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#thunder brand
bonebabbles · 6 months
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Okay, finally reading Thunder now
Everything about Smoky is so profoundly uncomfortable, these writers really do have a knack for picking the worst man in a 100 mile radius to obsess about. It is insane how openly they play writers' favorite
Frostpaw is afraid she'll be betrayed (she will be), but she has no choice (and so is forced to trust him). When he mentions the horse doctor (it is explicitly a vet for horses), she has an intense, negative reaction telling him that calling the human is something she does not want.
So Smoky completely ignores her, obviously.
Medical treatment is forced on her as she screams and cries, thrashing so hard that her neck wound is opened up and blood gets everywhere, and then the horse doctor brings out a syringe full of cat tranquilizer which I guess they just had laying around. While she's out, she's sterilized, and when she wakes up she's unsettled about it but Smoky has no answers for what was done to her.
Anyway, she's out for a single day and isn't allowed to stay mad at Smoky for more than a minute because He's So Nice and the writer can't handle anyone ever being upset at their favorite boy characters for more than 30 seconds. I wonder if the NEXT field guide will have a short story about how amazing Smoky is and have the corpse of Firestar himself coo that he's soso misunderstood
Deeply uncomfortable choice to create these chapters. Make your bets now-- how long is gonna pass before Frostpaw learns her choice to have children was taken from her and they play this for for drama in front of their audience of 13-year-olds? (but in a way that doesn't blame smoky at all ofc)
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freshthoughts2020 · 2 months
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SHAI 2 TIMES ⚡️: gettothecorner.com/welcome/shai2times
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ufonaut · 11 months
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If he’s looking to erase us from history, which we’ve faced before, why bother with the future rather than focus on the past? If the past is destroyed, the future won’t exist, right?
Justice Society of America (2022) #4
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gonguji · 3 months
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kabukimono's love life could make for many light novels . . .
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samasmith23 · 4 months
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So one really awesome aspect of Russell Dauterman's artwork in Jason Aaron's Thor run that I absolutely love is how he truly nails the likeness of actress Natalie Portman when illustrating Jane Foster!
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It honestly an incredibly effective way of synergizing both the comics and the Marvel Cinematic Universe together!
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magnusmodig · 3 months
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yeah i'm one spoon away from setting the ends of my hair on fire if i'm kindling for a little while at least i'll feel of use... promise me that you'll start where i end and i promise to give you everything that i am and it goes on, and on, and on... we'll go on and on and on in the end all i hope for is to be a bit of warmth for you when there's not a lot of warmth left to go around.
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born-to-lose · 1 year
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Tell me what song you associate with me? 🥺
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redtyrannoranger · 3 months
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youtube
“Just Do It ✔️”
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Dohter: Ah, look at the travelers. They have learnt so much from the skills we have taught them
Draefendi: Thou art correct. I do not regret the day I have put the secrets to my skills in my shrine
Brand: That is indeed true, but I am also glad that their abilities have not grown to be as strong as ours
Bifelgan: Why do I sense something coming?
Brand: After all, that would be-
Aeber: For our sake, not again
Brand: -Stealing my thunder
Alephan: Google: How to kill a god
Brand: What was that?
Alephan: Nothing
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septembersghost · 2 years
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Nobody's perfect. Not even superheroes.
But God, I am so very, very tired of investing in major female characters in the Marvel Cinematic Universe, only to see them meet an ignominious end. Let's set aside the fact that it took 21 tries to even get a female-led film, 2019's Captain Marvel. There have always been interesting, bad-ass women in the MCU — they just keep being done dirty.
The men of the MCU routinely save the day, seemingly with nine lives to spare (not that I'm complaining about having more Tom Hiddleston in my life, but for the love of the Norse gods, how many times has Loki been brought back from the dead?). Meanwhile, the women of the MCU's greatest asset seems to be the most stereotypically feminine of traits: sacrifice.
