#tw! exile

[ladyddanger]

One of the most annoying things is this fandom is people talking about clingy duo without realizing why they’re called clingy duo. There’s been an uptick in people either: a.) easing them from each other’s stories or b.) trying to make c!Tommy evil and mean and c!Tubbo his poor victim or c!tubbo evil and mean and c!Tommy his poor victim. The truth is we can’t talk about c!Tubbo without talking about c!Tommy or c!Tommy without talking about c!Tubbo. Their arcs are inherent to each other and their relationships are inherent to their arcs. For an example c!Tommy yelling at c!Tubbo before doomsday showed how far he had strayed from his own moral compass. c!Clingy duo have cared for each other since the start of the sever c!Tommy had been shown to be incredibly protective of c!tubbo. In Pogtopia he got in a fight with c!Technoblade a fight he knew he couldn’t win because he was so furious about c!Tubbo’s death. C!Tubbo has always cared about c!Tommy. He risked his life (and ended up losing it) to spy for him and Wilbur. He constantly carried the your Tubbo compass calling it his most valuable item. He was fully willing to die for c!Tommy.

And yes they hurt each other. They both made mistakes but they never stoped caring about each other. C!Tommy regretted saying: the disks where worth more then you ever were. The moment it came out of his mouth and apologized. C!Tubbo even though he thought he was protecting his nation almost immediately regretted exiling c!Tommy calling it a stupid decision and bringing his compass everywhere. To argue about which one of the traumatized child soldiers is the “worst” friend is silly at best and outright ignoring the lore at worst because it misses the point. The point isn’t which one of them is worse if it’s c!Tommy evilly manipulating and abusing poor Tubbo like c!Wilbur :( or c!Tubbo actually hating c!Tommy and turning on him the first chance he gets because he’s just like c!schlatt. The point is that they’re traumatized teenagers with communication issues and totally different styles of dealing with trauma and coping

C!Tommy clung to c!Tubbo after his death in prison because he needed him. It wasn’t to control c!Tubbo, it was because he was terrified of losing everything again. C!Tubbo went into denial after c!Tommy’s death. He dissociated himself from the pain so he wouldn’t have to feel the guilt and hurt. He didn’t “replace” c!Tommy or shut him out he tried to distance himself from the point of pain.

TL;DR? Clingy duos stories have intertwined from the start. You can’t talk about one without the other, and can’t boiled their stories down to good one and bad one because that’s not what they are. They’re clingy.

#i will defend my boys #i keep seeing bad takes in the tag and getting more more annoyed #c!tubbo #c!tommy #tw! exile #c!clingyduo #c!clingy duo

[wonda-cat]

My c!Tommy exile arc zine is finally here! With illustrations inspired by @/alliumcola

I'm selling physical versions of this artbook for an extremely limited run of just 15 copies on Etsy.

Once they're sold, they're gone forever, so be sure to pick one up if you're interested or if you'd just like to support me and my work. 🌼

#dsmp #dream smp #tommyinnit #c!tommy #dsmp fanart #dream smp fanart #c!dream #wilbur soot #c!wilbur #tubbo #c!tubbo #dsmp tommy #exile arc #discduo #crimeboys #clingyduo #tw abuse #tw blood #tw blood and gore #tw animal death #tw death mention #my art

[teaableu]

A little spooky

#samurai rabbit #the usagi chronicles #srtuc #tw blood #or the idea of blood really.. #yuichi usagi #sr exile au #exile!usagi #emd Usagi #emd au art #teaaart

[rainsteas]

exile.

#art #my art #fanart #dream smp #dsmp #dsmp fanart #dsmpblr #dream smp fanart #tommyinnit #tommyinnt fanart #tommyinnit exile #exile arc #dreamsmp #tommy fanart #ctommy #ctommy fanart #ctommy art #Suicide tw

[finalherrschers]

carry me in your teeth with tender jaws of sympathy.

#tw blood #tw bruises #tw implied abuse #tw eye horror #ctommy #c!tommy #c!dream #cdream #c!discduo #cdiscduo #tommyinnit #dsmp fanart #dream smp #dsmp #art #artwork #my art #exile #:( #i explode

[copyplays]

Another commission for @bingusbongusminghiskinghis

#you're fantastic thanks for throwing fun expressions at me #kotor2 #exile #jedi exile #tw: blood

[edexeen]

HUNGRY.

i am so so not ready (extremely ready) for the next chapter. i cant wait for him too hurt /pos (i love ocs gaining new trauma what can i say its so scrumptious)

this is zenith :3 ive posted him before but this is new. im so happy with it

oc and lore from @exilethegame

#tw scars #tw blood #art #oc #zenith vamirel #the exile #exilethegame #fanart #exile fanart #animation

[eatingyarn]

they made me and then they broke me

angst? don't mind me if i do! @exilethegame

i made also a small gif out of this under the cut, but there are flashing lights, so please be careful!

