#trancework

[creature-wizard]

If there's one thing that's been rather consistent in my capacity to get results from the weird shit I do, it's "avoid anything that takes a long amount of time, concentrate all effort into something fast and hard-hitting."

This goes even for relaxation exercises/self-hypnosis techniques. A lot of people do this thing where you relax gradually, relaxing each body part sequentially.

That's not for me. Currently what I'm doing is mentally counting backwards from ten, and with each number I imagine in my mind, a bit more tension or whatever leaves my body in a rather dramatic poof.

By the time I hit zero, I'm usually in a nice little hypnotic state. If not, I can repeat the countdown from ten again. Or sometimes even just count down from three.

Also, if I get an itch or an urge to move when that happens, I don't force myself to hold still. I try to move as quickly and "unconsciously" as possible - don't think about the movement, just let the body's autopilot handle it. If it sets me back at all, then I maybe repeat the countdown, or just count down from three. It seems to work all right. It's much easier to just scratch the itch and get going again rather than force myself to hold still while the itch continues for minutes, adding more stress that will set me back even more.

"If you do X then you have to start all over again from the beginning" is something that's only ever stressed me out - in fact, it was a very demoralizing approach for me - so I don't do it that way. I might just back up a little, or do it for a little longer, but I don't force myself to start over from the beginning. I find that my skill increases better if I allow myself to go through a whole process badly instead of forcing myself to start over from the beginning anytime something goes a little off-track.

#personal #witchcraft #magic #trancework #trance work #adhd witch #adhd magic

[findingthe-stillpoint-blog]

Connecting to the Ancestors

#Ancestors #ancestor worship #magic #spellwork #witchcraft #norse paganism #norse polytheism #polytheism #pagan art #pagan #paganism #shaman #shamanic #shamanism #shamanicart #trance #trancework #runes #runic #runework #graphitedrawing #graphitepencil #pencil #pencildrawing #traditional sketch #traditional media #semiabstract #experimentaldrawing #experimentalart #heathen

[spiritsandsunflowers]

Divining Mats are Available Now!

Featuring stitched edges and no slip backing, these 18“ x 16“ divining mats are much more durable than your average silk or alter cloth, allowing you to invite a sense of professionalism and structure to wherever you may be slinging cards today. These mats are perfect for tarot and oracle cards, as well as for runes of any medium!

#tarot #oracle #tarot cards #oracle cards #runes #altar #divination #pagan #witch #heathen #etsy #small business #gods #witchcraft #sun #moon #moon phases #tree #yggdrasil #trancework

[unearthedbyodin]

#pagan #witch #witchcraft #heathen #magic #folk witch #norse witch #wardruna #skald #seider #volva #Norse pagan #healing mountain #shaman #spirit flight #trancework #Youtube

[7serendipities]

Freyja’s Falcon Flights: To Make A Choice

I think I only did one of these last year, in September near the Autumnal Equinox, after getting the nudge from Freyja. I had thought that I would do them at the waxing quarter before the solstice and the waning moon after, from the Vernal Equinox through the Autumnal, but Bé Chuille stepped forward and asked for larger monthly workings, so I’m now doing those every waning quarter and I’ll be doing all the Falcon Flights on the waxing quarter. That’s honestly a little easier to keep track of, anyways!

So, just as a reminder, these Falcon Flights are journey paths Freyja guides me through that I am then supposed to share with those in my community. If you’re here reading this and it resonates, great! You’re part of that community. You don’t have to be a devotee or Freyja already (though you do need to be open to at least a small working relationship) and you don’t have to identify as Heathen and you don’t have to live nearby.

On the other hand, if these don’t work for you or aren’t your jam or just don’t resonate even if you are Heathen or a Freyja devotee, that’s fine too - I’m not the pagan pope! You don’t have to be part of this particular community. We’re all part of many overlapping communities and I don’t expect this blog series to resonate for everyone who likes my blog for other reasons. This series is based on my own experiences and UPG and I don’t expect everyone to agree with me or have the same viewpoints. Just scroll on, or skip reading the week of the waxing quarter. No worries.