Don't get me wrong, sacrifice is a heroic quality. It takes a special kind of person to lay down their life for the greater good. But it gets exhausting when that special kind of person seems to be mostly female (thank you for your service, though, Tony Stark and Vision).
First, there was Natasha Romanoff, a.k.a. Black Widow (Scarlett Johansson), who, in the quest for the Infinity Stones, sacrifices herself for the Soul Stone, sparing Hawkeye's life. Her justification? Hawkeye (Jeremy Renner) has a family who needs him. So what does that say about Black Widow's adoptive sister Yelena (Florence Pugh) or other close friends who make up her found family?
A lot has been written about that narrative choice, and it's arguably the most polarizing death in the MCU. Especially since it came after Natasha's character endured outright sexism for years, particularly in the Age of Ultron, where the script reduced her to her reproductive choices, having her call herself a "monster" because she can't have children. Despite all that, it might've been possible to take her death as a moment of valor that served the storytelling — if Marvel didn't keep recycling that motif to motivate its male characters.
Here lies Gamora (Zoe Saldana), Aunt May (Marisa Tomei), Ajak (Salma Hayek), Wanda/Scarlet Witch (Elizabeth Olsen), and the newest addition to the dead fierce ladies club, Dr. Jane Foster (Natalie Portman). And that's not even including the saintly mamas who have died to light a fire under their sons (hi, Thor and Shang-Chi). Or the varying degrees of lip service to female empowerment Marvel has come under fire for over the years.
Sure, a past version of Gamora may be alive in the multiverses, and not even Elizabeth Olsen knows if her character is permanently dead after the events of Doctor Strange in the Multiverse of Madness. But I bet you can guess how she (maybe) died at the end: That's right, sacrificing herself for the greater good, even after being villainized for "breaking the rules," something her male counterparts do regularly. Sure, Wanda's rule-breaking might have cost many innocent lives, but it's not like she caused a universe-destroying Incursion (looking at you, Doctor Strange) or unleashed a wave of supervillains in a last-ditch effort to get into college (you too, Parker).
Even with all that, it was not until Thor: Love and Thunder that I finally reached my breaking point with Marvel's treatment of its female heroes' mortality. And I had such high hopes! Throughout the press tour, Natalie Portman made much of her return to the MCU being predicated on Jane finally having something interesting to do. The trailers showed Portman's Jane kitted out as a fully-fledged Lady Thor, complete with a winged helmet and wielding Mjölnir (did I maybe cheer more for this than even Steve Rogers proving his worthiness? Yes). What's more, here, she would not only become a hero in her own right, but she'd get to team up with another MCU favorite, Valkyrie (Tessa Thompson).
Imagine my irritation when the interesting thing they've finally given Jane to do is have cancer and die (yes, I know this is a storyline from the comics; it's still annoying). It's pretty evident from the earliest shots of her in the film that she's not long for this world. But it's a real pain in the Asgard that, like Natasha, Gamora, and Wanda before her, she only gets to step into the spotlight just as it's about to be extinguished. There are flickers of hope that becoming a Thor will strengthen and heal her. But for dudes, with great power comes great responsibility. For ladies, with great power comes an expiration date.
When Thor finally forces Jane to stop cavorting as a Thor and seek genuine treatment for her illness, he acknowledges he'll have to try to complete his mission alone. That is until Jane swoops in at the last minute to save the day (and his very well-toned butt), knowing full well the effort will kill her a lot sooner than if she waited in her hospital bed. Just like the women before her, she makes a choice — and that choice is to die for the sake of the world and the man she loves.
There is nothing wrong with this choice at face value. It doesn't make Jane (or Wanda, or Natasha...) weak or lesser than any of the male heroes of the MCU. Indeed, it's a death so noble it earns Jane a place in Valhalla. But it would be more emotionally satisfying if I hadn't seen it so many times before. And if it didn't feel like that, while the men of the MCU get to be arrogant, wholesome, angry, remorseful, and any number of complex things, women's clearest path to heroism seems to be death.