#the exile #exile the game #exile #exile art #exile commander #phoenix commander #elaine vamirel #tw blood #tw flashing lights #under the cut tho #my art #can we appreciate i drew the whole background #applause pls #it was MUCH more fun than expected #the whole piece tbh #poor little elaine

[sunlitmcgee]

I find it weird that to this day there are people who say that exile wasn't good or didn't make ctommy seem lonely enough because we saw people visiting because like. even way back then when i first started to watch around the beginning of the arc, I always saw each stream we got as like...a glimpse into a specific moment of a very long time period. Like. Tommy's clothes and skin getting more worn out and tattered made me go "oh okay so it's been a while in-universe since the last we saw him" and I just assumed we, the viewers, were getting snippets and highlights of a prolonged period of isolation and abuse that were broken up by the brief visits from other characters.

I've ALWAYS thought of exile as lasting AT LEAST a few months. I don't know why this is still such a point of debate.

#tw abuse mention #c!tommy #dream smp #exile arc

[aarghone]

SHE ACTUALLY NEVER LOSES

#qsmp #qsmp juanaflippa #qsmp codeflippa #LETSGOOOO #flippa dance >:D #mi huevita de código #my favorite lil egg <3 <3 #flippa round 4 here we go >:)) #love her lil cuckoo bird shenanigans <3 #tw flashing #tw gun #im sure she only gave him normal toast because he never finished explaining the recipe for avocado toast yep #when charlie said he wouldnt leave again do you think he was thinking about when he left her for exile and came back to a world without her #hmm hmmm #cant believe we live in a world where we get more juanaflippa content #truly blessed #my art #animation

[nomsfaultau]

Hybrid AU in exile week where avian instincts can take over to a degree that is almost horrific, erasing someone’s personality and rationality when they’re panicking. First part here.

Tw graphic violence

When he hears Tommy’s distressed shriek, Philza launches into the air immediately, flying so fast the world blurs below. He finds his chick pinned beneath an assailant, and plunges toward them, slamming into the man so fast he’s flung away from Tommy, slamming into the ground hard enough that he is stunned. By the clippings of Tommy’s primary feathers tucked behind his mask, the attacker claims to be Tommy’s guardian. Philza’s blood boils as he realizes this was the abuser Tommy spoke of. Tommy is painfully motionless from where he’s ensnared in a net like an animal, and his fury builds, attacking faster and faster. The abuser is caught off guard only at first, and begins to fend Philza off. 

But then Tommy makes a noise. And while he should be relieved Tommy is alive, Philza’s blood turns to ice. It’s not a pained sound, the kind he’d expect for the hatchling’s injuries. It’s not a scared chirp, either, the kind half broken by a sob like he’d heard earlier. No, it’s a soft, tranquil coo, trance-like, the kind used during wing grooming to indicate bliss.

And Philza sees red. 

He rips into the abuser with his bare claws, shredding through soft skin and sturdy armor alike. The mask shatters as he gorges through the abuser’s face, blinded with fury long past the end of his agonized screams, past the last of his thrashing struggles, past the death of the monster that hurt his child. 

Eventually, the threat to his chick registers as dealt with. Philza peels himself off the scraps of the abuser’s mutilated corpse. He finds Tommy still softly cooing, placid inside the net he’s tangled in. There’s a dazed look in his eyes, incapable of comprehending the horrific situation he’s in. The most response Philza gets is blissful little chirps. He’s in preening position, or would be if the net didn’t constrain his other wing. Technically it’s easier to cut Tommy out if he’s not thrashing, but his docile acceptance of his ensnarement is sickening. 

Once free, all Tommy does is snuggle even though he’s very clearly bleeding to death. When Philza tries to heal him instead of preening, his coos whine, wings spreading out in the proper display position and trying to nudge him to continue where his abuser left off. No wonder Tommy insisted on grooming himself if he’s been manipulated like this for so long. Except Philza doesn’t know why he’s stuck like this, how his abuser forced the instinct to be so overwhelming. 