Just: no Nazis, bigotry will not be tolerated, and bad faith arguments will get you blocked. We support Declaration 127 and Queer Liberation and Decolonization around here, and with the current state of American Heathenry, I find it best to state all of that shit up front.

And now, with no further ado, here is the script for this month’s Falcon Flight. Before you begin, prepare an offering for Freyja.

Falcon Flight: To Make a Choice

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing in a flowery meadow.

When you arrive in the meadow, take a moment to observe around you, turning until you see a path. At the entrance to the path are two shrubs, and as you move on that direction, you see trees as well. Shrubs give way to trees and undergrowth on either side of the path, getting taller and denser as you move onward, until they join overhead into an arch, forming a tunnel of trees that slopes downward, getting denser and darker.

Eventually, you notice that the path has become flat, and then it begins to rise. Now the trees are thinning again, branches giving way to brightness, and as the trees again give way to shrubs, you see a gate in front of a wide plain and beyond it, the great world tree. If you have any guides or guardians you wish to accompany you, ones who can join you in flight, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, circle around it clockwise, until you see an opening beneath one of the great roots. Duck under this root and enter the tunnel beneath. There is hard dirt packed beneath your feet, and the entire tunnel seems to have been hewn from that same clay-rich dirt and sandstone. Not as many feet come this way — the floor is still rough in places, so watch your step as you continue forward. There are torches set into sconces in the rough hewn walls, and their light looks like fire but you feel no heat as we continue past, and you smell no smoke or pitch.

The tunnel curves gently and then begins to rise in a gradual incline, ending in a doorway, two huge stones on either side and capped with a third. Touch one gently as you step out into the fresh air — these are worn by the elements and smooth to the touch. If you look back to the entrance, you will notice that on this side, the tunnel leads into what looks like a large burial mound, standing alone in a large clearing, though the forest is slowly encroaching from all sides.

Smell the air — the pine sap scent is strong, and your nose can tell there is moving water somewhere nearby, even if your ears cannot yet hear it. Now you should continue, following a clear trail deeper into the forest. Your footfalls are muffled by pine needles, and the air seems still. The scent and after a while the sound of water is to your left as you walk, and after a short time, you arrive at a fork, with three paths to choose from.

One path curves to the left, and you can just make out a bridge over a creek in the distance. The one to the right seems to vanish into the trees. Continue down the middle path, which leads straight ahead. After a while, the trees seem to thin a bit, and the underbrush grows less tangled. There is a little smoke in the sky, above the rise of the hill, as though it comes from a hearth-fire, and you follow the path towards it.

As the path reaches the edge of the forest, and the pine needles give way to a large open field, your eyes are drawn to the great hall. It is large, and you know at once to whom it belongs. This is Freyja’s Hall, Sessrumnir, and you are in Folkvangr. Approach the door, and when the guard calls out his challenge, announce yourself and your purpose, and hand him the offering you brought for his Lady. He will give you a cloak in return. Put it on, and step inside.

Inside, the hall is dark, and folks wearing cloaks talk in hushed tones and whispers, gathered in small groups. If you would talk to Freyja today, approach the dais and speak.

When you are finished, move towards the closed door, opposite the one you came in. A cleric is there, to let you know when it is your turn. When they motion to you, move forward, and pull your cloak over your face so that it falls to your chin, obscuring your vision of everything except yourself and the floor. Open the door, and enter the room. Someone else is in here, but you can only see their dark robe and their two hands, outstretched. In each palm is an object. Choose one, and take it. If you speak to the person, they will answer, but you must make the choice before you can leave this room.

When you have chosen an object, you will be allowed to continue on. A door will open or a portal will appear - you may remove your hood and call to your guides to join you before you step through. What you find on the other side will be important, and personal, based on the object you chose.

