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#today i attempted digital art
pyroguesstuff · 1 month
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doodled a mog to test out some different stylistic/process preferences
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kyurochurro · 9 months
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MARTEY WE GOTTA GET BACK (tm) TO THE (C) FUTURE (TM) (C)
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starry-bi-sky · 5 hours
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Danyal Phantom Doodles uhhh i’ve got a handful of Danyal Al Ghul drawings that I like enough to share.
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#dp x dc#dpxdc#danny fenton is not the ghost king#dpxdc crossover#dp x dc crossover#mediocre starry art#danyal al ghul au#danyal al ghul#dpxdc art#jumpscare appearance of shoddily done digital version of phantom done from mobile pocket procreate#he's looking at vlad fyi. that's why he looks like he's .5 seconds from committing a violence#second row middle is that one popular screencap of danny looking at lancer and iirc kwan. the fourth row middle is from a scene#where valerie as huntress tells phantom 'you're not the boss of me!' and he without saying a word. yanks off her mask right in front of#her dad. revealing her identity. before smugly sing-songing “no. but HE is~” and it was so funny i had to attempt to redraw it with Danyal#phantom was doing the soldier 'arms behind back' pose too which is like. somehow makes it funnier#those first four are recent. i drew all but the second one today. same with drawing 6. the rest are weeks old#anatomy practice is helpful but ANNOYING. wdym drawing the back profile is HARDER. why is it harder#also drawing front profiles my beloathed. how do i stop drawing you Prepubescent#out of all things Vlad was expecting from Jack's adoptive son. a sword was not one of them#shot myself in the foot with digi phantom by not doing lineart. but i guess him being hard to see is. Kinda The Whole Point LMAO. his suit#IS. after all. mimicking his dad + the whole assassin shtick.#its the brat himself. the bastard. he likes to climb things over flying.
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keeps-ache · 7 months
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i'm going. so fast
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catboy-a-day · 2 months
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todays kittyyyyyyyyy meow meow number 20 :333
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pixlatedvampire · 2 years
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I love this disaster bard sm you don’t even know 💕
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dandyshucks · 2 months
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HUGE WIN !! one of the ladies at the group brought in a plastic bag full of cotton yarn and I spotted a small crochet hook in there (definitely a size I don't have yet, yay!!) and she was hoping someone would be able to take it off her hands because we don't have a thrift store anymore to give things to, and none of the other ladies were interested so I said I'd love to take it and I'd find a good use for it !!! YIPPEEEE !!
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givemaycoffee · 1 year
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Him
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revalito · 1 year
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hey, follow me!
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neverendingford · 1 year
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crowmakes · 1 year
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Okay, fuck it. It's not finished because I had to distract my friend after she got frustrated with her game, but she recognized him as "that one guy from the superhero movies" so I say, good enough for today lol
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detectiveships · 1 year
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Digital Painting/Likeness study from memory of the queen Park Min Young as Choi Sang Eun in Love in Contract
Please do not repost; reblogs are always welcome 😉
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dragonkween13 · 2 years
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Got bored while helping my mom out with one of her little side hustles, ended up drawing some bench trio doodles
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Also have a Grian I drew in church that came out p good
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roseygeearts · 2 years
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Day 14: Empty  An empty void of tired. Devoid of good ideas for today.
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feverdreamjohnny · 10 months
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The Epitaph of Anything Goes
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I decided that this morning I would talk about The Museum of Anything Goes and the subject of lost media.
For the uninitiated, The Museum of Anything Goes is an obscure "game" released in 1995 by Wayzata Technologies, a company that is so far under the radar that I was unable to find any useful information about it outside of TMoAG.
All I could uncover is that they published a few multimedia projects (which are essentially lost now) alongside some asset discs (clipart, SFX, etc.). That's it.
The brains behind Wayzata are even more difficult to locate these days: there are only two main names credited inside of TMoAG - Michael Markowski and Maxwell S. Robertson.
The game alleges that Michael and Maxwell are well known in the art world, but any additional information about the duo is scarce beyond the confines of the museum. Attempting to search for either name online turns up plenty of rabbit holes - but none of them have anything to do with the Michael and Maxwell responsible for TMoAG.
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This is particularly fascinating because it essentially means that TMoAG is the only accessible record of their lives. Before we dig any deeper into that statement, let me step back and actually address what this game is.
The Museum of Anything Goes is, by definition, a virtual art museum. Functionally it's a prerendered point-and-click adventure game where you can explore a bunch of multimedia exhibits that give the surface-level impression of a children's edutainment game, but once you start exploring further it reveals a side that firmly plants the game's feet into a haze of substance abuse and surreal humor.
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Many exhibits are essentially just toying around with the astonishing new powers of CD-ROM. Everything has to make noise. Everything has to spin and flitter around. There's an air of genuine excitement for the medium, and I can't help but find it extremely charming.
The game also functions as a scrapbook, filled to the brim with photos of random trips to the zoo and snow-mobile rides with friends. At one point we even get insight into something as specific as Michael's one-year job as a tutor at a Chicago middle school, where he talks about how it opened his eyes to how poorly funded and mismanaged the school system is.
It's simultaneously quaint and chilling to see so much personal history packed into a world doomed to obscurity. As I explore the deeper parts of the museum, I contemplate if the creators are still alive today. It's a bit morbid, but imagine that - you create a single obscure game with your friend and it's all the world can see. TMoAG is currently the only surviving piece that gives any insight into who these two men were.
