader

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joshsindigostreak · 15 hours

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Moonburn

Prologue

Two of Swords, Reversed: Delays, indecisiveness, extreme dread, anxiety, and stress.

Vampire Hunter!Jake x Witch!OC

Authors Note: Hello!!! This is the start of Jake’s story! I hope y’all like it as much as I do. His side of the story has been in my mind the whole time I’ve been writing ISHIYE and I’ve been itching to share it with you. This is only the prologue but I promise there’s much more to come! Let me know if you want to be added to the taglist ❤️

*Set prior to the events of I See Hell in Your Eyes. This is the beginning of Jake’s story. This can be read independently from ISHIYE but there will be cross references as it’s in the same universe.

Word Count: 3,845

Warnings: Brief violence, descriptions of blood, that’s about it for now.

He wasn’t even supposed to be in Tucson, but a blown motor had him stuck there for God-knows how long. The shop he towed his car to didn’t give him much of a time frame, just that they would call him whenever it was fixed. In the meantime, Jake Kiszka had settled in a cheap motel. Well, not extremely cheap, but it was comfortable enough that he knew wouldn’t get scabies from sleeping there.

Nevertheless, he took this as an opportunity to take in the sights of the Grand Canyon state, at the very least Pima county. The sights in question were any local Nests that he could find and snuff out any Undead that were loitering around places they shouldn’t.

The last three days (or nights depending on what species you were), he had been tracking a small group of them that were dumb enough to hang around the same places in the city. Vamps were always easy to spot. Their attempts to blend in with humans were awkward and stilted. Like aliens who had landed on earth the day before and had never seen a human before. That was also how you knew you were dealing with one of the young, and dumb, ones. The older the Vamp was the easier it was for them to blend in. If they’re smart enough to survive past fifty years or so, they usually start adapting to whatever environment they’re in.

It was one of those Vampire details that confused Jake as a kid. How did they forget their humanity so fast? You’re human one day and the next night you’re a blood sucking monster, his dad would tell him. But the idea that it only took a few hours to forget whatever life you had before was almost fascinating to him.

He was always taught that the new ones were practically feral and sloppy, which was how they got picked off so easily. They’d leave bodies behind, risking exposure to the humans who walked around in pure ignorance to the creatures that walked among them.

Sometimes, if you were lucky, you’d catch them before they even claimed their victims. Skulking around in the dark trying to remain unseen but all of their movements looked the same, at least to Jake, which was why he was always able to figure them out faster than his siblings. He was the quiet observant one, always having his eyes on a swivel. His twin was the social one. He could talk his way into any place or establishment that he wasn’t supposed to be in, and he had a particular knack for being able to build a rapport with some of the Vamps they’d be tracking.

It worked even better when they were in parts of the country where the only thing anyone knew of them was their last name, and the weight it carried. Knowing their name was one thing, but knowing their faces was another, and they used that to their advantage. It was also well known that they were identical, but over the years their personal aesthetics had skewed so hard in the opposite directions that they’d have to be side by side to truly see it. Though sometimes the confusion as to who was who worked in their favor.

Jake turned his attention to the horizon from inside the car. Due to a low inventory from a week full of fender benders the rental place only had a Toyota Corolla available on the lot. A silver Corolla from 2006, to be exact. Jake had stared at it for nearly five minutes behind his dark sunglasses, as if he could turn it into literally anything else with his mind. But when the rental agent informed him of the only other option, a burgundy minivan, the hunter agreed and signed the papers for the car through gritted teeth.

There he was, ridding the earth of Hell-borne filth in a clunker with hubcaps.

The sun was peeking over the horizon; the sky turning different shades of pink, yellow. and blue. Jake had a strict rule to not move in on a target until the sun was fully up and visible. “Your shadow is your friend, and your clock no matter what,” his dad would tell him. A hunter never wanted to risk a Vamp having the home field advantage that was the night. Even overcast days were iffy at times.

Once a Vampire laid their head down they, as obvious and cliched it sounded, slept like the dead they were. It was some biological failsafe to protect their species from accidental sunlight exposure. Or at least that's what his walking-encyclopedia of a little brother reminded him along with other scientific facts about the species.

He was parked on the side of the road a blocks-length away from the house he was watching. Vamps were known for their practicality when it came to their Nests. They liked invading houses and squatting in them after they made the residents their evening meal. This particular house was by its lonesome on this road, the nearest house was almost two miles away, which Jake didn’t mind because his plan for the four Vampires he had tracked to this location would be fucking cake.

At last, the sun shined its beautiful rays, warming up the world and preparing it for the day. Jake could almost hear the joke his twin would’ve made about it being a “dry heat” had he been there. His right hand reached to the passenger seat for his crossbow, lifting it slowly with reverence. He kept his gaze fixed on the house as he carefully opened the driver’s side door. He didn’t shut it all the way, just enough to make that first little click in the frame.

As he approached the house he looked at all the windows to see which ones were covered up, a clue as to where in the house they were sleeping. He walked the perimeter a couple of times, going slow to make sure he didn’t miss anything and to let the sun rise even higher.

Rounding the back of the house, Jake went up to the back door. He reached out and gently twisted the doorknob, and it fully turned without protest.

They really were stupid, he thought to himself.

The revelation that the door was unlocked let him know that they were also over confident that they’d be safe during the day time. Jake couldn’t wait to prove them wrong.

He walked into what was the kitchen, before it had been ransacked by the real intruders sleeping elsewhere. Multiple cabinets were flung open, their contents strewn everywhere on counters and the floors. Smears of blood decorated the surfaces and the floors, streaked with what had to be fingerprints.

Going from room to room, he saw similar scenes around the house. He still hadn’t located what he was there for but there was one bedroom at the far end of the house left. The door was slightly ajar, and from his spot in the hallway he could see a window with the curtains firmly drawn. Bingo. They were all in there, soundly asleep. A classic, “shooting fish in a barrel” situation.

Carefully he opened the door further and peaked around the room. This had obviously been the primary bedroom, with a sizable king size bed against the far wall, with two Vamps sprawled out on the duvet, with a third curled up on the carpet at the foot of the bed.

The hunter silently aimed the crossbow at the one on the floor, directly at its chest. At this point it was muscle memory, his finger squeezed around the trigger automatically, shooting the stake right into the Vampire’s heart. His eyes flew open in surprise, but it was too late, the color drained from his skin and it shrunk back against his bones. The usual yellow cast bled into his eyes, and as a final signal that all too familiar death rattle bubbled up from his mouth, a little too loudly for Jake.

At the sound the female Vamp on the bed sat straight up, looking directly at Jake.

“You bastard,” she hissed as she slapped the male Vamp next to her awake. She lunged at Jake knocking the crossbow out of his hands as he tried to shove her off of him. The two rolled around on the floor, battling for control. The hunter managed to get on top of her, straddling her waist as he quickly grabbed a stake from inside his jacket with one hand, and used the other to try to control her hands and keep her pinned down. His reflexes worked perfectly and he was able to shove her arms out of the way fast enough to drive the stake into her chest in a flash. Like the other Vamp before her, she withered in front of his eyes.

Just as her death rattle completed the process the other male Vamp jumped on Jake’s back, straining his neck to nip at Jake’s flesh with his fangs. The hunter nearly growled as he twisted his body to fling the Vamp off of him. He didn’t go very far, but it was enough for Jake to get on his feet and grab another stake from his jacket. The Vamp stood up and lunged at Jake again, this time shoving him against the nearest wall. Jake winced as he was forced backwards and felt the drywall crack; the breath nearly knocked out of him. The stake was pinned between the two, curled in his fist and pointed down at the floor in a useless position.

Jake looked over the feral Vamps shoulder, and realized he was close enough to the corner of the room that he could potentially gain control. With another growl, he used all of his strength to push him away and into the other wall. The Vamp's head bounced back against the wall, and in the nanosecond of delirium Jake was able to tilt his other hand up and ram the stake into the remaining Vamp, directly next to his sternum.

The Vamp sagged against the wall as whatever “life” he had faded away. Jake let him go completely and didn’t care where he landed on the floor. He stepped back and didn’t let his guard down until he was sure they were the only creatures in the house. He ran a hand through his messy hair, wincing when his fingers hit a few tangles and pulled at his scalp. Instead of fighting through them to the ends of his hair, he pulled it back, wanting the feeling to stop instantly. A brief flashback of dirty gnarled fingers twisting into his hair and yanking upwards flashed before his mind’s eye and he shook his head to rid himself of the memory and rubbed his hands quickly over his face.

Jake turned back to his crossbow and strapped it on his back. Now the fun part was about to begin. He looked down at the nearest corpse, the one he had just killed against the wall, and grabbed him by the ankles and started dragging him through the room. He flung the back door open once he got to it, and heaved the Vamp outside and into the sun. The corpse started to sizzle and burn before it hit the dirt. One down, two the go.

He repeated the process until all three were piled on top of each other outside, burning through their clothes and turning their bodies to ashes. As Jake watched the flames, he reached into his jacket again, this time for the celebratory cigar he always brought with him on Nest raids. He brought it to his lips and leaned forward, lighting it using the flames of his latest bounty.

He stood there, and the fire reflected off his dark sunglasses. He took long and slow drags of the cigar, satisfied with his work that morning. For a brief moment he wished his twin had been with him. He didn’t mind doing things on his own, but it always felt a little sweeter to have Josh standing next to him.

Soon enough the three Vampire’s were nothing more than a pile of ashes. Jake found a shovel in the yard, and used it to dig a shallow pit to dump the ashes into. It wasn’t to “bury” them, no, there was no honor in this. Instead it was just a quicker way to quite literally cover up his tracks.

As he drove back to the motel, he couldn’t wait to sleep the day away, satisfied that there were three less bloodsuckers walking around.

~!~

A few days later, he found himself in front of a dive bar just outside of town. The Tipsy Tumbleweed stood before him, its red lighted sign blazed into the dark of the parking lot. A few of the letters blinked, indicating some of the bulbs were on their last legs.

The heels of his boots clacked against the wooden floor inside, and the idle chatter amongst other patrons met his ears. He loved a good bar like this. Understated, knew exactly what it was, and didn’t try to be anything more. The walls were covered in various purple neon signs, the biggest one was on the wall behind the bar itself, with large letters spelling out: Sinners Welcome. Yeah, he was going to enjoy himself tonight.

Just as he sat on an empty barstool, a loud and melodious laugh floated through the air behind him. He nearly broke his neck to look at the source, and that was when he saw…her.

Her back was to him, her dark jeans and black t-shirt wrapped around her curves beautifully, her dark hair tied up in a ponytail but was long enough that the ends fell between her shoulder blades. She was standing in front of one of the booths against the far wall, chatting with the two people who sat on either side.

He couldn’t see her face yet, and everything in his body told him to sit fucking still so he could possibly get a glimpse of it. He barely registered the young voice of the bartender asking him for his order. He kept his eyes set on the mysterious woman while he quickly mumbled something about a whiskey. He wasn’t normally that rude but as the bartender went off to make his drink she finally turned around and started walking towards him. Her large hazel eyes scanned the room as she walked and she waved at one of the tables, telling who-ever-the-fuck hi. The same dark hair framed her face in some loose layers and when she flashed a smile at someone else, Jake nearly fell off the stool. He suddenly felt like he was back in sixth grade, when Abbie Willis picked him for her kickball team in P.E. and he tripped over absolutely nothing while walking over to her. Josh never let him live that down.

For a moment, Jake thought she was walking towards him, but she breezed right past him to exit through the Employees Only door. He turned on the stool to face the bar, hoping to god that the heat in his face wasn’t obvious. Instead, he made the most awkward eye contact with the bartender who was placing his drink in front of him. She was a tiny thing, definitely shorter than him with sharp cheekbones and curious round eyes. She couldn’t have been older than 21.

“Umm…thanks,” he said, trying his best to recover from whatever that was.

“You're welcome, I’m Stacey if you need anything else,” she said brightly before turning to walk to the far end of the bar, where another man was sitting at the corner.

Jake’s eyes followed her and silently observed that side of the bar, taking in everything. Part of him wanted to turn around and watch that Employee door in hopes that she would come back out, but he didn’t want a repeat of what just happened.

He took a sip of his drink while he observed, but just as he started to relax the man at the end of the bar tilted his lowball glass back to take his own sip, and one of the lights on the other side shined through the glass and displayed the…red…contents. It wasn’t runny, it wasn’t grenadine, it was blood.

Did he sneak that in here? Jake had obviously seen Vampire’s drink from glasses before, they could be formal when they wanted to, but out in the open like this? That was ballsy as hell.

A drop escaped the glass and landed on the corner of the man’s, well, Vampire’s mouth and his tongue darted out to catch it. The bartender Jake now knew as Stacey was just standing there, chatting away as if she hadn’t even seen it. The hunter immediately thought that the Vampire had Persuaded this young girl into not noticing, and if he was already doing that, what else was he planning to do?

Jake immediately shifted into hunter-mode, his casual evening cut short by duty calling. He sat there, listening as best he could over the loud music and crowd noise. Soon his glass was empty, and as Stacey walked back by he got her attention and she stopped in front of him.

He ordered another whiskey, but before she could hop off to make it he asked her a question, “hey umm…who's that down there?” He tilted his head slightly in the Vampire’s direction.

A sheepish smile spread across her face, “oh…that’s Lou. He’s in here a lot.” Even in the dim lighting Jake could see the color rush to her cheeks when she said Lou’s name.

A regular Vampire, huh, not for much longer, Jake thought.

He opened his mouth to ask another question but Stacey’s eyes suddenly went wide and she darted off to the Employee door without another word. He vaguely heard her say the name, “Cecilia” as she exited but he wasn’t sure.

Jake sat there confused as to what spooked her so quickly, and he stole another glance at “Lou” the Vampire.

“So, another whiskey for you?” A smoky voice snapped him out of his thoughts.

Jake whipped his head back to the direction of the voice and suddenly, she was in front of him. He gaped at her, once again reverting back to his awkward prepubescent self. All he could do was nod like an idiot. A new glass was placed in front of him, the amber liquid perfectly poured.

“This one’s on the house,” she said as she leaned against her hands on the edge of the bar. The motion made her collar bones visible just beneath the scooped-neck of her t-shirt. Fuck.

“O-oh you don’t have to-”

“Nonsense, I like giving out a free drink once and awhile, especially to new faces. I even top shelved it for you,” her lips formed a smile and she tilted her head at him, as if she already knew the effect she had on him.

He took a sip, savoring the liquor on his tongue before swallowing. Perfectly smooth.

“Now, what are you doing here,” she asked, a little less friendly than before.

The question threw him off, why would she ask that?

“Just checking out local places while I’m in town,” he answered with a level tone as he took another swig of his drink.

“Hmm…yeah but what were you doing just a couple minutes ago?”

He looked at her strangely, “just sitting here?” As soon as the words left his mouth, he felt his throat tighten up out of nowhere. What the fuck?

“Uh-huh, just sitting here? Not scoping out the place?”

“No? Why would I-,” his throat tightened up even more, making it harder to breathe. Jake struggled to take in a breath as he gripped the glass in front of him.

“You do know where you’re sitting, right?” She leaned even closer to him, lowering her voice.

“At a bar…?” That was the truth, partially, but he didn’t know where she was going with this.

She smirked at him, “oh I guess you didn’t notice that this bar happens to be next to a cemetery?”

Cemeteries were probably one of the few truly neutral places you could be. Neutral in the sense that creatures knew better than to start trouble in them, and hunters were lumped into that protocol as well. They were their own liminal space with their own rules, and Jake remembered Sam rambling about the spirits that reside in them did not take kindly to truces being broken on their land. If Jake had actually killed the Vampire at the end of the bar, it would not be pretty for him once the spirits figured out what happened. If the woman in front of him knew this rule, then what was she?