His heart breaking, Philza hugs his poor hatchling. He begs Tommy to snap out of it, but he can’t understand a word he says. Tommy is only confused why he isn’t being petted anymore, quietly cooing in the same affectionate tone his abuser forced out of him. He seems distressed that Philza refuses to preen him, only calming when Philza echoes his coos, nestling into his arms contentedly as Philza stiffly runs a hand down his feathered back. Is this just making it worse? Is he trapping Tommy further in his instincts? But every time he stops Tommy’s coos sound so concerned. Terrified, almost, like he expects to be hurt the moment the love bombing stops. Philza abhors whatever it took to make him like this. So he holds the hurt hatchling, at a loss as to how to heal the wounds driven through his body to the soul within. 

When Tommy finally comes out of his trance, he begins to sob for what’s been done to him. Philza only hugs him tighter, suppressing the worried coos building up in his throat, scared of shoving Tommy back into his trance. 

Next>

#revenge fantasy? Never heard of her #dsmp fic #exile arc #exile week #tommyinnit #tommyinnit fanfic #Ctommy #hybrid au #philza #dsmp philza #cphilza #angel duo #angel duo fic #philza fic #philza fanfic #sbi #sbi fic #technoblade fanfic #something to nom on #sbi au #tw violent death #tw violence #dsmp

[my-little-versaille]

THE INHERENT HORROR OF LONELINESS ; DREAD ; DEATH - An Exile!Tommy Webweave

transcribed by @daggryet / Neekwe (flikr) / Dead Girls - Penelope Scott / evanmcgaming (youtube) / evanmcgaming (youtube) / All the Trees of the Field Will Clap Their Hands - Sufjan Stevens / Portrait of Fryderyk in Shifting Light, Richard Siken / unknown / transcribed by @daggryet / @clingyduofan / @bugflies00 / unknown / Sacrifice, Bilal Al-Shams / TubboLive (Twitch/Youtube) / Prologue - Chase Petra / God is made of hunger and I am made of dreams - Katie Maria / Morning Bell - Radiohead / Tommyinnit (Twitch/Youtube) / @lotusmusings / Not Strong Enough - boygenius / The Selected Plays of Hélène Cixous: "The Perjured City" - Hélène Cixous / Needed a Change of Pace - Jhariah / evanmcgaming (youtube) / Ferryman - Shayfer James, Will Wood

GIFT FOR @cryingtulips

Okay SO this is technically 1 of 2 gifts i have for you, but this is going to be the one that'll be completed in time for the event for sure. Here you go! Chommy exile webweave :3

@mcythorrorgiftexchange

#curators journal #cobwebs in the corner #cafe chatter #into the archives #ctommy #dsmp #mcyt #exile arc #potentially -> #tw suicide #maaaaybe #just in case man #mcythorrorgiftexchange

[swordfright]

Tell me about how the structure of the medium impacts the story 🔫

My brother in Christ, prepare yourself for the most boring essay you could possibly imagine. I'm going to over-simplify a few things here for the sake of Getting To The Point, so bear with me.

I think a good starting place is that DSMP is an example of New Media. The go-to definition most folks use is this one: that New Media are stories told via "communication technologies that enable or enhance interaction between users as well as interaction between users and content." In other words, NM is basically this category of stories made up of convergent elements, which satisfy a multimedia requirement, and are heavily reliant on both participatory fan culture and recent advances in technology that allow creators/audiences to communicate with one another instantly.

There's a couple ways you can understand DSMP as a New Media, but as far as I'm concerned, one of the most interesting is prosumption. The term "prosumption" describes a creative situation where a piece of art is being produced (at least in part) by the same people that consume it; they're both audience and creator. DSMP is a really great example of this phenomenon, because A) it's serial and therefore the CCs had ample opportunity to respond to and engage with the audience's reception of their story; and B) because the chat feature allows CCs to interact directly with their audience during roleplay rather than after the fact. These features, among others, kinda set the stage for DSMP to function as a highly prosumptive piece of media.

In particular, the stuff that interests me is the stuff to do with storytelling convention (genre, perspective, etc) and how prosumption turns all that on its head. There are a number of altercations in DSMP canon where the course of the story is altered because of real-time interactions between the CCs and their chat - particularly times when a CC's chat warns them about events happening at the same time elsewhere in the server. In this kind of scenario, the CCs are static, they can't really leave their own stream. Their viewers, on the other hand, are able to jump between streams and talk to each other to figure out what's happening in the overarching story. When this happens, viewers have choices to make: are they going to tell a CC what's going down on the other side of the server? If so, how are viewers going to communicate those events? Viewers are biased, they directly inform CCs, and the information they divulge (as well as how they divulge that info) goes on to influence CCs' actions and thus the events of the story, to some degree. In my opinion, this is a pretty new and exciting way to prosumptively construct a narrative! Media has always been interactive to some extent (especially serial works), but the interaction being live and in real-time is pretty significant in my view because it can exert unique pressures on a narrative.