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While many exhibits are lighthearted or nonsensical, there are occasional moments where the game dips into the eerie.
One exhibit has the player kill a man by dropping him from the sky, and after burying him you open the coffin to a video of a rotting pig carcass being put into an incinerator.
Other exhibits just feature simple 3D renders shifting around a dark screen while haunting groans play in the background.
While I would never refer to the game as "scary," its darker moments combined with the occasional mature subject matter definitely begs the question: Who is this game for?
You have to remember that this game came out long before the concept of "alt-games" had become codified in the digital space. Sure, unconventional digital art had been around before the advent of 256 colors, but TMoAG was being sold on disk as a game! It came out 2 years after DOOM hit shelves!
The trend of using the PC for entertainment was certainly on the upswing around that time, but It's not like TMoAG had a massive audience to find a niche in. With its mature themes it certainly wasn't suited for the kids market either, so who was it for?
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At the end of the day, it's a moot question. We already know the target audience for The Museum of Anything Goes: Nobody. It doesn't have an audience because by its nature, TMoAG wasn't being made FOR someone, it was being made BY someone. It's a raw, unfiltered form of personal expression.
I think games like these are pivotal, because they question why people assume a game has to exist for the sake of being a consumable product. TMoAG certainly has the shape of a product: it features an intro cutscene, it has a tutorial, it features intuitive UX, it even has a map! These are all features that are solely integrated to provide comfort to an end-user. But once you actually wander around the museum for a bit, you realize how bizarrely its packaging fits its contents.
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I think TMoAG is criminally underrated. It's not because its core content contains some earth-shaking truth, it's because the game defied all odds and cheated death.
How many thousands of other personal projects were deemed a little "too exotic" to be archived? How much history was lost these past 40 years as the digital space evolved and ate its old skin?
God knows how many other TMoAGs we'll never learn about because they weren't lucky enough to be preserved.
The Museum of Anything Goes isn't just some nonsensical art piece, it's a grave marker for so much lost media. Its existence is a reminder that some people's lives were fossilized, then macerated into nothing because a construction company built a skyscraper over them. The only evidence we have of those other games existing is this little fossil that somehow slipped out from under the skyscraper unscathed.
Even though so much has been lost, TMoAG survives as an epitaph.
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kathaynesart · 1 year
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TIP JAR (every little bit is appreciated!)
R E P L I C A
LATEST UPDATE
COMIC: ARC 1 - Boot(y)ing Up - 1 - 2 -  ARC 2 - The Spark - 1 - 2 - ARC 3 - Forgiveness - 1 - 2 - 3 - 4 - 5 - ARC 4 - Probing - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - ARC 5 - Distractions and Dilemmas - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - INTERMISSION - Checkmate - 1 -  HOLIDAY SPECIAL - 1 - 2 - 3 - 4 - 5 - 6 -
ANIMATICS: The Funny One Not Dead High Five
EXTRAS: Future Donnie Design Omega Design (SPOILER) No Love for You Processing Stupidity Peepaw Paradox Peepaw Paradise Peepaw Showdown 1 Peepaw Showdown 2 Peepaw Showdown 3 Peepaw Showdown 4 TMNT AU Competition 1 TMNT AU Competition 2 TMNT AU Competition 3 TMNT AU Competition 4 TMNT AU Competition 5 Feral Leo 1 Feral Leo 2 Cass and Replica Reunion 1 Cass and Replica Reunion 2 (not my art) Cass and Replica Reunion 3 (not my art) Cass and Replica Reunion 4 (not my art) Cass and Replica Reunion 5 Bootyyyshaker GIF Leo PUNCH Donnie’s Eyebrows Handsome Future Donnie
INFO: Donnie’s Scars
MERCH: Processing/Displaying Stupidity ROTTMNT General Upcoming
Finally have an official cover and title!  There were some REALLY good guesses as to what the title could have been, but I can at least explain my reasons why I went with Replica.  TLDR you can still call it Future Booty Shaker if you want. Usual info dump below: 
 There are several reasons why I chose Replica as the final name.  The most obvious being that Omega is Donnie’s blatant attempt at replicating himself in digital form.
The second being that this comic is in itself is an attempt at replicating the vibe and setup of the film’s opening as closely as possible.  Those first 4:05 have literally become the bible for this story and I have already had to make vast changes based off of tiny details that weren’t noticed until later on.  
Ironically the cut full opening just dropped today and I do have some feelings I’d like to address.  It’s obvious how substantially different the two openings are from each other.  As cool as it was to see everyone kicking butt, I will admit I still like the final version a lot better.  Sure it’s shorter, but it felt far more personal and intimate than the action packed cut version, and THAT’S the sort of vibe I want to replicate in this comic.
At its core, this isn’t a story about fighting a bunch of Krang, it’s a story about a family fighting their own personal battles before an apocalyptic backdrop and Replica is a vain attempt at retaining that feeling while building a story around it. Will I be successful?  Who knows.  I will definitely be drawing reference from the cut boards especially the appearance of their colony.  I’m happy my hunch was right that they were stationed beneath the Statue of Liberty, that was already a part of my story haha.
My runner up title would have been “Fall of the TMNT” however I felt it was a little too on the nose.  Though it did make for a fun dichotomy with “Rise of the TMNT”s title.   Anyways that’s my info dump.  Feel free to still hashtag Future Bootyyy Shaker, I know I will.
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