“Fuck,” he rasped.

“Yeah, fuck is right. So what is a hunter like you coming into my bar where we mind our own business and coexist as best we can?” Irritation was evident in her voice.

This was her bar? Oh, he really fucked up.

“Listen I wasn’t trying to start anything,” he tried to explain but his words had his throat nearly closed completely.

“Sure you weren’t,” she reached into her back pocket and pulled out a small vial full of pale green liquid. She held it up in front of him, “sir you look very…purple…are you feeling alright?”

He stared at the vile in her hand, and he wasn’t sure if he was connecting the dots or just seeing them, but he tried to whisper a guess.

“W-witch..?”

“Oh nothing gets past you,” she mocked. “And yes, I am, thank you for asking.”

At this point all he could do was wheeze at her.

“Now, I can reverse that little concoction you happily drank, but only on one condition.”

His big brown eyes started watering and he nodded.

She twisted off the cap of the vial and slowly poured the contents into Jake’s glass as she spoke, “you have two minutes to get out of my bar before I get that Werewolf in the corner to throw you out.”

Jake quickly drank down the whole glass as best he could, oxygen finally entering his system as his throat loosened back up.

“S-sorry…” he whispered.

“If you ever come back here and try that shit again, it’ll be a lot worse. Now go,” her voice was final, and she flicked her eyes over his shoulder and at the door.

Jake didn’t hesitate to slide off the barstool and walk right out, not looking back even though he wanted to.

As he drove back to the motel, all he could think about was the Witch that just nearly killed him, and how her eyes bore into his, and for once in his life, Jake Kiszka was the one intimidated and outmatched.

To be continued…

Tag List: @dannyandthekiszkas , @readyforthegarden , @sinners-go-to-drink-the-wine , @wideminded-dreamer , @runwayblues , @wildbluesorbit , @llightmyllovee , @rhythm-of-space , @sacredthefran , @writingcold , @alwaysonthemend , @wetkleenex-gvf , @josh-iamyour-mama , @lightsofthe-living-gvf , @gvfcinema , @sacredthethreadgvf , @losfacedevil , @jakekiszkasbuttsweat , @shutupdevvie , @hearts-hunger , @gretavanfleetposts , @ascendingtostardust , @mackalah , @andromeda-raine-gvf , @jake-kiszkas-smirk , @gracev0609 , @sacredjake , @earthlysorrows , @gvfpal , @myownparadise96 , @itsafullmoon , @gvfmelbourne, @twistedmelodies , @that-witchy-pan , @gold-mines-melting , @texas-bbq-pringles , @jakekiszkapunchmeintheface , @sadiechar , @char289 , @stardustvanfleet , @sunfl0wer-power , @holdingup-fallingsky , @bladenotblaze ,

#jake kiszka #jake kiszka x oc #moonburn #strangers to lovers #starcrossed but they don't know it #angst #hurt/comfort #themes of PTSD #lingering guilt #parental issues #abandonment issues #and just two broken people trying to figure the fuck out of life #greta van fleet #jake gvf #my fics #my writing #🌙🔥

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discountsoysauce · 3 days

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I don't understand the idea that Victor has no backstory. Like- yeah, his backstory isn't as horrifically tragic and detailed as Eli's is, but we do know a good bit about him from what he's said so far.

His parents are pretty successful, so we can assume he grew up rich. Victor states that they write all of these books about family but have never taken time out of their day for him, even saying something along the lines of the last time they put aside time for him was his birth (not exact quotes, I don't have the energy to look back through the books rn), so we can assume that they were incredibly neglectful, most likely leaving him at home for days, weeks, maybe months at a time and probably not paying much attention to him even in times when they were home. Whether they paid someone to take care of him in that time or he had to learn to be self-sufficient is debatable.

I personally don't think they were physically abusive, and there doesn't seem to be any evidence at present that supports that idea. Verbal abuse is more likely, but I still don't think it was the case. It doesn't seem like they were around him long enough to do either. I don't think those things really need to be a part of his backstory to make it interesting or compelling. His parents were neglectful, and it shaped pretty much everything about who he is.

The biggest and most obvious one is Victor's obsession with attention. There are multiple references throughout the books of Victor craving attention from those around him, namely Angie and Eli. More than anything, Victor wants to be seen. He wants to be a part of something. He wants to be remembered and acknowledged and thought about. He craves the attention his parents never gave him. He doesn't want to be left behind or forgotten.

Being left behind is another big fear for him (I'm mostly speaking about Lockland here, as he becomes a bit less dependent after he becomes an EO, though there can still be an argument made about him latching onto Mitch and Sydney and Dol and Dominic in a kind of makeshift family he never had). He hates seeing Eli succeed because it feels like he's being left behind. He wants to be so intertwined with another person that they can't possibly forget him. He wants to form a connection so deep that it's impossible to sever. To Victor, there's a connection between 'success' and being left behind. He doesn't want to just be an expendable sidekick or an accessory. He wants to be an integral part of someone. Victor's life revolving around Eli is a symptom of his upbringing.

His social skills and general demeanor are also something that can be analyzed. From the beginning, he's set up as the antithesis to Eli, from social class to backstory to appearance to demeanor. They're the same at their core, but opposites in nearly everything else. Compared to Eli, Victor is a total recluse. He hates being around people, he avoids parties, and we barely see him interact with or pay attention to anyone except the people he genuinely cares about unless he absolutely needs to. His demeanor is off-putting, and he doesn't really make an effort to hide that, although he does just enough to make sure he isn't a complete social outcast. Victor grew up in one home with no siblings and parents who were hardly around. Compared to Eli, who was carted from home to home, meeting new people and learning how to blend in all the time, Victor likely doesn't have much in the way of social experience. He didn't have to hide who he was nearly as much as Eli did because there was no one there to see it anyway.

This being said, he is described as being a good liar and able to fool those around him, although notably worse at it than Eli. This one is more of a longshot, but I don't think it's improbable. Victor's parents were successful published authors who garnered their success based on the books they wrote about family. It's possible that Victor had to make press appearances at some point when he was younger, and learned how to lie for the cameras, or he just spent so long out of the company of others that he started seeing other people as more objects to use and less real living people, making it easier to learn the motions of manipulating them. Either way, Victor learns how to do or say the right thing to get someone to believe him, but he states that Eli is much better at actually faking emotions than he is. This is because while Eli spent his life following his father's death surrounded by people and thus learned how to change his entire self to appear more presentable to the general public, Victor only learned how to manipulate people through speech or actions. He can tell you exactly what you want to hear, but he can't put on a fake persona the way Eli can because he never needed to.

In conclusion, Victor does have a backstory, and it informs every aspect of his character, including his relationship to Eli.

#this isnt me defending victor this post got away from me a bit lmao #a not entirely serious mention of the idea that his skewed morality could also be a result of his upbringing #i mean #the man had no role models #and was pretty much raised on crime dramas #cmon #hopping off my soapbox now #i got tired near the end can you tell #Victor's backstory isnt explicitly outlines the way Eli's is but its There #i came up with most of this as i was typing #vicious ve schwab #vengeful ve schwab #victor vale #villains series #eli ever #eli cardale #vicious #vengeful

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milkweedman · 11 months

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learning to spin on a drop spindle: a beginner’s lengthy yet comprehensive guide

I put this monograph together for a friend, but many other people wanted to read it as well, so here it is !

Fig A: Parts of a Drop Spindle. (image source. notes are mine. Click for higher res !). Apologies in advance for the lack of image descriptions--for the most part I use images because I can’t figure out how to describe the thing in words, so describing the images is kinda the whole issue. If anyone wanted to write them for me I’d add them to the original post in a heartbeat !

How to Get Started Drafting and Spinning

So, you have your fiber and your spindle--now what ?

Friendly pre-tutorial reminder that radfems can fuck right off if they think I’m writing any of this for their benefit. I’m not. I hope they all choke on their spindles <3. This is a safe space for trans people first and foremost.

(Check out this post that goes into picking a spindle and your first fiber, if you don’t have one yet)

First, you might wish to practice drafting a little. Drafting is the process of drawing the fibers out from, for example, a strand of roving or a rolag, into a thinner, airy length. To draft, loosely hold your fiber in your dominant hand, and pinch the very tip of the fiber with your thumb and forefinger of your non dominant hand. Then gently pull. If you pull all the way, you should notice that your fiber detaches from the fiber source eventually. For yarn, we want very very long lengths, so we don’t want that to happen. To get a continuous length of drafted fiber, simply change where you’re pulling from as you go. For example, you can draft out 2 centimeters/1 inch of fiber, and then move your fingers 2 cm/1 in back toward your fiber supply, and draft again.

The thinner you draft (or pre-draft*), the thinner that fiber will spin up. Once we start spinning, you’ll see how adding twist immediately compacts the fiber quite a bit, so you need to draft much thicker than you actually want your yarn to be. When pre-drafting specifically, if in doubt--draft thicker. You can always draft it out a little more as you’re spinning.

Figuring out how to draft smoothly can be one of the harder parts of learning to spin, but even before knowing how to do it perfectly you can still create good yarn.

Check out The Joy of Handspinning website to see drafting in action, as well as several different types of drafting.

Also check out this video explaining pre-drafting roving. 1:00-2:30 is especially helpful. If it’s not clicking from this video, search youtube for “pre drafting fiber for spinning” and watch til you have a better understanding.

*pre-drafting just means drafting before spinning--so it’s the same type of thing as drafting while spinning, but without having to wrangle your spindle at the same time. I’d recommend pre-drafting at least a bit of your fiber until you feel comfortable doing it. Then you can spin with your pre-drafted fiber, and it’ll be easier than if you hadn’t pre-drafted.

Tips: If you have a bottom whorl spindle, you may also want to practice spinning the spindle before it has any fiber on it, just to get a feel for how it moves. You could do this with the bottom point in a bowl or on a flat surface like a book or table. Try rolling the top of the shaft between your thumb and index finger. Don’t worry about it toppling over frequently--your spindle will be suspended by the yarn that you’re spinning, so it won’t topple !

If you have a top whorl spindle, you might have a harder time getting it to spin without being suspended, because the center of gravity is so high. Instead, try tying a piece of thread or scrap yarn to the hook (if it has one) or below the whorl (look for figure B below) and secure it with a half hitch knot. Then try spinning it like that, and let it hang freely to unwind itself whenever it has too much twist before you try again.

You can also try spinning a bottom whorl suspended by scrap yarn or thread. The advantage of trying it while it’s suspended is it can allow you to watch twist being added and see what it does without messing with your handspun, as well as letting you get a feel for how it moves while suspended. If you have a bottom whorl, I’d give both a try !

---

Now that you can draft, you’re gonna want to attach your fiber to your spindle. Some people use a leader to do this--it’s a pre-spun loop of yarn that you tie to your spindle. Then you loop some pre-drafted fiber through the loop of the leader, add twist til it holds, and off you go.

Another way to do it is without a leader. I’m much more familiar with this method, and I find it way easier, so I’ll go into more depth on this one:

1. Take the end of your pre-drafted fiber (you will need enough pre-drafted fiber to go from the underside of the whorl to the very top of the spindle, and then back again. If you’ve pre-drafted way more, don’t worry. We’re just working with this short amount for now, but it can stay attached). Make a slip knot at the end. You can roll the fiber between your fingers to add some twist if you’re having trouble making a slip knot with it. (Tip: if you’re having trouble getting the fibers to roll, wet them slightly with water or spit and it will be much easier)

2. Put the slip knot on the bottom point of your spindle, and slide it up so that it’s at the whorl.

3. Gently wind the pre-drafted fiber up the spindle shaft, until you are at the hook or top. Wind it over the hook (or do a half-hitch knot at the top--if there’s a groove near the top your half hitch should sit in there, otherwise it should sit as close to the top as possible while still being secure. You may drop it a few times while learning where the perfect spot is--such is life). Be careful with pre-drafted fiber--depending on staple length and fiber type, it can pull apart quite easily. The trick to keeping that from happening is to keep it a little slack and loose until you have added twist to it.

4. Pinch your pre-drafted fiber between your thumb and forefinger on your dominant hand, about 1 hand’s width from the top of your spindle. Turn the spindle in the direction you intend to spin your yarn (usually this will be clockwise, or to the right). Spin the spindle until you have the desired amount of twist. You should notice that all the fiber above the hook/half-hitch has twist, while the fiber below it has none. You need all of it to have twist, so let’s even it out--pop the half-hitch off with your thumb/unwind the yarn from the hook, unwind the yarn from the shaft so that the entire length you’ve worked with so far is stretched out. This will allow the twist to equalize. Now wind it all back up and put the half-hitch back/wind around the hook again. You may need to repeat this a couple times to get your starting fiber fully twisted (don’t worry though--you only need to do this at the very start. From here on you shouldn’t need to equalize twist like that until the next time you start from an empty spindle).

You’re done attaching the fiber--now you can spin !

Fig B: How your yarn should sit on a spindle, both top and bottom whorl

If that doesn’t make sense, here’s a video showing how to attach it with and without a leader. If that doesn’t help either, search youtube for “how to attach leader to drop spindle” and keep looking until you have a better understanding.

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So you know how to draft and your fiber is attached to your spindle--now it’s time to spin ! There are 3 different parts to spinning a singles on a drop spindle.

1. Adding twist. This can be done with just your hands, but the spindle makes it a whole lot faster. This is the purpose of a spindle--to add twist very quickly (and as a bonus, it’s a handy place to store the yarn as you spin it !). All you have to do is spin the spindle, and the only trick is to make sure you always spin in a consistent direction--don’t start a project spinning clockwise and end it spinning counterclockwise ! You’ll have an impossible time plying it then. There are a lot of different ways to spin a spindle--you’ll see a few watching the videos here, and more if you search out videos of drop spindling yourself. Whatever method is comfortable and practical for you is what you should do.

2. Drafting the fiber. You already know how to do this part !

3. Winding the yarn on. When your yarn is long enough that adding more length will make it hard to work with, you’ll want to wind it onto the spindle so that you can get back to spinning. To do this, pop the half hitch knot off the top/unwind from the hook, unwind along the shaft, and wind it near or at the base of the whorl, in the orientation seen in the very first picture. Always wind in the same direction that you’re spinning, to stop your yarn from flying off.

I would highly recommend starting with the method known as “park and draft” while you learn. In this method, you first add a ton of extra twist (usually as much as you can) and then put the spindle down and draft until that extra twist is used up. Then you wind on, and repeat. This isolates the actions of spinning so that you are only doing one at a time, which makes it a lot easier. Most people move on from this technique once they’ve figured it out, but you don’t have to--the drawback is that it’s typically slower, but hey, spinning is a slow craft anyway. There is no wrong way to spin, and everyone’s hands and bodies have different needs and work in different ways.

How to Park And Draft

First, use your dominant hand to pinch your pre-drafted fiber a few inches/6 cm above the top of the spindle.

Now just spin the spindle clockwise, until it won’t really spin any more. (Don’t try to get ~the most twist ever achieved~ or anything like that--your yarn can potentially snap from too much twist. Take your cue from the spindle--when it stops wanting to spin, you’ve got enough twist.) Don’t let the twist advance beyond where you’re pinching it off.

This is important--if the twist gets into your fiber, it becomes much harder to draft it. But don’t worry, you can undo this by pinching just above where the twist has entered your fiber, and with the other hand just below (pinching the actual yarn here). Now (with the hand that’s pinching the yarn) roll in the opposite direction that you’re spinning in. This will move the twist down into the rest of your yarn. Let go of where you’re pinching the fiber, slide your yarn-pinching hand to where it usually is as you’re spinning, and get back to it.