Speaking of audience choice, that brings me to the next thing I want to yap about: ergodic storytelling, a term that refers to stories “negotiated by processes of choice, discernment, and decision-making.” For reference, a good non-MCYT example of this would be hypertext fiction, because it's generally characterized by the ability of the interactant (that's the reader, in this hypothetical example) to explore material provided by someone else, either as a kind of conceptual landscape (think setting in a video game), or as puzzle pieces that must be put together in order to give the interaction the "big picture" of the story. Basically, with hypertext fiction, there is a core text (the main document that forms the skeleton of the story) and there are multiple hypertexts branching off of the core text - and whether the reader ends up reading those branches, and in what order, inevitably shapes that reader's perception of the whole story.

So here's where it gets tricky. In the case of DSMP, where is the core text located? Is there any one identifiable core text at all? Or is it more appropriate to consider each individual stream or VOD as its own singular core text, with the related Twitch channels and Youtube recommended in the sidebar being "branches"? Alternatively, if the streams and recordings distributed on the server members’ official channels are the central text in the grand hypertext fiction that is DSMP, then can adjacent spaces where audiences do the work of creating and archiving lore be considered their own story branches? I don't have answers to these questions. No one does. That's part of what makes DSMP exciting.

To translate the above quote out of Academia Hellspeak: in an ergodic story, the audience has agency, but the agency enabled and allowed by the text varies in its intensity and mode. Yes, stories told ergodically necessitate choice — and therefore enable agency, turning the reader or viewer into interactant — but that element of choice doesn't always look the same. Some hypertexts are more choice-reliant than others, or are choice-reliant in different ways. So, rather than being a choose-your-own-adventure story, DSMP is more closely analogous to a story where the audience chooses the perspective through which they view plot developments, in addition to having some influence over how plot developments unfold.

(☝️From a 2021 Polygon article, if you think I sound crazy☝️)

The web of choices DSMP presents to viewers is very complex, even compared to other forms of choose-your-own-adventure game. Because each CC approaches the task of story-creation from their own angle (bringing their own narrative baggage to the writers’ room, so to speak), those shifts in perspective this Polygon article describes often also constitute shifts in genre. For instance, cc!Wilbur brought his music production experience and interest in musical theater to the server, cited operas and stage musicals as some of his main inspirations; and accordingly, much of c!Wilbur's most crucial arcs observably draw from those sources. When you watch a c!Wilbur stream, you’re watching a story about statecraft, about revolution, about the triumphs and tragedies of ego that play out during the process of nation-building. On the other hand, cc!Quackity has repeatedly identified Breaking Bad and Better Call Saul as his primary influences; accordingly, his RP character’s story is closer to a piece of gritty prestige television in some places (especially LN series). Unlike with c!Wilbur, a lot of c!Quackity's tension does not revolve around a romanticized fantasy of revolution but around more personal conflicts: securing your place in a new regime, navigating exploitation as both exploited and exploiter, etc. In terms of both plot beats and character arcs, Wilbur and Quackity’s respective storylines embody many of the genre conventions the content creators are working within.

Moreover, a shift in genre often entails a shift in style or mode. Because cc!Wilbur was heavily inspired by musical theater, the presentation style of his character’s storyline is correspondingly both theatrical (i.e. only loosely scripted, nearly always televised live, and improv-heavy) and musical (featuring multiple instances of Wilbur singing in-character ballads and anthems.) On the flipside, Quackity’s streams (especially the later ones, since I'm mostly focusing on Las Nevadas era here) demonstrably mimic the prestige TV shows the CC draws his inspiration from, with lore sessions being pre-recorded rather than televised live, featuring distinctive sonic and visual aesthetics popularized by neo-Western thriller dramas. So, where a piece of media like DSMP is concerned, shifts in perspective entail shifts in genre, which in turn entail pronounced shifts in style. I don't think it's an exaggeration to say it's an entirely new story depending on which character the viewer decides to follow. In that regard, what initially appears to be a single choice (whose perspective to watch a plot event through) has the power to determine a wide array of other elements, as viewers’ responses to the options presented to them will decide the overall tone of the section of the story they're about to watch.