…

When you are finished with your time in that other place, a trail of amber stones will begin to glow, illuminating a path back to Folkvangr and the path that will lead you back to the World Tree. You may stop at the hall along your way, if you wish. When you are ready to depart, go back the way you came: through the forest, to the mound, through the mound-tunnel and out from under the root, across the plain, and back to the gate, through the tunnel of trees, and back to the meadow. Then the mist will swirl up again, and take you back to your body.

#Freyja #Falcon Flights #guided journey #journey work #trancework

[hawthorne-house]

It’s Red Moon Night!

Hello Belles, Beaus, and Babes of all genders, journeys, and spiritual ways and welcome, to Hawthorne House. Tonight is the Lunar Eclipse and first night of the Full Moon and you know what that means! Well, actually it could mean any number of things depending on your practice, beliefs, or energy whatever you’re doing with that moon. But at Hawthorne House it’s the ideal time for trancing, channeling, and communing with the spirits about. I’m not sure if I’ll be doing anything specific on here tonight but I wanted to wish everyone a lovely Red Moon Lunar Eclipse. And say that if you’re going to be wanderin on the other side tonight feel free to come visit. Either here or O’re Yonder. We can chatter. Anywho. I’ll see about checking in again later! Yours, Aria

#witchblr #divination #channeling #trance #trancework #Aria speaks #Hawthorne House #Update #Lunar Eclipse #Bloodmoon #red moon #witchcraft #witch community #spirits #spiritual #can't wait for tomorrow

[thejaggedpoisonpath]

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#thejaggedpath #aphrodisiac #divination #trancework #luciddreaming #womenownedbusiness #queerownedandoperated #wisewoman

[lokasae]

#thinking of this place back at home where i would fish #it was excellent for trancework

[arlechinav-blog]

Training for Trancework

(Pictured: A working trance altar with resin incense, flowers, chocolate, salt & herbs, and a plate for monetary offerings.)

Basic Trancework -Just trance for the sake of trance. Celebration. Experimentation. Fun. Labor.

In the beginning, your efforts should be focused on just getting into and out of an altered state safely and reliably. You can do that by giving yourself permission to go all in. Embrace the magic floppy time without hesitation or second guessing yourself. Make peace with things as they are. If your hair is messy, just let that concern go. If your mind is too loud to release from your body, disconnect from your worries. Whatever holds you back from totally relaxing into yourself, put it aside temporarily.

In my opinion, the best way to do these things is to just play around with it. When starting out with any new thing, there should be a childhood phase. It may grow to be a serious thing later but in the beginning, you get to be childlike and just explore what is possible and what you like. Whatever brings you a sense of peace and joy. That will give you a strong foundation to build upon later.

On a practical level, that will mean putting on some music or playing with live musicians and engaging in simple repetitive (dance) movements that disrupt the body's equilibrium. Rocking side to side or front to back, whirling, rolling movements that ripple from the spine through the limbs. It is okay to flop on the group. Trance dancing is dance but it is more to be felt than seen so it doesn't have to look dignified in any way. Just enjoy yourself and let your mind go.

If you are developing trancework as a musician (musician's trance is definitely a thing) then at this stage you will want to practice your music until you feel confident with it and then condition yourself to relax more and more as you go. Committing a song to memory will really help, that way you don't have to stay focused. Your muscle memory will carry you through but only if you have trained your body to do it while fully awake first.

Catalyst Trancework -Trancework that utilizes a fuel source to propel you deeper into an altered state. This can be a heavy emotion like love, rage, or grief, OR a substance like alcohol that can melt away barriers between the active wakeful mind and the loose uninhibited mind. It can also just be a power object that you introduce whenever you trance that will send you over the other side.