Your leader/yarn should be very kinked up and wiry. Now put the spindle between your thighs (or between your knees, under one knee, or under something heavy that won’t damage your spindle. Thighs are convenient, but if it’s uncomfortable, try putting the spindle somewhere else. It needs to be held firmly in place and not move around). This is the “park” part of “park and draft”.

Now, you want to be pinching the twist off at the same spot, but using your other hand instead. I usually pinch right above where I’m already pinching and let go with the lower hand.

First we’re going to just bring the twist up the pre-drafted fiber by sliding your pinching hand up the fiber, slowly and gently. You should see the twist follow behind your hand as it enters the fiber. If you have lots of pre-drafted fiber, you might wind on, add more twist, wind on again, etc. You could also draft out your pre-drafted fiber (this is what the majority of more experienced spinners who pre-draft do) while you go.

The “draft” part of “park and draft” is just like pre-drafting, but one end is attached to a spindle. This gives you something to lightly pull against, if you want. Draft slowly and with purpose.

At a certain point, you will run out of excess twist. At this point, wind on. If you’ve only done a short length, you can also add more twist, park it again, and go back to drafting.

If you’ve run out of armspan but still have lots of excess twist, unpark your spindle (let it hang free) and allow it to untwist a little, monitoring it closely. If this happens often, try to put less energy into twisting your spindle, or allow it to twist for less time.

The amount of twist that your yarn has matters a lot--it will impact your finished yarn hugely. A yarn without enough twist will be very limp and might even fall apart as you handle it. A yarn with too much twist will be wiry and inelastic. You want to find a middle ground where it’s got just the right amount for what you intend to use it for--a hard, inelastic wool yarn can make a good bag, but not a very good hat.

To see how much twist you’ve added to your singles as you spin, try a plyback test ! This is really quick to do on spindles--just relax the distance between your fiber supply and the top of the spindle. When the yarn is no longer taut, the live twist will cause it to twist back on itself. With too little twist, you may just get a few sad loops (or no loops, if it’s super undertwisted). With too much twist, you may get tons of tight little curls of yarn. With a good amount of twist, you should have a few good curls (just one if it’s a short length of yarn, or several if it’s your armspan) that aren’t too tight. Those curls are what your yarn will look like once 2 plied, so it’s a great litmus test for whether you’re adding the correct amount of twist or not.

Fig C: What different amounts of twist looks like in your singles.

To fix too little twist, just spin the spindle a little extra until it looks right. To fix too much twist, either draft more fiber or else let the spindle untwist a little.

You can and should do this before winding each new length on, at least while you’re still learning the motions.

Check out this video of how to spin with the park and draft method ! 0:00-4:45 is intro and attaching the leader. 4:46-9:00 is the method itself (note to friend: don’t watch past 9 mins). If this video doesn’t work for you, search “drop spindle park and draft” on youtube.

A few interim tips

1. It’s critical to hold your fiber supply loosely. If you find that you have put a lot of force into drafting, then you are either holding your fiber way too tight or your hands are too close together (or potentially both). Drafting should not require force. If it is requiring force, adjust your grip and your hand placement continually until it gets better, and refine from there.

2. Try to put some tension on the yarn as you wind it on. This will make it sit a little neater and flatter, so that you have a more stable cone of yarn and can fit more on it.

3. If you draft out your fiber so much that it runs thin and just sort of disintegrates, just pull off the most wispy parts from your yarn and the fiber supply, then hold the two together again, making sure to overlap by several inches/6-10cm. Gently draft out a little and add twist before putting that join under the weight of your spindle, or it will fail again. You can join from one fiber source to the next one (necessary with rolags, hand combed top, and strips off of batts) in a similar way; make sure to leave a little unspun fiber for a good join, and overlap the end of the first fiber source with the beginning of the second by about an inch/2.5 cm.

4. If your yarn snaps (rather than your fiber running thin as you draft), it’s because it was A) twisted way too much B) spun too fine for the drop spindle you’re using C) both A and B or D) your spindle has become heavy enough that it can no longer spin as fine as you were spinning.

For A, B, and C: remove as much twist as you can from either end of the snapped yarn, then put both ends in your upturned palm, overlapping them over the whole width of your palm. Add enough either water or spit to get them good and wet (not dripping, but they do need to be wet). Now place your other palm down on top, and rub vigorously for about 30 seconds until the ends have joined together. If necessary, you can also just tie the ends in a knot, although it’s not invisible and you can usually feel it in the finished yarn.

For D: is your whorl removable ? If so, remove the whorl and continue spinning. If not (and for the vast majority of beginner’s drop spindles it won’t be), your spindle is full ! Even if there’s still room, it’s too heavy to continue spinning on for that project. You could keep going spinning a thicker yarn, but that means your yarn will randomly get thicker somewhere near the end, which works for very few projects. If this happens to you when there’s still tons and tons of room on your spindle, that means in general you ought to spin thicker yarn on that particular spindle if you want to fill it up all the way.

Okay, I spun yarn, now what ?

So at the moment, you have what we call a singles (some people just say “single”). That can be used as is, or it can be plied--that is, held together with more strands of singles and twisted in the opposite direction. But either way, you need to get it off your spindle !

If you’re going to leave it as a singles, then you’ll be winding it into a skein (we’ll get into that later). If you want to ply it though, you’ve got a lot of options. (I’ll get to how to actually ply later, this is just discussing those options.)

Many Methods of Plying

Plying Straight Off The Spindles

First, if you’ve got multiple spindles capable of spinning the same weight of yarn, you could just set your full spindle aside and spin another one. You’d need at least 3 spindles (the third, ideally, a bigger plying spindle) to get a 2 ply yarn, and 4 spindles to get a 3 ply with this sort of setup. This is what I do with supported spindles, since I have many, and I can attest that it saves a lot of winding time and is terribly convenient.

But it’s also probably not doable for many people, and it’s ridiculous to buy 3 drop spindles when you’re just getting into it !

Wind And Store

Second, you can wind your singles onto something for storage, and then use your now-empty spindle to spin another singles. Two great things to store yarn on are small rocks and empty toilet paper (loo) rolls.

Winding it around a small rock is better than just winding it into a ball for plying, since the rock will weight it and stop it from flying up in the air once you start plying. A big pebble works great. With this setup, you’d want to put all your balls of singles in a bowl or container of some kind, hold the ends of each, attach it to your spindle, and let them roll around as you ply.

They can tangle (mine usually don’t, but it can happen), so the toilet paper rolls might be an upgrade--these can be put on a stick, and the stick can be put on something (or you can poke two holes in a cardboard box, put the stick through one hole, load the rolls onto it, then put it through the other hole as well) to keep it stationary so that the rolls... well, roll. This requires some storage space (usually if you do this often, you don’t wanna make a new one every time, so keeping it is preferable) and is honestly not a huge upgrade... unless you have a ball winder that can wind the yarn onto the TP rolls for you, in which case this is a big time saver. If you don’t have one and don’t have issues with tangling, the rocks will probably work just as well and take up a lot less space.

Fig D: Diagram of a Simple Ply Box

Ply Bracelet

Thirdly, if you want a 2 ply yarn specifically, you could wind it onto your hand and make something called an Andean Plying Bracelet. Here’s a link to a page that goes into it in detail. I highly, highly recommend learning how to do these. They look a little complex, and I couldn’t tell you the motions if my life depended on it, but I can do them with my eyes closed while not paying a whit of attention. They rely entirely on muscle memory, so once you learn them, they’re easy as pie.

The whole point of a plying bracelet is to get 2 strands of yarn out of 1 singles. You could of course wind a singles into a ball, then wind half of it onto another ball, and then ply from there. But a plying bracelet is a lot faster, and will always match up exactly.

One downside of a plying bracelet is that, as the name implies, it goes on your wrist. So if you keep needing to put your spindle down to take care of other things, you’ll need to pull off the plying bracelet as well (or carry the whole thing with you). They can be stored on a cylindrical object that’s smaller than your wrist, or sometimes also draped on hooks or put on the spindle shaft itself. I don’t usually encounter problems when pulling on or off my plying bracelets--it doesn’t seem to tangle them--but if you’re plying while cooking or watching a child or something else that might require you to stop immediately and hurry over to whatever needs tending, then you might want to save the ply bracelet for another day.

Chain Plying

Fourth, you could wind your singles into one ball, and then chain ply it. Chain plying is a way to turn one singles into a 3 plied yarn. It also preserves stripes in your singles (we’ll talk about this in more detail later), so it can be perfect for a very colorful singles.

Chain plying is simple. Do you know how to tie a slip knot ? Of course, because you needed one to start spinning ! (Although here’s the link to how to tie a slip knot again, if you need it.) So that means you basically know how to chain ply as well.

Step one: tie a slip knot at the end of your singles (you want a very short tail, since that’s basically waste). Make the resulting loop nice and big, and lay it over your singles. Pull the singles through the loop--now you have a new loop ! Make it nice and big as well. Lay it over your singles. Pull the singles through. Repeat until you’re at the end of your singles (try to have your last loop be a very small one). To finish, place the end through the loop, and then just pull on it until it tightens the loop. Note that you typically are adding ply twist and winding on as you do this, but you can also just chain ply an entire single and wind it into a ball as you go, then add twist once you’re done. That can be a lot easier to wrangle, if you’re having difficulties.

You might notice that this is basically a really open crochet chain. Yep ! It needs to be open so that the twist can enter the yarn, but you can do very big or somewhat smaller loops--although no matter what, you need to keep the loops large enough to at least hook a couple fingers through them so that you can make the next loop. Note that sometimes, the bump at the start of each loop can be felt and/or seen. Also note that chain plying is best done with smooth singles that can slide against each other. It can be done with a bumpy, lumpy yarn that sticks to itself, but bumps and lumps will catch as you try to chain, and if the yarn sticks to itself then it won’t slide nicely, which can really slow you down.

You may find that you prefer holding the ball of singles as you chain, or you may want it in a container on your lap/on the floor. You could also make a little wrist pouch to hold it, although take friction into account--if you make it out of wool yarn, choose a smooth one.

Ply Ball

Fifth is a sort of hybrid of a few of the others I’ve already mentioned, called a ply ball. To make a ply ball, simply wind two or more singles together into a ball (I’d suggest winding them around a small rock for a ply ball, too). The number of singles you wind in your ply ball will be the number of plies your yarn will have. A chain plied single wound into a ball is also functionally a ply ball.

Ply balls are extremely portable--you only ever need to work with one at a time, so you can just keep it in your pocket without worry of tangling, and it’s not attached to you or a box or another spindle. The downside is that it generally requires you to either have multiple spindles (ex: fill up two spindles, wind both off into one ply ball) or do extra winding (ex: fill up your spindle, wind it off to a rock for storage, fill up your spindle again, now wind from the spindle and the rock to get your ply ball. Add more winding for more plies).

However, you can also wind a ply ball from plying bracelet (yes, that’s more winding--but now it’s portable, and you’ve just turned one singles into a 2 strand ply ball) or even chain a singles, but wind it into a ply ball instead of plying it then and there to get a 3 strand ply ball (this also might let you play around with really long or really short chains without having to think about ergonomics as much, since your spindle isn’t involved).

Ply balls can also be helpful if you’re having issues wrangling your singles while you try to ply, since they’re laid together already--so they’re worth an attempt if you are having trouble keeping your yarn in line while plying.

There’s a short (but full of tips) article on ply balls here.

There’s even more ways to ply--look into "plying from a center pull ball” (similar to a plying bracelet, but requires a ball winder or a nostepinne) and “ply on the fly” (chain plying at the same time as spinning the singles--highly portable instant gratification). There may also be others that I’ve forgotten or not heard of, hopefully mentioned by others in the notes !

So Many Ways to Ply--How to Choose ?

So, every plying method and every number of plies has its own effects on the finished yarn, and you can use those effects to get the yarn you’re after.

By the way, if you’re not familiar with yarn weights such as lace weight and worsted weight, you should read this first !

A singles is great for your soft, fluffy, luxury stuff--cowls, hats, mittens that won't get a lot of wear, or shawls. It also preserves the colors that you spun exactly--so if you spun a beautiful perfect rainbow singles and the most important thing to you is that it stays a rainbow, you could leave it as a singles ! You can knit, crochet, weave, and nalbind with them like normal (I actually really prefer them for nalbinding--they felt easier so the joining is quicker), although because they haven’t been plied, they’re a lot weaker to abrasion and snapping. So they’re not ideal for things that need to be durable, and if you’re spinning short and/or fine fibers, you may find that even with some care they still don’t last very long, so keep in mind that stuff made from singles probably won’t be passed down or anything like that. But still, I’ve knit several small pouches from singles that have held up just fine being tossed around my room. One advantage to note is that you have the most yardage and the least spinning time this way, so it’s a very ‘time cheap’ yarn--you spin 100 yards/90 meters of singles, and you get 100 yards/90 meters of yarn. No time spent plying. However, it is as thin or thick as you spun it, and however consistent or inconsistent your spinning is, that’s your end result ! A lot of spinners (me) balk at this.

2 ply is next. I use 2 ply for almost everything besides socks--it’s quick, it’s fairly durable, and it looks very pretty (and an error correction: is ideal for lace). A 2 ply halves the amount of yarn you end up with--if you spin 100 yards/90 meters and 2 ply it, you’ll end up with 50 yards/45 meters. It also has a distinct ‘handspun’ look--2 ply knits up to a messier fabric. I really love that effect, but if you want a neat, uniform fabric, don’t do a 2 ply ! I’m not sure how it affects crochet or weaving, unfortunately, but do I suspect it’s similar with crochet. It also bulks up your yarn--it’ll be a little bit less than double the thickness of your singles, usually. 2 ply holds up alright to gentle/moderate daily wear, and is great for hats, gloves that don’t need to be hard wearing, scarves, and bags that won’t need to bear a huge amount of weight. It’s a workhorse yarn--you can use it for almost anything, and it’ll probably be okay. The only thing I would never use it for is socks--that’s a 3 or 4 ply project.

Let’s talk 3 ply ! 3 ply can be achieved either through chain plying or else as a traditional 3 ply--meaning 3 separate singles all plied together. You’ll get very different effects from these two methods in terms of both color and even-ness. If your singles had any stripes of color, with chain ply they will remain as stripes (this could be an alternative to your rainbow singles !). With a traditional 3 ply, your stripes will all blur together, and you’ll get a varied and multicolored yarn. You will get 1/3 of the yardage/meterage of your original singles, so a 3 ply yarn takes longer to make than a singles or a 2 ply. But it is also about 3 times thicker than your singles, so if you’re struggling to spin thick singles but want a thick yarn, 3 ply is a great option.

If your singles are very even, you’ll see no real different between chain ply and traditional 3 ply (except for the bumps at the start of each loop--they are usually visible as well). However, if your singles are kind of all over the place, chain plying magnifies this. On the other hand, a traditional 3 ply really evens out any inconsistencies. Even though I’ve got a few years under my belt, I am not a very consistent spinner, simply because I can neither visualize nor remember the weight I ought to be spinning, so it’s always a total guess (damn aphantasia). Beginners are also often inconsistent spinners, just due to lack of muscle memory. Either way, a traditional 3 ply can be really helpful in creating a fairly smooth, even yarn from really wild, inconsistent singles.

Fig E: comparisons of chain ply and traditional 3 ply, in terms of consistency

Lastly, 4 ply. 4 ply will turn your heavy laceweight singles into a light worsted, if it puffs up in blocking enough. I love 4 ply for my supported spindles mostly, since those spin very fine yarn and I don’t have a use for anything finer than sock weight yarn. It’s also very durable, and a laid 4 ply (like a traditional 3 ply--just 4 strands held together) make good socks. A cabled 4 ply (take two 2 ply yarns and ply them again) makes terrible socks, but is still very durable and has an interesting rope like appearance and texture. 4 ply in general is great for socks, bags, blankets, and especially sweaters, as it doesn’t pill much and will stand up to heavy wear. However, you have to spin 4 times the singles to get your finished yarn--a 100 yard/90 meter 4 ply skein requires 400 yards/360 meters of singles, and then more time for plying. So these are rather slow. They’re an awesome option for a fiber that refuses to spin up to anything other than the finest lace, and they will make great objects and garments that will last for a good long while.