Sure, I want more female superheroes. More kick-ass ladies who I can dress up as for Halloween and cheer on. But not if their only purpose in the plot is virtual martyrdom. The MCU has taken great pains to make its heroes nuanced figures who grapple with the human cost of their adventures; it makes the case that there are many ways to be a hero. Unless, of course, you're a woman. (Florence Pugh, Hailee Steinfeld, Brie Larson, y'all might want to get a clause in your contracts, just saying).
Because women are expendable. We are living in a world where women are fighting for their lives and their rights daily, where misogyny is insidious, and women regularly fear violence from strangers and partners alike. It's easy to feel that the cost of our lives is cheap, that we mean more in death than we do in life. The MCU, intentionally or not, reiterates that narrative.
I don't want a fictional world of heroes where a woman's greatest superpower is death. It's a hill I'm willing to do anything but die on.
-We Need To Talk About Marvel’s Women Problem
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smogflesh · 9 months
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@multi-royalty asked : send  ☂️  for  a  weather  based  starter .(addie) [ 𝚂𝙲 . ]
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                𝐎𝐍𝐘𝐗  𝐎𝐏𝐓𝐈𝐂𝐒  𝐑𝐈𝐒𝐄  𝐓𝐎  𝐀𝐍𝐆𝐑𝐘  𝐒𝐊𝐘  𝐖𝐇𝐄𝐍  𝐓𝐇𝐔𝐍𝐃𝐄𝐑  𝐄𝐂𝐇𝐎𝐄𝐒    &    𝐑𝐎𝐋𝐋𝐒      above  the  heads  of  bustling  city  ,    that  thrill  buzzing  beneath  eris’  skin  in  anticipation  of    SUMMER  STORM  .    air  thick  with  humidity  clings  to  her  ,    ebony  strands  at  the  back  of  her  neck  damp    &    sticking  but  the  monstress  couldn’t  be  bothered  by  the  heat  .    knows  that  relief  would  soon  come  once  the  first  drops  hit  the  pavement  beneath  their  feet  .    when  she  feels  fingers  curl  around  slender  wrist  ,    gaze  drops  to  land  on  addie  who  swiftly  guides  them  to  an  awning  of  a  closed  down  business  .    providing  them  a  small  bit  of  shelter  just  as  the  first  trickle  of  rain  begins  .                 storms  were  one  of  eris’  most  favorite  things  ,    even  still  with  the  amount  of  years  she  had  under  her  belt  ,    with  how  many  she’s  already  witnessed  she  could  never  tire  of  them  .    especially  now  ,    after  only  seeing  darkness  for  a  century    &    hearing  only  the  sounds  of  her  own  breathing  within  the  confines  of  four  walls  ,    she  never  wanted  to  miss  another  storm  ever  again  .    ❛    it’s  going  to  be  a  big  one  ,    ❜    eris  starts  but  is  cut  off  by  a  white  flash  cutting  through  canvas  of    GLOOMY    heavens  .    waits  only  a  beat  before  booming  thunder  follows  right  after  .    the  sound  pulls  a  short  smile  from  the  entity  .    ❛    i  don’t  think  this  tiny  roof  will  do  us  much  good  once  the  winds  picks  up  ,    addie  .    ❜
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indeedgoodman · 1 year
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beatlesandbards · 2 years
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can't fucking wait to watch Roy Kent face off against Thor in the next movie omfg
what a treat!
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mara-manson · 2 years
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⚡️⚡️⚡️
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(Then again, all of August is just Manjoume month anyway)
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varietysky · 2 years
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thorkyrie is everything to me but I'm DREADING the awful bisexual discourse (from ppl who aren't even bi) if thorkyrie becomes canon in Thor 4
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dialphone-archived · 1 year
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should i get soda or coffee time sensitive
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