Once you have the basics down and you can get in and out of a trance without much difficulty, you will want to shift to a different goal. At this stage, you will want to build up your hypnotic conditioning to reduce your reaction time and encourage muscle memory over active waking-mind reactions. This is where trancework starts getting formal. If you want to engage with Med style trancework then you will wear white when you trance. Every time. This conditions your mind to only trance when you are wearing white and it helps to keep you out of an altered state when you don't want to be in one.

At this stage you can use colors, symbols, and scents to create the hypnotic suggestion that now is the time to trance as well as what kind of trance you want to engage in. Use different incense, scented oils, and perfumes to trigger different muscle memory states. Use each scent consistently and for no other purpose to keep those associations strong. They will build over time.

You can also paint symbols on your body that have deeper occult meanings for you personally or culturally. I use mud, henna, and wood ash to create designs on my body for this. They can be for protection, for magic, for enhancement, for whatever you need. Just use them consistently and for no other purpose than this.

This is a good stage to start developing group trancework as well. Through repetitive chain or circle dances with others. Just like with the musician's trance training described above, you will want to learn and perfect the dances you want to use while fully awake and then begin conditioning yourself to relax while doing them in a trance. This places the burden of movement on your muscle memory rather than your active wakeful mind.

As a musician, you can start weaving more complicated rhythms and start developing your skills at improvisation. To do this as a singer, take one or two songs that you know really well and start amusing yourself by crafting new lyrics for them. Do it often in a wakeful state. The goal of this is to condition the mind to be able to improvise lyrics in an altered state. This is used in traditional Mediterranean mediumship where the ability to spontaneously compose verse from the perspective of the dead provides proof of state. With an instrument you will probably end up going down a folkloric numerical rabbit hole. Where each number has a spiritual significance and you start anchoring the music you make to those numerical associations.

Ecstatic Trance -Spiritwork. Any trancework that involves spirits other than your own but not gods. This can be a form of automatic mediumship, or some form of possession. The Cult of the Winds and some of the trancework relating to both the Mountain Mothers & Dionysos fit this description.

There are so many angles to developing the knowledge and skills for this type of trancework. If you are a Bride then you would initiate into a living tradition or a reconstructed one with people that you trust. To develop skills as a Bride, you will want to practice extremely strict compartmentalization and reinforcement of your hypnotic triggers. The exact parameters of what you would do here depends on what spirit you are a Bride to.

If you are a musician then you will spend a lot of time memorizing threads (spirit chants) and rhythms. There can be dozens to hundreds of threads depending on which spirit cult you are involved with. You will also devote some energy to strict compartmentalization of your hypnotic triggers, which are also cult specific.

If you are training as a monitor (someone who watches over the entranced), you will spend a lot of time in the trenches watching the body language of the entranced and learning to read the signs to interpret what is going on. And, of course, you will spend time learning how to troubleshoot various scenarios where your skills will be tested.

If you are training to be a lead musician then buckle up because you will have to learn all of it and then some. To be a lead musician is to intimately and skillfully be able to perform every role used in trancework. You will also want to start acquiring gear that your trance group will need to host a ritual. (I'll make a separate post on what kind of materials you will want to have on hand for that.)

Euphoric or Enthusiastic Trance -Bridalwork, which is ecstatic trance with gods instead of spirits. This will also be cult specific. Some euphoric traditions just focus on becoming closer to divinity for no other purpose than it is holy and desirable. Others use music as a diagnostic process to see if a person has run afoul of a god. And still others utilize euphoric trance to drive away lesser spirits who are making problems for mortals.

This is the most formal type of trancework there is. That formality is there as a safety feature and to facilitate the creation of proof of state. The more strict you are with this type of trancework, the farther you will go with it. It takes a lot of faith. You have to know what you are doing with absolute certitude and commit to it fully. The more reverence you put into it in your waking life, the deeper your connection while entranced.