Past 4 ply, you kind of just get rope. I haven’t ventured past 4 ply much--give it a shot if you’re curious !

The Why of Ply is a great article on the different aspects of different plies, and touches on some stuff I don’t mention (like stitch definition and cables) if you want to know more ! Highly recommend it.

How to Ply

So... you know at least a few methods of plying now, know how many plies you want your finished yarn to have, and you may have even already wound a ply ball or filled all of your spindles. Which means it’s finally time to ply everything.

To start, you need to attach all your plies to your spindle. For the methods that I’ve discussed (with the exception of chain plying), you’re going to do the following: gather the ends of your plies together, and make one slipknot with all of them. Then put the slipknot on your spindle below the whorl, the same way you would when spinning singles (and when not using a leader).

For chain plying: chain your singles until you’ve got about a foot or a third of a meter. Now you want to attach it to your spindle. Take the very first slip knot loop and slip it onto the spindle, below the whorl.

Now, secure your yarn by wrapping it around the hook or else with a half hitch knot, and spin the spindle counterclockwise (anticlockwise). You should immediately see the plies twisting together to form plied yarn.

From here, you will proceed basically the same way as you did when spinning singles--you’ll add twist to your plies, then wind on. This can be a really great opportunity to practice doing things while the spindle is in motion; you won’t be drafting, but depending on the type of plying you’re doing, you may be chaining, pulling from a ply bracelet, or simply letting the plies slide through your fingers (you do want to tension them and keep the twist from getting past your hand). If that requires too much coordination, feel free to park and ply--that is, spin the spindle to add excess twist, park it and let it into your yarn, then wind on.

If you try to ply your yarn the same direction that you spun it, you’ll notice that it doesn’t really turn into a cohesive yarn, and instead becomes wiry and the plies don’t slot neatly together. If you notice this happening, turn your spindle in the other direction. A yarn that is both spun and plied in the same direction won’t be stable or strong, and will tangle the second you try to work with it.

This is why it’s helpful to be consistent in which direction you choose to spin your singles, by the way--if you always spin wool clockwise, then you can know with certainty that it will be plied counterclockwise.

We refer to yarn as having either Z twist or S twist (this refers to whatever the finished twist is, so a singles that you’re never going to ply, or a 3 ply yarn, for example). This just makes it a little easier to talk about and recognize what we’re doing.

Fig F: S and Z Twist in plied and singles yarn

It’s essentially a mnemonic device that allows you to glance at your yarn and go “Oh! I spun these three singles counterclockwise, so I should ply them all together clockwise.” I often have to draw an S or Z in the air (just like I sometimes have to draw an L in the air to pretend I can reliably tell left from right), but it is pretty foolproof and will prevent you from, for example, trying to ply an S twist singles with a Z twist singles and then wondering what on earth went wrong.

By the way, this page has a really helpful chart on what direction you might want to spin in based on what you intend to do with the finished yarn. For example, crocheting (right handed style) with S twisted yarn will remove the twist as you work, but knitting in continental or English style (or crocheting left handed style) with that same yarn will add twist. Most spinners spin their singles to have Z twist and ply them with S twist--but if you’re a crocheter or knit Eastern style this will unply your yarn as you work, and you are encouraged to try reversing things to have better results with your handspun projects. The more you know !

Now, back to your plying. You may be wondering how you’re supposed to know how much ply twist to add, which is a great question, because plyback tests don’t work when you’re actually plying. Those are for when you’re spinning your singles. Instead, I do what I call a “hanging test”. Just hold out a length of plied yarn between your hands and let it hang (not pulling it taut--the yarn should have a nice downturned curve). A balanced yarn--that is, a yarn that has equal and correct amounts of spin and ply twist--will just hang nicely. An underplied (or underspun) yarn will usually also hang nicely, but you will see gaps inbetween the plies. This is no good at all. Gaps won’t just make your yarn look bad, they'll also make it split when you work with it, and will be less durable and more prone to pilling, felting, and eventual disintegration after much use.

On the other end of the spectrum, an overplied yarn (which may have both too much spin and ply twist, or may be underspun and then overplied in an attempt to fix ones mistake--which won’t work, by the way. You need to go back and add more spin twist to your singles) will twist in the middle instead of hanging. If it only twists a tiny bit, you’re fine. But if it twists a lot, there’s problems. Overtwisted 2 ply yarns tend to be aggressively smooth--this is only relevant for 2 ply, since those have a sort of pearled silhouette. If your 2 ply is smooth, then you’ve most certainly overplied it. 3 and 4 ply are always smooth, however, so a smooth profile for one of those is to be expected.

Fig G: Ply twist in 2 ply yarns. Do these yarns have S or Z twist ?

Don’t worry if your first yarns aren’t perfectly spun or plied (really--they won’t be). Every spinner is striving for something different with their yarn. Some are aiming for total technical perfection, some aim for exquisite fineness, some aim for beautiful colorways and for finding the softest and most lovely breed of sheep. Some just want to spin, some just want usable yarn, some just want a pair of socks that last on their feet and find commercial sock yarn to be about as durable as wet paper (that would be me). You certainly don’t have to know what you want to get out of spinning right away, but the point is that every single spinner has their own standards that they hold themself to, and you don’t need to (and shouldn’t !) try to meet others standards. Especially when still learning, but also just all the time and forever.

I’ve Plied My Yarn, Now What ? OR I Just Want Singles, Now What ?

Now your yarn needs to come off the spindle ! But not the way we’ve been taking singles to ply off the spindle--we need to make what’s called a hank. A hank is basically a loop of yarn that’s been tied so that it’s nice and secure. These loops can be pretty big (mine are all 2 yards/1.8 meters) or as small as the distance around your hand--it all comes down to what you wind your yarn onto.

I have already made a tutorial that goes into quite a bit of depth (and has pictures, even), so I’m gonna speed through this part a little bit.

1. Find something to wind your yarn around. A Niddy noddy is the preferred tool for the job here, and will make it much faster to wind and thoughtlessly simple to calculate the yardage/meterage of your yarn (I’ve seen people use yarn swifts as well, and they certainly look very speedy), but they are by no means required. Substitutes include: a large hardcover book, the back of one or two chairs, your hand (ideal for very small amounts of yarn), your forearm (for smallish amounts of yarn--wrap between the thumb and forefinger and go down to the elbow, then back up), or anything else that won’t deform with pressure and is holding relatively still.

2. Wind your yarn around that thing. You may need to start with a slipknot to attach it to whatever it is you’re winding on, or else a piece of tape. If you’re using your forearm or hand, you can simply pinch the end to hold it in place. Unlike when winding your yarn onto your spindle, when winding your yarn into a hank, you want to use as little tension as possible so that you can get a more accurate measurement of length later on. Also try to keep your winding tidy--in an ideal world, the yarn should be traveling almost the same path every time, not a few inches to the left one time, then wildly skewed to the right the next time.

3. Tie off your hank. Once you’ve finished winding, you need to secure your hank so that it doesn’t tangle. You can use either scrap yarn or else the ends of the yarn you just made (I prefer the latter, since the ends tend not to be very good anyway, so at least they don’t go to waste. In this case, snap off or cut both ends--the length you should cut depends on how thick your hank is). Find where both ends are--you will need to tie knots near the ends so that you can attach the ends to them. Tie an overhand knot a few inches/5cm below the first end, and then hold that end alongside one of your strands of knot-tying yarn, and tie another overhand knot. Repeat this with the other end. Make sure you haven’t overlooked any strands of yarn and left them out of the tie--that’s a very easy way to get tangles.

4. Remove your hank. Gently push your hank off of whatever you wound it on. Put it to the side--now we want to measure. Use soft measuring tape (or a piece of inelastic string or yarn, if you don’t have one--you will then need to measure that against a rigid measuring tape) to span the entire path that your yarn traveled. Write down that number, and now count the number of strands in your hank. Multiply the two numbers together. Now convert your inches or centimeters into yards or meters, and you have your yardage or meterage !

Ex: You wrapped your yarn around your palm, which measures 10 inches. There are 41 strands. 10x41=410. 410 inches is roughly 11 yards. Or: You wrapped your yarn around a small book, which measured 21 cm. There are 50 strands. 21x50=1050. 1050 cm is of course 10.5 meters.

Fig H: Winding a hank on a hardcover book.

It can be very helpful to label your handspun yarn. The yardage/meterage is critical information when it comes to using patterns, less so if you don’t use patterns. But there’s other info that you might still find handy to know later on, such as what the fiber is, where and when you got it, when you spun it, how you plied it, any info on the dye job, what the yarn weight is, what spindle you spun it on, whether it is part of a set, how much it weighs, etc.

Some of my really verbose labels might look like this: Avocado dye and copper mordant hand dyed in the fleece 2020 Cormo Bought 2019 Spun for 2020 TDF 2 plied on wheel 210 yards 3.4 oz light worsted weight

But most of my labels just have the yardage and breed, if I label them at all. I tend to document things online and also remember spinning my yarn better than I remember anything else going on in my life, so I’m a little lazy about labeling. Your labels should include the information that you think you’ll find helpful in the future, or that you know you won’t have another way to recover if you end up forgetting.

Blocking your yarn

Don’t attach that label just yet--we aren’t totally done with our yarn. It has one or two more steps before it’s ready to be used, and that first step is called blocking. There’s a few ways to block yarn--wet blocking, steam blocking, and resting.

Wet blocking: Get your hank of yarn wet, using anything other than very hot water (this could start felting your yarn). You could run it under the tap for a minute or else let it sit in a bowl of water with a little hair conditioner for about half an hour, if you wanted your yarn to be a little softer, then rinse the yarn. Squeeze as much water out as you can, then hang it to dry. You can (and should) also snap or thwack it--but I've gone into detail on that in a link below.

Steam blocking: Get a source of steam going--like a pot of water simmering or a very hot tap running. Using tongs or a long wooden spoon, hold your yarn over the steam and slowly rotate it until the whole skein has been steamed. Don’t let the yarn touch the water.

Resting: If neither option above is possible, you can also just let your yarn sit for at least a week. This lets the twist settle down, so it’ll be a lot easier to work with. However, it doesn’t do anything else that blocking does, so it won’t really show you your “finished” yarn, and may lead to problems down the road.

So--why did we just do that stuff ? Well, we blocked our yarn to reset the fibers, basically. During the spinning, we put the fibers under tension, and they more or less stay in that slightly stretched state. But it’s not really stable--the next time they get wet, they’ll spring back into the natural crimp that the wool wants to have (this changes drastically depending on breed and even individual sheep), and will often puff up. The hank might lose a little length and your yarn’s weight (not as in ounces or grams, but as in lace, dk, or bulky weight) often increases some. So if you’ve made your yarn into something before blocking it, with the perfect gauge and nice drape, the first time you wash it you’ll find that it’s thicker and a little smaller and has less drape. It might not fit anymore, or the seams might be messed up.

This is all entirely avoidable if you just block it before you do anything with it, so I highly recommend that you do.

The other thing that blocking does is set the twist, so your yarn won’t kink up as you work with it--even a perfect, balanced yarn can kink up as you work if the twist is live--which makes it a lot more pleasant. Resting sets the twist as well, as mentioned above.

I’ve gone into blocking in more detail in this post here, if you’d like to know more--I’d especially recommend reading the last section about snapping and thwacking your yarn.

Once it’s fully dry (and remember--wool can hold a lot of water and still feel dry, so give it a little extra drying time just to be sure) it only needs to be wound into a ball before you can use it ! Congratulations on your handspun yarn--that’s a real achievement.

Storing your yarn

If you don’t plan on using it right away, you may want to skein your hanks up to keep them compact and tidy. To do this, put your thumbs on the inside of your hank, and pull it taut. Then, one thumb at a time, twist in the opposite direction that you plied in. Your hank should start to kind of look like rope. Once it has a lot of twist (enough that you’re struggling to add more), find the center point of the hank, and fold it. With 2 yard hanks I tend to fold it over my knee, but a doorknob or something else would work just as well. It should immediately look like an oversized piece of yarn--that’s because we just twisted it one direction, and then folded it in two and let the excess twist twist it in the other direction, which is the same way you ply yarn ! There should be a loop at each end where your thumb was--take your thumbs out and put one loop through the other. Now you can attach your label and you’re good to go !

If it’s a very small hank (one that’s been wound around the palm, especially) you’ll probably just want to wind it into a ball instead. You could do this with any length of yarn--it’s not an ideal way to store wool yarn ultra long term, since staying wound into a ball can stretch out the fibers again, which means you’d need to wind it into a hank and re-block it if you wanted to make an accurate gauge swatch or something. Short term (a year or less) it’s just fine.

If you’re wondering how to wind up a big hank into a ball without tangling, just sit down with your knees up, and put your knees inside the hank, then move your knees apart until the hank is taut. Now you can wind in relative peace, free from tangles. You can also use a yarn swift, if you’ve got one.

I would recommend, by the way, using up some of your first skeins as soon as possible (you might want to keep your very first skein so that later you can see how far you’ve come--I really wish I kept mine). You won’t know how your spinning is until you’ve used it, so to prevent you from getting to skein #40 thinking you’ve been doing great, only to discover that your yarn is actually unusable... use your early yarn ! Evaluate it, make judgements, and learn from it. Does it need more twist ? Is it very lumpy ? Are there lots of spots where it went thin ? Do you like how the colors turned out with the plying method you chose ? These are all good questions to ask yourself as you use your yarn.

Moving On From Park and Draft

Once you’re comfortable with the park and draft method, you might want to try moving on to true suspended spinning. As I said earlier--it may not be for you, and that’s fine, but you won’t know if you don’t try. True suspended is quite a bit faster than park and draft, so if you want to speed up a little, you should give it a shot.

In park and draft, you first add twist, then park the spindle to draft your fibers into yarn. In true suspended spinning, you set the spindle going and draft while the twist is being added. This eliminates the whole ‘standing/sitting there with your arm outstretched, waiting for your yarn to accumulate twist’ section.

The easiest way to get into true suspended spinning is to work your way up to it--try drafting just a little bit while your spindle is building up twist during park and draft. To give yourself more time, set the spindle spinning slower. Then try drafting a bit more. The goal is to draft at the same rate that twist is added, meaning that you can wind on pretty much as soon as the yarn is too long to keep spinning.

The trick here is to adjust the speed at which your spindle spins rather than the speed at which you draft. You can only draft so fast before your technique gets sloppy, and past that you’ll be focused far more on keeping pace with the twist being added than on drafting evenly.

So if I find that I spun my spindle too aggressively, I still it immediately and try again, but slower this time.

I answered an ask about this a while ago where I went into a little bit more depth, if you’re interested.

And if you haven’t seen it, the pinned post on my blog is a lot of stuff like that all collected into one post for easier perusal. Some of them I’ve already linked to earlier in this post, but others I haven’t.

Small Projects, Scrap Projects, and Big Projects: Tips for All

You may be wondering, What the hell am I supposed to do with this yarn ? This isn’t even enough for a pair of fingerless gloves !

Which is a fair concern--endlessly accumulating small skeins of yarn can be frustrating if you don’t know how to use them up.

Drop spindles are limited in how much yarn you can make on them, and while you can make huge skeins by joining smaller skeins together, they may not all be the same weight ! Or they may not match. Or it may just be really boring.

You may also be doing a lot of experimenting, and ending up with 30 yard/meter skeins that you can’t even make something tiny with.