While I think the genre-switching is genuinely super cool, lately I'm a lot more interested in perspective-switching and how it's related to viewer empathy. One side-effect of DSMP being televised live is that yes, you can watch a plot event from 30+ different POVs, but you can't watch every POV live. Typically, you either have to switch between multiple streams, or you need to pick one streamer to watch live and maybe later you'll watch other characters' POVs as you see fit. This has an impact on your perception of how that plot point went down because watching something live feels very different from watching something after-the-fact. I haven't done study on this, so what I'm about to say is mostly conjecture, but I wouldn't be surprised if viewers felt greater empathy for (and greater degrees of kinship with) characters whose POVs they watched live.

The choice of which character to follow also has observable impacts on other kinds of narrative conventions (who is the main character of DSMP? the boring answer is c!Dream because the server's named after him, but the real answer is the protagonist is whoever's POV you watched most of the major plot events through) but to be honest, those questions don't interest me as much.

So, going back to perspective and empathy. I think viewers' reactions to Exile are a really solid way of exemplifying the thing I'm trying to say, so this is the part of the yapping where we gotta bring up the dreaded Exile discourse.

Even though the Exile VODs are available and new viewers can go back and watch them, those viewers experience the Exile arc in a way that is fundamentally different from the experience had by viewers who had to wait in between updates as the videos were being streamed serially in real-time. I would argue that viewers who were “present” during the whole arc noticeably felt the brutality of c!Tommy’s treatment to a greater degree, because the audience was effectively forced to sit in exile alongside Tommy’s character - stewing in anxiety, looking forward to the possibility of appearances from other characters, and living in fear of Dream’s next visit, etc etc. Obviously you could also make this point using c!Dream's time in Pandora as an example, but I'm using Exile here because I've actually seen a lot of fans bring this up when discussing the arc: "people who didn't watch live Don't Get It," "the reason newer fans don't see Exile as scary is because they didn't have to watch it live," that sort of thing. And while I have certain qualms with some of the implications here, I do think these are really fascinating responses! These sorts of responses show that viewers consciously perceive their viewing experience as having been fundamentally different from others' based on a temporal element that's unique to serial fiction!

This instance of a divergence in collective fan experience is an example of choice being rendered unavailable to viewers by virtue of the story’s structure and means of distribution; audience members who happen to accidentally miss streams or who begin following the story after major events have occurred will never be able to engage with and witness those events as LIVE viewers, merely as retrospective ones. They don’t get to make that choice, but they do get to make choices about which perspective (and therefore genre) they get to experience the story through. So it follows that each aspect of DSMP, a semi-ergodic story, can be categorized as either ergodic or non-ergodic, and whether a particular storytelling element is ergodic can change depending on WHEN the viewer began tuning in to the story.

I have a lot more shit to say (shocker) but I'm gonna cap it here for now. Though I do want to add that this is kinda why I have a lot of patience for the crazy diversity of interpretation you tend to get in DSMP fandom. If you took a random sample of fans and asked them what they think of various arcs, characters, and plot events, chances are they would all have fairly different things to say. To me, that's a feature, not a bug. Obviously I have my own opinions, and obviously I do think it's possible for a given interpretation to be "bad," i.e. not grounded in the text - but I have a lot more patience for it here, in a fandom where agreeing on what "the text" EVEN IS presents a challenge. We can't all agree on who the main character is, so I don't ever expect us to agree on more nuanced questions of theme and conflict resolution in the narrative. Again, that's a feature, not a bug. I don't think it was ever possible to reach a consensus with a piece of media like DSMP because of how inextricable the audience is from the story.

#dream smp #tw cc!Wilbur mention #in case anyone wants to avoid that right now for obvious reasons #sorry for yapping for so long but I did warn you #also sorry for letting this sit in my inbox for ages #I got so busy and it was hard finding a spare moment to sit down and collect my thoughts #dsmp exile arc #asks #long post

[teaableu]

WHAT IS YOUR EXILE AU LIKE....

I HAVE BEEN WAITING AGES FOR SOMEONE TO ASK ME THIS

Okay SO a LOT is up in the air right now because I'm doing Research as best I can between classes BUT here's what i got so far:

Lord Kogane is from a very powerful family that wants to take full control over Neo Edo. They think he's doing a poor job because the yokai are running free again and he's overall a pretty useless ruler. They step in and force him to enforce some pretty Messed Up Stuff that put all the people in danger (something to do with the Makkine tech probably). Usagi and his friends have a front row seat as to what he's up to and Usagi decides he won't let them get away with it. I haven't worked out the details but the Koganes' plans threaten the people and the yokai. BUT Usagi's not strong enough to take out the Koganes on his own.