Unfortunately those three different ritual goal styles listed in the description have radically different needs so I cannot help too much in a general sense. The major thing that connects them is that formality though. So focus on that, cultivate strong relationships with divinity by doing things the way you are supposed to do them when you are supposed to do them. And this will build over time and repetition.

A Final Note Taking your sweet time is very important. Rushing to an imagined destination or an end goal will create a weak foundation. I recommend spending at least a year of active weekly development on your skills for each stage before actively moving on to the next. You can build your skills in each type of trance up all at the same time but it will still take years. The longer you keep at it and more consistently you do it the more you will be able to do with it. This is a lifelong pursuit.

Hope this helps! Good luck.

#trance work #hellenic polytheism #spiritwork

[coinandcandle]

Cernunnos Deep Dive

This was a requested deep dive on Hermes, you can request a deep dive on my ko-fi for $5!

Unfortunately not much is known historically about Cernunnos. Scholars seem certain, however, that he was an ancient Gaulish deity.

Let’s get to know this elusive deity!

Parents and Siblings

No attested parents or siblings

Lovers or Partners

No attested partners

Children

No attested children

Epithets

As far as we know, no ancient or historical epithets of Cernunnos have made it through the passage of time. That said, we have some epithets given to him from more modern times.

Lord of Beasts (Anne Ross)

Patron of Prosperity (Anne Ross)

Lord of Animals (Proinsias MacCana)

Lord of Living Beings (David Rankin)

Lord of Beasts and Fecundity (Miranda Green)

The Horned God*

More potential epithets listed in Jess South’s text referenced below.

Keeper of riches

God under the earth

Antlered serpent, Horned serpent

Clearer of paths

Sitter-at-the-crossroads

Sitter-between

Liminal one

God undying

Notes

*In depictions of Cernunnos, his head is notably adorbed with antlers, not horns. This epithet is also the name of the two primary deities of traditional Wicca. It is also shared among many other deities who are depicted with horns.

The name Cernunnos has appeared only once throughout history—on the Pillar of the Boatmen.

Though he is sometimes known as a god of animals or beast, Ceisiwr Serith (or David Fickett-Wilbar) makes the case that although he is depicted on the Gundestrup Cauldron surrounded by animals, only two are looking at Cernunnos, the stag and the dog. Plus there are other deities present on the cauldron.

Cernunnos’ depiction as a “Lord of the Wild” likely comes from his imagery, a man often sitting cross legged and with antlers on his head. This may denote a more spiritual, natural theme for Cernunnos. However, he is not depicted with vegetation or plants

Often depicted wearing a torc, Cernunnos is sometimes considered a god of wealth or fortune. Torcs were known to be a sign of wealth.

He is also seen as a cthonic deity or a psychopomp. Jo Forest makes the case that due to his imagery with snakes—creatures often associated with the underworld—and his relation to the ram due to the ram's horn. Rams were often sacrifices in ancient Indo-European practices.

Cernunnos is likely not a fertility god. This idea may come from his conflation with the Wiccan Horned God, as mentioned earlier.

Cernunnos has been considered to be related to masculinity, but this is also likely due to the conflation with Wicca’s Horned God.

Depictions of Cernunnos with domesticated and prey animals may suggest him being a god of hunting or hunters.

Jess South makes the case further for Cernunnos’ associations with liminality. Between man and animal; hunter and hunted; life and death.

This also points to him possibly being a god of balance or dualities. See Jess South’s “Liminality and Dualities, or “Paired Opposites”’ portion in the text referenced below for more.

Modern Deity Work

Not much is known about Cernunnos or how he was worshipped in the past, but any of the more historically-attested correspondences will have an explanation with them!

Correspondences

Rocks/Stone/Crystals

Gold, silver, copper, iron, and bronze (torcs were made of these metals)

Herbs/Plants

Ferns

Oak

Mushrooms

Mosses

The following plants are associated with liminality, trancework, or hedge-crossing which is why I have included them. Do not consume a plant that you’re unfamiliar with, and be careful touching them. Keep them out of reach of children and pets.