Small Skeins: For single skeins that are too small for gloves, hats, etc, you may still be able to make things like pouches (for yarn, crochet hooks, dice, coins, etc), baby socks or hats, coasters, or other small items. My spinning wheel oil holder is a little basket crocheted out of some handspun, and I have a mini tape measurer on my keys with a cover crocheted over it from handspun as well. You might have to invent things to do with your handspun, but using items that you made enriches your life--I promise.

Scrap Projects: What about tiny skeins ? Or maybe you’ve already made all the coasters and baby socks and spinning oil holders that you could possibly need, and now the small skeins are piling up again. I humbly submit the Scrap Yarn Project--my favorite type of project by far. I’ve been slowly working on a handspun scrap blanket for about 2.5 years, using tiny scraps, small skeins, and leftovers from projects alike. I knit 5x5 inch stockinette squares (some have colorwork, some have different stitch patterns, but mostly I let the yarn be the star) and for the most part just try make squares that are thick enough to stay warm but thin enough to have a little drape. It’s an incredibly satisfying project.

Fig I: An older image of the author’s handspun scrap blanket in progress. The yarns used range from fingering weight to super bulky, and are spun in all sorts of different ways. But it still feels very cohesive.

I like the square approach (and of course if you wanted to crochet granny squares, that would work perfectly too) because it’s modular, so you can decide halfway through that you don’t want a sweater, you want a bag--and then just sew the squares into a bag, instead. But it doesn’t need to be squares by any means--you could also make scrap yarn sweaters, hats, socks, scarves, etc., that are constructed normally.

The only thing to look out for is yarn weight--in some cases, you might want the weights to all be very similar. Socks, for instance, won’t do well if you have parts that are bulky weight and parts that are light fingering weight. You could hold yarns together to get similar weights if necessary, or just only add to the project when you’ve got another scrap skein of worsted weight or whatever. For squares you can use any weight of yarn if you want, but you should change your hook or needle size to get a fabric that’s a similar density, so your stitch count will change from square to square.

Big Projects: These can be difficult even for experienced spinners, because consistency is key to ending up with an even fabric. Not from armspan of yarn to armspan, but from skein to skein--if the weight changes, things can suddenly get much more complicated while you try to correct for the skeins that are too thick or too thin.

One way to try and mitigate that is to not ply anything until you’ve finished spinning all the singles--that is, if you need 10 skeins of 2 ply, spin 20 spindles worth, then go through and pair off your stored singles, thin with thick and average with average. It can definitely be more tedious to do it this way, but if you’re worried about consistency, it might be a good idea.

It also might not be necessary. Try to let your mind stretch back over the whole course of human history--as a species, we’ve been spinning yarns for pretty much all of it, and until very recently, what you spun was what clothed you. If the skeins you spun for your new cloak were all different weights, well... you probably either repurposed those skeins (IF you could, and that’s a pretty sketchy IF) or you shrugged, wore a lumpy cloak, and got on with life. Perfection isn’t everything, my friend. Either way, do what’s going to make you happy. For me, I’d be just fine with a lumpy cloak.

Out Of The Basics: A Few Further Pushes Into The World of Spinning

There’s many, many techniques out there, and an infinite variety of yarns to be spun. Some require tools, some don’t. Some are very advanced, and some quite simple. There are many other tools to spin on besides drop spindles. There’s also processes related to spinning--such as dyeing, fiber prepping, and wool washing--which can greatly enhance your spinning enjoyment and variety. I can’t teach them to you today, but I can certainly tell you about them so that you can look into them yourself !

Changing Up Your Fiber or Techniques to Get Different Effects

We touched on this earlier in the section about the number of plies--a 2 ply yarn will knit up into a bumpy, slightly irregular fabric, and a 3 or 4 ply will be very regular and neat. But that’s not the extent of what you can do to change your yarn up (without buying anything new). I’m going to throw some terms around now--you’ll need to google them, because this is already absurdly long.

For one thing, if you have roving, you can try splitting it lengthwise and fractal plying your yarn for a very beautiful self-striping but marled effect. You can also try spinning it from the fold on multicolored roving, which keeps the colors separate instead of muddied, which can happen otherwise.

With any fiber, you can always mix and match, or add pops of color ! If you’re spinning a bunch of gray rolags, for instance, you can occasionally detach the rolag, spin a tiny bit of blue roving, reattach the rolag, and go back to spinning. Depending on how you ply it, this could produce almost specks of blue or else slips and streaks.

Speaking of plying, the way you make a 2 ply can really change the colorway of the yarn if your fiber is a gradient or multicolored. Say you’ve got roving that’s a gradient from white to purple--if you do a plying bracelet, your yarn will be part barberpole, part gradient: a purple ply with a white ply at one end, and then gradually transition to the midpoint of lavender-pink in the middle, with both plies the same color. But if you plied it the other way, by wrapping your singles onto storage rocks and then plying from those, you’d get a yarn that’s got one pink ply and one white ply at one end, and one pink ply and purple ply at the other.

Chained 3 ply versus traditional 3 ply will make a huge difference as well. If your fiber has stripes, chain plying it will preserve them perfectly (as long as you’re careful to start a loop at the color change--or if you wanted it to fade in a little, you could start partway through a color change), whereas a traditional 3 ply will always marl them, no matter how careful you are about evenly splitting your fiber into 3 sections.

If you like really colorful and bright yarns, you might enjoy cabled 4 ply (where you ply two 2 plied yarns together). If your starting 2 plies are already colorful, you’ll get super colorful yarn with a cabled 4 ply--to me it always looks like dashed lines in different colors.

A laid 4 ply can also make some interesting color combinations, and is perhaps the ideal candidate for mixing random singles together, since it has 3 other plies each singles can hopefully be tempered by. And a yarn that has 3 plies of one color and 1 ply of another color can be interesting indeed !

It’s not just color that you makes an exciting new yarn, though--you can also try making boucle, or thread plying or autowrapping, or spinning beehives, spinning beads into your yarn, spinning thick and thin yarn... the possibilities are almost endless. I’d highly recommend giving “The Spinner’s Book of Yarn Designs” by Sarah Anderson a read if you can--she discusses all of these and many more, and shows how to do them. Other good books that’ll show you how to make lots of different kinds of yarn, or how to tailor your yarn to your needs, are: “Yarnitecture”, by Jillian Moreno, “Spin Art” by Jacey Boggs, and “Yarn Spinning With A Modern Twist”, by Vanessa Kroening. Your library may well have copies, and if not you could likely request they buy it.

You Don’t Have to Drop Your Spindles

...Because there’s other kinds of spindles ! And things that aren’t spindles, but on which you can also spin !

There are Turkish Spindles, which are functionally almost identical to drop spindles (and you can drop them, to be fair), but you wrap your yarn around two detachable interlocked arms that also function as the whorl. When you remove the arms and spindle shaft from the turtle (not cone) of singles, you can then 2 ply with it immediately using both ends. Turkish spindles are great if you love 2 ply and hate winding.

There are Supported Spindles, which come in many forms but are essentially fancy sticks with pointy tips that you spin in bowls. These have more winding than drop spindles because you spin in very short lengths at a time and wind onto a temporary cop that’s just below the tip (it’s much faster than if you wound all the way down to the cop near the bottom). However, you use them while sitting or even (with a bit of wrangling) laying down, and your arms stay in a comfortable, much more relaxed position while spinning. It also spins, as a default, finer yarn than your average drop spindle (I can achieve a very fine and consistent laceweight on any supported spindle, but have only managed that on my tiniest and lightest drop spindle). And they are very fast tools--with proficiency, they can be much faster than drop spindles. Supported spindles are great if you find drop spindles painful, if you have low energy, if you’re mobility impaired, or if you want to spin finer yarn.

There are Spinning Wheels, which come in many shapes and sizes but are the fastest way to make yarn by hand. There are a few objects which could fall under the umbrella of a spinning wheel (namely Walking Wheels, Charkah Wheels, and Electric Wheels) which do not have treadles, but the majority of spinning wheels are powered by foot treadles and can spin faster than you can spin a drop spindle. They also remove winding from your list of duties (for the most part), since the flyer will wrap your newly spun yarn onto the bobbin as you go. New spinning wheels can be prohibitively expensive, but you can also find used ones for ludicrously cheap on craigslist, at estate or garage sales, at antique shops, or other places where old items might be sold. (You can also often find them at affordable but not cheap prices at fiber festivals). Be sure to research the parts of a spinning wheel before you try to buy a used one from a non-spinner--there are many SWSO’s (Spinning Wheel Shaped Objects) out there that will fool you. Spinning wheels are great if you want to make larger amounts of yarn, or want to make yarn faster.

There are Electric Wheels, which are small machines that will add twist and wind the yarn onto the bobbin for you, so all you have to do is draft. New low end models are much cheaper than new spinning wheels, and they take up far less space. They also remove the element of treadling, so if you are intrigued by spinning wheels but have weak legs in any capacity, these can save you a lot of pain. I have a spinning wheel and can’t spin on it much anymore, because my knees and hips dislocate almost immediately. I switched to supported spinning primarily, but an electric wheel would be a good substitute as well. Electric wheels are great if you want to make more yarn faster, but can’t afford a spinning wheel or don’t have the space for them. They are also one of the more accessible tools for those with severe mobility impairments.

And there’s still more, although I can’t do a pitch for all of them xD. There’s Tahkli Spindles for spinning cotton, Navajo Spindles that are long thigh-spinning tools, Medieval Spindles that are easy to whittle replacements for if you break your spindle a lot, and even more beyond that. Many cultures have their own traditional spinning tool, each with their own techniques and strengths, and if drop spindles aren’t doing it for you but you still want to spin, I implore you to check out other kinds of spindles !

From Sheep To Sweater (Washing and Processing A Raw Fleece)

Most people learn to spin from roving (even if it might not be a very good beginner’s preparation), although there’s also rolags, batts, top (both commercial and hand combed), sliver, and cloud. But what if you could start with a raw fleece (unwashed, with vegetable matter and lanolin and who knows what else) and make things out of that ?

There’s some immediate advantages to starting with a raw fleece (even over a washed fleece). For one, raw fleeces tend to sell very cheap. This will depend on where you live, but the vast majority of fiber that I buy these days is raw fleece, and I’ve never spent less on fiber. At a fiber festival, I once paid $10 USD for 2 pounds (slightly under 1 kilo) of raw Shetland fleece. So--they’re cheap. As soon as someone starts putting work into a fleece, like washing it or dyeing it, the price immediately jumps.

Second, if you’re looking for the most bang for your buck, starting from a raw fleece is the way to go. You need to wash it, skirt it (take out the really terrible or gross bits), perhaps sort or grade it if it’s multicolored or there’s clear variation in fiber quality, dye it (if desired--I only dye my white fleeces, as I quite like brown and gray and black), process it into spinnable fiber, spin it, ply it, and then knit/crochet/nalbind/weave/do whatever else your heart desires with it. A single raw fleece can last me a month even if I work on it tirelessly, and I might have paid $20 USD--a little over an hour of wages for me.

It also brings you a lot closer to your work. I can’t say I felt very attached to my fiber when I worked exclusively with roving, but sorting through a pile of hand washed Southdown Babydoll locks while I comb them into top to spin into sock yarn on supported spindles that I whittled myself--I can tell you, I feel pretty damn connected to my work, to the ridiculous little sheep whose wool I have, to my socks, and to the wool itself. It adds a lot of depth, both to the experience, and to my understanding.

It’s also honestly pretty easy. To wash a fleece, you need a dedicated wool pot (as in, don’t cook in it again), a bit of dish soap, and some time. Put the fleece in--don’t crowd it, just work in batches if your pot can’t easily fit all of the fleece--add cold water and a squirt of dish soap, and let it cook on the stove for about 45 minutes, without a lid. Don’t let it boil--ideally it should be steaming but not quite simmering. You can use a dedicated wool spoon/tongs to gently and infrequently stir the wool. The water should get pretty gross. After 45 minutes, start the tap running (you need to rinse the wool in very hot water--if you let temperature shock happen, it could felt), drain the water, and rinse the fleece. Then repeat--filling up the pot with hot water now--until the water stops looking dirty at the end of the 45 minute cooking time. Rinse it one more time, and then let your wool dry, ideally on a clothesline but over a vent/spread out flat on a towel is fine too.

Yes, it really is that easy. If you’re worried about felting or otherwise ruining the entire fleece, you can always start by washing just a handful, so that way if you ruin it there’s not much waste. But I’ve washed at least a couple dozen fleeces that exact way, and I’ve never ruined one.

After washing and drying your fleece, you need to prepare it. I typically prepare enough to spin for a day at a time, but you could also do it all at once if that’s more your style. There’s many ways to prepare wool, and I’ll discuss most of them at least in brief, but we’ll start with teasing. This is where you take a lock in your hands, and tease it open. Let any VM (vegetable matter) fall out or pick it out yourself, and open the lock up to the point that you can no longer see any lock structure. It’s now spinnable, just like that ! This is a pretty slow method, but if you start out your raw fleece journey buying just a few ounces/50ish grams of fleece, it’s perfectly doable to tease it all open by hand.

If you have money to put into the endeavor, a humble pair of hand cards (70 TPI will card most wools), or you can kind of make do with two pet brushes like these (although at that point, spend $10 USD more and you have a pair of hand cards, so idk what the point of that is, unless you already have them) is a very good place to start. Load the fiber onto one card, card it until it’s uniform, roll it into a rolag, and it’s spinnable !

You also have hand combs, which are a lot more expensive than hand cards, but which can process very long fibers and can get out all the vm. Cards don’t remove a lot of vm, so combs is the way to go for super vm-y fleeces. They also produce hand combed top, which spins up into a very compact, strong, and abrasion resistant yarn--great for socks.

Past that are drum carders, which are machines in the way that spinning wheels are machines--manual, but they certainly automate the processing of fiber for you. These can be expensive indeed, but process fiber very quickly and are a great choice if you plan to sell the fiber, if you want to start with raw fleece but haven’t the dexterity to do it by hand (and there are electric drum carders as well--otherwise, you are turning a hand crank), or if you want to process high volumes of fiber because you just go through it that fast.

Honorable mentions include flick carding (both cheaper and slower than hand cards--you work with a couple locks at a time and open them up by flicking them with a tined brush), blending boards (these don’t process raw fiber, but they turn already processed fiber into batts--so you can blend many wools very easily for different textures or colors. These are like painting with wool--so fun !), and willowing (I haven’t tried this one yet, but you lay out your wool and repeatedly hit it with willow branches or other bendy sticks, which opens the fiber and also sends it flying all over the place. It looks very fun, and rather slow, and is also free as long as you can find a willow tree).

This website describes some of those methods (and one I didn’t get to) if you’d like to check it out.

Colors to Dye For

Wool takes dye very readily, and you probably come into contact with several natural dye materials every day--onion skins, avocado pit and peel, daffodils, coffee, black tea, thyme, even grass ! You don’t have to be working with fleece to dye it (although dyeing fleece gives you so much color variation and is very fun)--you can also dye roving very easily. Batts, rolags, and top less easily, although it’s possible with a lot of care.

For most natural dyes, you need to collect quite a lot of it, and then let it cook overnight on low heat. Boiling (sometimes even simmering) can kill the color, so you’ve got to be patient. Crock pots on low or medium are great for this. If you can cook it two days, all the better. Let it sit and cool for at least 12 hours, then strain it. (Tip: you can store natural dyes in jars in cool, dark places for at least a year without any ill effects--so you don’t need to use the dye immediately)

The majority of dyes need something called a mordant (I go into more detail about mordants in this post if you’re interested). There are many mordants, but some easy household ones are alum, baking soda (bicarb), copper (put a few bits of copper pipe in a jug of white wine vinegar, let sit for a few weeks at least before using), or iron (same as copper, but with rusty nails. Use a plastic jug !!! Metal will rust and glass can break). Most people mordant their wool by putting it in their dedicated wool pot with some water, adding the mordant, and letting it cook on low for an hour. Then drain the water and add the dye.

