finished Thrown to the Wolves and im not sure i liked the execution of this one. the first 1/3 in particular didnt have me convinced. the cast and the focus of the story felt a bit scattered, and only when the mystery got its footing did i start to feel engaged. but i also really enjoy narratives that explore relationships post-'the big get together' and, whew. the drama and stress in that department did not disappoint. my eyes were wide and trembling and there were many startling, gentle, painful, raw paragraphs i had to reread with an imaginary handkerchief pressed to my quivering mouth. truly. i really enjoy reading Cooper's perspective on things, and the actions he takes, and despite having to say this was the weakest book in the series so far (overall) i am hungrily curious to see how this relationship will continue to grow 🤧
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There is no gun to his head.
I don't know where that notion came from or why so many people are suddenly convinced it is true, but I rewatched the last episode and especially the final fifteen over and over again and it's not real.
So. Let's have a look at the facts, and I mean facts, as in what we see on screen and what we can generally all agree on happens—no metas, no headcanons, just pure canon.
Aziraphale and Crowley just witnessed Gabriel and Beez go off together. They are free, there are no consequences for them, they left and have no interest in returning.
This tells them two things: Any threats from hell or heaven regarding their relationship are void under the current conditions. Hell is understaffed and dealing with its own problems, and heaven is a mess in a different but equally disabling way. The second thing, or rather the consequences of the first, is that they can do the same.
Let that sink in because so many people seem to completely forget about what that scene signifies outside of being a "relationship mirror". There are no consequences when a demon and an angel go off together. In the end, they weren't stopped, everyone kinda sighed and went well, we have our own problems, so they might as well leave.
Now, when the Metatron talks to Aziraphale, that scene is fresh in his mind, it literally just happened. The threat is gone, he does not want to return to heaven in that moment because he is processing what it means for the two of them.
Then, the Metatron offers him the jackpot: Aziraphale gets to fix heaven—make a difference, as he likes to put it—and have Crowley back as an angel. Aziraphale still thinks heaven is fundamentally good and thus the best place to be; angels, the two of them, how great! All of his moral problems have been solved, and, let me stress this over and over, there is no threat.
The Metatron LITERALLY just proved to him that he won't punish angel/demon relationships—he stopped Michael from punishing them. In Aziraphale's eyes, he is the knight in shining armour, threats wouldn't even be necessary.
Additionally, and I have repeated this so many times it has become tedious, Aziraphale does not know about the second coming. He doesn't. The Metatron tells him in front of the elevator, not a second earlier.
To summarize
he has tangible proof that angel/demon relations won't be punished
the Metatron has proven himself to be an ally and trustworthy
there is no dawning apocalypse
Crowley can come back to heaven with him
In conclusion, every single one of Aziraphale's problems disappears. Threats—threats over WHAT?
Do you really think the Metatron would immediately contradict himself and destroy any tentative trust Aziraphale has? Do you think he would jeopardize the blind fearlessness he develops as soon as he mentions the Crowley part of the deal?
Everyone always calls him an evil mastermind, just to turn around and paint him as the dumbest figure imaginable. He knows what he is doing.
When Aziraphale tells Crowley about the decision he has made for them, his voice is genuinely soft. It's real joy, no hidden messages, no nothing. Have you recently re-listened to it? Because I have.
"He said I could appoint you to be an angel."
That happiness and excitement is real, it just is. I rewatched it over and over and I tried to see any hidden meanings, I really did, but he's simply happy. That's all.
Everyone is completely free to have their own theories, you can disagree with my meta thoughts all you want, that's what fandom is for!
But I am so bloody tired of getting "well, actually there was a gun to his head" on every. single. post. that I make about the final fifteen. There was no gun.
You can put one into the Metatron's hands all you like, but it is not canon. It just isn't.
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Some of you don't understand one bit the difference between "this person genuinely has a shit ass take about canon" and "this person does understand the themes of canon, they're just having fun with an AU" and it shows.
I will be bitchy about the first one but the second one? You know what, not my business. If I hate it, I ignore it, I don't make it a whole deal.
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