Foxglove

Mugwort

Nightshades

Animals

Stag (depicted looking at him on the Gundestrup cauldron and the silver bowl from Lyons, also he is often depicted with antlers like a stag)

Dog (depicted looking at him on the Gundestrup cauldron and the silver bowl from Lyons)

Ram-horned snake (often depicted holding a snake)

Symbols

Torc (often depicted wearing and holding torcs)

Snake

Antlers

Offerings

Torcs

Imagery of the animals associated with him

Wine

Beer

Antlers

Food

Bones

Feathers

Coins

Acts of Devotion

Explore liminality--what this means is up to you!

Take time to appreciate the balance between man and nature, see how you can participate.

Go hunting--this isn't required but if you're up for it, go for it! Just make sure to do so in an ethical way.

Meditate in the forest, or forest bathe, or just hang out in a woodsy /natural area

Quite frankly, since he is a god heavily associated with liminality, it may be a good idea to test the waters with gender expression!

Read up on him, the following section has a lot of really interesting takes and history on Cernunnos!

Get into cthonic magic

Consider learning more about hedge witchery

References and Further Reading

Cernunnos; An In-Depth Look by Jo Forest

Cernunnos: Origin and Transformation of a Celtic Divinity

Cernunnos: Looking a Different Way by David Fickett-Wilbar

Not Your Mother’s Horned God: The Cernunnos Primer by Jess South (“thebloodybones”)

Britannica

Wikipedia

Mythopedia

ΚΑΡΝΟΝΟΥ: to CARNONOS

#cernunnos #deity #deity deep dive #witchcract #deity work

[sourdoughservitor]

Yule: The Winter Solstice

⋆꙳ •❅*‧ ‧*❆ ₊⋆꙳ •❅*‧ ‧*❆ ₊⋆꙳ •❅*‧ ‧*❆ ₊⋆꙳ •❅*‧ ‧*❆

Merry meet and welcome to the first pagan holiday of the Wheel of the Year, and the first installment of my Year of the Wheel series! I will practice witchcraft every day this year, and this blog will serve to document my works as well as share them for others' benefit.

Yule

Yule falls on December 21, 2023, where I live. It is the Winter Solstice here in the Northern Hemisphere; it marks the shortest day of the year, the day with the most darkness, but of course this also means the following days begin to get longer. Thus, Yule is celebrated as the beginning and end of the Wheel of the Year: it is the signpost by which we track our years.

Yule is an excellent time to celebrate the past and the future. Practitioners will often use this day to focus on cleansing; to re-affirm bonds, vows, pacts, and wards; to set goals, affirmations, and aspirations; as well as to reflect on the past year and what they've learned and experienced, and how they've grown.

During this time, I like to cleanse the negativity of the past year, embrace the positivity, and prepare for the upcoming one.

Yule Witchcraft

I will be doing a variety of works to celebrate Yule. Unfortunately I have nobody to share Yule with in my personal life, so there will be no feast in my home. Instead, I am conducting the following workings to prepare myself for the year ahead:

A Year Ahead spread. The simplest very first thing I like to do to celebrate Yule and the coming year is a Year Ahead spread. As simple as it sounds, you draw one card (tarot, oracle, your choice--I draw tarot) for each month. The image below shows last year's spread, with January at the top and the other months following deosil (clockwise). This year, I'm following full moons instead--I'll make a post hopefully soon into the new year about those too!

Creating my grimoire. This one is a little extra, I'll admit. But I just wasn't satisfied with any of the notebooks or journals I could buy, at least not for under $40. So I decided to learn bookbinding and make one. I already have many notes in a digital grimoire for redundancy, portability, and searchability, but I find paper infinitely superior when doing spellwork or rituals. I'll gradually fill it out as I go, and maybe post the finished book / some spreads later.