Natural dyes need to cook for a while to set--I usually let them cook overnight at least.

For batts, rolags, and top, you can do something called solar dyeing--carefully mordant your wool as usual, then place it in a jar with the dye, and put the dye outside in the sun. Over time (at least a week--often months, especially if you don’t live somewhere warm and sunny) the heat from the sun will warm the water and dye the wool. You could also try storing the jar somewhere you know will be warm, such as near the stove or fireplace.

You don’t have to use natural dyes either--there are also acid dyes, or food coloring, kool-aid (sugar-free), etc. I’m a lot less familiar with those, so I can’t go on at length. They can be a good choice if you don’t have the time for natural dyes, or if you want to get specific colors and not guess what your wool will turn out as. Look into them if you have any interest !

Dyeing your own wool is immensely satisfying, and can be a very cheap (or free, in the case of many natural dyes if you’ve collected or grown them yourself) way of obtaining more color, if you find that you keep ending up with a lot of white wool.

Endless Breeds of Sheep

There are many breeds of sheep on there (not endless, sorry--although there will always be new breeds being developed, so endless in a way !), and they all have different qualities, both in terms of the sheep themselves, and the wool they produce.

Do you want your wool to be very hard wearing ? Down breeds such as Southdown (one of my absolute favorites), Shropshire, or Dorset can be quite durable, and are resistant to felting. You could also go for stronger, coarser wools such as Jacob or Romney--coarser means stronger with wool, and softer tends to mean weaker.

Do you yearn for a softer wool ? Cormo is fantastically soft, as are Rambouillet, Debouillet, and Merino. Many lambswools (meaning the fleece from a lamb--the older a sheep gets, the coarser its wool tends to be) can be softer than their breed standard, so seeking out lambswools even from breeds like Jacob or Rya (both usually strong wools) can lead to soft fleeces.

Of course, there are more considerations than just soft and hard wearing, but there’s pretty much a breed for everything. If you’re interested, “The Fleece & Fiber Sourcebook” by Carol Ekarius and Deborah Robson is an incredible resource, and covers just about every breed under the sun (with pictures, samples, notes, recommendations, and interesting bits of history), as well as most non-sheep fiber producing animals as well ! Speaking of...

There’s Not Just Wool

There’s also many non-sheep fibers, and plant fibers too !

Animals with easily usable fiber include: alpaca, llama, angora rabbits, goats, camels, musk ox, and more ! Their properties are usually different from wool--all of the fibers from the animals above have little to no crimp in their fiber, meaning that they aren’t elastic like wool is. They’re also varying degrees of warm (cashmere--the undercoat fibers that come from many different breeds of goats--are extremely warm, but still not as warm as musk ox down), and some are unbelievably soft. If you can, I highly recommend getting a little cashmere, a little camel down, or whatever other exotic fiber strikes your fancy. They’re very fun to experiment with, and small amounts can easily be worked into projects to add warmth, drape, or softness.

We can’t forget about silk, either--produced mainly by certain species of silkworms, although most insects undergoing complete metamorphosis produce silk of varying quality as well. Silk is a very interested fiber to spin--but it can also be reeled instead of spun, which is how you can get extremely thin silk pieces without even needing to spin thread-weight yarn.

But in early human history, before we domesticated sheep and bred them to have better wool than they started out with, we spun things like inner tree bark, flax, nettle, and cotton. These all require very different techniques than wool, but most of them can be spun on the same tools (and all but cotton can be hand twisted into cordage instead, if that’s more up your alley). They are also inherently cooling--fabrics made from linen will keep you very cool indeed--so if you live somewhere hot where having wool objects is mostly pointless, don’t despair ! There’s still stuff for you to spin.

Connect With Others !

I’m about done with this monograph, but there’s a few last things I want to share.

First is the existence of Fiber Festivals--you may or may not have some in your area. They’re extremely fun, and you can meet many spinners there. They’re also usually a very cheap source of fiber, as prices are often a lot lower at festivals.

Second is the existence of Spinning Guilds--again, you may or may not have one locally, but if you do, you might want to join ! There are also spinning clubs and groups, which might be a little lower-key and more welcoming to beginners.

Then there’s TDF, or Tour De Fleece. You may have heard of the biking tournament called Tour de France which happens in July--well, every year a lot of us spinners do a tournament ourselves, but it’s generally not competitive (except on Ravelry--there are teams and points and everything). For the most part, participating in TDF just means setting a spinning goal for yourself from July 1st to July 23rd (the end of the race) and then trying to achieve it. For a lot of people, this means spinning every day. Some set goals like “get through this whole fleece I bought 10 years ago” or “spin a sweater’s worth of yarn” or “learn how to spin flax, finally” (that’s what I did last year). Or maybe it is just spinning every day--even if just for 20 minutes. On tumblr you can see other’s work and post your own under the tag #TourDeFleece2023, or #TDF2023 (there’s many variants as well)--we’d love to have you !

Lastly, there’s International Spin In Public Day ! To be honest, nobody can really agree on what day that is--allegedly, it’s the 3rd Saturday of September. (For me, it’s literally every day that I leave my house, but I digress). But I’ve also seen posters for October, for September 10th or earlier, and just generally lots of different dates. I’d say play it safe--if you see someone say it’s International Spin in Public Day, go spin in public just in case :D. The purpose of a day like this is to bring spinning back into public knowledge--let’s face it, most people in the western world have zero clue how yarn is made, and couldn’t differentiate a spindle from a spatula. This sucks ! Spinning is such a great activity--it can be meditative, calming, fun, exciting, or a background motion to other activities that allows you to actually pay attention (if you have ADHD). And I think a lot more people would spin, and would enjoy it, if only they were exposed to the idea. You certainly don’t have to act as Spinning’s public outreach officer, or anything like that... but when people ask what you’re doing, explaining it patiently and encouraging them to look into it does everyone a favor.

In Conclusion

I hope this has been helpful and not too confusing ! It’s really important to note that I’m just one guy--I don’t know everything, and I might not always have the best techniques. Looking for information on spinning from multiple sources is a good way to get a well-rounded understanding, and to correct common misconceptions that you might have already learned. Perhaps more importantly, there’s pretty much an infinite number of ways to do almost every single step I’ve described here, and if the way I showed you--or the video I linked to showed you--isn’t working, don’t despair ! There’s nothing wrong with you, you probably just need to do it a different way. I must have watched 3 dozen videos of people drop spindling before it finally clicked with me.

I hope I’ve opened up the world of spinning to you at least somewhat ! There are many things I didn’t touch on, and lots of stuff I wish I could talk more about, but at the end of the day I mostly wanted to 1) show you how to make yarn and 2) pique your curiosity about the whole rest of it. If you have questions, I’ll try to answer them (Purple, I will of course answer all your questions and also attempt to mind read your questions before you’ve even asked them so that I have a 10 million slide power point done by the time the question is out of your mouth), but check the comments and replies first ! Someone else might have answered it already.

Thanks for reading, and happy spinning !

Fig J: The author holding his old drop spindle, spinning at a doctor’s appointment. The spindle now belongs to the friend for which this monstrosity of a tutorial was written ! :D

#spinning #drop spindle #beginner spinning #tutorial #handspinning #handspun yarn #fiber arts #i truly have no idea how to tag this #its over 13k im so sorry #swords i did end up adding tipping to this blog bc of your recommendation thank you !#i cant seem to add tips to posts that i made after tipping was enabled tho. which is very annoying. so its just on all my posts for now #hopefully will fix that later #this did take about a week of writing ! so if anyone #(BESIDES PURPLE FOR SEVERAL OBVIOUS REASONS THIS WAS A GIFT FOR YOU <3)#wants to show some appreciation if it helped you at all #i would be very thankful as i am so goddamn broke lol

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tumblasha · 16 days

Text

what will happen to me afterwards?

on death and social media - 11 april 2024

(content warnings for ovarian cancer, death of a teacher, death of an online friend, future death, grief)

today, one of my twitter mutuals found out that one of their online friends (known each other for Years) died back in january. they're obviously devastated and it makes me think of a three thoughts that run rampant in my head after every death that happens around me.

it's no secret that my first french teacher in high school died (72 year olds don't really survive ovarian cancer, ya know?). it's no secret that she was one of my favorite teachers. i think a lot about her life. her long-distance husband, the children she's "adopted" by teaching them french for four years (she could never have kids herself), her obsession with turtles. she gave so, so much of herself to her community, over 50 years teaching in my little high school. and she was not celebrated as much as i would've liked. she had a memorial service the saturday after she died, and we all talked to / near her urn in the school gym. the principal didn't give a shit, and her husband didn't show up. the other old faculty member (my us history teacher) retired at the end of the next academic year.

the way i found out was through text. i went through the first stage of denial, saving my grief for four hours later when i fully found out the context behind the "i'm so sorry" sent to the group chat. my french teacher had over 100 turtles, little trinkets she put all over her classroom. and she let each of her students take one home.

for almost a decade now, i've grown quite fond of the community i found on twitter. i made my little fan account, i followed people who were also obsessed with my fav pieces of media, and the rest is history. over the years, i also had to take breaks from being online after reading some "this is X's mom. X passed away last night" tweets or just let a friend fade away after their last tweet ("going into surgery tomorrow! should recover in a few months :3") turned one year old.

and i'm so scared. i think that with the many diseases running rampant on the planet, the lack of secure infrastructure in my country, and other problems, i realize that i could simply go away at any second. and who would know? legally, they have to tell my parents (they're the secondary recipients of health and retirement accounts). legally, they have to tell my job. legally, they don't have to tell anyone else. but i have friends everywhere. the most important ones existing as little icons on my screen or little words in my messaging apps. how the hell are they supposed to know?

when i was a kid, i always imagined myself having at least two weddings: one with my family in peru, one with my spouse's family and our joint community in the united states. now i realize the same might have to happen for my funeral. how am i supposed to plan ahead for that? now that i've finished school, there's never going to be a "guaranteed" place for me to be. i can go anywhere at any time! and none of you have to know!!

there are no conclusions to this ramble. there is only the three threads: online friends leaving but being remembered, people in my real life leaving but being forgotten, and me who will leave someday too. maybe i'll leave behind some turtles, too.

author's note: no, i'm not suicidal. you should not express concern to medical professionals over this post. i am healthy and happy to be alive.

#and what's crazy is that i have at least two weeks' worth of posts queued up on this blog #when is that going to stop?#and who will take over my twitter accounts when i'm gone??#and who will moderate my facebook when i'm gone??#and who will look at my instagram when i'm gone??#and what about the day where these big companies go bankrupt?#some people might Only have me online #so where will i go?#i might be writing up my will soon tho #bc i don't anyone to worry about death arrangements for me #i'll draft the notes app apology too #'sorry for having too much swag i just Had to die'#dash rambles #death #cw death #tw death #queue that scene in past lives where the man says 'you're a person who leaves'#that movie did a number on me as a college grad who left all their friends YIPPEE

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non-un-topo · 9 months

Text

At the crossroads between wondering if it's worth it to basically completely rewrite all my WIPs or just take a break from writing for the rest of the summer

#i noticed every summer i get progressively worse lol #like not in terms of writing but in terms of everything else goin on in my head #i mean if anyone is craving some dark and depressing shit i've got bits and pieces here #it's like i'm writing for an audience even in my own mind. can't finish anything because it's __ __ __ etc and my niche is too niche.#did my last fic really burn me out that much?? i mean it was basically 30 thousand words and there was a LOT packed into it #maybe i should finally respond to comments and i'll feel better.#something's been going on with me for the past couple months (maybe longer) and i'm just annoyed ALL the time #feel like i want to give up everything and stop talking to everyone. ((it could be my out of whack hormones mind))#so if i haven't been as active and haven't drawn or written much that's why. i'm pulling away and curling in like an atrophied limb.#my brain is just permanently in school mode. i can feel it gearing up for the oncoming year that's going to be super intense.#like would it even matter if i post any more work before september? idk why i can never seem to chill or take a break for even a minute.#i still have drawing projects i want to finish at least! taking me literally all summer because of surprise health problems.#partner was consoling me about how i feel for writing '''weird''' stuff with almost no focus on romance #saying that SOMEbody has to write what i write so that should keep me going. i just tell myself that it could be worse -#- i could be primarily a femslash writer. they are the real heroes and they get no respect.#idk why i'm getting so angsty #i think i might be romance/sex repulsed atm. not in real life at all but in fandom. i'm bored of it. and i'm bored of conversations about i #i'm sure i'll change my mind in what two weeks or so.#maybe i'll try to write something original #i have things in my ask box i should respond to. like asks about my writing. i just haven't been feeling well #so i haven't had the right brain to respond :( but i see the asks and i'm grateful <3 #anyway peace and love

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deadsprout · 10 months

Text

At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!

Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.

How many subscriptions did we bring you? Netflix won’t say.

So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.

Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.

What were the numbers? How many people watched our show? Netflix doesn’t say.

Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.

Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!

Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.

Support #WGA Support #SAGAFTRA

#writers guild of america #wga #writers strike #sag aftra

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nanaslutt · 6 months

Note

PLEASE write more of geto being a perv🙏🙏

“pt.1” here

Geto x reader, in showing you how sorry he is for being a creep<3

perv!geto is my obsession atm

contains: fem reader, non consensual photography (reader is kinda ok w it), pervy roomate!geto, crack, gojo makes an appearance, talk of gojo wanting reader, sexual tension, cunnilingus, masturbation(geto), degradation, soooooooo much dirty talk, sweet!geto at the end<3

MDNI

°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔

About a week ago you were watching a scary movie with geto on your laptop, drinks placed on the table next to it; dumbly.

So of course when the scariest jump scare you’ve ever seen in your life occurred, your legs jerked into the glass of liquid, spilling it all over your laptop and absolutely ruining it.

“God- Fuck! Noooo! nonono!” you shot up to grab a blanket, pillow, anything, to soak up the liquid, “TAKE YOUR SHIRT OF NOW,” you yelled in a panic to your dark haired roommate, who; you noticed throughout this entire excursion had barely moved a muscle to help, besides the muscles used to laugh at you.

“Babe I hate to be the one to tell you this, but that shit is beyond saving,” he laughed, placing his hand over his chest while he did.

“Fuuuuuuuuuuck, I use my laptop every single, and day I absolutely cannot afford to buy a new one right now.” you placed your head in your hands in defeat.

“I’ll buy you a new one,” geto said, at the end of his fit of giggles at your expense.

“Yeah right, ur broke as shit too, that’s why we’re living together.” you said, muffled into your legs as your body had now fully collapsed in on itself.

“Yeah ur right, but that kinda hurts my feelings,” he said, smirk showing through his faux pout, “thought you liked livin’ with me,”

The two of you bickered back and forth for a while. You ended up putting the laptop in a bag of rice; to no avail, it was completely ruined.

Geto had been nice enough to let you use his laptop in the meantime; only when he was with you though, which you found slightly weird but at least you had access to it to some degree.

Right now you had the house to yourself though. Satoru had picked him up half and hour ago, saying something about wanting to try some new coffee shop with word famous sweets; that meant you had free range of his laptop.

You knew how to clear search history, so you would be fine. You just wanted to watch a movie anyways, nothing criminal.

Sneaking into his room, you unplugged the silver electronic, sliding it under your arm as you took it back to your room. Placing the laptop on your bed and getting comfortable against your pillows, you cracked it open, You had accidentally seen him type in his password before, so getting in was no problem.