My Usagi has a mystic power of sorts, which makes him very sensitive to spirits. All of the visions he gets through the Ki stone in the show, plus his ability to speak with Miyamoto stem from this ability. A simple way of seeing it would be like, he can see the threads of their lives. So he can read souls and connect with them, and sees ghosts when others cannot. I think the Ki stone sort of unlocked and amplified it when he connected with her. I'm still working on the details of his power but basically he can see and talk to ghosts with a little extra stuff sprinkled in

So the Ki stone encourages Usagi to seek help. Turns out the Koganes have a rich history of killing entire villages and armies that oppose them, dating (maybe) all the way back to Miyamoto's time. So he finds a couple of restless ghosts that are still waiting for vengeance and asks for their help. He strikes a deal that was supposed to help him fight Kogane while allowing the ghosts to avenge themselves their loved ones and their clans. I think he would amplify their power while they help him fight. But he doesn't realize who exactly he's making this deal with and ends up tethering his soul to very powerful VERY ANGRY ghosts that are WAY stronger than he is (I've been researching onryo and yurei for reference). They can take possession of his body, amplify his emotions to be in tune with their own, manipulate his power, and generally cause a lot of destruction. Basically, he becomes their puppet. I'm thinking it's a Venom or Little Shop of Horrors type dynamic between them. Also think of any poltergeist type film

He makes the deal and the ghosts possess him. When Usagi wakes up, he's killed Kogane (who really wasn't even the Big Bad behind the whole thing) and has to flee the city before he's caught and put to death for treason and murder. His friends are all imprisoned but he can't risk returning because he has lost control of his power and is unable to control the ghosts that are bound to his soul. The ghosts are starving for power and burning with hundreds of years of fury and anguish, and feed off of destruction (maybe the living?) It's sort of a pandora's box situation. The ghosts are just a whirlwind of chaos and use Usagi as a means to exact their wrath

I called it exile because Usagi can't return to the city without being arrested and killed for his crimes. The gang was the only one standing up to Kogane, and with his friends in prison, he's sort of stuck. He blames himself for everything that went wrong because he ran off without his friends and jumped headfirst into a situation he did not understand. He was reckless and cocky and now everyone is paying for it.

That's where EMD comes in, but the story continues after EMD season 2 as well.

Some extra notes:

- The timeline for srtuc would probably be a bit different so I can have more flexibility with the season one and season two events, since I wasn't sure when it would take place and I want there to be a pretty big time gap between Usagi leaving and returning. I also might use the Makkine invasion in the story

- I’m still working out Usagi’s backstory/past, but have pretty much decided that he has some history with the Kogane family

- I'm planning for Miyamoto to have a pretty big part in the story as well, acting as a guide for Usagi when he goes into hiding. I'm really interested in their relationship so I really want to take the chance to explore it.

- I'm thinking of adding someone as a nod to Tomoe Ame as well (descendant of her apprentice perhaps), since we got a representation of Chizu, Kitsune, and Gen in the tv show but not Tomoe (sad)

I wrote out the sparksnotes version of this here

In addition to the artwork there I have some other concept art

Blood warning under the cut

#samurai rabbit the usagi chronicles #srtuc #yuichi usagi #sr exile au #srtuc exile au #tw blood #tw death mention #this was kinda just me rambling all my thoughts

[marblebagcollective]

scream and shout , trickle down and down , ill build a home at sea.

#first two links r the art in better quality and the last is the song !!! =o #i dont support d ream and neither should u hes a freak #this is cdream his fucked up and evil roleplay character #exile arc #abuse implied #bruises tw #blood tw #ctommy #c!tommy #c!dream #c!dream fanart #c!tommy fanart #c!tommy hurt #been listening to that song so often idk its just exile coded to me. ocean themed and other stuff #this art is basically just ctommy messing about . daily logsted activites . its not a home but its all hes got #while cdream stands there observing probably laughing at jokes ctommy makes or just at him #dsmp #dsmp fanart #exile cw #injury cw

[just-whump-and-suffering]

Yume de Mita Ano Ko no Tame ni Ep 02

#Yume de Mita Ano Ko no Tame ni #asian whump #whump #jdrama whump #japanese drama #jdrama #hostage situation #tied up #tied to chair #whump beaten up #tw blood #Threatened with friend #itagaki mizuki #The Rampage from Exile Tribe #fujiwara itsuki