Creating a tulpa and enchanting a ring. I'll probably (read: definitely. I mean look at my URL) do a post on thought forms in the future but for now Google it if you're unfamiliar. I learned something about myself in therapy recently--about a part of myself that manifests as self-hatred, but truly comes from a place of compassion. I will bind it to a ring I wear daily in order to work with it to serve me instead of hinder me.

Observe the 12 Days of Omen. Just a good tradition to observe following Yule. See tomorrow's post for details!

Cleansing my altar, my space, and myself, as well as re-confirming my wards.

Journalling. About the past year, the next, about my craft and myself. As part of this I may do some trancework and meditation, depending on my mood and time; I would also like to test out the oneiromancy oil and tincture I made (post forthcoming?? oof so many I have planned!).

If you have any questions or comments, please feel free to leave a note. My asks are always open, too. Blessed be 🐻💚

see my Year of the Wheel masterpost for more!

#witchblr #witchcraft #witches #witches of tumblr #witchy things #eclectic pagan #witchy vibes #folk witchcraft #grimoire #online grimoire #year of the wheel #wheel of the year #yule #yuletide #happy yule #winter solstice #solstice

[creature-wizard]

My current witchcraft practice is seeing just how badly I can do meditation/trance/self-hypnosis techniques and still get something out of 'em. Because doing 'em the "right" way rarely does anything I'd consider particularly spectacular, so why not see what happens when I do it "wrong"?

#witchcraft #trancework #meditation #hypnosis #self hypnosis

[findingthe-stillpoint-blog]

The Spirit-Worker enters Trance

#ancestor worship #norsepagan #pagan #paganart #ritual #ceremony #spellwork #trance #trancework #norse #shamanism #shamanicart #nordic #animism #animist #animistart #shaman #vision #visionaryart #experimentalart #abstractart #meditativeart #drumming #drum #meditation #sketchbook #sketchbookpages #seer #oldgods #prechristian

[skaldish]

Is it dangerous to trance too much?

Ultimately, trance is a form of thinking, and our brains are designed to think. Thinking a lot doesn't physiologically damage us (I'd be fucked lol), but we can use thinking and trancework in maladaptive ways (avoidance, confirmation bias, cognitive dissonance, etc).

As long as you keep tabs on what makes it a healthy and positive experience, and make adjustments to keep it that way, you shouldn't have a problem.

#answered

[7serendipities]

Freyja’s Falcon Flights: To Idunna’s Apple Grove

It’s the waxing half moon again, and so I’ve gone to Freyja and been shown another journey path to share with you all. And as before, this is based on my experience, and I’m offering it to the community in case it’s helpful or resonates with some of you. If you’re used to doing journeys from a script, great! Otherwise feel free to have some one read it to you, or record yourself reading it. Edit the intro and expand the outro if you need to, but please leave the middle intact, and don’t share the recording without telling them where to find my original post!

I recommend lighting devotional candles and/or making small offerings (perhaps a libation) before you begin, for both Freyja and Idunna. Prepare yourself however you normally would, yo do work at an altar. For my part, that usually means wearing one of my devotional hair ribbons and perhaps donning magical jewelry, and acquiring something to go over my head while I journey.

Falcon Flight: To Idunna’s Apple Grove

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing in a flowery meadow.

When you arrive in the meadow, take a moment to observe around you, turning until you see a path. At the entrance to the path are two shrubs, and as you move on that direction, you see trees as well. Shrubs give way to trees and undergrowth on either side of the path, getting taller and denser as you move onward, until they join overhead into an arch, forming a tunnel of trees that slopes downward, getting denser and darker.