What was a problem is what was on the screen when the laptop came to life. An entire folder of up skirt panty shots; and not just anyone’s panty shots; they were yours.

Scrolling through the decently filled folder, you noticed ones that dated back months ago. You saw a picture of you laying on your bed, head in your hands while you kicked your feet behind you; the short skirt you were wearing gave geto the perfect view of your unobstructed ass, slight pink peaking between your cheeks.

Other too, you doing more mundane things like sitting on your knees on the barstool you had in the house, poking out your ass, once again giving that dark haired pervert the perfect shot of your clothed mound.

You were almost impressed at how many there were, and how make different angles he was able to get without your knowledge.

Trying to wrap your head around the idea that yes, your sweet roommate who has never attempted to come onto you once, had a secret folder filled with lewd photos of you.

Saving the file, you sent it to yourself. Once you heard the chime on your phone you quickly copied the link, and sent it to the culprit himself, no other message attached to it but the folder alone.

——

“Ummm ooh, I’ll also get the triple chocolate cream filled crepe cake please! What do you want suguru?” gojo chirped.

Geto started at him with disbelief, he had just ordered 5 full size deserts with the longest name he’d ever heard; all sounding like a stomach ache and a half; and they were all for himself.

“Right..uh, i’ll just get the vanilla scone and a black coffee please.” Geto politely spoke to the man taking his order.

Gojo continued conversing with the cashier, finishing up ordering any last minute items and paying.

Geto felt his phone buzz in his pants, checking it quickly while gojo finished up the interaction; both of them starting to walk to booth in the corner of the cafe.

Suguru’s heart sank to his balls when he opened your message. He knew you were mad too, because you didn’t say anything else other than a link to his private folder of your panty shots. “Fuuuuuuuuuck haha,” geto laughed, hand coming up to cover his smirk as they slid into the booth.

“Huh? let me see, what happened?” Gojo nosed, trying to peek over the table at geto’s phone when he noticed it was the source of his distress.

“I might have to sleep at your house tonight, maybe for the rest of my life I don’t know.” he said, hand dropping back into his lap as he shut his phone off.

“Did you forget to do your dishes or somethin’?” he asked, knowing how angry you got at Geto when he didn’t pick up after himself.

“Yeah maybe, or maybe my roommate just found the upskirt pics i’ve been taking of them for the past couple months.” he giggled, slight remorse in the back of his head. Not from doing it, but from being caught.

Gojo’s jaw dropped, covering his own mouth as he let out a boisterous laugh. “Hahaha oh man, you really are fucked.” the blonde slapped his own knee, “I’ll let you co-sign my lease tonight,” he said, scared that if suguru went home, he might actually get murdered.

Geto kicked satoru’s shin underneath the table, making him wince. Their giggles died down at geto’s misfortune after awhile. “So..” gojo started, “Yer’ gunna let me see the pics right?” he asked, “Already hurt you didn’t tell me about this,” he pouted,

“In your fucking dreams satoru,” geto snorted. He already saw the way gojo looked at you when he was over, always making passes at you and touching you any chance he got.

He would be damned if his bestfriend got his hands on you before he did. “WHAT???” gojo yelled a little too loud for the tiny space they were in, resulting in him getting shushed by geto, “pleaseeeee, I know how good you are at taking pictures I bet they’re soooo gooood.” gojo wined, crossing his arms on the table and laying his head against them.

“Keep dreaming satoru.” he laughed. The whine haired man kept his pouting up for awhile, calling Geto selfish and unfair, his sorrow immediately being forgot about when the massive tray of his deserts finally came out.

——

When you heard the front door to your shared apartment finally crack open open a couple hours later, you were in your bedroom.

His laptop had been tucked away in your bedside table in confiscation, while you awaited with a racing heart, for him to knock on your bedroom door.

You heard him place his keys on the table through the thin walls, then you hear his heavy footsteps as he starts to make his way to your room.

The air was still when the footsteps came to a stop in front of your door. You were feeling a lot less confident than you were before he got here, now the thought of confronting him made your mouth feel dry; heart beating out of your chest.

Finally, the knocks were being rapped on your door, you swear you died for a second when you heard his familiar voice call your name, followed by him asking politely if he could come in.

"Its open," you yelled back. When the wooden door creaked open and his frame came into view, you had to fight off all the neurons in your brain telling you to look away from his hooded eyes.

You felt like you couldn't breathe, the tension in the room was so thick it could be cut through with a knife. You had no idea why, but the current situation was admittedly arousing.

You stayed silent for a while, just staring at each other, neither one of you daring to break eye contact first, "So? What do you have to say for yourself?" you asked, voice coming out a lot less confident than you wanted.

"Im sorry." he replied, swallowing thickly, quickly sucking his lip into his mouth to wet it.

"You're sorry for what?" you asked clarifying, This wasn't going how you expected.

"I'm sorry for being a pervert and taking panty pics of my roommate." He said, taking a couple steps towards where you were sitting at the edge of the bed.

"Are you really sorry?" You asked, voice full of need, as you did your best to supress it, trying to ignore the growing heat in your stomach.

"So sorry" he answered, having made his way inches away from you, eye contact still not being broken. You both noticed how heavily you were breathing, his eyes flitting down to your lips for a second before he sucked his lip into his mouth again, and letting it slide out, dark eyes meeting yours again.

The only thing you heard was your heart beat loudly in your ears as you spoke your next words, "Show me how sorry you are."

----

"Mm so fucking sorry," geto's voice vibrated against your clit.

"F-fuck ohmygod," You moaned at the feeling of him wrapping his lips around the bud, tongue peeking through to flick at it.

"A-again-" you whined,

"'M sorry," he groaned, staring up at you with a smirk as he released your clit, flattening his tongue over the sensitive bud.

You were laid back, ass placed at the end of the bed, Geto was sitting back on his heels as he perched himself on the floor between your thighs, hand rapidly stoking over his throbbing cock.

"W-wipe that sm-ile off your face" you wined, trying to keep the little hold you had over geto.

He didnt stop smiling, but you could'nt tell when he burried his tongue inside your pussy, pressing his face hard into your wetness and shaking his head. His pointed nose rubbed your clit in the most delicious way when he did that.

"S-so fucking dirty" you chastised at how sloppily he was eating your cunt. He was trying to fuck his apology into your pussy with his tongue, really trying to prove how sorry he was.

Loud slurping noises bouncing off the walls and going straight to your head; and to his cock; making you both dizzy at the situation.

"Sorry I'm so nasty," he groaned, muffled by your folds as he tongue fucked you like his life depended on it.

Quickening the pace of his hand against his cock, he was squeezing it the same way your walls squeezed his tongue, trying to mimic the feeling. Pre was dripping steadily from his cock and onto the floor, leaving a little puddle there.

Geto was getting off on this so hard.

Every time you squeezed your thighs around his head and degraded him, his abs clenched, balls tightening with the need to blow his load.

"O-only thing youre good for is eating my pussy, f-fuck" you said meanly with a whimper, eyes dropping down to his handsome face and seeing how fucked out he looked from your words, as he nodded his head and moaned into you, agreeing with you.

He needed to you keep talking to him like that, to keep humping his face, suffocating him, treating him like a bitch, he needed it.

"Use me-" he cut himself off as he moved his mouth back up to your clit, making out with the little bud messily, "wanna show you how sorry I am." he drunkenly smiled at you.

You gripped his hair in a makeshift bun, rolling your hips against his face as he stuck his tongue out for you to get yoruself off on.

Groans of "mhm mhmm" could be heard from Geto between your legs, pumping his cock impossibly faster feeling your wetness gush out of you from his minstrations.

"Ohmygod feels so good- shit-" You wined, tipping your head back, feeling your orgasm build quicky as you rubbed against his tongue just right.

His chin was absolutely covered in your slick, pretty eyes rolling back in his head as he felt himself get pushed towards the edge as well, abandoning his hand keeping your thigh spread to join his other between his legs. He massaged his balls between his fingers, increasing the pleasure he felt while you worked towards your end together.

"Fuck t-tell me your sorry again," you whimpered out, teetering on the edge of your orgasm, "Sorry" his deep voice immediately groaned out, cock throbbing when you yanked on his hair.

"Ag-ain" your moans broke up your speech,

"Sorry, m' sorry, sorry-" He kept babbling against your pussy, sending delicious vibrations through you.

You were feeling hotter at the strange power dynamic going on, using that to your advantage as he kept mumbling the word into you, sending you straight into the most mindblowing orgasm of your life.

"Coming f-uck fuck f-" your voice getting cut off as your stomach started contracting and jerking, you rode your high out on his tongue while he groaned a lengthy moan into you.

Behind where your vision was blocked by the bed, Geto was cumming all over his hand and the bottom of your comforter.

Geto's eyes repeatedly rolled back in his head, hand massaging his cum out of his balls as he stroked himself roughly through his orgasm.

Finally being able to breathe when you loosened your legs from their hold on his neck, dropping your hands from his hair as you laid back on the sheets. Geto's hands wet with his seed came up to massage your thighs, his head rasing from between them.

You both took a second to breathe heavily into the open air, your cunt as his cock alike twitching in the aftershocks of your orgasms.

You felt his hold on you cease for a moment, a couple seconds later something was bouncing heavily next to your head. When you turned your head you were faced with a brand new, rose gold laptop, still in its packaging.

You looked back up at geto, who was now standing, running one of his damp hands through his hair, "If me eating your pussy didnt prove how sorry I am, I hope this will." He smirked, wiping his mouth with the back of his hand.

"Fuck, Geto are you serious?" you beamed, picking your limp body up from the sheets and holding the package in your hands, he smiled at you fondly, watching you tear it open like a kid on Christmas.

Peeling the plastic from the cardboard you spoke, "Still making you delete all those photos by the way," resulting in him tipping his head back in a loud groan of defeat.

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enkvyu · 9 months

Text

12:45am — gojo satoru ;

“cute earrings, where’d you get them?” shoko asks.

“hm?” still clinging to sleep, you absentmindedly reach up to caress the metal dangling from your ear. the sharp indents of its gem pricks you back into a memory. “oh, these. i got them from a friend last week.”

“friend? or do you mean boyfriend?”

shoko’s words are throwaway, her wandering eyes and yawn a clear indication yet your face warms despite yourself. shaking your head furiously, you exclaim, “a friend! just a friend."

shoko hums, shifting her cigarette to the other end of her mouth. her gaze flickers somewhere behind you and you almost look too, when her words pull you back. “come to think of it, i don’t think you’ve ever told me what your type was.”

“my type?” your mind blanks. “i’ve probably never told you because i’ve never thought about it myself. i mean, being a jujutsu sorcerer and all, romance is kind of off the table.”

shoko keeps looking at you, pressing you without words. you grimace and sigh.

"i mean, i guess, maybe someone good looking? someone who’s not boring? and now that we're talking about it, someone who is fit and athletic too. they'd have to be smart, but not book-smart, like, street-smart." the more you think of it, the more words seem to spill from your mouth. "and someone who has a good sense of humour, someone who will make me laugh.”

“someone good looking, interesting, sporty, smart and funny? that’s too greedy.”

you giggle. “you’re right, there’s no way there’s anyone that perfect. i guess i’ll have to be single forever.”

“you'll always have me.” shoko says, grinning.

you push her shoulder but don’t deny it.

yaga walks into the classroom, cutting your conversation short. you spin around in your seat to face the front, eyes accidentally meeting gojo’s. he turns around too, and you reason that he was probably looking out the window behind you. you see getou snicker and whisper something in his ear, but gojo seemed to be having none of it, blatantly ignoring him.

seeing his face makes you think. didn’t gojo kind of match your type? someone attractive, interesting, athletic and maybe not academic smart, but he definitely carried an air of confidence when it came to fighting. and it wasn't a secret that he lightened the air wherever he went, intentionally or not.

with a start, you look back at shoko. “and someone calm. someone with manners.”

“well-mannered and calm. what insane preferences.” shoko chuckles. “are there any more?"

yaga slams his hand on the table a few times, reluctantly drawing your attention back to the front.

your previous conversation dies and twiddles away into the background, overtaken by droning lectures and predictable missions. by the end of the day, you can't even remember what you had told shoko early that morning.

when you enter the classroom the next day, you’re surprised to find gojo already there, seated at his table. his sunglasses hangs lower on his nose than usual and most curiously of all, a book is held in his hands. you’re not sure if he’s actually reading or not considering that pages were being turned far too quickly for someone reading “ordinary objects” by amie thomasson.

his eyes flicker to yours as you head in. “good morning.”

“morning. what’s with you?”

gojo clears his throat. “what ever do you mean?”

your frown transitions to a grimace. “why are you talking like that? did you break something of mine? was it my potted plant, gojo i told you to take good care of it!”

“i am taking care of it! it’s not dead yet!” he exclaims before pausing uncharacteristically. he sits back in his chair and turns back to his book. “i mean, it’s fine.”

“you sure?”

“i am.”

you narrow your eyes before looking away, dropping into your seat. “it better be. shoko got me that one.”

“speaking of shoko, is she not coming today?”

“i think she stayed overnight at the morgue.”

“is that so? perhaps i should write notes for her. i wouldn’t want her to miss out on class.”

you turn to him horrified. “so you did kill my plant!”

“i said it’s not dead!” gojo bursts. another pause. he clears his throat, adjusting his glasses. “i simply worry for her.”

you stare at him and watch as he fidgets under your gaze. “are you feeling sick? did you eat something wrong?”

“i’m not sick. what part of me looks sick?"

“well you’re usually not this…” you watch him as you wrack your brain, trying to find a word to describe this situation. “c…”

gojo leans forward. “yes?”

“crazy.”

he falls back in his chair, groaning, book forgotten and placed harshly down on the table.

you tilt your head. “where's getou, you guys didn’t come to class together? don’t tell me you fought.”

gojo peers up and frowns. “no, can i not show up to class early just because i feel like it?”

“it would be extremely out of character, yeah.” you rest your chin on your hand as you watch gojo mutter to himself, his jaw jutted out and his nose scrunched.

he was clearly unhappy, it didn’t take a scholar to know. it might take a genius to figure out why though.

you had time to kill, might as well take up the challenge. maybe he hadn’t had his morning dose of sugar yet, or maybe his favourite anime had delayed it’s upcoming episode. maybe he didn't save properly on the new game he was playing, or maybe he simply didn't sleep well last night. or maybe he had lied to you and he had fought with getou, leading to this strange attitude.

the more you thought about it, the more it made sense. the way he was acting now was like a mockery to getou's usual behaviour.

“are you trying to be like getou?” you try.

gojo whirs around to face you. “what?”

“well, you’re trying to be composed.” he keeps staring at you and you clear your throat. “like more well-mannered. more calm.”

gojo remains silent but you watch as his jaw drops. you think that he might say something but then his mouth closes, only to open again.

gojo speechless, what a sight. but as good of a sight as it was, you were beginning to feel concerned.

“are you sure you’re alright? what did you eat yesterday?”

he doesn’t register your question. “you think getou is well-mannered?”

“yeah?”

“and calm?”

you nod. “more than you, at least.”

“do you think he’s interesting too? sporty? smart? funny?” he pauses. “good-looking?”

the questions throw you off guard and you sit up. “what? where is this coming from?”

“oh my god, you do.”

“no? i mean, i think getou’s great and everything—”

“you think getou’s great?”

“don’t you?”

“you think getou’s hot.” he concludes. “and you think getou’s great.”

"what are you even saying?"

"i don't know. why don't you tell me?"

baffled, you flail for words. “are you jealous of him? that's strange, i didn’t think either of you would ever feel jealous of each other.”

gojo grits his teeth and looks away. with a pout, he says, “me neither.”

the door to the classroom is thrown open and getou steps through, rubbing the back of his neck. he yawns on his way to his chair and it wakes him up, looking between you and gojo as you both watch him enter.