Eventually, you notice that the path has become flat, and then it begins to rise. Now the trees are thinning again, branches giving way to brightness, and as the trees again give way to shrubs, you see a gate in front of a wide plain and beyond it, the great world tree. If you have any guides or guardians you wish to accompany you, ones who can join you in flight, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, circle around it clockwise, until you see an opening beneath one of the great roots. Duck under this root and enter the tunnel beneath. There is hard dirt packed beneath your feet, and the entire tunnel seems to have been hewn from that same clay-rich dirt and sandstone. Not as many feet come this way — the floor is still rough in places, so watch your step as you continue forward. There are torches set into sconces in the rough hewn walls, and their light looks like fire but you feel no heat as we continue past, and you smell no smoke or pitch.

The tunnel curves gently and then begins to rise in a gradual incline, ending in a doorway, two huge stones on either side and capped with a third. Touch one gently as you step out into the fresh air — these are worn by the elements and smooth to the touch. If you look back to the entrance, you will notice that on this side, the tunnel leads into what looks like a large burial mound, standing alone in a large clearing, though the forest is slowly encroaching from all sides.

Smell the air — the pine sap scent is strong, and your nose can tell there is moving water somewhere nearby, even if your ears cannot yet hear it. Now you should continue, following a clear trail deeper into the forest. Your footfalls are muffled by pine needles, and the air seems still. The scent and after a while the sound of water is to your left as you walk, and after a short time, you arrive at a fork, with three paths to choose from.

One path curves to the left, and you can just make out a bridge over a creek in the distance. The one to the right seems to vanish into the trees. Continue down the middle path, which leads straight ahead. After a while, the trees seem to thin a bit, and the underbrush grows less tangled. There is a little smoke in the sky, above the rise of the hill, as though it comes from a hearth-fire, and you follow the path towards it.

As the path reaches the edge of the forest, and the pine needles give way to a large open field, your eyes are drawn to the great hall. It is large, and you know at once to whom it belongs. This is Freyja’s Hall, Sessrumnir, and you are in Folkvangr. Approach the door, and when the guard calls out his challenge, announce yourself and your purpose. He will stand aside and let you in.

Inside, you see no one but Freyja. Approach her, and give her the offering you brought for her. She will give you a golden cloak in return, a smaller version of her great cloak, and she will lead you outside. Experience the thrill of being transformed into a bird!

As a falcon, follow your Lady, circling ever higher until your sharp eyes spot a cottage and a circle of trees. As Freyja in her falcon form banks sharply to begin her descent, follow closely and land in a low branch in a tree across from the front door of the cottage. Leap down when Freyja instructs you to, and marvel as you land on your normal feet again. Follow her into Idunna’s cottage, and when you are inside, give Idunna the offering you have brought for her. In return, she will hand you an apple and may instruct you to peel or slice it. Do as she says, and then offer it for her inspection. Listen as she explains your omen.

When she gets up, follow her and Freyja outside. Notice how the air feels and smells - you’ve been led to a small ring of apple trees, which bear flowers, leaves, and fruit at all stages of growth. Listen as Idunna sings to the trees: “Apples, apples, grow on my trees… Apple blossoms, feed my bees…”

Only she can tell the types of apples apart - some for the gods that they never wither, some for the elves to use to heal, others for humans to change their luck. If you have a question for Idunna, ask it now, and listen carefully for the answer.

Thank her when she is finished speaking, and then turn to Freyja. If you have any questions for Freyja, ask them now, and listen carefully for the answer.

When she is finished talking, she will change both of you back to falcons for the flight back to Folkvangr. Delight in the sensations of it! Earlier you flew to arrive swiftly - now, fly for the joy of it! When you are ready to change back to your human shape, land on the roof of Sesrumnir, and wait for your Lady to make the change. Then you can slide down, and land on the soft grass.

When you are finished with your time in that other place, go back the way you came: through the forest, to the mound, through the mound-tunnel and out from under the root, across the plain, and back to the gate, through the tunnel of trees, and back to the meadow. Then the mist will swirl up again, and take you back to your body.

#Freyja #Falcon Flights #guided journey #journey work #trancework #Idunna

[thejaggedpoisonpath]

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