“what did you guys do?” he asks with a sigh.

“nothing!”

“nothing.” gojo says and glares at him.

getou blinks.

“okay.” he says slowly, sliding out his chair and sitting. “what did i do then? why are you both looking at me like that?”

“gojo’s being weird.” you snitch. “are you guys fighting?”

“how should i know? i thought we were doing okay. gojo, if i did something, use your words and tell me.”

"i'll use my words to tell you to suck my dick instead."

"so i did do something. you're so predictable, gojo."

you snicker as gojo huffs and glances away, looking away out the window behind your head. his train of sight cuts right past you but you can’t help but feel slightly flustered as he looks on, almost like he was looking at you, so determined to ignore getou’s pestering.

subconsciously, you drown getou out too, your traitorous mind observing the blue in gojo’s eyes. you had always thought it was just one colour, but looking at it now, it seemed more like a kaleidoscope of blues, the many shades sparkling and dimming as he watched birds flutter outside the window, and you watched their shadows through his eyes.

something shifts, in the air or in the skies you don't know, and gojo meets your eye. startled, you hold the gaze and he holds it too, just long enough for your lungs to run out of air.

you look away hastily and inhale.

gojo glances to the front, oddly fidgety.

getou looks between the two of you. “what the fuck was that?”

“nothing.” gojo says.

getou clearly doesn't buy it but though he tries to get an answer out of you, you don't give him one either. cupping your cheeks, your thoughts mirror his question. what was that? it was embarrassing, that's what it was and your realisation is only heightened as a silence fills all four corners of the classroom.

gojo clears his throat. “for me, i like someone who i'm already comfortable with. someone i already know.”

at his words, you look over at him and find him already staring. he frowns as you don't give him any other reaction.

yaga saves you from addressing his statement, walking into the room as the bell for class rang. "oh? you're all early, even you gojo. where's shoko?"

“she’s staying at the morgue because of the recent mission.”

“i see.” yaga nods. “then let’s start.”

your mind fails to work as you turn over gojo’s words, thinking them through. what did they mean? what was he talking about? did this weird confession have something to do with why he was acting so strange?

slowly, you draw connections between your conversation with gojo and the talk you had with shoko yesterday morning. an epiphany shoots through you and you cover your mouth to hide a gasp.

did that mean…?

someone he knew? acting strange? getting mad when you said you liked getou?

you watch gojo’s side profile, hoping he’d turn around. if what you thought was right, he’d turn.

seconds tick past. yaga’s voice drawls on and yet gojo doesn't even spare you a glance.

no, maybe you were wrong after all.

just as you were about to face yaga again, gojo’s head shifts and his eye flicks over to yours. they widen when he finds you, and you’re sure you’re in a similar shocked state.

oh my god, you think, eyes darting between him and the other boy in the room.

gojo has a crush on getou.

filler imagine based off of that One scene from the manga: "megane tokidoki yankee kun"

#gojo x you #gojo x reader #gojo satoru #gojo satoru x reader #gojo imagine #gojo drabble #getou suguru #ieiri shoko #jujutsu kaisen #jjk #sashisu #sss trio #gojo hcs #gojo fluff

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honeysuckle-s · 1 year

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group project got me questioning my sanity

#am i being overbearing? are my goals unrealistic?#why doesn’t anyone seem concerned about this???#it’s our final project and the largest contributor to our final grade #so why isn’t anyone else taking this seriously?#they spent two weeks researching (without sharing to the group even tho we agreed to use a shared doc)#and now im seeing random blog posts being cited instead of scholarly work #like we don’t need an overview of this topic pls be critical #where are ur rcts?? ur meta-analyses??#why did you write fucking paragraph style (in times new Roman sized 12) on the ppt slides??#i keep leaving comments and no one is responding to them :(#anyways i needed to vent bc i feel like im losing my mind #r rambles

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riaki · 5 months

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ur highschool bully gojo was chefs kiss 💋 what do u think about them going to the same college and taking the same classes?? and the reader sitting next/talking to some other guy and satoru gets jealous?? arwahhhshdhshshs so many possibilities, i hope u continue writing it!!

hi nonnie !! thank you so much :) this is ur official part 2 ! i was struggling to think up some possibilities but this helped a lot :oo | read part 1 here ! -> cw: swearing, jealousy, i let it get fic length oops

(former) highschoolbully!gojo on the brain again… like. when you end up seeing him again however many months later, and you can tell that he’s changed. it’s not like its immediately obvious to anyone who doesn’t really know him like you (used to); but he’s a little softer-spoken and his smiles seem nine times more genuine. it’s not a hundred percent; the kind that really lights up his face instead of just barely falling short of his stark blue eyes, but it's something.

of course, you have nothing to base it off of, because when you do inevitably see him again it's the very definition of meet ugly.

college is a new frontier, but its also a clean slate. its your first time going into something so new without your old bestfriend at your side, but some faint flickering thought reminds you that it might be better that way. but the universe is against you from the very first day, when youre gettin yourself some coffee from the same chain you did the morning of that fateful presentation so many moons ago. you're too busy thinking to yourself what kind of strange parting ritual it is to relive your trauma to notice the lanky, white-haired boy who hits his head on the chiming bell over the doorway. people are giggling around you n sighing dreamily but youre too deep in the music pumping through your headphones to notice and your eyes are glued to the class schedule on your phone, trying to ensure you dont get lost on the first day when—

you blink and your ass is flat on the dirty floor of the coffee shop, and the first thing you register is that your stomach is soaked and burning. you'd spilled your coffee. it takes you a moment to realize, but when you do you're pissed. so you quickly get to your feet, trying to reign in what little of your ego you have left to give the offender who bumped into you a piece of your mind as you look up, then..

how unlucky do you have to be?

just like that, satoru's slid himself back into your life, after ramming through its locked gates. you forget that he always forgets the point of keys, both when it comes to his apartment (which you still have the spare key of in case of emergencies), and the door to your heart. to rub salt in the wound, the only thing that's stained with your coffee order are his shoes, which look like they cost three weeks of your old job salary, but it's all over your shirt. of course it is. because why not? make it look like you tripped and fell into a patch of mud on your way to the lecture hall and tack on an unwelcome reunion with your ex-bestfriend.

to you, it's like the cloud of gloom from your highschool youth has resettled over your head like a swarm of gnats on a dreary, hot summer day. the stars always seem to skew and misalign themselves for you. but for satoru, the stars have handed him one of those huge swirly lollipops that you only ever see being paraded about by toddlers. he recovers almost instantly, trading the burn on his feet and the way it sours your expression like he's just squirted pure citric acid into your throat for a pleasant burn of his own on his cheeks. but it's whatever. girls seem to like it when he blushes, for some reason. he won't question it, if it works on the only one he cares about.

he holds his hand out, ready to help you out like the good samaritan he's become— and it's like a real burn to his heart this time when you ignore it and stand up on your own, refusing to look up and meet his pleading gaze. might as well have taken an iron stoker right out of the fire and jabbed him with it. but he's gojo satoru! he won't be defeated by this one mere, maybe very significant reunion. he's got stamina.

so he offers to buy you a new drink, feels his heart sink when you shake your head (can't even spare a little 'no' in his direction), and talks enough for the both of you when you leave the dingy little store make your way down to campus and the lecture building. you clearly don't want to see him, but he ignores that in exchange to notice the way you shiver every so often. the previously searing-hot coffee that stains your shirt turns cold fast, and moisture n wind don't mix well. he wishes he could offer you some of his own warm coffee, no doubt sickeningly sweet, but he has some sensitivity now, apparently. so, in a brash moment, he decides to take his blazer off and drape it over your shoulders instead.

when you cross the threshold between city and campus, you expect him to yank it off your back and be on his merry way. but he keeps walking next to you, so you walk a little faster, and you absolutely loathe the cheeky little grin that curves the corners of his lips up to show a glint of teeth when he effortlessly keeps up. you curse his long legs when you find yourself winded, but at least you can lose him when you get there.

or, that's what you think. once again, your constellations break themselves to rebuild anew for satoru. you're about to call him a stalker when he follows you all the way to your classroom with that smirk that's growing exponentially until— oh, no.

your phone that's been on the schedule up until now desperately scrolls to the roster— and there it is. he's in your class. needless to say, not another word goes between you as you stomp in and take a seat. luckily for you, you've already corresponded with your roommate's brother (who's annoyingly cute, satoru notices) and agreed to sit next to each other. satoru takes the seat right above you and never stops kicking his freakishly long legs against the wood the entire time.

so yeah, it's obvious he's not a saint; he still has that undoable ego and he's cocky as fuck (as you have the misfortune of finding out when he quickly bullies your professor), but there's a certain familiarity in that no matter how ugly it might appear to others. and if you asked (which he really, really hopes you will someday), he doesn't hang around douchebags who use kids' foreheads for ashtrays and treat girls like they're candy from a glittery pez dispenser. and at least he's switched harassment targets. even though he has an overwhelming sense of superiority over others and never has his lips together for more than five seconds, and even though he has this hellish habit of clicking his pen whenever he's not talking (or when someone else is), it seems like he's changed.

and over time, you gradually find yourself warming up to him. the spunkiness that used to get on your nerves ceaselessly becomes an object of endearment, and you don't really mind the way he never seems to stop moving anymore. it's a nice sort of distraction in the lifeless still of the lecture hall, albeit the pen clicking still drives you near insanity. you notice he always does it obnoxiously and quickly when you're talking to your roommate's brother, but you ignore it.

and for satoru? he hates that he can kinda sorta really tell that you're the only one who can read him like he's a damn book, cus you slowly start to soften up in the nostalgia of his presence like cold playdough between warm fingers that tell you he may have finally caught you again after letting you slip the first time. and he notices it. this time, he's determined not to let you be the one that got away again. but youre really giving him a shit time outta it with the way you constantly entertain the guy who always has his breath in your face.

yeah, he's got a cute face that's sunkissed by freckles. yeah, his hair looks like he models for shampoo companies. and fuck, he has a nice voice. but what of it? satoru's the one with the mesmerizing blue irises and the cloudy white hair your professor wishes he had instead of sad little wisps of old age. still, as chilly days turn into frigid weeks, he gets the perfect backseat angle of the growing relationship between the two of you. the boy's kinda dumb so you copy off of satoru’s work when you need to (he has to hide the 1-0 scoreboard between him and the guy on a sticky note from you when you take his notes), but said guy’s always buying you stuff and lending you erasers and laughing when you flick the shavings at the annoying girl who never stops whispering in the front of the room.

satoru tries to act unbothered, and he almost convinces everyone. including himself. but the angry, burning knot in his chest that's entirely different from coffee stains suggests something more. that should be him at your side. him, making balls of paper with rude scribbles and silly doodles to throw at the people he knows you don't like. him, surprising you with little gifts and the cheap trinkets he knows you adore so much instead of all the luxury things he could afford. there's no way this punk could possibly measure up to him, right? but at least you and satoru are well on your way to becoming friends again. not as close as you used to be, but it's something. substantial. and he's learned to be patient in the time you've been gone.

but he'd be lying through his teeth if he said he wasn't tired of it. he’s endlessly plagued with thoughts of increasing intensity— first, it starts out with just you. only you. the way he likes it. the way he likes your face, and your pretty eyes and your gorgeous lips and your soft hair and your figure and the complimenting clothes you wear. but it takes a turn; thoughts turn into dreams that turn into fantasies and he's lying when he says he doesn't enjoy them when he accidentally lets it slip during a group study session— and it’s all fine— but then, that guy appears. the brat who seems to sit a centimeter closer to you with each coming day. not only does he haunt satoru in real life, he’s tormenting his dreams, too. tainting the image of beautiful you.

needless to say, satoru starts to wake up with his hands gripping his damp pillow like he's choking it, acutely aware of the sweat sliding down his neck and over his chest as he stares up at the ceiling, listening to the dorm's air conditioner run and thinking of what it'd be like for dreams (the ones where he replaces the boy) to become reality.

it's a buildup. and soon, he reaches the apex; it's like a rollercoaster, that stomach-twisting moment when you reach the top of the rail that points to the steep descent downward. but this time, he hopes it's a thrill he gets instead of the usual falling fright; the one he got when he realized he’d slipped between your fingers in highschool.

and satoru finally comes to a grinding halt at the top of the ride one breezy fall day when he decides he wants you back in his life after you smile brightly at him and wave goodbye for the day. he’s tired of you having one foot in and one foot out of his heart; he wants, needs more. he always has, he realizes.

so he’s thinking about you and how to approach the feelings he’s realized during those long lectures, and one morning he comes up with some semblance of a plan when he’s high on the sugar from the fruit tea you bought him that morning. and he hopes that, by the end of it, he'll leave your apartment with your hand in his currently empty one, chilled with the remnants of cold condensation from the bottle.

soon enough, satoru finds himself extinguishing his nerves and raising a tense fist to knock on the door with nothing but the clothes on his back and a flimsy plan to ask you out on a midterm study sesh and maybe even a date, but he stops when he realizes it’s slightly ajar. a brief thought of what look might be on your face when he surprises you crosses his mind, so he lets himself in quietly, because he knows every single floorboard that creaks like the back of his palm from his childhood. he’s hit with a wave of warmth and an achingly familiar scent that twists at his heart, and your apartment is cozy and safe and it screams you and he thinks he catches sight of his jacket slung across the back of the couch in your living room, but he’s not sure so he takes a step forward and—

he’s greeted with the sight of that stupid guy with the nice hair and the freckles, and it makes his heart drop. but even worse, he’s kissing you and his arms are winding around your waist but you’re kissing him back with a slight hesitation that’s blinded to satoru by his shock and the fingers he thought would end up in his own tonight card through the boy’s hair and your lips glisten with the strawberry-kiwi flavored gloss he watched the boy give you a few days back and his world is turning red and he feels like his throat is constricting and he can’t breathe—

and he doesn’t even realize you’ve parted lips and you’re calling his name through the newfound tightness of his chest and the painful ringing in his ears thats even louder than any silence of a lecture hall, or the void that should’ve been filled with your voice during the time you were apart. but now satoru realizes he’d take that any fucking chance to have that again because it’s so much better than what he’s stuck with now. having you, but not really having you, because you’re there but you’re someone else’s and you’re not his and he isn’t yours. the best thing he could ever hope for was for you to own an article of his clothing and a piece of his shattered heart, broken into a million fragments. some cruel voice in his buzzing head reminds him to change the scoreboard to 0-100.

and he could buy you cheap hot coffee or earn your smiles from scrunched up paper balls or even hear your laugh with crude jokes, but there’s no point when he realizes he can’t buy you with caffeine or earn you with hitting the back of people’s heads with his bio notes or have you and your laugh all to himself anymore.

it’s almost pathetic, the way satoru’s voice cracks and changes. the look of unadulterated concern on the face of the boy who stole your lips just adds fuel to the fire.

“gojo? what are you doing here— hey, are you okay? you look like you’ve seen a ghost.”

he noticed you’d stopped calling him satoru a few weeks back. he should’ve seen it coming.

“huh? oh, yeah. i’m good. i think you’re the one hallucinating.”

he’d never told a bigger lie in his life.

satoru had left after excusing himself for intruding. how very unlike him to be so polite, you think.

so in the end, he leaves your apartment with something in his hand, after all. but it's not your own— just his blazer that you’d given back to him before he stepped out the door, taunting him with the faint scent of coffee and lingering perfume. his hope was foolish, so it seems. it’s too bad, he thinks. if it were him, he would’ve sandwiched you against your counter while he kissed. but it wasn’t. apparently, it was your turn for your stars to align at the price of his.

and so, gojo satoru, the boy force-turned man with a chipped ego and a completely broken heart, loses you again.

bonus bonus.. part 2….

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